Podcasts about Shin

There are several different kinds of Kaddish, the first of which is commonly known as "Hasi Kaddish" – "half-Kaddish." The term "Hasi Kaddish" is actually a misnomer, as the text of this Kaddish is in fact the complete original text, composed either by the Ansheh Kenesset Ha'gedola (Men of the Great Assembly) at the beginning of the Second Commonwealth, or several generations later, by the Tanna'im. The prayers added to the other Kaddish texts were introduced later, during the period of the Geonim or the period of the Rishonim. These other texts are known to us as "Kaddish Titkabal," "Kaddish Yeheh Shelama," and "Kaddish Al Yisrael" (which is also referred to as "Kaddish De'Rabbanan"). "Kaddish Titkabal" includes a request that our prayers be answered, and it is recited after the Amida prayer, and after Shelihot. "Kaddish Yeheh Shelama" is said after the recitation of a text of Torah She'bi'chtab (Tanach), such as following an Arayat. Finally, "Kaddish Al Yisrael" is recited after a session of studying Torah She'be'al Peh (the oral Torah), such as Mishna or Gemara. This text contains a prayer for the wellbeing of the Torah scholars and their students (which is why this Kaddish is also known as "Kaddish De'Rabbanan" – the Rabbis' Kaddish). We recite this Kaddish in the morning after the Korbanot section, which includes the Mishnayot of "Ezehu Mekoman" and the Berayta of Rabbi Yishmael. It is recited again at the end of the prayer service, following the recitation of the Ketoret text which includes passages from the Gemara. This final "Kaddish Al Yisrael" after the Ketoret is known as "Kaddish Yatom" – the mourner's Kaddish, as it is recited by those in mourning for a parent. The Arizal taught that the recitation of this Kaddish by a mourner has the ability to extricate the parent from Gehinnom and bring him or her to Gan Eden. These final three Kaddish texts conclude with a prayer for peace and material blessings. The Rabbis explain that we first pray that "Yitgadal Ve'yitkadash Shemeh Rabba" – that G-d's Name should be glorified and become known throughout the world, before proceeding to ask for our personal needs. This is based on the concept that we must first pray for G-d's sake, so-to-speak, for the glory of His Name, and in this merit our personal requests will be granted. The Tur (Rabbenu Yaakob Ben Asher, Germany-Spain, 1269-1343) brings a teaching of the Midrash that if a person includes in his prayers the plea that Hashem should act for the sake of His Name ("Aseh Lema'an Shemecha, Aseh Lema'an Yeminecha…"), then he will be given the merit to greet the Shechina. We should pray not only for our own benefit, but also for the sake of the glorification of G-d's Name. This notion is alluded to in the first four words of Kaddish – "Yitgadal Ve'yitkadash Shemeh Rabba." These words begin with the letters Yod, Vav, Shin and Resh, which have the combined numerical value of 516. The Sages teach that Moshe Rabbenu prayed 515 times for the privilege of entering the Land of Israel, whereupon G-d commanded him to stop praying. Some commentators explain that Moshe was told to stop because if he had recited a 516 th prayer, then his prayer would have been accepted (and it was decreed that Moshe must not go into the land). Moshe prayed solely for the purpose of "Yitgadal Ve'yitkadash Shemeh Rabba," for the sake of the glorification of the divine Name, and not for his personal benefit, and his prayer therefore would have deserved to be accepted. When our intentions are sincere, when we pray for our needs so we can succeed in our mission in the world, the mission of bringing honor to the Almighty, then we are worthy of having our prayers answered.

Nestled in the heart of Nothern Maine, Shin Pond Village is a family-onwed resort where you can escape, relax and enjoy the outdoors. Join Jared Christie, Polaris Adventures Content Manager, on a visit to Maine and be prepared to stay for the weekend. Book your next adventure @ www.adventures.polaris.com Unless noted, trademarks are the property of Polaris Industries Inc. © 2026 Polaris Industries Inc.

