Ghanaian artist and musician based in Brooklyn, New York
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Elle chante, danse, pose, joue la comédie, réalise certaines de ses vidéos… Difficile de trouver ce que la Ghanéenne Jojo Abot ne sait pas faire. Aujourd'hui installée à New York, l'artiste pluridisciplinaire s'est même inventé un style, "l'afro-hypno-sonic music", où se croisent afropunk et hip hop sur fond de voix soul et de costumes flamboyants. Album : Meditations of Resistance and Existence (2020)
Elle chante, danse, pose, joue la comédie, réalise certaines de ses vidéos… Difficile de trouver ce que la Ghanéenne Jojo Abot ne sait pas faire. Aujourd'hui installée à New York, l'artiste pluridisciplinaire s'est même inventé un style, "l'afro-hypno-sonic music", où se croisent afropunk et hip hop sur fond de voix soul et de costumes flamboyants. Album : Meditations of Resistance and Existence (2020)
Le 8 décembre 2022, Jojo Abot effectuait son premier concert en France à l'occasion de la 44ème édition des Trans Musicales de Rennes. Juste avant de fouler la scène du Hall 8, la charismatique chanteuse, performeuse multimédia, actrice, et musicienne ghanéenne me retrouve pour me décrire son univers sonore envoûtant. Au look afropunk, dotée d'une tunique et d'une perruque rouge, de tatouages et de piercings et d'un regard perçant, Jojo Abot me livre ses souvenirs. Elle a baigné dans la culture Éwé de son pays, aux sons des musiques ancestrales et du highlife.L'artiste a développé au fur et à mesure son propre genre musical qu'elle nomme“'afro-hypno-sonic music", croisement habile de sonorités afro-futuristes, de hip-hop, de soul et d'électronique. Sur ces rythmiques ancestrales et digitales mariant bass music et percussions, la chanteuse alterne envolés méditatives et rap puissant. À travers ses chansons et albums, Jojo Abot délivre une ode à la femme, à la sexualité, à l'amour et sinsurge contre les abus et injustice. Avec son univers imtrospectif, mystiaue et révolutionnaire, l'artiste bouleverse les codes. Installée à Brooklyn depuis plusieurs années, Jojo alterne performances théâtrales, opéras, films, concerts et albums. De son premier EP Fifya Woto qui l'a fait remarquer en 2015, en passant par ses disques et innombrables projets, Jojo Abor est ume chanteuse énigmatique, incomparable et surtout talentueuse. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
It's festival season, and host Ben Davis is off to WOMAD for the first time since COVID. In celebration, this month is a celebration of music from all around the globe and digging into some of its less seen corners. 1. SONZEIRA - Xibaba (She-bA--ba) (feat Emanuelle Araujo)2. Luedji Luna - Banho De Folhas3. Baile Bucanero – Ondatrópica4. Cortijo Y Su Maquina Del Tiempo - Carnaval5. Hollie Cook – Milk and Honey6. The Hempolics - Fu Man Chu7. Lex Amor, Hibotep & Faizal Mostrixx – Ancestry8. Jojo Abot – Tsoekem9. Les Amazones d'Afrique - Smooth (feat. Mamani Keïta)10. Electric Jalaba - Agia Hausa11. The Mauskovic Dance Band - Space Drum Machine12. Urfali Babi - Disko Kebap (Baris K Edit)13. Diron Animal - Falam Nada14. Gan Gah, Cardi Monae & Kampire - Gatluak Remix15. The Rheingans Sisters - Edge of the Field16. Sam Amidon – Shake It Off17. The Lost Words - The Lost Words Blessing18. Nubiyan Twist feat. Soweto Kinch - Buckle Up19. K15 & Labdi – Utokapo20. The Sound of Siam - Soul Lam Plearn21. Nakibembe Xylophone Troupe - Buli Mulamu Alinakikye22. Aussteiger - Sanaati Riddim23. Adama Koita - Fantainfalla Toyi Bolo24. The Kondi Band – Got No Money, I Want You25. Toli & The Femm Nameless - See Line Woman26. Angelique Kidjo -Once in A Lifetime
Greetings Glocal Citizens! We're back in Nairobi this week and we're talking the business of being a creative in Africa. Moses Mbasu, better known as Buddha Blaze is the Talent Manager at BLAZE Kenya and Creative Director at Spark Africa Limited a multimedia youth oriented agency based in Nairobi, Kenya. He got his start as a music blogger and all around "connector" to events, music, hip-hop, Africa, diaspora, technology, social networking, fashion, media, investment, and progressive politics. Blaze was the editor of East Africa’s first entertainment magazine PHAT! - the first magazine of its kind in Kenya. He gained Pan-African recognition as the Artist and Repertoire Manager at Coke Studio Africa (https://www.youtube.com/channel/UCABZrkBsGdCRGpibJOkKKmw), a music production TV series with live performances by African artists. Blaze's career works have provided a platform for young and budding African artists to express themselves and connect with fans, documenting the emergence of an entertainment industry in Kenya. In his time as editor of PHAT! Magazine, Blaze interviewed numerous entertainers namely Suzanna Owiyo, Yvonne Chakachaka, Shaggy, Nameless, Redsan, Eric Wainaina, Bamboo, Alpha Blondy, the late Lucky Dube, Mandoza, Lebo Mathhhhosa and Brenda Fassie. Blaze led campaigns through writing to have radio stations start playing Kenyan music instead of only playing international music changing the way radio looks at Kenyan music. Following his experience spearheading Safaricom's 2002 Star Search, in 2003 he led the first group of Kenyan artists to the KORA All African Music Awards in Johannesburg, South Africa. In 2004 he was involved in World Bank anti-piracy project Action for Music and through working with WAPI, Blaze designed and managed a global artists movement for British Council called WAPI which had reach in Kenya, Nigeria, Ghana, Uganda and Malawi. Through WAPI, Blaze has inspired the careers of many artists such as Sauti Sol, Big Mic, Point Blank, Muthoni the Drummer Queen and Liz Ogumbo. Blaze was truly a treat to host. This talented forward thinker is the stuff that African music industry legend is made of! Enjoy! Where to find Blaze: On Linkedin (https://www.linkedin.com/in/buddha-blaze-85819013/) On Instagram (https://www.instagram.com/buddhablazeworld/?hl=en) On Facebook (https://www.facebook.com/buddha.blaze) On Twitter (https://twitter.com/itsbuddhablaze?lang=en) On YouTube (https://www.youtube.com/c/BuddhaBlaze/featured) What's Blaze listening to? Thomas Sankara (https://en.wikipedia.org/wiki/Thomas_Sankara) Other topics of interest: Blaze's "Where" - Killimani (https://en.wikipedia.org/wiki/Kilimani) Blaze's TED Talk (https://www.youtube.com/watch?v=sU-RYCvvFB4) PHAT! Magazine (http://phatafrica.com/2017/) Artists of interest: Nameless (https://en.wikipedia.org/wiki/Nameless_(musician)) Khaligraph Jones (https://en.wikipedia.org/wiki/Khaligraph_Jones#:~:text=Brian%20Ouko%20Robert%2C%20born%2012,Yego%22%20and%20%22Mazishi%22) K South (https://www.kenyans.co.ke/k-south) Sarkodie (https://en.wikipedia.org/wiki/Sarkodie_(rapper)) Jojo Abot (http://www.jojoabot.com/) Burna Boy (https://www.onaspaceship.com/) Efya (https://en.wikipedia.org/wiki/Efya) Wanlov the Kubolor (https://wanlov.bandcamp.com/) Special Guest: Moses "Buddha Blaze" Mbasu.
Presented in collaboration with the Prototype Festival, Modulation is a ground-breaking exploration of opera and theater adapting to a new format. Audience members are in control as they navigate through a landscape of new musical pieces—each with its own visual component—exploring the strands that weave together our lives over this past tumultuous and revelatory year. With themes of isolation, identity and fear, with the connection of breath, the experience brings together 13 of the most provocative and diverse voices in the contemporary music idiom. In this conversation, we are honored to welcome four of these extraordinary composers, all of whom are Los Angeles natives or based now in Los Angeles. Composer Juhi Bansal welcomes Jojo Abot, Yvette Janine Jackson, and Carmina Escobar. Please note that this conversation delves into contemporary issues and includes adult language which might not be suitable for all listeners. Modulation can be accessed on LA Opera's website until February 28, 2021 at 8:59pm PT: https://www.laopera.org/performances/upcoming-digital-performances/modulation
Here's a reminder that you don't need the approval of UN officials to feel valid. Kat however, actually went out and got the endorsement from Kofi Annan and became a Global Shaper for the World Economic Forum. Not through affirmative action bus simply because she's a born overachiever. For all details of Katlego's overwhelming resumé you should just go check her Wikipedia page. For now, let's focus on her love for 80's pop divas with some sidesteps into musicals and emo. Flashback Track: Whitney Houston – I Wanna Dance With Somebody Queer Artist Spotlight: Alsarah & The Nubatones – 3roos Elneel Best Live Experience: Janet Jackson – Miss You Much Recent Discovery: Kwaye – I Go Consider supporting through https://Patreon.com/QueerSounds Shownotes: Katlego at TED Global: https://www.ted.com/talks/katlego_kolanyane_kesupile_how_i_m_bringing_queer_pride_to_my_rural_village Jojo Abot: http://www.jojoabot.com/ Queer Shorts Showcase Festival: https://qssfestival.blogspot.com/ Koleka Patuma: https://www.youtube.com/watch?v=8dfq3C8GNrE
In 2019, Afropop Worldwide hosted a stage at South by Southwest in Austin, TX, for the first time. Our lineup featured innovative new sounds out of Africa, including Jojo Abot from Ghana, Adekunle Gold from Nigeria, groundbreaking DJ AfrotroniX, Sauti Sol from Kenya and more. In this episode, we meet the artists, sample their sets, and take in the growing presence of African music at America’s most essential pop music expo. The start of a fine tradition! Produced by Banning Eyre. [APWW #801] [Originally aired in 2019]
In 2019, for the first time, Afropop Worldwide hosted a stage at South by Southwest in Austin, Texas. Our lineup features innovative new sounds out of Africa, including Jojo Abot from Ghana, Adekunle Gold and Aramide from Nigeria, groundbreaking deejay AfrotroniX, Nsimbi from Uganda. We’ll meet the artists, sample their sets, and take in the growing presence of African music at America’s most essential pop music expo. Produced by Banning Eyre. APWW #801
Gods Among Men - Jojo Abot; Theory - The Checklist; Summon The Fire - The Comet Is Coming, Children - Chastity, Big - Fontaines D.C.; Geeknotes: 03/17 - A Reading at SFPL for Lawrence Ferlinghetti's 100th Birthday, 03/19 - Tomorrow Will Be Different, UCLA Friends of the Semel Institute for Neuroscience and Human Behavior, LA, 03/20 - Greg Grandin's The End of the Myth, First Cong. Church, Berkeley, 03/22 - California Counts - Strategies for Reporting on the Census, Center for Health Journalism, LA; Practice - Watching Paint Dry; TAO - yahyel
The annual South by Southwest music festival is our personal endurance challenge to discover as many great unknown and often unsigned bands as possible in just one week. To train for the event, Bob Boilen, Stephen Thompson and I listen to more than a thousand songs by bands playing the festival, from all over the world, and try to map out a calendar to see our favorites. On this edition of All Songs Considered we play some of the standout songs ahead of the 2019 festival, including the Ghanian artist Jojo Abot, garage rock from Blushh, the Japanese pop group CHAI, music made by robots (I'm not making that up) and much, much more. — Robin Hilton
Wednesday 31 July 2018Guests: Thea Baker, Natalie Ironfield, Vickie Roach Hosts: George Maxwell, Anya Saravanan, Lauren Bull 7:00 Acknowledgement of Country and Welcome to Show7.05 News headlines 7:15 Thea Baker, wellness coach for women and phone support worker at WIRE, joins us in studio to talk frankly about women's health and wellbeing; about the psychological and physical realities of child birth; and how silence about women's health issues does harm.7:40 Community announcements7:45 Natalie Ironfield, proud Dharug woman, educator and researcher at the University of Melbourne, joins us to talk about whether or not institutions such as universities and prisons can be decolonised or reformed, what that could look like, and why abolition?8:05 Vickie Roach, writer, public speaker, and public advocate for prison reform, joins us to talk about prison abolition and how 'criminality' is caused by society.8:28 End Programme Songs: Jojo Abot: 'Pi Lo Lo' Ama Lou: 'Tried Up' Ego Ella May: 'Table for One' Mojo Juju: 'Native Tongue'
Every year, the world-famous Apollo Theater and New York’s World Music Institute pack the house for a stellar lineup of established and emerging artists from the African continent. This year was especially impressive. We bring you concert highlights and interviews with artists from Ghana, Sudan, Niger and Zimbabwe. You’ll hear Alsarah and the Nubatones, inspired by the rich cultures of Nubia, Jojo Abot’s arty, dancehall-meets-Afrobeat grooves, Bombino’s joyous Tuareg rock, and the discovery of the night for many Afropop fans: Mokoomba from Zimbabwe, featuring phenomenal lead singer Mathias Muzaza, who spanned nods to Salif Keita, Ladysmith Black Mambazo, as well as a Congolese soukous animation that had the crowd up and dancing. Special bonus: a taste of the acoustic “traditional” set Mokoomba performed the next day up the Hudson. Produced by Sean Barlow. Follow Afropop Worldwide on Facebook at www.facebook.com/afropop, on Instagram @afropopworldwide and on Twitter @afropopww. Subscribe to the Afropop Worldwide newsletter at www.afropop.org/newsletter/ APWW PGM #728 [Distributed 12/15/2016]
#728 Distributed April 21 Africa Now! 2016 Rocks the Apollo Theater in Harlem Every year, the world-famous Apollo Theater and New York's World Music Institute pack the house for a stellar lineup of established and emerging artists from the African continent. This year was especially impressive. We bring you concert highlights and interviews with the artists--from Ghana, Sudan, Niger and Zimbabwe. You'll hear Alsarah and the Nubatones, inspired by the rich cultures of Nubia, Jojo Abot's arty, dancehall-meets-Afrobeat grooves, Bombino's joyous Tuareg rock, and the discovery of the night for many Afropop fans: Mokoomba from Zimbabwe, featuring phenomenal lead singer Mathias Muzaza, who spanned nods to Salif Keita, Ladysmith Black Mambazo, as well as a Congolese soukous animation that had the crowd up and dancing. Special bonus: a taste of the acoustic "traditional" set Mokoomba performed the next day up the Hudson.
In this week's episode Mark and Ilana trade thoughts about Drake's latest music video. Nestor David Pastor talks to artist Kadhja Bonet about her transition from competitive sports to classical inspired music. Our featured performance and interview is with the absolutely sensational artist JoJo Abot whose most recent release FyFya Woto is inspired by an incredible story on the loss of life and freedom. Turn it up and tune in, because this is one you're not going to want to miss.Episode recorded by Chris Pizzolo and was mixed and mastered by Glenn MacRae. Thanks to Cinema Under The Influence and Astoria Soundworks for making the podcast possible.