Podcasts about The Royal Ballet

This week, we're chatting to Lucy Ashe. Lucy trained at the Royal Ballet school, and now works as a teacher in Brooklyn, whilst writing brilliant books. Her debut, 'Clara and Olivia', was shortlisted for the CWA Historical Dagger Award. Her follow up, 'The Sleeping Beauties', was also set in the world of ballet. The new novel is 'The Model Patient'. Set in 1960s London, it explores obsession and betrayal. In the quiet hush of her therapists office, Evelyn Westbrook finds herself revealing secrets she'd prefer to stay hidden. When her sessions with the enigmatic Dr. Daley starts to give more questions than answers, she finds her interest in him turn into an obsession. It was inspired by Lucy's own traumatic relationship with a therapist, and it helped her find some control in that strange situation.We talk about Lucy's writing life, after recently having her first child, and how that's changed how much time she thought she'd have to write. Also, hear how a book deal changes how you write... does it add confidence or pressure? And, how it's a slight diversion from her normal historical fiction book - she's found the psychological thriller in this one.Get a copy of the book at uk.bookshop.org/shop/writersroutineThis week's episode is sponsored by IngramSpark. Get 15% off your first 15 books when you use the code ROUTINE15 at ingramspark.comAlso, this week we're supported by the Quick Book Reviews podcast with Philippa Hall. Take a listen wherever you've got this show.Support us at patreon.com/writersroutineko-fi.com/writersroutine@writerspodwritersroutine.com Hosted on Acast. See acast.com/privacy for more information.

Seventeen years as a Royal Ballet performer! $ BTC 80,922 Block Height 947,991 Today's guest on the show is Benjamin Ella, a former career ballet dancer at the London Royal Ballet. Ben discusses his journey into Bitcoin and his efforts to promote its adoption within the arts. Ben spent 17 years dancing professionally, retired recently but dedicated the last couple of years to advocating for the Royal Ballet to accept Bitcoin for ticket sales. Key Topics: Bitcoin adoption in traditional institutions Challenges of orange-pilling in conservative environments The financial struggles and dwindling government funding in the arts Ben's journey into ballet and Bitcoin Bitcoin for the Arts initiative by Dion Wilson Decentralizing arts funding and cultural resurgence through Bitcoin Bitcoin as a tool for financial integrity and principled thinking Find Ben on Club orange - https://app.cluborange.org/bob-imtgqqp7t Instagram BenjaminFWElla NOSTR - npub1sf4p53yx8j7hp5vz0ufmhhjs0a87ysjrn5r0ff6n9p0vzf5ukgwqmnstf0 Check out my book ‘Choose Life' - https://bitcoinbook.shop/search?q=prince Pleb Service Announcements: Join 20 thousand Bitcoiners on @cluborange https://signup.cluborange.org/co/princey CONFERENCES: BITCOIN IRELAND - 22ND -25TH MAY 2026 - DUBLIN https://bitcoinireland.eu/ Use code BITTEN for - 10% BTC PRAGUE - 11th - 13th June 2026 http://btcprg.me/BITTEN - Use code BITTEN for - 10% BTC HEL - 25th - 26th September 2026. - Helsinki https://btchel.com/ Use code BITTEN for - 10% My First Bitcoin. https://myfirstbitcoin.org/ Shills and Mench's: BITBOX - SELF CUSTODY YOUR BITCOIN - www.bitbox.swiss/bitten Use Code BITTEN THE MEETUP BREAKDWON - BITCOIN EVENTS UK - https://www.themeetupbreakdown.com/ SWAN BITCOIN - www.swan.com/bitten PLEBEIAN MARKET - BUY AND SELL STUFF FOR SATS; https://plebeian.market/ @PlebeianMarket ZAPRITE - https://zaprite.com/bitten - Invoicing and accounting for Bitcoiners - Save $40 SATSBACK - Shop online and earn back sats! https://satsback.com/register/5AxjyPRZV8PNJGlM ALL FURTHER LINKS HERE - FOR DISCOUNTS AND OFFERS - https://vida.page/princey - https://linktr.ee/princey21m

When the world's most famous dancer offered a young sailor a job as his assistant, Blue Robinson thought it was a joke at first. But what followed was the most fascinating and formative year of Blue's life.Simon 'Blue' Robinson grew up sailing and playing rugby on the idyllic island of Jersey, between England and France.In his 20s, he went further a field, first to London and then Blue started working on yachts sailing around the Caribbean.One evening at a restaurant in St Barts, Blue spotted a man whose face he recognised, and invited him on board the yacht the next day.That man was Rudolf Nureyev, hugely famous for his talents as a ballet dancer, his volatile temper, and for defecting from the Soviet Union.Nureyev took an immediate liking to Blue and spontaneously offered him a job as his assistant.The two next met months later, when Blue found himself side stage in Cleveland, Ohio, helping the legendary dancer undress, and preparing him a thermos of hot tea.This began an extraordinary and transformative year for Blue as the assistant, dresser, masseur, driver, cook, and trusted confidante of history's most iconic and legendary male ballet dancer.Blue's book, A Year with Rudolf Nureyev, is currently being turned into an audio book.He is still working as a writer, helping people write their private memoirs.This episode of Conversations was produced by Meggie Morris. Executive Producer is Eliza Kirsch.It explores ballet, Russia, USA, famous people, the secret lives of celebrities, Tatar, Red Army, Margot Fonteyn, classical dancing, defection, Soviet Union, USSR, The Royal Ballet, HIV-AIDS, health, decline, homosexuality in the 20th century, caring for sick people, carers, memoir, writing books, biography, boats, super yachts, below deck, sexual health, queer icons, STI, first jobs, amazing jobs.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

 **Timothee Chalamet Boosts Ballet and Opera Sales Amid Controversy**Timothee Chalamet has unexpectedly become ballet and opera's "new best friend," with industry figures crediting the 30-year-old actor for a surge in ticket sales following his controversial remark that "no one cares" about these art forms. **Chalamet's Remarks Trigger Sales Spike**While his comments faced immediate backlash from personalities like Conan O'Brien and Whoopi Goldberg, they also coincided with increased engagement and ticket sales at London's Royal Ballet and Opera, as reported by chief executive Alex Beard.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

One of the greats of ballet, Ed Watson takes us behind the scenes of his time as a Principal at the Royal Ballet, exploring the physical and emotional demands of being a global star. 

[@ 12 min] Alright, this week…Lyric Opera of Chicago has announced their 26/27 season, and we break down the stats, report who's active on the roster, and ask the all-important question…will Luck Be a Lady at the Lyric next year? [@ 30 min] And then...Friend of the Show Randall Scotting returns to the OBS to take a free throw on Nicolò Grimaldi, the castrato who conquered the opera world under the stage name Nicolini. His latest album, 'Divine Impresario' is now available to conquer your earholes... [@ 42 min] Plus, in the ‘Two Minute Drill'… Timothée Chalamet may have been doing the Royal Ballet and Opera a favor, and Jackie Chan takes a shot at the OBS Hall of Fame... GET YOUR VOICE HEARD Stream new episodes every Saturday at 10 AM CT on amplisoundsradio.com operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

Wednesday Headlines: Positive ceasefire talks between the US, Israel and Lebanon International Monetary Fund warn of global recession NSW city shaken by a magnitude 4.5 earthquake St Kilda VFL player handed 9 week ban for using homophobic slur Royal Ballet and Opera thank Timothee Chalamet for boosting ticket sales Deep Dive: Millions of Australians are turning to chatbots instead of doctors - using AI to interpret symptoms, scan results and diagnoses without clinical oversight. A recent YouGov poll found 40 per cent of Aussie adults have already done it, with many acting on that advice or using it to question their GP - raising concerns about accuracy, regulation and trust. In this episode of The Briefing, Chris Spyrou speaks with Poppy Reid about the rise of the “shadow doctor,” why and how people are relying on it, and what it could mean for the future of healthcare. Further listening: Will Asia fix our fuel crisis? and THE BEEFING: The AFL vs homophobia Follow The Briefing: TikTok: @thebriefingpodInstagram: @thebriefingpodcast YouTube: @TheBriefingPodcastSee omnystudio.com/listener for privacy information.

