Podcasts about The Royal Ballet

In this episode of the Pacey Performance Podcast, Rob speaks to Romain Tourillon who discusses the misconceptions around general understanding, testing and training of the foot and ankle sports performance and rehabilitation. Romain shares insights from his PhD research, emphasizing the roles of intrinsic and extrinsic muscles, the significance of holistic evaluation methods, and the need for dynamic training protocols. He highlights that although isometric training has a big place in the training of the foot and ankle, its not the only tool in the toolbox. He dives into the different testing protocols which target the various different areas of the foot based on its function. Romain goes into detail on soleus, tibialis anterior and tibialis posterior testing, citing his work with the Royal Ballet as an example of how these protocols can improve an organisations testing battery. Main talking points: Intrinsic muscles are often overemphasized in training Extrinsic muscles play a larger role in force production Dynamic contractions, not just isometrics are necessary for building calf strength Isometric training alone is insufficient for optimal performance The foot and ankle are frequently underloaded in training regimens How to assess the soleus, tibialis anterior and tibialis posterior

Choreographer Sir Wayne McGregor is one of the most acclaimed, innovative and influential figures in contemporary dance. His works are often the result of creative collaborations with artists, musicians, filmmakers, or with scientists to explore technological issues. In 2006 he was appointed as Resident Choreographer at the Royal Ballet. He has created more than 20 new works at Covent Garden in that time, including Chroma, set to music by Joby Talbot and The White Stripes, and Woolf Works, a full-length ballet based on the life and writings of Virginia Woolf. More recently, McGregor brought the post-apocalyptic vision of Margaret Atwood to the stage in his ballet MaddAddam, based on the writer's acclaimed trilogy of novels. He has worked as a movement director on films including Harry Potter Goblet Of Fire and Mary Queen Of Scots, collaborated with bands including Radiohead and Chemical Brothers, and choreographed the virtual concert, ABBA Voyage. In October 2025, Somerset House in London will mount a landmark exhibition dedicated to McGregor's trailblazing collaborations that have radically defined how we think about performance, movement, and the body. Having won numerous awards, including two Oliviers, Sir Wayne McGregor was knighted in 2024.Wayne McGregor talks to John Wilson about his childhood in Stockport, where he took dance classes and was inspired by John Travolta's moves in Saturday Night Fever. He recalls the house and techno music of the late 80s when he was a student, and how the freedom of expression he felt on nightclub dance-floors informed his style of choreography. Whilst living in New York after leaving university, Wayne came across an open-air performance by the legendary American choreographer Merce Cunningham, whose company was dancing to live music conducted by the avant-garde composer John Cage. It was a chance encounter that had a profound impact on McGregor. He also discusses how science and technology has been a major thematic influence on much of his work in recent years, and how AI has been used to create new works through analysis of physical movement and artistic expression.Producer Edwina Pitman

This special episode was recorded live to celebrate International Women's Day. The RAD gathered three distinguished dancing dames in front of an invited audience to discuss their lives in dance. A ballerina, an artistic director and a choreographer: Dame Darcey Bussell, Dame Monica Mason and Dame Arlene Phillips. All three were previously guests on Why Dance Matters, and there are other points of connection: Darcey and Monica were both luminaries of the Royal Ballet and are now the RAD's President and Vice-President respectively; Darcey and Arlene have both been judges of Strictly Come Dancing. This is a rare opportunity to hear them compare notes about their extraordinary careers and love of dance. Why Dance Matters" is a dance podcast featuring inspiring conversations with extraordinary people from the world of dance and beyond. Hosted by David Jays, editor of Dance Gazette, this podcast explores how dance shapes lives and why it matters to us all. Brought to you by the RAD, which inspires the world to dance, these insightful stories will surprise and delight. Tune in and discover more on our website. Hosted on Acast. See acast.com/privacy for more information.

Wayne Sleep was once called "the finest virtuoso ballet dancer the Royal Ballet has ever produced" by the founder of the company, Ninette de Valois. In this episode, Wayne tells Gyles his remarkable story - raised by his single mother in Plymouth and Hartlepool, Wayne overcame poverty and his short stature to become one of the most well known and successful British ballet dancers of all time. It's a fairytale that includes David Hockney, Rudolph Nureyev and Princess Diana, and much more besides. Thank you to Wayne for your time, wit and energy. Enjoy this. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Royal Ballet and Opera House in London continue their access programme with three up-coming opera productions this spring and summer with audio described performances, touch tours and introductory notes for blind and partially sighted people. RNIB Connect Radio's Toby Davey was joined from the Royal Opera House by Jack Blue, Executive Assistant to the Directors of Opera and Senior Project Co-Ordinator Elliott Henry to find out more about three great audio described opera productions. Highlighted opera productions included: Bizet's ever-popular opera Carman will be audio described on Monday 21 April at 2pm with a touch tour at 1pm on the main stage of the Royal Opera House. Telemann's rarely performed comic opera Pimpinone will be audio described on Sunday 11 May at 2pm with a touch tour at 12.45pm and on Thursday 15 May at 7.15pm with a touch tour at 6pm at the Royal Opera House's Linbury Theatre. And returning to the Royal Opera House's main stage Verdi's Il Trovatore will be audio described on Thursday 17 July at 7.30pm with a touch tor at 6.30pm on the main stage of the Royal Opera House. For more details about these and other audio described performances at The Royal Ballet and Opera House do contact the RBO Box Office on 020 7304 4000, email boxoffice@roh.org.uk or for general access information do visit the access pages of the RBO website - https://www.rbo.org.uk/visit/access-at-rbo (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Today's episode is one I've been wanting to do for ages, The Royal Ballet's version of Alice in Wonderland! And it was totally worth the wait!Follow Jenna Online!Tumblr: ⁠⁠⁠⁠⁠https://still-she-haunts-me-phantomwise.tumblr.com⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠https://www.youtube.com/Phantomwise2⁠⁠⁠⁠⁠⁠⁠⁠⁠2nd Channel: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/@love-giftofafairytale3849⁠⁠Every Version Ever - Episode 186For bonus episodes, extended episodes, and more, sign up for my Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/jonjnorth⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For links to my latest episodes & videos, social media, and more, check out my Link Tree! ⁠⁠⁠⁠⁠https://linktr.ee/jonjnorth⁠⁠

What does it take to be a principal dancer with the Royal Ballet in London? In this candid conversation, Steven McRae shares his remarkable journey from a motorsport family in Australia to the prestigious Royal Ballet.In this Season 7 premiere we discuss how although Steven has achieved immense success throughout his dancing career, it has not come without it's challenges and set backs. We delve into how Steven has overcame significant challenges, including a life-changing Achilles injury, and the lessons he learned about resilience, and mindset. Steven opens up about the pressures of the dance world, the misconceptions surrounding body image, and the impact of burnout on high-performing individuals.As he prepares for his upcoming performances in Romeo and Juliet, Steven reflects on the sacrifices he's made along the way and the importance of celebrating achievements, no matter how small.Don't miss this episode filled with powerful insights and motivation for anyone facing adversity. Hosted on Acast. See acast.com/privacy for more information.

In discussion with Rob Feltham, Ross McIntosh provides a fascinating overview of the ACT framework and how it can help leaders to build psychological flexibility, in part by managing the interactions between their ‘inner voices' and the ways that they show up at work. Topics covered include: building self awareness with the help of the Micro Pause and Macro Pause; managing transitions between leadership situations; and values-driven authentic leadership.  Ross is a business psychologist and coach who uses evidence-based psychology in all areas of his freelance career. At City St George's, University of London, he works alongside Dr Paul Flaxman in an academic/practitioner partnership. They design and deliver ACT Workplace Training for both the public and private sector. Ross also lectures in organisational psychology at City St George's and Birkbeck, University of London.    Ten years ago, Ross founded his consulting business which aims to cultivate well-being, adaptability, authentic action and awareness in organisations. He has designed and delivered evidence-based training to over 23 NHS Trusts, HM Treasury & Civil Service, Nectar Loyalty, teachers, a global tech company, a big four consultancy, Diageo, hedge fund managers and a variety of ballet companies including Rambert, Scottish Ballet, Northern Ballet and The Royal Ballet.   In a bid to reach more adults with the behavioural science from ACT and beyond, the People Soup Podcast was born in 2018. It's won awards, has a global reach and in the global ranking is one of the top 2.5% most popular podcasts (in a field of around 3.5 million!)   Prior to his portfolio career, Ross spent over 20 years in Senior HR roles in Government. He is a Fellow of the Chartered Institute for Personnel and Development (CIPD), a Fellow of the Royal Society of Arts (FRSA) and a Fellow of the Association for Coaching.  Ross's website can be found at: https://rossmcintosh.co.uk/Rob Feltham is podcast editor of the ABP.

