Podcasts about New York City Center

Ballet Hispanico, the nation's largest Latine/x/Hispanic dance organization and recognized by the Ford Foundation as one of America's Cultural Treasures, presents Gustavo Ramírez Sansano's masterwork CARMEN.maquia at New York City Center from May 29-June 1, 2025. Our guest is Artistic Director and CEO Eduardo Vilaro.  For tickets and more, visit ballethispanico.org and nycitycenter.org.

Watch the Q&A session here: https://youtu.be/-TsWDdeQK34Composed by Jerry Herman of Hello, Dolly! fame, ‘I Am What I Am' first appeared in the Broadway musical La Cage aux Folles (1983). As well as gaining importance as a gay anthem during the AIDS crisis, the song has gone on to become a hit for several Black divas including Gloria Gaynor and Shirley Bassey. This lecture was recorded by Dominic Broomfield-McHugh on 3rd of April 2025 at Conway Hall, London.Dominic Broomfield-McHugh is Gresham Visiting Professor of Film and Theatre Music. He is also Professor of Music at the University of Sheffield and is a graduate of King's College London.His scholarship focuses on the American musical on stage and screen, and he has published eight books including Loverly: The Life and Times of 'My Fair Lady' (OUP, 2012), The Letters of Cole Porter (Yale, 2019) and The Oxford Handbook of the Hollywood Musical (2022).He is Associate Producer of the PBS documentary Meredith Willson: America's Music Man and has appeared on all the main BBC television and radio stations as well as NPR in America. He has given talks and lectures at the Sydney Opera House, New York City Center, the Library of Congress, New York Public Library, Sadler's Wells, and Lincoln Center, among many others.The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/lgbt-showstopper-i-am-what-i-amGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

During Mickey-Jo's most recent trip to New York, he had the privilege of sitting down to interview rising Broadway and Hollywood star Andrew Barth Feldman.Andrew made his Broadway debut in Dear Evan Hansen as a winner of the 2018 Jimmy Awards, and has since been seen on stage in Little Shop of Horrors and on screen in No Hard Feelings and Saturday Night.Andrew is currently appearing in WE HAD A WORLD at New York City Center, a critically acclaimed new play from Joshua Harmon presented by the Manhattan Theatre Club.Check out what he had to say about this emotionally revealing new play, the shows that brought him here, and his most iconic social media moments...•get tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club:https://phoenixartsclub.com/events/mickeyjotheatre-live/About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 75,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

In this episode, we dive into the Encores! production of LOVE LIFE at New York City Center. We discuss this rarely staged musical that follows a love story across two centuries of American history. We break down the unique concept, standout performances by Kate Baldwin and Brian Stokes Mitchell, and Tony winner Victoria Clark's direction. Join us as we explore the show's blend of heartfelt scenes and vaudeville acts, its lush score, and the thought-provoking ending that leaves audiences questioning the couple's future. Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Share your thoughts with us on LOVE LIFE on our podcast cover post on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Ivy Slater, host of Her Success Story, chats with her guest, Sonia Kostich. The two talk about Sonia's unique merger of arts and finance, her role in fostering artistic talent at Baryshnikov Arts, and the importance of building relationships and support systems in every career phase.  In this episode, we discuss: How Sonia Kostich transitioned from a professional ballet dancer to a career in finance, going to college at 42 and working at Goldman Sachs. What inspired her to reinvent herself and pursue a new path after a successful 20-year career in dance. When Sonia made the decision to take the next step in her life and focus on education and a new career direction. Why Sonia believes keeping strong relationships and a support network is crucial, especially during major life transitions. How the skills and discipline from a dance career can translate into success in the business world. The importance of staying open to possibilities and being willing to step into the unknown as part of personal and professional growth. Sonja Kostich- Executive Director of Baryshnikov Arts brings with her both the knowledge and experience of having been a professional dancer for over two decades as well as significant business acumen derived from her business education and time working at Goldman Sachs. Through a unique and successful professional trajectory, she now merges her artistic and business experience as an arts leader. Ms. Kostich was hired by Mikhail Baryshnikov at the age of 17 to join American Ballet Theatre from The School of Classical Ballet, the training school for ABT created by Mr. Baryshnikov, consisting of only seven female students and five male students. She later danced with the San Francisco Ballet and the Zurich Ballet, Mikhail Baryshnikov's White Oak Dance Project, and in multiple collaborations with opera/theater director Peter Sellars, before co-founding OtherShore, which she co-directed for six years. Her experience in ballet, contemporary, and modern dance resulted in a diverse international career that spanned across artistic disciplines.  Upon retiring from dancing, Ms. Kostich returned to school, obtaining a Bachelor of Business Administration (BBA) in Accounting and Business Communication from Zicklin School of Business, CUNY Baruch College, where she graduated Salutatorian at the age of 42. Following, she began a full-time position at Goldman Sachs in the Finance Division with a focus on regulatory capital requirements. Simultaneously she obtained an MA in Arts Administration, eventually returning to the dance world, first as the finance manager at Mark Morris Dance Group and then as program manager at New York City Center. From 2018 to 2022, she served as the Chief Executive and Artistic Officer at Kaatsbaan Cultural Park, a 153-acre artist sanctuary located in Tivoli, NY, where she led the successful rebrand and revitalization of the over 30-year organization, bringing it to award-winning status for its significant artistic and economic contributions to the Hudson Valley.  In October 2022, Ms. Kostich joined Baryshnikov Arts as its new Executive Director. As a female Korean American, born in Seoul, Korea, and raised in Minnesota, her history, both personal and professional, lends itself to cultivating and supporting new perspectives as Baryshnikov Arts expands its capacity to create multi-platform and collaborative havens for artistic expression, innovation and freedom and especially as we commit further to elevating and sharing the stories of artists of diverse cultures and histories. Social Media Links: Instagram handle:  @sonja.kostich  

Urinetown runs at New York City Center through February 16th. For more information, visit www.nycitycenter.org.  Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Scott Killian has composed scores for Zvi Gotheiner (over 30 works), Shapiro & Smith Dance, Cherylyn Lavagnino, David Dorfman, Susan Marshall, Ralph Lemon, Bebe Miller, Alwin Nikolais and Murray Louis. His works have been performed with Alvin Ailey American Dance Theatre, Limon Dance Company, Hubbard Street Dance Chicago, PACT Dance (South Africa), et al. Venues include The Joyce Theater, Lincoln Center, New York City Center, New York Live Arts, Jacob's Pillow, The Annenberg Center and many regional venues. As a dance musician, he is a regular accompanist at NYC's Gibney 890 Studios and NYU Tisch School of the Arts. As a composer and sound designer for theater, Scott has created works for over 120 professional productions in NYC and at many regional theaters. NYC theatrical venues include Manhattan Theatre Club, The Public Theater, New York Theater Workshop, MCC, Red Bull Theatre, Primary Stages and Rattlestick Theatre. Regional theatres include George Street Playhouse (over 25 productions); Berkshire Theatre Group (Resident Composer--over 50 productions), Alley Theatre (Houston), Shakespeare Theatre (DC), Seattle Repertory Theatre, A.C.T. (San Francisco). Cleveland Playhouse, Shakespeare and Company, Cincinnati Playhouse, Huntington Theatre, Williamstown Theatre Festival.