In episode two of our Injury Focus Series, I'm joined again by Dr. Kameron Harder — Doctor of Physical Therapy and head strength coach at Ridge Athletics — to break down some of the most frustrating and lingering injuries runners deal with.Shin splints. Achilles pain. Plantar fasciitis.These are the issues that seem to show up out of nowhere, stick around forever, and derail training blocks when things are finally going well.In this episode, we dig into why these injuries are so stubborn, what most runners misunderstand about them, and how strength, load management, and movement quality actually play a role in keeping you running pain-free.We cover:• Why lower-leg injuries tend to linger longer than knee or hip pain• What's really happening when pain “warms up” during a run• How small changes (surface, shoes, drop) can quietly overload tissue• The difference between managing symptoms vs. fixing the root issue• Why some injuries keep coming back even when mileage stays the same• How strength and force absorption connect to durability• What runners should be doing before pain ever shows upIf you've ever dealt with recurring lower-leg pain — or want to avoid it altogether — this episode will change how you think about injury, strength training, and long-term durability as a runner.

Recipe 500g shin of beef, bone in 1 tablespoon oil 35g root ginger sliced finely 2 onions, peeled and chopped roughly 3 cloves garlic, peeled 500ml beef stock – you can buy ready made stock or use 2 cubes 2 tablespoons soy sauce 4 scallions 1 red chilli 2 tablespoons crispy onions ( available in supermarkets and delis) 100g basmati rice Heat the oil in a pan or casserole until smoking hot and add the shin. Cook on both sides for a couple of minutes then add the ginger, garlic and onions. Transfer to a saucepan and cover with the stock and soy. Add some more water if necessary. Either gently simmer on the stove with a lid on or place in a 170oc oven in a casserole for about 2 hours or until fork tender. Either way check there's enough liquid to cover the meat throughout. Boil the rice until cooked, drain and cool under cold water. Cut the scallions into 3 slices then cut them into thin strips. Split the chilli and cut into thin strips. Place in iced water. Remove shin and blend the remaining liquid to a smooth soup. Add water to spoon coating consistency. Shred the meat from the shin and add to the soup. Check the seasoning. Spoon the rice into 4 bowls and top with the hot soup. Garnish with the scallion and chilli strips and crispy onion.

This Week In Startups is made possible by:Circle.so - http://Circle.so/twistDeel - http://deel.com/twistUber AI Solutions - http://uber.com/twistToday's show:Not long ago, promising young Japanese graduates wanted to go work for the largest, most established, and even oldest corporations: Sony, Mitsubishi, and the like. But now, just over the last few years, more and more Japanese people are becoming entrepreneurs and founders. TWiST Japan continues with a fascinating look inside the country's growing startup ecosystem with special guest, venture capitalist Shinichi “Shin” Takamiya. He'll walk Jason through how Japan stayed ahead of the rest of the world in technology, but started falling behind when it came to founding companies, and how the Japanese are now starting to level the playing field.PLUS why his fund, Globis, sees other VC firms as collaborators rather than the competition… How AI is helping Japanese and American founders build their companies more quickly… Why Jason prefers training younger people to become VCs rather than hiring more experienced players… Shin's guide to eating out in Tokyo… and much more!Timestamps: (00:00) We're so excited to bring Founder University in Japan!(04:15) Jason and our guest first met 15-25 years ago…(06:06) How is Japan always so far ahead of the rest of the world?(08:29) Globis is one of Japan's largest and oldest venture capital firms!(10:48) Circle.so -  the easiest way to build a home for your community, events, and courses — all under your own brand. TWiST listeners get $1,000 off Circle's Professional Plan by going to http://Circle.so/twist(12:38) Why founders need to play the long game when it comes to networking(15:03) “The founder is the most precious resource in the startup community”(16:50) Shin takes us inside his Mercari (a massive Japanese marketplace site) investment(18:20) How startups became “cool” in Japan, just recently(19:43) Deel - Founders ship faster on Deel. Set up payroll for any country in minutes and get back to building. Visit http://deel.com/twist to learn more.(21:09) You don't have to tell an investor your whole story… just get them interested(25:28) Why Jason likes to train young folks to be VCs, rather than hiring for experience(28:44) The differences between being candid and rude(29:44) Uber AI Solutions - Your trusted partner to get AI to work in the real world. Book a demo with them TODAY at http://uber.com/twist(35:40) Why Globis sees other VC firms as collaborators(39:08) The world's OLDEST company is 1500 years old… and it's from Japan…(39:54) Why a lot of great businesses aren't right for VC investment(43:34) Why picking the right market is so crucial(48:37) When you know the direction of change but can't predict the timing(50:34) How founders are using AI to build better companies faster(54:39) Shin's guide to eating out in Tokyo*Subscribe to the TWiST500 newsletter: https://ticker.thisweekinstartups.com/Check out the TWIST500: https://twist500.comSubscribe to This Week in Startups on Apple: https://rb.gy/v19fcp*Follow Lon:X: https://x.com/lons*Follow Alex:X: https://x.com/alexLinkedIn: https://www.linkedin.com/in/alexwilhelm/*Follow Jason:X: https://twitter.com/JasonLinkedIn: https://www.linkedin.com/in/jasoncalacanis/*Thank you to our partners:(10:48) Circle.so -  the easiest way to build a home for your community, events, and courses — all under your own brand. TWiST listeners get $1,000 off Circle's Professional Plan by going to http://Circle.so/twist(19:43) Deel - Founders ship faster on Deel. Set up payroll for any country in minutes and get back to building. Visit http://deel.com/twist to learn more.(29:44) Uber AI Solutions - Your trusted partner to get AI to work in the real world. Book a demo with them TODAY at http://uber.com/twistCheck out all our partner offers: https://partners.launch.co/