The Akademy Circle is a private members' club based in London, Dubai, and Miami. Akademy brings together discerning individuals dedicated to personal growth and making a positive impact through the power of learning. The club offers its members an exciting programme of events hosted by world-class academics, creatives and business leaders at distinguished locations. Akademy's insightful talks and inspiring experiences cover a wide range of subject areas, including arts and humanities, science, tech, business, fashion, wellness, and more. Akademy's London programme featured a remarkable roster of prominent figures, including the art world icon and performance art pioneer Marina Abramović, former head of Britain's Security Service MI5 Dame Stella Rimington, the first British Astronaut Helen Sharman, Director of Cultural Heritage Protection and Security at Victoria & Albert Museum Vernon Rapley, Director Emeritus of the Churchill War Rooms Phil Reed, Keeper of the Wellington Collection Dr. Olivia Fryman, opera stars Aida Garifullina, Topi Lehtipuu and Chen Reiss, Royal Ballet principal dancers Fumi Kaneko and Vadim Muntagirov, among many others. https://akademyclub.com https://www.instagram.com/akademy_london To order Dr Tony Nader's book Consciousness Is All There Is: https://www.drnaderbooks.com or use your favorite bookseller. Website: https://www.drtonynader.com MIU Website https://www.miu.edu/meet-president-tony-nader-md-phd Instagram https://www.instagram.com/drtonynader President Instagram https://www.instagram.com/miupresidentnader Facebook https://www.facebook.com/DrTonyNader YouTube https://www.youtube.com/@DrTonyNader X (Twitter) https://twitter.com/DrTonyNader TikTok https://www.tiktok.com/@drtonynader Linked In https://www.linkedin.com/in/drtonynader

Valentino Zucchetti When Valentino Zucchetti won the gold medal at the Genée International Ballet Competition in 2006, Dance Gazette called him ‘dazzling' and ‘above all, devastatingly charismatic.' The Italian artist has brought those qualities as dancer with the Royal Ballet in London (especially in vivid roles like Mercutio in Romeo and Juliet, Lescaut in Manon and Lensky in Onegin), and an award-winning choreographer. Works like Scherzo, Anemoi and Jeunesse (created for the RAD's Fonteyn competition in 2023) radiate a lyrical eye and a heartfelt response to music. As he prepares a premiere for the London Handel Festival, he discusses the rewards and challenges of his dual career. Valentino Zucchetti trained at La Scala and the Royal Ballet School and won the RAD's 2006 Genée International Ballet Competition (now The Fonteyn) and the 2007 Solo Seal award. He danced with Zürich Ballet and Norwegian National Ballet before joining the Royal Ballet in 2010, promoted to First Soloist in 2014. He won the RBS's Ursula Moreton Choreographic Award in 2005, and has created ballets for New English Ballet Theatre (Orbital Motion, Enticement's Lure, Firth of Fifth, Into the Light) and the Royal Ballet, including Scherzo (South Bank Sky Arts Award for Dance) and Anemoi (Critic's Circle National Dance Award). He created Jeunesse for The Fonteyn 2023. LINKShttps://www.london-handel-festival.com/show/2025-double-bill-tales-of-apollo-hercules/ Hosted on Acast. See acast.com/privacy for more information.

I feel so blessed to have been connected with my newest podcast guest Reva Pincusoff, former ballerina who trained with The Royal Ballet and danced with Pennsylvania Ballet (now Philadelphia Ballet), Les Grands Ballets Canadiens, and Eliot Feld's ballet company, among others! It all started for her after watching The Red Shoes at 9 years old, when she asked her parents if she could take ballet class, and they said she could if she practiced everyday. Reva said, "Deal," and from then on, she was committed. Ballet companies were noticing Reva when she was still in high school, and she danced professionally from 17 to 35 years old. She also never got injured during that time, to which she credits her amazing training. Watch or listen to the full episode to learn more details about Reva's dance journey as well as what she did for her second career, which she was just as passionate about! Follow our dance journeys on Instagram: @DanceJourneyPodcast@TracyinLA

Proposer, en un seul spectacle, un aperçu des artistes les plus enthousiasmants, charismatiques et talentueux du monde de la danse, tel est le pari un peu fou que s'est lancé Marie Doutrepont, la fondatrice. Si, en théorie, ce projet semble irréaliste, il a toutefois donné naissance à l'un des rendez-vous culturels les plus attendus de l'année. Plus encore, il est désormais l'unique gala, de stature internationale, organisé sur le territoire belge. Ex-danseuse professionnelle de plusieurs compagnies (Royal Ballet de Covent Garden, Ballet du Capitole de Toulouse et Ballet de Flandres), la liégeoise a su capitaliser sur son réseau pour attirer à Liège la crème des solistes mondiaux. Depuis la première édition des Hivernales, elle a opté pour une programmation qui ne tombe dans aucun cliché du genre. À la fois pointu et accessible aux non-initiés, son programme comprend des extraits phares du répertoire classique ainsi que de petits bijoux contemporains, à cela s'ajoutent parfois des créations. La particularité ? Marie ne dévoile pas le programme du Gala, la liste des danseurs invités uniquement. L'idée est de s'installer sans attente, excité par la découverte et en totale confiance, puisque la qualité des prestations des Hivernales de la Danse est maintenant chose acquise Merci pour votre écoute N'hésistez pas à vous abonner également aux podcasts des séquences phares de Matin Première: L'Invité Politique : https://audmns.com/LNCogwPL'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqxL'humour de Matin Première : https://audmns.com/tbdbwoQRetrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Retrouvez également notre offre info ci-dessous : Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrEt si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

fWotD Episode 2872: Flight Pattern Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Sunday, 16 March 2025 is Flight Pattern.Flight Pattern is a contemporary ballet choreographed by Crystal Pite, set to the first movement of Henryk Górecki's Symphony No.3. It premiered at the Royal Opera House, London, on 16 March 2017, making Pite the first woman to choreograph for the Royal Ballet's main stage in 18 years. The ballet won the Laurence Olivier Award for Best New Dance Production in 2018.Flight Pattern examines the plight of refugees, drawing inspiration from 20th and 21st-century events, particularly the refugee crisis caused by the Syrian civil war. The ballet starts with 36 dancers performing on stage and transitions to a series of duets and solos originated by the dancers Marcelino Sambé and Kristen McNally. The piece was mostly positively reviewed by critics, with many praising the performance of the two soloists and the choreography of the ensemble. In 2022, Pite expanded the ballet into Light of Passage, with Flight Pattern becoming the first part of the ballet. The narrative is non-linear and the movement uses lines created by the dancers' bodies and formations of queues to create tension on stage.This recording reflects the Wikipedia text as of 00:53 UTC on Sunday, 16 March 2025.For the full current version of the article, see Flight Pattern on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm long-form Danielle.

The programme for the tenth biennial Manchester International Festival for 2025 was announced on 11 March at Aviva Studios. BTG Editor David Chadderton spoke to John McGrath, Factory International's Chief Executive and Artistic Director, and Creative Director Low Kee Hong, as well as Jonathan Watkins, director and choreographer of A Single Man, and the writer, Ntombizodwa Nyoni, and director, Monique Touko, of Liberation. The 2025 Manchester International Festival runs from Thursday 3 to Sunday 20 July. A Single Man, produced with The Royal Ballet and created by Jonathan Watkins from Christopher Isherwood's 1964 novel with new music by Jasmin Kent Rodgman and John Grant, will be at Aviva Studios from 2 to 6 July. Liberation, written by Ntombizodwa Nyoni and directed by Monique Touko, will be at the Royal Exchange Theatre from 27 June to 26 July. For more information about all of the events in the festival, see the Factory International web site.