Eduardo Vilaro, artistic director and CEO of Ballet Hispánico, is in the studio this month! Ballet Hispánico was founded back in 1970 by Tina Ramirez, and the company has spent more than five decades celebrating the vibrant diversity of Latino cultures through dance. The company says it's not just about performances—it's also about breaking barriers, challenging stereotypes, and making space for Latino/Latina voices on stages all around the world. Eduardo originally joined the company as a dancer and educator in the ‘80s after taking a class and being hand selected by Tina. After spending his next ten-year chapter as founder and artistic director of Luna Negra Dance Theater in Chicago, his career brought him back to Ballet Hispánico as artistic director in 2009 - becoming the second person ever to head the company since its founding - and CEO in 2015. Born in Cuba and raised in New York, Eduardo not only shaped the company's contemporary style but has also expanded its reach. We talked about his career and his approach to carrying Ballet Hispánico's legacy forward. He also shared what he learned from Tina, a trailblazer in New York's ballet community, and what it means to connect his community with this art form and tell stories through dance that resonate across generations. He spoke about why dance is an important vehicle for Latino artists to honor their heritage and explore their identities. Check it out! Learn more about Ballet Hispánico: www.ballethispanico.org Follow Ballet Hispánico on Instagram: https://www.instagram.com/ballethispanico/?hl=en Follow Eduardo on Instagram: https://www.instagram.com/ervilaro/?hl=en Purchase tickets for CARMEN.maquia at New York City Center: https://www.nycitycenter.org/pdps/2024-2025/ballet-hispanico/ Music in this episode: Waltz of the Flowers - Tchaikovsky Barroom Ballet - Silent Film Light - Kevin MacLeod Barroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310 Artist: http://incompetech.com/ @eblosfield  | theadultballetstudio@gmail.com Support this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link

Watch the Q&A session here: https://youtu.be/LW0DLhTxfCEThis festive lecture explores the unusual roots of the song ‘White Christmas' and its role in establishing the concept of the commercial Christmas song. It will explain how the song's release during the summer months hints at how its potential as an enduring seasonal classic was not anticipated, and then examine how the music and lyrics helped it to resonate in a time of war. The lecture will also consider Berlin's patriotism and his active role in the Second World War. This lecture was recorded by Dominic Broomfield-McHugh on 12th December 2024 at Conway Hall, London.Dominic is Gresham Visiting Professor of Film and Theatre Music.Dominic is also Professor of Music at the University of Sheffield and is Associate Producer of the PBS documentary Meredith Willson: America's Music Man and has appeared on all the main BBC television and radio stations as well as NPR in America. He has given talks and lectures at the Sydney Opera House, New York City Center, the Library of Congress, New York Public Library, Sadler's Wells, and Lincoln Center, among many othersThe transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/unwrapping-irving-berlins-white-christmasGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todayWebsite:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

In this episode, Hayley and Amy talk with SheNYC Arts artistic director Danielle DeMatteo about building new approaches to break down barriers and increase gender equity in theatrical spaces, the arts industry's power as a voting bloc, feminist rage that leads to needed change, and more. Click here for a transcript of the episode! Episode Notes Hosts: Hayley Goldenberg and Amy AndrewsGuest: Danielle DeMatteoMusic: Chloe Geller Episode Resources: Donate to SheNYC Arts Queen Anne Access Broadway NY Theatre Advocacy Collective Guest Bio: Danielle DeMatteo (she/her) is a writer/composer, photographer, and Artistic Director of SheNYC Arts. After working in the creative department at Jujamcyn Theaters (working on such shows as Kinky Boots, Jersey Boys, The Book of Mormon, A Gentleman's Guide to Love and Murder, Something Rotten!, two seasons of Encores! at New York City Center, and more), she focused her work on fixing the gender gap in the Broadway industry. She founded SheNYC Arts in 2015 and is eternally grateful to all of the other talented arts workers who have helped it grow and develop since then into a nationwide nonprofit organization that operates in New York, Los Angeles, Atlanta, and Dallas-Fort Worth. Outside of SheNYC, most recently she was on the worldwide Production team at Disney Theatrical Group, working on Frozen, The Lion King, and Aladdin around the globe. As a writer, her musicals have run off-Broadway, in Boston, and Chicago; her most recent piece, QUEEN ANNE, was the 2021 recipient of the Brooklyn Arts Council grant for musical theatre. In addition to her work in theater, she was one of the original organizers of the Women's March on Washington and has worked on a number of New York political campaigns, including as the Campaign Manager for Art Chang's 2021 Mayoral run. She was recently featured in Forbes Magazine, was named one of Five Women to Watch as Broadway Returns by Shonda Rhimes' publication, Shondaland, and is on the 2024 Broadway Women's Fund's Women to Watch list. Find Danielle Online: SheNYC Arts - follow on Instagram! SheLA Arts - follow on Instagram! SheATL Arts - follow on Instagram! SheDFW Arts - follow on Instagram! Thanks for listening! Who do you want to hear from next on the Women & Theatre Podcast? Nominate someone here. The Women & Theatre Podcast is created and produced by Hayley Goldenberg and Amy Andrews. Please like, comment, subscribe, follow us on Instagram and Facebook, and consider making a donation to support our work. Thank you for listening!

Mickey-Jo is currently in New York City on a trip motivated largely by the current concert staging of RAGTIME at New York City Center. The annual gala presentation production stars Joshua Henry, Caissie Levy, Brandon Uranowitz and more, and features a striking score including 'Wheels of a Dream', 'Back to Before', and 'Make Them Hear You'. Check out this full review for Mickey-Jo's thoughts on this production, the material, the sublime cast, and even the viability of a Broadway transfer. • 00:00 | introduction 03:25 | material / history 11:37 | this production 20:28 | the performances 31:39 | the future • get in person / live stream tickets to see MickeyJoTheatre LIVE at the Phoenix Arts Club: https://phoenixartsclub.com/events/mickeyjotheatre-live/ • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

[REBROADCAST FROM Oct. 15, 2024] 18-year-old Jackson Reffitt made national news for his decision to turn his father in to the FBI for his role in the Jan. 6th attack on the Capitol. A new play dramatizes the investigation and resulting trial, using the words from statements, evidence, and court transcripts. Reffitt joins us to discuss, alongside the play's creator and director Stephen Sachs, and Patrick Keleher, who plays Reffitt in the play. "Fatherland" is running at New York City Center through November 10.

