Podcast appearances and mentions of martin belam

  From Wikipedia, the free encyclopedia 314 – "Lux"  episode Promotional title-card Cast  –   –  Others  – Newsreader Cassius Hackforth – Tommy Lee Ryan Speakman – Husband  – Reginald Pye  – Mr Ring-a-Ding  – Sunshine Sally Lewis Cornay – Logan Cheever Lucy Thackeray – Renée Lowenstein Jane Hancock – Helen Pye William Meredith – Policeman Samir Arrian – Hassan Chowdry Bronté Barbé – Lizzie Abel Steph Lacey – Robyn Gossage  – Mrs Flood Production Directed by Written by Script editor David Cheung Produced by Chris May Executive producer(s) Russell T Davies Joel Collins Music by Series Running time 43 minutes First broadcast 19 April 2025 Chronology ← Preceded by "" Followed by → "" "Lux" is the second episode of the  of the  series . It was written by , the Doctor Who showrunner, from a concept first developed over two decades prior, and directed by . In the episode, the  () and his , , land in 1952 , while trying to make their way back to 2025. After doing so, they discover a mysterious  where fifteen people have disappeared. The pair stay to investigate and ultimately confront an animated God, Lux (voiced by ), who traps them in film. "Lux" is unusual for the programme in that it features a mixed live-action and animated format. Filming for the episode took place in  and at  in January 2024. Some voice-over work took place internationally in  in June. Animation and other  work continued later into the year, with some tasks still being completed as late as September. The episode includes references to ,  and  to its own . It was released on , , and  on 19 April 2025. Reception to the episode was positive, with critics praising its use of animation in a live-action setting. A novelisation written by  is set to be released in July 2025. Plot [] Unable to return to 24 May 2025, the  lands in 1952 , where the Doctor and  find a cinema that is chained shut. At a diner, they speak to the mother of one of fifteen people who disappeared from the cinema, which continues to play movies at night. Although  is still enforced, the waiter allows them to stay. Inside the cinema, the pair discover a living cartoon, Mr Ring-a-Ding, the embodiment of Lux Imperator, God of Light, is responsible. The projectionist, Reginald Pye, plays films for Lux, who uses his power to recreate Pye's dead wife. Lux has trapped the missing people in a film reel. He similarly traps the Doctor and Belinda, and turns them into cartoon characters, until they regain their usual forms. They flee to another false reality, where a racist  cop challenges them. They escape through a television watched by . Though delighted to meet the Doctor they reveal that their world is the fake one, and encourage him to return and defeat Lux, even though they will then cease to exist. Back in the cinema, the Doctor heals his injured hand using residual  energy. Lux steals the energy to create a solid body. Belinda attempts to burn film reels to cause an explosion, but encouraged by his wife, Pye sacrifices himself. The explosion exposes the cinema to sunlight causing Lux to expand infinitely until he becomes one with the universe. The missing people return. As the Doctor and Belinda leave, Mrs Flood encourages the bystanders to watch the TARDIS dematerialise, claiming this "show" is a "limited run" that ends on 24 May. The Doctor's fans critique the episode, realising that they still exist. Production [] Development and production design [] "Lux" was written by . He had wanted to do an episode that included a living cartoon for a long time, but was unable to do one until now for funding reasons. He also revealed that he had considered variants of such an episode, including one two decades prior that would have featured a hologram rather than a legitimate animation as a result of the budgetary constraints. The story also contains mentions of segregation and racism in which Davies said he added to address issues in present-day society. It was also used as a subversion to the Doctor usually situating themselves as the main authority figure. While including such themes, he didn't want it to be the dominant subject. Among these are the NYPD officer saying the cinema is a space "reserved for " and prejudicely assuming that Belinda is . Other motifs present explore grief, hope, friendship, and sadness.  references to  and the  character  were included. Additionally, Davies has continued a recent trend of . Also unusual for the show, the episode featured a . Costume designer Pam Downe created the Doctor's and Belinda's outfits using the  of blue and yellow. Sethu's dress was inspired by a similar one worn by Anita () and designed by  in the  of . Meanwhile, Gatwa's blue suit was influenced by American musical artists of the 1950s. These hues were intended to further contrast with the red interior of the cinema by ultimately using all three . Downe ultimately wanted to successfully convey movement during the episodes action scenes. As such, three different  were considered for Sethu to wear and her dress had multiple . The concept of Mr. Ring-a-Ding was inspired by animations from . Ian Spendloff worked as a creative designer for the episode, and was the designer of Mr. Ring-a-Ding. Davies compared the concept of Mr. Ring-a-Ding to  from the 1930s. Spendloff drafted thirty different sketches that were considered before finally settling on the one used in the episode. Each one featured variations in noses, hair, and other elements. Mr. Ring-a-Ding was ultimately given a pig-like nose and blue skin to reflect characteristics of cartoon characters from the time period, with Davies wanting the character to look vaguely human but not be immediately identifiable as something else.  to  were also present in the episode because Davies recalled his enjoyment of cartoons while writing it, which made him consider people who loved the programme. Within the episode, the fans wore Doctor Who apparel (including a  scarf, another a  "Telos" sweatshirt) and declared "" (2008) as their favourite episode. One of them also mentioned the impending cancellation of the show. They then point out the "obviousness" of the episode's , and made references to . The show's BBC ident appears on the screen of their television. Although they say they are too inconsequential to be given surnames, all three characters—Hassan Chowdry, Lizzie Abel and Robyn Gossage—are fully named in the credits. The concept of Doctor Who existing within  had previously been briefly explored in  (1988) and other expanded media. Following this instance, such an idea was considered quasi-. This scene raised suspicion that Davies had potentially been planting  online himself regarding upcoming episodes as well as rumours that the series would enter into another hiatus. When the fact that the episode was written and filmed well before the leaks began appearing was considered, it was compared to the . Casting [] The episode stars  as the  of  and  as his , .  voices the antagonist, Mr. Ring-a-Ding. It marks Cumming's second appearance in the show after his role as King  in the 2018 episode "". Davies said that he and the production team had considered whether it was too soon to cast Cumming again and that had it been a live action role, he likely would not have been. Mr. Ring-a-Ding is the "God of Light" and part of the "Pantheon of Gods" that Davies has been developing since "" (2023).  stars as Reginald Pye, the theatre's projectionist and Lewis Cornay plays a diner worker who helps the Doctor and Belinda investigate the disappearances.  also makes a brief appearance as recurring character Mrs. Flood. The trio of fans were portrayed by Samir Arrian, Bronte Barbe, and Steph Lacey. Filming and post-production [] Exterior shots for the theater were filmed at  Pavilion. The wooden ramp can be seen at the bottom of the photo. The story was filmed in the series' third production block, along with the following episode, "". It was directed by  and recorded in late-January 2024.  took place in . The surrounding area was made up to look like an American city in the 1950s by adding vehicles and American flags.  pavilion was used for exterior shots of the theatre. The production team painted the building, added a period theatre sign, and removed a modern ramp at the front of the building. Its removal led to the discovery of rotting wood that had to be replaced at the show's expense. The episode was shot during  causing the cast and crew to struggle with unexpected rain and winds, requiring hot water bottles to keep warm during takes. Interior shots for the studio were filmed on  4 at . Pieces of that set were reused from "" (2024). As a result of Mr. Ring-a-Ding being an animated creation, the performers had to interact with a two-foot acrylic cutout of the character or a thin green pole on set.The scenes were then edited during the  process. References for Mr. Ring-a-Ding's movement were filmed by crew, and then drawn directly into the scene by animators from . Cumming voiced his scenes in  on 28 June 2024. Elements of Cumming's facial expressions during this recording for were incorporated into Mr. Ring-a-Ding. The scene where the Doctor and Belinda are turned into cartoons were first recorded on a , in which Gatwa and Sethu had to portray the characters in a rigid and cartoon-like manner. The animators used this as a reference for interaction between the two characters when redrawing them as a cartoon. Animations were done at twenty-five frames a second, requiring twenty-five drawings for each second of screen time, or fewer if characters' movement was limited.  artists recorded  at Bang Post Production in  on 4 September 2024. The episode's soundtrack included two singles: "" by , and the  rendition of "". Despite the episode taking place in 1952, the tracks were not released until 1956 and 1969, respectively. , the show's , also included the song "The Sad Man With A Box", a piece that he originally composed for . Broadcast and reception [] Professional ratings Aggregate scores Source Rating  (Tomatometer) 100%  (Average Score) 7.70/10 Review scores Source Rating B 10/10 9/10 Broadcast [] "Lux" was  released on  at 8 a.m.  (BST) in the United Kingdom and on  in the United States at 12 a.m.  on 12 April 2025. A  broadcast followed at 7:15 p.m. BST.  also handled international distribution of the episode. Ratings [] The episode received overnight viewing figures of 1.58 million, the lowest broadcast ratings in Doctor Who's history. It was the fourth most-watched programme of the day on BBC One, with one show on  also achieving higher numbers. Critical reception [] On the  website , 100% of 10 critics' reviews are positive, with an average rating of 7.70/10. Robert Anderson, writing for , praised the episode, highlighting Mr. Ring-a-Ding, several individual scenes, such as the fourth-wall-breaking scene, and the performances of Gatwa and Sethu. 's Martin Belam responded positively to the episode, praising Cumming's performance and the fourth-wall-breaking scene. Will Salmon, writing for , highlighted Mr. Ring-a-Ding and Gatwa's performance, though felt Murray Gold's musical score "drowned out" some scenes. Adi Tantimedh, writing for , found the episode to be the strongest out of the episodes headed by Davies in his second tenure as showrunner. Andrew Blair, writing for , highlighted the characterization of Mr. Ring-a-Ding, but criticized the episode's similarities to "", which he felt made the episode feel repetitive and weaker than it should have. He also felt the episode's handling of race was not effective, as while he felt the episode's inclusion of the topic was commendable, he felt the Doctor's in-universe way of handling it "can't help but scrape awkwardly against our real-world knowledge." Vicky Jessop, writing for the , criticized the inclusion of the scene featuring Doctor Who fans, stating that while it was initially entertaining, it quickly became "strained".    