For 13 years, Sir Alex has led one of the world's most iconic cultural institutions through a period of extraordinary change. Brexit. A global pandemic that closed theatres overnight. A cost-of-living crisis reshaping audiences and audience behaviour. Few organisations have faced these pressures more intensely, or more visibly, than the Royal Ballet and Opera. In this wide-ranging conversation, he reflects on what it takes to steward an institution of immense history and global reputation through one of the most defining and difficult decades in its history. This event will be followed by a drinks reception at 8pm. Speaker: Sir Alex Beard, Chief Executive, Royal Ballet and Opera Chair: Nancy Durrant, culture journalist and broadcaster In partnership with: Royal Ballet and Opera  

Sir Peter Wright is living proof that doing what you love will sustain you. The ballet producer and artistic director turns 100 in November, but has been involved in recent revivals of his cherished productions of Giselle, The Nutcracker and Swan Lake for the Royal Ballet and Birmingham Royal Ballet. In this special episode of Why Dance Matters, we listen in as Sir Peter talks about his life and work to the RAD's Patrons' Circle (who support the RAD's charitable work). He discusses the star dancers he worked with, and how ballet has changed during his remarkable life in dance. Peter Wright made his debut as a dancer with Ballets Jooss during World War II. In 1961 he joined John Cranko's new Stuttgart company, choreographing ballets and mounting his first production of Giselle. His productions of the classics now feature in the repertories of companies around the world. In 1977 he became Director of Sadler's Wells Royal Ballet, supervising its transformation into Birmingham Royal Ballet (he became Director Laureate on retirement from the company in 1995). In 1990 he received the RAD's Queen Elizabeth II Coronation Award, and a knighthood in 1993. He is a Vice-President of the RAD. The RAD's Patrons Circle https://www.royalacademyofdance.org/support-dance/#patronBirmingham Royal Ballet celebrate Sir Peter Wright on 18 June https://www.brb.org.uk/shows/sir-peter-wright-centenary Hosted on Acast. See acast.com/privacy for more information.

Louis sits down with Laufey, Grammy-award winning Icelandic singer and songwriter. Laufey tells Louis about her stratospheric rise to fame on TikTok, partying with Bill Murray, and why everyone can benefit from being a bit bored. Brace yourself for major music geekery.   Warnings: Strong language and adult themes.     Links/Attachments:    Album: A Matter of Time, Laufey (2025)  https://open.spotify.com/album/5rMOCuiWWbEBcHaKM69Hmv     Whiplash (2014)  https://www.imdb.com/title/tt2582802/     “The Great American Songbook”  https://thesongbook.org/about/what-is-the-songbook/     Singing in the Rain (1952)   https://www.imdb.com/title/tt0045152/     An American in Paris (1951)  https://www.imdb.com/title/tt0043278/     On the Town (1949)   https://www.imdb.com/title/tt0041716/     Ziegfeld Follies (1945)  https://www.imdb.com/title/tt0039116/     The Sound of Music (1965)   https://www.imdb.com/title/tt0059742/     Mary Poppins (1964)   https://www.imdb.com/title/tt0058331/     Shirley Temple (1928 – 2014)   https://www.imdb.com/name/nm0000073/     Song: ‘One Note Samba', Antônio Carlos Jobim (1960)  https://open.spotify.com/track/1UJQJz6ZP0qKGU55fRDcyI?si=ef59b3251c18423d     Album: Getz/Gilberto, Stan Getz and João Gilberto (1964)  https://open.spotify.com/album/73ZRKdD3Ds43IjHrhKgucY?si=a1Fe3WkdS7eFZpoH9IYufA     Album: Chet Baker Sings: It Could Happen to You (1958)  https://open.spotify.com/album/5CNRrD9O1kCaBvN1RyHRdt?si=gK_1vEjQQAmSBs3RWeOAKw     Let's Get Lost (1988)  https://www.imdb.com/title/tt0095515/     Song: ‘From The Start', Laufey (2023)  https://open.spotify.com/track/43iIQbw5hx986dUEZbr3eN?si=4f08726cd6fc4307     Song: ‘It Could Happen to You', Chet Baker (1958)  https://open.spotify.com/track/5J8ahRMQ9Y1lRcuAhpP5Fy?si=b55e1844542c44fb     Song: ‘James', Laufey (2021)  https://open.spotify.com/track/2y1NtQ2ZfIq0zBUP3tOlbX?si=15ac3bbfa0c74cf7     Song: ‘Mr. Eclectic', Laufey (2025)   https://open.spotify.com/track/5n934Lu8pAsAHLc155qzck?si=f9ed9e496ee847d7     Song: ‘Goddess', Laufey (2024)   https://open.spotify.com/track/2SEeyc2KS9DIjiJPCYtfgJ?si=a740ddd0858249d6    Song: ‘Creep', Radiohead (1993)  https://open.spotify.com/track/70LcF31zb1H0PyJoS1Sx1r?si=ddeef2a9f1e34bdf     Song: ‘Letter To My 13 Year Old Self', Laufey (2023)  https://open.spotify.com/track/59Y1f3y8FuLjadWY9Bx2LC?si=2a76c204cb644895     Song: ‘How Soon Is Now?', The Smiths (1984)   https://open.spotify.com/track/1YrnDTqvcnUKxAIeXyaEmU?si=05763f85a40041c3     Album: Ella Fitzgerald Sings The Rodgers And Hart Song Book, Ella Fitzgerald (1956)  https://open.spotify.com/album/3DXgUbJhOxidQC3l0tegY9?si=_42fBZG1SZ2WrNwYoL88VA     Song: ‘Miss Otis Regrets', Ella Fitzgerald (1956)   https://open.spotify.com/track/5dvh4M2Lo0aEXp5D0IJGH1?si=fd41d6fba27748df     ‘Santa Baby', Laufey Music Video feat. Bill Murray   https://www.youtube.com/watch?v=6_SsGMeJIHk     Song: ‘Too Little, Too Late', Laufey (2025)   https://open.spotify.com/track/1qJnr4Bm7OAauklV18Vdah?si=6fc52bba5b5f48f5     Song: ‘Hallelujah', Leonard Cohen (1984)  https://open.spotify.com/track/6s1mt6e0n8G7jcNhcxXKzq?si=400cab129f6d4083    Ballet: Giselle, Royal Ballet & Opera (2026)   https://www.rbo.org.uk/tickets-and-events/giselle-marius-petipa-details     Book: ‘How to Be an Artist', Jerry Saltz (2020)  https://www.waterstones.com/book/how-to-be-an-artist/jerry-saltz/9781781577820     Credits:  Producer: Millie Chu   Assistant Producer: Maan al-Yasiri  Production Manager: Francesca Bassett   Music: Miguel D'Oliveira   Audio Mixer: Tom Guest  Video Mixer: Scott Edwards   Shownotes compiled by Elly Young  Executive Producer: Arron Fellows       A Mindhouse Studios Production for Spotify   www.mindhouse.co.uk  Open a Moneybox Cash ISA at https://moneybox.onelink.me/Cqlx/y3xncge Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Co Down native (and principal dancer with The Royal Ballet in London) chats about finding her vocation very early in life. She brings 'Melissa Hamilton's Ballet Stars Gala' to the Bord Gáis Energy Theatre in May Details: www.bordgaisenergytheatre.ie

Rihanna was unharmed after a woman allegedly fired multiple shots toward her Los Angeles home and was swiftly arrested, while Timothée Chalamet drew shade from the Met Opera and London's Royal Ballet after dismissing opera and ballet as art forms “no one cares about,” and Logan Paul claimed WWE blocked him from boxing NFL players despite his $1 million challenge as critics accused him of ducking real competition. Hosts: Charlie Cotton, Deven Rall Learn more about your ad choices. Visit podcastchoices.com/adchoices

Emma goes behind the scenes at the Royal Ballet and Opera in London to explore how a £40m technical renewal programme is being delivered without interrupting live performances. From upgrading stage elevators and lighting rigs to replacing critical communications systems, every project must be carefully designed, prototyped and installed around a relentless performance schedule.Hear from the project professionals leading the work as they share insights on stakeholder engagement in high-pressure environments, hybrid delivery approaches and building trust in teams where reliability is everything.Look out for the spring issue of Project journal where we bring you more detail on projects at the RBO. Also, don't miss our previous podcast episode where Emma interviews RBO COO Heather Walker.

