Podcasts about Bamboo

Today, we're going to talk about the top foods for hair growth. Number 4 is the most important!1. Bamboo shoots are high in trace minerals, potassium, and silica—essential for building hair protein. Silica makes hair strong and elastic and also prevents breakage and brittleness. Silica supports skin, joint, and bone health as well!2. Wild-caught salmon is an excellent source of protein and is loaded with nutrition. It's also one of the best sources of omega-3 fatty acids. Wild-caught salmon is a potent source of vitamin D3, which can improve nearly every problem with hair loss. Vitamin D controls the hair follicle and can activate dormant hair follicle stem cells.3. Egg yolks are loaded with biotin, vital for keratin production. They also contain all of the fat-soluble nutrients that are essential for hair growth and hair health. Egg yolks are a rich source of cholesterol, a precursor for the hormones necessary for hair growth. Cholesterol increases hair shine and luster and strengthens the hair shaft. Egg yolks contain vitamin D and sulfur, which supports a healthy scalp.4. Grass-fed liver contains concentrated amounts of almost every nutrient. It's high in iron, vital for oxygen transport to the scalp. One of the most common causes of hair shedding is iron deficiency. An iron deficiency can be caused by low iron or a copper deficiency. Copper is vital for the proper function of iron, and beef liver is loaded with it! It also contains zinc, which is essential in the appropriate ratio to copper. Zinc is necessary in the formation of hair and protein synthesis. Beef liver also contains folate and vitamin B12, which can reduce graying. The nutrients in beef liver are bioavailable, so your body can easily absorb them. Beef liver contains the active, bioavailable form of vitamin A and biotin. It's best to get biotin from a food source rather than a supplement.

In this empowering episode, we're talking directly to the dads and partners! If you've ever wondered “What can I actually do during labor?” — this one's for you. We're breaking down exactly how you can be a confident, calm, and supportive presence in the birth room. From hands-on comfort techniques to powerful advocacy tips, you'll leave this episode knowing how to show up for your partner like a pro. Plus, we're sharing go-to resources that will help guide you every step of the way. Let's turn nervous energy into confident action — because you play a crucial role in this birth story!   BIRTH EDUCATION: Get the free class to help you avoid a c-section and reduce your risk of tearing!    Join The Birth Lounge here for judgment-free childbirth education that prepares you for an informed birth and how to confidently navigate hospital policy to have a trauma-free labor experience!   Download The Birth Lounge App for birth & postpartum prep delivered straight to your phone!   Brought to you by: Cozy Earth, Use code HEHE at checkout to save 40% off your purchase!  Cozy Earth has the softest, coziest pajamas on earth! I love their bedding, pajamas (I have three pair), socks, towels, and loungewear! I am a die-hard Cozy Earth fan and will absolutely be packing my CE pajamas in my birth bag and living in them during postpartum! Try their Bamboo sheets risk free with their 100 night trial! Use code HEHE at checkout to save 40% off your purchase!  INSTAGRAM: Connect with HeHe on IG: https://www.instagram.com/tranquilitybyhehe/   LINKS MENTIONED: Dad Daze Course    

Markets are red across the board — and yes, crypto felt it too.But in the middle of the chaos, Bitcoin's getting a surprising nod from BlackRock's CEO… could it really challenge the US dollar?And Binance? They're under fire again — this time for questionable token listings and dumping stablecoins.We're unpacking all of it — the bloodbath, the bold claims, and the backlash — right here on Crypto Curious.TIMESTAMPS1:58 Trump's Liberation Day slaps the world!5:35 Trace asks ...6:51 Blackrock's Larry Fink calls it9:44 Binance called out by its own users13:55 Short, sharp news bites****You can sign up for our Equity Mates Crypto Newsletter here****If you're enjoying these episodes please subscribe to our podcast on your preferred platform, leave a review, or share this episode with a friend or family member.If you want to start investing in Bitcoin, Ethereum, Gold & Silver, you can download the Bamboo app here. Use the code CURIOUS for $10 in BTC when you sign up.Follow the Crypto Curious Instagram here.Join the Crypto Curious Facebook Group here.*****In the spirit of reconciliation, Equity Mates Media and the hosts of Crypto Curious acknowledge the Traditional Custodians of the country throughout Australia and their connections to land, sea, and community. We pay our respects to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander people today.*****Crypto Curious is a product of Equity Mates Media.This podcast is intended for educational and entertainment purposes. Any advice is general advice only and has not taken into account your personal financial circumstances, needs, or objectives.Before acting on general advice, you should consider if it is relevant to your needs and read the relevant Product Disclosure Statement. And if you are unsure, please speak to a financial professional.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

More bathroom ghosts/A fierce spirit is looking for victims   Patreon (Get ad-free episodes, Patreon Discord Access, and more!) https://www.patreon.com/user?u=18482113 PayPal Donation Link https://tinyurl.com/mrxe36ph MERCH STORE!!! https://tinyurl.com/y8zam4o2 Amazon Wish List https://www.amazon.com/hz/wishlist/ls/28CIOGSFRUXAD?ref_=wl_share Help Promote Dead Rabbit! Dual Flyer https://i.imgur.com/OhuoI2v.jpg "As Above" Flyer https://i.imgur.com/yobMtUp.jpg “Alien Flyer” By TVP VT U https://imgur.com/gallery/aPN1Fnw “QR Code Flyer” by Finn https://imgur.com/a/aYYUMAh Links: EP 1427 - Boost Your Paranormal Powers In Four EASY Steps! (Oregon Ghost Conference 2025 Bathroom Ghosts Odd Emotions-Nostalgia, Liminality, Deja Vu, Synchronicity episode) https://deadrabbitradio.libsyn.com/ep-1427-boost-your-paranormal-powers-in-four-easy-steps EP 1425 - The Singapore Soul Sucker https://deadrabbitradio.libsyn.com/ep-1425-the-singapore-soul-sucker Dead Rabbit Radio Recommends: The Lady of the Lake https://www.imdb.com/title/tt27202828/?ref_=fn_all_ttl_2 Stay at the Most Haunted Hotel in Colorado https://nightlyspirits.com/stanley-hotel-ghost-stories/#:~:text=UNDERGROUND%20CAVES,those%20mysterious%20tunnels%20once%20led. Kuntilanak https://en.wikipedia.org/wiki/Kuntilanak Pontianak https://en.wikipedia.org/wiki/Pontianak Bamboo cannon https://en.wikipedia.org/wiki/Bamboo_cannon Pontianak Sultanate https://en.wikipedia.org/wiki/Pontianak_Sultanate Syarif Abdurrahman Alkadrie https://en.wikipedia.org/wiki/Syarif_Abdurrahman_Alkadrie Pontianak Harum Sundal Malam https://en.wikipedia.org/wiki/Pontianak_Harum_Sundal_Malam THE TRADITION OF CARBITE CANON AS A POTENTIAL TOURISM DESTINATION BASED ON HISTORY OF THE CITY OF PONTIANAK WEST KALIMANTAN https://jurnal.icjambi.id/index.php/ijes/article/view/179   ------------------------------------------------ Logo Art By Ash Black Opening Song: "Atlantis Attacks" Closing Song: "Bella Royale" Music By Simple Rabbitron 3000 created by Eerbud Thanks to Chris K, Founder Of The Golden Rabbit Brigade Dead Rabbit Archivist Some Weirdo On Twitter AKA Jack YouTube Champ Stewart Meatball Reddit Champ: TheLast747 The Haunted Mic Arm provided by Chyme Chili Forever Fluffle: Cantillions, Samson, Gregory Gilbertson, Jenny the Cat Discord Mods: Mason http://www.DeadRabbit.com Email: DeadRabbitRadio@gmail.com Twitter: https://twitter.com/DeadRabbitRadio Facebook: www.Facebook.com/DeadRabbitRadio TikTok: https://www.tiktok.com/@deadrabbitradio Dead Rabbit Radio Subreddit: https://www.reddit.com/r/DeadRabbitRadio/ Paranormal News Subreddit: https://www.reddit.com/r/ParanormalNews/ Mailing Address Jason Carpenter PO Box 1363 Hood River, OR 97031 Paranormal, Conspiracy, and True Crime news as it happens! Jason Carpenter breaks the stories they'll be talking about tomorrow, assuming the world doesn't end today. All Contents Of This Podcast Copyright Jason Carpenter 2018 - 2025  

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In this episode of the Grace & Grit podcast, I'm excited to share my conversation with Angi McClure, a neuro-based Movement Therapist and creator of Bamboo Bodies™. Together, we explore a fresh perspective on aging that combines ancient practices with modern brain science. In our discussion, we cover: How to train your brain for better aging outcomes The fascinating relationship between seasonal changes and our body's natural rhythms Practical ways to shift from resisting to embracing the aging process If you're looking for alternative approaches to aging well or want to feel more connected to your body during midlife, this conversation offers both inspiration and practical strategies you can implement right away. You can listen here: https://graceandgrit.com/podcast-378 MENTIONED IN THIS EPISODE Foot Massage Video:  https://body401k.myflodesk.com/foot-sensory-video Upcoming Foot Workshop: https://www.bamboobodies.com/events/training-event-feet2025 *** ⬇️ Tools to rock your second act. ✅ Start Here: https://graceandgrit.com/start-here/ ✅ Listen to the Podcast: https://graceandgrit.com/podcast ✅ Weekly Bit of Grace & Grit: https://graceandgrit.com/rumbleandrise ✅ ️Leave a Podcast Review: https://graceandgrit.com/podcastreview ✅ Rumble & Rise with Courtney: https://graceandgrit.com/readytorumble ✅ Subscribe on YouTube: https://graceandgrit.com/youtube-subscribe ✅ Visit us online: https://graceandgrit.com  