On the one hundred and nineteenth episode of Reality Bomb, we talk with the Guardian's Martin Belam about how Doctor Who is doing in the current television landscape, and what we should look forward to, and worry about, in the coming years. And we look back on Is This Rumour Hot or Not? for the past season of Doctor Who and update what was really accurate... and what was wildly wrong with Lacy Baugher-Milas and KatyBeth Schmid. Plus feeling fan anxiety? Ask about Focus Zerg!

On the one hundred and fifteenth episode of Reality Bomb, Graeme Burk talks with Guardian writer Martin Belam about his controversial 2021 article about Doctor Who four years (and a massive series of changes in Doctor, showrunner, studio and co-production partner) later and then examines at the current state of Doctor Who in 2024 and what's ahead. Head Over Feels' co-founders Kim Rogers and Sage Young share a Reality Bomb segment for the first time in years to talk about this year's Gallifrey One convention in Los Angeles and how the vibe there has changed with recent developments on the show. And we look to the future of communiting, and it doesn't look good, as Julie Chaston brings Gridlock to the Gallery of the Underrated. Plus we bring back a song from our archives, and Spoiler Cops continues!

On the one hundred and eighth edition of Reality Bomb, we're counting down to the 60th anniversary and talking about trailers, titles and overall hype with Head Over Feels' Sage Young and the Guardian's Martin Belam. We bringing in Gareth Kavanaugh, editor of the Doctor Who comics fanzine Vworp Vworp to talk about adapting The Star Beast and what this could mean for adapting future Doctor Who comic strips. And hang on to your hats (or other headwear!), Is This Rumour Hot or Not? returns. Plus Hot take roulette... and the fun new (old) game Doctor Who fans are playing!

On the one-hundred-and-first edition of Reality Bomb, we're triaging the plethora of behind-the-scenes speculation as Graeme Burk brings together Lacy Baugher-Milas and KatyBeth Schmid for super-sized version of "Is This Rumour Hot or Not?". Also, what would a Doctor Who expanded universe on TV look like in the 2020s? Joy Piedmont talks to Martin Belam and Sage Young about what goes in the theme park, figuratively and literally. And we pay tribute to the amazingly talented Bernard Cribbins with Nick Abadzis and Jim Sangster. Plus listeners' letters and... Did you know there's going to be a Doctor finale this autumn? No we didn't know either...

On the ninety-second edition of Reality Bomb, we're talking about Russell T Davies' return to showrunning Doctor Who, what that means and the challenges ahead, with Evan Teng, Head Over Feels' Kim Rogers and Guardian writer Martin Belam. We travel back to 2003 to talk about the original announcement that Russell was coming to Doctor Who with Lisa Gledhill, Jim Sangster and Nick Abadzis. And KatyBeth Schmid plans to break into the Gallery of the Underrated with Time Heist. Plus a conversation with one's self from 2010!