The Royal Ballet and Opera House in London continue their access programme with up-coming audio described performances and touch tours for blind and partially sighted people of the Royal Ballet's revival of Glen Tetley's 60's cult classic Pierrot Lunaire.RNIB Connect Radio's Toby Davey was joined by Deirdre Chapman, Rehearsal Director at The Royal Ballet and Audio Describer Alice Gilmour for some background to the revival of Pierrot Lunaire and how this classic work of dance that blends both modern and classical ballet set to Schoenberg slightly challenging score is being brought to life on stage with description for visually impaired people.There are three audio described performances of Pierrot Lunaire on Wednesday 11, Thursday 12 and Tuesday 17 February all at 7.45pm with a touch tour prior to the performance on Thursday 12 February at 6.45pm and the performance on Tuesday 17 February is also a relaxed performance too. To book your tickets for the audio described performances of Pierrot Lunaire do either email boxoffice@roh.org.uk or telephone the Box Office on 020 7304 4000.  Do be aware that if you look for tickets for the dates of the audio described performances online the website might indicate that the performances are fully booked out as currently the booking system does not show the allocated seats set aside for blind and partially sighted people.  For more about access at The Royal Ballet and Opera House do visit - https://www.rbo.org.uk/visit/access-at-rbo(Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font)

Welcome back to Season 9 of the Recovering Perfectionist Podcast!In this episode, Christine chats with our newest Dance Wellness Community Ambassador and first one to represent Ballet, Ian Parsons. Ian is an internationally recognized ballet educator, choreographer, and former professional dancer whose career spans elite classical performance, commercial theatre, and advanced professional training. A double graduate of Canada's National Ballet School, he completed both the Professional Ballet Program and the highly selective Teacher Training Program for Former Professional Dancers, earning the Betty Oliphant Award for Excellence in Teaching.As a performer, Ian danced with The National Ballet of Canada and Les Ballets de Monte-Carlo, working with choreographers including James Kudelka, John Neumeier, Jiří Kylián, and Jean-Christophe Maillot. His career also includes appearances in the feature film adaptation of Les Misérables, the Olivier Award–nominated West End revival of Cabaret, and the UK and European tour of Cats, with the distinction of performing at the Olivier Awards at the Royal Opera House.Following his performing career, Ian developed an extensive teaching and leadership practice across Canada, the UK, and the United States. He joined the artistic faculty of Canada's National Ballet School, where he taught across all levels of the Professional Ballet Program, from foundational training through to stage-ready repertoire. During his tenure, he created the school's formalized pas de deux curriculum and served as Manager of the International Exchange Program, overseeing international placements for more than 100 students annually. His students have gone on to perform with companies including The Royal Ballet, American Ballet Theatre, Dutch National Ballet, Boston Ballet, Stuttgart Ballet, Houston Ballet, Tulsa Ballet, The Washington Ballet, Miami City Ballet, and The National Ballet of Canada, among many others.In addition to his work at NBS, Ian has taught and choreographed for professional training programs and institutions in Canada and the UK, including Performers College, The School of Ballet Theatre UK, Chantry School, Canada's Ballet Jörgen, and the Maritime Conservatory of Performing Arts, with choreography presented by Youth America Grand Prix and conservatory-level programs across North America and Europe.Ian's teaching philosophy is grounded in classical rigor, musical clarity, and long-term dancer development. Shaped by years of institutional teaching, curriculum design, and mentorship, his work centers on maintaining uncompromising technical standards while supporting dancers as whole artists, with an emphasis on sustainability, agency, and artistic longevity. Ian is currently the Artistic Director of Ballet Theatre of Phoenix and Convergence Ballet, and is based in Phoenix, Arizona.DANCE WELLNESS COMMUNITY:Join us in the INNER CIRCLE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://dancewellnesscommunity.com⁠⁠⁠⁠⁠⁠CONNECT WITH IAN:https://www.instagram.com/ianparsonsballet/CHRISTINE BAR NOEL:All The Things! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://beacons.ai/christinebarnoel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/recoveringperfectionistpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/dancewellnesscommunity

Emma meets Heather Walker, Chief Operating Officer at Royal Ballet and Opera (RBO) in London, where she's responsible for planning and coordinating a range of services to support across technical and production estate, visitor experience, technology and administration.A major focus is the renewal of the estate, ensuring that sustainability is at the heart of fabric and plant upgrades, and that audiences, artists and staff benefit from changes to the environment and the technology running its services. Previous to becoming COO, Heather was project director at RBO.Look out for our upcoming behind-the-scenes episode at RBO.Contact us: apmpodcast@thinkpublishing.co.uk

Alice și Marina Minoiu sunt două dintre cele mai interesante figuri ale noii generații de organizatori culturali din România. Amândouă au fost balerine, amândouă și-au construit carierele în afara țării, pe scene care contează. Alice s-a format la Liceul de Coregrafie Floria Capsali și a debutat pe scena Operei Naționale București în 2010. Momentul definitoriu al carierei sale a venit în 2021, când a dansat la Royal Albert Hall din Londra, în Romeo și Julieta, alături de Alina Cojocaru. După retragerea din scenă, a ales să facă altceva cu tot ce știe despre balet: să organizeze gale la standarde internaționale. Până acum, a pus pe picioare trei spectacole sold-out la Teatrul Național București, aducând în România artiști precum Natalia Osipova de la The Royal Ballet sau Iana Salenko de la Berlin State Ballet. Marina a fost solistă la Royal Danish Ballet și este una dintre cele mai apreciate balerine românce ale generației sale. S-a format în tradiția școlii daneze Bournonville și a dansat roluri din repertoriul clasic și neoclasic: La Sylphide, Manon, Giselle, La Bayadère, Jewels de Balanchine. În 2015, a fost nominalizată de revista britanică Dance Europe pentru cea mai bună interpretare feminină. Astăzi este coordonator de balet la Teatrul Național de Musical și Operetă Ion Dacian. Împreună, sub brandul Ars Gratia Regalia, construiesc proiecte culturale care aduc în România ceea ce altfel n-am avea cum să vedem. Pe 11 februarie 2026, organizează la Sala Palatului Gala Internațională de Balet Balanchine's Legacy, prima gală din România dedicată exclusiv operei legendarului coregraf George Balanchine, cu prim-balerini de la New York City Ballet, Opera din Paris, Houston Ballet și Royal Danish Ballet.