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A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express join host Miko Lee as she talks with Asian American theatre artists with works coming up soon. Miko talks with Sunhui Chang and Joan Osato about their world premiere at the Magic Theatre. She speaks with Ethnotech's Nancy Wang and Robert Kikuchi-Yngojo and finally we hear from playwright Jiehae Park on the world premiere of the Aves at Berkeley Rep. Though we may be immersed in a complicated, challenging and very disturbing world, as Grace Lee Boggs said, “A people exercising their creativity in the face of devastation is one of the greatest contributions to humankind.”     Our Guests discussed: April 2-20, 2025 Magic Theatre The Boiling, a tale of american nihilism tickets, wheelchair accessible Joan Osato SFFILM Cedar Road Iyagi Grant Applications:  sffilm.org/artist-development Ethnohtec May 22 Ethnohtec https://sfpl.org/events/2025/05/22/panel-strong-bamboo-3-part-1 Strong Like Bamboo SF Library Koret Auditorium Free https://sfpl.org/events/2025/05/25/performance-strong-bamboo-3-part-2   Coming Up Next Transcript   Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:00:34] Tonight on APEX Express join host Miko Lee as she talks with Asian American theatre artists with works coming up soon. Miko talks with Sunhui Chang and Joan Osato about their world premiere of the boiling at the Magic Theatre. She speaks with Eth-Noh-Tec's Nancy Wang and Robert Kikuchi-Yngojo and finally we hear from playwright Jiehae Park on the world premiere of the aves at Berkeley Rep. Though we may be immersed in a complicated, challenging and very disturbing world, as Grace Lee Boggs said, “A people exercising their creativity in the face of devastation is one of the greatest contributions to humankind.” So join us on APEX Express as we join some creative conversations.   Miko Lee: [00:01:17] Tonight on Apex Express, we have the collaborators behind Magic Theater and Campo Santo's, world Premier of the boiling: a tale of American nihilism. Welcome playwright Sunhui Chang and video artist Joan Osato.    Joan Osato: [00:01:30] Thank you for having us on, Miko.    Miko Lee: [00:01:33] Yes. First I'm gonna start for each of you with a personal question, which is an adaptation from the amazing Chinaka Hodges. And my question for each of you, and let's start with Joan first, is who are your people and what legacy do you carry with you?    Joan Osato: [00:01:49] I consider myself a child of immigrants in this country. My lineage Japanese, Japanese American by way of Hawai'i a lot of my lineage is carried by that diaspora, but also by my history at Youth Speaks for a couple of decades. And so I consider that my family also and Camp Santo.    Miko Lee: [00:02:12] Yay. Love that. And then Joan, what legacy do you carry with you?   Joan Osato: [00:02:17] A legacy of resilience and I know how to farm. I like to think of myself as a gardener and a great farmer. so that's the legacy I carry with me.    Miko Lee: [00:02:29] Thank you so much, Joan. Sunhui, what about you? Who are your people and what legacy do you carry with you?    Sunhui Chang: [00:02:36] Well, I'm part of the diaspora, the Korean American diaspora that happened in the seventies. My family immigrated to the island of Guam in 1976, as part of developing the island of Guam. As, you know, the Korean diaspora at that time in the seventies, we were kind of shipped around the world a little bit, for our labor. There's a huge Korean population of workers that also went to West Germany and other places, Guam is not as well known, but it was definitely part of that. So in 76, our family landed on the island of Guam.    Miko Lee: [00:03:11] Wow, that's so interesting. And then what about what legacy you carry with you?    Sunhui Chang: [00:03:16] I think my legacy I have to say is that definitely of the immigrant working class, you know, as with a Korean diaspora, there's some things of, like the East Coast Koreans, as you may know, have a different history of being much more educated whereas kind of the west coast and the Korean diaspora during the seventies towards islands like Guam, we were much more working class. So that is my legacy. I have working class roots that, I never seem to be able to get away from and I don't want to.   Joan Osato: [00:03:47] Shoot. That's the same for me too, my working class roots.   Miko Lee: [00:03:51] So it sounds like you two have some commonalities there and that seem to have flowed over into the creation of this play. Sunhui can you talk about an overview of this brand New World premier, the boiling.    Sunhui Chang: [00:04:05] Simply put, it's a story of a tracker and a tracer, a government team that was formed to track and trace down carriers of the virus called the Boiling. and it actually. starts out as a chase, but what we really dig into is more about, identity, home, what it means to be, what is home and what it means to be, at home, and also, about redemption, you know, through our lives, you know? So it's multi-layered, so it's hard to kind of explain in a log line. but it's a chase story that kind of delves into the characters.    Miko Lee: [00:04:40] And I understand this was inspired by a real news story. Can you tell us about that real news story?    Sunhui Chang: [00:04:46] Oh, yeah. the genesis of this we have to kind of go back to the beginning of the pandemic back to December, 2019. I had just finished a gallery installation in San Francisco and then at the end of that I flew back to Seattle. Now at that period of time, there was this talk that there's this virus that's in China. That might affect us, we're not quite certain, but it could be something that could lead to a global pandemic, but we didn't quite know at that time. But then when I landed in Seattle, March 17th, 2020 was the date that Governor j Insley shut down the state of Washington. So that is a big take 'cause, As you know, we all hunkered down at that point. And then in one of the hunkering down is of course, I was watching the news and one of the news story, happened to come across where they were talking about a Econo Lodge motel that the state of Washington had purchased to turn into a quarantine motel, a voluntary quarantine motel where people who, felt that they were infected could check themselves in, to be evaluated. So the story goes that two people had actually checked into this motel totally voluntarily, but one of them the morning after. And this is captured, with a surveillance video. We actually see this one person walking out of their room at the motel. We see them walk across the street to a gas station with a market. Now the surveillance actually then switches over to the gas station surveillance, which shows him walking to the gas mart, walking inside, making a purchase, and then actually walking out. And then we see another footage of the surveillance that's going from the outside surveillance of the store. We actually see him, walk towards the bus stop, get on a bus. And then just the bus leaves and that is it. And the news story ends with that. They had no idea where this person drifted off to. and for me it just, it had this weird, eerie fascination that just grabbed me. and remember at that time, Seattle was such a hotbed for Covid. It was where the nursing home happened, where so many of the elderly had passed on, and we didn't even wanna secondhand touch a surface, so there was a real heightened sense of alarm that was happening. So seeing this story of this potential infected person just drifting off. And then what made it eerie was that I wanted to see what followed up. So for days after I kept watching the news, what is the follow up? What happened? It was never brought on again. Never. Another mention I. and for me that actually made it even more eerie. So it really sat with me, to the point where I had to actually just write down the first words of my, the first line of my story, the boiling. And the first line was, “Carrier X stepped out of the tightness of his room and breathed deeply the soft drizzle of the Pacific Northwest to cool his body from the growing fever.” So those were the first words that I wrote. and then it was just kind of off to the races 'cause the way I write Miko is that I'm very much organic. I kind of set a story and then I become a vessel of the story. I don't come to the story with agendas or anything of that nature. After the first sentence, it just kind of took a life of its own. So that's it.    Miko Lee: [00:08:18] That is amazing. I did not hear that story. and the real news story. That is wild. That would've sat with me too. Joan, had you heard of that story before being brought onto this project?    Joan Osato: [00:08:29] Well, when we did a reading during the pandemic. I did hear parts of that story, but I think it's also a story that a lot of us can relate to, because like here in the Bay Area, of course, we also experienced severe lockdown. Whereas in other parts of the country, I think that the type of lockdown, although being, you know, trying to be really safe for people also induces this sense of isolation and paranoia. And so wanting to get information about who's getting affected and like, where's it happening? I think that was all like kind of a mini obsession of like. Everyone who experienced the pandemic, you know what I mean?    Miko Lee: [00:09:10] How do you think that pandemic has had an impact on theater and on audiences?    Joan Osato: [00:09:16] Well on the most basic levels, you know, like what theaters are grappling with, just in terms of coming out of and recovering from pandemic, I think everybody understands that, you know, theater in general is struggling because of the changes that happened in terms of, Perhaps what people place importance on the isolation that we went through, the kind of, paranoia about being in groups of people and in space and in community together. And so, that affects, you know, theaters and you can, you can see that since the pandemic some have closed. But I also think that, the effects are also that, groups like The Magic or Campo Santo during the Pandemic, we never stopped working and we just figured out innovative ways to, you know, support artists, do radio plays, do, amalgamations of like filming. And so a lot of us became like very, very adept at different types of media that are theatrically based, like Sunhui's play, but that we had to carry out, like online or, you know, through other types of media.    Sunhui Chang: [00:10:30] I just wanted to add on that is that, the pandemic, you know, there there was definitely things that really affected us as humans in such a negative way, but what I also found admiring was, with Joan and Camp Santo and the artists and trying to find creative ways of, still letting, having an outlet. it really was that the story of the boiling would not have taken place if artists such as Joan and Camp Santo. If they didn't, if they weren't able to pivot and make these kind of online transitions at the moment, such as doing readings and such, cause that's how the story was first brought about. So, in many ways it was hard. But also I do appreciate these artists who have been able to kind of keep going and didn't shut down and kept letting the creative creativity somehow flow. I so appreciated that.    Joan Osato: [00:11:20] Yeah, it was definitely a beautiful thing. And then, you know, Miko, throughout the pandemic, you know, we would have like online viewings of our archives or we would sit with audience members, who were joining us and basically hang out for like three, four hours online. So trying to create the space not only to kind of generate support for artists who are. Completely outta work, but also to, just connect us even though we were. You know, obviously under these conditions where we couldn't see each other in person and it wouldn't have been advisable for us to even try to gather, you know, because, I consider us, you know, in-inside of our community extremely vulnerable. So, you know, just grappling with that tension, was really hard.    Miko Lee: [00:12:09] Yeah. And I kind of hear both of you saying that in those really tough times, there was this push to get more creative, to find more ways of reaching people and, and to look at ways that we can, um, innovate given that, and I'm wondering, given our current political climate where things are changing every hour now. I mean, the first Trump administration, it was kind of every week and now it feels like every hour a new kind of devastating thing is happening. I'm wondering how you both think theater can be used as a tool for social change.    Sunhui Chang: [00:12:41] For me Theater and, and really the arts, what I do love about it, is this really, and I kind of touch upon it with the story and such, and it really hit me during, COVID, during the pandemic, is that it's really for me, what it does is listening.  I know as artists, we love telling our story. We love telling what we see, our interpretations and things like that. but I think what I have really come about with the arts is the fact that I like the other side of it is the listening part, for me with my collaborators, that I have to listen. You know, it's not about just me talking, but just listening. So for me, the theater aspect of it and the art aspect of it is that I hope that, as we go through these tough times, what it really has us doing is listening to each other more. One of the things that I really feel in that way and appreciative of listening is the fact that without listeners, there's no storytelling. Listening is really the foundation of our humanity. You know, I mean, just talking really gets us nowhere. What really makes us move forward collectively is listening.   Joan Osato: [00:13:50] Mm, Sunhui heard that. Yes, I heard that. [laughs] As far as theater and kind of responding to the moment. I think, you know, the type of theater that we embody is always speaking to politics is always speaking to, you know, the culture of the moment and especially it's speaking, because a lot of Campo and the Magic's work is like based inside of, theater companies that live, work, breathe, are about by and for the communities, like in the Bay Area right. So there's just no way of separating the kind of politics from what happens like inside of these plays. For the boiling in particular though, I think there's a lot of stuff that, that people can think about and here inside the play that will resonate with them. One, we're, we're talking about a hypothetical, but it's not really a hypothetical situation about a pandemic, a very, harmful, very urgent, current conditions. You know, when there's no CDC to have, get your information from when there's no public health that's functioning in this country, we can, we can see what happened during the last pandemic and just make that comparison and draw those comparisons, you know, what would happen in the next one. Right. also that, you know, to me and Sunhui, you can totally. speak to this, but to me, Carrier X, the person that represents is this kind of violence and nihilism that exists inside of the, you know, the current, you know, psyche or administration right at this moment. this real like. It's definitely violent to the point of not caring whether people live or die and so I, you know, I think that's very striking about the play and it happening right now as premiering it right now, because I think people can draw a lot of parallels between. Like this personality, this complete disorder that seems to be going on, like not only in American politic, but amongst the large population in America itself. You know what I mean? That kind of disregard.    Miko Lee: [00:16:18] Joan, that is so interesting. I wonder if you both can talk a little bit more about Patient X as this kind of figure of narcissism and selfishness that we're seeing that's happening in our broader politics right now.   Sunhui Chang: [00:16:31] Yeah, Carrier X, he does, you know, he does kind of represent this nihilism of American nihilism, which to me it's really historical and cultural. we could go all the way back to the nihilism of manifest destiny, feeling like we have something to do that it was even, maybe. God's order, you know, a higher order that was given to us. And we have to take on this task and finish the task at no matter what cost, right? By any means necessary in a way. and that nihilism for me, I. historical, but when I see it currently that happens now, is that I see nihilism in the fact that people want to cut off Medicaid, Medicare, these social programs that are not just help people actually are crucial and it's really, it's a survival. So for me, when I see that kind of disregard, yes, it's not this overt violent nihilism, but I do find it to be so nihilistic in the damage that it does to all of us, you know? And I do find That this nihilistic violence, there's two flip side to it. The people who are directly affected, and harmed by it, but also the people who carry it are out, who carry out these acts of nihilism they do get damaged as well. So for me, so yeah, the nihilism, it's taken on a different life, but. It's a part of America and it seems to continuously carry forward through our days.    Miko Lee: [00:18:00] And Sunhui with the intentional characters, the lead being Korean American adoptee, and, the detective being a black woman, and then carrier X being white. Share with me a little bit about the racial element and your intention behind making those characters of those, ethnic backgrounds.    Sunhui Chang: [00:18:20] You know, there was no intention, as I said, I just write very organically. So there was never this thought of, oh, here's the three characters. One's gonna be a Korean adoptee, one's gonna be a black homicide detective, and another's gonna be a white carrier. It was never that I. It's hard for me to explain the process, but those were the characters that just kind of naturally came out. for me, it just felt fitting to it. So, I don't have agendas as I write, as I said, so there was none of that. It was just for me, as a vessel of the story, as a story was coming out, it was just. Oh yeah, this character is this, this character is that, and this one is this. so no intention. But, once those things came alive, then the story kind of, evolves around what's, organically happening. So yeah, there wasn't intent, but at the end of it all, of course, I go, oh, I see what has come about and how the story is so, In hindsight now going, oh yeah, I did this. for me, it feels right in the, in the fact that for me, this is America Miko. To me, I, I don't write with an Asian American kind of pen, or, or a brown person pen for me, I actually first and foremost say I'm an American. There's no way around it. and it's simply put too, is that. I am an American. so for me, these characters are just. Natural. And when I know about me being American and knowing about American history, these characters just naturally fit in, you know?    Miko Lee: [00:19:50] Yep. Thank you so much. I've read that you talk about new Americana theater. Mm-hmm. And also Joan, you were talking about how during the pandemic, you know, everybody's learning new techniques, new ways of storytelling, just because everybody was forced to with the lockdown. Sunhui, can you talk more about what you believe New America Theater is all about?    Sunhui Chang: [00:20:12] For me, the reason why I kind of see it as new Americana theater, first off, 'cause it's, it's American, the stories that come out of me is very American. you know, and I recognize it. And for me, I, it is, this is part of the American fabric, so that's why it's called Americana. And for me, I say it's new. 'cause what's new is the perspective that it's coming out from. perspective, which brings on different characters, a different storyline, you know, different message. So yeah, that's, that's it for me when I refer to it as New America in the theater. It's just that, that it's, it's an American tale that now we've been able to incorporate new voices into.   Miko Lee: [00:20:54] I noticed there's a really large list of collaborators. Of course the two of you, but then there's a lot of other people as well. Can you talk about that creative process, how you all were able to work together, how you made decisions about, oh, this is the part we're gonna use film, this is the part we're gonna use, movement.   Sunhui Chang: [00:21:11] Like I said, it's very much organic. Our third major collaborator is Ellen Sebastian Chang. she is the director of the show, and when me, Joan and her, we first started delving into it, we did. It was just sitting down and talking a lot. Going through the scripts, the different skill sets that we bring in. And really it was through the dialogue miko and of us talking with each other, but also listening to each other. and that was a big part is that as we started listening to ourselves, we came out with this direction.    Miko Lee: [00:21:47] And what would you both like the audience to walk away with after seeing the boiling?   Joan Osato: [00:21:52] I think, you know, as Sunhui talked about this, ritual of deep listening and so, the play doesn't guide anyone towards some natural conclusion that they should have about, you know, it's, it's not saying you, you must believe this, it's really leaving it up to the viewer, the listener, to draw their own conclusions. And, I think that, that people who come to this will be incredibly moved. I think that they will see a lot of parallels with what we're going through now and what we've gone through. And examine there is a kind of shameful history that we all need to grapple with, whether we own it or not. You know, Sunhui had talked about manifest destiny and that being like one of the founding, you know, kind kinds of principles that this country is founded upon. And there are many, many others That I think the play touches on which give pause and, and give the people who are engaging with this, room to think and reexamine their own actions in the world and how they approach it.   Sunhui Chang: [00:23:02] I'll just mention as an aside, you know, some of the things that we're looking at is. Our disconnect from the natural world and how that has impacted the natural world. Right.  I think Joan is spot on in, in that about, yeah, first and foremost, I do find this so important once again to say about listening. I do. I, that is the big thing that I would love is that for us to, if we really wanna truly have dialogues, and especially with people who we disagree with, and there is a lot of disagreement in this world right now. and for me, yeah, to, Get us back to a place where we could really listen to each other and not be in such a place where all we wanted to do is kind of say what we have to say. It's almost this thing of, oh, you know, the other has to listen, the other has to listen. And I really would like it that it becomes kind of more inward that we all say, Hey, it is time for me to listen. And then of course just the fact that when, as we listen to each other, what I do find and what I hope that others find as well, is that we're much more connected and we have so many things that tie us together than separate.   Miko Lee: [00:24:19] Well, thank both of you so much for joining us on Apex Express. Is there anything else you wanna add?   Sunhui Chang: [00:24:24] Just one thing, Miko, one of the elements of this play, is this natural world with birding and I would love to just, one of the big inspiration is that it's just a quote from Emily Dickinson and the quote is, “hope is the thing with feathers.” For me, I would love for people to kind of sit with that and think about that and what that means for us as human beings in relationship to the natural world, you know, and the importance of that.   Miko Lee: [00:24:52] Oh, that's such a beautiful visual image. Thank you so much for sharing that. I appreciate both of you for sharing your time with me.    Joan Osato: [00:24:59] Thank you, Miko.    Sunhui Chang: [00:25:00] Thank you Miko    Miko Lee: [00:25:01] The Boiling is a brand new play, and it's a story of a Korean American adoptee Brian, who's a virologist from the Midwest, and a former homicide Detective v, a black woman who lives in the Pacific Northwest, and they're partnered to do this trace and track from north to south. They're following David, a white nihilistic carrier of a feverish virus called the Boiling. This world Premier Show opens to the magic theater and runs from April 2nd through April 20th. You can get more information about this show, including links to buy tickets at our show notes on kpfa.org/programs/apexexpress.   Ayame Keane-Lee: [00:25:42] Next we'll listen to an excerpt from The Camp, the first opera on the Japanese American Concentration camps during World War II. The camp premiered from February 22nd to March 2nd, 2025 at the JACCC Aratani Theater in Los Angeles. Composed by Daniel Kessner, who combines modern classical with Japanese instruments, A libretto by Lionelle Hamanaka, directed by Diana Wyenn, with Associate Director John Miyasaki, 11 singers and a 22 piece orchestra conducted by Steve Hofer. The incidents in The Camp Opera were drawn from different camps where over 126,000 Japanese Americans were imprisoned to see the many Japanese American groups that supported this project, including JANM, DENSHO and Raf Shimpo see the camp opera.com and if you know a place where The Camp can be performed near you, please contact the campopera.com/support.    MUSIC   Miko Lee: [00:27:53] Welcome to Apex Express. I'm so glad to have Eth-Noh-Tec once again, we get Robert Kikuchi-Yngojo and Nancy Wang.   Nancy Wang: [00:28:03] Yay. Yes. Hi. Hello. So glad to be here with you Miko.   Miko Lee: [00:28:07] We have been friends and colleagues for, it feels like a hundred billion years. The times that we're in are so complicated right now. But I just wanna first start with the question I often ask people, which is for each of you to tell me who are your people and what legacy do you carry with you?   