On this super-sized episode of Reality Bomb we're talking about the recent SDCC Doctor Who panel and trailer with Katy Beth Schmid and Max Curtis. We check in with Dominic G. Martin, Beth Axford and Martin Belam about the interactive Doctor Who play Time Fracture, and we also talk with Martin Belam about his recent Guardian article. Plus hide the scissors - Michelle Tidmore is bringing The Edge of Destruction to the Gallery of the Underrated! And Rachel Donner talks about Judiasm and Doctor Who. All this... and a discovery about the recent trailer you might not expect! Bonus content!  We talk to Sage Young and Jon Arnold about the news about Jodie Whittaker and Chris Chibnall leaving Doctor Who, and what's next for the series.

In 1978, two luminaries of South Korean cinema were abducted by Kim Jong-Il and forced to make films in North Korea in an outlandish plan to improve his country's fortunes. In this week's episode of the Futility Closet podcast we'll tell the story of Choi Eun-Hee and Shin Sang-Ok and their dramatic efforts to escape their captors. We'll also examine Napoleon's wallpaper and puzzle over an abandoned construction. Intro: In 1891, Robert Baden-Powell encoded the locations of Dalmatian forts in innocent drawings of butterflies. Legal scholar Mark V. Tushnet suggests how a 16-year-old might seek the presidency. Sources for our feature on Choi Eun-Hee and Shin Sang-Ok: Paul Fischer, A Kim Jong-Il Production, 2015. Johannes Schönherr, North Korean Cinema: A History, 2012. Steven Chung, Split Screen Korea: Shin Sang-ok and Postwar Cinema, 2014. Bradley K. Martin, Under the Loving Care of the Fatherly Leader: North Korea and the Kim Dynasty, 2007. "Choi Eun-hee: South Korean Actress Who Was Kidnapped by North Dies," BBC, April 17, 2018. Martin Belam, "Choi Eun-hee, Actor Once Abducted by North Korea, Dies," Guardian, April 17, 2018. "A Hong Kong Kidnap: How Kim Jong-il Had South Korea's Top Actress Abducted From Repulse Bay," South China Morning Post, March 25, 2015. "Famed South Korean Actress Choi Eun-Hee, Who Was Abducted by North Korean Spies in Hong Kong for Film Fan Kim Jong-Il, Dies Aged 91," South China Morning Post, April 17, 2018. Olivier Holmey, "Remembering Choi Eun-hee, the South Korean Film Actor Once Abducted by Pyongyang," Independent, May 14, 2018. Ilana Kaplan, "Choi Eun-Hee Dead: South Korean Actress Once Kidnapped by North Korea Dies Aged 92," Independent, April 17, 2018. Barbara Demick, "Secret Tape Recordings of Kim Jong Il Provide Rare Insight Into the Psyche of His North Korean Regime," Los Angeles Times, Oct. 27, 2016. Euan McKirdy, "South Korean Actress and Former North Korean Abductee Choi Eun-Hee Dies," CNN, April 17, 2018. Julian Ryall, "The Incredible Life Story of Actress Choi Eun-Hee, Abducted by North Korea and Forced to Make Films for Kim Jong-il," Telegraph, April 17, 2018. Nicolas Levi, "Kim Jong Il: A Film Director Who Ran a Country," Journal of Modern Science 25:2 (2015), 155-166. Choe Sang-Hun, "Obituary: Shin Sang Ok, 80, Korean Film Director," New York Times, April 12, 2006. Douglas Martin, "Shin Sang Ok, 80, Korean Film Director Abducted by Dictator, Is Dead," New York Times, April 13, 2006. Alexandra Alter, "North Korea’s Love-Hate of Movies," New York Times, Dec. 31, 2014. Peter Maass, "The Last Emperor," New York Times, Oct. 19, 2003. Chris Knight, "Kim Jong-il's Bizarre Interlude in the Movies," Ottawa Citizen, Sept. 30, 2016, E.5. "A Memoir: Shin Sang-ok, Choi Eun-hee and I," Korea Times, Oct. 5, 2016. "Choi Eun-hee: Beautiful Actress and Doyenne of Postwar South Korean Films Before Her Kidnap by North Korea Where She Lived in a Gilded