Podcast appearances and mentions of leo anibaldi

ASIP is going on fifteen years of existence now (as a website and blog at least), and a few things have remained a constant over the years helping keep us going. One of them has been the support of Juno and in particular, Milo Bragg, who was the first distributor to take us on as a label back in 2013. As many labels and musicians will know, it's pretty hard to get your start in this world, and Juno can be held up as one of only a few who have kept an open ear to our style of music and given it a home (and subsequently many other labels like us). Over these past ten years or so, Milo and I have gotten to know each other relatively well, and more recently Milo has stepped into the label game with Future Primitive Records and can be found putting together some sublime vinyl-forward mixes. I'm excited to find our worlds overlap here in the isolatedmix series, as Milo recorded a vinyl-only set a few months back and sent it my way, (after a long delay - sorry Milo - Good things come… etc etc.). Featuring several tracks and albums that have been on high rotation for me, it's a superb trip that I think many of you will enjoy. ~You've worked at Juno for many years now, how has this shaped you musically? For example, I imagine getting exposed to a great amount of music over the years... It's definitely helped me find what I do and don't like for myself. When I first started in the late ‘90s/early ‘00s I'd sit and listen through a massive pile of records at the end of each day and didn't have to pay attention to press or DJs like most people back then, I could find the good shit for myself! Listening to the new releases in an office environment shaped my taste to be more chilled too. It just suits the environment, when I first started I was predominantly into hard club bangers :)I'm interested to know a bit about your view on record labels within your role and what you think it takes to succeed as a label nowadays. Everyone knows pressing vinyl is hard, and securing a great distributor like Juno is just as hard and critical for further exposure. How have you seen things change for labels since you started at Juno all those years ago? It's so tough for vinyl labels now especially the new smaller ones doing really interesting stuff sadly. The visual side of things has become so important with stores using Instagram so much they need the record to look good. I think the “anti-marketing” days of just putting some clips up on Soundcloud are over sadly, I'm always so stoked on DJs/artists/labels that aren't on Instagram but I don't think you can escape it anymore, especially if you're just starting out. Silent Season · Campfire Stories 79 (A New Dawn) by Milo Bragg Juno has always been a great supporter of ambient music in general, giving a platform to many small labels such as ourselves over the years. What does it take in your opinion to secure a distributor like Juno? Yeah, my boss Richard (one of Juno's founders) loves his ambient :) If you're not going to get a well-known artist involved at the early stages to help bring attention and get the label off the ground, the music (and artwork) had better be bloody good! You've got your own projects going on too, with the Club Rooted mix series and the Future Primitive label, can you give us a brief intro into these? Club Rooted was a product of listening to records in the Juno office with Matthew Kent (Blowing Up The Workshop/Mana) and suddenly realising they weren't dance music anymore but still very much rooted in club culture. I got really excited about that zone and thread that runs through electronic music's history. There are so many good labels pushing stuff that rides this line, and events too like Absurde Lustre (& more recently A New Wave) in Berlin run by Sa Pa & Blume.How or why did you decide to start Future Primitive? (Did seeing labels at Juno all those years make you want to do something similar?!) I've always been obsessed with vinyl labels so of course I'd want my own and it was a way of contributing to the scene without being a producer + I came across a lot of music through work by artists like Murcof & DJ Guy that was CD or tape only the label was a way of me getting those tracks onto wax! The original of The Leo Anibaldi track “Aeon Fusion I” from FPR001 was super fast too and the label enabled me to work with the artist to slow it down and to get it DJ-friendly for the vinyl heads :)This mix came out of nowhere and (for everyone here) took a while for me to actually publish it since you sent it last year! What was the inspiration behind it? I got excited about recording an ambient mix. It felt challenging, I wanted to capture something in between the old chill-out room sets and a modern-sounding warm-up. It only takes a couple of good records to inspire me to start piecing a mix together, it's often their juxtaposition I get a real kick out of. I love beat-matching records that shouldn't work together on paper and have always found DJs that make a new sound by mixing old records very inspiring, it's not a million miles from producing really. Konduku is definitely someone I think finds a new thread in old records that inspires me a lot. Club Rooted · Club Rooted #3 / Konduku Given you get the pick of the bunch at Juno and get to listen to so many records in advance, who are some musicians or labels that might be relatively new or unheard of that excite you when landing on your desk? PVAS, Kosmogonik (check their ambient stuff!), Purelink, Cousin, Yushh, Mu Tate, Sindh, X Or Size, Rat Heart + love the Luck Of Access and Doo labels.I've followed your mixes for years now, but see you're also DJing out quite a bit more now. What are some records that never leave your bag?Money Morning - Corporate Karma, Drux – Transe Deep Version, 3 Chairs - 3 Chairs, Alka Rex - Shapes to Phases, Bluetrain - Babylon Paralysis.~ astrangelyisolatedplace · isolatedmix 124 - Milo Bragg Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android appDownload MP3Tracklist:01. Dwig - Keep Us outro (Dwig)02. Leo Anibaldi - Evocation Part II (Future Primitive)03. Benjamin Brunn - Life Cycle (Black Wall)04. Deadbeat - Right As Rain (~scape)05. UD - Adapter (Kimochi)06. Alexx A-Game - Braver (Swing Ting Smooth Version)(Swing Ting)07. CN - Adrift (Future Primitive)08. Satoshi & Makoto - Crepescule Leger (Safe Trip)09. Bauri - Have No Fear (Expanding Records)10. Sindh - Ayaka System (Sindh)11. Being - I Can't Look At It Though (Firecracker Recordings)12. The Detroit Escalator Co. - Float (Peacefrog Records)13. Leo James - Lonely (Mind Dance)14. Money Morning - Therah (Acting Press)15. Mike Paradinas - Hi-Q (Interdimensional Transmissions)16. John Heckle - Where The Wild Ones Go (Mathematics Recordings)17. Tongues Of Light - Awakening outro (Pre-Cert Home Entertainment)18. Design A Wave - Weird F (No 'Label')~Artwork photo by JethroFuture Primitive | Web | Soundcloud | Bandcamp | Discogs