We sit down with Cynthia Harvey to discuss the Prix de Lausanne, one of the world's top ballet competitions. Cynthia shares how she got started in ballet, key moments in her training, and the teachers who influenced her career. We also explore the history of the Prix, how students are selected, what happens during the week in Lausanne, and how winners are chosen. Cynthia offers valuable insights into coaching, choreography, and the role competitions play in ballet training today. Links: Support Ballet Help Desk Buy Corrections Journals Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Ballet Help Desk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI    

Marianela Núñez is a Principal dancer of the Royal Ballet and Opera. Born in Argentina in 1982, Marianela knew she wanted to be a ballet dancer from the age of five and joined the Teatro Colón Ballet School in Buenos Aires when she was eight.She dedicated herself to becoming a professional ballerina and had the full support of her parents despite having to leave home at fifteen to join the Royal Ballet in the UK. After spending a year at the Royal Ballet School and learning English from watching episodes of Friends, she joined the corps de ballet and worked her way up the company to become Principal Dancer. She has danced the lead roles in the ballet repertoire on the London stage and around the world as a guest artist. In 2018, she celebrated her 20th anniversary with the Royal Ballet with a performance of lead roles in Giselle, The Winter's Tale, Manon, Marguerite and Armand, and Swan Lake in her anniversary year. Director of The Royal Ballet Kevin O'Hare called her “one of the greats of her generation”. Marianela has many awards for her dancing including the Laurence Olivier Award for Outstanding Achievement in Dance in 2013. She lives in London with her two cats.DISC ONE: Adíos Nonino (“Goodbye Grandad”) - Astor Piazzolla DISC TWO: Hoy Puede Ser Un Gran Dia (“Today Could Be a Great Day”) - Joan Manuel Serrat DISC THREE: Dancing Queen - ABBA DISC FOUR: Don't Stop Me Now - Queen DISC FIVE: Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Mark Ermler DISC SIX: Adam: Giselle / Act 2: Lever du soleil et arrivée de la cour. Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Richard Bonynge DISC SEVEN: Count on Me - Bruno Mars DISC EIGHT: I Can See Clearly Now - Johnny Nash BOOK CHOICE: The Collected Works of Jorge Luis Borges LUXURY ITEM: A cashmere blanket CASTAWAY'S FAVOURITE: Tchaikovsky: The Sleeping Beauty, Op. 66, TH 13 / Act 1: 8a. Pas d'action: Introduction (Andante) - Adagio ("Rose Adagio") Performed by The Orchestra of the Royal Opera House, Covent Garden, conducted by Mark Ermler Presenter Lauren Laverne Producer Sarah Taylor

Wayne Sleep, Ben Miller, Rosalind Eleazar and Lou Conran join Stuart Maconie for this week's Loose Ends, with music from The Lottery Winners.Dance icon Wayne Sleep waltzes in to tell us stories of his life - all detailed in his new autobiography, Just Different. Tales of his friendships with Princess Diana, Freddie Mercury, David Hockney and fellow ballet legend Rudolph Nureyev intermingle with insights into his working-class upbringing and the difficulties of trying to make it as the shortest principal dancer ever to get into the Royal Ballet. Told he would always have to spin twice as fast and jump twice as high to succeed, Stuart hears all about the trials, tribulations and backstage gossip that make up Wayne's world. With notable appearances in Slow Horses, Howards End, Rellik and the Personal History Of David Copperfield, as well as striding such prestigious stages as the Royal Court and the National Theatre, Rosalind Eleazar is set to return to the small screen this New Year. Starring in the Netflix production of Harlan Coben's Missing You, filmed across the north west of England, she's here to tell us all about her new role as Detective Kat Donovan. Award-winning comedian and writer Lou Conran has been storming stages up and down the country since 2005 with her innate brand of sharp wit and honest and open humour. 2025 will see her twenty year anniversary as a performer and off the back of a sold out UK tour, she's about to embark on a tour of New Zealand, and joins Stuart to tell us about the year ahead. The actor and comedian Ben Miller is of course known for The Armstrong & Miller Show, the Johnny English and Paddington films, Death in Paradise, Bridgerton - but over recent years has turned his hand to writing children's books. From his Elf series to the recent The Night I Met Father Christmas, he joins Stuart to talk about his new character – Robin Hood…aged 10¾. And we'll hear all about his new TV series Austin which will be on our screens in 2025. Robbie Williams, Noel Gallagher, Boy George, Shaun Ryder and Frank Turner are just some of the huge names The Lottery Winners have in their phonebook. Formed in the mining town of Leigh 15 years ago, The Lottery Winners set out to work the UK gig circuit and perfect their now acclaimed stagecraft. And it all paid off when their last album went to No.1 in the UK. Their fourth original album KOKO is due out in February with a tour closely following…and another one with Robbie Williams following that! They join Loose Ends to play two songs - Superpower and Worry. Presenter: Stuart Maconie Producer: Elizabeth Foster Production Co-ordinator: Lydia Depledge-Miller

The Royal Ballet and Opera House in London continue their programme of access to their productions for blind and partially sighted people with both live and recorded audio described performances, along with accompanying introductory notes and touch tours. If you have ever wondered what goes in to audio describing ballet and dance then do join RNIB Connect Radio's Toby Davey for an insight into how the Royal Ballet's current production of Cinderella is brought to life for blind and partially sighted people through pre show introductory notes, touch tours and audio described performances. Prior to the general rehearsal of Cinderella On Monday 2 December 2024 Toby caught up with Professional Audio Describers Julia Grundy and Jane Brambley to find out what goes in to the process of describing a ballet production like Cinderella, how they both work on their description scripts, thinking about what props and costumes to include on a touch tour and whether they adapt their live description script at all for the recorded description which is now available at every performance of Cinderella.  After chatting with Julia and Jane Toby also caught up with Ania Kapazat, one of the Administrative Producers at the Royal Ballet, to find out more about how she has helped Julia and Jane with their description as well as listening in to the dry run of their audio description at the general rehearsal of Cinderella. During the first interval of the general rehearsal of Cinderella Toby managed to catch up with Kevin O'Hare, Director of The Royal Ballet, to firstly chat about how things have gone in getting this production of Cinderella to the general rehearsal, how embedded access and audio description is within the company and a snap shot stand out moment from Cinderella that really shows how everything comes together to bring the story of Cinderella to life on stage with audio description too. About Cinderella The Royal Ballet's current production of Cinderella continues on the main stage of the Royal Opera House until 16 January 2025 with recorded audio description now available at every performance.  This enchanting ballet by The Royal Ballet's Founder Choreographer Frederick Ashton is a theatrical experience for all the family over the festive holiday. A co-production between the Royal Ballet and the national Ballet of Canada. In 1939, Frederick Ashton first began to consider creating a full-length work, the Company's first three-act ballet. At the time it seemed like the obvious next step for British ballet. The idea was shelved during the war but in 1946 Ashton returned urgently to it. Inspired by other balletic adaptations of Cinderella coming out of Russia, Ashton chose to create his own version of Charles Perrault's famous rags-to-riches story. Set to Prokofiev's exquisite score the ballet received its premiere in 1948 featuring Moira Shearer and Michael Some's in the lead roles.  A World Where Dreams Blossom  The designs of this production of Cinderella are heavily influenced by nature and flowers. As the Fairy Godmother and the Seasons' fairies come into Cinderella's world, the muted tones of the family living room are taken over by a burst of colour. The creative team behind the exquisite world of Cinderella includes set designer Tom Pye (My Neighbour Totoro, Olivier award for Best Set Design), costume designer Alexandra Byrne (Elizabeth: The Golden Age, Academy Award for Best Costume Design), lighting designer David Finn (Brokeback Mountain), video designer Finn Ross (Les Miserables, Frozen) and illusions by Chris Fisher (Harry Potter and The Cursed Child).   To find out more about The Royal Ballet's current production of Cinderella do visit the following pages of the RBO website - https://www.rbo.org.uk/tickets-and-events/cinderella-details You will also find more information about access at the royal Ballet and Opera House on the following access pages of their website - https://www.rbo.org.uk/visit/access-at-rbo Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font.

Kit Holder, Artistic Coordinator of Birmingham Royal Ballet 2, offers an inside look at life within the company, from what a typical day looks like to the performance opportunities they can expect to the career planning support provided. He also addresses how the company prepares dancers for the demands of a professional ballet career, both inside and outside of the studio. Drawing on his graduate education in psychology, Holder shares how empathy and understanding shape his leadership style and training philosophy, and how he hopes to create a nurturing environment for the next generation of artists, while still holding dancers to the highest of artistic standards that the company is known for. You can learn more about Birmingham Royal Ballet 2 on their website. Links: Ballet Help Desk Holiday Gift Guide Buy Corrections Journals Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