Nancy Wang: [00:28:27] Well, I am Chinese American, and I am fifth generation on my mother's side. And. So we go all the way back to 1850 when our family first came on a junk boat and started the fishing industry in the Monterey Bay area.    Robert Kikuchi-Yngojo: [00:28:45] And I am, half Japanese, half Filipino, born in San Francisco, raised in Concord, California, and living in the Bay Area for all my life.   Miko Lee: [00:28:50] And what legacy do you carry with you?    Robert Kikuchi-Yngojo: [00:28:58] Well, I guess the identity I have as an Asian American, Japanese, and Filipino, um, I embrace all of that. The legacy is, as an artist, a performer. I've dedicated my life to creating works that reflect an Asian American consciousness, social, political, cultural. Both traditional works as well as new modern stories and music as well.    Nancy Wang: [00:29:25] And I was also a psychotherapist, so my work in the arts, whether it's dance, which I started out being a dancer and then a playwright, and then storytelling. I always weave in the healing aspect of what we all need to do in our communities. And so I use my art to also bring solace and bring celebration and bring, Depth and and the breadth of who we are as Asian Americans, as human beings, as part of this world, this country, then this city, so that we can celebrate who we are together.   Miko Lee: [00:30:04] Thank you for that. I hear you talking about activism, Asian American history, who we are and healing. I'm wondering if you could give me an update about what you're working on right now.   Nancy Wang: [00:30:14] Well, we have several things in the pipeline. I, for one, just finished writing and has now published Red Altar, which is the story of my ancestors. Three generations are followed in this book, about how they established the fishing industry in the Monterey Bay area. All the ways they had to reinvent themselves as laws were passed against them. The people try to get rid of them. And it's really a story of courage and determination and persistence, ingenuity and obviously success. Because I'm here. So I'm gonna be doing some more readings and that can be found on our webpage. Right. And Robert,    Robert Kikuchi-Yngojo: [00:30:55] I am focusing on archiving our work and after working with Nancy and creating Eth-Noh-Tec for the last 43 plus years, we have developed over 200 stories, and we put them on stage. We've written them, some of them are now being written as a compendium of stories. These are Neo-traditional folk tales and myths from Asia. And, people don't know much of this, but I am also an artist, so I'm creating illustrations that depict these stories. That's one project.   Nancy Wang: [00:31:23] Yeah, that's our next book. but what we're really excited about is our second Strong Like Bamboo, stories of resilience in the era of Asian American hate, but it's really broadened beyond Asian American because this year on May 22nd, will be a gathering of Latino and Asian artists and musicians, storytellers, and activists to just sit around and really share our stories, share our music, share our concerns, and to build bridges with each other because it, we will need to increase, our coalitions during this era. It's gotten worse, so we really need to come together.   Robert Kikuchi-Yngojo: [00:32:08] and we titled it strong like bamboo because of the Asian anecdote about, you know, one bamboo can snap, but together binding many bamboo together we're much stronger. So it's a call out to the community to bring all of our constituents and broaden that so that we are strong, as people of color.    Nancy Wang: [00:32:25] And of course we're gonna have food, which always brings us all together. But also bamboo can bend. Without breaking, so that's on a Thursday, May 22nd. But on May 25th, I have curated four other storytellers to tell their stories of their racist experiences and how they came through it to a healing place.    Robert Kikuchi-Yngojo: [00:32:48] There's a gathering of Asian American storytellers, both from the Chicago area and also from the west coast.    Nancy Wang: [00:32:53] And there'll be a panel so they can ask questions and we can have discussions. But after that, the people in the audience will have the opportunity to break up into small groups of three in which they get to share their own stories, their own concerns, and that's really the whole thing is about inspiring people to come through what they're going through and coming out, on the other side with some hope and healing. Because when we share our stories, we lift that particular burden of, say our story about our racist experience. We lifted off our own shoulders and we get to share it. With someone who's listening with compassion and we don't feel alone anymore. It's really a powerful, powerful way to find community connection, relation, and strength.   Robert Kikuchi-Yngojo: [00:33:45] And we'll have also in both of those events, resources in earlier years, I was an Asian American songwriter and did a lot of songs of not just identity, but of unity. I'm also gonna be singing a theme song called Bamboo, which is part of the title and also, a work by Chris Jim, famous of the Chris and Joe Asian American Duet from years ago. the one song we're still here, though it was written 30, 40 years ago. It's still pertinent to what's going on now, especially declaring that America is a multiracial, multiethnic, texture of society.   Nancy Wang: [00:34:20] and, in 2026 we're gonna bring on, African-American and Euro-American, storytellers also, so that we really have a multicultural representation of all who we are and how we still will need to come together. I hope things will be better by 2026, but who knows?    Miko Lee: [00:34:39] Thank you so much for sharing about how storytelling can really be a tool for social change. Is there anything else you wanna share with our audience?   Nancy Wang: [00:34:47] Yeah. please come to our strong like Bamboo on May 22nd and 25th is gonna be at the San Francisco Public Library Main Library, both are free to the public May 22nd the Thursday at May 22nd, it's gonna be in Hispanic room,    Robert Kikuchi-Yngojo: [00:35:05] and what time?   Nancy Wang: [00:35:06] Six to seven-thirty. And on Sunday it'll be in the presentations, the performances in the panel will be in the Koret auditorium, and then small groups will convene in the Hispanic room, which is right next door, and it's got elevators. So no problem, in getting there. Plus Bart and the bus is, it's easy to get there. And so that's what we wanted so that people could feel welcome.    Robert Kikuchi-Yngojo: [00:35:35] And that second show on Sunday Strong like Bamboo will feature our guest artist storytellers, professional storytellers. One of them being a local Eleanor Clement Glass who's half African American and Filipino, talking about her experiences. And then also, two guest artists from Chicago, one of them being Lillian Ji, who is a Japanese American hapa. Then third is, Archie Jun, who is a Thai American gay comedian storyteller who is a total riot. we are really wanting to blend many of our communities together to hear this talent Yes. And to deal with the topics.    Nancy Wang: [00:36:10] So we would love for the LGBTQ plus community to come out as well and support him and feel proud because all of the stories will, will really showcase our strength and our ability to deal with these things and come out the other side. So we are hoping that in the process of telling our pain, but coming out, on the other side, that it will be an inspiration for everyone to keep going during this difficult, very difficult time.    Miko Lee: [00:36:41] Thank you so much for joining me today.    Nancy Wang: [00:36:44] You're welcome. Thank you   Ayame Keane-Lee: [00:36:46] You are listening to 94.1 KPFA and 89.3 KPFB in Berkeley, 88.1 KFCF in Fresno, and online worldwide at kpfa.org.   Miko Lee: [00:37:05] Welcome Jiehae Park to Apex Express. I am so excited to talk to you about the world premier of the aves opening at Berkeley Repertory Theater, May 2nd through June 8th. Welcome to Apex Express.    Jiehae Park: [00:37:19] Hi, Miko. It's so nice to be here. Thanks for having me.    Miko Lee: [00:37:22] I wanna just first start with a personal question, which is, who are your people and what legacy do you carry with you?   Jiehae Park: [00:37:31] Hmm. I love the phrasing of that question. I was born in Korea and I came to the states when I was three years old with my parents who came to go to graduate school. And my father's family fled the north during the war. And my mother's family had always been in the south. And I definitely think that who they are and where they came from is a big part of who I am and the questions that I think of. And in a lot of ways, not just, racially and culturally, but also in terms of their interests. They're both scientists. This play deals, I hope thoughtfully with questions of identity and consciousness, that I've always been interested in.    Miko Lee: [00:38:18] And what legacy do you feel like you carry with you from them?   Jiehae Park: [00:38:22] Hmm. I mean, I write a lot about immigrants. This play isn't specifically about that, but in a lot of my previous work, I, I have. have written a lot about immigrants and I feel like my parents, you know, they came to this country when they were in their twenties. They didn't speak the language. They came from a generation of folks and at that time in the country where they were really, they had to be a certain way to survive. And I think that, intensity of work ethic, and the things that you also have to give up in order to get to where you think you wanna be, that question is, is part of their legacy to me. It's a, it's a gift and also something that, like a lot of other immigrants, I think I'm always sort of turning over in my mind and, and trying to look at from other angles.    Miko Lee: [00:39:12] Thank you for sharing. I'm wondering if you can talk to us about, first this title of your, world Premier, the aves. Where did this title come from? What is it about?    Jiehae Park: [00:39:23] So the title is the Latin word for Birds. And, the play there's a mystery that sort of unspools early on. So without, without giving too much away we see this old couple on a bench, on a park bench, and they have clearly been together for a long time and they are having a conversation that seems like a very ordinary conversation. And over the course of the first scene, we soon learn that they are discussing, doing something that will have ramifications throughout the rest of the play. And the aves is a word that I loved because of the association with birds. There, there are birds that make an appearance in this play, in both pedestrian and unexpected ways, in mysterious ways, and hopefully humorous ways. and then the connotation also of Ave Maria and this, this feeling of the sacred, which also infuses the play, which has a lot of humor, but also when I was writing it, I was thinking a lot about nature and the passage of time and this feeling of awe that I get when engage with nature. And I think that word also has those connotations for me.    Miko Lee: [00:40:46] And that sounds like a mystery that people need to come to find out more about. Can you tell us what inspired this work?    Jiehae Park: [00:40:54] I used to live on the northside of Central Park in Harlem, and I had this tiny, tiny little window that looked out, onto the north side of the park. And every day I would sit down to write and through my tiny window, I would see the same man sitting on this bench every day. And as the seasons changed and the leaves changed and the light changed, but still every morning there was the consistency of seeing the same person. And I think I I was thinking a lot about the passage of time and of nature shifting And I think subconsciously I was thinking about getting older myself. This was a time before I had children, but I was starting to become aware of my parents aging and generationally My peers, also our parents were aging and, and starting to have, you know, the complications and the beautiful things that can come with that. So I think all of that was a big soup in my subconscious. and I sat down and I wrote the first scene very quickly and then. I didn't know exactly what the rest of the play was gonna be, but I knew structurally that the first scene would be this old couple and that the second scene would be, a slightly different configuration of, of bodies. But that was hard to be so mysterious, um, and that the nex scene would be a different specific configuration of body. So I was thinking about the age of the bodies that you're watching and the story evolved from that. And I guess I should say that the play is set in a moment sort of best after now. So it's not the present, but it's not the distant future. It's certainly not like hard sci-fi by any means, but I think it uses some tools of speculative fiction. To ask questions that hopefully are illuminating about ourselves now.    Miko Lee: [00:42:59] Interesting. Did you ever talk with the man in the park that inspired this piece?   Jiehae Park: [00:43:05] You know, it's so funny. After the first couple of weeks of watching him, I realized he lived in my building and I hadn't noticed him before.    Miko Lee: [00:43:18] Wow. That's amazing.    Jiehae Park: [00:43:20] And I think that that's also something that. I had been thinking a lot about at the time this question of presence and attention, especially in New York, which is a city that is so loud. I mean, I love, I love New York and there's so many things that I love about New York, but it is such a loud city and it is hard to hear yourself think and, and the quality of attention in any. I was gonna say in any city, but in like any moment in our extremely chaotic world, I mean, especially now, that sort of quiet present quality of attention that I think is so beautiful and so rare, and I associate with, I'm not religious, but, but when I was a kid, I was, and this, this quality of, of sacred space, I think I was, I was really curious about that. And at the time, I think I had also that year gone on a silent meditation retreat. so trying to bring that quality of attention to my ordinary life as a urban citizen, I think was also part of the experience of writing the play. But yeah, he lived in my building and I hadn't noticed him before. And so this question of what do we notice and what do we need to shift in ourselves to notice what's in front of us and has been in front of us.    Miko Lee: [00:44:44] I am hearing you talk about a sense of presence and, and time passing. I'm wondering if that is what you want the audience to walk away with or are there other things that you're interested in provoking with this piece?    Jiehae Park: [00:44:57] As an audience member, when I go to any play, I always hope to leave a little bit different than how I entered and. That shift can be really subtle. In fact, for me as an audience member, sometimes it feels more profound when it is subtle. So on, on like at like a really baseline level. We've been having a lot of conversations with the design team about how to create this. Quality of space that feels different from the mundane so that when we enter the space of the theater, so for our body chemistry changes and that we are being asked by the play to lean in and pay attention perhaps in a way that we're not asked to pay attention, in, in the world outside of that room. And to be able to request that of an audience and share that with an audience. Together, I think is such a beautiful thing. And, and one of my favorite things about any collective experience when, when it all feels like we're breathing together. And my hope is that that's something that we can create, at a, like a biochemical level in our bodies, on a sort of more. Intellectual, emotional, philosophical level. I think there are questions that the play is asking about, what makes us, us and memory and the ability of a person and a relationship to change over a long period of time. And over the course of events that. May require forgiveness. those were certainly things that I was thinking about while I was writing it. So there's also that, that more character relational level of questioning that, that I think, will resonate with people, in different ways depending on where they are in their lives. And then I think especially because, you know, there's a lot of conversation about sandwich generation now, like folks, I. Who have dealt with aging themselves or aging parents and, the complexities and possibilities that can create. I think that there's another layer of the play that stirs up some of those questions as well.   Miko Lee: [00:47:04] Speaking of complexities and possibilities, I understand that you studied music and that you're also an actor and then you also write for Marvel's Runaways. Can you share a little bit about how these different elements impact you as a writer, as a creator?    Jiehae Park: [00:47:20] Yeah, so I started as an actor, which I think a lot of people do, mostly because it's the most accessible thing. Like you can audition for a play. You can't sort of audition to write a play. you can just write a play. But that, I think, came later for me. I don't really perform a ton anymore, although I did love it. and then the shift to television happened eight or so years ago. There's a big movement of playwrights moving into television, during peak tv. And they're very different. there is some shared similarity in storytelling instincts and craft. but the mediums are just really different, so I feel like I get very different things from, from all of them. I feel like I learned being a performer for a long time. As an artist, it's just getting to bump up against people who you think are fascinating and learn from them what you like and what you don't like, and who you wanna be and who you don't wanna be. and from tv I think I learned, To not be so precious. It takes a really long time for me to write a play. and I used to think, oh, I have to go into the woods and like be silent for a month and then like a play will emerge. And like sometimes it happens and it, that feels like a blessing when it does. But in TV, because there's so much money at stake and so much time pressure that you know, when something's due, it's just due and you turn it in. And if it's not perfect, you just deal with it and you make it as good as you can. And I think that there's a certain amount of shedding of perfectionism, which has been really healthy for me. but I do. Love the theater for the ability to spend a long period of time contemplating something and, and making it with a group of people who feel inspiring and we're all moving towards the same thing. and I think there's a little bit more space or a lot more space in the theater for things that may feel. mysterious or more open. whereas in television especially these days with the sort of decline of peak TV, there's an expectation of propulsion. Like overt propulsion, if that makes sense. That is not a criticism like, you know, I also love TV. but it is, it's like the pace of it is different and the ask of it is different than the ask of a play and and the baseline thing of just, you're not in the same room with the people experiencing it that is so special in theatre.    Miko Lee: [00:49:45] How do you go about shifting that mindset for that kind of speed of TV that you're describing versus the kind of longer meditative state of creating theater?    Jiehae Park: [00:49:55] Yeah, I mean, I think there's hopefully a two-way exchange. Because I also think that bringing some of those qualities of thoughtfulness and deliberation to the world of TV within the container, within the boundaries of it, can be incredibly useful. And ultimately a lot of the things that delight people, delight people regardless of the format. So that, like, that feeling of inevitable but surprising, like that's something that is of tremendous value in all mediums, right? I think for me personally, when I write a play. I try to make a space in my life that is a little more still. and I have a toddler now, so that's challenging. But in a way, working in television has been really helpful for that because, you know, I don't have five hours in the middle of the day to, you know, be with myself and listen to the trees. I maybe have like 30 minutes, but to try to drop into that as. quickly and without angst, without like working myself up about it. 'cause that's a waste of time. That's been a useful lesson to learn. Whereas working in television can feel a lot less lonely also than playwriting because in a writer's room, most shows in the states are written in the writer's room, there are few exceptions, and you're with a group of people. And so there's a sort of energetic exchange happening there that in a play only happens much, much later when you're in rehearsal and ideally in production. there's a sort of joyful energy and exchange that can happen in a writer's room, both when you're breaking the story and then ultimately when you're in production. And there's like many, many more people involved. And there's the crew and the cast and you know, all of the technical departments and producers. I feel like you mentioned, Code switching earlier. And, humans are so adaptable and I think we automatically sort of shift our brain chemistry and our body chemistry in response to the environment around us. sometimes very consciously, sometimes unconsciously, sometimes both. so I think a certain amount of that is just, okay, these are the given circumstances. And then, you become who you need to be in that space.   Miko Lee: [00:51:54] Thank you for sharing. Okay. I have one last TV question, which is that given that everybody's in this writing room together and you're, there's kind of a speed that's attached to it, do you feel like things get thrown out more quickly and with less kind of emotion attached to it than in theater?    Jiehae Park: [00:52:10] It's possible. I think it depends on the person. So I just worked on season four of the morning show last year. And there is a real need on that show because it deals with the news to be absorbing what's happening in the world and shifting the story based on that. And so that there has to be a sort of lightness around that. So in that kind of environment, absolutely. but I've also been in other rooms where someone got really attached to an idea, and maybe it was clear that that idea wasn't gonna work out, but there was, there was still like something, in it that wanted to be held onto and, and it may be hung on for a long time. And that process. Also could have happened, like that exact parallel process could have happened in a play. And actually in neither of the situation, is that necessarily a bad thing? Like is there something about that idea that maybe is not the idea itself, like the emotional core underneath it or the deep, deep idea underneath it that is useful? That even if the manifestation of the thing doesn't continue, if the manifestation gets thrown out, but like the real thing that was underneath it was important gets folded in in some unexpected way. I don't think it's a bad thing either way. It just is the peculiarities of any particular process.   Miko Lee: [00:53:22] And it sounds like it's about the people too, right?    Jiehae Park: [00:53:25] Yes, definitely. Absolutely. Yeah, yeah. Yeah. And I've certainly been in that book where I'm like, oh, I really think it's like this. It's gotta be this, it's gotta be this. And then, you know, two years later, I look at the draft, I'm like, oh, no, no, no. It, it is definitely not that. Like let me take that entire thing out. and it just was in that particular moment, I wasn't ready for whatever reason to let go of that idea. And that's okay. I am now, and then it moves on.    Miko Lee: [00:53:48] We're circling back to the beginning of the conversation about the aves, which is about presence and being in that moment. And where you are in that moment might be, no, this isn't right. And then years later you say, oh yeah, that wasn't right. Or that was right.   Jiehae Park: [00:54:03] Yeah, exactly, exactly. To listen to yourself is a, you know, I, I am, I've been doing this for a long time now and, that is still something that I feel like I always have to learn, that I think just is a human.   Miko Lee: [00:54:15] Yes. The perennial lesson of Yes, intuition. I'm wondering if you could tell our audience why they should go see the aves.    Jiehae Park: [00:54:24] My hope is that if you are curious about a certain kind of experience and attention in the theater, that you'll accept our invitation to this play, which is an unusual play. I don't think that everyone should see this play, just like, I don't think everyone should see any particular work of art, but if the things that we've been discussing, if the sort of vibe that you're getting from this conversation resonates with you, then the experience of seeing this play with a group of people who are also curious about that kind of experience may be something. That is enjoyable for you and would probably therefore also be enjoyable for that audience to be together with you and for the play to be together with you in that space.    Miko Lee: [00:55:17] Thank you so much for spending time chatting with us. Folks can see the aves at Berkeley rep May 2nd through June 8th. Thank you so much, Jiehae.   Ayame Keane-Lee: [00:55:26] For you Asian American film makers out there: SFFILM announced a new annual filmmaking grant in partnership with Cedar Road. The SFFILM Cedar Road Iyagi Grant is dedicated to fostering bold, original feature film projects that amplify Asian and Asian American perspectives on screen. In Korean, iyagi means “story”—a word that embodies the heart of this grant's mission: to champion storytelling as a powerful bridge connecting people across cultures and perspectives. A link to the grant application will be available in our show notes.    Miko Lee: [00:55:58] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important.    APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee.  The post APEX Express – 4. 3.25 – Coming Up Next appeared first on KPFA.