With tracks from Blackploid, Binary Digit, Belcampo, Palmiara, Freakme Feat Steelyvibe, Kito Jempere, DJ Ralf Presents Orchestra Spettacolo Cesira Sordini, Baltra, Keytronics, Steve Bug, Nebs Jack, Black Light Smoke, Galaxy 82 Feat J Farrukh, Ian Pooley, Herbert, Green Velvet, Mark Hand, Leo Anibaldi, Hard Ton, Sonns, Trinidadian Deep. Contact: dj@ribeaud.ch.

With tracks from DJ Guy, Colours of Infinity, Leo Anibaldi, V2A, Black Merlin, Paki & Visnadi, Pan Sonic, 33.10.3402, Round, user48736353001 and Sad World. For complete tracklist visit: https://individualactiviti.es Follow Marc Piñol here: https://soundcloud.com/marcpinol

Episode 36 welcomes renowned DJ, producer, and label owner, Kim Cosmic. Special thanks to Kim for this quality mix of electronic music. Enjoy! Info: http://cybersoul.bandcamp.com https://soundcloud.com/kimcosmik Kim Cosmik started as a DJ for festival sound systems Spiral Tribe and Bedlam, playing at some of the most amazing free parties all over the U.K and Europe. Her first singles were released through her own label Void Records along with fellow band member Blaze and in partnership with Hotmix / Bunker records in Holland. Void was later signed to Matador EMI and also collaborated with Dj Damage and Dylan at Spectrum Audio (drum and bass projects). Kim Cosmik has played with many amazing artists such as Lory D, Leo Anibaldi, Aztek, Colin Dale, Jumping Jack Frost, Grant Rephlex, Serge Clone, Aleksi Perala, Andy Turner and ADJ. She also played at the legendary Knowledge club at S.W.1 London. Kim Cosmik is now a resident of The Dodo Club and Xcero along with her own event, Hybrid launched last summer 2019. Kim Cosmik is currently releasing music through her own label Cybersoul on Bandcamp and has also released music on a variety of labels such as Studio Rockers, Crobot Music, Touched Music, Earthlings compilations, Urban Distortions, Section 27, Musical Mastication's compilations and recently Bass Agenda for their charity compilation in response to the Corona Virus pandemic. https://bassagendarecordings.bandcamp.com/album/carebot-raising-money-for-the-nhs-and-m-decins-sans-fronti-res Tracklist: Rebuilt – Senor Frio Punga – T-Flex Opposite of the past – Slaves of Sinus Thin Ice – Shinra Blue Champagne – DE:MA Pathogen Transmission – w1b0 The Thunderdome – Claro Intelecto Trampelpfad – Blawan Psionic – Pablo Splice (Tripwire fightmilk remix) Eleven Eleven – Alan Fitzpatrick (Polymod remix) Archivolt – Bartauss Plate#1 – Cassegrain NZ1 07 019 – NX1 V – Throwing Snow Kaptcha Acid – Jodey Kendrick (VIP mix) Abstract Model – Jensen Interceptor and Assembler Code

Leo Anibaldi showcases a 6-hour mix recorded in Berlin from one of his all night long performances. Read the feature: https://www.orbmag.com/features/interview-with-italian-techno-pioneer-leo-anibaldi/ @cannibald

Hello again! Here is the B-sides episode that I have been promising you. I've curated and mixed a 2-hour selection of some of my favourite beautiful, dark and reflective pieces from my ambient and left-field collection, including artists like Leo Anibaldi, Nils Frahm, Felicia Atkinson, Tomoko Sauvage, Sev Dah, Space Dimension Controller and more. From my heart to yours - I hope you enjoy this episode :). Full track listing is here: www.into-neverwhere.com/nwr-031-camea-b-sides-special Have fun! Sincerely, Camea #neverwhereradio www.into-neverwhere.com twitter.com/into-neverwhere instagram.com/camea twitter.com/camea_clink facebook.com/cameaofficial

>>>RETRO TEK (ça tabasse) Dj HS mars 2017>>> 01/TUBE TECH the end 02/BEN SIMS manipulated 03/DAVE CLARKE the wiggles 04/GREEN VELVET minimal rage 05/STEVE RACHMAD sinosphére 06/TURNTABLE TRACKS primitive 07/JOHANNES HEIL the hit machine 08/THE BAD PEOPLE alarm 09/BOUNCE INC FEAT DJ HS full energy 10/TONEKING pneu (Insider Remix) 11/LEO ANIBALDI fonta guitar 12/DK8 murder was the bass 13/DJ HYPERACTIVE fraction 14/FUNKY TRIBE exotix 15/CONCERVATOR save the analog 16/Q-IC african chant 17/DJ VALIUM gothic mix 18/BEN AKA MILANEL unravel