The Royal Ballet and Opera House in London continue their programme of access to their productions for blind and partially sighted people with both live and recorded audio description for their current production of Puccini's La Bohème from 18 December 2024 into January 2025.  RNIB Connect Radio's Toby Davey was joined by Principal Guest Conductor Designate - Speranza Scappucci, freelance Audio Describer - Julia Grundy and Paul Adams - Access manager at The Royal Opera House for an overview to the story of La Bohème, what blind and partially sighted people might expect from either attending the live audio described performance on Wednesday 18 December 2024 at 7.30pm with a touch tour at 6.30pm or from the recorded audio description at the remaining performances throughout December and into January 2025. About Puccini's La Bohème  Set in 19th-century Paris, La Bohème is about the lives of a group of struggling young artists. Based on Henry Murger's novel Scenes de la vie de Bohème, the opera follows a love story between a poet named Rodolfo and Mimi, a seamstress, as they are forced to face the challenges of Mimi's declining health and the realities of living in Paris' Latin Quarter during the 1830s. The relationships and hardships faced by the pair along with their friends Marcello and Musetta are explored, alongside the effects of poverty, illness and youthful passion. A poignant take on the fleeting nature of happiness, La Bohème is an everlasting tale of tragic romance. To find out more about Puccini's La Bohème at The Royal Opera House in London, book your tickets for one of the up-coming audio described performances do visit the following website link and you can always of course email boxoffice.access@roh.org.uk if you have any enquiries regarding access at The Royal ballet and Opera House. https://www.rbo.org.uk/tickets-and-events/la-boheme-details (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Desde que entrar a los 14 años en la escuela de Víctor Ullate, esta bailarina de Hondarribia ha desarrollado una carrera muy prolífica hasta terminar en la Royal Ballet de Londres 

Lorry ‘blind spots' continue to present serious hazards for London's cyclists. The London Standard's transport editor Ross Lydall examines why haulage companies have been given more time by TfL to tackle vision issues and install camera tech in HGVs being driven in London, despite concerns expressed by cycle campaigners.In part two, The Royal Ballet is currently showcasing a mixed programme of works by 21st century choreographers titled ‘Encounters: Four Contemporary Ballets', which runs until November 22nd. The Standard podcast is joined by former alumnus of The Royal Ballet Choreographic Residency, Joseph Toonga, who discusses the world premiere his new work at the Royal Opera House, called Dusk, which combines classical ballet and hip hop. Hosted on Acast. See acast.com/privacy for more information.

The Royal Ballet and Opera House in London continue their programme of access to their productions for blind and partially sighted people with an audio described opera double bill on Tuesday 15 October and Tuesday 22 October at 7.30pm with Leonard Bernstein's ‘Trouble in Tahiti' and ‘A Quiet Place' at their Linbury Theatre with touch tours prior to both performances. RNIB Connect Radio's Toby Davey was joined by Grace Cook one of the Producers at the Royal Opera House, Freelance Audio Describer Sarah Borges and Paul Adams RBOH Access Manager to find out more about the Bernstein audio described opera double bill. About the Operas: ‘Trouble in Tahiti' depicts a day in the life of Sam and Dinah, a married couple at odds with one another and the happy suburban life they crave. Unable to connect with his wife, Sam retreats into a hyper-masculine world of physical fitness, while Dinah turns to therapy and shopping. A trip to the cinema to see the latest film (Trouble in Tahiti) offers a window onto another world – but can the couple hold onto the illusion of happiness?    ‘A Quiet Place' picks up the story 30 years later, after a family tragedy brings their children home. Dinah has been killed in a car crash, and as Sam wrestles with his grief at the funeral, his daughter Dede and her husband François pay emotional tribute to her mother. His son, Junior, makes a chaotic late appearance, prompting an angry outburst from his father. As the family navigates their grief, memories of the past rise to the surface, prompting a series of confrontations.     To find out more about the Bernstein double bill and to book your tickets for one of the up-coming audio described performances do visit the following website link and you can always email boxoffice.access@roh.org.uk if you have any enquiries regarding access at RBOH. https://www.rbo.org.uk/tickets-and-events/trouble-in-tahiti-a-quiet-place-details (Image shows Royal Opera House logo, black text reading Royal Opera House in capitals with a black and white depiction of the coat of arms of the United Kingdom on a white background)

This week, we're getting a little classy. We're putting on our finest attire and going to the ballet! Join us as we instantly talk about the Monster's genitals, praise ourselves for understanding the dialogue-less plot, and then right away get confused about if and when a wedding occurs. We're very sophisticated. Please rate, review, and tell your fiends. And be sure to subscribe so you don't miss future installments. Join us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/thefrankencast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Find all of our various links at ⁠⁠⁠⁠⁠⁠⁠linktr.ee/frankencast⁠⁠⁠⁠⁠⁠⁠ or send us a letter at thefrankencast@gmail.com. We'd love to hear from you! Your Horror Hosts: Anthony Bowman (he/him) & Eric Velazquez (he/him). Cover painting by Amanda Keller (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@KellerIllustrations on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠).

In this episode, we sit down with Julie Bowers, former Royal Ballet dancer and founder of Grad Pro, an innovative program designed to help dancers bridge the gap between training and professional careers. Julie shares how her experiences and insights into the challenges dancers face in today's job market, especially post-Covid, led her to create the organization. We discuss the various programs offered, including postgraduate training, career mentoring, and international showcases, all aimed at helping dancers take that next step toward goal of dancing professionally. If you're a dancer or a parent of one, this is an episode you won't want to miss! Learn more about Grad Pro on their website.   Links: Ballet Help Desk Buy Corrections Journals Discounts On Your Favorite Ballet Brands! Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Mike Chmielewski talks with author, teacher and Royal Ballet trained Lucy Ashe, to talk about her book that contains a mix of ballet, obsession, and mystery set against the backdrop of post-WWII London.

In this podcast, Iain Webb, Director of The Sarasota Ballet shares his inspiring journey from taking his first dance steps in Yorkshire, England to leading one of America's most dynamic ballet companies. Speaking from his office - surrounded by his collection of ballet books and signed photographs from ballet luminaries (watch the video) - Iain reflects on his lifelong passion for the art form and his incredible experience working with so many ballet greats. Listen as Iain shares special moments with ballet icons Sir Frederick Ashton, Dame Ninette de Valois, Dame Alicia Markova and Sir Anthony Dowell. From his time performing with The Sadler's Wells Royal Ballet and The Royal Ballet to meeting his wife, former principal dancer Margaret Barbieri, Iain's journey is filled with captivating stories. Iain discusses rising through the ranks, to leaving the stage and working with Matthew Bourne as Rehearsal Director for Swan Lake and Ballet Master with K-Ballet Company in Japan, before becoming Director of The Sarasota Ballet in 2007, a role in which he has masterfully blended respect for ballet's history with a forward-looking vision for the company's future. Under Iain's leadership, The Sarasota Ballet has flourished with his dedication to preserving Sir Frederick Ashton's legacy while expanding the company's repertoire with contemporary works. One of the achievements of his tenure has been The Sir Frederick Ashton Festival in 2014, held to mark the 25th anniversary of Ashton's passing. The festival drew national and international praise. Earlier this year, the company embarked on their first international tour to London's Royal Opera House presenting Ashton Celebrated. This tour brought Iain full circle, returning to his home country and presenting a programme of works from The Royal Ballet's founding choreographer and one of the most influential dance figures of the 20th century. Iain's commitment to honouring ballet's rich heritage with Sir Richard Aston's works while nurturing new talent ensures Sarasota Ballet's continued prominence in the dance world. PRESS PLAY https://djwpodcasts.s3.eu-west-1.amazonaws.com/1wwwod/2024/Iain+Webb+PODCAST.mp3   Production photo of Paradise Gardens, The Sarasota Ballet. Part of Ashton Worldwide 2024-2028. Main Stage, ROH, London. © 2024 Foteini Christofilopoulou. Production photo of Diverts - Balcony Scene from Romeo and Juliet, The Sarasota Ballet. Part of Ashton Worldwide 2024-2028. Linbury Theatre, ROH, London. © 2024 Foteini Christofilopoulou Production photo of Diverts - Façade, The Sarasota Ballet. Part of Ashton Worldwide 2024-2028. Linbury Theatre, ROH, London. © 2024 Foteini Christofilopoulou.