Episode 183 of Limb Lengthening LIVE is an open mic discussion! Patients are invited to join the stream, share their stories, updates, and ask questions in real time._____________________Audio Podcast - will be available within 24-48hrs after stream endsTimestamps - 0:00 – Intro1:53 – Master of Accordions: Tibia lengthening + femur accordion technique3:41 – Aaron (MVP of 2025): 8-month recovery update5:24 – Codeman Red: Consolidation phase & cardio return6:57 – Noah: Post-lengthening sleep, consolidation X-ray coming up8:24 – Natalie: 14-month recovery reality check13:40 – Real Deal: Life after going from 5'5” → 5'8”17:53 – Real Deal confirms Feb 2 tibia surgery plan22:53 – I Need To Stretch: Tibia lengthening & limp during consolidation27:23 – Side Quest: Quad lengthening success + possible round 334:47 – Aiden: 8 cm femur lengthening walking normally41:54 – Still Too Heavy (Zach): Weight concerns before surgery48:03 – Aaron's post-op X-rays reviewed49:15 – Aaron's 22-mile hike footage shown52:24 – Aaron jumping & dancing at 6.5 months post-op54:38 – Master of Accordions X-rays (tibias + femurs)1:01:26 – Shin pain after femur lengthening: causes discussed1:06:12 – Victor's statement: Why a podcast will NOT air1:08:24 – Alleged “Trojan horse” bait tactics discussed1:09:39 – Brian Sanchez video referenced (Live Life Taller)1:14:15 – Final thoughts, thanks to patients1:17:47 – Episode 183 sign-offFind Links to Everything Here and Below: https://sleekbio.com/cyborg4life

On this episode of the America's Work Force Union Podcast, Kai Shin, a worker organizer with Chicago Botanic Garden Workers United, shared his experience confronting alleged unsafe working conditions and workplace retaliation at Windy City Harvest, the garden's urban farm initiative. Shin, who was terminated after advocating for transparency and justice for his peers, highlighted disturbing management practices, the exploitation of vulnerable populations and the broader implications for labor organizing.  Pat Gallagher, President of the North Coast Area Labor Federation and a retired member of the United Steelworkers, joined the America's Work Force Union Podcast to discuss new job openings at Cleveland Cliffs and reflect on the evolution of labor contracts in the steel industry.

If you've ever seen a video of someone rolling a glass bottle on their shins or kicking a metal pole and thought, “Is this what I have to do to be a real fighter?”... this episode is for you.We're parking the mythology and the "medieval" advice today. Shin conditioning isn't about "killing your nerves" or being a brute. It's about being a scientist.In this episode, I break down the actual biological processes behind building durable shins. We dive into the three-part system of durability: denser bones (Wolff's Law), quieter nerves (desensitization), and your "hidden helper".We cover:-The "Nerve Death" Myth: Why losing sensation is a career-ending danger, not a goal.-Myths vs. Reality: Why rolling pins and glass bottles are a waste of your time and recovery energy.-The Gold Standards: How the heavy bag, running, and strength training actually build "fighting bones."-The "Red Light" vs. "Green Light" Diagnostic: How to tell the difference between healthy adaptation and a looming stress fracture.Read the full breakdown on the blog: https://muay-ying.com/the-science-of-shin-conditioning-a-fighters-guide-to-bone-adaptation/----------If you'd like to more high-quality content, please consider supporting Muay Ying through Patreon. Any amount is appreciated and it will go towards my efforts to run all the platforms Muay Ying is on, as well as create content for each of them. http://patreon.com/muayyingYou can also find us: instagram.com/muay.ying  muay-ying.comYou can find the host (Angela) via instagram.com/angela.muaythai or angelamuaythai.comIntro/Outro music by Maki of the Moon