In this week's episode, Joel Crump is thrilled about all the exciting work happening in New York right now! He shares Broadway buzz and chats about the season! He chats with Nicole Scherzinger (Sunset Boulevard), Caissie Levy (Ragtime at New York City Center), Ephraim Sykes (Our Town), and Michael Mayer (Director of Swept Away)! Indulge in Broadway buzz like never before with "The Weekly Dose of Joel: Everything Broadway and More." This podcast, brought to you by the Broadway Podcast Network and Broadway Time, delivers the latest news, theater history, and exclusive interviews with Broadway stars, all in one podcast! Don't miss out on your front-row seat to the magic of Broadway! Learn more about your ad choices. Visit megaphone.fm/adchoices

Dance Talk” ® with Joanne Carey and special guest, Sonja Kostich In this episode of Dance Talk, host Joanne Carey chats with Sonja Kostich, the president and executive director of Baryshnikov Arts. Sonia shares her inspiring journey from her early years in dance, through her transition from a professional dancer to a career in finance, and ultimately to her current role in arts administration. The conversation highlights the importance of collaboration in the arts, the challenges of career transitions, and the innovative programming at Baryshnikov Arts that supports artists in their creative processes. Sonia emphasizes the value of taking risks and stepping outside of one's comfort zone to discover new opportunities in life and art.  Sonja Kostich brings with her both the knowledge and experience of having been a professional dancer for over two decades as well as significant business acumen derived from her business education and time working at Goldman Sachs. Through a unique and successful professional trajectory, she now merges her artistic and business experience as an arts leader. Ms. Kostich was hired by Mikhail Baryshnikov at the age of 17 to join American Ballet Theatre from The School of Classical Ballet, the training school for ABT created by Mr. Baryshnikov, consisting of only seven female students and five male students. She later danced with the San Francisco Ballet and the Zurich Ballet, Mikhail Baryshnikov's White Oak Dance Project, and in multiple collaborations with opera/theater director Peter Sellars, before co-founding OtherShore, which she co-directed for six years. Her experience in ballet, contemporary, and modern dance resulted in a diverse international career that spanned across artistic disciplines.Upon retiring from dancing, Ms. Kostich returned to school, obtaining a Bachelor of Business Administration (BBA) in Accounting and Business Communication from Zicklin School of Business, CUNY Baruch College, where she graduated Salutatorian at the age of 42. Following, she began a full-time position at Goldman Sachs in the Finance Division with a focus on regulatory capital requirements. Simultaneously she obtained an MA in Arts Administration, eventually returning to the dance world, first as the finance manager at Mark Morris Dance Group and then as program manager at New York City Center. From 2018 to 2022, she served as the Chief Executive and Artistic Officer at Kaatsbaan Cultural Park, a 153-acre artist sanctuary located in Tivoli, NY, where she led the successful rebrand and revitalization of the 30+ year organization, bringing it to award-winning status for its significant artistic and economic contributions to the Hudson Valley. In October 2022, Ms. Kostich joined Baryshnikov Arts as its new Executive Director. As a female Korean American, born in Seoul, Korea, and raised in Minnesota, her history, both personal and professional, lends itself to cultivating and supporting new perspectives as Baryshnikov Arts expands its capacity to create multi-platform and collaborative havens for artistic expression, innovation and freedom and especially as we commit further to elevating and sharing the stories of artists of diverse cultures and histories. More about Baryshnikov Arts ⁠⁠https://baryshnikovarts.org/⁠ Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Watch the Q&A session here: https://youtu.be/gtCsGQ14nU0This lecture examines ‘Send in the Clowns', probably the most commercially successful song written by the revered Stephen Sondheim. Yet it confounds the expectations of a showstopper by being written for an actress of limited singing ability, the late Glynis Johns. This lecture reflects on how it works in the context the musical A Little Night Music and explores how it came to be covered by major singers including Frank Sinatra, Judy Collins and Sarah Vaughan. How has a song of limited vocal range and abstract lyrics become such a favourite?This lecture was recorded by Professor Dominic Broomfield-McHugh  on 17th October 2024 at St Paul's Church, Covent Garden, London.Dominic is Gresham Visiting Professor of Film and Theatre Music.Dominic is also Professor of Music at the University of Sheffield and is Associate Producer of the PBS documentary Meredith Willson: America's Music Man and has appeared on all the main BBC television and radio stations as well as NPR in America. He has given talks and lectures at the Sydney Opera House, New York City Center, the Library of Congress, New York Public Library, Sadler's Wells, and Lincoln Center, among many othersThe transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/sondheim-showstopperGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

Once Upon A Time… In this episode of Settling Scores, Lenny, Forrest, and Stephanie discuss Stephen Sondheim and James Lapine's fractured fairytale mashup, Into the Woods. Classic stories like Cinderella, Little Red Riding Hood, and Jack and the Beanstalk are all featured in this surprisingly dark and twisty musical, with a bodycount rivaled only by Sondheim's Sweeney Todd. Is this his funniest score? Can any of the new cast albums stand up to the original? Do community theaters program the show too often? Join us as we wade into the weeds to debate these topics and more, in our episode covering Into the Woods. And join us over on our Facebook and Instagram pages to tell us what you think! Sondheim, Peters, and Lapine   Danielle Ferland, original Little Red   Phylicia Rashad as the Witch   Regent's Park Open Air Theatre, 2010   Into the Woods 2014 Film Cast with Sondheim   Sara Bareilles and Neil Patrick Harris in the Encores! production of “Into the Woods” at New York City Center, 2022  

18-year-old Jackson Reffitt made national news for his decision to turn his father in to the FBI for his role in the Jan. 6th attack on the Capitol. A new play dramatizes the investigation and resulting trial, using the words from statements, evidence, and court transcripts. Reffitt joins us to discuss, alongside the play's creator and director Stephen Sachs, and Patrick Keleher, who plays Reffitt in the play. 'Fatherland'  is running at New York City Center through November 23rd.

É chegada a hora de debater um dos filmes mais divertidos de todo o universo de quadrinhos até hoje, e o fechamento da trilogia Deadpool: Deadpool & Wolverine. O filme, que está arrasando nas bilheterias (e nos nossos corações) é uma continuação direta dos outros dois, onde o mercenário tagarela e o mutante mais mal-humorado do MCU se juntaram em um espetáculo cinematográfico de puro entretenimento. E claro, com piadas ainda mais impróprias do que os anteriores. Neste episódio, vamos dissecar todo o filme, debater as referências, e rir das tiradas geniais e escandalosas do herói mais irritante da Marvel. Aviso: como sempre, esse episódio terá spoilers do início ao fim. Junte-se a nós nesse papo que promete ser tão insano quanto o próprio Deadpool!   Links relacionados: ATENÇÃO: o Padrim morreu! Seu apoio lá não vale mais. Encontra a gente no Apoia-se! Não deixe conferir o show de stand up "4K - Comédia entre Amigos", dia 10/8 na Casa da Comédia em Ipanema, e dia 17/8 no New York City Center. Os ingressos podem ser encontrados aqui! Já viu as camisas do Deadpool no Armário Ilimitado? Confira aqui! Comprando livros, quadrinhos, blu-rays, dvds ou o que mais você quiser pelo nosso link da Amazon! Assim você também ajuda a manter o podcast no ar! Você encontra o Podcrastinadores e todos os seus participantes nas redes sociais: X (Twitter), Facebook e Instagram. See omnystudio.com/listener for privacy information.