Cage," Times, June 4, 2018, 48. Ronald Bergan, "Obituary: Shin Sang-Ok: South Korean Film Director Whose Life Read Like the Plot of a Far-Fetched Thriller," Guardian, April 19, 2006, 34. Lawrence Levi, "Lights, Camera, Kidnap," Newsday, Feb. 8, 2015, C.17. "The Incredible Life Story of Actress Choi Eun-hee, Abducted by North Korea and Forced to Make Films for Kim Jong-il," Telegraph, April 17, 2018. An Hong-Kyoon, "More Dramatic Than Movie," Korea Times, Oct. 6, 2016. Hannah McGill, "Acting in the Dictator's Cut," Independent, March 14, 2015, 22. Olivier Holmey, "South Korean Film Actor Abducted by Pyongyang," Independent, May 16, 2018, 36. Peter Keough, "How Kim Jong-il Got What He Wanted," Boston Globe, Sept. 23, 2016, G.8. Peter Keough, "That Time Kim Jong-il Kidnapped His Favorite Movie Star and Director," Boston Globe, Sept. 21, 2016, G.8. Khang Hyun-sung, "Director's Colourful Life Competed With His Cinematic Creations," South China Morning Post, April 15, 2006, 11. Jennifer Hunter, "The Stranger-Than-Fiction Abduction of a Director and His Star," Toronto Star, Jan. 31, 2015, IN.3. "Obituary of Shin Sang-ok," Daily Telegraph, May 6, 2006. Tim Robey, "Losing the Plot: Kim Jong-il Was So Set on Film-Making He Kidnapped Two South Korean Stars," Daily Telegraph, Feb. 28, 2015, 30. Here's Pulgasari, the monster movie that got Shin and Choi to Vienna. In the West it's regarded as a dud. "Pulgasari marked a turn in Shin's career, the first time he had put all his energy into a picture and created a stinker," writes Paul Fischer. "It was a sudden, inexplicable transformation, after which Shin never recovered his magic touch." Listener mail: Ted Chamberlain, "Napoleon Death Mystery Solved, Experts Say," National Geographic, Jan. 17, 2007. "Napoleon Death: Arsenic Poisoning Ruled Out," Live Science, Feb. 12, 2008. "Was Napoleon Poisoned?", American Museum of Natural History, Jan. 21, 2014. J. Thomas Hindmarsh and John Savory, "The Death of Napoleon, Cancer or Arsenic?", Clinical Chemistry 54:12 (2008), 2092-2093. William J. Broad, "Hair Analysis Deflates Napoleon Poisoning Theories," New York Times, June 10, 2008. Max Finkel, "Instead of a Ticket, Some Speeders in Estonia Are Getting a Time Out," Jalopnik, Sept. 28, 2019. Jonathan Schultz, "Speed Camera Lottery Wins VW Fun Theory Contest," New York Times, Nov. 30, 2010. Elizabeth Haggarty, "Speed Camera Lottery Pays Drivers for Slowing Down," Toronto Star, Dec. 9, 2010. DDB, "DDB's Fun Theory for Volkswagen Takes Home Cannes Cyber Grand Prix," June 25, 2010. Wikipedia, "Radar Speed Sign: Effectiveness," (accessed Oct. 19, 2019). "The Speed Camera Lottery - The Fun Theory," Rolighetsteorin, Nov. 12, 2010. Volkswagen, "The Fun Theory 1 – Piano Staircase Initiative," Oct. 26, 2009. Elle Hunt, "Cash Converters: Could This Dutch Scheme Stop Drivers Speeding?", Guardian, May 25, 2018. This week's lateral thinking puzzle is from Paul Sloane and Des MacHale's 2014 book Remarkable Lateral Thinking Puzzles. Here's a corroborating link (warning -- this spoils the puzzle). You can listen using the player above, download this episode directly, or subscribe on Google Podcasts, on Apple Podcasts, or via the RSS feed at https://futilitycloset.libsyn.com/rss. Please consider becoming a patron of Futility Closet -- you can choose the amount you want to pledge, and we've set up some rewards to help thank you for your support. You can also make a one-time donation on the Support Us page of the Futility Closet website. Many thanks to Doug Ross for the music in this episode. If you have any questions or comments you can reach us at podcast@futilitycloset.com. Thanks for listening!