Its time to make Kris Henshin as we dive into the film Shin Kamen Rider

Welcome back to this week's Friday Review where I can't wait to share with you the best of the week!     I'm looking forward to reviewing:     Citrus Pectin (product review) Personomics Tip of The Week Shin Pain & Vitamin D (research) Black Currants & Bone Density (research)     For all the details tune into this week's Cabral Concept 3626 – Enjoy the show and let me know what you thought!   - - - For Everything Mentioned In Today's Show: StephenCabral.com/3626 - - - Get a FREE Copy of Dr. Cabral's Book: The Rain Barrel Effect - - - Join the Community & Get Your Questions Answered: CabralSupportGroup.com - - - Dr. Cabral's Most Popular At-Home Lab Tests: > Complete Minerals & Metals Test (Test for mineral imbalances & heavy metal toxicity) - - - > Complete Candida, Metabolic & Vitamins Test (Test for 75 biomarkers including yeast & bacterial gut overgrowth, as well as vitamin levels) - - - > Complete Stress, Mood & Metabolism Test (Discover your complete thyroid, adrenal, hormone, vitamin D & insulin levels) - - - > Complete Food Sensitivity Test (Find out your hidden food sensitivities) - - - > Complete Omega-3 & Inflammation Test (Discover your levels of inflammation related to your omega-6 to omega-3 levels) - - - Get Your Question Answered On An Upcoming HouseCall: StephenCabral.com/askcabral - - - Would You Take 30 Seconds To Rate & Review The Cabral Concept? The best way to help me spread our mission of true natural health is to pass on the good word, and I read and appreciate every review!  

In municipal elections across the country recently, incumbent mayors faced recall challenges. Not so in Boston, where Mayor Michelle Wu ran unopposed in a race that affirmed her positive, proactive approach to governing. In this episode, Nick sits down with Shin-Pei Tsay, the chief research and data officer and executive director at the Mayor's Office of New Urban Mechanics (MONUM); Shin-pei has led a variety of efforts to reimagine city services to be more efficient, equitable, and fun, and speaks about the challenges and opportunities therein.

Join host Jed Doherty for a heartwarming episode of the Reading With Your Kids podcast as he welcomes celebrated author Kao Kalia Yang and talented illustrator Jen Shen to discuss their beautiful new children's book, "The Blue House I Loved." In this insightful interview, Yang shares the deeply personal inspiration behind her story—the cherished duplex in St. Paul that provided a home to Hmong refugee families, including her own. Listeners will discover how the "blue house" became a symbol of comfort, belonging, and cultural memory, bridging generations and experiences. Jen Shin, an accomplished illustrator and architect, opens up about her creative process and the responsibility she felt to honor Yang's poignant memories through her art. Together, Yang and Shin explore the themes of resilience, adaptation, and the magic found in crowded, loving spaces. The conversation touches on shared immigrant experiences, the legacy of meaningful homes, and the transformative power of storytelling in children's literature. The episode also offers a behind-the-scenes look at the collaboration between author and illustrator, the nostalgic memories that inspired the book, and the universal longing for places that shape who we are. Stay tuned as Yang hints at upcoming projects, and Shen shares her excitement about future books. Perfect for fans of children's books, immigrant stories, and meaningful conversations about home, this episode of RWYK is a moving tribute to the places—and people—that make us whole. We also have a listen back to a conversation we had in January 2025 wiith Frankie Thompkins, executive director and Boss Clown at Clowns Without Borders.