  In this episode we sit down with Jaimie Tapper, Head of Performance Coaching at The Royal Ballet, to explore the significant changes she's witnessed in ballet schools since her own dancing days. Jaimie discusses key challenges today's ballet students face and questions whether schools are being asked to take on responsibilities they may not be equipped for. She also underscores the importance of cultivating interests outside of ballet. While acknowledging that there's still much progress to be made, Jaimie remains optimistic about the future of the art form. Links: Ballet Help Desk Buy Corrections Journals Discounts On Your Favorite Ballet Brands! Support Ballet Help Desk Instagram: @BalletHelpDesk Facebook: BalletHelpDesk   Music from #Uppbeat: https://uppbeat.io/t/ian-aisling/new-future License code: MGAW5PAHYEYDQZCI

Episode Summary:  UK-based professional dancer Serena McCall shares valuable insights from her diverse career in ballet and contemporary dance. The episode begins with Serena discussing her early training, including her experiences at the Royal Ballet associate scheme and Elmhurst Ballet School, which paved the way for her professional journey. Serena reflects on her recent role in Disney's live-action Snow White movie, where she worked alongside prominent choreographers like Mandy Moore, Martha Nichols, and Shea Barkley.  Serena emphasizes the importance of building genuine relationships within the dance industry, noting that her success is largely due to her consistent attendance in classes and kindness rather than relying solely on connections. She also discusses her social media presence, which grew organically with the support of her "momager," leading to brand ambassadorships with companies like AcroPad. As a brand ambassador, Serena has traveled and appeared at conventions, further expanding her influence in the dance community. Looking to the future, Serena aspires to work with contemporary companies and explore opportunities in runway modeling, leveraging her dance skills and height. She also shares tips for dancers aiming to break into the industry, emphasizing the importance of classical and contemporary training, networking, and maintaining a positive mindset in the face of rejection. The episode concludes with Serena reflecting on her career with gratitude and pride, offering advice on staying determined and embracing the unpredictable nature of life in the dance world. Show Notes: (0:03) Dance career insights with UK-based professional dancer Serena Nicole.  (2:21) Dance career, Snow White movie experience, and agent vs. self-promotion.  (8:42) Dance career, auditions, and upcoming productions.  (13:58) Importance of relationships in dance career. (16:15) Social media presence, brand ambassadorship, and acro pad product.  (22:06) Dance career, brand ambassadorship, and future plans.  (26:47) Dance training opportunities in the UK. (32:48) Balancing classical and contemporary dance training for commercial work.  (35:15) Talent agencies and their roles in the entertainment industry.  (40:11) Dealing with rejection and staying determined in the face of setbacks.  (45:19) Maintaining a positive mindset in dance auditions. Biography: Meet Serena, a rising star in the world of ballet and contemporary dance, whose passion and talent have taken her to great heights. Born and raised with a deep love for the art of movement, Serena's journey began at the renowned Elmhurst Ballet School in Birmingham. There, she honed her skills and developed a strong foundation in ballet, setting the stage for her future success. Recognized for her exceptional abilities, Serena's dedication led her to become an Associate with both the prestigious Royal Ballet and the esteemed Scottish Ballet. Throughout her time at Rambert, Serena had the privilege of showcasing her skills on some of the world's most esteemed stages. She graced the Linbury Theatre at the Royal Opera House and the iconic Sadler's Wells Lilian Baylis, leaving audiences in awe with her performances. Notably, Serena had the honor of collaborating with renowned choreographers such as Daniel Davidson and Seeta Patel, leaving an indelible mark on the dance community. As a testament to her versatility, Serena also had the opportunity to perform works by the legendary Matthew Bourne, an experience that allowed her to embrace various dance styles and storytelling techniques. Beyond her achievements in dance and film, Serena is proud to be an ambassador for ACROPAD, a brand that aligns with her passion for promoting physical well-being and nurturing the next generation of dancers. Connect on Social Media: https://www.instagram.com/serenamccall https://www.facebook.com/serena.mccall.1

Globally renowned choreographer, fascinated by the potential of the human body, Wayne McGregor is resident choreographer of The Royal Ballet. He is in demand as a choreographer for theatre, opera, film and music videos - famously choreographing the concert ABBA Voyage for the Swedish pop band. Sir Wayne has recently received a knighthood for outstanding services to the field of dance. He says everybody can, and should dance.

Es ist das bedeutendste britische Opernhaus: The Royal Opera House in Covent Garden. Dieser traditionsreiche Ort ist die Heimat der Royal Opera, des Royal Ballet und des Orchestra of the Royal Opera House. Jedes Jahr kommen mehr als 700.000 Besucher, um die größten Opernstars der Welt live zu erleben. König Charles III. hat erst vor wenigen Wochen gut gelaunt eine besondere Galavorstellung im Londoner Royal Opera House besucht - es war einer seiner ersten Auftritte nach Bekanntwerden seiner Krebserkrankung. Er war dabei und hat den König an diesem Abend persönlich gesprochen: Opern-Weltstar Jonas Kaufmann! Unsere BRITPOD-Macher Alexander und Claus treffen ihn und seinen Chefdirigenten Sir Antonio Pappano zu einem exklusiven Gespräch hinter den Kulissen des Royal Opera House: "Als der König in seiner Loge platzgenommen hatte, lief natürlich 'God save the King' und das Publikum hat kräftig applaudiert", erzählt Jonas Kaufmann. Und als wäre das nicht schon genug, treffen unsere England-Fans auch noch auf Star-Sopranistin Anna Netrebko. -- Mehr Infos über Opernstar Jonas Kaufmann findest Du hier: https://jonaskaufmann.com -- WhatsApp: Du kannst Alexander und Claus direkt auf ihre Handys Nachrichten schicken! Welche Ecke Englands sollten die beiden mal besuchen? Zu welchen Themen wünschst Du Dir mehr Folgen? Warst Du schon mal in Great Britain und magst ein paar Fotos mit Claus und Alexander teilen? Probiere es gleich aus: +49 8152 989770 - einfach diese Nummer einspeichern und schon kannst Du BRITPOD per WhatsApp erreichen. -- Ein ALL EARS ON YOU Original Podcast.

This time of year there is a lot of fear in sport, We see it in the Copa America and Euro Soccer championships, Olympic Trials, and even on the youth level as our kids tryout for teams. In this podcast replay from 2021, we are joined by Owen Eastwood (@oweneastwood), one of the world's most sought after high performance coaches. He has worked with the England Men's Football (soccer) team during the 2021 Euros, reaching the Final, and has worked with organizations such at NATO Command, South Africa Cricket, Scotland Rugby, the Royal Ballet, and Team GB. We discuss his fantastic new book Belonging: The Ancient Code of Togetherness, in which he sets out the thinking behind his methods of unlocking success, and how they can be adapted to different groups and teams. In the process, he discusses evolutionary science, personal development and philosophy, as he draws on notions of belonging, of shared vision and the spiritual wisdom of his ancestors. We discuss both the biology and psychology of togetherness, fear vs challenge mentality, and how high performing groups follow a path whereby they: Find their identity story Define a shared purpose Vision their future success Share ownership Turn diversity int a competitive advantage. Owen shares numerous personal stories of his upbringing, his family, and his work with some of the best teams and athletes on the planet. We all want to feel like part of something greater than ourselves; Owen Eastwood gives us a process to do just that. Grab the book on Amazon NEW WOC MASTERMIND AND CERTIFICATION PROGRAM As you may have heard, we decided to cancel our 2024 Way of Champions Conference, which opens up the opportunity for us to begin a year long mastermind and coach certification program in the Way of Champions and CTGP materials. If you want to simply take a deeper dive then ever offered before into your coaching and personal development, or work within your school or club improving coaching or transforming the culture, or you want to hit the road as a speaker and presenter working with teams and youth sports organizations, we will give you the tools and support to do so. We are collecting names who are interested at this moment in learning more, you can do so by clicking here and adding your name and email to the list. PUT IN YOUR BULK BOOK ORDERS FOR OUR BESTSELLING BOOKS! Programs such as UNC soccer and lacrosse, Syracuse lacrosse, Stanford Lacrosse, Middlebury College, Colby College, Rutgers University, and many other champions are using THE CHAMPION TEAMMATE book with their athletes. Schools and clubs are using EVERY MOMENT MATTERS for staff development and book clubs. Are you?  We have been fulfilling numerous bulk orders for some of the top high school and collegiate sports programs in the country, will your team be next? Click here to visit John's author page on Amazon Click here to visit Jerry's author page on Amazon Please email John@ChangingTheGameProject.com if you want discounted pricing on 10 or more books on any of our books. Thanks everyone. This week's podcast is brought to you by our friends at Sprocket Sports.  Sprocket Sports is a new software platform for youth sports clubs.  There are a lot of these systems out there, but Sprocket provides the full enchilada. They give you all the cool front-end stuff to make your club look good– like websites and marketing tools – AND all the back-end transactions and services to run your business better so you can focus on what really matters – your players and your teams. Sprocket is built for those clubs looking to thrive, not just survive, in the competitive world of youth sports clubs.  So if you've been looking for a true business partner – not just another app – check them out today at https://sprocketsports.me/CTG. Become a Podcast Champion! This weeks podcast is also sponsored by our Patreon Podcast Champions. Help Support the Podcast and get FREE access to our most popular online courses, a $300 value. If you love the podcast, we would love for you to become a Podcast Champion, (https://www.patreon.com/wayofchampions) for as little as a cup of coffee per month (OK, its a Venti Mocha), to help us up the ante and provide even better interviews, better sound, and an overall enhanced experience. Plus, as a $10 per month Podcast Super-Champion, you will have access to never before released and bonus material, including: Downloadable transcripts of our best podcasts, so you don't have to crash your car trying to take notes! A code to get free access to our online course called “Coaching Mastery,” usually a $97 course, plus four other courses worth over $100, all yours for free for becoming a patron. Other special bonus opportunities that come up time to time Access to an online community of coaches like you who are dedicated listeners of the podcast, and will be able to answer your questions and share their coaching experiences