With Harry's court drama dominating the headlines, William and Kate go on the road in Scotland, trying to look like the future while the past keeps barging in. Kate makes a low-key cultural play with an understated Royal Opera House visit and a simple message: “Thank you to The Royal Ballet for an amazing evening of creative inspiration at Woolf Works this weekend! C.” The Waleses then hit the curling rink, where Kate beats William again, before heading to a community pub where William declares, “I want to help pubs. This is the best place to come and get to know each other,” adding, “I grew up in pubs. I absolutely love pubs,” and calling them “the heart of the community.” They hear about rising costs crushing landlords, Kate receives a crochet bunny for Charlotte, and she jokes, “You need to finish that,” when William leaves his cider behind. The visit is interrupted by a shouted question about Andrew and Epstein, Kensington Palace confirms William's Saudi Arabia trip in February, and reports swirl that William is furious over talk of a Harry-led Diana project involving Netflix.Meanwhile Charles stays busy, sips whisky in Edinburgh, jokes, “The terrible thing about it is, the photograph is never the most fetching,” and the Telegraph warns the King's possible US trip is now tangled up in the Trump-Greenland falloutPalace Intrigue is your daily royal family podcast, diving deep into the modern-day drama, power struggles, and scandals shaping the future of the monarchy.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

In this rich and inspiring episode of Clarity to Consciousness, Kristen sits down with Aaron Smyth, an internationally acclaimed dancer, choreographer, and spiritually curious creative, to explore what it truly means to live authentically both onstage and in everyday life.From performing with world-renowned companies like the American Ballet Theatre Studio Company and The Royal Ballet to embracing deeper spiritual practices such as tarot, Aaron's journey is a powerful example of what happens when artistry meets inner awakening. Together, Kristen and Aaron dive into the courage it takes to follow your inner calling, walk an unconventional path, and show up as your full self even when it feels risky, “woo-woo,” or misunderstood.This episode is an invitation to honor your passions, trust your intuition, and remember that you are the leader of your own life. Whether through movement, creativity, or spiritual exploration, living with heart and intention is one of the boldest and most fulfilling choices you can make.✨ Key Themes & Takeaways

In ep 156 of “How Do You Say That?!” sponsored by britishvoiceover.co.uk, Vicki-Jo Eva joins Sam and Mark to talk about stepping into a warm bath of gin, how varying the pace on a sleep story for younger listeners can make all the difference, and we ask is there a difference between bringing a character and bringing personality? Our wildcard's feature a prim and proper lady who's disgusted by alcohol, a man leaping across a floor of lava, and an amateur sleuth on the trail for clues.Our VO question this week is all about what skills you can bring from a previous career to the voiceover booth.Get involved! Have you got a Wildcard suggestion that we should try or an idea for the show? Send it to us via Mark or Sam's social media or email it directly to podcast@britishvoiceover.co.ukScript 1Each of our gin stills is hand-built from high-grade copper, chosen for its natural ability to purify vapours and enhance flavour.From the boiler, where your wash begins its journey…to the column plates, ensuring a smooth, refined distillation…to the botanical basket, designed for perfect vapour infusion.The result? A clean, vibrant spirit - optimised for extracting the very best from your juniper, citrus, spices, and botanicals.Script 2Mouse was sleepy.But he couldn't fall asleep.Mouse fluffed his pillow and rearranged his blankets.He flipped from his back, to his tummy, to his side, then onto his back again.Staring at the ceiling, Mouse sighed.If he couldn't sleep, he might as well play.He rummaged through his toy bin and found his laser sword.With a click and a zap, his light saber was ready.We'd love your feedback - and if you listen on Apple Podcasts or Spotify, hit the follow button today!**Listen to all of our podcasts here - you can also watch on YouTube, or say to your smart speaker "Play How Do You Say That?!"About our guest: Vicki-Jo Eva started out as a dancer where she planned to be the next Darcey Bussell. However, as she grew, turned out the Royal Ballet didn't want her.After training as a dancer she went on to train as an actor at Cygnet Training theatre where they combine actor training and work in a repertory theatre company... and after years of theatre work, some bit parts in films and popping out two kids she found her home in Voice Acting. She specialises in characters and audiobook narration and is sought after by authors in the Mystery and Suspense & Historical Romantic Fiction genres but she's also used a pseudonym for some saucy stories! Vicki-jo's Website @vickijovoiceactor on Instagram Vicki-jo on YouTube Resources: Click here for the Wildcard Generator and don't forget to think of an action your character can be...

Olga Roberts is a former professional ballet dancer and Master Pilates Teacher whose career spans Europe, Australia, and the United States. She was accepted into the Birmingham Royal Ballet at the age of 13 and later trained at the Rambert School of Ballet and Contemporary Dance under former principal dancers Margaret Porter, Anya Linden, and Diana Vere, all partners of Rudolf Nureyev. Her contemporary training included techniques developed by Martha Graham, Merce Cunningham, and Gaga, alongside choreography studies under Dr. Ross McKim, former Artistic Director of Rambert School.Olga holds a Foundation/BA (Hons) Degree from Rambert School and a specialist Teaching Diploma in Contemporary Dance from the Laban Centre in London. She began Pilates training at the age of 11 and later completed 2.5 years of Master teaching Pilates training in Body Control Pilates under Master Teacher Jenny Colbourne, a second-generation Pilates educator trained by Joseph Pilates' protégé Jerome Andrews. She also trained with Master Pilates Teacher Dreas Reyneke, who worked with principal dancers of The Royal Ballet.She is the founder of Body Intelligence Pilates, an advanced movement and conditioning method designed for dancers, athletes, and rehabilitation clients. Olga is an active member of the Royal Academy of Dance (RAD), Pilates Alliance Australasia, and the International Association of Dance Medicine (IADM).In this episode, we discuss: Why Intelligence Beats Intensity in MovementDiscipline of Ballet, Wisdom of PilatesThe Real Core: Beyond Six Packs Alignment Isn't Aesthetic - It's Transformational Why the Right Teacher Isn't OptionalWith podcast host Mark SephtonHope you'll enjoy the episode! Hosted on Acast. See acast.com/privacy for more information.

Este bailarín granadino está considerado entre los coreógrafos y bailarines de flamenco más reconocidos de España. Ha recibido reconocimiento internacional como solista principal bailando en los más prestigiosos escenarios del mundo juntos a las primeras figuras del Bolshoi Ballet, Mariinsky Ballet, American Ballet, Ópera de París, Royal Ballet y Mikhailovsky Ballet entre muchos otros. Ha sido uno de los primeros artistas flamencos invitados a bailar en el Teatro Mariinsky de San Petersburgo, Rusia. También fue parte del Balet Nacional de España durante 3 años. A temprana edad bailó en la aclamada película El Amor Brujo de Carlos Saura y Antonio Gades, para más tarde convertirse en uno de los Bailarines Principales en el famoso Corral de la Morería de Madrid. Inaugura su propia compañía de danza, Flamenco Suite Española, en 1994: https://www.castroromeroflamenco.com Actualmente reparte su tiempo entre la fotografía y la creación de nuevos espectáculos, Ricardo es sin duda uno de los bailarines más importantes en España y el mundo.

John Kosh in conversation with David Eastaugh https://koshdesign.com/ Kosh is a Multi-Grammy award winning art director and former creative director for Apple Records. In the mid-sixties, he was designer for The Royal Ballet and The Royal Opera House, where he produced a gold foil covered program for the anniversary Royal Gala attended by her Royal Majesty, Queen Elizabeth II. At the age of 22, Kosh was responsible for designing the innovative entry portal to the “Young & Fantastic” avant garde art and sculpture exhibition on The Mall in London's West End. Following his work for The Opera House, he met John Lennon and Yoko Ono in 1968 as they had admired his work as art director of Art & Artists magazine. They invited him to meet them one evening at Hammersmith Hospital, where Yoko was recuperating. Shortly thereafter they offered him a desk at Apple Records at 3 Saville Row. His first project was the “War Is Over (if you want it)” Christmas card, which led to the worldwide WAR IS OVER billboard campaign that continues to this day. He designed The Beatles' Get Back picture book with the Let It Be album package, the Abbey Road album cover, John & Yoko's elaborate Wedding Album box set, and Hey Jude. Kosh was one of the few attendees at the Beatles' farewell rooftop concert. While working for Apple Records, he designed Mary Hopkin's Postcard, Billy Preston's That's The Way God Planned It, George Harrison's Radha Krisna Temple and The Plastic Ono Band's, Life With The Lions, plus singles, “Give Peace a Chance”, “Instant Karma”, “Cold Turkey” and “Power To The People.”  

rWotD Episode 3140: Paris Opera Ballet Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Monday, 8 December 2025, is Paris Opera Ballet.The Paris Opera Ballet (French: Ballet de l'Opéra national de Paris) is a French ballet company that is an integral part of the Paris Opera. It is the oldest national ballet company, and many European and international ballet companies can trace their origins to it. It is still regarded as one of the most prominent ballet companies in the world, together with the Bolshoi Ballet in Moscow and the Royal Ballet in London.Since December 2022, the company has been under the direction of José Martínez, the director of dance. The ballet company consists of 154 dancers, among them 17 Danseurs Étoiles. The principal dancers give 180 dance performances each year, primarily at the Palais Garnier.Just as prestigious as the Paris Opera Ballet is its dance school, the Paris Opera Ballet School (French: École de danse de l'Opéra national de Paris), considered to be one of the world's best dance schools. Its former pupils have won a record of 20 Benois de la Danse awards. The school celebrated its tercentennial in 2013.The competition for admission to both institutions is extremely fierce. For a dancer to enter the Paris Opera Ballet, it is almost compulsory to be admitted to the Paris Opera Ballet School, to pass the annual competitive examinations in May, and to attend at least the final two classes. 95 percent of the admitted dancers in the Paris Opera Ballet are French.This recording reflects the Wikipedia text as of 01:03 UTC on Monday, 8 December 2025.For the full current version of the article, see Paris Opera Ballet on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Bluesky at @wikioftheday.com.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Kimberly.