This episode of our favourite podcast features the one and only Kie Kie, a content creator, actress, and comedian. Over two hours, they discuss what it takes to grow and build a solid career as a content creator, the falsehood around "femininity," and some hilarious advice. Remember to use #ISWIS or #ISWISPodcast to share your thoughts while listening to the podcast on Twitter! Rate the show 5 stars on whatever app you listen to and leave a review. Share with everyone you know, and if you also watch on YouTube, subscribe, like, and leave a comment! To be one of the 10 people who will get $100 cash back by funding their Bamboo wallet with $200 by Friday, 4th April follow this link - https://app.adjust.com/1m9ph3zoMake sure to follow us on Twitter: @ISWISPodcastInstagram: @isaidwhatisaidpodYoutube: @isaidwhatisaidpod Hosted on Acast. See acast.com/privacy for more information.

Crypto Curious is back this week with a VERY special guest… She's been making people laugh through every bear market…the queen of crypto comedy and founder of Web3 Is A Joke – welcome, Mona!First up, the notorious Lazarus Group and Kim Jong Un were spotted popping bottles in Ibiza—because apparently, laundering billions just isn't thrilling enough without a beachfront DJ set.Meanwhile, Bitcoin maxi Michael Saylor has stunned the crypto world by—brace yourself—buying Ethereum. That's right, the man who put “laser eyes” in his LinkedIn bio just aped into ETH.In corporate news, Ripple is making waves—literally. They've just acquired Trojan Condoms. Why? We have no idea, but let's hope their liquidity stays as strong as their protection.And finally, Coinbase CEO Brian Armstrong has returned from Turkey with… a full head of hair. That's right—crypto winter might still be dragging on, but Brian's hairline? Bull market confirmed.Buckle up—it's April Fools', and nothing is as it seems. Let's get into it!****Show links:web3isajokeXInstagramYoutubeTikTok****You can sign up for our Equity Mates Crypto Newsletter here****If you're enjoying these episodes please subscribe to our podcast on your preferred platform, leave a review, or share this episode with a friend or family member.If you want to start investing in Bitcoin, Ethereum, Gold & Silver, you can download the Bamboo app here. Use the code CURIOUS for $10 in BTC when you sign up.Follow the Crypto Curious Instagram here.Join the Crypto Curious Facebook Group here.*****In the spirit of reconciliation, Equity Mates Media and the hosts of Crypto Curious acknowledge the Traditional Custodians of the country throughout Australia and their connections to land, sea, and community. We pay our respects to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander people today.*****Crypto Curious is a product of Equity Mates Media.This podcast is intended for educational and entertainment purposes. Any advice is general advice only and has not taken into account your personal financial circumstances, needs, or objectives.Before acting on general advice, you should consider if it is relevant to your needs and read the relevant Product Disclosure Statement. And if you are unsure, please speak to a financial professional.Hosted on Acast. See acast.com/privacy for more information. Hosted on Acast. See acast.com/privacy for more information.