Jennifer Milner is a ballet coach and certified Pilates trainer specializing in working with dancers. After a successful career as a ballet and musical theatre dancer, she became certified in Pilates with Kelly Kane and mentored under Marika Molnar for her dance medicine certification. She's trained dancers from the Royal Ballet, New York City Ballet, American Ballet Theatre, San Francisco Ballet, and the Kirov Ballet.Jennifer and I talked all about her career as a dancer, from ballet to musical theatre. We discussed staying motivated as a freelance dancer, how to determine if you should take a gig (especially the unpaid ones!) and our plans to overhaul the current company audition process. Jennifer shares how a career-ending injury led her to her current passion and the work she does to shape healthy dancers, both physically and emotionally.Key Moments: Early training [1:40] Beginning her professional ballet career at 16 [4:16] Transitioning to a career in musical theatre [7:40] Staying motivated as a freelance dancer [17:05] Deciding when to take a job, even if it's not paid [20:56] Turning a career-ending injury into a new career [26:15] The biggest struggles dancers are currently facing [33:35] Her biggest piece of advice for dancers pursuing a career [47:30]Connect with Jennifer:HER WEBSITE: www.jennifer-milner.comINSTAGRAM: instagram.com/jennifer.milnerLinks and Resources:Click here for one FREE month of Danscend's Council for Educators with code BRAINY1-1 Career Mentoring: book your complimentary career callLet's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

This week London Hippy brings you inspiration from his fortunate week in London, being gifted free tickets to see Liam Gallagher at the O2 and a stage-side seat at the Royal Ballet production of Swan Lake. Starting off with some new Paul Weller, who will be playing Filmore West in September, L plays some of his favourite live performances to ever grace the Filmore. The show maintains its energy through Future Jazz and the broken beat sound. In the second half we here spiritual jazz and R&B to see us later into the day. For more info and tracklisting, visit: https://thefaceradio.com/the-london-hippyTune into new broadcasts of The London Hippy, Thursdays from 2 – 4 PM EST / 7 - 9 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Lucy Ashe is the author of CLARA & OLIVIA (Magpie, Oneworld publications, UK)/ THE DANCE OF THE DOLLS (Union Square & Co, US)Her second novel, THE SLEEPING BEAUTIES, is out now in the UK and is coming to the US in September 2024.Lucy trained at The Royal Ballet School for eight years, first as a Junior Associate and then at White Lodge. She has a Diploma in Dance Teaching with the British Ballet Organisation.She studied English Literature at St Hugh's College, Oxford, while continuing to dance and perform. After graduation, she obtained a PGCE teaching qualification and became an English teacher.Her poetry and short stories have been published in a number of literary journals and she was shortlisted for the 2020 Impress Prize for New Writers. She reviews theatre, in particular ballet, writing for the website PlaysToSee.com.In this episode we talk about Lucy's training at the Royal Ballet School, her journey from dancer to 2x published writer and where she draws inspiration for her novels.Key Moments: Early training at The Royal Ballet [1:45] Transitioning from dance to college [9:55] The process of writing your first novel [14:05] A look inside Clara & Olivia/The Dance of the Dolls [19:15] A look inside The Sleeping Beauties [23:06] How Lucy stays motivated as a writer [26:58] Her biggest piece of advice for dancers pursuing a career [36:05]Connect with Lucy:HER WEBSITE: Lucyashe.comINSTAGRAM: instagram.com/lucyashe_authorLinks and Resources:Join the Brainy Ballerina Book ClubLet's connect!My WEBSITE: thebrainyballerina.comINSTAGRAM: instagram.com/thebrainyballerinaQuestions/comments? Email me at caitlin@thebrainyballerina.com

A new episode including a feature interview with superstar British dancer Yasmine Naghdi, Principal Ballerina of The Royal Ballet. Yasmine returns to Roqe and joins Jian from London to discuss her recent international performances and her new book, the first in an upcoming series entitled “Ballet Besties.” Plus, Pegah is in studio for the Roundup to discuss the latest news surrounding the upcoming election in Iran, new horrifying statistics regarding executions in the Islamic Republic, and an imminent Netflix show chronicling the life of Mohammad Reza Pahlavi.

John Kosh, known simply as Kosh, is an English art director, album cover designer, graphic artist, and documentary producer/director. He was born in London, England and rose to prominence in the mid-1960s while designing for the Royal Ballet and the Royal Opera House. He was the creative director of Apple Corps for The Beatles and was art director and album cover designer for Abbey Road and Let It Be, as well as Hotel California, James Taylor's Greatest Hits, and more.    Today, Kosh sits down with Jack Lawless to discuss his work, reminisce on his memories of working with The Beatles and John and Yoko, tell stories about designing Abbey Road's and Hotel California's covers, the WAR IS OVER! campaign, and much more. Without Kosh, some of the world's most iconic designs would not be here.    Check out A Walk in the Park book here: https://www.andykatzphotography.com/purchase/p/a-walk-in-the-park   Follow Kosh on social media here: Instagram: https://www.instagram.com/koshartdesign/ Facebook: https://www.facebook.com/koshart   Follow us on all social media, @BeatlesEarth ! For questions/inquires, please reach us at BeatlesOfCourse @gmail .com.   ------ #Thebeatles #beatles #beatle #paulmccartney #johnlennon #georgeharrison #ringostarr #60smusic #60s #70smusic #70s #60s70s80s #70s80s90s #90s #iconic #rocknroll #classicmusic #fyp #foryoupage #foryou #recommended #beatlesfans #mclennon #lennon #viralreels #peaceandlove #letitbe #beatlespodcast #podcast #mccartney #starr #harrison The Beatles were a highly influential and globally popular rock band that originated in Liverpool, England. The group consisted of four members: John Lennon, Paul McCartney, George Harrison, and Ringo Starr. The Beatles' journey began in the late 1950s when Lennon formed a skiffle group called The Quarrymen. McCartney and Harrison joined later, and the lineup eventually evolved into The Beatles. Ringo Starr replaced their original drummer, Pete Best, in 1962. The Beatles achieved unprecedented success and popularity during the 1960s, often referred to as the "Beatlemania" era. Their music was a blend of various genres, including rock and roll, pop, and later, elements of Indian music and psychedelia. They wrote and recorded numerous hit songs, becoming one of the most innovative and successful bands in the history of popular music. Some of their most famous albums include: 1. **"Please Please Me" (1963) 2. **"A Hard Day's Night" (1964):** The soundtrack to their first film. 3. **"Rubber Soul" (1965):** Marking a shift toward a more experimental sound. 4. **"Revolver" (1966):** Further experimentation and the use of studio techniques. 5. **"Sgt. Pepper's Lonely Hearts Club Band" (1967):** Widely considered one of the greatest albums of all time. 6. **"The White Album" (1968):** A double album with diverse musical styles. 7. **"Abbey Road" (1969):** Their final studio album, known for its iconic cover and medley of songs. The Beatles' legacy extends far beyond their music. They revolutionized the music industry, set new standards for songwriting, and influenced countless artists across genres. Their impact on popular culture, fashion, and social movements of the 1960s is immeasurable. The Beatles remain one of the most celebrated and enduring musical acts in history.

