Podcasts about new york dance

Join "Dance Talk” ® with Joanne Carey and special guest Anna SperberIn this episode of  "Dance Talk” ® , host Joanne Carey interviews choreographer Anna Sperber, who shares her journey into the world of dance, her education, and her artistic identity. They discuss her upcoming piece 'Beacons' at the American Dance Festival, the role of the audience in dance, and the creative process behind choreography. Sperber reflects on the influence of motherhood and Martha Graham on her work, the importance of somatics, and her initiative 'Class, Class, Class' aimed at fostering new teaching talent. The conversation culminates in her thoughts on receiving the Bessie Award and her excitement about returning to ADF.Anna Sperber is a Brooklyn-based choreographer and performer. Her work has been described by The New York Times as “immediately compelling” and “wonderfully strange” with “moments of theatrical magic.” Her performances are rooted in the poetic potency of choreography and its potential for perceptual transformation, embodying a tension between formality and chaotic wildness.Sperber received a 2022 New York Dance and Performance “Bessie” award for Outstanding Choreographer / Creator for Bow Echo (2021). Her work has been presented and commissioned by The Kitchen, The Joyce Theater UNLEASHED Series, The Chocolate Factory, Baryshnikov Arts Center, Roulette, Gibney Dance, and Dance Theater Workshop in New York City, as well as by the American Dance Festival in Durham, NC. Sperber has received fellowships and residencies at MacDowell, Yaddo, Bogliasco Foundation in Bogliasco Italy, the Marble House Project, as a Schonberg Fellow at Dance The Yard, Dance Initiative in Carbondale Colorado, Center for Performance Research, Gibney Dance DiP (Dance in Process), Brooklyn Arts Exchange, Lower Manhattan Cultural Council, and Movement Research. Her work has been supported by New Music USA Live Music for Dance, Mertz Gilmore Foundation, The Jerome Foundation, and Brooklyn Arts Council, Cafe Royal Cultural Foundation, and a 2025 NYSCA Grant to Individual Artists. Sperber has collaborated extensively with esteemed experimental composers and live musicians as well as visual designers in New York City. These interdisciplinary collaborations are crucial to the integration of visual and sonic landscapes with the moving body in her work. As a performer, she has worked with many New York-based choreographers including luciana achugar and Juliette Mapp.Sperber was a co-founder of classclassclass, designed to nurture new dance teachers while offering reduced class rates, and has taught as a guest artist at American Dance Festival, Movement Research, Freeskewl, Gibney Dance, Hunter College, George Washington University, and Wayne State University. Sperber founded and ran BRAZIL, a studio and intimate performance space in Bushwick, Brooklyn from 2004 to 2014 and Sunset Space from 2019-2020. More about Annahttps://www.annasperber.com/See the performance at American Dance Festivalhttps://americandancefestival.org/event/anna-sperber/2025-06-25/“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

"Dance Talk” ® with Joanne Careyand special guestDavid Dorfman.In this episode of"Dance Talk” ® with Joanne Carey interviewsDavid Dorfman, the Artistic Director of the David Dorfman Dance Company. They discuss David's journey into dance, his influences, and the pivotal moments that shaped his career. David shares insights into his teaching philosophy, the importance of improvisation, and the collaborative nature of dance. He emphasizes the significance of presence in performance and the joy of mentorship in his role as a professor at Connecticut College. In this engaging conversation, David Dorfman shares his insights on the art of partner dancing, the themes of surrender and connection in his work, and the intersection of dance and war. He discusses the transformative power of dance, the importance of legacy, and how revisiting old works can be a journey through time. Dorfman emphasizes the role of dance in healing and connection, advocating for a world where everyone dances as a path to peace.Upcoming performance: Downtown to Uptown, Past to Forward.David Dorfman is the Artistic Director and Founder of David Dorfman Dance (1987), has been Professor of Dance at Connecticut College since 2004. Dorfman received a Guggenheim Fellowship in 2005 to continue his research and choreography in the topics of power and powerlessness, including activism, dissidence, and underground movements. DD has been honored with four fellowships from the National Endowment for the Arts, three New York Foundation for the Arts fellowships, an American Choreographer's Award, the first Paul Taylor Fellowship from The Yard, and a New York Dance & Performance “Bessie” Award.David was a 2019 United States Artists Fellow in Dance. His work has been commissioned widely in the U.S. and in Europe, by Dancing Wheels (Cleveland), AXIS Dance Company (Oakland), and Bedlam Dance Company (London). His forays into theater include choreography for the Tony Award-winning play,Indecent, by Paula Vogel and Rebecca Taichman, for which DD received a Lucille Lortel Award and Chita Rivera Nomination for best choreography for the play's Off-Broadway run. David traveled to London in March 2020 to set choreography forIndecent's UK premiere at the Menier Chocolate Factory. In addition, David has contributed his choreography for the upcomingWhisper House, a new musical by Duncan Sheik and Kyle Jarrow, Ibsen'sAn Enemy of the People at Yale Rep;Our Town, a co-production of Deaf West and Pasadena Playhouse;Assassins at Yale Rep; and the original musicalGreen Violin at the Prince Music Theater in Philadelphia, for which he won a 2003 Barrymore Award for best choreography. Dorfman tours an evening of solos and duets,Live Sax Acts, with dear friend and collaborator Dan Froot, most recently in New York City and at the Harare International Festival of the Arts in Zimbabwe.  As a performer, he toured internationally with Kei Takei's Moving Earth and Susan Marshall & Co.DD hails from Chicago and holds a BS in Business Administration from Washington University in St. Louis (1977). He appeared on several episodes of A Chance to Dance, a reality show on OvationTV starring Dorfman's pals, the BalletBoyz .DD continually thanks Martha Myers and the late Daniel Nagrin, for being his dance mom and dad; his late parents, Oscar and Jeanette, for inspiring him to dance to heal and instilling the importance of a good joke; and his in-house “family project”, Lisa and Samson, for sharing with him the practice of unconditional love.Info About Upcoming Performanceshttps://www.daviddorfmandance.org/calendar“Dance Talk” ® with Joanne Careywherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ Follow Joanne on Instagram @westfieldschoolofdance Tune in. Follow. Like us. And Share. Please leave a review! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Nancy J. Duncan has had an eclectic career spanning over 50 years of experience in the performing arts as a dancer, educator, producing director, manager, and arts management consultant.Nancy's dance training started under Nevorah Adams in South Dakota and it was through Nevorah's hosting of a summer dance residency taught by Loyce Houlton and two of her dancers, Frances Machala and David Voss, that her passion for dancing fully ignited. Under the tutelage of Houlton and her beautiful, diverselyskilled dancers and many guest artists at the Contemporary Dance Playhouse in Minneapolis, later renamed Minnesota Dance Theater, Nancy developed her skills as a dance teacher and performer.Upon moving to New York City in 1981, Nancy began forming her own artistic vision and mission greatly inspired by Loyce Houlton's vision. Working in partnership with composer Scott Killian and dancer Jackie Goodrich, and in consultation with Lawrence Rhodes, esteemed dancer, teacher and Chair of the New York University Tisch School for the Arts Dance department, Nancy conceived and founded CoDanceCo (collaborative dance company).Nancy and her team established CoDanceCo as a production company devoted to nurturing the creative development of dance artists and providing audience access to outstanding dance artistry that reflected the creativity and eclecticism of contemporary dance. CoDanceCo was designed as a highly flexible organizational model that could adapt to the ever-changing world of dance creators, performers, collaborators, educators, presenters, and audiences.From 1982-1991 Duncan commissioned and presented works created by 28 choreographers, 14 composers, and 50 dancers. Choreographers commissioned over the years include Eiko & Koma, Ralph Lemon, Susan Marshall, Bebe Miller, Mark Morris, Charles Moulton, Ohad Naharin, Doug Varone, Bill T. Jones/Arnie Zane, among others. Duncan's work through CoDanceCo garnered Duncan a 1991 New York Dance and Performance Award Citation (aka Bessie).Highlights from 1991-2003 include serving as the artistic director for London Contemporary Dance Theatre; producer of a four-week British dance festival in New York City, project management for Arts International, and Community Outreach Programs Director for Mikhail Baryshnikov's White Oak Dance Project production PastForward, touring both nationally and internationally.From 1996-2003, under the umbrella of CoDanceCo, Duncan managed to keep producing projects to support dance artists and their audiences through her membership in the New York State DanceForce. The projects were accomplished in partnership with NY state artists, presenters, and educators. In 2003 Duncanrelocated to Long Island and established a new home base for her work through CoDanceCo. During this time Duncan also served as a member of the Suffolk County Citizens Arts Advisory Board, became a founding member of the Patchogue Arts Council, served on the Board of the Patchogue Theater, among other opportunities.In 2006, Duncan was introduced to Pierre Dulaine's arts-in-education, social-emotional in-school residency program titled “Dancing Classrooms.” Working in partnership with Dulaine, Duncan secured a two-year grant from the Dana Foundation to have CoDanceCo become the licensed national network affiliate site on Long Island. Pierre and his staff trained Duncan and a team of teaching artists in the Dancing Classrooms syllabus and the company launched its first in-school residencies in the winter of 2008. Since the founding of DancingClassrooms on Long Island, CoDanceCo's teaching artists have touched the lives of over 30,000 youth, adults, educators and families with the transformative power of Dancing Classrooms. For youth and adults alike, the program creates meaningful social connections, inspires respect for diversity, and instills self-confidence all through the joy of social dance.

W listopadzie w dniach 8, 20, 26 w Nowym Jorku odbędzie się 26. Festiwal Chopin and Friends organizowany przez New York Dance & Arts Innovations. W tym roku obchodzimy 175. rocznicę śmierci Chopina. Oddajemy hołd temu najbardziej emblematycznemu i płodnemu kompozytorowi, prezentując jego dzieła oraz kompozycje innych nowatorskich artystów, którzy podobnie jak Chopin łączą tradycję z nowoczesnością, to, co narodowe z tym, co uniwersalne. Festiwal zabierze publiczność w prawdziwą muzyczną podróż przez różne epoki, style i gatunki. Publiczność będzie miała niepowtarzalną okazję usłyszeć niezwykłych artystów o międzynarodowej renomie i bardzo utalentowanych wschodzących gwiazd.Honorowym patronatem objął wydarzenie Konsulat Generalny Rzeczypospolitej Polskiej w Nowym Jorku. Sponsorem wydarzenia jest Polish & Slavic Federal Credit Union, The Polish Cultural Institute w Nowym Jorku, Kościuszko Foundation, The Polish Slavic Center i Lhotse Corporation.Więcej informacji znajdą Państwo na stronie https: www.nydai.org/events/ - wstęp na wszystkie wydarzenia jest darmowy, ale ilość miejsc jest ograniczona, w związku z tym należy zarezerwować miejsce. W tym roku festiwal zorganizowany jest również przy współpracy z Konsulatem Włoch w Nowym Jorku. O szczegółach tegorocznego festiwalu w Studio Radio RAMPA mówili:Radosława Jasik, Prezes NYDAI, oraz Andrea Domenici, wiceprezes i dyrektor artystyczny Festiwalu. 

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We conclude our mini-series on the Downtown gay scene by taking a visit to three important parties of mid-70s New York: the 10th Floor, the Flamingo and 12 West. Jeremy and Tim explore the different musics, DJ styles and demographics found in each venue, along with the issues of race, exclusivity, consumer culture and sex that to different extents inform them. Naturally, they also contrast all of these spaces to the Loft, from which they are all drawing in one way or another. In addition, Tim and Jeremy discuss the seminal novel of this story, Dancer From the Dance, which documents both the joy and the melancholy of this clubbing culture; introduce us to a variety of 'themed nights'; and close the episode by spending a bit of time on the 'trash aestetics' of filmmaker John Waters. Produced and edited by Matt Huxley. Tune in, Turn on, Get Down! Become a patron by visiting Patreon.com/LoveMessagePod And check out our new website: https://www.loveisthemessagepod.co.uk/ Tracklist: Area Code 615 - Stone Fox Chase The Glass House - I Can't Be You (You Can't Be Me) Zulema - Giving Up The Temptations - Happy People Melba Moore - Standing Right Here Dionne Warwick - Take It From Me The Trashmen - Surfin' Bird Books and Films: Andrew Holleran - Dancer From the Dance Irving Welsh - Trainspotting Leo Bersani - Is The Rectum a Grave? Pink Flamingos

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the course, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the core components of the program where graduate students work with guest artists and develop group-generated performance experiments. David Neumann and Marcella Murray are interviewed by Chisom Awachie (SLC 23) Marcella Murray is a New York-based theatre artist from Augusta, Georgia, Murray is a playwright, performer, collaborator, and puppeteer. Her work is heavily inspired by the observed ways in which people tend to segregate and reconnect. Her work tends to focus on themes of identity within a community and (hopefully) forward momentum in the face of trauma.  Performances include The Slow Room, a piece directed by Annie Dorsen at Performance Space New York; a workshop of Ocean Filibuster, which was co-created by the team Pearl D'Amour (Lisa D'Amour and Katie Pearl) with composer Sxip Shirey at Abrons Arts Center; the work-in-progress, I Don't Want to Interrupt You Guys, created in collaboration with Leonie Bell and Hyung Seok Jeon during RAP at Mabou Mines; New Mony, created by Maria Camia at Dixon Place; and Shoot Don't Talk at St. Ann's Warehouse/Puppet Lab, created by Andrew Murdock.  Along with David Neumann, Murray recently co-created Distances Smaller Than This Are Not Confirmed (Obie Special Citation for Creation and Performance), which opened at Abrons Arts Center in January 2020. Murray is part of an artist collective called The Midwives. As artistic director of Advanced Beginner Group, Neumann's original work has been presented in New York at PS 122, New York Live Arts, The Kitchen, Central Park Summerstage (in collaboration with John Giorno), Symphony Space (in collaboration with Laurie Anderson), Abrons Arts Center, The Chocolate Factory, and The Whitney. Advanced Beginner Group has also performed at the Walker Art Center, Jacob's Pillow, MASS MoCA, American Dance Institute, and Carolina Performing Arts, among others. Neumann has been a featured dancer in the works of Adrienne Truscott, Susan Marshall, Jane Comfort, Big Dance Theater, Doug Varone, Doug Elkins Dance Company, and in two duets with Mikhail Baryshnikov. His choreography in the theatre includes The Antipodes at Signature Theatre, Futurity with Soho Rep and Ars Nova, An Octoroon at Soho Rep, Underground Railroad Game at Ars Nova, and directing Geoff Sobelle in The Object Lesson at BAM Fischer and New York Theatre Workshop. Neumann was choreographer on Hagoromo with Wendy Whelan and Jock Soto, Home at BAM Harvey, and Sibyl Kempson's Let Us Now Praise Susan Sontag at Abrons Arts Center. His film work includes collaborations with Hal Hartley, I Am Legend with Will Smith, Marriage Story with Adam Driver and Scarlett Johanssen, and White Noise directed by Noah Baumbach. Neumann is the recipient of three New York Dance and Performance “Bessie” Awards (including Best Production in 2015 for I Understand Everything Better). The third installment of the Distances... trilogy, in collaboration with theatre artists Marcella Murray and Tei Blow, will be presented in New York in 2024. Neumann has also been nominated for Tony, Drama Desk, and Outer Circle Critics awards for his choreography on Hadestown. He is also the recipient of a 2019 Chita Rivera Award for Outstanding Choreography of a Broadway Musical for Hadestown. Most recently, Neumann was choreographer on Swept Away, with music by the Avett Brothers at Berkeley Rep. Photo: Maria Baranova

Our mini-series on the Downtown gay scene continues in earnest, so grab your towel because we're visiting the iconic Continental Baths. Tim and Jeremy give the history of this seminal space, charting the various forms of bathhouse culture since Antiquity, and exploring the role of promiscuous, anonymous and/or public gay sex through time. They also discuss 'queerness' as a radical act, heternormativity, the decriminalisation of gay sex and the utopian aspirations for radical changes to ways of living that characterised New York in the early 70s. Produced and edited by Matt Huxley. Tune in, Turn on, Get Down! Become a patron at Patreon.com/LoveMessagePod And check out our new website: https://www.loveisthemessagepod.co.uk/ Tracklist: Bette Midler - Do You Want To Dance? Bobby Byrd - Hot Pants (I'm Coming, I'm Coming) The Equals - Black Skinned Blue Eyed Boys The Staple Singers - I'll Take You There Books: Guy Hocquenghem - Homosexual Desire Deleuze and Guattari - Anti-Oedipus

Tim and Jeremy return from a mini winter break with a second episode looking at the music and politics of the Downtown queer dance floors of the early 70s. They interrogate the position of the Stonewall Riot in the history of queer culture, exploring many of the historiographical problems latent in the received accounts of this period and recontextualising the gay liberation movement of the time within a broader set of radical, anti-imperial demands. Tim and Jeremy also return to one of the most important clubs of the moment - the Sanctuary - and take a trip upstate to Fire Island Pines. Plus, Jem delivers a healthy dose of iconoclasm to a particularly beloved classic. Produced and edited by Matt Huxley. Tune in, Turn on, Get Down! Become a patron for £3pcm by visiting Patreon.com/LoveMessagePod And check out our new website: https://www.loveisthemessagepod.co.uk/ Tracklist: Abaco Dream - Life & Death in G & A Gladys Knight and the Pips - Got Myself a Good Man Marvin Gaye - What's Going On Diana Ross and the Supremes - Ain't No Mountain High Enough

In this week's episode Tim and Jeremy begin a three-part investigation into the music, politics and social practices of the downtown gay party scene in mid-70s New York City. The guys review the historiography of homosexual sexual activities, beginning with a refresher on Michel Foucault's analysis found in his History of Sexuality. Jeremy and Tim also cover Freud and the psychoanalytic account of sexuality (heavily critiqued by Foucault), broader questions around the creation of homosexual social identity, and how thinking around sexuality developed into the Fordist era. The episode also covers the Gay Liberation Front on both sides of the Atlantic, the influence of Feminism and Civil Rights on the GLF, the police, early 70s gay bar culture, the erasure of women in all this, Motown, jukeboxes, and Judy Garland. We end on the eve of the Stonewall Riot - in the next show, bricks get thrown. Produced and edited by Matt Huxley. Tune in, Turn on, Get Down! Become a patron from £3 per month by visiting Patreon.com/LoveMessagePod And check out our new website: https://www.loveisthemessagepod.co.uk/ Tracklist: Judy Garland - Somewhere Over The Rainbow Little Richard - Good Golly Miss Molly The Temptations - Don't Let The Joneses Get You Down Diana Ross & The Supremes - No Matter What Sign You Are Books: Michel Foucault - History of Sexuality

Today, it's my birthday! For the occasion, I've decided to share a special interview with Tim Lawrence, one of the most profoundly passionate music historians of the New York Dance scene of the 70s and early 80s I have ever met. And what better day to honour the legacy of David Mancuso? Birthdays. David loved birthdays. In the children's home where he grew up, Sister Alicia used to hold birthday parties for all the kids under her care.I've spoken about this with Tim Lawrence and the other issues related to the music at The loft, David Mancuso and the History Of New York City party culture. Tim is a Professor of Cultural Studies and Co-director of the Centre for Cultural Studies Research. He teaches music and is the author of seminal books. One above all, "Love saves the day". A brilliant documentation of the dance and disco scene in New York during the 1970s with interviews from key players in the era, such as Frankie Knuckles, Francis Grasso, Nicky Siano, etc. In today's interview, Tim passionately shared the details and his own experiences. Honestly, it was more than an interview. I wish I could spend more time listening to Tim, shedding light on the contribution of music legends and what New York in the 70s was all about. I hope you will experience the same! ✨Enjoy listening

Capítulo 046: On this episode of Ocu-Pasión we are joined by Chief Engagement and Inclusion Officer of Ballet Hispánico, Tamia B. Santana .  Listen in as we discuss creating new avenues of engagement with dance,  promoting collaboration and engagement within diverse communities, and fostering a love of the arts for all. Tamia B. Santana is an advocate for dance and the arts. Previously she was Executive Director of the Brooklyn Dance Festival, owner of Jete Dance Center, Resident Dance Director of the Brooklyn Museum, Co-Founder and Executive Producer of the Tap Family Reunion Festival, and producer and Steering committee member of the televised Bessie's New York Dance and Performance Awards. Born and raised in Brooklyn, New York, Santana now raises her own family there. She serves on the Board of Directors for One Brooklyn to the Brooklyn Borough President, Eric Adams, and READ 718. As a prominent concert dance and performance producer, Santana has executive produced and directed concerts and events at the Brooklyn Academy of Music, the Alvin Ailey Theater, Summer Stage, and The Schomburg Center Barclay's Center, as well as for music artists such as Big Daddy Kane, Thomas Piper, and more. Her previous experience as a dancer has been performing at Madison Square Garden, Carnegie Hall, The Apollo Theater, Lincoln Center, and Europe.For fifty years Ballet Hispánico has been the leading voice intersecting artistic excellence and advocacy, and is now the largest Latinx cultural organization in the United States and one of America's Cultural Treasures. Ballet Hispánico brings communities together to celebrate and explore Latino cultures through innovative dance productions, transformative dance training, and enduring community engagement experiences.Follow Tamia: https://www.instagram.com/tamiabsantanahttps://www.ballethispanico.org/https://www.instagram.com/ballethispanicoeduOcu-Pasión Podcast is a heartfelt interview series showcasing the experiences of artists and visionaries within the Latin American/ Latinx community hosted by Delsy Sandoval. Join us as we celebrate culture & creativity through thoughtful dialogue where guests from all walks of life are able to authentically express who they are and connect in ways listeners have not heard before.Delsy Sandoval is the Host and Executive Producer of Ocu-Pasión. If you want to support the podcast, please rate and review the show here. You can also get in touch with Delsy at www.ocupasionpodcast.comFollow Ocu-Pasión on Instagram: @ocupasionpodcast www.instagram.com/ocupasionpodcastJoin the Ocu-Pasión Facebook Group: facebook.com/groups/5160180850660613/Visit www.ocupasionpodcast.com for more episodes.https://linktr.ee/Ocupasionpodcast

Watch this podcast in Video:➽ https://youtu.be/sJlIe3GyqqY Text: PODCAST to 201.281.9651 to get added to the distribution list Sit Down with Sid podcast is a podcast hosted by Sid Gandotra. The podcast is about people we encounter in our everyday lives - the people we can actually relate to. This podcast is about their lives, struggles, fears, experiences, failures and successes. Stay tuned for new episodes and guest appearances! About the Host:Sid Gandotra is a Founder, Digital Marketing and Branding Specialist, Creator of Sit Down with Sid podcast on YouTube, and Licensed Real Estate Salesperson in NYC. As a marketing professional, Sid has been instrumental in helping companies and entrepreneurs successfully grow their businesses with his laser-focused marketing strategies and exceptional customer service. Sid's worldly perspective and appreciation of cultural diversity fuels his genuine interest in people and learning about them. He hails from New Delhi, India, and speaks English and Hindi fluently. Sid also holds a Bachelors and a Master's Degree, with concentrations in marketing. His interests include reading books, exploring new places, weight training and going on adventures. ✿ Connect with Sid:▶Website: https://bit.ly/3l7V8tc ▶LinkedIn: https://bit.ly/3GczqNg About the Guest:Having worked 14 years in management for Fortune 500 companies, Greg Miller has been serving as an arts administrator to non-profits since 2003 when he co-produced the Fall Collection, a mixed media festival in the Lower East Side. Drawing from his love of dance and cultural experiences from living nine years abroad, Greg founded Dance Parade, Inc. in 2006. He has been honored as a presenter at The New York Dance and Performance Awards (The Bessies), served as Associate Director for The Fall Festival, a multimedia arts festival, the General Manager of Nimbus Dance Works, Jersey City's preeminent dance company and currently consults for non-profits, serving on the Advisory Board for Neville Dance Theatre, a contemporary ballet company. Connect with the Guest:➽LinkedIn - https://bit.ly/3yDqCPp➽Dance Parade - https://bit.ly/3FTvX6U➽Facebook - https://bit.ly/3wsv00Z➽Twitter - https://bit.ly/3sG9owV➽Instagram - https://bit.ly/3PnyP02➽YouTube - https://bit.ly/3LobTui ----------------------------------------✽--------------------------------------------- To reach the team at Sit Down with Sid Podcast:➽Email: sitdownwithsidpodcast@gmail.com➽Website: https://bit.ly/3nkziTx➽Instagram: https://bit.ly/3kZWLJK➽Facebook: https://bit.ly/3miOobB #sitdownwithsidpodcast #danceparade #newyorkcity

Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

The SLC Performance Lab is produced by ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program. During the course, visiting artists to the MFA Theatre Program's Grad Lab are interviewed after leading a workshop with the students. Grad Lab is one of the core components of the program where graduate students work with guest artists and develop group-generated performance experiments. Tei is interviewed by Marisa Conroy (SLC23) and Kenneth Keng (SLC23). Tei Blow is a performer, educator, and media designer based in New York. Blow's work incorporates photography, video, and sound culled from found materials and mass media. He has performed and designed for The Laboratory of Dmitry Krymov, Mikhail Baryshnikov, Jodi Melnick, Ann Liv Young, Big Dance Theater, and David Neumann/Advanced Beginner Group. He also performs as Frustrator on Enemies List Recordings. Blow's work has been featured at Hartford Stage, Dance Theater Workshop, PS122/PSNY, Lincoln Center Festival, The Kitchen, BAM, The Public Theater, The Broad Stage, MCA Chicago, MFA Boston, Kate Werble Gallery, Baryshnikov Arts Center, The Wadsworth Atheneum, and at theaters around the world. He is the recipient of a 2015 New York Dance and Performance “Bessie” Award for Outstanding Sound Design for David Neumann/Advanced Beginner Group's I Understand Everything Better. Blow is one half of Royal Osiris Karaoke Ensemble, whose ongoing multipart series The Art of Luv is a recipient of the Creative Capital and Franklin Furnace Awards. Photo: Maria Baranova

Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

“I do feel that we are infinite choice makers. You make millions of choices all the time. Make the right choice and if you make the wrong choice, understand that mistakes are great teachers. Learn from that and move on. I do have this sense of responsibility of passing something on a love of dance history that really informs my process. Speaking in old language in a new way with a contemporary accent. Something so wonderful about dance and the arts is that you never stop learning. It is like always just this long process, and I continue. Students teach me every day. It is such a gift. It is probably the most important thing I can think of. Especially when I think of two things. In terms of history, the humanities show us how we were, why we were, and while we were...But then I also think about the future. What are we doing now? What seeds are we planting to inform the future?...And I said it earlier about making sense out of a chaotic universe where bad things happen to good people. Arts will help you figure that out.”Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival. Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

Seán Curran began his dance training with traditional Irish step dancing as a young boy in Boston, Massachusetts. He went on to make his mark on the dance world as a leading dancer with Bill T. Jones/Arnie Zane Dance Company. He received a New York Dance and Performance Bessie Award for his performance in Secret Pastures. A graduate of New York University's Tisch School of the Arts, Curran was an original member of the New York City cast of the Off-Broadway percussion extravaganza Stomp, performing in the show for four years. He has performed his solo evening of dances at venues throughout the United States as well as at Sweden's Danstation Theatre and France's EXIT Festival.Current and recent projects for Curran include productions of Much Ado About Nothing and A Midsummer Night's Dream for The Shakespeare Theater, the twentieth anniversary production of Nixon in China and Street Scene at Opera Theater of St. Louis; choreography for the New York City Opera productions of L'Etoile, Alcina, Turandot, Haroun and the Sea of Stories, Capriccio, and Acis and Galetea; the Playwrights Horizons' production of My Life with Albertine; Shakespeare in the Park's As You Like It. He recently made his Metropolitan Opera debut choreographing Romeo and Juliette. Curran's work has appeared on Broadway in James Joyce's The Dead for Playwrights Horizons and The Rivals at Lincoln Center Theater. He has created works for Trinity Irish Dance Company, American Ballet Theatre's studio company, Denmark's Upper Cut Company, Sweden's Skanes Dance Theater, Irish Modern Dance Theatre, Ririe Woodbury Dance Theater, and Dance Alloy, as well as for numerous college and university dance departments.· www.seancurrancompany.com· tisch.nyu.edu/about/directory/dance/109207637.html· www.creativeprocess.info· www.oneplanetpodcast.org

“Choreography is always, also, a Visual Art… The etymology of crisis is very productive and constructive because krísis in the Greco-Roman etymology is what happens when there is a germ in the body, so this heat from the krísis creates fever, and fever and the breaking of fever tends to flush out the germ. Healing the germ through crisis is the etymology. And crisis gave birth and rebirth to criticism. Criticism and crisis have the same root word.”Jonah Bokaer is an international choreographer and media artist known for his groundbreaking cross-disciplinary collaborations. Bokaer's dances and films have been presented at the Guggenheim, MoMA PS1, the New Museum, the Whitney, and many other venues across 34 countries. He has received dozens of awards and grants, including a 2015 John Simon Guggenheim Memorial Foundation Fellowship, two New York Dance and Performance "Bessie" Awards, and a Rockefeller New York City Cultural Innovation Award.· http://jonahbokaer.net· www.creativeprocess.info

is an international choreographer and media artist known for his groundbreaking cross-disciplinary collaborations. Bokaer's dances and films have been presented at the Guggenheim, MoMA PS1, the New Museum, the Whitney, and many other venues across 34 countries. He has received dozens of awards and grants, including a 2015 John Simon Guggenheim Memorial Foundation Fellowship, two New York Dance and Performance "Bessie" Awards, and a Rockefeller New York City Cultural Innovation Award.· http://jonahbokaer.net· www.creativeprocess.info

Miguel Gutierrez lives in Brooklyn, NY. He creates dance based performances, music and poetry. His work has been presented at Centre National de Danse/Pantin, Centre Pompidou, Kampnagel, ImPulsTanz, Philly Live Arts, Walker Art Center, TBA/PICA, MCA Chicago, ICA Boston, New York Live Arts, Live Arts Bard, AMERICAN REALNESS, the 2014 Whitney Biennial and many other festivals and venues. He has received support from Creative Capital, MAP, National Dance Project, Jerome Foundation, New York Foundation for the Arts and the Tides Foundation. He is a 2010 Guggenheim Fellow, United States Artist Fellow, and award recipient from Foundation for Contemporary Art. He is a 2016 Doris Duke Artist. He has received four New York Dance and Performance Bessie Awards. His recent work includes a commission for Ballet de Lorraine in Nancy, France, called Cela nous concerne tous (This concerns all of us), which was inspired by the events of May 1968 in France. He has created music for several of his works, for choreographer Antonio Ramos, and in collaboration with Colin Self for Jen Rosenblit and Simone Aughterlony's Everything Fits In The Room. He has performed as a singer with Anohni, Justin Vivian Bond, Vincent Segal, and Holcombe Waller, has a music duo with Nick Hallett called Nudity in Dance, and he recently launched a project called SADONNA, sad versions of Madonna songs. He invented DEEP AEROBICS and he is a Feldenkrais Method® practitioner. He is the program director for LANDING, a new educational initiative at Gibney Dance Center. His book WHEN YOU RISE UP is available from 53rd State Press. www.miguelgutierrez.org Ishmael Houston-Jones' improvised dance and text work has been performed world-wide. Drawn to collaboration as a way to move beyond boundaries and the known, Houston-Jones celebrates the political aspect of cooperation. Houston-Jones curated Platform 2012: Parallels at Danspace Project, an 8-week series of events that interrogated the intersection of dance makers from the African Diaspora with the aesthetics of Post-modern choreography. In 2016 he co-curated, with Will Rawls, Platform 2016: Lost and Found – Dance, New York, HIV/AIDS, Then and Now that queried the effects that the loss of a generation of artists to AIDS has had on current dance creation. As an author Ishmael Houston-Jones' writing has been anthologized in several books, recently in Saturation – Race, Art and the Circulation of Value, (2020) and Writers Who Love Too Much – New Narrative 1977 – 1997, (2017). Houston-Jones' first book FAT and Other Stories was published in 2018 The recipient of four New York Dance and Performance “Bessie” Awards, Houston-Jones' work has received support from: The Robert Rauschenberg Foundation, 2018; The Herb Alpert Awards in the Arts, 2016; The Doris Duke Charitable Trust, 2015; and The Foundation for Contemporary Arts, 2013. Ishmael Houston-Jones is an adjunct professor at New York University's Tisch School of the Arts' Experimental Theater Wing and a master lecturer at The University of the Arts (Philadelphia) School of Dance. www.batesdancefestival.org

I always hear dancers who want to move to a new city say, "I want to give it a shot and see how it goes in a year." The problem is, a year doesn't allow you enough to for you to immerse yourself in what the city has to offer. It takes at least two years to build connections and have those connections turn into potential jobs.In this episode, Brandon talks about why it's important to invest more than just one year in a new city. He shares ways dancers can stay actively involved in their new home and focus on how the can contribute instead of what they can get from the community.Interested in working with Brandon?  SIGN-UP for a FREE Coaching Consultation HEREBrandon helps pre-professional dancers find their voice as they navigate their careers and helps them stay accountable  when pursuing their goals.Through coaching, Brandon helps dancers define whats important for them and redefine what a successful life/career looks like.Learn more here: http://www.brandoncolemandance.com/career-coachingConnect with Brandon!Instagram: @itsBrandonColeman | @BreakingTheWallPodcastWebsite: www.BrandonColemanDance.com/BTWP

“Choreography is always, also, a Visual Art."Jonah Bokaer is an international choreographer and media artist known for his groundbreaking cross-disciplinary collaborations. Bokaer's dances and films have been presented at the Guggenheim, MoMA PS1, the New Museum, the Whitney, and many other venues across 34 countries. He has received dozens of awards and grants, including a 2015 John Simon Guggenheim Memorial Foundation Fellowship, two New York Dance and Performance "Bessie" Awards, and a Rockefeller New York City Cultural Innovation Award.· http://jonahbokaer.net· www.creativeprocess.info

Jonah Bokaer is an international choreographer and media artist known for his groundbreaking cross-disciplinary collaborations. Bokaer's dances and films have been presented at the Guggenheim, MoMA PS1, the New Museum, the Whitney, and many other venues across 34 countries. He has received dozens of awards and grants, including a 2015 John Simon Guggenheim Memorial Foundation Fellowship, two New York Dance and Performance "Bessie" Awards, and a Rockefeller New York City Cultural Innovation Award.· http://jonahbokaer.net· www.creativeprocess.info

“Healing is also a subgenre of dance. So, you can do bodywork and heal. You can do yoga and heal. You can practice certain kinds of dance, the curanderos have done and many folkloric kinds of dance, which heal you."Jonah Bokaer is an international choreographer and media artist known for his groundbreaking cross-disciplinary collaborations. He is co-founder of the Center for Performance Research, and founder of The Jonah Bokaer Arts Foundation. Bokaer's dances and films have been presented at the Guggenheim, MoMA PS1, the New Museum, the Whitney, and many other venues across 34 countries. He has received dozens of awards and grants, including a 2015 John Simon Guggenheim Memorial Foundation Fellowship, two New York Dance and Performance "Bessie" Awards, and a Rockefeller New York City Cultural Innovation Award.· http://jonahbokaer.net· www.creativeprocess.info

Jonah Bokaer is an international choreographer and media artist known for his groundbreaking cross-disciplinary collaborations. He is co-founder of the Center for Performance Research, and founder of The Jonah Bokaer Arts Foundation. Bokaer's dances and films have been presented at the Guggenheim, MoMA PS1, the New Museum, the Whitney, and many other venues across 34 countries. He has received dozens of awards and grants, including a 2015 John Simon Guggenheim Memorial Foundation Fellowship, two New York Dance and Performance "Bessie" Awards, and a Rockefeller New York City Cultural Innovation Award.· http://jonahbokaer.net· www.creativeprocess.info

A native of Mendota Heights, MN, Neil Greenberg studied from the age of 11 with Minnesota Dance Theatre and School, taking class and performing alongside Toni Pierce(-Sands), Robin Stiehm, and Lea Thompson (see photo).  He moved to New York City in 1976, and was a member of the Merce Cunningham Dance Company from 1979-1986.  As a choreographer he is known especially for his Not-About-AIDS-Dance, which employs his signature use of projected words as a layering strategy that provides doors into “meanings” in the dance, while also raising questions about the nature of meaning-making. Among his awards are a Guggenheim Fellowship, two New York Dance and Performance “Bessie” Awards, repeated fellowships from the NEA, a fellowship from the Foundation for Contemporary Arts, and repeated support from the MAP Fund and NYSCA.  He has created two works for Mikhail Baryshnikov’s White Oak Dance Project. Greenberg is currently Professor of Choreography at Eugene Lang College of Liberal Arts, The New School, and has previously taught at Purchase College, Sarah Lawrence College, and UC Riverside.  He served as dance curator at The Kitchen in NYC from 1995-1999.  His most recent project, To the things themselves! (2018), continues his interest in the move away from representation toward an experience of the performance moment in and of itself.https://vimeo.com/channels/neilgreenbergneilgreenberg.org

Today, I talk about choreography, dance, creativity and the pandemic with David Brick and Ishmael Houston-Jones. David Brick co-founded Philadelphia’s Headlong Dance Theater with Amy Smith and Andrew Simonet in 1993. Over the next two decades, these three co-founders created over forty dances as Headlong, performing nationally and internationally. In 2008, David co-founded the Headlong Performance Institute, a training program for creating experimental performance.David collaborates broadly in creating performance, participatory events, and community. His experience of growing up as a hearing member of a Deaf family continually influences David’s understanding of human bodies as active manifestations of culture. His recent work includes a residency at Dance Place in Washington DC to work on Island of Signs—a performance that explored growing up in a family with two languages, one that was shared and one that was not. He shared this residence with Carolyn Brick, his 78-year old Deaf mother who attended nearby Gallaudet University and was featured in a 1959 documentary about her experience there. Ishmael Houston-Jones is choreographer, author, performer, teacher, and curator. His improvised dance and text work has been performed world-wide. He has received three New York Dance and Performance “Bessie” Awards for collaborations with writer Dennis Cooper, choreographers Miguel Gutierrez and Fred Holland and composers Chris Cochrane and Nick Hallett. Houston-Jones curated Platform 2012: Parallels which concentrated on choreographers from the African diaspora and postmodernism and co-curated with Will Rawls Platform 2016: Lost & Found, Dance, New York, HIV/AIDS, Then and Now. As an author Houston-Jones' essays, fiction, interviews, and performance texts have been published in several anthologies. His first book, FAT and other stories, was published in June 2018 by Yonkers International Press.

Erin Thompson's performance career began as a member of the Minnesota Dance Theatre in 1970. She was with that company for ten years, performing in such venues as Northrop Auditorium, O'Shaughnessy Auditorium and the The State Theater in the Twin Cities, Jacob's Pillow Dance Festival in Massachusetts and in Spoleto, Italy. She danced for a year in Montreal with jazz choreographer Peter Georges, formerly of Les Ballets Jazz, before moving in 1981 to New York City.Ms. Thompson's ten years in NYC were spent in the post-modern companies of Nina Wiener, formerly with Twyla Tharp Dance, and world renowned African American choreographer Bebe Miller. She danced on many stages in NYC including Dance Theater Workshop and the Brooklyn Academy of Music, where she performed with Nina Wiener and Dancers in the prestigious Next Wave Festival. She toured extensively throughout the U.S. and Europe, performing in Seattle, San Francisco, Boston, Chicago, Pittsburgh, Cincinnati, London, Paris, Munich, Amsterdam, Groningen, Glasgow, Heraclion and many other cities and regions.Since moving back to Minneapolis in 1990, Ms. Thompson performed for two years with the Zenon Dance Company, including works by Danny Buraczeski, Bebe Miller, Doug Varone, Joe Goode, and David Dorfman. In 1993 she and her husband Byron Richard launched their own dance company, 45 Chartreuse, performing at the Walker Arts Center, Studio 6A and Old Arizona Studios in Minneapolis and on tour in Minnesota. She has had several pieces choreographed specifically for her, including work by Jan Erkert, Shapiro and Smith, Mathew Janzceski, Cathy Young and Judith Howard with performances at the Southern Theater and Bedlam Theater in Minneapolis.In her position as Rehearsal Director for Nina Wiener and Dancers, Ms. Thompson led residency projects and taught repertory at the London Contemporary Dance Theater, the National Ballet of the Netherlands, the Boston Ballet, and in Anchorage, Los Angeles, Cincinnati, and Groningen, Holland. She has also reset Bebe Miller's work on Zenon Dance Company in Minneapolis.As a dance educator, Ms.Thompson taught ballet, pointe work and contemporary dance technique at the Minnesota Dance Theatre from 1975-1980. Her modern dance teaching over the last 3 decades includes teaching at P.S.122 in NYC, Studio Dance Tanz in Osaka, Japan, and classes at dance companies and Universities around the world while on tour. Here in Minneapolis she has taught for twenty years at the University of Minnesota Department of Theatre Arts and Dance and at Zenon Dance Company and School, as well as many guest teaching stints around Minnesota and the midwest. In 2008 Erin was invited to teach and perform at the Art of Movement Festival in Yaroslavl, Russia. Her advanced professional level modern dance classes at Zenon Dance School have been a mainstay of the Twin Cities dance community and have fostered a couple of generations of versatile and proficient dancers and teachers.Ms. Thompson received a New York Dance and Performance award, “Bessie”, in 1986 for her performance in Nina Wiener's Enclosed Time at the Brooklyn Academy of Music's Next Wave Festival. She received choreography fellowships along with her husband, Byron Richard, from the McKnight Foundation in 1993, and the National Endowment for the Arts in 1994 and 1996. In 2008, she received a Sage Award for Outstanding Dance Educator. Ms. Thompson has served on numerous dance panels and currently serves as Board President of Young Dance. In 2012 her choreography was performed by Young Dance and at the St. Paul Conservatory of Performing Artists.

Work. Shouldn't. Suck. LIVE: The Morning(ish) Show with special guest Elizabeth Streb. [Live show recorded: May 12, 2020.] MacArthur “Genius” Award-winner, Elizabeth Streb has dived through glass, allowed a ton of dirt to fall on her head, walked down (the outside of) London’s City Hall, and set herself on fire, among other feats of extreme action. Her popular book, STREB: How to Become an Extreme Action Hero, was made into a hit documentary, Born to Fly directed by Catherine Gund (Aubin Pictures), which premiered at SXSW and received an extended run at The Film Forum in New York City in 2014. Streb founded the STREB Extreme Action Company (https://streb.org/) in 1979. In 2003, she established SLAM, the STREB Lab for Action Mechanics, in Williamsburg, Brooklyn. SLAM’s garage doors are always open: anyone and everyone can come in, watch rehearsals, take classes, and learn to fly. Elizabeth Streb was invited to present a TED Talk (‘My Quest To Defy Gravity and Fly’) at TED 2018: THE AGE OF AMAZEMENT. She has been a featured speaker presenting her keynote lectures at such places as the Rubin Museum of Art (in conversation with Dr. John W. Krakauer), TEDxMET, the Institute for Technology and Education (ISTE), POPTECH, the Institute of Contemporary Art (in conversation with physicist, Brain Greene), The Brooklyn Museum of Art (in conversation with author A.M. Homes), the National Performing Arts Convention, the Association of Performing Arts Presenters (APAP), the Penny Stamps Speaker Series at the University of Michigan, Chorus America, the University of Utah, and as a Caroline Werner Gannett Project speaker in Rochester NY, among others. "Rough and Tumble," Alec Wilkinson’s profile of Elizabeth Streb, appeared in The New Yorker magazine in June, 2015. Streb received the John D. and Catherine T. MacArthur Foundation ‘Genius’ Award in 1997. She holds a Master of Arts in Humanities and Social Thought from New York University, a Bachelor of Science in Modern Dance from SUNY Brockport, and honorary doctorates from SUNY Brockport, Rhode Island College and Otis College of Art and Design. Streb has received numerous other awards and fellowships including the Guggenheim Fellowship in 1987; a Brandeis Creative Arts Award in 1991; two New York Dance and Performance Awards (Bessie Awards), in 1988 and 1999 for her “sustained investigation of movement;” a Doris Duke Artist Award in 2013; and over 30 years of on-going support from the National Endowment for the Arts (NEA). In 2009, Streb was the Danspace Project Honoree. She served on Mayor Bloomberg’s Cultural Affairs Advisory Commission and is a member of the board of the Jerome Foundation. Major commissions for choreography include: Lincoln Center Festival, Jazz at Lincoln Center, MOCA, LA Temporary Contemporary, the Whitney Museum of Art, Wolf Trap National Park for the Performing Arts, the Park Avenue Armory, London 2012, the Cultural Olympiad for the Summer Games, CityLab Paris 2018, the opening of Bloomberg’s new headquarters in London, Musée D’Orsay, the re-opening of the Théâtre du Châtelet, and the Louvre Abu Dhabi. Born to Fly aired on PBS on May 11, 2014 and is currently available on iTunes. OXD, directed by Craig Lowy, which follows STREB at the 2012 London Olympics, premiered at the IFC theater in New York City on February 2, 2016. Streb and her company have also been featured in PopAction by Michael Blackwood, on PBS’s In The Life and Great Performances, The David Letterman Show, BBC World News, CBS Sunday Morning, CBS This Morning, Business Insider, CNN’s Weekend Today, MTV, on the National Public Radio shows Studio 360 and Science Friday, and on Larry King Live.

In this episode we speak with Lite Feet dancer Ki-Nen in New York City. You might be very familiar with Lite Feet, or you may just know it as the dance you see on the subway, but there is so much more than that.In this episode Ki-Nen shares a wealth of knowledge about the history of Lite Feet, the names of the movements and vocabulary, the importance of the music, and fashion as well as the shoes Lite Feet dancers wear.I’m so stoked I was able to sit down with him and pick his brain about the Lite Feet community and culture. Get ready to dive into the world of Lite Feet and soak up the knowledge with our next guest, Ki-Nen.  @dancewithteachers@kidashnenwww.dancewithteachers.com

Emerged Nation premiered at Manhattan's The Flea Theater in November 2019. Choreographed by Tiffany Rea-Fisher, it featured music by Kevin Keller and Tweleve45. It tackles issues like "immigration, cultural acclamation, and diversity," as well as pays homage to the chaotic and beautiful shared experiences between New York City residents.  UnSequenced is a podcast in which we discover the stories and emotions behind the movement. Each episode dives deep into the creative process with a choreographer, documenting what compels them as an artist, what drives their artistic decisions for a particular work, and what unexpected things come up along the way.

Jennifer Nugent danced with the Bill T. Jones/Arnie Zane Company from 2009-2014 and David Dorfman Dance from 1999-2007, receiving a New York Dance and Performance Award (Bessie) for her work in the company. She has also performed with Martha Clarke, Lisa Race, Doug Elkins, Bill Young, Colleen Thomas, Kate Weare, Barbara Sloan, and Dale Andree. Jennifer’s movement and teaching are inspired by all her teachers and mentors, most profoundly by Daniel Lepkoff, Wendall Beavers, Gerri Houlihan, David Dorfman, Bill T. Jones, Janet Wong, Wendy Woodson, and Patty Townsend. She has been working collaboratively with Paul Matteson for the past nineteen years Their recent duet collaboration another piece apart premiered in 2018 at New York Live Arts (NYC) and was presented Emory University (GA), The American Dance Festival (NC), and The Boston Dance Complex (MA). Jennifer received a Master of Fine Arts degree in 2019 from the University of the Arts in Philadelphia, PA. She is currently a teaching artist at Sarah Lawrence College, Gibney Dance NYC, and Movement Research NYC. www.batesdancefestival.org

Jemila MacEwan is an interdisciplinary artist living and working in New York. She was born in Scotland to Sufi parents, and immigrated to Australia as a child, where her upbringing intertwined scientific, mythological and spiritual ways of learning from the land. Her work seeks out an empathetic approach to humanities destructive impulses. MacEwan received a Master of Contemporary Art at the University of Melbourne, Australia. She has exhibited extensively within Australia and the USA and is a consistent collaborator with members of the New York Dance community. Significant exhibitions include The Australian Consulate-General (NYC), Pioneer Works (NYC), Victori +MO (NYC), The Elizabeth Foundation for the Arts (NYC), Governor's Island Art Fair (NYC), BRIC Bienniel III, Spring Break Art Fair, The Melbourne International Arts Festival (Australia), Gertrude Street Projection Festival (Australia), and Arquetopia (Mexico), and Castlemaine State Festival in 2019 (Australia). MacEwan received a two-year mentorship under internationally renown artist Janine Antoni and was selected as a NYFA immigrant mentee of Jamaican performance artist Jodie Lynn-Kee-Chow. MacEwan was a 2018 BRIC media arts fellow. She is the founder of the performance process residency Land-Falls and has participated in many residencies including NARS Foundation (NYC), Ox-Bow (MI), Salem Art Works (NY), Arquetopia (Mexico), and Skaftfell Center for Visual Art (Iceland). She has been invited to host and participate in panel discussions on themes of intercultural practice, mental health, and environmental accountability. She has been the recipient of multiple awards including the Alchera Award, Acacia Award, Alliance Francaise Award, George Hicks Award. She has been generously supported by the Australia Council for the Arts, the Dame Joan Sutherland Fund, the Ian Potter Cultural Council and the Graduate Women of Victoria. All images courtesy of the artist 00:00 - Introduction 00:39 - Jemila MacEwan 02:43 - Daily Driver - Black Marble 06:34 - Human Meteorite 28:12 - Acoustic Earth Works 38:10 - Dead Gods 50:33 - Ali Barter - This Girl 54:23 - Outro 54:42 - Finish

On this episode your co-host Azaria interview Dr. Lela Aisha Jones. Lela Aisha Jones is a movement performance artist and an interdisciplinary collaborator. Her work intimately intertwines personal and collective lived experiences of diasporic blackness as archived in and excavated from the body through dance. She is a proud native of Tallahassee, FL and feels quite fortunate to live and create in Philadelphia, PA. Lela is a 2015 Leeway Foundation Transformation Awardee, a 2016 Pew Fellow in the Arts, and a 2017 New York Dance and Performance Award | Bessie Nominee.​ As an organizer, Lela is invested in cultivating a society with more nurtured, insightful, and harmonized human beings and she continues to bring people together in support of eachothers’ development through initiatives such as Dancing for Justice Philadelphia and The Requisite Movers Philadelphia. Furthermore, Lela is currently a Project Co-Director for Modupúe | Ibaye: The Philadelphia Yoruba Performance Project and is the Associate Artistic Director for Brownbody led by Artistic Director Deneane Richburg. On this episode, we talk about Jones’ creative process and her work that lead to a Bessie nomination, Black and African diasporic performance, how to locate your activist self, identity and spiritual wholeness, creating a system of online connections, and useful tips on how to balance the challenges of being a freelance artist.

Episode #5 is up! Enjoy.

Tim Lawrence In Conversation with Paule Raffaele and Barbie Bertisch Love Injections hosts, Paule Raffaele and Barbie Bertisch, welcome author, Tim Lawrence, to Red Bull Studios to talk about his latest book Life and Death on the New York Dance Floor: 1980-1983. The book charts the renewal of the post-disco party scene in the early 1980s and in the process reveals one of the most creative and dynamic periods in the history of the New York City. During the interview, Lawrence shares some of his own experiences from that time and how finding a home within that community profoundly changed the course of his own life. Tim Lawrence is Professor of Cultural Studies at the University of East London and the author of Love Saves the Day: A History of American Dance Music Culture: 1970-1979 and Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene: 1973-1992, both also published by Duke University Press. In Conversation is produced by dublab. Sound editing and music are by Matteah Baim. Due to rights reasons music from the original broadcast has been removed. To hear more, please visit dublab.com.

Today's guest is Lauren Grant.  Lauren has been a celebrated performer with the Mark Morris Dance Group for more than 20 years.  She stages Morris' work and teaches ballet and modern technique at schools, universities, and for dance companies worldwide. She has received a New York Dance and Performance "Bessie" award for her career with Morris, and her dance writing has been published in numerous dance publications.

 LISTEN & SUBSCRIBE ON: APPLE PODCASTS | GOOGLE PLAY | STITCHER | SPOTIFY It's very important to have people from various backgrounds tell their stories on Docs Outside the Box. Whether it's a voice from the suburbs or cities, the docs that I have on the show offer perspectives we ALL can learn from. There's a lot of thought that goes into the process of figuring out who will be a good fit for the show. I'm really proud that my guests give great advice for you to live outside the box. And that continues with my next guest…. My next guest is Dr. Aletha Maybank and she brings a very unique perspective on how we measure, determine and improve the health of a community. She works at one of the largest and oldest public health agencies in the world. Dr. Maybank is Deputy Commissioner at the NYC DOH & Mental Hygiene and is also the Director of the Center of Health Equity. We talk about her early career as a hospitalist and how knowing what she did NOT want to do set her on a mission where she has trailblazed her own path to career fulfillment and happiness. Things to pick up in this interview: The difference between clinical medicine and public health She's impressive, but she shares a relatable moment of imposter syndrome The difference between leadership and management Intentional about what she doesn't want How she answers #imnotjustadoc   Resources mentioned in this episode: Malcolm Gladwell – Outliers Center for Health Equity Stars of New York – Dance   Learn more about Dr. Aletha Maybank: Story Collider Essence Magazine  – 15 Black Women Who Are Paving the Way In STEM and Breaking Barriers   Follow Dr. Maybank: @DrAlethaMaybank    Check out our sponsor Set for Life Insurance: www.setforlifeinsurance.com   The post Champion for the Health of NYC appeared first on DOCS OUTSIDE THE BOX.

Today's guest is Tom Pearson.  Tom is the co-founder/co-artistic director of Third Rail Projects and the director of the Global Performance Studio, an international program for cultural listening and exchange.  He has received two New York Dance and Performance (BESSIE) Awards, and is best known for his movement-based theater works, including the long-running Then She Fell and The Grand Paradise.

Eva Yaa Asantewaa (2017 Bessie Award winner for Outstanding Service to the Field of Dance) is a writer, curator and community educator. Since 1976, she has contributed writing on dance to Dance Magazine, The Village Voice, SoHo Weekly News, Gay City News, The Dance Enthusiast, Time Out New York and other publications and interviewed dance artists and advocates as host of two podcasts, Body and Soul and Serious Moonlight. She blogs on the arts, with dance as a specialty, for InfiniteBody and served as Editor in Chief of Dancer's Turn, a blog devoted to longform profiles of dance artists, created by students of her "Writing on Dance" workshop series at New York Live Arts. Ms. Yaa Asantewaa joined the curatorial team for Danspace Project’s Platform 2016: Lost and Found and created the skeleton architecture, or the future of our worlds, featuring 21 Black women and gender-nonconforming performers for an evening of group improvisation. Her cast was awarded a 2017 Bessie for Outstanding Performer. As EYA Projects, she has begun partnerships with organizations such as Gibney Dance Center, Abrons Arts Center, Dance/NYC, BAX and Dancing While Black to curate and facilitate Long Table conversations on topics of concern in the dance/performance community. She was a member of the inaugural faculty of Montclair State University’s MFA in Dance program. She has also served on the faculty for New England Foundation for the Arts' Regional Dance Development Initiative Dance Lab 2016 for emerging Chicago-area dance artists. In May 2017, she served on the faculty for the Maggie Allesee National Center for Choreography's inaugural Moving Forward Dialogues Dance Lab for Emerging Choreographers. Ms. Yaa Asantewaa served as a member of the New York Dance and Performance (Bessie) Awards committee for three years and as a consultant or panelist for numerous arts funding or awards organizations including the New York State Council on the Arts and the National Endowment for the Arts. A native New Yorker of Black Caribbean heritage, Eva makes her home in the East Village with her wife, Deborah, and cat, Crystal. https://infinitebody.blogspot.com

They have dance for over 20 Seasons with Alvin Ailey - and done it withmastery and grace. From Injury prevention, to what dancers and parents need to know- Glenn and Linda share how dancers create longevity and happiness within their career, Linda Celeste Sims began her dance training at Ballet Hispanico School of Dance and is a graduate of LaGuardia High School of the Performing Arts. In addition to a National Foundation for Advancement in the Arts award, Mrs. Sims won Outstanding Performance at the 2014 New York Dance and Performance Awards (“The Bessies”).   Featured on the cover Dance Magazine, and in annual “Best of” lists, she has performed as a guest star on So You Think You Can Dance, Dancing with the Stars, and The Today Show. Glenn Allen Sims began his classical dance training at the Academy of Dance Arts in Red Bank, New Jersey. He attended The Juilliard School under the artistic guidance of Benjamin Harkarvy. In 2004, Mr. Sims was the youngest person to be inducted into the Long Branch High School’s Distinguished Alumni Hall of Fame. He has been seen in several network television programs, including BET Honors, Dancing with the Stars, The Today Show, and So You Think You Can Dance.   

In our third installation of "Offstage and Unbound," The Music Center's President and CEO Rachel Moore chats with Hope Boykin of the Alvin Ailey American Dance Theater. She joined the company in 2000 and has choreographed three stunning works for the company. They include Acceptance In Surrender in 2005, in collaboration with fellow Ailey company members Abdur-Rahim Jackson and Matthew Rushing; Go in Grace in 2008 with music by the award-winning singing group Sweet Honey in the Rock; and her most recent piece, r-Evolution, Dream, which was inspired by the speeches and sermons of Dr. Martin Luther King, Jr., with original music by Ali Jackson. Hope is a three-time recipient of the American Dance Festival’s Young Tuition Scholarship and received a New York Dance and Performance (Bessie) Award.

In our second episode of art Work, Kay Takeda and Shaun Leonardo join Risa to share what leadership looks like in their work and ways to share power and be creative as administrators. Also, we get to have a closing round of "In First Place", a segment celebrating place-based projects either past or to-come. Learn more about our guests Kayand Shaun on Episode 2 of art Work and our guest musician, Public Access T.V., below: Kay Takeda has worked for over 20 years to advance artists and the arts in the areas of grantmaking, programming and capacity-building. She is currently the Vice President of Grants & Services at Lower Manhattan Cultural Council (LMCC) where she develops and oversees its grantmaking and professional development programs, and community initiatives including Arts East River Waterfront focusing on community partnerships to activate new public waterfront space in Manhattan’s Lower East Side. Prior to LMCC, she worked with Arts International, where she oversaw a roster of national grant programs providing support for visual and performing artists working internationally; and with the Newhouse Center for Contemporary Art at Snug Harbor, where she managed a contemporary exhibition program, international residencies, and a studio program for visual artists in a 15,000 sq. ft historic space. She has served on the boards of the artist-run Goliath Visual Space in Greenpoint, Brooklyn and Tickle the Sleeping Giant, Inc./Trajal Harrell. She is a member of the selection committee for the New York Dance & Performance Awards (The Bessies) and lectures widely on professional issues affecting artists.Twitter: @KayTakedaLMCC: www.lmcc.net Shaun Leonardo’s artwork negotiates societal expectations of gender and sex, along with its notions of achievement, collective identity, and the experience of failure. In his work as an educator, Leonardo promotes the political potential of attention, self-reflection, and discomfort as a means to create awareness, disrupt meaning, and shift perspective. He is currently Manager of School, Youth Community Programs at the New Museum and has worked as an educator at the Fortune Society, Socrates Sculpture Park, Cooper Union's Outreach program and The Point (Bronx). Leonardo is a Brooklyn-based artist from Queens, New York City. He received his MFA from the San Francisco Art Institute and has received awards from Skowhegan School of Painting and Sculpture; The New York Studio School; Lower Manhattan Cultural Council; Art Matters; New York Foundation for the Arts; McColl Center for Visual Art; Franklin Furnace; and The Jerome Foundation. His work has been presented in galleries and institutions, nationally and internationally, and was recently featured in the exhibitions Crossing Brooklyn at Brooklyn Museum, Radical Presence at Studio Museum in Harlem, and Between History and the Body at 8th Floor Gallery. Leonardo’s current collaborative work, Mirror / Echo / Tilt, is funded by Creative Capital.Website: www.elcleonardo.comFacebook / Instagram: @elcleonardoNew Museum: www.newmuseum.orgAssembly:

In our very first episode of art Work, we welcome to the table Marýa Wethers, Dan Fishback, and Rasu Jilani to talk about curatorial practices! If curation is community service, what is a “good” curator? Our guests weigh in and discuss just what are the right questions, how to fail within the context of curation, and reflect on how they bring their full selves to their work. Learn more about our guests, Marya, Dan, & Rasu on Episode 1 of art Work and our guest musician, Nova Mandarke! Marýa Wethers is an Independent Manager, Producer & Curator based in NYC since 1997. Marýa is currently the Director of International Initiatives at Movement Research and Project Manager for Angela's Pulse/Dancing While Black, David Thomson and others. From 2007-2014, she worked in the Programming Department at New York Live Arts (formerly Dance Theater Workshop/DTW) as the International Project Director of the Suitcase Fund program, where she developed a cultural exchange program with contemporary dance artists in the USA and Africa, and managed the program activities in Eastern/Central Europe. Marýa is a Guest Curator of the Queer New York International Arts Festival (2016 & 2015 editions) and curated the Out of Space @ BRIC Studio series for Danspace Project (2003-2007) with a particular focus on work representing the perspectives and experiences of artists who are of color, queer, and/or female. She has served on selection panels for several presenting and funding organizations in NY and nationally, including the NEA, LMCC, Brooklyn Arts Council, Mid Atlantic Arts Foundation, and as an Advisor to NEFA's National Dance Project program. She has served as a guest lecturer for presenting/service organizations and college/university dance programs in the tristate area. Marýa is a core member of the Movement Research Artists of Color Council and was a member of the New York Dance & Performance/Bessie Award Committee (2006-07). Her writing has appeared in the Configurations in Motion: Curating and Communities of Color publication, organized by Thomas DeFrantz at Duke University (2016 & 2015), and her essay UnCHARTed Legacies: women of color in post-modern dance, was published in the 25th Anniversary Movement Research Performance Journal #27/28 (2004). Marýa has been featured in interviews/articles in the MRPJ #47 (Fall 2015) and Gay City News (June 2006). Marýa is a recipient of a National Performance Network Mentorship & Leadership award and two APAP Cultural Exchange Fund grants. Marýa graduated from Mount Holyoke College in 1997 with a BA in Dance and a Minor in African-American Studies. Dan Fishback is a playwright, musician, and director of the Helix Queer Performance Network. Previous work includes “The Material World” (Top 10 Plays of 2012 - Time Out New York) and “thirtynothing” (2011), which were both developed at BAX/Brooklyn Arts Exchange and performed at Dixon Place, and “You Will Experience Silence” (2009), which the Village Voice called “sassier and more fun than ‘Angels in America.’” As a singer songwriter, and with his band Cheese On Bread, Fishback has toured Europe and North America, and has released five full-length albums. As Helix director, he teaches workshops, organizes public events, and curates and produces a variety of festivals and series, including "La MaMa's Squirts." He is currently working on a new play, “Rubble Rubble,&rdq

Colleen 'Cosmo' Murphy and author Tim Lawrence ‘Life and Death on the New York Dance Floor, 1980-1983’ discuss the clubs, the DJ's and artistic culture of downtown Manhattan in the early 80's. Check out Tim Lawrence's Top Five Albums from 1980 - 1983 here: http://classicalbumsundays.com/tim-lawrence-top-5-albums-1980-1983/

Colleen 'Cosmo' Murphy and author Tim Lawrence ‘Life and Death on the New York Dance Floor, 1980-1983’ discuss the clubs, the DJ's and artistic/musical culture of downtown Manhattan in the early 80's. Check out Tim Lawrence's Top Five Albums from 1980 - 1983 here: http://classicalbumsundays.com/tim-lawrence-top-5-albums-1980-1983/

Eva speaks with Lucy Sexton, Executive Director of the New York Dance and Performance Awards (AKA The Bessies). Named for revered and influential dance educator Bessie Schönberg, the Bessie Awards are the New York dance and performance community's highest honors. Other art disciplines have their Oscars, Tonys, Emmys, Grammys, and OBIEs. Dance and performance have the Bessies--local to New York City, but influential worldwide.

An interview with Joanna Kotz, a Brooklyn-based dancer, choreographer, and teacher who is also recipient of the 2013 New York Dance and Performance "Bessie" Award for Outstanding Emerging Choreographer. A former long-time dancer with Wally Cardona, her choreographic work has been shown in such NY theaters as Baryshnikov Arts Center and Danspace Project, with residencies around the globe including at The Bogliasco Foundation in Italy and The Carmargo Foundation in France.

Acclaimed dancer-choreographer Nora Chipaumire--recipient of a 2007 New York Dance and Performance ("Bessie") Award--joins me to discuss her vision and mission as a Zimbabwe-born contemporary dance artist of Shona heritage. She previews her April 30-May 1 solo season at Dance Theater Workshop. BIO Nora Chipaumire was born in Mutare, Zimbabwe during the Chimurenga Chechipiri, or second war of liberation. A self-exiled artist now based in New York, she investigates the collaborative process within cultural, political, economic, and technological identities of African contemporary life. Her work is transnational, unafraid, and eager to burn cultural, creative, and geographic boundaries. She creates provocative and politically relevant multimedia dance work, illuminating the struggles of human identity in an increasingly borderless world. Her work is inspired by art from her native country such as shona sculpture and chimurenga music--art that results from the often violent convergence of rural, urban, African, non-African, cultural, economic, colonial, and technological ideas. A visionary African contemporary dance artist, her work speaks to the human condition with power, authority, and urgency. Nora Chipaumire is a recipient of a 2007 New York Dance and Performance (aka "Bessie") Award. She is also a Maggie Allesee National Center for Choreography (MANCC) 2007-08 Choreographic Fellow. She is a recipient of National Dance Project (NDP) Tour Support in 2007-08. She also received a Jerome Travel and Study Grant to participate in the JANT-BI Diaspora Project in Toubab Dialaw, Senegal in May and August 2007. Nora was honored with the Mariam McGlone Emerging Choreographer Award from Wesleyan University Center for the Arts on March 10, 2007. She is featured in the documentary "Movement (R)evolution" and is the subject of the documentary-in-progress, "Nora Chipaumire: A Physical Biography," directed by Alla Kovgan and David Hinton, supported by a 2007 EMPAC DANCE MOViES Commission. A graduate of the law school of the University of Zimbabwe, Chipaumire received her MA in Dance and MFA in Choreography and Performance from Mills College in Oakland, CA. She has shown her work widely and danced with a variety companies in the US and abroad. Most notably, she is a member of Jawole Willa Jo Zollar's world-renowned Urban Bush Women. UPCOMING EVENTS "Chimurenga" at Dance Theater Workshop, April 30-May 3 (7:30pm). Coffee and Pre-Show Talk, April 30 at 6:30, with Charmaine WaTalk, April 30, with Brian McCormick Student Matinee, May 2, at Noon LINK Dance Theater Workshop http://www.dancetheaterworkshop.org Urban Bush Women http://www.urbanbushwomen.org/ Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa

Acclaimed dancer-choreographer Nora Chipaumire--recipient of a 2007 New York Dance and Performance ("Bessie") Award--joins me to discuss her vision and mission as a Zimbabwe-born contemporary dance artist of Shona heritage. She previews her April 30-May 1 solo season at Dance Theater Workshop. BIO Nora Chipaumire was born in Mutare, Zimbabwe during the Chimurenga Chechipiri, or second war of liberation. A self-exiled artist now based in New York, she investigates the collaborative process within cultural, political, economic, and technological identities of African contemporary life. Her work is transnational, unafraid, and eager to burn cultural, creative, and geographic boundaries. She creates provocative and politically relevant multimedia dance work, illuminating the struggles of human identity in an increasingly borderless world. Her work is inspired by art from her native country such as shona sculpture and chimurenga music--art that results from the often violent convergence of rural, urban, African, non-African, cultural, economic, colonial, and technological ideas. A visionary African contemporary dance artist, her work speaks to the human condition with power, authority, and urgency. Nora Chipaumire is a recipient of a 2007 New York Dance and Performance (aka "Bessie") Award. She is also a Maggie Allesee National Center for Choreography (MANCC) 2007-08 Choreographic Fellow. She is a recipient of National Dance Project (NDP) Tour Support in 2007-08. She also received a Jerome Travel and Study Grant to participate in the JANT-BI Diaspora Project in Toubab Dialaw, Senegal in May and August 2007. Nora was honored with the Mariam McGlone Emerging Choreographer Award from Wesleyan University Center for the Arts on March 10, 2007. She is featured in the documentary "Movement (R)evolution" and is the subject of the documentary-in-progress, "Nora Chipaumire: A Physical Biography," directed by Alla Kovgan and David Hinton, supported by a 2007 EMPAC DANCE MOViES Commission. A graduate of the law school of the University of Zimbabwe, Chipaumire received her MA in Dance and MFA in Choreography and Performance from Mills College in Oakland, CA. She has shown her work widely and danced with a variety companies in the US and abroad. Most notably, she is a member of Jawole Willa Jo Zollar's world-renowned Urban Bush Women. UPCOMING EVENTS "Chimurenga" at Dance Theater Workshop, April 30-May 3 (7:30pm). Coffee and Pre-Show Talk, April 30 at 6:30, with Charmaine WaTalk, April 30, with Brian McCormick Student Matinee, May 2, at Noon LINK Dance Theater Workshop http://www.dancetheaterworkshop.org Urban Bush Women http://www.urbanbushwomen.org/ Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml. (c)2008, Eva Yaa Asantewaa