This week, the podcast is graced by the amazing Banke Kuku, one of the most outstanding designers in Nigeria. A very demure and gentle babe, Banke joins your favourite troublemakers in giving some advice before diving into what it takes to build a luxury brand in Nigeria, and the difficulties in accepting plagiarism and imitation rampant in the creative spaceTo get some beautiful outfits, you can find Banke Kuku Online here - https://bankekuku.myshopify.com/Insagram - https://www.instagram.com/bankekuku/?hl=enThis is the link for the Coins by Bamboo app referral https://app.adjust.com/1m9ph3zoRemember to use #ISWIS or #ISWISPodcast to share your thoughts while listening to the podcast on Twitter! Rate the show 5 stars on whatever app you listen to and leave a review. Share with everyone you know, and if you also watch on YouTube, subscribe, like, and leave a comment! Make sure to follow us on Twitter: @ISWISPodcastInstagram: @isaidwhatisaidpodYoutube: @isaidwhatisaidpod Hosted on Acast. See acast.com/privacy for more information.

Welcome back to Crypto Curious! This week, the M&A race is heating up—Kraken's making big moves, and Coinbase isn't far behind.Plus, Trump is doubling down on stablecoin regulations—could this be the breakthrough crypto needs?And finally, EOS is out, and Vaulta is in—we break down what this shake-up means.All that and more, coming up. Let's dive in!

Fluent Fiction - Japanese: Bamboo Grove Bonding: Unraveling Leadership in Nature's Embrace Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-03-25-22-34-01-ja Story Transcript:Ja: 春の嵐山竹林は、青々とした竹の木々と美しい桜の花びらで彩られていました。En: In the spring, the Arashiyama bamboo grove was adorned with lush green bamboo trees and beautiful cherry blossom petals.Ja: 木漏れ日が広がる道には花びらが舞い、穏やかで活気のある雰囲気が漂っていました。En: On the sun-dappled path, petals danced, and a calm yet vibrant atmosphere lingered.Ja: このような場所で、マーケティング会社のチームビルディングのためのリトリートが開催されていました。En: In such a place, a retreat for team building was held for a marketing company.Ja: アキラは若くて野心的なマーケティング担当者です。En: Akira is a young and ambitious marketing professional.Ja: 彼は昇進を目指して、この機会を活かそうとしています。En: He's aiming for a promotion and intends to make the most of this opportunity.Ja: しかし、自分の能力に対する自信の無さも抱えていました。En: However, he's also plagued by a lack of confidence in his abilities.Ja: 一方、チームリーダーのはるかは冷静で落ち着いた態度で知られていますが、内心ではチームのダイナミクスを失うことを恐れていました。En: On the other hand, the team leader, Haruka, is known for her calm and composed demeanor but secretly fears losing the team dynamics.Ja: チームには、新しいメンバーのヨシもいました。En: The team also included Yoshi, a new member.Ja: 彼は、少し経験不足ですが、やる気に満ちています。En: Though a bit inexperienced, he is full of enthusiasm.Ja: リトリートの最初の日、チームは協力して課題に取り組んでいました。En: On the first day of the retreat, the team was collaborating to tackle challenges.Ja: しかし、アキラの内面の葛藤が時折姿を現し、はるかのリーダーシップと衝突することがありました。En: However, Akira's internal conflicts occasionally surfaced, clashing with Haruka's leadership.Ja: それに加え、ヨシの熱意が誤解を生み、小さなミスが発生することもありました。En: Additionally, Yoshi's enthusiasm sometimes led to misunderstandings and minor mistakes.Ja: だが、アキラはヨシの成長のために、助け合うことを選びました。En: Yet, Akira chose to help Yoshi grow.Ja: その姿勢は、自分の野心とチームワークのバランスを取るための新しい試みでした。En: This attitude was a new endeavor to balance his ambition with teamwork.Ja: ある日、チームは竹林の中で行われるチームビルディングの演習の最中、突然の雨に見舞われました。En: One day, during a team-building exercise in the bamboo grove, they were suddenly caught in a rain shower.Ja: 竹の葉の下に避難するしかなく、いったん足を止めることにしました。En: They had no choice but to take shelter under the bamboo leaves and come to a brief halt.Ja: その時、リーダーシップが試される瞬間が訪れました。En: It was a moment when leadership would be tested.Ja: アキラは自ら進んでチームをまとめ、安全な帰り道を探しました。En: Akira willingly stepped up to lead the team, guiding them to find a safe path back.Ja: 彼の指示のおかげで、チームは無事に雨宿りができ、次への場所に向かうことができました。En: Thanks to his direction, the team was able to take shelter from the rain and proceed to the next location safely.Ja: この出来事の後、はるかはアキラを信頼するようになり、昇進を与えることを決めました。En: After this incident, Haruka began to trust Akira and decided to grant him a promotion.Ja: また、ヨシもこの経験から多くを学び、次第にチームの中で調整を図るようになりました。En: Moreover, Yoshi learned a lot from this experience and gradually began to adjust within the team.Ja: アキラは自信を持つことができ、野心とチームワークの価値を理解するようになりました。En: Akira was able to gain confidence and come to understand the value of ambition and teamwork.Ja: 春の嵐山竹林での経験は、彼ら全員にとって、心深く残るものとなりました。En: The experience in the spring Arashiyama bamboo grove left a deep impression on all of them. Vocabulary Words:adorned: 彩られていましたlush: 青々としたpetals: 花びらdappled: 木漏れ日が広がるlinger: 漂っていましたretreat: リトリートambitious: 野心的plagued: 抱えていましたdemeanor: 態度dynamics: ダイナミクスenthusiasm: 熱意collaborating: 協力してtackle: 取り組んでいましたinternal: 内面のconflicts: 葛藤surface: 姿を現しendeavor: 試みbalance: バランスexercise: 演習shower: 雨shelter: 雨宿りhalt: 足を止めるtested: 試されるguiding: まとめpromotion: 昇進gradually: 次第にadjust: 調整confidence: 自信ambition: 野心impression: 心深く残る