Welcome to the Creative Blood Experience. One culture-defining creative guest… One passionate host… And a deck of 50 question cards designed to yield incredible creative tips, real life experiences and untold stories from the artists working across the creative industries today!New York-based Casey Brooks began her visual career shooting stills of friends in her dance community, and as her photographic technique developed so did her keen eye for movement and motion. She's gone on to collaborate with some of the greatest talent in the dance world. To give a flavour: Beyoncé's choreographer Dana Foglia, MacArthur Genius Grant recipient Michelle Dorrance, Emma Portner, Soraya Lundy, and principal dancers from The Royal Ballet, American Ballet Theatre, Shen Wei, and Cedar Lake Ballet.In this episode, Casey explains how she navigates between creative and commercially viable projects, the importance of an awe-inspiring outdoor location and what's next on her artistic agenda. She reveals the preparation, communication and creative pragmatism that goes into getting a job done on schedule and within budget – from ensuring shots are set up precisely to playing your part in a team.EPISODE INSIGHTSHow early experiences can make an impression and shape a careerWhy having collaborators who are just as invested as you is crucialHow to get the best out of a performerSubverting the ‘suffering artist' stereotypeFind out more about Casey @caseybrooks_Thoughts on the episode? Drop us a DM @creativebloodworldHosted by Laura ConwayProduced by Ben Tarrant-BrownMusic by Ben Tarrant-Brown

Sander Blommaert is in the studio for this episode! He's the founder and director of Blommaert Ballet School in Birmingham, England, and a former first artist at The Royal Ballet company. Since the school's official founding in 2021, BBS has become known as an audition preparation school, working with young students pursuing professional ballet careers as well as offering classes for all ages. Over the last two years, students studying with BBS have secured over 100 places at vocational schools. Sander spoke about his time dancing professionally at The Royal Ballet company, his work as an instructor and ballet school owner, as well as his work with the adult ballet community. Founding BBS in the aftermath of the COVID-19 pandemic shutdowns made him realize that offering online one-on-one teaching services as well as online classes is an important part of his school's mission to expand access to ballet. Sander also shared that he taught 100 ballet classes in 100 days over Instagram live during the pandemic shutdowns, raising seven thousand pounds for the UK's National Health Service. Check out the episode to hear more! Follow Sander on Instagram: https://www.instagram.com/sanderblommaert/ Follow Blommaert Ballet School on Instagram: https://www.instagram.com/blommaertballetschool/?hl=en Check out Blommaert Ballet School: https://www.blommaertballetschool.com/ Get involved with Ballet On Demand: www.balletondemand.com  Continue Sander's work supporting the NHS: https://nhscharitiestogether.co.uk/donate/ Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310 Artist: http://incompetech.com/ @eblosfield | theadultballetstudio@gmail.com Support this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link --- Support this podcast: https://podcasters.spotify.com/pod/show/elizabeth-blosfield/support

A mestra de capoeira sugeriu que a mãe do então menino da periferia do Rio de Janeiro o levasse ao balé, por conta de seu físico avantajado. Assim começou a história do dançarino carioca que se formou no Royal Ballet de Londres, trabalhou no Dutch Ballet em Amsterdã e desde janeiro representa o grande corpo de dança da Austrália. Ele nos conta sua história.

ShaoLan shares with rising star dancer of the Royal Ballet, Luke Wragg how to let your friends know whether you have any brothers or sisters in Chinese. Find out why it is important in Chinese society whether a brother or sister is older or younger than you.

[@ 4 min] This week, 'Hometown Team' Chicago Opera Theater announced its new season. Lawrence Edelson joins us to unpack the first full season he programmed as the company's recently appointed General Director... [@ 38 min] Plus, in the ‘Two Minute Drill'… We have the latest Royal news. Not Kate and William, or Meghan and Harry; it's the newly-named Royal Ballet and Opera... GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Find out how to say how old you are in Chinese with a rising star dancer of the Royal Ballet, Luke Wragg. ShaoLan shares the fascinating history of the original characters in Chinese too.

Welcome to our latest episode, where we shine a spotlight on a diverse array of stage productions sure to captivate audiences! Join us as we explore Leslie Ash's starring role in Artificially Yours, Ian McKellen's portrayal of Falstaff in Player Kings, the punk reimagining of GISELLE: REMIX, an electrifying flamenco festival at Sadler's Wells, the hilarious antics of USHERS: The Front of House Musical, and a backstage chat with Karis Anderson from Tina: The Tina Turner Musical.Artificially YoursLeslie Ash stars in this gripping dark comedy that delves into the consequences of our society's increasing reliance on Artificial Intelligence. Three couples invite an AI relationship therapy device into their homes, hoping to solve their smallest disagreements and deepest issues. However, as the AI device becomes entangled in their lives, it leads to hilarious and disturbing outcomes, raising questions about the nature of human relationships and the role of technology in our lives.Player Kings Ian McKellen takes on the iconic role of Falstaff in Robert Icke's adaptation of Shakespeare's Henry IV. Set in a divided England on the brink of war, the play follows the journey of Hal, who must navigate his father's expectations, his friendship with the infamous Falstaff, and the looming conflict. Bringing together Shakespeare's two great history plays, Player Kings promises to be a theatrical event of the season, offering audiences a compelling exploration of power, loyalty, and leadership.GISELLE: REMIXHot off its sell-out premiere at the Royal Opera House, GISELLE: REMIX returns with its punk reimagining of the classic ballet. Conceived by Pleasance Associate Artist Jack Sears and Royal Ballet Soloist Hannah Grennell, the production combines cabaret excellence, theatrical divinity, and jaw-dropping lip-syncs. Collaborating with dancers from The Royal Ballet, the show subverts the timeless story of love, loss, and redemption, offering audiences a fresh and electrifying take on a beloved classic.Flamenco Festival at Sadler's WellsSadler's Wells presents a spectacular flamenco festival featuring a lineup of renowned artists, including Vicente Amigo, Eva Yerbabuena, and the Ballet Nacional de España. From traditional flamenco to innovative new sounds, the festival celebrates the rich cultural heritage of Spain through music, movement, and colour. Audiences can expect a mesmerising showcase of flamenco's raw energy and emotional depth, transporting them to the heart of Iberian culture.USHERS: The Front of House MusicalCelebrating its tenth anniversary, "USHERS: The Front of House Musical" returns to the Other Palace with all the drama and laughter of working behind the scenes in a West End theatre. Set during a working shift at a theatre, the show follows the lives of the front of house staff as they navigate workplace romances, preview performances, and managerial pressures. With hilarious and moving stories, "USHERS" offers a backstage glimpse into the world of theatre.Backstage Chat with Karis AndersonJoin Natalie backstage at "Tina: The Tina Turner Musical" for an exclusive interview with Karis Anderson, who stars as the legendary Tina Turner. Hear first-hand about the challenges and joys of bringing Tina's iconic story to life on stage, as well as insights into the preparation and performance process. Don't miss this behind-the-scenes conversation with one of the West End's brightest talents! Hosted on Acast. See acast.com/privacy for more information.

As one of the South's foremost Black-led arts organizations and a rare ballet company with a BIPOC dancer roster, Collage Dance is reshaping cultural paradigms. Through transformative arts education, captivating performances, and advocacy for diversity, Collage Dance has left an indelible mark on the Southern dance landscape. In this episode, I sit down with Collage Dance's founding executive director, Marcellus Harper, and professional dancer, Victoria Jaenson, to delve into their experiences. Marcellus emphasizes the organization's dedication to keeping ballet relevant and accessible to their communities. Victoria shares her journey as a professional ballet dancer, reflecting on her inaugural season and the vital support from the Memphis community. They also offer a sneak peek into next weekend's premiere of ELEVATE. Featuring Luminescent by Black composer Joseph Bologne, Bluff City Blues inspired by Memphis music, and the regional debut of the acclaimed ballet Chroma, accompanied by the live score of the Memphis Symphony Orchestra. With a London choreography team imparting their expertise, this Royal Ballet-inspired performance promises a groundbreaking fusion of music, movement, and artistry. Prepare to be captivated by an unforgettable experience unlike anything seen before. Tickets start at just $20 currently and Verbally Effective listeners can unlock the code by tuning in for a steep discount on Ticketmaster to get a pair of tickets for the price of one! Access tickets for ELEVATE at collagedance.org or call with any questions at 901-800-1873.

I met Natasha at my Global Woman Club Director's Training in Albania, she was a very established business women and gave an impressive presentation. Apart from being successful at everything she does, she has a great sense of humour and a beautiful worldview.Natasha Waldron used to be a professional ballerina at The Royal Ballet Company. Reaching her 30s made her realise that she needed to leave the world of dance and prepare herself for the business world. Eventually she established UKG Lifestyle in 2007, initially as a concierge company. However, her focus was on providing excellent cleaning services. 18 months ago, she founded a training Academy which now offers accredited and recognised qualifications for her own staff as well as other external organisations. Along her new journey, the business has enjoyed steady growth and continued re-investment.However, turning 50, she realised that there's more to dream about than business and she handed over UKG Lifestyle to her staff. Her latest project is to a mature model and conquer the catwalk and I have no doubt that she is going to nail it.https://www.tiktok.com/@natashawaldron5/video/7345474067450858784