On the seventy-second edition of Reality Bomb, we remember to Doctor Who writer, script editor, author and legend Terrance Dicks with a special tribute from Martin Belam, Nick Abadzis, Lisa Gledhill, Jon Arnold, Jason A. Miller and Bill Evenson. YouTuber, fan and Doctor Who Magazine Time Team member Claudia Boleyn uncouples Utopia from the series 3 finale and brings it to the Gallery of the Underrated. And the craze sweeping the fandom is back as Is This Rumour Hot or Not? returns with emeritus producer Alex Kennard and Kim Rogers. All this plus a poem in honour of Terrance Dicks by Chris Fosten, and we blow wide the conspiracy behind what's going on with Doctor Who in Cardiff.

On the sixty-fifth edition of Reality Bomb, we conclude our review of series 11 (and the 2019 New Year’s special, Resolution) as our review team of Sage Young and Lori Steuart talks to Graeme Burk about what made them happy, and unhappy, about the latest season, the standout stories, what they would change in the season to come and much more. Joy Piedmont talks to Jon Arnold, Delia Gallegos and Heather Berberet about the role families—actual and found—play in Doctor Who. And the Guardian’s Martin Belam takes us to the world of “teenaged” Kangs, cannibalistic Rezzies and rulebound Caretakers as Paradise Towers comes to the Gallery of the Underrated. Plus listener’s letters and a popular nature documentary visits the exotic world…of a Doctor Who convention.

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to. This is a collection of highlights from shows twenty five to thirty, featuring Martin Belam on the Laurel And Hardy cartoon, Jenny Morrill on The Just Seventeen Yearbook, Jack Kibble-White on Don't Give Up Your Day Job by Richard Digance, Tim Worthington on Secrets From The School Underground, Ben Baker on Looks Familiar, John Rain on Hello Mum and Phil Norman on The Country Life Christmas Box. Along the way we'll be getting annoyed at a fictional schoolboy’s opinions on Monty Python’s Flying Circus, critically evaluating Richard Murdoch’s cameo in The Wire, and trying our hardest to avoid talking about a cannibalistic emulsified cross between Last Tango In Paris and Straw Dogs. Plus there’s also something you may not have heard before - Tim talking to Emma Burnell and Steve Fielding on The Zeitgeist Tapes about Doctor Who and politics... You can find more editions of Looks Unfamiliar at http://timworthington.org/

On the sixty-first edition of Reality Bomb, Joy Piedmont talks to Den of Geek's staff editor Kayti Burt and The Guardian's senior social correspondent Martin Belam about the latest news of Doctor Who's move to Sundays and the recent announcement of new writers and directors and what all this might mean for the series. Graeme Burk explores the question of whether Doctor Who fandom is toxic or could become toxic with Angelique Roche, Sage Young and Felicity Kuzinitz. And emeritus producer Alex Kennard returns to Reality Bomb in order that he might bring the now-forgotten revolutionary 2002 webcast Death Comes To Time to the Gallery of the Underrated. Plus, some anthropologists attempt to flush out some middle aged Doctor Who fans in the wild and more! Reality Bomb is going to be doing a live show in Toronto on Saturday October 20th at 3pm at the Imperial Pub at 54 Dundas Street west. Details are on our website or our Facebook event page for more details!  

Looks Unfamiliar is a podcast in which writer and occasional broadcaster Tim Worthington talks to a guest about some of the things that they remember that nobody else ever seems to. Joining Tim this time is journalist Martin Belam, who's searching hard for historical evidence of the Laurel And Hardy cartoon, Faith No More being censored by Top Of The Pops, a scene that may or may not have gone missing since the original cinema release of Flash Gordon, a space shuttle touring air shows, a radio documentary on the making of Dr. Mabuse by Propaganda, and when New Order couldn't work out how to play Your Silent Face live. Along the way we'll be finding out how to be mistaken for a monarchist by watching the Red Arrows, why Nik Kershaw asked his fans to come and have a go if they thought they were hard enough, and why the science in Iron Man 2 was 'wrong'. You can get Tim's new book. Can't Help Thinking About Me, from http://timworthington.org/

Media Mouthwash is back after a Christmas hiatus! The Guardian's iPad app was met with a mixed reaction when it launched in October 2011. Many loved the beautiful design, others were confused by the 'static' edition model they used to package it. Our guest this week is Martin Belam of the Guardian's UX (user experience) team. He talks us through the rationale behind the design of the app and the different ways people consume news. All this and our regular features!