We are privileged to have Fabrizio Lapiana(@fabrizio-lapiana) as our guest for this week’s episode. As an artist, producer, DJ and record label owner, Fabrizio has contributed to the techno scene since the early nineties. His label Attic Music was founded in 2008 and has commanded a reputation known for quality and good music. Fabrizio has recently released EPs on his own label, as well as on M_REC. In this weeks episode he showcases a variety of styles with a hypnotic techno flow. As he said himself “It’s not perfect, but it’s more real”. And when you play with vinyl only, we can’t do anything else but agree! Please make sure to enjoy this weeks mix, and read the Q/A: Q: How was the rave scene in Rome in the 90s, and how did it influence you? A:It's been very important for me and all italian techno movement. In that time Rome was italian techno, the only italian techno scene. In 1991 I was too young to go to Rave parties but I was connected with rave scene through a local radio station that pushed all best techno of the moment and informed people about rave parties (legal warehouse parties)...And all this connected with a great records shop, re-mix. I was lucky to follow djs like Lory D, Leo Anibaldi, Luca Chucchetti, Freddy K, etc etc. In that time I realized to love techno and to want become a dj. Q: How do you seduce the crowd during a event? A:I just make my personal journey during my set, of course not forgetting the crowd Q: How is the Techno scene in Rome today? A:I think it's a good moment. There are different nice parties and a lot of great artists in my opinion. Q: Any extra words? A:About this podcast, I just spent some minutes to decide the first track to start the mix, as I usually do in the gigs. I like improvvisation. Tracklist: Reynold – my favourive film (Donato Dozzy mix) – Persona Abdulla Rashim – moral blinds – Northern Electronics Rrose – pentagons – Eaux Fabrizio Lapiana – sinusvoid – Attic Blind Observatory – scanning – I/Y Moments Series Woo York – acidic uniformity – Planet Rhythm Pjotr G & Dubiosity – reckon (Truncate remix) – Gynoid Phase – burden of proof – Token Marcel Dettmann – rush (PAS deep release remix) – MDR Fernandez Manetta – entropic disorder – Attic Developer – ipf07 – Modularz Anno Stamm – aqua lemon peel violet – Macro Fabrizio Lapiana – 1002b – M_Rec LTD Artwork: https://www.flickr.com/photos/porsche-linn/ (Anguish)

Container Podcast [28] Kill Ref Kill Ref is Alessandro Signore. Dj & producer . His path has begun since 1994 in Latina's province, middle-southern Italy. He quickly became one of the main djs in the most important clubs of this area : ones such as Giona, Zen e Dinamik Area. Among the mid 90s and the average 2000s has became the key player in the meaningful techno club scene in Rome : in clubs such as Brancaleone, Lanificio, Rashomon. Then at Init e at Traffic club working alongside Korova in their Glucose season. Now, since 2011 he's resident dj of "Rehab & Belli