World Ballet Day on Wednesday 12 November 2025 is the global celebration of dance where artists and audiences are invited to experience ballet in new transformative ways as access becomes art. The Royal Ballet in London will be streaming a programme of dance which will have at its heart a brand-new six minute work curated and conceived by choreographer and Artistic Director of Fall for Dance North Festival Robert Binet, in collaboration with blind artist and assistant professor of Disability Studies Devon Healey, who's Immersive Descriptive Audio will take people into the inner world of dance through sensation, sound and storytelling. RNIB Connect Radio's Toby Davey caught up with Devon and Rob to find out more about World Ballet Day 2025 and their collaborative work for the Royal Ballet which will be streamed as part of the celebrations on the day. To find out more and watch Devon and Rob's brand-new six-minute work do visit the following pages of the RBO website - https://www.rbo.org.uk/world-ballet-day-2025 Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underlined with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

C'est l'histoire d'une collaboration artistique de prestige entre Londres et Tel-Aviv qui s'effondre. Le Royal Ballet & Opera du Royaume-Uni a annulé sa participation à Tosca, refusant d'associer son nom à l'opéra israélien. En cause : le soutien affiché de l'institution à l'armée israélienne dans la guerre à Gaza. Les Britanniques dénoncent un lieu qui « récompense et légitime ouvertement les forces même, responsables des meurtres quotidiens de civils à Gaza », en référence aux billets gratuits offerts aux soldats. Mais loin d'annuler, l'opéra israélien contre-attaque : il monte l'œuvre seul et promet une version éminemment politique. De notre envoyé spécial à Tel-Aviv  « Quand les canons ont tonné, les muses ne se sont pas tues », proclame Nili Cohen, la présidente du conseil d'administration de l'opéra israélien de Tel-Aviv. Et c'est précisément ce qui est reproché à cette institution dans une lettre ouverte de plus de 200 membres du Royal Ballet and Opera de Londres, qui ont annulé une coproduction de la Tosca de Puccini. « C'est un alignement délibéré avec un gouvernement actuellement engagé dans des crimes contre l'humanité », affirment les signataires du texte. Tali Barash Gottlieb, directrice générale l'opéra israélien, raconte : « Nous avons rencontré de grandes difficultés au cours de l'année qui s'achève. Et nous nous attendons à des problèmes pas moindres lors de la prochaine saison. Et c'est pour cela que nous mettons l'accent sur la participation de créateurs israéliens. C'était, de toute façon, notre intention pour cette quarantième saison qui est véritablement l'occasion de présenter sur le devant de la scène des talents israéliens, car les productions internationales présentent un grand défi. » La Tosca est donc au programme de cette nouvelle saison emblématique. Mais dans une production purement israélienne donc. Une situation qu'Anat Czarny, mezzo-soprano à l'Opéra de Tel-Aviv, regrette profondément. « Je peux comprendre les deux protagonistes concernés. Mais j'étais très déçue, car je crois que l'art est quelque chose de sacré. C'est quelque chose produit pour rapprocher les gens les uns des autres. J'ai un peu l'impression que ce n'est pas la politique qui est gagnante, mais plutôt l'art qui est perdant », se désole la chanteuse.  Après la période du Covid-19, et surtout depuis le 7 octobre 2023, la profession de chanteuse lyrique est très précaire en Israël. Mère de deux enfants, Anat Czarny va entamer une carrière parallèle d'infirmière, un de ses rêves d'enfance : « Le matin, je suis soit à l'hôpital, soit à l'opéra. Le soir, soit à l'opéra, soit à l'hôpital. Mais quand même, je veux être chanteuse d'opéra. C'est tout ce que je voudrais faire. »  Également au cœur de cette nouvelle saison de l'opéra israélien : le Dibbouk, histoire dans la tradition juive kabbaliste d'un esprit qui entre dans le corps d'un vivant pour le posséder, à la suite de mauvaises actions. Tout un programme. À lire aussi«J'ai retrouvé mon enfant démembré»: à Gaza, les bombes israéliennes non-explosées sèment la terreur

To be artistic director of one of the world's great ballet companies is a daunting task. But Tamara Rojo is accustomed to pressure: as Royal Ballet, artistic director of English National Ballet, and now of San Francisco Ballet (SFB), America's oldest classical company. Tamara has the gift of making each programmes an event; the highlight of her first season at SFB was Mere Mortals, a ballet for the age of AI, which attracted a new audience to watch and party. We ask Tamara: how does she juggle all the demands of her role? And what is it like to lead a major arts organisation in modern America? Tamara Rojo is a celebrated leader and principal dancer who became Artistic Director of San Francisco Ballet in 2022. Previously, she was Artistic Director and Lead Principal of English National Ballet (ENB) for over 10 years, having also been principal dancer of the Royal Ballet. Her repertoire includes lead roles in all full-length ballet classics, as well as works by Balanchine, Robbins, Ashton and MacMillan. Her numerous awards include the Olivier Award for Best Achievement in Dance in 2017 and the Principe de Asturias Award in 2005. In 2016, she was awarded a CBE for services to dance. Listen to RAD's Why Dance Matters podcast now, available on all major listening platforms. Hosted on Acast. See acast.com/privacy for more information.

Interview Date: March 23rd, 2025Episode Summary:This episode spotlights Robert Garland, Artistic Director of Dance Theatre of Harlem (DTH)—former principal dancer, DTH's first resident choreographer, and a Juilliard BFA graduate. Beyond the concert stage, Garland's work spans New York City Ballet, The Royal Ballet, Oakland Ballet, and commercial projects from Sesame Street to Nike and the NAACP Image Awards.Garland traces DTH's roots to Arthur Mitchell's 1969 vision and explains how Mitchell's lecture-demonstration model built audiences and access. He folds in a vivid business/history lesson on George Balanchine—from the Ballets Russes and Coco Chanel's short ballet skirt to the Harlem Renaissance's jazz influence that helped shape neoclassicism and, crucially, how smart repertoire and audience-building choices drove growth. On the business side, Garland stresses that relationships power opportunities and fundraising—“contacts become contracts”—and lifts the curtain on the theater's “cottage industry” (development, marketing, production, stage management). For dancers, he offers pragmatic guidance: cultivate musicianship and form, be multifaceted (social, lighting, admin), and understand cycles of work—pace your week so you peak for shows. He unpacks today's video-first auditions, urging care with presentation, while affirming many legitimate pathways (college, company route, or self-directed study).Show notes:(0:00) – Robert Garland introduction & career highlights(09:41) – Dance Theatre of Harlem origin & mission(14:55) – Juilliard audition story and scholarship journey(16:56) – Balanchine, Coco Chanel, and neoclassicism explained(25:51) – “Contacts = Contracts”: relationships fuel opportunities(33:16) – Careers beyond stage: marketing, production, education(38:27) – Arts education builds empathy and compassion(42:34) – Audition process and rise of video submissions(51:41) – Transition into commercial/TV work with hip-hop artists(1:12:11) – From dancer to choreographer to creative leadershipBiography:Artistic Director Robert Garland was a member of the Dance Theatre of Harlem Company from 1985-1998, achieving the rank of principal dancer. After creating a work for the DTH School Ensemble, Arthur Mitchell invited Mr. Garland to create a work for The Dance Theatre of Harlem Company and appointed him the organization's first Resident Choreographer. Before becoming DTH Artistic Director, he was Director of the Dance Theatre of Harlem school. In 2023, Mr. Garland was appointed the Artistic Director of Dance Theatre of Harlem. His works for the company include Higher Ground, New Bach, Return, Nyman String Quartet No. 2, and The Cookout among others, many are in his signature postmodern-urban-neo-classical style.  In addition to choreographing several ballets for DTH, Mr. Garland has also created works for New York City Ballet, Britain's Royal Ballet, Oakland Ballet and many others.  His commercial work has included music videos, commercials and short films, including the children's television show “Sesame Street”, a Nike commercial featuring New York Yankee Derek Jeter, the NAACP Image Awards, a short film for designer Donna Karan, and the “Charmin Cha-Cha” for Proctor and Gamble. Mr. Garland holds a Bachelor of Fine Arts Degree from the Juilliard School in New York City.Connect on Social Media:Instagram -https://www.instagram.com/robertgarlandWebsite - dancetheatreofharlem.org