"I enjoy feeling disorientated sometimes; being exposed to sound worlds which don't reveal their inner logic. The bamboo recording felt like one of those moments.  "I wanted to take the rhythms of the creaking bamboo & weave something around it, thinking about nature, preservation and the encroachment of technology, as well as Brazil's immense percussive heritage & influence. "The piece of music which has emerged is darker than I anticipated, perhaps reflecting the times we're living through. "The main components were put together on a train, which may have informed its repetitive nature. Some serendipitous equipment malfunctions; digital distortion, timing inaccuracies, also made their way in, and have been retained. "Initial work was done using segments of the recording as samples in a Polyend Tracker Mini, then supplemented by Logic Pro running various plugins, some analogue outboard distortion, and a Dreadbox Nymphes synthesizer. "Off-kilter rhythms, and a sense that everything might fall over at any minute are very much part of the deal, but bamboo is resilient; it may flex, but rarely breaks." Ilha Grande soundscape reimagined by Andrew Tulloch. ——————— This sound is part of the Sonic Heritage project, exploring the sounds of the world's most famous sights. Find out more and explore the whole project: https://www.citiesandmemory.com/heritage

Vous aimez les comics ? Vous aimez la bande dessinée ? Dans le registre tous publics ? Vous êtes curieux ? Vous souhaitez découvrir de nouveaux auteurs ? Alors vous êtes arrivés pile poil au bon endroit. Poursuivant notre volonté de mettre en avant les travaux de celles et ceux qui amènent des comics en France, nous avons rencontré au cours du FIBD en début d'année (et qui se fait déjà loin, mine de rien) l'éditeur Marc-Antoine Fleuret. Celui-ci a décidé un jour de tout plaquer pour se lancer dans l'édition, en lançant sa propre maison, Les Aventuriers de l'Étrange. Une aventure qui n'a pas été sans mal, mais qui trouve aujourd'hui un nouveau souffle en étant intégré chez Bamboo, et avec un nouveau nom : Les Aventuriers d'Ailleurs ! Cette histoire vous est racontée par l'éditeur dans ce nouveau podcast SuperFriends !Venez rencontrer une maison d'édition que vous ne connaissez peut-être pas !Au cours de cette émission d'une bonne heure, Marc-Antoine Fleuret reviens sur son parcours, les choix qu'il a pris pour monter sa maison d'édition, et revient aussi en toute franchise et lucidité sur les difficultés ou erreurs de parcours faites en chemin, tout en traçant les contours de sa ligne éditoriale, notamment avec l'auteur Derek Laufman qu'on ne peut que vous encourage à découvrir. Un bon SuperFriends comme on aime à vous les proposer !Découvrir Bot 9 à ce lien !Découvrir Duncross à ce lien !Découvrir Ally & Gator à ce lien !Si vous appréciez ce podcast et notre travail, ne manquez pas de le faire savoir : il est vital d'avoir un maximum de soutien, en ligne ou ailleurs, pour faire découvrir le podcast, notre approche de la culture comics & bande dessinée, et tout le temps et les efforts que nous passons à vous produire ces émissions qui permettent de plonger dans les coulisses de l'édition. Merci à toutes et tous de partager l'émission, et de nous avoir écouté, et à bientôt pour le prochain podcast !Soutenez First Print - Podcast Comics de Référence sur TipeeeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Fluent Fiction - Japanese: Unveiling Secrets: The Bamboo Grove's Hidden Legacy Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-03-21-22-34-02-ja Story Transcript:Ja: 春の訪れとともに、嵐山の竹林には穏やかな風が吹いていました。En: With the arrival of spring, a gentle breeze blew through the bamboo grove in Arashiyama.Ja: ここはカナが心の安らぎを求める場所です。En: This is the place where Kana seeks peace of mind.Ja: 竹の茎が太陽の光を受けて鮮やかに輝き、鳥たちのさえずりが静寂をやさしく破ります。En: The bamboo stalks shone brightly as they caught the sunlight, and the birds' chirping gently broke the silence.Ja: 春分の日。En: The vernal equinox day.Ja: 今日は特別な日でした。En: Today was a special day.Ja: カナはいつもの場所に座り、深呼吸をして心を落ち着けます。En: Kana sat in her usual spot, took a deep breath, and calmed her mind.Ja: しかし、そのとき、地面に何かが見えました。En: However, at that moment, she noticed something on the ground.Ja: 茶色い小さな封筒です。En: It was a small brown envelope.Ja: 封筒は少し古びていましたが、カナは興味をそそられてそれを手に取ります。En: The envelope was slightly old, but Kana was intrigued and picked it up.Ja: 封筒を開けると、中には短いメッセージが。En: When she opened the envelope, there was a short message inside.Ja: 「家族の過去と未来を知りたければ、竹林の秘密を探れ」と書かれていました。En: It read, "If you want to know the past and future of your family, seek the secret of the bamboo grove."Ja: 心がざわつきます。En: Her heart was stirred.Ja: カナはこのメッセージが何を意味するか知りたくなりました。En: Kana became curious about what this message could mean.Ja: それでカナは幼なじみのハルトを訪ねました。En: So Kana visited her childhood friend, Haruto.Ja: ハルトは好奇心旺盛な性格で、ことごとく新しい冒険を求める男の子です。En: Haruto is a boy with a curious personality, always seeking new adventures.Ja: 「ねえ、ハルト。この手紙、どう思う？」カナはハルトに封筒を差し出しながら言いました。En: "Hey, Haruto. What do you think of this letter?" Kana asked as she handed him the envelope.Ja: ハルトはそれをじっくり読み、「これは冒険の始まりかもね。まず、この秘密を探ろう」と言いました。En: Haruto read it carefully and said, "This might be the start of an adventure. Let's first uncover this secret."Ja: それで二人は竹林をもっと調べることにしました。En: With that, the two decided to investigate the bamboo grove further.Ja: 調査を進めるうちに、竹の茂みの中に古い日記を見つけます。En: As they continued their investigation, they found an old diary among the bamboo thickets.Ja: 日記はカナの家族について詳しく書かれていました。En: The diary contained detailed information about Kana's family.Ja: 長い間隠されていた家宝が、アキコという近所の芸術家の家に関係していることがわかります。En: It turned out that a long-hidden family heirloom was connected to the house of a nearby artist named Akiko.Ja: アキコは秘密主義で有名ですが、絵を通した独特の表現力を持っています。En: Akiko is known for being secretive but possesses a unique form of expression through her paintings.Ja: 彼女の助けを借りて、カナは日記の謎を解く手がかりを得ることができました。En: With her help, Kana was able to find clues to solve the mystery of the diary.Ja: アキコは冷静に言いました。「心を閉ざさずに、過去を受け入れることが大切よ。」En: Akiko calmly said, "It's important to keep your heart open and accept the past."Ja: カナは両親と向き合い、日記のことを話す決心をしました。En: Kana resolved to face her parents and discuss the diary.Ja: 思いもよらないことに、両親は心を開き、家族の歴史について初めて話しました。En: To her surprise, her parents opened up and spoke about their family's history for the first time.Ja: 「家宝はただの美しいものではない。絆を描いた私たちの歴史なのだ」と。En: "The heirloom is not just a beautiful object. It's the history of our bonds," they said.Ja: その日、カナは自分の過去を受け入れ、家族と再び絆を深めることができました。En: That day, Kana was able to accept her past and strengthen her bonds with her family once again.Ja: 自信を持つ彼女は、未来をしっかりと見据えて歩き始めました。En: With newfound confidence, she began to walk forward, firmly looking towards the future.Ja: 竹が春風に揺れるように、カナの心もまた新しい一歩を踏み出しました。En: Just as the bamboo sways in the spring breeze, Kana's heart took a new step forward. Vocabulary Words:arrival: 訪れgrove: 竹林gentle: 穏やかなbreeze: 風whispered: ささやいたchirping: さえずりequivalent: 対等のintrigued: 興味をそそられるenvelope: 封筒stirred: ざわつくadventure: 冒険investigate: 調べるdiary: 日記heirloom: 家宝expression: 表現clue: 手がかりmystery: 謎resolved: 決心をしましたbonds: 絆confidence: 自信purpose: 目的confidence: 自信strengthen: 強化するpossession: 所持calmly: 冷静にaccept: 受け入れるhistory: 歴史silence: 静寂curious: 好奇心旺盛なuncover: 探る

The new episode of edie's Sustainability Uncovered podcast is a special to mark B Corp Month 2025. It explains how the B Corp certification standards are evolving and looks behind-the-scenes at how two fast-growing, UK-based businesses were able to certify - and the value they have found in doing so. Your hosts for this episode are edie's Sarah George (content editor) and Matt Mace (editor). Our guest speakers for this episode are: - Annie Olivier, head of growth at B Lab UK - Julie Chen, CEO and co-founder of The Cheeky Panda - Emma Reid, sustainability director at Simba Sleep Sustainability Uncovered uncovers some of the most inspiring and insightful sustainability and climate action stories from across the globe. The show features leader interviews, need-to-know round-ups, listener quizzes and more – all wrapped up into monthly episodes. Whether you're a business leader, climate expert, environmental professional, youth activist, or just have a passion for all things sustainability and climate action – this podcast is for you! Say hello: podcast@fav-house.com

Fluent Fiction - Japanese: A Reunion Amongst the Bamboo: Healing Hearts Reconnect Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2025-03-20-22-34-02-ja Story Transcript:Ja: 春の午後、嵐山の竹林は緑の海のように静かでした。En: On a spring afternoon, the bamboo grove in Arashiyama was as quiet as a sea of green.Ja: 爽やかな竹の香りが風とともに漂い、日差しが葉の間から柔らかく差し込みます。En: The refreshing scent of bamboo wafted through the air with the breeze, and sunlight softly streamed through the leaves.Ja: リナはこの場所に立ち、心を落ち着かせようとしていました。En: Rina stood in this place, trying to calm her heart.Ja: 今日は家族再会の日、彼女には重要な使命がありました。En: Today was a family reunion day, and she had an important mission.Ja: リナと従兄弟のタクミは、かつては無二の親友でした。En: Rina and her cousin Takumi had once been inseparable friends.Ja: しかし、数年前の口論が二人を引き離しました。En: However, a quarrel several years ago had driven them apart.Ja: その日以来、誤解が誤解を生み、彼らをさらに遠ざけていました。En: Since that day, misunderstandings had bred further misunderstandings, pushing them even farther away from each other.Ja: この問題を解決するために、リナは決心しました。En: To resolve this issue, Rina had made a decision.Ja: 彼女はタクミと正直に話をするつもりでした。En: She intended to speak honestly with Takumi.Ja: 「サクラ、少しの間、タクミと話してくるね。」とリナは妹のサクラに言いました。En: “Sakura, I'm going to talk with Takumi for a bit,” Rina told her younger sister, Sakura.Ja: サクラは頷き、応援の微笑みをリナに送りました。En: Sakura nodded, offering a supportive smile to Rina.Ja: 竹林の中を歩きながら、タクミを探しました。En: Walking through the bamboo grove, she searched for Takumi.Ja: すぐに彼を見つけると、リナは心を決め、彼に近づきました。En: When she soon found him, Rina made up her mind and approached him.Ja: 「タクミ、ちょっと話せるかな？」彼は驚きつつも、その提案を受け入れました。En: “Takumi, can we talk for a moment?” He was surprised but accepted the proposal.Ja: 二人は少しの間、何も言わずに竹を見上げていました。En: For a short time, the two of them looked up at the bamboo in silence.Ja: 「あの日のこと、まだ覚えてる？」リナが静かに問いかけます。En: “Do you still remember that day?” Rina quietly asked.Ja: 「もちろん、忘れられないよ。」タクミは答えました。En: “Of course, it's unforgettable,” Takumi replied.Ja: リナは、過去の誤解を説明しました。En: Rina explained the past misunderstandings.Ja: 当時は、何かを誤解していたことに気づいたのです。En: She realized that at the time, she had misunderstood something.Ja: 「あのとき、本当にごめんね。」彼女は真剣に言いました。En: “I'm really sorry for what happened then,” she said sincerely.Ja: タクミはしばらく黙っていましたが、やがて深く息を吐きました。En: Takumi was silent for a while, but eventually, he took a deep breath.Ja: 「僕も悪かった。気づかなかったことがたくさんあった。」彼は言い、リナに顔を向けました。En: “I was wrong too. There were so many things I didn't realize,” he said, turning to face Rina.Ja: 目には涙が浮かんでいました。En: Tears welled up in his eyes.Ja: 二人はその場で抱き合い、今までの重荷が消えたような気持ちになりました。En: The two hugged on the spot, feeling as if the burden they had been carrying was lifted.Ja: 「これからは、違うね。」リナが笑顔で言うと、タクミも笑顔で頷きました。En: “Things will be different from now on,” Rina said with a smile, to which Takumi nodded with a smile as well.Ja: 春の風が竹林をそよがせ、もう一度その静けさを返していました。En: The spring wind rustled through the bamboo grove, returning its tranquility once more.Ja: リナとタクミは竹の間を並んで歩き始め、過去を振り返りながらも、新しい未来に向けて一歩を踏み出しました。En: Rina and Takumi began to walk side by side between the bamboo, reflecting on the past while taking a step forward towards a new future.Ja: リナは安心しました。En: Rina felt at ease.Ja: コミュニケーションと許しの力を実感し、心が軽くなったのでした。En: She felt the power of communication and forgiveness, and her heart became lighter.Ja: 「これからは、ずっと仲良しでいようね。」リナは言いました。En: “From now on, let's always be close,” Rina said.Ja: 「そうだね、約束だよ。」タクミが答えました。En: “Yes, it's a promise,” Takumi replied.Ja: 二人の笑い声が、竹林の中に響き渡りました。En: Their laughter echoed through the bamboo grove. Vocabulary Words:grove: 竹林wafted: 漂いbreeze: 風streamed: 差し込みますreunion: 再会inseparable: 無二quarrel: 口論misunderstanding: 誤解resolve: 解決supportive: 応援proposal: 提案unforgettable: 忘れられないsincerely: 真剣にbreath: 息welling: 浮かんでburden: 重荷rustled: そよがせtranquility: 静けさforgiveness: 許しlighter: 軽くpromise: 約束echoed: 響き渡りましたrefreshing: 爽やかなcousin: 従兄弟intended: つもりnodded: 頷きquietly: 静かにapproached: 近づきreflected: 振り返りinseparable: 無二

This week on Crypto Curious the whole crew is back behind the mic!!

[GRAINE DE METAMORPHOSE] Xavier Pitois reçoit Tony Sylvestre, cofondateur d'Esprit Dog, une référence incontournable en éducation canine. Ensemble, ils déconstruisent les idées reçues à propos des chiens. Saviez-vous qu'un chien peut passer par une crise d'adolescence, qu'il n'a pas besoin de manger à heure fixe, ou encore que le grognement n'est pas forcément un signe d'agressivité ? Tony Sylvestre s'attaque, avec humour, clarté et expertise, aux nombreuses fausses croyances qui influencent encore notre relation avec eux. Retrouvez son guide, le Vrai/Faux des Chiens, publié aux Éditions Bamboo et son site pour suivre toutes ses actualités. Épisode #121Quelques citations du podcast avec Tony Sylvestre alias Esprit Dog :"L'accès à l'information sur le monde animalier est très opaque.""L'éducateur canin de chaque chien, c'est le maître.""Le chien a une forme de résilience extraordinaire."Thèmes abordés lors du podcast avec Tony Sylvestre alias Esprit Dog :00:00 Introduction03:07 L'aventure d' "Esprit Dog".08:01 Pourquoi tant de fausses croyances sur les chiens ?12:02 Conseils pour une personne qui veut adopter.15:20 L'importance de bien choisir la race de chien.16:33 Comprendre le langage corporel d'un chien.17:51 Que faire quand un chien mange tout ce qu'il trouve ?24:17 Comment renforcer l'attachement maître / chien ?27:01 Certains environnements à éviter avec un chien.29:52 Chien seul à la maison toute la journée.37:49 La capacité des chiens à apaiser et soigner.41:42 Comment préparer son chien à bien vieillir ?Avant-propos et précautions à l'écoute du podcast Recevez un mercredi sur deux l'inspirante newsletter Métamorphose par Anne GhesquièreFaites le TEST gratuit de La Roue Métamorphose avec les 9 piliers de votre vie !Suivez nos RS : Insta, Facebook & TikTokAbonnez-vous gratuitement sur Apple Podcast / Spotify / Deezer / CastBox/ YoutubeSoutenez Métamorphose en rejoignant la Tribu MétamorphosePhoto DR Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

In this conversation, Joslyn Faust discusses the surprising environmental impact of toilet paper production, revealing that 27,000 trees are cut down daily for this product. She shares her journey towards more sustainable purchasing decisions, influenced by her teenagers' candid feedback on various brands. Their insights highlight the importance of considering both sustainability and product quality, prompting a deeper reflection on consumer choices and environmental responsibility.Takeaways27,000 trees are cut down every day for toilet paper.Sustainability in everyday products is crucial for the environment.Teenagers provide honest feedback that can influence choices.Consumer awareness can lead to better purchasing decisions.Sustainable products should not compromise on quality.Plastic wrapping on sustainable products raises questions.Exploring different brands can reveal better options.Environmental impact should be a priority for consumers.Feedback from family can drive change in buying habits.Awareness of product sourcing can lead to more responsible consumption.Sound Bites"There could be a better way""Such a big impact""Why is it wrapped in plastic?"Chapters00:00Introduction to Hey Bamboo and Jocelyn's Journey03:30Sustainability in Toilet Paper: The Hey Bamboo Approach06:16Market Entry and Consumer Insights09:37The Role of Social Media in Brand Growth12:22Bamboo as a Sustainable Resource15:21Future Products and Market Expansion18:25E-commerce Strategies and Brand Positioning21:16Closing Thoughts and Personal Insights

[GRAINE DE METAMORPHOSE] Xavier Pitois reçoit Tony Silvestre, cofondateur d'Esprit Dog, une référence incontournable en éducation canine. Ensemble, ils déconstruisent les idées reçues à propos des chiens. Saviez-vous qu'un chien peut passer par une crise d'adolescence, qu'il n'a pas besoin de manger à heure fixe, ou encore que le grognement n'est pas forcément un signe d'agressivité ? Tony Silvestre s'attaque, avec humour, clarté et expertise, aux nombreuses fausses croyances qui influencent encore notre relation avec eux. Retrouvez son guide, le Vrai/Faux des Chiens, publié aux Éditions Bamboo et son site pour suivre toutes ses actualités. Épisode #121Quelques citations du podcast avec Tony Silvestre alias Esprit Dog :"L'accès à l'information sur le monde animalier est très opaque.""L'éducateur canin de chaque chien, c'est le maître.""Le chien a une forme de résilience extraordinaire."Thèmes abordés lors du podcast avec Tony Silvestre alias Esprit Dog :00:00 Introduction03:07 L'aventure d' "Esprit Dog".08:01 Pourquoi tant de fausses croyances sur les chiens ?12:02 Conseils pour une personne qui veut adopter.15:20 L'importance de bien choisir la race de chien.16:33 Comprendre le langage corporel d'un chien.17:51 Que faire quand un chien mange tout ce qu'il trouve ?24:17 Comment renforcer l'attachement maître / chien ?27:01 Certains environnements à éviter avec un chien.29:52 Chien seul à la maison toute la journée.37:49 La capacité des chiens à apaiser et soigner.41:42 Comment préparer son chien à bien vieillir ?Avant-propos et précautions à l'écoute du podcast Recevez un mercredi sur deux l'inspirante newsletter Métamorphose par Anne GhesquièreFaites le TEST gratuit de La Roue Métamorphose avec les 9 piliers de votre vie !Suivez nos RS : Insta, Facebook & TikTokAbonnez-vous gratuitement sur Apple Podcast / Spotify / Deezer / CastBox/ YoutubeSoutenez Métamorphose en rejoignant la Tribu MétamorphosePhoto DR Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Today, we've got a blockbuster lineup of news on Crypto Curious — so let's get into it!

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Den Mann mit der Skibrille seine Hits Friesenjung oder Party Sahne kennt inzwischen jeder, doch Leander Kirschner hat neben Ski Aggu auch noch Talente wie 01099 oder Zartmann beim Berliner Independent Label und Verlag Bamboo Artists unter Vertrag. Im OMR Podcast hat er darüber gesprochen, wie er Talente entdeckt, wie viele Millionen Außenumsatz er mit seinen Artists einspielt und wer der nächste Megastar wird.

Download This month, Mike and Roger look at two of Mike's campaigns that have ended recently.

This episode is ad free. If you want to support us and help us to keep going, check out our shop where we sell high quality Jersey merch! :)BUY OUR MERCH HEREJoin the mail bag by leaving a voicemail at: 908-67-9999-3Our personal Instagrams:SoboChomikJimmyJordanWelcome back to The Garden State, the only NJ podcast that gives you all the news you need to know this week. Thanks for tuning in once again and for supporting the podcast. If you're enjoying the show, make sure to leave us a review! We love reading those!Follow us on all our socials to keep up to date with that and everything else happening. https://linktr.ee/thegardenstate

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Today, we're diving into one of the biggest hacks in history – Bybit just got drained for a staggering $1.4 billion. How did it happen, and what does it mean for the industry?But let's pause on that for a second because there is fresh blood on the street after Trump Tarif war threat? Is this a short-term trend?Then – is Jack Dorsey actually Satoshi Nakamoto? The internet is spiraling down the rabbit hole, and we're unpacking the theories.And finally, stay around for some crazy Kayne news….Buckle up – it's a big episode! Let's get into it.

Join me for a Fireside PM conversation with Dave Lu, founder of Hyphen Ventures, as we dive into his incredible career journey, the challenges of the Bamboo Ceiling, and his powerful advocacy for AAPI representation in tech and venture capital. From working at top companies like Apple, Yahoo, and eBay to launching Hyphen Capital and championing AAPI entrepreneurs, Dave has been a driving force in breaking barriers. We'll discuss: ✅ His path from corporate tech to investing in the next generation ✅ The Bamboo Ceiling: What it is & how to overcome it ✅ Building wealth and influence for the AAPI community ✅ His thoughts on leadership, mentorship, and making an impact

Message Jay on Facebook  Follow Jay Cook on FB  Menopause Weight Loss Mastery, Skool community Email Jay here Join the Weight Loss Secrets for Women 50+ Community Supplements  

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Let's Chat!!The days are short, the nights are long, and even the most powerful witches can feel drained this time of year. Join us on C3: Crystals, Cauldrons, & Cocktails - River's Ramblings Episode 2 as we chat about witchy winter burnout—how to recharge your magick, keep your energy flowing, and cozy up to simple spells that won't drain your last drop of power. So grab a warm potion, wrap up in your favorite cloak, and let's get through the season together! Support the showUntil then, Stay Witchy!!River's Etsy Store: www.batsandbaublesinc.etsy.comWebsite: www.c3witchypodcast.comMerch: www.c3witchypodcastmerch.comOur wonderful logo is done by: www.nellamarinadraws.etsy.comIntro and Outro Audio:podcast intro & outro music:Góða Nótt by Alexander NakaradaLink: https://filmmusic.io/song/4754-g-a-n-ttLicense: https://filmmusic.io/standard-liceSound from Zapsplat.com – Witches Cauldrons bubblingSupport the showUntil then, Stay Witchy!!River's Etsy Store: www.batsandbaublesinc.etsy.comWebsite: www.c3witchypodcast.comMerch: www.c3witchypodcastmerch.comOur wonderful logo is done by: www.nellamarinadraws.etsy.comIntro and Outro Audio:podcast intro & outro music:Góða Nótt by Alexander NakaradaLink: https://filmmusic.io/song/4754-g-a-n-ttLicense: https://filmmusic.io/standard-liceSound from Zapsplat.com – Witches Cauldrons bubbling

Omul care a pus București pe harta clubbing-ului – Joshua Castellano – îi dezvăluie lui Mihai Morar cum a transformat capitala României în capitala distracției. Vesticii și-au avut perioada nebună a anilor '20 și ‘30. Aproape un secol mai tarziu, un italian inaugura ceea ce avea să devină cea mai extravagantă perioadă a petrecerilor bucureștene: petrecerile din clubul Bamboo. Anii 2000 transformă capitala în noul pol al distracției. Și asta, chiar și pentru străini! Pentru că Bucureștiul atrage prin exotism, calitate, prețuri și mai ales... cheful nebun de viață! Iar capul de afiș al oricărei petreceri reușite era deținut de cluburile Bamboo, fie ele în București sau... Miami! Note de plată de mii de euro acum 20 de ani... acțiuni demne de filmele hollywood-iene... o lume despre care poate nici nu știai că există transformase Bucureștiul în parcul ei de distracție! Mai este astăzi loc de petreceri în club sau era festivalurilor a omorât acestă industrie? Omul care nu a avut concediu timp de aproape un sfert de secol își are rezervele lui legate de felul în care a evolut societatea azi și de carențele apărute la capitolul socializare. Pentru că orice petrecere presupune, înainte de distracție, arta socializării.Te invităm să descoperi și tu arta socializării alături de un bărbat căruia nu i-a fost frică să ia viața pe cont propriu. Să plece din sânul unei familii ale cărei legături cu mafia napoletană au generat filme, să vina singur într-o țară nouă și să se simtă astăzi mai român decât mulți dintre cei născuți aici. Povestea care bate filmul a lui Joshua Castellano.La Fain & Simplu, cu Mihai Morar.

From 0 to 60 in no time! What a week it's shaping up to be already! Tracey, Blake & Craig hit the mics this week with the hot topics making waves in the world of crypto:

Download the Divine Masculine Handbook => https://refinedintegrity.com/ Get Your Freedom Tickets => https://events.3twarrioracademy.com/fc25 Live Workshop => https://3twarrior.com/wa E1960 | We Invented Time! This is one of the most important stories that I can tell you. The story of the Bamboo Farmer! Listen Now! Set Up Consultation with our Indexed Universal Life Insurance Team = > https://3twarrioracademy.typeform.com/to/Gb8tpIVy Learn more about your ad choices. Visit megaphone.fm/adchoices

Crypto is back in the headlines as Bitcoin nears all-time highs once again. But we don't want to just focus on the price, we want to better understand the emerging technology stories and use cases. Whenever we want to understand the world of crypto, we turn to the team at the Crypto Curious Podcast (Apple | Spotify). Blake Cassidy is a co-host of Crypto Curious and the CEO of cryptocurrency microinvesting app Bamboo. In today's conversation we pick Blake's brains on: What has changed in the space since the last crypto boom of 2021How this boom is similar and different to 2021Emerging use cases that may cut over to the mainstreamHow Blake personally invests in crypto—------This episode has been sponsored by Bamboo. Thank you to Bamboo for helping keep all of our content free.If you want to learn more about Bamboo and the power of dollar-cost averaging, head to: https://www.getbamboo.io/—------Sign up to our daily news email to get the news moving markets delivered to your inbox at 6am every weekday morning. Short, sharp, to the point, it'll get you up to speed in less than 5 minutes.—------Want more Equity Mates?Listen to our basics-of-investing podcast: Get Started Investing (Apple | Spotify)Watch Equity Mates on YouTubePick up our books: Get Started Investing and Don't Stress, Just InvestFollow us on social media: Instagram, TikTok, & LinkedIn—------In the spirit of reconciliation, Equity Mates Media and the hosts of Equity Mates Investing acknowledge the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respects to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander people today. —------Equity Mates Investing is a product of Equity Mates Media. This podcast is intended for education and entertainment purposes. Any advice is general advice only, and has not taken into account your personal financial circumstances, needs or objectives. Before acting on general advice, you should consider if it is relevant to your needs and read the relevant Product Disclosure Statement. And if you are unsure, please speak to a financial professional. Equity Mates Media operates under Australian Financial Services Licence 540697. Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn this episode, we dive into the lesson of bamboo—how the strongest growth happens beneath the surface before it's ever seen. As a leader, the roots you're building now—trust, collaboration, and vision—are setting the stage for explosive, lasting growth. Stay the course, and trust that your breakthrough is coming. Empowered Educator Skool CommunityCalling All Educators! I started a community that will have resources, courses, articles, networking, and more. I am looking for members to help me build it with the most valuable resources. I would really appreciate your input as a teacher, leader, administrator, or consultant. You can find it here: Empowered Educator CommunityBook: Educator to Entrepreneur: IGNITE Your Path to Freelance SuccessLet me help you determine the next steps in your career!Grab a complimentary POWER SessionWith Rubi.ai, you'll experience cutting-edge technology, research-driven insights, and efficient content delivery.email: melinda@empowereducator.com

From meme coin mayhem to stablecoin supremacy—this week on Crypto Curious, we're diving into two wild stories shaking up the crypto world.Hailey Welch, aka the 'Hawk Tuah' girl, has finally broken her silence after last year's viral meme coin disaster.Plus, stablecoins just processed a staggering $15.6 trillion in transactions—outpacing Mastercard and Visa..What does this mean for the future of crypto? Let's break it down

A story about a bamboo shark.Buy the Everyday Cats Journals/Notebooks. 7x10" size - 4 different themes:Apartment - https://www.amazon.com/dp/B09HQBXWKLBookstore Cafe - https://www.amazon.com/dp/B09HVGPK8HMedieval Fair - https://www.amazon.com/dp/B09KN9YTYFJapanese Garden - https://www.amazon.com/dp/B09MBP63F3https://www.instagram.com/animalstoriesforkidsUpdated show related content: patreon.com/AnimalStoriesforKidsCreator's page: samuelsuk.com© 2024 Samuel Suk. All rights reserved.℗ 2024 Samuel Suk. All rights reserved.For license and usage contact: animalstoriesforkids@gmail.com

Episode: 3266 Fireworks, Firecrackers, and Lunar New Year.  Today, we ring the new year in with a bang.

This month, we're taking a trip into the bamboo forests to hang out with one of the world's most lovable animals. You might be wondering how it's taken us this long to talk about them, and we are too! While their population has been a concern for years, there's a lot of hope wrapped up in their story. So grab a snack, get comfy, and join me as we dive into the incredible world of giant pandas.For sources and more information, please visit our website.

With big corrections come big headlines and this week we have it all:

On this episode of Bounced From The Roadhouse:Special Guests in 4B:Black Hills Stock ShowScience NewsRapid City PostUPS DeclineCold PlayGood NewsTV BlaringKicked Out for TwerkingGalactic StarcruiserStick TokThat's a Great QuestionBamboo Toilet PaperFart SelfiesSmut ReadingQuestions? Comments? Leave us a message! 605-343-6161Don't forget to subscribe, leave us a review and some stars Hosted on Acast. See acast.com/privacy for more information.

Well winter is on our doorsteps, and for the general population any thoughts of gardening stops, as the common thought is the 'garden has gone to sleep'...Well nothing could be farther from the truth, as the season of shorter days and chilly weather could be one of the most important and busy in the yearly life of your garden. Join Lucy and Saul every week as they show you exactly how busy they are, whether getting everything festive for Xmas, clearing up after the latest storm, enjoying the emergent shoots of early flowering plants or getting ready for spring and a return to the start of the great garden cycle!Lucy on other podcasts!! The shame of it, well on Lucy's last ever podcast episode (not really!?!) the Talking Heads pair talk up another storm (literally) about their lives in Gardening. Including the RHS Rosemoor Houseplant Weekend, Lucy's attempt at making purple ice-cream with basil and what do do with all that Bamboo.  The gardening year is barrelling on at such a pace how do we ever keep up.Twitter links:Saul @GardeningSaulInstagram links:Lucy lucychamberlaingardensBluesky links:Lucy @lucycgardens.bsky.socialIntro and Outro music from https://filmmusic.io"Fireflies and Stardust" by Kevin MacLeod (https://incompetech.com)License: CC BY (http://creativecommons.org/licenses/by/4.0/)Support the show

Bamboo teaches us how to lose friends and alienate people. Then, Alex Tran from Immich joins us for a project update, and we shared some dreams for a community RSS project.

#709 Show Notes: https://wetflyswing.com/709 Presented By: Fish The Fly, Heated Core, Yellowstone Teton Territory, FishHound Expeditions Sponsors: https://wetflyswing.com/sponsors We've talked a lot about the action of the fly rod and the benefits of a full flexing rod over the last few months and beyond. Bamboo rods are the epitome of a rod you can feel. And today you're gonna find out how to choose your next bamboo fly rod... Chris Sparkman is here today, founder and owner of Sparchimedes Bamboo Fly Rods. He's gonna take us on a journey to choosing your first or maybe your next bamboo fly rod. We're gonna find out why the five-sighted Penta style bamboo rod might be better for you than the Hexa style. We're gonna get some information on the differences there, and we're gonna talk about the perfect length of a bamboo fly rod. We're gonna walk through what it might look like for you and your area, and why you might go with a nine-foot or maybe even a six-foot bamboo rod. We're also gonna get into some great resources if you wanna take this conversation further and some other people you might want to connect with to put together your next bamboo rod. Plus, we're gonna find out whether a bamboo fly rod has what it takes to battle a giant Alaskan salmon. Chris is gonna talk about some trips he's excited about this year. Show Notes: https://wetflyswing.com/709

Good Ol' Teddy Ballgame kicks off The Big Suey, but we can't stay there long because a new potential NFL moment has been unlocked: What if Matthew Stafford leads the Rams to an upset over the Lions in a potential NFC Championship Game? Then, Greg Cote plays a dangerous game and considers changing his tune on the Houston Texans as they prepare to take on the Kansas City Chiefs. Plus, Earleen Cote is here and now leads the clubhouse in the "Best Revelation" category for the 2025 Suey Awards. Learn more about your ad choices. Visit podcastchoices.com/adchoices