Freski" promotion at Ribbon Club Culture in Terracina (LT) and at their other open-air events such The Beach Invasion e Blast Festival in 15th August. He's currently and often being guested at Homopatik party at About Blank in Berlin. He previously also played at Sub Opera 36 and at Suicide Circus, still in Berlin. In London at The Egg, at Corsica Studios e at Raise End rave. At Liquid Club in Malta. In Rotterdam at Kruiskade 3. He played alongside djs such : Chris Liebing, Speedy J, Dave Clarke, The Advent, Joseph Capriati, Joey Beltram, Redshape, The Hacker e altri. Many of them played his tracks: one of the most supported has been "Dustlust" on Labrynth Records, 2011. Collabs in progress : Kill Traxx with his great friend Gigi Galli ; common productions and dj sets with 2 mixers and 4 turntables/decks. A Sliced Cycle, live ambient techno instrumental acts with orchestral master Luca De Siena aka Hyperikon. As producer he released several works on Labrynth run by Michelangelo and on Patterns. Presently he's co-owner of Soundpark e Ribbon Recordings label, and he's going to found a new label with his mate Gigi Galli: Kill Traxx Recordings. He has of late remixed "On & On" of Dj Rush and "Fatmah" per Almamegretta. He's going to make other releases on bootleg 12" among all "Percolator" by Cajmere and "Metapharstic" by AFX. Currently remixing Leo Anibaldi 's "Raiders of the Future". "On & On" Dj Rush ( Kill Ref Remix ) Forthcoming Release: Remix of "Teknolovesong" by Dave Manuel on Ribbon Recordings. Remix of "Illusion is the First of All Pleasure" by Dropout on Labrynth / Shades. Remix of "Roots" by Korova on Labrynth. Remix of "Raiders of the Future" by Leo Anibaldi on Cannibald Records. senza le "Forthcoming Releases" ok fino a emixing ...Leo Anibaldi 's "Raiders of the Future". Se puoi grazie mille. inviti fatti per venerdì spero di venire anche io questa la playlist Container Podcast / KILL REF Playlist: Gedeevan - "Deceleration D" [Lead Square] Diagenetic Origin - "Totem" [Sonic Groove] Error Etica - "Penicillin" (Agony Forces Rework) [Psychoskunk] Ctrls - "Sweep" [Token] Planetary Assault System - "Future Modular" [Mote Evolver] Energun - "Mutation of Genome" [Affin] Moerbeck - "Chamber 7.S" [Vault Series] Physical Therapy - "I Did" (J.Tijn Remix) [Fifth Wall] Ugandan Speed Trial - "Ust 1" [Downwards] Yuuki Sakai - "Mecca" [B55 Records] Marcel Fengler - "Sky Pushing" (Dave Clarke Remix) [Ostgut Ton] Octave - "3010" [Silent Steps] Draag - "Weld" [Black Nite] Bas Mooy - "Charlatan" [Tronic Soundz] Realmz - "Rework" [Sonic Groove] Möd3rn - "Mö 3" [Möd3rn] Paul Birken - "Funnel Fiends" [Mord] Perc & Truss - "Clapacid" [Perc Trax] Raffaele Attanasio pres X501 - "X501.13" [Krill Music] AnD - "Making Circles" [Repitch] The Horrorist - "My Orders" (Zet Remix) [LS Tunes] Bandulu - "Crisis A Gwarn" (Gigi Galli Remake) [White] Korova - "Transversally" [Shades] Umek - "Gatex" [Potential] Biosphere - "Hyperborea" [Thirsty Ear/ Biophon]