Alexander Campbell has been Artistic Director of the Royal Academy of Dance for just over a year. Formerly a gleaming principal with the Royal Ballet, the Australian-born dancer is no stranger to the RAD. His grandmother was an RAD examiner, so he took the RAD exams and won medals in its major competitions. Stepping off stage and into the office must have seemed like a natural move – or did it? How easy is it for a dancer to leave their all-consuming dance routine? In a changing dance landscape, how might the RAD develop? And why does dance matter to Alexander?Alexander Campbell was born in Sydney, moving to the UK to train at the Royal Ballet School. In 2003 he won the silver medal at the Genée International Ballet Competition and was a Prix de Lausanne finalist. He joined Birmingham Royal Ballet in 2005, and moved to the Royal Ballet in 2011, becoming a Principal in 2016. He left the Royal Ballet and became Artistic Director of the Royal Academy of Dance in 2024.Why Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website Hosted on Acast. See acast.com/privacy for more information.

Today I'm joined by the incredible Steven McRae, Principal Dancer at The Royal Ballet, proud Aussie, devoted dad… and now, author! ______ DESCRIPTION LINKS Join the Balanced Ballerinas EXCLUSIVE Teachers Facebook Group here: https://www.facebook.com/groups/balancedballerinasteachers My Instagram! @thebalancedballerina Community Instagram! @balancedballerinas Facebook - Balanced Ballerinas And join the SECRET Facebook group here: https://www.facebook.com/groups/balancedballerinas/ Join the Balanced Ballerinas FREE 5 Day Challenge here: www.balancedballerinas.com/challenge Prenatal, healing or beginner ballet student? This course was designed for you: https://www.balancedballerinas.com/butterballet My Signature 12 Week Adult Ballet Course: https://www.balancedballerinas.com/12weekadultballetcourse The Marketing Blueprint For Dance Teachers & Studio Owners: https://www.balancedballerinas.com/TMB

Kim Brandstrup is a Danish born choreographer whose latest project, Breaking Bach, unites him with the Orchestra of the Age of Enlightenment. Kim often works with leading classical companies, but in Breaking Bach he directs street dancers, some with no previous stage experience. What will they all find in Bach's exacting rhythms? Kim took an unusual route into choreography – he initially trained in film, before finding that dance was the perfect medium for his narrative impulse. His recent rich, elegant ballets draw on Hans Christian Andersen and timeless Greek myths.Kim Brandstrup studied film at the University of Copenhagen and choreography at London School of Contemporary Dance. He founded his dance company Arc in 1985, forging a narrative style that owes more to his early cinematic training than to classical story ballet or contemporary dance. His has been commissioned by international companies including the Royal Ballet, Les Grands Ballets Canadiens and the Royal Danish Ballet. Throughout his career he has sought a theatre of movement that is both powerful and subtle, creating poignant and suggestive narratives that are intensely human and emotionally revealing.Kim Brandstrup's website https://kimbrandstrup.org/Breaking Bach at the Edinburgh Festival https://www.eif.co.uk/events/breaking-bachWhy Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.

Your daily news in under three minutes. At Al Jazeera Podcasts, we want to hear from you, our listeners. So, please head to https://www.aljazeera.com/survey and tell us your thoughts about this show and other Al Jazeera podcasts. It only takes a few minutes! Connect with us: @AJEPodcasts on X, Instagram, Facebook, and YouTube

Number 5 in 5 O' Clock Apron Podcast hears Claire cooking alongside Principal Ballerina from The Royal Ballet, Yasmine Naghdi. Claire has never met a ballerina before, nor indeed cooked with one. Yasmine is everything (and more) that Claire could have expected of a ballerina. Confident and poised (of course), Yasmine is also an extraordinary cook.    Yasmine's roots are Belgian Persian, but she's a born and bred South Londoner. Yasmine attended the Royal Ballet school from age 11 and has danced her way through the ranks to the very top of the institution. Earlier this month Yasmine announced the exciting news that she is expecting her first child later this year and plans to return to performing next year.    Claire and Yasmine meet at Yasmine's parent's house, “their kitchen is better suited than mine” says Yasmine, and immediately the pair start cleaning clams, picking herbs and chopping garlic. Yasmine is a meticulous and passionate cook, teaching Claire her way to make her very favourite pasta dish, Linguine Vongole.    Remarkably organised, clearly very skilled, Yasmine cooks exactly as you might imagine a ballerina would cook, and Claire is in awe. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Actor, model and ballet dancer Eric Underwood joins Tanya Rose to share his travel secrets this week.In this episode, Eric shares his incredible experience visiting Japan with The Royal Ballet, how a wellness retreat in Germany cured his fish allergy and why he believes Lanzarote is an underrated travel destination…Plus, Eric discusses the incredible moment his portrait was displayed in Claridges' hall of fame and tells Tanya about the time he taught Kate Moss' daughter ballet!Don't forget to follow @travelsecretsthepodcast and remember, you can watch all of our episodes on YouTube.Places mentioned:Washington D.C, United StatesAmerican School of Ballet, New York CityCampling La Playa, IbizaSylt, GermanyLanzarote, SpainJapanOttolenghi, LondonClaridge's, LondonSouth Africa Hosted on Acast. See acast.com/privacy for more information.

Send us a textAmbra Vallo is a renowned yoga instructor with a rich background as a former professional ballet dancer. She hails from an illustrious career in dance, having been part of prestigious ballet companies such as the Royal Ballet of Flanders and has extensive experience teaching yoga, holding certifications in multiple disciplines including Dharma Yoga, Rocket Yoga, and Forrest Yoga. Ambra has also worked with high-performance athletes, sharing her knowledge at football clubs like Aston Villa and Manchester City. Today, she leads a more peaceful life in the countryside of Buckinghamshire, UK, where she continues to teach and inspire through one-on-one sessions and workshops.Visit Ambra on her website: https://www.ambrasana.com/Key Takeaways:Ambra's journey from ballet to yoga teaches the importance of listening to the body and valuing personal growth over physical achievements.The stress of professional ballet instilled a high level of discipline in Ambra, which she beautifully translates into her yoga teachings.Yoga is a practice of presence and self-exploration beyond physical poses, and it can facilitate profound spiritual and personal growth.Ambra shares the benefits of integrating yoga with athletic training, highlighting the mental and physical enrichment it provides athletes.Her teachings reflect a combination of discipline from ballet and adaptability from yoga, promoting a holistic approach to life and practice.Thanks for listening to this episode. Check out:

Hey Everyone, In this very special episode, we sit down with one of the most beloved ballerinas of our time—Alina Cojocaru. From her humble beginnings in Romania to becoming a Principal at The Royal Ballet, English National Ballet and beyond, Alina shares the highs, the challenges, her growth in her mindset and the deeply personal moments that shaped her extraordinary career.She opens up about:✨ The key experiences that shaped her artistry

Alina Cojocaru is one of the great ballerinas of her generation – her Giselle, Odette-Odile and Manon bring those complex, anguished characters to life. This deep dive of a conversation offers a rare chance to hear a dancer at the peak of their profession discuss the ways in which art works on both artist and audience. Now a freelance dancer, Alina can shape her own artistic path. She founded her own production company, ACWorkroom, and is currently guesting with London City Ballet – and tells us about creating character, mining emotion and sharing it with an audience.Alina Cojocaru CBE is a former Principal of the Royal Ballet and English National Ballet. After studying at the Royal Ballet School she joined the Kiev Ballet in Ukraine as a principal dancer and then the Royal Ballet, being promoted to Principal aged 19, in 2001. In 2013 she joined English National Ballet, where lead roles included Akram Khan's acclaimed reimagining of Giselle. Her numerous awards include Best Female Dancer at the 2002 Critic's Circle Awards and the 2004 and 2012 Benois de la Danse awards. A permanent Guest Artist with John Neumeier's Hamburg Ballet, Alina dances as a guest artist with the world's foremost ballet companies.Alina's company ACWorkroom https://www.alinacojocaru.com/London City Ballet (Alina performs in Oxford, Bath, Birmingham and at Sadler's Wells in London) https://londoncityballet.com/production/momentum/#tour-datesWhy Dance Matters is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.

Joby Talbot has written music for several of Christopher Wheeldon's ballets including The Winter's Tale, the focus of this podcast, as well as Like Water for Chocolate and Alice's Adventures in Wonderland.  In this podcast Joby talks about how he goes about composing music for a ballet and his ongoing collaboration with Christopher Wheeldon. The Opus Arte label has released all three of these ballets in a box set on both DVD and BluRay; they can also be streamed by going to the Royal Ballet and Opera website.

Chef and food writer Claire Thomson is back with a brand-new series of the 5 O'Clock Apron podcast with Good Food! In this series, Claire invites another incredible line-up of guests into the kitchen - from a comedian to a Royal Ballet dancer, a waste and recycling worker to a rugby player - and many more. Together they cook favourite home recipes while sharing stories, laughter, and the odd kitchen mishap. Episodes drop weekly from 18th June. Follow now and join Claire for some delicious kitchen companionship! Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode of the Pacey Performance Podcast, Rob speaks to Romain Tourillon who discusses the misconceptions around general understanding, testing and training of the foot and ankle sports performance and rehabilitation. Romain shares insights from his PhD research, emphasizing the roles of intrinsic and extrinsic muscles, the significance of holistic evaluation methods, and the need for dynamic training protocols. He highlights that although isometric training has a big place in the training of the foot and ankle, its not the only tool in the toolbox. He dives into the different testing protocols which target the various different areas of the foot based on its function. Romain goes into detail on soleus, tibialis anterior and tibialis posterior testing, citing his work with the Royal Ballet as an example of how these protocols can improve an organisations testing battery. Main talking points: Intrinsic muscles are often overemphasized in training Extrinsic muscles play a larger role in force production Dynamic contractions, not just isometrics are necessary for building calf strength Isometric training alone is insufficient for optimal performance The foot and ankle are frequently underloaded in training regimens How to assess the soleus, tibialis anterior and tibialis posterior

Choreographer Sir Wayne McGregor is one of the most acclaimed, innovative and influential figures in contemporary dance. His works are often the result of creative collaborations with artists, musicians, filmmakers, or with scientists to explore technological issues. In 2006 he was appointed as Resident Choreographer at the Royal Ballet. He has created more than 20 new works at Covent Garden in that time, including Chroma, set to music by Joby Talbot and The White Stripes, and Woolf Works, a full-length ballet based on the life and writings of Virginia Woolf. More recently, McGregor brought the post-apocalyptic vision of Margaret Atwood to the stage in his ballet MaddAddam, based on the writer's acclaimed trilogy of novels. He has worked as a movement director on films including Harry Potter Goblet Of Fire and Mary Queen Of Scots, collaborated with bands including Radiohead and Chemical Brothers, and choreographed the virtual concert, ABBA Voyage. In October 2025, Somerset House in London will mount a landmark exhibition dedicated to McGregor's trailblazing collaborations that have radically defined how we think about performance, movement, and the body. Having won numerous awards, including two Oliviers, Sir Wayne McGregor was knighted in 2024.Wayne McGregor talks to John Wilson about his childhood in Stockport, where he took dance classes and was inspired by John Travolta's moves in Saturday Night Fever. He recalls the house and techno music of the late 80s when he was a student, and how the freedom of expression he felt on nightclub dance-floors informed his style of choreography. Whilst living in New York after leaving university, Wayne came across an open-air performance by the legendary American choreographer Merce Cunningham, whose company was dancing to live music conducted by the avant-garde composer John Cage. It was a chance encounter that had a profound impact on McGregor. He also discusses how science and technology has been a major thematic influence on much of his work in recent years, and how AI has been used to create new works through analysis of physical movement and artistic expression.Producer Edwina Pitman

Wayne Sleep was once called "the finest virtuoso ballet dancer the Royal Ballet has ever produced" by the founder of the company, Ninette de Valois. In this episode, Wayne tells Gyles his remarkable story - raised by his single mother in Plymouth and Hartlepool, Wayne overcame poverty and his short stature to become one of the most well known and successful British ballet dancers of all time. It's a fairytale that includes David Hockney, Rudolph Nureyev and Princess Diana, and much more besides. Thank you to Wayne for your time, wit and energy. Enjoy this. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Wayne Sleep was once called "the finest virtuoso ballet dancer the Royal Ballet has ever produced" by the founder of the company, Ninette de Valois. In this episode, Wayne tells Gyles his remarkable story - raised by his single mother in Plymouth and Hartlepool, Wayne overcame poverty and his short stature to become one of the most well known and successful British ballet dancers of all time. It's a fairytale that includes David Hockney, Rudolph Nureyev and Princess Diana, and much more besides. Thank you to Wayne for your time, wit and energy. Enjoy this. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today's episode is one I've been wanting to do for ages, The Royal Ballet's version of Alice in Wonderland! And it was totally worth the wait!Follow Jenna Online!Tumblr: ⁠⁠⁠⁠⁠https://still-she-haunts-me-phantomwise.tumblr.com⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠https://www.youtube.com/Phantomwise2⁠⁠⁠⁠⁠⁠⁠⁠⁠2nd Channel: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/@love-giftofafairytale3849⁠⁠Every Version Ever - Episode 186For bonus episodes, extended episodes, and more, sign up for my Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For links to my latest episodes & videos, social media, and more, check out my Link Tree! ⁠⁠⁠⁠⁠https://linktr.ee/jonjnorth⁠⁠

The Akademy Circle is a private members' club based in London, Dubai, and Miami. Akademy brings together discerning individuals dedicated to personal growth and making a positive impact through the power of learning. The club offers its members an exciting programme of events hosted by world-class academics, creatives and business leaders at distinguished locations. Akademy's insightful talks and inspiring experiences cover a wide range of subject areas, including arts and humanities, science, tech, business, fashion, wellness, and more. Akademy's London programme featured a remarkable roster of prominent figures, including the art world icon and performance art pioneer Marina Abramović, former head of Britain's Security Service MI5 Dame Stella Rimington, the first British Astronaut Helen Sharman, Director of Cultural Heritage Protection and Security at Victoria & Albert Museum Vernon Rapley, Director Emeritus of the Churchill War Rooms Phil Reed, Keeper of the Wellington Collection Dr. Olivia Fryman, opera stars Aida Garifullina, Topi Lehtipuu and Chen Reiss, Royal Ballet principal dancers Fumi Kaneko and Vadim Muntagirov, among many others. https://akademyclub.com https://www.instagram.com/akademy_london To order Dr Tony Nader's book Consciousness Is All There Is: https://www.drnaderbooks.com or use your favorite bookseller. Website: https://www.drtonynader.com MIU Website https://www.miu.edu/meet-president-tony-nader-md-phd Instagram https://www.instagram.com/drtonynader President Instagram https://www.instagram.com/miupresidentnader Facebook https://www.facebook.com/DrTonyNader YouTube https://www.youtube.com/@DrTonyNader X (Twitter) https://twitter.com/DrTonyNader TikTok https://www.tiktok.com/@drtonynader Linked In https://www.linkedin.com/in/drtonynader