Kayleigh McKnight (Six / Hugh Jackman's Arena Tour) returns to co-host The West End Frame Show! Andrew and Kayleigh discuss Next To Normal (Wyndham's Theatre) as well as the latest theatre news about The Producers at the Menier Chocolate Factory, Ragtime at New York City Center, Ghost The Musical's tour casting and lots more. Some of Kayleigh's theatre credits include Bend It Like Beckam, Les Misérables, Jesus Christ Superstar, Tina, Heathers, Lift and Mandela. She most recently starred as Jane Seymour in the West End production of Six The Musical at the Vaudeville Theatre. In 2019, Kayleigh was a vocalist in Hugh Jackman's world arena tour The Man The Music The Show. Kayleigh is also an accomplished singer/songwriter and releases music as "KAELI". This is her third time co-hosting The West End Frame Show, having previously featured in January 2020 and July 2021. Follow Kayleigh on Instagram: @ohhkaeli Hosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.   Creative RiskArtists and creatives, GET RISKY! Candid convos, expert interviews & actionable advice.Listen on: Apple Podcasts Spotify

Jessica Fontana admits that her need to feel like she's in control impacts her journey in balancing her professional and personal life. Her passion for performing arts began with ballet, which eventually set the stage for her career in musical theater. While Jessica's mom highly supported her artistic endeavors, her father initially wasn't. She talks about her college experience at the University of Michigan and its role in shaping her career and changing her dad's mind. Married to fellow actor, Santino Fontana, she recalls how they met at Birdland Jazz Club, recounting how he left before they could get a drink together, only to friend her on Facebook later that night, slipping into her DMs. Jessica explained her shift from performing regularly to creating her album, "Every Day Special" – a transition that allowed her more control over her creative work and schedule, reflecting her desire for creative autonomy and finding joy and fun in whatever she does. Jessica Fontana is an actress, and the writer, host, co-creator, and co-executive producer of “Everyday Special”, an improvised satirical podcast. She has starred on Broadway in the title role of Rodgers and Hammerstein's “Cinderella”, “Baby It's You”, and “Pipe Dream” in New York City Center's Encores! Series. She's been seen in the hit web series “Submissions Only”, and has starred in the world premiere productions at regional theaters, including the Goodspeed Opera House, Paper Mill Playhouse, Signature Theater, and Carnegie Hall. Also a songwriter, she recently released her solo debut album, “Every Day Special”. Connect with Jessica: Website: www.jessica-fontana.com Instagram: @iamjessfontana Listen to “Every Day Special” Album Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we discuss the ENCORES! Production of TITANIC. Please note that this episode will contain spoilers about the show. If you haven't seen the show yet, you can catch TITANIC playing at NEW YORK CITY CENTER.  Follow and connect with all things @HalfHourPodcast on Instagram, and YouTube. Please share your thoughts on TITANIC on our podcast cover post. Learn more about your ad choices. Visit megaphone.fm/adchoices

Confronting Narratives: Addressing Sensitive Themes in 'Message in a Bottle This episode is brought to you by my favorite productivity and well-being app, Brain.fm* and my book on how to become a stellar speaker, Speak From Within. Are you ready to unlock your vocal potential? Grab the Speak with Confidence One-sheet for three easy techniques. Grab a complimentary 15-minute consultation with me. Leave me a voice message. Join us in this electrifying episode of the Creative Solutions Podcast as our host, Izolda Trakhtenberg, takes us on a riveting journey through the mesmerizing world of "Message in a Bottle," a groundbreaking dance/music fusion spectacle at the iconic New York City Center. Directed and choreographed by the visionary Kate Prince, and featuring the soul-stirring music and lyrics of none other than Sting, this production is not just entertainment—it's a masterclass in communication, creativity, and innovation. In this episode, Izolda delves deep into the heart of the performance, unraveling its layers of meaning and dissecting its profound insights into teamwork, creativity, and the power of collaboration. She highlights the extraordinary synergy among the five principal dancers, each exuding dedication, passion, and genuine joy as they seamlessly weave together elements of ballet, jazz, modern, and hip hop—a blend that defies convention and leaves audiences spellbound. But it's not just about the dance—it's about the story it tells and the emotions it evokes. Izolda explores how the performers, without uttering a single word (except for Sting's evocative lyrics), communicate with raw intensity, vulnerability, and authenticity, transcending language barriers to touch the hearts and souls of every spectator. In a thoughtful exploration of sensitive subject matter, Izolda also addresses the portrayal of violence against women in the performance, urging us to confront and challenge societal norms while emphasizing the importance of changing the conversation to focus on minimizing men's violence against women. This crucial discussion adds depth and nuance to the episode, encouraging listeners to consider the broader implications of the art they consume. Throughout the episode, Izolda shares her insights on how "Message in a Bottle" serves as a catalyst for personal and professional growth, inspiring us to harness our creativity, embrace teamwork, and strive for excellence in everything we do. Whether you're a seasoned artist, a corporate leader, or simply someone with a passion for the arts, this episode promises to ignite your imagination, fuel your creativity, and leave you utterly inspired. So, tune in now and discover why "Message in a Bottle" isn't just a dance—it's a transformative experience that will leave an indelible mark on your heart and mind. Don't miss out—hit play and let the magic unfold! Listen to the episode now on your favorite podcast platform. This episode is brought to you by Brain.fm. I love and use brain.fm! It combines music and neuroscience to help me focus, meditate, and even sleep! Because you listen to this show, you can get a free trial and 20% off with this exclusive coupon code: innovativemindset. (affiliate link) URL: https://brain.fm/innovativemindset It's also brought to you by my podcast host, Podbean! I love how simple Podbean is to use. If you've been thinking of starting your own podcast, Podbean is the way to go!**    Support the show. Buy me a coffee. Listen on These Channels Apple Podcasts | Spotify | Stitcher | Google Podcasts | Podbean | MyTuner | iHeart Radio | TuneIn | Deezer | Overcast | PodChaser | Listen Notes | Player FM | Podcast Addict | Podcast Republic |

In this episode of Cervivor Podcast, we delve into the critical intersection of cancer, legal rights, and insurance with Joanna Doran from Triage Cancer. Starting with an introduction to Triage Cancer, Joanna sheds light on the various legal issues that individuals facing cancer may encounter including how to discuss your concerns with your employer. From there, we explore specific ways Triage Cancer offers support, including events, materials, and their invaluable Legal & Financial Navigation Program. Joanna also provides insights into navigating the financial aspects of cervical cancer, discussing the complexities of dealing with insurance, from prior authorizations to appealing denials, and offers practical advice on handling medical bills.Tune in to this episode for essential guidance on navigating the legal and financial maze of cancer care. For more information on the resources mentioned in the episode: Triage Health is https://TriageHealth.org and Triage Cancer is https://TriageCancer.org. About the Guests: Janice Le-Nguyen is an HPV cervical cancer survivor, diagnosed with stage 1A2 more than 3 years ago on April Fool's Day. She is located in Henderson, Nevada, and currently works as a Systems Analyst with a good rapport with faculty, staff, and students at the state college. Janice has raised awareness for self-care, putting your health first, and advocating for listening to your body on and off campus. Janice wanted to come to the Communities of Color Retreat to learn more about providing a voice for Vietnamese-Americans and the Asian-American and Pacific Islander populations, who culturally tend to be silent about their health disparities. She is hoping to gain skills and ideas to raise awareness for the API population who may deter themselves from seeking treatment because of cultural taboos. Julie Mason Groob is a cervical and vaginal cancer survivor, living with persistent HPV, a diagnosis that began in 2012 shortly after her 27th birthday. Battling non-invasive and invasive cancer for over a decade has led Julie to tell her story and position herself as an advocate for HPV vaccinations and early-detection cancer screenings. She also volunteers as a Patient Educator with the Pathways Program in New Jersey, helping to educate early-career doctors and nurses about the cancer patient experience. Professionally, Julie has worked in performing arts administration in New York for 20 years. She currently serves as the Vice President & Chief Operating Officer at the New York City Center and previously, was a Production Manager at Radio City Music Hall and New York Theater Workshop. In the years between her cervical and vaginal cancer diagnosis, Julie ran the NYC Marathon twice with Fred's Team, raising funds for Gynecologic Cancer Research. She enjoys traveling, karaoke, fitness, and has just taken up tap dancing! Julie lives in South Orange, NJ with her husband, Kevin and their pug, Seymour.  Joanna Fawzy Doran, Esq. is a prominent cancer rights attorney, author, and CEO of Triage Cancer, a national nonprofit providing free education on practical and legal issues for individuals and caregivers dealing with cancer. With nearly thirty years of experience, she has taught extensively on cancer rights law, authored pioneering books and chapters, and presented over a thousand seminars across the country. Ms. Doran has also played pivotal roles on various cancer community committees and boards, receiving multiple awards for her legislative advocacy and service. She holds a Bachelor of Arts in Political Science from UCLA and a Juris Doctor from Loyola Law School Los Angeles. --- Support this podcast: https://podcasters.spotify.com/pod/show/cervivor/support

My guest this week is Jack Viertel who joins us to talk about his delightful new novel, Broadway Melody. This is one of a fascinating wave of novels that explore the history of Broadway though a combination of fictional characters and real-life Broadway figures. Jack Viertel began his theatrical career as a drama critic for the Los Angeles Herald Examiner and then worked as a dramaturg at the Mark Taper Forum. This led to him serving three decades as Creative Director and Senior Vice President of Jujamcin Theaters where he oversaw the production of 50 Broadway plays and musicals. Simultaneously, during two of those decades, he also served as the Artistic Director of the New York City Center's Encores! series, producing 65 musical revivals. And he was a creative force behind a string of blockbuster musicals including Smokey Joe's Café, Dear Evan Hanson, and Hairspray. He taught musical theater at NYU Tisch School of the Arts and is the author of the New York Times bestseller The Secret Life of The American Musical. I want to thank all of our Broadway Nation Patron Club members, including our longtime Producer Level patrons, Paula & Steve Reynolds. Their generous support helps to make it possible for me to bring this podcast to you each week. If you would like to support the creation of Broadway Nation, here is the information about how you too can become a patron. Become a PATRON of Broadway Nation! For just $7.00 a month, you will receive exclusive access to never-before-heard, unedited versions of many of the discussions that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. You will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. All patrons receive special “on-air” shout-outs and acknowledgment of your vital support of this podcast. And if you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

From being a New York Times Best Selling Author to former Artistic Director of Encores! at New York City Center, and former Senior Vice President of Jujamcyn Theaters, Jack Viertel is a true Broadway expert. U Guys, this week's BroadwayWorld Recap has some very exciting Bway news, brought to you by BroadwayWorld.com. Then I am joined by a true expert of Broadway knowledge, Jack Viertel! Jack is a producer, professor, and dramaturg whose book, The Secret Life of the American Musical: How Broadway Shows Are Built, made him a New York Times Best Selling Author. We talk about his extensive career in New York City theater, including his hand in co-creating the Encores! series at New York City Center, serving as Artistic Director for twenty years. He shares his experiences in producing new musicals, having also served as Senior Vice President of Jujamcyn Theaters, which owns and operates five Broadway theaters. Jack's latest artistic endeavor is his new novel, Broadway Melody, which hits shelves on April 2nd, 2024. Jack is an absolute wealth of knowledge and such a delight, U don't want to miss this episode! Follow the pod on Instagram: @ohmypoduguys Learn more about your ad choices. Visit megaphone.fm/adchoices

The Bold and the Beautiful's John McCook and Jennifer Gareis sat down for an in-depth interview in The Locher Room to celebrate the recent nuptials of their characters, “Eric Forrester” and “Donna Logan.”John McCook joined the cast of The Bold and the Beautiful as an original cast member 37 years ago this month. John won his first Emmy for Outstanding Lead Actor in a Drama series in 2022. Discovered by legendary movie mogul Jack Warner while appearing as “Tony” in the New York City Center revival of West Side Story, John was one of the last actors formed by the Hollywood studio system and talent development program. Universal Studios later signed him as a contract player before being drafted by the U.S. Army for a two-year stint.Jennifer Gareis joined the cast as one of the Logan sisters, Donna in 2006. She started her career as “Grace Turner” on The Young and the Restless in 1997. Before launching her acting career, Jennifer worked in New York as a model, appearing in the pages of leading publications such as Glamour, Fitness, Esquire and Women's Wear Daily.Come hangout with and celebrate with these two on-screen newlyweds in The Locher Room!

Peter Filichia, James Marino, and Michael Portantiere talk about The Ally @ The Public, 54 Sings Broadway’s Greatest Hits, FIVE: The Parody Musical, Brooklyn Laundry @ MTC at New York City Center, Titanic @ Professional Performing Arts School, and Corruption @ Lincoln Center Theater's Mitzi E. Newhouse Theater “This Week read more The post This Week on Broadway for March 10, 2024: Corruption @ Lincoln Center Theater appeared first on BroadwayRadio.

In this episode, we sit down to discuss New York City Center Encores! JELL'Y'S LAST JAM. Please note that this episode will contain spoilers about the show. If you haven't seen the show yet, you can catch JELLY'S LAST JAM playing at New York City Center until March 3rd. Follow and connect with all things @HalfHourPodcast on Instagram, TikTok, and YouTube. Share your thoughts with us on JELLY'S LAST JAM on our podcast cover post. Learn more about your ad choices. Visit megaphone.fm/adchoices

Connor and Dylan are joined by Nicholas Christopher (Sweeney Todd, Hamilton). Soooo there's this tale we're attending with Broadway's current star of Sweeney Todd, who plays both the titular barber and Pirelli. We get right into this thrilling moment for Nicholas, as he tells us all about his journey with this Sondheim revival, moving his family across the country, and standing by for Josh Groban. He spills on the true family at the Lunt-Fontanne, doing puzzles with Annaleigh Ashford, and the magic of performing alongside his brother, Jonathan Christopher, in Sweeney Todd. Nick takes us back to his touring days in In the Heights with Lin Manuel Miranda, starring in the off-Broadway revival of Rent as Collins, and his upcoming role in New York City Center's Jelly's Last Jam. Listen in for chatter about The Traitors, binge-watch culture on streaming services, and a sneak peek at Sutton Foster and Aaron Tveit's upcoming takes on Lovett & Sweeney. Nicholas is performing as Mr. Sweeney Todd all evenings Wednesday-Saturday through February 8. Don't miss out on seeing this incredible star turn!Follow Nicholas on Instagram & Twitter! Follow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by DylanSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Welcome to "Half Hour with Jeff & Richie," where we dive into the world of theater and share our insights on the latest productions we see. In this episode, we dissect the captivating performance of "Once Upon a Mattress" that we recently experienced at New York City Center Encores! We explore the intricacies of the plot and concept, celebrate the remarkable talent of leading actress Sutton Foster, and ponder the enduring relevance of Golden Age theatre in modern times. Whether you're unable to catch the show in person or seeking a deeper understanding after attending, join us for a lively discussion. Don't miss the chance to see this incredible show, running until Feb 4th - get your tickets here. Support the show If you liked this episode, don't forget to subscribe to this podcast and leave us a review. Share your thoughts with us on this episode below: On Instagram: @halfhourpodcast On TikTok: @halfhourpodcast On our website: www.twoworldsentertainmentllc.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This Afro-Latina queen has made her roar be heard ever since she started performing!

Sumi Yu is a full-time professional actress working on stage and in TV/Film. Currently residing in NYC, she is a proud member of AEA and SAG-AFTRA and has performed at many prestigious theaters including Lincoln Center Theater and New York City Center.  In today's episode, Sumi discusses how she chose a college program that would support not just her resume but her overall wellbeing, what she loved and what she'd change about her training experiences, and the importance of therapy and other tools to support our professional journeys.  She also expresses how her professional jobs can't be her measure of success and worth, how we can celebrate who we are and let that be our guide through the industry, and even shares the story of her most embarrassing audition for a Broadway show. Follow along on Sumi's journey: @sumireyu & sumi-yu.com Transcript available on our ⁠website⁠! *And if you're curious about the Lady Gaga reference: "Bus, Club, Another Club" --- Support this podcast: https://podcasters.spotify.com/pod/show/storyproject/support

Welcome back to the Dancer's Choice Podcast! This week, Riley and Dawsen had the privilege of being joined by Point Park Alumni and Alvin Ailey dancer, Ashley Green! Ashley shares her story about growing up in competition dance, the importance of not labeling yourself, how to stay present in process, and many more of her biggest takeaways from her last three seasons with Ailey. This conversation is loaded and full of so many revelations- we cannot wait for you to listen! Don't forget to share this episode with a friend and give our show a rating/review so we can continue to reach other dancers :) To further connect with Ashley, you can find her on Instagram @awagreen98, if in the New York area, you can also catch Ashley in her upcoming Alvin Ailey American Dance Theater performances now through December 31, 2023 at the New York City Center! --- Send in a voice message: https://podcasters.spotify.com/pod/show/dancerschoicepodcast/message

Ever wondered if you could build a career on Broadway while balancing family and life? From being hand-picked by the legendary Bob Fosse to performing in her first Broadway shows, Stephanie Pope Lofgren's journey to becoming a Broadway veteran has been shaped by the mentors and teachers throughout her career in show business. Now she is passing on the lessons gleaned from her 35-year career teaching the Fosse repertoire through The Verdon Fosse Legacy® LLC and serving as choreographer for the Jimmy Awards®. Listen as Stephanie shares her experiences working with Bob Fosse, navigating burnout, her advice to young performers on embracing their authenticity, and what it means to her to be reprising her role as one of the original Hunnies in Jelly's Last Jam at New York City Center. Edited by Justin Payne. Learn more about your ad choices. Visit megaphone.fm/adchoices

Francesca Harper is the Artistic Director of Ailey II of the Alvin Ailey School of Dance. As part of the company's new era, she is leading Ailey II on the first international tour since the shutdown, guest performances in Memoria during Ailey's New York City Center session, and a 50th Anniversary US tour, culminating with a New York engagement in early 2024. We discuss Francesca's background, her love of dance, and the most important thing she teaches at Ailey II.Follow To Dine For:Official Website: ToDineForTV.comFacebook: Facebook.com/ToDineForTVInstagram: @ToDineForTVTwitter: @KateSullivanTVEmail: ToDineForTV@gmail.com Thank You to our Sponsors!MastercardAmerican National InsuranceTerlato Wine Group Follow Our Guest:Official Site: AlvinAiley.orgFacebook: Alvin Ailey American Dance TheaterInstagram: @HarperFrancescaTwitter: @FHProject Hosted on Acast. See acast.com/privacy for more information.

Guests - Brittany Nicholas and Miranda QuinnHosted By - Courtney Ortiz and Lesley MealorIn Episode 159 of Making The Impact - A Dance Competition Podcast, two incredible former competitive dancers turned professional dancers join us to talk about their experiences as swings and understudies, and how their time in the competition world helped prepare them for these unique roles on stages from Broadway to concert dance.Topics Include: A crash course on professional stage terminology The ins and outs of what it takes to be a swing and an understudy in both the concert dance world and Broadway Advice for young dancers interested in pursuing a career that includes swing and understudy workHelp support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members-onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearYour support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!Follow your Hosts & Guests!Courtney Ortiz - @courtney.ortizLesley Mealor - @miss.lesley.danceBrittany Nicholas - @brittnnicholas Miranda Quinn - @mirandaming4Check out our guest's current projects! See Brittany in "& Juliet" on Broadway! See Alvin Ailey Dance Theater at New York City Center from November 29th-December 31st!This episode is sponsored by:Francisco Gella Dance Works - Season 5 Premier Sponsor!Educational and developmental programs, intensives, and seminars designed to empower students, parents, educators, and artists. Register for an upcoming intensive!DecaDance Competition - IDA Affiliated CompetitionView their 2024 tour dates and register now!Join our FREE Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow Impact Dance Adjudicators on social media @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website atFrancisco Gella Dance Works In-person intensives & seminars for pre-professional dancers. Use code: MAKINGTHEIMPACT for $75 offDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Xianix Barrera is a Bessie award nominated flamenco dancer, teacher, and choreographer based in New York City. Female empowerment, sexual identity and social justice color her choreographic work and create the focal point for the company she founded in 2012; Xianix Barrera Flamenco Company. With a background in dance and percussive studies, Xianix has dedicated herself to the lifelong study of flamenco with the masters of the art form in both New York and Spain. Throughout her career she has worked with revered artists such as Isabel Bayón, Raquel Heredia, Rosario Toledo, Soledad Barrio and Juan Ogalla on some of the most important stages in the world including The Joyce Theater, Lincoln Center, The Red Theater in Abu Dhabi and Cafe Silverio in Sevilla. Xianix is a dedicated teacher with a thriving flamenco school in NYC for people of all ages, levels and abilities while conducting workshops for the Joyce Theater and New York City Center during their annual flamenco festival. For more information visit www.xianix.com

Robert Creighton co-authored and starred in the hit off-Broadway musical "Cagney," which is soon headed toward a Broadway production. For that role, he won the Fred Astaire Award for Outstanding Male Dancer and was nominated for the Drama Desk and Outer Critics Circle Awards as best Lead Actor in a Musical.  He played the role of Angelo in "Comedy of Errors" for the Public Theatre's Shakespeare in the Park, had starring roles in New York City Center's ENCORE SERIES productions of "Damn Yankees," "Little Me," and "Paint Your Wagon," and was in the original North American tour of "Fame."   On Broadway, some of Robert's credits include playing the roles of Durdles in "The Mystery of Edwin Drood," Moonface in "Anything Goes," and Amos in "Chicago." He was also in "Chitty Chitty Bang Bang" and "Jackie Mason's Laughing Room Only." On television, he was a recurring guest star on the CBS series "The Good Fight" as Clarence Kolb and guest-starred on "Elementary," "Law & Order," "The Family," and "Life on Mars."  And now...his Disney credits! Robert recently revisited the role of Timon in Disney's "The Lion King" on Broadway after playing the role in NY in 2010, in the LA company in 2002 and 2003, and in Toronto in 2000. Also on Broadway, he played the role of Chef Louis in "The Little Mermaid," and was in the workshop, the out of town tryouts in Denver, and then the full Broadway run of "Frozen," where he originated the role of the Duke of Weselton - or is it Weaselton? Other Disney projects include VoiceOver work, where Robert sang as a thug in the song “I Got A Dream” in the movie, "Tangled." He also sang on two "Frozen" shorts and was part of the live action "Beauty and the Beast." Robert performed at the International Festival of the Arts at EPCOT with fellow Disney royalty Heidi Blickenstaff and Patti Murin. He was also part of multiple developmental workshops including "Aladdin" where he was the Genie, he did 2 workshops of "Newsies," and was in the development cast for "Tangled" for Disney Cruise Line...and speaking of Disney Cruise Line, he performed on 7 Disney Cruises, headlining in the Walt Disney Theatre! Scott is happy to welcome and chat with his pal from the Pridelands, Under the Sea, and Weselton…Robert Creighton! Email: TheMouseAndMePodcast@gmail.com Support: www.patreon.com/themouseandme FB & Instagram: The Mouse and Me TikTok: @TheMouseAndMePodcast Twitter: @MouseMePodcast Music by Kevin MacLeod from https://incompetech.filmmusic.io --- Support this podcast: https://podcasters.spotify.com/pod/show/themouseandme/support

Sammi Cannold is a theater director and Documentary Producer. She directed EVITA at New York City Center and A.R.T, RAGTIME at Ellis Island, and SUNSET BOULEVARD at the Kennedy Center. In this episode, Sammi shares how attending the memorial for the late Hal Prince led her to the opportunity to direct her upcoming Broadway debut HOW TO DANCE IN OHIO. She shares her views on agism in the theater industry and how understanding the world and the cultures creates a stronger artist. LINKS: HOW TO DANCE IN OHIO Ted X Talk Human First CoalitionSupport the show: http://www.stagespodcast.netSee omnystudio.com/listener for privacy information.

The young adult cast of Parade on Broadway reminisce over their run sharing their favorite memories, moments in the show, biggest learning experiences and so much more. You will get a glimpse into the life of a young performer on Broadway with a fresh new perspective on the industry. From all different cities, these three make aspiring artists around the world realize their dreams are within reach. Topics include: Working with Ben Platt, Micaela Diamond, Michael Arden, Paul Alexander Nolan, and more. The importance of taking care of your voice, mind, and body Making their Broadway debut Getting homesick Transition from New York City Center to Broadway Understudying Rehearsal process Fitness and staying in shape. + so much more! Curtain up on the Cast of Parade! Connect with Erin Rose Doyle, Sophia Manicone and Charlie Webb on Instagram: @erinroseleigh, @sophia_manicone, and @charlie_webb12 Connect with Take A Bow on social: @takeabowpodcast Connect with host, Eli Tokash on social: @tokash_eli Edited by Jessica Lauren (@jessicalaurenradio) Learn more about your ad choices. Visit megaphone.fm/adchoices

“Here Lies Love” is a groundbreaking musical about former Filipina First Lady Imelda Marcos's astonishing rise to power and subsequent fall at the hands of the Philippine People Power Revolution. Clint Ramos is a creative director, designer, educator, advocate and producer. He is the Producing Creative Director for Encores! at New York City Center and is the costume designer and a lead producer on “Here Lies Love” - now running at The Broadway Theatre starring an all Filipino cast.

Executive Director of the Baryshnikov Arts Center Sonja Kostich was a celebrated dancer at American Ballet Theatre and Mikhail Baryshnikov's White Oak Dance Project. After 20 years as a professional dancer, Sonja shifted her focus to arts administration with roles at Mark Morris Dance Group, New York City Center, and Kaatsbaan Cultural Park. She shares with Alicia why she decided to go to business school and how leading an organization and being a dancer are quite similar in their collaborative nature.Check out Sonja Kostich on Instagram.Learn more about Baryshnikov Arts on Instagram, Facebook, and the web.Follow Moving Moments on Instagram.Follow Alicia on Instagram.You can find out more about Artful Narratives Media on Instagram or the web.The Moving Moments theme song was composed by Saul Guanipa for Videohelper.Moving Moments was co-created by Alicia Graf Mack, Jessica Handelman, and David Krauss.This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Listen: Lauren Class Schneider talks to Matt Walker, cast member of “Love + Science” at New York City Center. Matt Walker, Jonathan Burke. Photos by Emilio Madrid Tally Sessions, Ryan Knowles, Matt Walker. Photos by Emilio Madrid “Class Notes” actively covers New York's current theater season on, off, and off-off read more The post Class Notes: Matt Walker from “Love + Science” appeared first on BroadwayRadio.

Marja Harmon plays Angelica Schuyler on the "And Peggy" tour of Hamilton. Her Broadway credits include Book of Mormon, Cat on a Hot Tin Roof, and New York City Center's Merrily We Roll Along. She starred as Nala in the national tour of The Lion King, as well as regional productions of Aida, Ragtime, Hairspray, Dreamgirls, Grease, and more. Her TV appearances include God Friended Me, Murphy Brown, and Jessica Jones. Stay up-to-date with Marja by visiting her @marjaharmony on Instagram or her website at marjaharmon.me.