[CONTAINER PODCAST] [08][LEO ANIBALDI] Leo was born in 1972 and at the age of 15 discovered his passion for electronic music. Thanks to the advent of the first computers like Commodore Vic 20 and 64, he began to create his first loops. After one year Leo started to play in Rome outskint’s clubs under the pseudonym Dj Mc, when was impossibile to find in Rome any trace of electronic beat. He became a big analogue synths collector and decided to spend his daily life into the creation of beats and sound research. In 1990 his recordings career stared at ACV records where he will make more then 20 seminal albums like Attack Random, Riders of the future, Noise Generation, Muta, Cannibald and Aeon. In 1991 Leo met Lory D and in a small garage located in the north of Rome they started the alternative music movement universally known as The Sound of Rome, who spreaded Techno music in Rome and all over Italy. In those years Leo concentrated in bringing his analogue Live set around the world as he played in the best techno parties like one of the first Love Parade edition in Berlin. In 1995 Leo decided to cut the relation with Acv records and moved to Rephlex, label of his friend Aphex Twin where he will make the Album Void. The end of the century saw Leo running the the illegal rave scene in Rome at Fintek, pushing his sounds further new limits until time for a break arrived with fast sound and restless lifestyle. Time to set up a new studio and a succesfull series of gigs in Rome (including a liveset back to back with Aphex Twin at Brancaleone or the ones with Dave clark & Speedy J…), just enouff time to recup with the techno scene & in 2005 Leo recorded his first single for a new project: Cannibald Records. Along with fellow musicians and friends, the label is now up and running since 2008 CONTAINER 
Follow us on www.facebook.com/Container.project.Roma

The-Zone Podcast #07 with:Leo Anibaldi.Leo_Anibaldi_Solia_ Giulio_Maresca_Lofted rmx Emilio_Carrara_Lofted_Original_Mix Ralph_Mirto _Analogia part 01 rmx Morning_Version Francesco_Pierguidi_Analogia part 01 Original_Mix Riccardo_Trost_Cr_Split Emilio_Carrara_925 Kc1_Analogia part 02 rmx Francesco_Mitelli_Y&M Francesco_Pierguidi_Analogia part 02 Francesco_Mitelli_Undeeper Luigi_Acid Machine-The Other side of Acid Francesco_Mitelli-Lunatik Ralph_Mirto_ Analogia part 01 rmx Night_Version Nax_Acid_Syntetic_Nature