We sit down with Cynthia Harvey to discuss the Prix de Lausanne, one of the world's top ballet competitions. Cynthia shares how she got started in ballet, key moments in her training, and the teachers who influenced her career. We also explore the history of the Prix, how students are selected, what happens during the week in Lausanne, and how winners are chosen. Cynthia offers valuable insights into coaching, choreography, and the role competitions play in ballet training today. Links: Support Ballet Help Desk Buy Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI    

Marianela Núñez is a Principal dancer of the Royal Ballet and Opera. Born in Argentina in 1982, Marianela knew she wanted to be a ballet dancer from the age of five and joined the Teatro Colón Ballet School in Buenos Aires when she was eight.She dedicated herself to becoming a professional ballerina and had the full support of her parents despite having to leave home at fifteen to join the Royal Ballet in the UK. After spending a year at the Royal Ballet School and learning English from watching episodes of Friends, she joined the corps de ballet and worked her way up the company to become Principal Dancer. She has danced the lead roles in the ballet repertoire on the London stage and around the world as a guest artist. In 2018, she celebrated her 20th anniversary with the Royal Ballet with a performance of lead roles in Giselle, The Winter's Tale, Manon, Marguerite and Armand, and Swan Lake in her anniversary year. Director of The Royal Ballet Kevin O'Hare called her “one of the greats of her generation”. Marianela has many awards for her dancing including the Laurence Olivier Award for Outstanding Achievement in Dance in 2013. She lives in London with her two cats.DISC ONE: Adíos Nonino (“Goodbye Grandad”) - Astor Piazzolla DISC TWO: Hoy Puede Ser Un Gran Dia (“Today Could Be a Great Day”) - Joan Manuel Serrat DISC THREE: Dancing Queen - ABBA DISC FOUR: Don't Stop Me Now - Queen DISC FIVE: Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Mark Ermler DISC SIX: Adam: Giselle / Act 2: Lever du soleil et arrivée de la cour. Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Richard Bonynge DISC SEVEN: Count on Me - Bruno Mars DISC EIGHT: I Can See Clearly Now - Johnny Nash BOOK CHOICE: The Collected Works of Jorge Luis Borges LUXURY ITEM: A cashmere blanket CASTAWAY'S FAVOURITE: Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Mark Ermler Presenter Lauren Laverne Producer Sarah Taylor

Kit Holder, Artistic Coordinator of Birmingham Royal Ballet 2, offers an inside look at life within the company, from what a typical day looks like to the performance opportunities they can expect to the career planning support provided. He also addresses how the company prepares dancers for the demands of a professional ballet career, both inside and outside of the studio. Drawing on his graduate education in psychology, Holder shares how empathy and understanding shape his leadership style and training philosophy, and how he hopes to create a nurturing environment for the next generation of artists, while still holding dancers to the highest of artistic standards that the company is known for. You can learn more about Birmingham Royal Ballet 2 on their website. Links: Ballet Help Desk Holiday Gift Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Episode Summary:  UK-based professional dancer Serena McCall shares valuable insights from her diverse career in ballet and contemporary dance. The episode begins with Serena discussing her early training, including her experiences at the Royal Ballet associate scheme and Elmhurst Ballet School, which paved the way for her professional journey. Serena reflects on her recent role in Disney's live-action Snow White movie, where she worked alongside prominent choreographers like Mandy Moore, Martha Nichols, and Shea Barkley.  Serena emphasizes the importance of building genuine relationships within the dance industry, noting that her success is largely due to her consistent attendance in classes and kindness rather than relying solely on connections. She also discusses her social media presence, which grew organically with the support of her "momager," leading to brand ambassadorships with companies like AcroPad. As a brand ambassador, Serena has traveled and appeared at conventions, further expanding her influence in the dance community. Looking to the future, Serena aspires to work with contemporary companies and explore opportunities in runway modeling, leveraging her dance skills and height. She also shares tips for dancers aiming to break into the industry, emphasizing the importance of classical and contemporary training, networking, and maintaining a positive mindset in the face of rejection. The episode concludes with Serena reflecting on her career with gratitude and pride, offering advice on staying determined and embracing the unpredictable nature of life in the dance world. Show Notes: (0:03) Dance career insights with UK-based professional dancer Serena Nicole.  (2:21) Dance career, Snow White movie experience, and agent vs. self-promotion.  (8:42) Dance career, auditions, and upcoming productions.  (13:58) Importance of relationships in dance career. (16:15) Social media presence, brand ambassadorship, and acro pad product.  (22:06) Dance career, brand ambassadorship, and future plans.  (26:47) Dance training opportunities in the UK. (32:48) Balancing classical and contemporary dance training for commercial work.  (35:15) Talent agencies and their roles in the entertainment industry.  (40:11) Dealing with rejection and staying determined in the face of setbacks.  (45:19) Maintaining a positive mindset in dance auditions. Biography: Meet Serena, a rising star in the world of ballet and contemporary dance, whose passion and talent have taken her to great heights. Born and raised with a deep love for the art of movement, Serena's journey began at the renowned Elmhurst Ballet School in Birmingham. There, she honed her skills and developed a strong foundation in ballet, setting the stage for her future success. Recognized for her exceptional abilities, Serena's dedication led her to become an Associate with both the prestigious Royal Ballet and the esteemed Scottish Ballet. Throughout her time at Rambert, Serena had the privilege of showcasing her skills on some of the world's most esteemed stages. She graced the Linbury Theatre at the Royal Opera House and the iconic Sadler's Wells Lilian Baylis, leaving audiences in awe with her performances. Notably, Serena had the honor of collaborating with renowned choreographers such as Daniel Davidson and Seeta Patel, leaving an indelible mark on the dance community. As a testament to her versatility, Serena also had the opportunity to perform works by the legendary Matthew Bourne, an experience that allowed her to embrace various dance styles and storytelling techniques. Beyond her achievements in dance and film, Serena is proud to be an ambassador for ACROPAD, a brand that aligns with her passion for promoting physical well-being and nurturing the next generation of dancers. Connect on Social Media: https://www.instagram.com/serenamccall https://www.facebook.com/serena.mccall.1

Poor Things fans, this episode is for you! Jonathan sat down with the film's costume designer, Holly Waddington, to learn all about her designing process and inspiration. From giant sleeves to working with Emma Stone and Yorgos Lanthimos, we learned all about what it takes to be an Oscar-nominated costume designer! Holly Waddington is an Oscar® nominee and BAFTA winner for her work on Yorgos Lanthimos' Poor Things. Her costume designs for film and TV also include the pilot episode of Hulu's The Great, written and produced by Tony Macnamara, Lady Macbeth directed by William Oldroyd (which won the BIFA for Best Costume and was nominated for a Critics Circle Award for Technical Achievement for Costume). Holly has worked in Theatre, Dance and Visual Art, creating costumes, sets and installations for productions at Rambert, The Royal Ballet, Complicite, and Handspring, working with notable directors and choreographers including: Kim Brandstrup, The Quay Brothers, Natalie Abrahami and Ben Duke. Holly is on Instagram @hollywaddingtoncostume. Poor Things is on Instagram and X @PoorThingsfilm. Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our senior producers are Chris McClure and Julia Melfi. Our associate producer is Allison Weiss. Our engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices