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Este episodio es una conversación previamente grabada entre César Oliva y Susana Hernández Araico sobre Federico García Lorca y Margarita Xirgu. Este evento fue presentado por Hispanos por LA Opera en colaboración con LA Opera Connects. Las funciones en el Dorothy Chandler Pavilion serán del 26 de abril al 18 de mayo. Las entradas ya están disponibles en LAOpera.org
Patricia Caicedo es soprano, musicóloga y doctora en medicina. En este podcast, Caicedo explica cómo géneros latinoamericanos como las rancheras, los boleros y la música colombiana han enriquecido su conexión con la música clásica. Criada en Bogotá y residente en España, Caicedo comparte su proceso de descubrimiento de los compositores latinoamericanos y de la canción artística latinoamericana. Escuche esta lista de reproducción de música latinoamericana seleccionada por Patricia Caicedo: https://open.spotify.com/playlist/3pThKxloBKssp8sEbTiina?si=40a8076a3d344b20&nd=1&dlsi=ec53bc89edb64070 Descubre el amplio mundo de la música en español en la Celebración de las Artes de LA Opera, aquí en la Jerry Moss Plaza, el domingo 4 de mayo. Visita LAOpera.org/Celebracion para más información.
What does trauma-informed mean? How can the opera be a place of catharsis? In this episode, composer, performer, and mental health professional Danielle Birrittella explores the links between opera, mental health, and the operatic imagination. Hear more conversations like this at the 4th annual Los Angeles County Arts and Health Week Summit, hosted by LA Opera. Visit LAOpera.org/Summit to register now.
In this episode, LA Opera Chorus Director Jeremy Frank provides a musical overview of Ainadamar. Playing April 26 through May 18 - don't miss the opera LA Times calls "one of the most moving and meaningful" of our time. Tickets are on sale now. This lecture was recorded in partnership with the Opera League of Los Angeles at the historic Ebell of Los Angeles. To learn more about the Opera League and view upcoming events, visit OperaLeague.org. Don't miss LA Opera's Celebracion de las Artes on Sunday, May 4th. Immerse yourself in artistry and culture, shop our mercado featuring local artists and small businesses, and enjoy live musical performances from Mariachi Las Colibri, Mariachi Divas, LA Opera Connects Zarzuela Project, and Rumba Flamenca. Visit LAOpera.org/Celebracion for more details, and we'll see you on the Jerry Moss Plaza on May 4th.
Benvinguts i benvingudes a una nova edició d'Això és la Ràdio. Avui parlem d'un tema tan apassionant com delicat: la relació entre salut mental i òpera. Amb nosaltres, una convidada molt especial: Mariona López Corominas, artista visual, investigadora i gran coneixedora del món de l'òpera podcast recorded with enacast.com
Una nueva forma para viajar, a traves de las grandes obras musicales del genero clasico. Conducido por Juan Fernando Villafuerte Ex colaborador de la Deutsche Welle de Alemania y la Elizabeth Trabanino, Directora de Radio Clasica, quienes a traves de una tertulia contaran las historias que se esconden detras de las operas a manera de poner en contexto al publico sobre el origen de estas grandes composiciones.
LA Opera Connects' annual Community Opera invites hundreds of performers to join LA Opera professionals on stage, no experience necessary. After weeks of rehearsals with Connects teaching artists, performers share that they feel more confident, a sense of belonging, and excited to perform again. Listen in as Dr. Nita Baxani, Chair of Early Childhood Music at the Colburn School, interviews composer and librettist of this year's Community Opera Carla Lucero, and assistant conductor Mercedes Juan Musotto on their experiences with communal music-making and their role in breaking down barriers to opera. Come see The Three Women of Jerusalem, playing March 14 and 15. Tickets are available now at LAOpera.org/CommunityOpera.
Episode 507 - Richard Sparks - Richard Returns to Share His Next Project, to celebrate news about The Schoolmaster skit and Rowan Atkinson's creative licenseRichard SparksOne morning in 1979 I got a call from an understandably excited Rowan Atkinson.“John Cleese just called. He's asked me to be in his new charity show – and can I do The Schoolmaster?”Er, yes.I'd written The Schoolmaster for Rowan the previous year, for a revue at the Hampstead Theatre (Rowan with Elspeth Walker and Peter Wilson). John and his co-producer, Martin Lewis, had seen it; and a year later, Rowan and I were backstage at Her Majesty's Theatre, meeting John and other members of the cast of The Secret Policeman's Ball.Rowan went on stage an unknown, with his gown and clipboard and pen, and came off a star. The Schoolmaster became his signature piece, the encore of his live shows. Eventually, he got tired of doing the same old routine and wrote another (ruder) version, generously giving me half the royalties.By that time, I'd cut my teeth on various TV shows, from HTV (Wales) to ITV (Southern and Central) to the BBC. I'd also written some stage shows (reviews, original plays, and adaptations of Goldoni comedies), and done a lot of freelance script editing. In 1992, I was hired by Columbia Picture Television to work with Blake Hunter and Marty Cohan, the creators of Who's the Boss?. My wife and I moved with our young daughter to her parents (converted) garage and we've lived in Los Angeles since.I've written a number of libretti for operas, almost all for the LA Opera – some original pieces, some translations from German or Italian. My writing partner, the composer, Lee Holdridge, was – in a way – once G.R.R. Martin's ‘writing partner' in that he composed the scores for the TV series Beauty and the Beast, for which Martin was a script writer.I'd been a hard-core RPG gamer for years when the idea for these books just fell out of the sky one morning, and I started writing. I have hardly had a moment to log on to any game — I'm too busy exploring the New Rock stories as they unfold.My publisher, Caezik SF & Fantasy, is a company of enthusiasts who love these genres. I am delighted to join their family of authors, and to be working with their executive editor, Lezli, Robyn.Three sequels – New Rock New Realm, New Rock New Rules, and New Rock New Roads, have been completed and will be published in due course. I'm currently working on the fifth bookhttps://richardsparks.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca
In this episode, Jonathan Lacayo, LA Opera Connects teaching artist shares the synopsis for Cosi fan tutte, with annotated musical notes from musicologist, Dr. Tiffany Kuo. Playing March 8-30, tickets are available now at LA Opera.org
La conductora presenta de una forma fresca y coloquial historias, anécdotas e interpretaciones de las y los mejores cantantes de ópera nacionales e internacionales. Sus roles, preparación,experiencias, personajes, , etc. Conducido por la Soprano Conny Palacios, Cantante de opera y jazz
From the embroidery on a single gown, to the hair in every wig, LA Opera's costume shop creates gorgeous looks and magical moments with every show. Go Behind the Curtain with LA Opera Costume Director Jeannique Prospere as she sits down with Xochi Hernandez to discuss how her team spends months sourcing materials and putting each look together by hand. Experience the magic LA Opera's costume shop creates during Mozart's Cosi fan tutte. Tickets are available now at LAOpera.org.
Fanáticos del Cine y las series... Llegó tu momento. Un nuevo capítulo de cinecritica con la conduccion de @milkopalmalocutor Temas: - El Fantasma de la Opera - Drácula de Bram stoker - El Silencio de los Inocentes - El Joven Manos de Tijera Solo por www.radiohoy.cl y canal 198 de Zapping TV
Send us a textThis Week on the Podcast Richards Sparks stops by to discuss his new book New Rules New Realm. In this clip, he talks about the writing not being right for one story but might belong to another story. ****Richard Sparks was born in England, and a graduate of Oxford University (Exeter College, where, like both JRR Tolkien and Philip Pullman before him, he studied English Language and Literature), Richard started out as a writer of stage plays, comedy revues and TV, for such shows as Not the Nine O'clock News. Rowan Atkinson performed his Schoolmaster sketch in John Cleese's The Secret Policeman's Ball. UK TV credits include The Famous Five, The Flying Kiwi, The Optimist, The Worst of Hollywood, and a lot of script editing. On being hired by Columbia Pictures TV, Richard moved with his family to Los Angeles. His lyrics have been recorded by talents as diverse as Dom de Luise, Eric Idle, Vanessa Williams, and Plácido Domingo. He has written libretti for several new operas composed by Lee Holdridge (TV's Beauty and the Beast, et al.), produced by the LA Opera, as well as writing new English versions of German and Italian classics. His non-fiction books, Diary of a Mad Poker Player, and its sequel, Getting Lucky, chronicle his adventures in the poker boom of the 2000s. Along the Cherry Lane is his biography of the music producer, Milt Okun.“High Adventure Spiced with Low Comedy,” inspired by his love of online role-playing games, New Rock New Role is the first of four volumes Richard has written so far in the New Rock fantasy series and is his fiction debut. The Next book in the series is New Rock New Realm.Support the show
Pablo Larrain's biopic, Maria, featuring Angelina Jolie as the illustrious Maria Callas has the opera world abuzz. Listen in as long-time LA Opera chorus member and vocal coach to Angelina Jolie for the film, Lori Stinson, sits down with Chorus Director Jeremy Frank to discuss her process in preparing Jolie for the role.
The anticipated sequel to Richard Sparks book, “New Rock, New Role,” has just been released. “New Rock, New Realm,” is a captivating tale that will enthrall lovers of epic fantasy. Told with his customary wit, Richard Sparks' skillful storytelling weaves a tapestry of adventure, mystery, suspense and emotional depth—with plenty of comic moments spicing up events as they progress. Memorable characters, imaginative settings and challenging quests all combine to make the New Rock series an unforgettable addition to the genre. Richard describes the books as high adventure spiced with low comedy.Shortly after surviving—against overwhelming odds—their epic quest in New Rock New Role, a mysterious ghost ship arrives, carrying a cryptic message for them. Setting sail full of good intentions, they are soon embroiled in the eternal struggle between the forces of good and the forces of evil. The heart stopping action is interspersed with humor making it a ridiculously fun and addictive read. The idea for the books stemmed from Richard's love of gaming – something he's turned to in his later years. Born in England, and a graduate of Oxford University, Richard started out as a writer of stage plays, comedy revues and TV, for such shows as Not the Nine O'clock News. Rowan Atkinson performed his Schoolmaster sketch in John Cleese's The Secret Policemen's Ball, and he has a host of other TV credits. On being hired by Columbia Pictures TV, Richard moved to Los Angeles. He has written libretti for several new operas composed by Lee Holdridge, produced by the LA Opera, as well as writing new English versions of German and Italian classics. His lyrics have been recorded by talents as diverse as Dom de Luise, Vanessa Wiliams and Plácido Domingo. https://richardsparks.com/ The Douglas Coleman Show VE (Video Edition) offers video promotional packages for authors. Please see our website for complete details. https://www.douglascolemanmusic.com/vepromo/ Please help us to continue to bring you quality content by showing your support for our show. https://fundrazr.com/e2CLX2?ref=ab_eCTqb8_ab_31eRtAh53pq31eRtAh53pq
Iñigo Alberdi analiza la primera ópera del artista alavés Jesús Guridi...
In this special episode of Behind the Curtain, join LA Opera staff and affiliated scholars as they share their favorite songs and recordings to listen to during the holidays.
Accidentado capítulo en el apartado técnico. El vídeo mal, un audio complicado... pedimos disculpas. Hoy hablamos, sorpresa, de fascismo y control de masas a través del deporte. Además, vuelve a pasarse Luís Cejalvo para contarnos una evocación nueva. Disfruten.
Kathleen O'Mara didn't expect to win Operalia when she travelled to Mumbai for the renowned competition, but since winning first place, she's been offered roles around the world. Listen in as she discusses her journey to the competition, her experience as a member of LA Opera's Domingo-Colburn-Stein Young Artist Program, and her upcoming roles with Senior Director of Artistic Planning, Paul Hopper.
Happy Holiday Season-- which is to say: happy busy season! We're all out there bustling around like busy bees but remember to take time for some Zzzs and self-care! In December I take a break from regular full episodes in which I uncork with new guests. This week I offer up a mini-sode musing about the importance of supporting the arts. I am shining the spotlight on music, in particular, the Northeastern Pennsylvania Philharmonic who is having their holiday shows this weekend in Wilkes-Barre and Scranton. I heard from a friendly elf that there might even be a visitor from the North Pole! Tune in to hear a special invitation to attend these upcoming shows from the Philharmonic's very own conductor Melisse Brunet and Chason Goldschmitz, who will formally assume the role of executive director of the Philharmonic on Jan. 1, 2025 as Nancy Sanderson steps down from this position. Goldschmitz joins the NEPA Philharmonic from the office of world-renowned soprano Renée Fleming, where he served as Director of Production, Music, and Arts & Health. In this role, he produced and supervised logistics for concerts, large-scale summits, and other public events, and served as producer and production engineer for Ms. Fleming's multimedia events, including “Voice of Nature: The Anthropocene” performances in collaboration with National Geographic. Goldschmitz also coordinated arts and health research, policy, and funding initiatives on behalf of the Renée Fleming Foundation, in partnership with a diverse array of governmental partners and performing arts, healthcare, education, and community organizations — including the Kennedy Center, LA Opera, Johns Hopkins University, the Aspen Institute, Los Angeles County, the National Institutes of Health, and the World Health Organization. Thank you to my wonderful podcast sponsor Budget Through Life, founded by Emily Hickox to teach people of all ages how to budget through their life. She achieves this through one-on-one coaching and group classes for people of all ages from children to senior citizens to first-time home buyers and everyone who could benefit from her vast knowledge and ability to educate. Follow Budget Through Life on Facebook, YouTube and Instagram. If you would like to support the content I create through a financial sponsorship (or business bartering), reach out to me at Jeannine.Luby@gmail.com . Remember that you can also support this content by sharing it with a friend, foe or anyone you know and by writing a review or testimonial and ranking it with 5 stars on Apple. I appreciate you from the bottom of my heart and the bottom of my wine glass.
”Boema” de Giacomo Puccini va avea două reprezentații, în 24 și 29 noiembrie. Spectacolul e dedicat celebrării Anului Puccini ce marchează un secol de la decesul marelui compozitor. Am stat de vorba cu baritonul Florin Estefan, managerul Operei.
In this pre-recorded lecture (recorded Sunday, October 20, 2024), courtesy of the Opera League of Los Angeles and Hispanics for LA Opera, hear from film archivist Alejandra Espasande about the history of Spanish language film in Los Angeles and the making of Spanish Dracula. Then get a sneak peek of the music you'll hear from conductor Lina González-Granados. Playing October 25-27, tickets for Spanish Dracula are available now at LAOpera.org.
#781. Kaitlyn sits down with friend & Injection/Skincare Specialist, Kat (Braswell) Campbell, to relive their recent trip to Saint-Tropez, talk about parenting, and answer all your questions from IG. The two recap their trip to Saint-Tropez, France - from the Lulu's Beach Club, befriending the locals, lunch culture in Europe, boat day, La Opera, & Kaitlyn's canceled flight home. Next, Kaitlyn & Kat answer YOUR questions from IG; raising such a sweet little boy in Chandler, her father's glioblastoma diagnosis, parenting styles, Botox Lip Flips, under eye filler dangers(?), PRF Gel, Botox vs Dysport for men, suggestions for sleep lines, favorite self-tanner, transitioning life with baby #2, her workout/self-care routine, and so much more!If you're LOVING this podcast, please follow and leave a rating and review below! PLUS, FOLLOW OUR PODCAST INSTAGRAM HERE!Thank you to our Sponsors! Check out these deals!BetterHelp: This episode is sponsored by BetterHelp!: Give Online Therapy a try at BetterHelp.com/VINE and get on your way to being your best self!Chewy: That's Chewy.com/vine to save $20 on your first order with free shipping. Minimum purchase required.Nutrafol: Go to Nutrafol.com and use promo code “VINE” for $10 OFF your first month subscription and FREE shipping.Oak Essentials: Use Promo Code “VINE15” at OakEssentials.com for 15% OFF your first order.Shopify: Sign up for a one-dollar-per-month trial period at Shopify.com/VineEPISODE HIGHLIGHTS (02:14) – Saint-Tropez trip recap(25:45) – Kat's dad's illness(30:35) – Raising her kids(34:03) – Kat answers listener questions about Botox
In this episode, Vinicius Costa, member of the LA Opera Domingo-Colburn-Stein Young Artist Program shares the synopsis for Romeo and Juliet, with annotated musical notes from musicologist, Dr. Tiffany Kuo. Playing November 2 - 23, tickets are available now at LA Opera.org
Opera Națională Română Cluj-Napoca marchează debutul Stagiunii 2024-2025 cu două reprezentații de excepție ale Premierei operei Bărbierul din Sevilla de Gioachino Rossini. Despre debutul stagiunii ne-a vorbit Florin Estefan, managerul Operei. Iar la Sala Bolților de la Arcub puteti vedea până pe 5 octombrie o retrospectivă a sculptorului Doru Drăgușin, pe care l-am întâlnit zilele trecute...
In this episode, Executive Director of the Asian Opera Alliance, Melody Chang sits down with Madame Butterfly cast members, Rodel Rosel and Yuntong Han discussing their experiences in Madame Butterfly, how their identities influence their performances, and the work being done by LA Opera in collaboration with AOA to mitigate potential harm. Tickets to Madame Butterfly are on sale now.
Another double header!First up, today is iPhone pre-order day, and that makes it a great day to drop my interview from July with Adam Lisagor, the man behind Sandwich — the firm that got its start making ads for apps and companies big and small because of the the original iPhone and has gotten BACK into the app development game for the Vision Pro with the apps Television and Theatre — with the later being used to broadcast a live event captured in 3D and Spatial Audio at this June's Apple World Wide Developer Conference.This conversation with Adam, whose work I have long admired, is one of the most philosophical I've had all year, and hopefully will give you a nice think about media and the tools we use to make and consume it.Then, NoPro's roving correspondent Martin Gimenez brings us an on-site interview with On Site Opera's General Director & CEO Piper Gunnarson as its next and Artistic Director Sarah Meyers recorded at this year's World Opera Forum and annual North American Opera Conference hosted by the LA Opera this past June. They dig into the past, present, and near future of the company, including the recently announced World Premiere of Lucidity which runs November 14-16 at Abrons Arts Center in New York City.SHOW NOTESSandwichTelevision (Apple Vision Pro)Theater (Apple Vision Pro)Video: playing with dalle3 images, luma image-to-video, and suno music. (X)How Sandwich streamed The Talk Show Live in 3D on Vision Pro (six colors)On Site OperaLucidityThe Next Stage 2025 Scholarship Applications Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
In this episode, musicologist, Dr. Tiffany Kuo shares an annotated listening guide and synopsis for Puccini's Madame Butterfly. Playing September 21 - October 13, tickets are available now at LA Opera.org
Tobias Picker, deemed “our finest composer for the lyric stage” by The Wall Street Journal, joins Devin Patrick Hughes on One Symphony. Tobias is a prolific composer in all genres. He has composed six operas, commissioned by Dallas Opera, LA Opera, Metropolitan Opera, San Francisco Opera, Santa Fe Opera, and Opera Theatre St. Louis. Tobias Picker has composed numerous symphonic works including three symphonies, concertos for violin, viola, cello, and oboe, as well as four piano concertos and a ballet. Picker's recent honors include the 2020 Grammy Award for Best Opera Recording of Fantastic Mr. Fox, and a lifetime membership at the American Academy of Arts and Letters. Thank you for joining us on One Symphony. Thanks to Tobias Picker for sharing his music and insights. Thank you to Visconti Arts for making this episode possible. You can find more info at https://tobiaspicker.com. Music Selections—all music by Tobias Picker, except for the first selection. Gian Carlo Menotti, Suite from Amahl and the Night Visitors. Performed by the Cleveland Pops Orchestra conducted by Louis Lane. First movement from Symphony No. 1; performed by the San Francisco Symphony. Edo de Waart, conductor. Awakenings, adapted from the non-fiction book by Oliver Sacks. Libretto by Aryeh Lev Stollman, produced by Odyssey Opera in 2023 of Boston in partnership with the Boston Modern Orchestra Project. Gil, Rose, Conductor. Directed by James Robinson. Commissioned by Opera Theatre of St. Louis. The Encantadas for narrator and orchestra. Based on the writings of Herman Melville. Sir John Geilgud, narrator; Christoph Eschenbach, conductor; Houston Symphony Orchestra. "Letter Aria" from Emmeline. Text by J.D. McClatchy Virginia Douglas, soprano Amir Farid, piano. Conducted by Modestas Pitrenas. Supported by Modestas Pitrenas. “I See A Woman” from Lili Elbe. Text by Aryeh Lev Stollman. Featuring Lucia Lucas as Lili. Performed by the St. Gallen Symphonic Orchestra. Old and Lost Rivers, for orchestra. Performed by the London Symphony Orchestra conducted by John Williams. Nova featuring Benjamin Hudson- Violin John Graham - Viola Fred Sherry - Cello Don Palma - Bass Tobias Picker – Piano. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music. https://tobiaspicker.com https://www.fox21news.com/business/press-releases/ein-presswire/674899601/devin-patrick-hughes-arapahoe-philharmonic-conductor-presents-a-new-discovery-concert-this-holiday-season/
This upcoming season, LA Opera presents 5 exciting works, Madame Butterfly, Romeo and Juliet, Cosi fan tutte, Ainadamar and Rigoletto. Listen in as Richard Seaver Music Director Maestro James Conlon shares his insights into these operatic treasures in this pre-recorded conversation, a part of Opera for Educators. Tickets are available now at LAOpera.org.
Și asta pentru că, atrage atenția managerul instituției de cultură din Iași, Andrei Fermeșanu subvenția de la stat acoperă puțin mai mult decât pragul supraviețuirii. Permite însă anumite producții. Mai ieftine...
The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world. Today's episode features hornist, Steve Becknell, principal horn of the LA Opera, adjunct professor of horn at USC's Thornton School of Music, and studio musician for thousands of films, television episodes, video games and record albums. You can visit the show notes for this episode here. About Steve Steve Becknell has had an extensive and varied career as a horn player. In 1982, he moved to Southern California to study with famed studio player Vince DeRosa at USC, but began working professionally while still in school. He has played in orchestras throughout Southern California including the Los Angeles Philharmonic, the San Diego Symphony, the Pacific Symphony, and was a member of the Los Angeles Chamber Orchestra for 8 years. He is also in demand as a chamber musician, and has performed with Santa Barbara-based Camerata Pacifica as well as the Santa Fe Chamber Music Festival and the Mainly Mozart Festival. But the bulk of Steven's time was spent recording in the Hollywood studios. To date, he has played on over 1,000 different motion pictures and numerous television series, as well as playing on the Tonight Show with Johnny Carson and the Ellen DeGeneres Show. Steve has played live for the Academy Awards, sat in the pit for Broadway shows, and has had the honor of recording with such legendary artists as Frank Sinatra, Barbra Streisand, Barry Manilow and Josh Groban. Steve has been playing principal horn with the Los Angeles Opera for over 25 years. In 2010 he performed all the offstage and pit solos of Wagner's complete Ring cycle, the first time it had ever been produced in Southern California. To date, he has played over 1,500 performances with the Los Angeles Opera. Steve is currently on the faculty at the University of Southern California.
Lina González-Granados — the first Latina resident conductor of the LA Opera — is making waves in the Americas and Europe. She discusses her career climb and how she hopes to expand the standard orchestral repertoire.