The talented Julian Lerner is quickly becoming a star to watch on not only on the stage, but the big screen. Lerner will next be seen starring as ‘The Artful Dodger' in New York City Center's production of Lionel Bart's “Oliver!” The show also stars Lilli Cooper, Raúl Esparza, Tam Mutu, Benjamin Pajak, and Mary Testa.Lerner can currently be seen in ABC's hit reboot “The Wonder Years.” Lerner plays ‘Brad Hitman,' lead character Dean's (Elisha Williams) best friend, a smart, good-natured kid with a sense of humor. He's described by Adult Dean as “the Pee Wee Reese to my Jackie Robinson. That is, if Pee Wee Reese were Jewish and Jackie Robinson couldn't catch a fly ball.” Set in the same era as the original, the series is a family comedy-drama that looks at how the Williamses, a Black middle-class family in Montgomery, AL, in the turbulent late 1960s made sure it was the Wonder Years for them too. The second season is set to premiere on June 14, 2023. In 2022, Lerner completed production on “Boys of Summer,” a fantasy-adventure film directed by David Henrie. The film, which is set in the summer of 1997, follows a trio of best friends (Lerner, Mason Thames, and Abby James Witherspoon) who team up with a retired detective (Mel Gibson) to confront a supernatural entity that has recently moved to Martha's Vineyard.  Early in 2021, Lerner starred in Netflix's hit film “Yes Day” opposite Jennifer Garner, Edgar Ramirez, and Jenna Ortega. Based on the novel of the same name, “Yes Day” follows Allison (Garner) and Carlos (Ramirez) who decide to give their kids a "yes day", where for 24 hours, the children make the rules. Lerner plays their son ‘Nando,' a fun, energetic kid who is slightly nerdy and has a love of science. The film was the streaming giant's second-biggest Kids & Family release – it was watched in nearly 53 million homes.  For the past three years, Lerner has played ‘Lucas' in the animated series “Alma's Way” for PBS. Written by Sonia Manzano, Maria from “Sesame Street,” the show is inspired by her childhood growing up in the Bronx. ‘Lucas' is one of ‘Alma's' best friends and is an aspiring pop singer. Lerner can also currently be heard playing the 12-year-old version of Brian Cox in “From Now,” a podcast series available on Apple Podcasts and Spotify. The podcast also stars Richard Madden, Erin Moriarty, David Dastmalchian, and more.  On the silver screen, Lerner has been seen in Netflix's “Pottersville” where he starred opposite Michael, Shannon, Judy Greer, Ron Perlman, Christina Hendricks, and more. He was also featured in Netflix's animated adaptation of the best-selling video game “Dragon Quest.”  On the stage, he starred in the out-of-town trial for a new Broadway show in Fall 2019 called “Last Days of Summer” as well as touring the country in the National Broadway Tour of Les Misérables.  Lerner currently resides in New York. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dylan and Connor are joined by Julian Lerner (Oliver!, The Wonder Years). In the midst of rehearsals for the highly anticipated New York City Center production of Oliver!, Julian talks the Drama boys all about the show and his role of the Artful Dodger. Working with Raul Esparza, Lilli Cooper, and the extremely talented cast are only the beginning. But that's not all. Julian talks about playing Gavroche in the national tour of Les Misérables when he was nine years old. Nick Jonas is SHAKING. Julian teases season two of The Wonder Years on ABC, dishes on working with Jenna Ortega and Jennifer Garner in Yes Day on Netflix, and talks about his favorite musicals and TV shows (Schmicago, anyone?). The boys wonder about Olivia Rodrigo's whereabouts, giggle over James Marsden in Jury Duty, and Connor reviews White Girl in Danger. Tune in to hear us chat about it allllll.Follow Julian on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by Connor

Peter Filichia, James Marino, and Michael Portantiere talk about: the Tony Award Nominations, Lionel Bart’s Oliver! @ New York City Center, Gilbert and Sullivan's Iolanthe with MasterVoices, and Sugar @ Theater Row “This Week on Broadway” has been coming to you every week since 2009. It is the longest-running running read more The post This Week on Broadway for May 7, 2023: Tony Award Nominations appeared first on BroadwayRadio.

On today's episode of 'Conversations On Dance', we are joined by choreographer, Omar Román De Jesús. Omar takes us through his early training in Puerto Rico, the leap of faith he took in moving to New York City and how his humble early choreographic beginnings have led to a Princess Grace Award and commissions from world renowned companies. Omar's first work for Ballet Hispanico will premiere at New York City Center this summer, with performances running June 1st through the 3rd, on a program featuring additional works by Pedro Ruiz, Michelle Manzanales and William Forsythe. Tickets can be purchased at nycitycenter.org. THIS EPISODE'S SPONSORS:Ballet Bird is a streaming site designed by former Pacific Northwest Ballet principal dancer Julie Tobiason. Ballet Bird offers ballet classes for anyone at any level of training that you can do from the comfort of your home or studio. Ballet Bird is a great addition to your regular in-studio training too. Take advantage of the ten day free trial and use the discount code COD25 to get 25% off through June 30th 2023 at balletbird.com.Each year, The Clive & Valerie Barnes Foundation provides recognition, encouragement, and financial support to two talented young professionals, one in Dance and one in Theatre, thus, honoring the memory of the many years of critical work and the warm personal generosity of Clive Barnes and Valerie Taylor. This year's finalists have been nominated by the Foundation's 11-member Selection Committee comprised of arts journalists and accomplished professionals in each field. Finalists were selected based on live performances given in New York City between January and December of 2022. Winners in each category will be announced on May 22 at the 13th Annual Clive Barnes Awards at Florence Gould Hall in New York City. Guest presenters include Pam Tanowitz and Alex Sharp. For more information or to donate, visit cvbarnesfoundation.org/LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceMerch: https://bit.ly/cod-merchYouTube: https://bit.ly/youtube-CODJoin our email list: https://bit.ly/mail-COD Hosted on Acast. See acast.com/privacy for more information.

Jenny Gersten serves as Line Producer for Beetlejuice on Broadway and National Tour, Executive Producer for the musical Born for This, Producer of Musical Theater for New York City Center, and Interim Artistic Director of the Williamstown Theatre Festival. She sometimes produces commercially, including the award -winning Off Broadway “pie shop” production of Sweeney Todd. She works with Jessica Hecht on The Campfire Project, an arts program that primarily serves Syrian and Ukrainian refugees overseas. Previously, Jenny served as Executive Director of Friends of the High Line and as the Associate Producer of The Public Theater in New York City. At sea, she is the Creative Producer of Virgin Voyages. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ira and Louis discuss Eurovision, Cara Delevigne's behavior, Jack Harlow's new album, Grindr, New York City Center's Into the Woods revival, and more. Plus, legend Sissy Spacek joins to discuss her new series Night Sky, her iconic roles in Carrie, In the Bedroom, Coal Miner's Daughter, and more. Also, Ira and Louis visit some of their blindspots in her career from David Lynch's The Straight Story to Robert Altman's 3 Women.___With our constitutionally protected right to abortion under attack, abortion funds are working nonstop to make sure people can still access (and afford) abortion.Visit votesaveamerica.com/roe to learn more, donate, and take action.