As a performance coach to England's national football team, the Royal Ballet and more, Eastwood taps into his Māori heritage to help groups foster a sense of togetherness and drive performance. For Allbirds co-founder and chief innovation officer Tim Brown, co-founder and chief innovation officer at Allbirds, a company that has gone on a rollercoaster of ups and downs since it IPO in 2021, his former life as a professional football player for New Zealand has taught him lessons he's brought from the pitch to the boardroom. “When we want to create a high performing environment, we make an undertaking to each other that we will do nothing to diminish the dignity of every person, and when we all leave this experience or whatever it is together, our dignity will be enhanced,” Eastwood told Brown stage at BoF VOICES 2023. “For me, therefore, you need to understand the story of the people you work with.”This week on The BoF Podcast, Brown and Eastwood unpack how companies can drive high performance while maintaining a supportive culture.Key Insights:While working with the British Olympic team, Eastwood encouraged the athletes to find a level of investment in their own story by creating a film which showcased various Olympians all the way back from 1896. “The Olympians themselves just took selfies the whole time with these images of those ancestors who they in particular could relate to, maybe something that shared their own identity story. I think it opened their eyes.”Allbirds was founded in 2024 with a mission to make sustainable footwear, but 10 years on, Brown said that he's learned how important it is to stay true to that internal story, both in communicating with employees and consumers. “As a creative person, as a storyteller, are we doing enough within our organisations to tell stories internally in the same way that we're telling them outside of the organisation?” he asked. Eastwood said those sorts of strong, dynamic, internal stories are key for everyone on a team. “You've got to create rituals and traditions where it's reiterated because actually it's not just for the benefit of new joiners, it's for the benefit of us who have been here a long time.” Additional resources The BoF Podcast | Allbirds' Tim Brown on Learning to Lead With ResilienceAllbirds Co-CEO On Why DTC Brands Are Going MultichannelAre DTC Brands Pulling Off Brick-and-Mortar? Hosted on Acast. See acast.com/privacy for more information.

Neil is a renowned percussionist, accomplished music educator, imaginative product innovator, and successful entrepreneur. He is the founder and president of Grover Pro Percussion Inc., a market leader in the design, manufacture, and distribution of world-class percussion instruments.  At the young age of 23, Neil was appointed Principal Percussionist of the Opera Company of Boston, a position he held for seven seasons.  As his career progressed, he found himself in demand for all musical genres, including symphony, chamber music, ballet, opera, and commercial recordings.  Highlights of his collaborations include the Royal Ballet, Bolshoi Ballet, American Ballet Theatre, Dance Theatre of Harlem, Music from Marlboro, Indianapolis Symphony, Boston Musica Viva, and the Empire Brass. He was chosen to record the percussion tracks for Phillip Glass' film soundtrack for Mishima. In addition, Neil appears as a Boston Pops percussionist in the hit movie Blown Away, starring Jeff Bridges and Tommy Lee Jones.  He has toured with Music From Marlboro, Boston Symphony, Henry Mancini, Boston Symphony Chamber Players, and the Broadway production of The Pirates of Penzance.  Since 1977, he has performed, recorded, and toured with the world-famous Boston Pops, where he has made music under the batons of Maestros Arthur Fiedler, John Williams, and Keith Lockhart.  Having performed regularly in the percussion section of the Boston Symphony for over 35 years, he has worked with Maestros Seiji Ozawa, James Levine, Leonard Bernstein, Aaron Copland, Colin Davis, Charles Dutoit, Colin Davis, Neemi Jaarvi, Rafael Fruhbeck de Burgos, Mstislav Rostropovich, and Bernard Haitink. It is noteworthy that Neil has performed in over 1,500 concerts as a percussionist with the BSO & Boston Pops. Neil's percussive talents have been heard by thousands at renowned venues, such as Boston's Symphony Hall, Carnegie Hall, Chicago's Orchestra Hall, and festivals at Tanglewood, Hollywood Bowl, Wolf Trap, Blossom, and Ravinia.  In addition, he has performed for millions of listeners through television and radio broadcasts on the NBC, CBS, NHK, PBS, A&E and NPR networks.  At the request of composer John Williams, Neil joined the multi-media musical extravaganza, “Star Wars in Concert”, serving as Principal Percussionist on two legs of their North American Tour.   Neil Grover has written/co-authored five publications: Four Mallet Primer, Four Mallet Fundamentals, Art of Triangle & Tambourine Playing, Percussionist's Cookbook, and The Art of Percussion Playing, all published by Meredith Music.  Neil's innovative designs and cutting edge manufacturing techniques have set a new standard for the ergonometric functionality of modern day percussion instruments. Neil and his company have been featured in many publications, including: Percussive Notes, Modern Drummer, School Band & Orchestra, Musical Merchandise Review and on two episodes of the Discovery Channel's series How It's Made. Formerly the Chair of the Percussion Programs at both The Boston Conservatory and the University of Massachusetts-Lowell, today, Neil's students occupy leading positions in many top performing, educational and music business organizations. Things That Came Up:  -1:45 Owning ALL the percussion instruments -3:50 The magic of Zelda -6:00 Studied with the same teacher as Dom Famularo -7:00 Studying with Vic Firth  -11:10 “Classical musicians play with their eyes and jazz musicians play with their ears” -12:10 “Talent got you this far, perseverance will carry you through.” -12:45 Took AFM pension at age 65  -13:50 Contracting, composing and arranging as a new life chapter -15:10 Bradley Cooper's “Maestro” -16:35 Being a frustrated stand-up -17:40 Fred Buda: “Playing drum set in an orchestra is like swinging an elephant” -19:40 How union pensions work -26:05 At Tanglewood at the same time as Kenny Aronoff, with Leonard Bernstein conducting! -27:40 Playing bongos for Bernstein's “West Side Story” -30:50 Star Wars Tour: Drum Tech, 7 percussionists, 3 conductors and music from all 6 Star Wars films -38:00 Follow your dreams, no matter what!  -40:00 “The Accidental Entrepreneur” -41:00 The FIRST Grover Triangle  -48:20 Allowing Redmond to help develop the “Studio Pro Series” pop tambourines -54:00 Selling Grover Percussion to RBI Music  -60:40 On screen percussionist in the “Blown Away” film, starring Tommy Lee Jones  -61:30 Authoring Books  -63:30 Aerosmith! Glocks!  -69:30 Neil's favorite axe is the piatti (cymbals)  -74:00 “The Fave 5”  Follow:  www.groverpro.com Email: ngrover@groverpro.com The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 25 of which have been #1 hits.  Rich can also be seen in several films and TV shows and has also written an Amazon Best-Selling book, "CRASH! Course for Success: 5 Ways to Supercharge Your Personal and Professional Life" currently available at:     https://www.amazon.com/CRASH-Course-Success-Supercharge-Professional/dp/B07YTCG5DS/ref=sr_1_1?keywords=crash+redmond&qid=1576602865&sr=8-1   One Book: Three Ways to consume....Physical (delivered to your front door, Digital (download to your kindle, ipad or e-reader), or Audio (read to you by me on your device...on the go)!   Buy Rich's exact gear at www.lessonsquad.com/rich-redmond   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Poor Things fans, this episode is for you! Jonathan sat down with the film's costume designer, Holly Waddington, to learn all about her designing process and inspiration. From giant sleeves to working with Emma Stone and Yorgos Lanthimos, we learned all about what it takes to be an Oscar-nominated costume designer! Holly Waddington is an Oscar® nominee and BAFTA winner for her work on Yorgos Lanthimos' Poor Things. Her costume designs for film and TV also include the pilot episode of Hulu's The Great, written and produced by Tony Macnamara, Lady Macbeth directed by William Oldroyd (which won the BIFA for Best Costume and was nominated for a Critics Circle Award for Technical Achievement for Costume). Holly has worked in Theatre, Dance and Visual Art, creating costumes, sets and installations for productions at Rambert, The Royal Ballet, Complicite, and Handspring, working with notable directors and choreographers including: Kim Brandstrup, The Quay Brothers, Natalie Abrahami and Ben Duke. Holly is on Instagram @hollywaddingtoncostume. Poor Things is on Instagram and X @PoorThingsfilm. Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our senior producers are Chris McClure and Julia Melfi. Our associate producer is Allison Weiss. Our engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's Episode 500 of the Colombia Calling podcast! Celebrate with us as we chat to Colombia's most famous dancer, Fernando Montaño. Fernando Montaño was born in Buenaventura on the Pacific coast of Colombia and at the age of 14 won a scholarship to the National Ballet School of Cuba where he won several prizes at the International Ballet Contest in Havana, Cuba, and then joined the Cuban National Ballet. He also trained at La Scala and Teatro Nuovo di Torino, Italy where he was spotted by the Director of the English Ballet School and invited to the UK to audition, following which he joined the Royal Ballet in 2006 where he was mentored by Carlos Acosta. We discuss his life as an artist - dancing, painting, designing - and his work supporting the charity, Children Change Colombia, the question of identity and being from Colombia's pacific coast. Join us to hear and experience Fernando's unique energy, his reflections on life and opportunities and how he wishes to be remembered. The Colombia News Brief is reported by journalist Emily Hart. Support the Colombia Calling podcast: https://www.patreon.com/colombiacalling