EPISODE 363 - Richard Sparks - Rowan Atkinson, Operas and a New Rock, New Role - Words MatterRichard SparksOne morning in 1979 I got a call from an understandably excited Rowan Atkinson.“John Cleese just called. He's asked me to be in his new charity show – and can I do The Schoolmaster?”Er, yes.I'd written The Schoolmaster for Rowan the previous year, for a revue at the Hampstead Theatre (Rowan with Elspeth Walker and Peter Wilson). John and his co-producer, Martin Lewis, had seen it; and a year later, Rowan and I were backstage at Her Majesty's Theatre, meeting John and other members of the cast of The Secret Policeman's Ball.https://www.youtube.com/watch?v=FiWJWLCoH2MRowan went on stage an unknown, with his gown and clipboard and pen, and came off a star. The Schoolmaster became his signature piece, the encore of his live shows. Eventually, he got tired of doing the same old routine and wrote another (ruder) version, generously giving me half the royalties. By that time, I'd cut my teeth on various TV shows, from HTV (Wales) to ITV (Southern and Central) to the BBC. I'd also written some stage shows (reviews, original plays, and adaptations of Goldoni comedies), and done a lot of freelance script editing. In 1992, I was hired by Columbia Picture Television to work with Blake Hunter and Marty Cohan, the creators of Who's the Boss?. My wife and I moved with our young daughter to her parents (converted) garage and we've lived in Los Angeles since.I've written a number of libretti for operas, almost all for the LA Opera – some original pieces, some translations from German or Italian. My writing partner, the composer, Lee Holdridge, was – in a way – once G.R.R. Martin's ‘writing partner' in that he composed the scores for the TV series Beauty and the Beast, for which Martin was a script writer.I'd been a hard-core RPG gamer for years when the idea for these books just fell out of the sky one morning, and I started writing. I have hardly had a moment to log on to any game — I'm too busy exploring the New Rock stories as they unfold.My publisher, Caezik SF & Fantasy, is a company of enthusiasts who love these genres. I am delighted to join their family of authors, and to be working with their executive editor, Lezli, Robyn.Three sequels – New Rock New Realm, New Rock New Rules, and New Rock New Roads, have been completed and will be published in due course. I'm currently working on the fifth book.https://richardsparks.com/___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Support the Show.https://livingthenextchapter.com/Want to support the show and get bonus content?https://www.buzzsprout.com/1927756/subscribe
LA Opera's PR team published a post to Instagram that was about periods and the women who have them. The post meant to be empowering to women and celebrate International Women's Day by celebrating menstruation. That post received some backlash because not all women menstruate. The all female PR team issued an apology and things got a little wonky because the internet allows anyone to voice an opinion. Not everyone is good at this writing thing like we am so is it any wonder that tempers flare and tensions escalate? Good intentions meet bad results and public backlash in this week's episode!
Erica Petrocelli and Roderick Dixon are no strangers to the LA Opera stage. Listen as they join Senior Director of Artistic Planning Paul Hopper to explore their characters and favorite musical moments in Zemlinsky's The Dwarf, as well as what it means to truly see oneself. Don't miss this rarely performed one-act opera, playing now through March 17. Tickets are on sale at LAOpera.org.
On this episode of the podcast, I sit down with Author, screenwriter, and a man of many talents Richard Sparks to talk about his new novel, New Rock New Role. ***** Born in England, and a graduate of Oxford University (Exeter College, where, like both JRR Tolkien and Philip Pullman before him, he studied English Language and Literature), Richard started out as a writer of stage plays, comedy revues and TV, for such shows as Not the Nine O'clock News. Rowan Atkinson performed his Schoolmaster sketch in John Cleese's The Secret Policeman's Ball. UK TV credits include The Famous Five, The Flying Kiwi, The Optimist, The Worst of Hollywood, and a lot of script editing. On being hired by Columbia Pictures TV, Richard moved with his family to Los Angeles. His lyrics have been recorded by talents as diverse as Dom de Luise, Eric Idle, Vanessa Williams and Plácido Domingo. He has written libretti for several new operas composed by Lee Holdridge (TV's Beauty and the Beast, et al.), produced by the LA Opera, as well writing new English versions of German and Italian classics. His non-fiction books, Diary of a Mad Poker Player, and its sequel, Getting Lucky, chronicle his adventures in the poker boom of the 2000's. Along the Cherry Lane is his biography of the music producer, Milt Okun.“High Adventure Spiced with Low Comedy,” inspired by his love of online role-playing games, New Rock New Role is the first of four volumes Richard has written so far in the New Rock fantasy series, and is his fiction debut. Website: https://richardsparks.com/ ********If you would like to contact the show about being a guest please email us at Dauna@betertopodcast.comFollow us on Social MediaThis episode is on YouTube: https://youtu.be/_Fm2Ce6dcmUInstagram: https://www.instagram.com/author_d.m.needom/Facebook: https://www.facebook.com/bettertopodcastwithdmneedomHave a question or want to be a guest on the podcast email: dauna@bettertopodcast.comHave a question for our producer Rich Zei contact him at rich.zei@thirdearaudio.comIntro and Outro music compliments of Fast SuziTo see upcoming guests click here: https://www.dmneedom.com/better-topodcast©2024 Better To...Podcast with D. M.NeedomSupport the show
In this episode, Richard Seaver Music Director James Conlon walks us through the history, the plot and of course the music of Highway 1, USA by William Grant Still. Don't miss this rarely performed one-act opera featured in our upcoming Double Bill, tickets are on sale now at LA Opera.org.
In this episode, Richard Seaver Music Director James Conlon walks us through the history, the plot and of course the music of The Dwarf by Alexander Zemlinsky. Don't miss this a rarely performed one-act opera featured in our upcoming Double Bill, tickets are on sale now at LA Opera.org.
In our wide-ranging conversation, opera singer Limmie Pulliam joins me to trace his unbelievable rise from rural Missouri choirboy to gracing world stages like the LA Opera and the iconic Metropolitan Opera House. Limmie reveals the discrimination he once faced as a Black artist, with opera houses telling this gifted vocalist to lose 50 pounds before an audition. After taking a 12-year hiatus from opera, Limmie returned more empowered to confront biases head-on. When the pandemic threatened his comeback, a chance Clubhouse friendship opened unexpected doors, from “kitchen concerts” to an offer from LA Opera soon having him make history singing lead roles no other Black man had at the Met. Yet through dizzying career highs and deep personal losses, Limmie credits his family and friends for keeping him anchored through grief and self-doubt. His is a triumph of spirit, talent, and grace. Limmie teaches us that we must be ready when fortune shines on us, even in adversity. His perseverance through unimaginable barriers makes him an inspiration to me and a rare talent to watch. Host: Daymond John Producers: Beau Dozier & Shanelle Collins; Ted Kingsbery, Chauncey Bell, & Taryn Loftus For more info on how to take your life and business to the next level, check out DaymondJohn.com See omnystudio.com/listener for privacy information.
Looking forward to this season's Recovered Voices project, Dr. Tiffany Kuo shares the history of Traces, a staged vocal work by Luciano Berio, censored at the height of the Civil Rights Movement. Listen in as Dr. Kuo explores the intricacies of this controversial and important work. Tickets to LA Opera's Recovered Voices Double Feature are available now at LAOpera.org.
#208: Hey, How to LA listeners! We're trying something new and hanging out with friends and colleagues from L.A. who are checking out interesting, fun, new happenings in the city.Guests: Imperfect Paradise host Antonia Cereijido and Marty Preciado, an arts and culture executive who serves as commissioner for LA County Supervisor Hilda Solis and works to advance community strategies for The Ford, LA Phil, LA Opera and other organizations. Here's what each person pitched for YOUR social calendar: 100 Carats: Icons of the Gem World at the Natural History MuseumCurrently on view (until April 2024) The Great Wall of Los Angeles, by Judy Baca Luna Luna: Forgotten FantasyIf you wanna tells us what you're doing on your weekends, holler at us howtola@scpr.org
Richard Sparks has been successful in so much of his work from writing The Schoolmaster, performed by Rowan Atkinson, to aiding an opera singer to launch her career. The one area he couldn't seem to get into was fiction writing, until now that is. On today's episode, I am so excited to have writer and author Richard Sparks on the show to discuss his prior pieces of work as well as his new fantasy novel! Richard shares what it was like to work with John Cleese, Rowan Atkinson, and others. At the end of the episode, we hear a clip from his new fantasy story, New Rock New Role that talks about a man who gets sucked into a video game and is trying to understand how he got there. This is Richard's take on how it would feel to be a character in one of the games that he frequently plays. The clip we hear is from early on in the book and series, and there is more to come! Grab a free audio book chapter and ebook chapter or buy the full novel released December 12 on his website - www.richardsparks.com! IN THIS EPISODE:[1:37] Richard tells us about what he's been doing and the work he's done with John Cleese, Rowan Atkinson and others.[6:38] A clip from The Schoolmaster by Richard Sparks and Rowan Atkinson.[10:14] Richard tells us about his experience in the music industry. [11:58] Richard shares about his new project, a fantasy, and how it was inspired from real life. [19:45] A clip from New Rock New Role read and written by Richard Sparks. KEY TAKEAWAYS:Richard doesn't take credit for launching people off into their careers, he says they are all a collaborative relationship, where both sides are needed to be successful. Comedy is fear and pain and misery and disasters and things going wrong and people falling into puddles and betrayals and miscommunications and what good adventure isn't full of that.Richard struggled to become a fiction writer because he couldn't connect with the content. He has now finally embraced fiction writing now that he can use his own voice.Check out HelloFresh and use my code truefictionprojectfree for a great deal: https://www.hellofresh.com/Check out Rosetta Stone and use my code TODAY for a great deal: https://www.rosettastone.com/Fiction and Schoolmaster Credits:Excerpt written by: Richard SparksExcerpt narrated by: Richard SparksSchoolmaster Clip performed by: Rowan AtkinsonSchoolmaster Clio written by Richard SparksBIO:Born in England, and a graduate of Oxford University (Exeter College, where, like both JRR Tolkien and Philip Pullman before him, he read English), Richard started out as a writer of stage plays, comedy revues and TV, for such shows as Not the Nine o'clock News. Rowan Atkinson performed his Schoolmaster sketch in John Cleese's The Secret Policeman's Ball. UK TV credits include The Famous Five, The Flying Kiwi, The Optimist, The Worst of Hollywood, and a lot of script editing. On being hired by Columbia Pictures TV, Richard moved with his family to Los Angeles. His lyrics have been recorded by talents as diverse as Dom de Luise, Eric Idle, Vanessa Williams and Plácido Domingo. He has written libretti for several new operas composed by Lee Holdridge (TV's Beauty and the Beast, et al.), produced by the LA Opera, as well writing new English versions of German and Italian classics. His non-fiction books, Diary of a Mad Poker Player, and its sequel, Getting Lucky, chronicle his adventures in the poker boom of the 2000's. Along the Cherry Lane is his biography of the music producer, Milt Okun. “High Adventure Spiced with Low Comedy,” inspired by his love of online role-playing games, New Rock New Role is the first of four volumes Richard has written so far in the New Rock fantasy series, and is his fiction debut.Richard Spark's Website Richard Spark's FacebookRichard Spark's Instagram Buy New Rock New Role Fantasy Novel Today!Our Sponsors:* Check out HelloFresh and use my code truefictionprojectfree for a great deal: https://www.hellofresh.com/* Check out Rosetta Stone and use my code TODAY for a great deal: https://www.rosettastone.com/Support this podcast at — https://redcircle.com/true-fiction-project/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In this special episode of Behind the Curtain, join LA Opera Connects' Vice President Tehvon Fowler-Chapman and LA Opera staff as they share their favorite songs and recordings to listen to during the holidays.
Lina González-Granados is conducting LA Opera's “El Último Sueño de Frida y Diego.” She reflects on the show's themes of love and forgiveness, plus her journey to U.S. orchestras. OpenAI, the company that created Chat GPT, unexpectedly ousted its chief executive Sam Altman on Friday. By Monday, Microsoft had hired him to run a new research unit. “A federal appeals court heard oral arguments today over whether a lower court's gag order violates former President Trump's free speech rights. KCRW hears how the film, TV, and theater business is going for Bill Veloric, a talent agent with Innovative Artists, and Carmen Cubah, an Emmy Award-winning casting director.
In this episode, CEO for La Plaza de Cultura y Artes, Leticia Rhi Buckley, reads the synopsis for El último sueño de Frida y Diego. Playing November 18-December 9, tickets are available now at LA Opera.org
Louis Lohraseb has been an opera fan for as long as he can remember, first becoming enamored with the art form after hearing a performance on tv. Now, he's back in Los Angeles, a former Young Artist here at LA Opera, conducting this season's The Barber of Seville. Listen in as Louis discusses his journey to conducting, the mentors who shaped his career and his favorite musical moments in The Barber of Seville, with Senior Director of Artistic Planning, Paul Hopper. Playing now through November 12, tickets to The Barber of Seville are available at LAOpera.org.
In this episode, Senior Director of Programs for LA Opera Connects, Dr. Andréa Fuentes, reads the synopsis for The Barber of Seville. Playing October 21-November 12, tickets to The Barber of Seville are available now at LA Opera.org
[@ 5 min] It's an ‘Inside the Huddle' is a double-header! First up, in the middle of rehearsals for “The Barber of Seville” at LA Opera, it's the dreamy Italian bass-baritone Luca Pisaroni... [@ 34 min] For the second interview of theTwi-night, it's the young Heldentenor Robert Watson, who just completed his Lyric Opera debut as Erik in “The Flying Dutchman"... [@ 55 min] Plus, in the ‘Two Minute Drill'… We say farewell to one of the true digital originals: James Jorden… GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore
In this episode, Vice President of LA Opera Connects, Tehvon Fowler-Chapman, reads the synopsis for Don Giovanni. Playing September 23-October 15, tickets to Don Giovanni are available now at LA Opera.org
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