Welcome to the DSTE Christmas Spectacular!! There's no Joe or Jono this week so Sam takes over hosting duties and is joined by JT and Ste to talk all things games, TV, and film + books this week. We have a Christmassy catch up before JT's new section Joe-Schmo Rage Baiting'! We also take a quick look at the new Street Fighter film trailer, the 2026 reboot directed by Kitao Sakurai and starring Noah Centineo as Ken and Andrew Koji as Ryu. Ste gives his obligatory World of Tanks update, the enduring armoured warfare MMO, and talks with JT about playing The Outer Worlds 2. This much-anticipated sci-fi RPG sequel from Obsidian Entertainment just launched this October, taking players to the new star system of Arcadia. JT played the new Call of Duty: Black Ops 7 game as we discuss the blatant rinse and repeat nature of COD (yet it's still fun) and the campaign (or lack of) vs. online gameplay. The pod has an in depth discussion around how games are priced and marketed around free game models with season pass/DLC. We then drop into Sam's Steam Deck Corner, where he's revisiting Trials Evolution, the 2012 physics-based racer from RedLynx. Next, we open Ste's Book Club to discuss Frank Herbert's 1965 sci-fi epic Dune and a Haruki Murakami marathon covering the melancholic Norwegian Wood (1987), the metaphysical Kafka on the Shore (2002), and the dystopian epic 1Q84 (2009). JT sits us down to tell us all about The Chair Company, the new HBO comedy-thriller from Tim Robinson about a man who uncovers a corporate conspiracy after his chair collapses during a presentation. We also test our Duolingo language skills by watching foreign TV shows: Schlag Den Star, the long-running German celebrity competition; Deutschland 83, the stylish 2015 Cold War spy thriller; and One Cut of the Dead, the ingenious 2017 Japanese meta-zombie film by Shin'ichirō Ueda. Sam covers The Beast In Me, the new Netflix psychological thriller starring Claire Danes and Matthew Rhys, and we chat about the massive Netflix vs. Paramount bids for Warner Bros. Discovery, as the streaming giants fight over the future of HBO and the DC Universe. The feature film this week that is unquestionable a Christmas Film - Jingle All The Way, the 1996 holiday classic starring Arnold Schwarzenegger on a desperate quest for a Turbo-Man action figure. Get in touch with us: X - https://x.com/DSTEPodcast Email - dontspoiltheending@gmail.com Intro 00:00:00 - Christmas talk 00:03:05 - Joe-Schmo rage baiting + 2025 Comic book films 00:09:22 - Street Fighter film Video Games 00:13:49 - World of Tanks 00:14:25 - The Outer Worlds 2 00:15:42 - Call of Duty Black Ops 7 00:18:55 - Control Resonant + Alan Wake 00:21:38 - Free game model/DLC/season pass discussion 00:27:46 - Sam's Steam Deck Corner - Trials Evolution Books 00:30:34 - Ste's Book Club - Dune + Haruki Murakami / Norwegian Wood + Kafka on the Shore + 1Q84 TV 00:35:53 - The Chair Company 00:40:49 - Duolino chat 00:41:30 - Schlag Den Star (Beat the Star) 00:43:03 - Deutschland 83 00:48:45 - The Beast in Me 00:55:43 - Netflix Monopolisation Films 00:59:07 - One Cut of the Dead Feature Review 01:02:39 - Jingle All The Way

Courtesy of University of Minnesota Press, Elijah sits down with translator and writer Jeffrey Angles learning the secrets about his latest work; The Luminous Fairies and Mothra by Shin'ichirō Nakamura, Takehiko Fukunaga, and Yoshie Hotta.Check-out Jeffrey's work here:Order "Godzilla and Godzilla Raids Again" (Paperback) by Shigeru Kayama - https://www.amazon.com/Godzilla-Raids-Again-Shigeru-Kayama/dp/1517915236Order "Writing the Love of Boys: Origins of Bishonen Culture in Modernist Japanese Literature" (Paperback) by Jeffrey Angles - https://www.amazon.com/Writing-Love-Boys-Modernist-Literature/dp/0816669708Order "The Book of the Dead" (Paperback) by Orikuchi Shinobu - https://www.amazon.com/Book-Dead-Orikuchi-Shinobu/dp/0816688109/ref=tmm_pap_swatch_0Kaiju Conversation is a podcast series diving into the world of tokusatsu featuring genres like science fiction, J-Horror, action, and comedy! From Godzilla, Gamera, and Ultraman to the deepest darkest places like Zeiram, Zebraman, and Tetsuo: The Iron Man.The podcast is hosted by Elijah Thomas and Jackson Gibbens. Email: kaijuconversation@gmail.comTwitter/Facebook: @kaiju_convers Instagram: kaiju_conversLinktree:https://linktr.ee/Kaiju_Convers YouTube:https://www.youtube.com/channel/UCuni8GjDt1abcYq39cOxzDw Discord Server:https://discord.gg/gEwRexe Merchandise:https://teespring.com/stores/kaiju-conversation • Host: Elijah Thomashttps://linktr.ee/ET13_PRODUCTIONS• Co-host/Editor: Jackson Gibbenshttps://linktr.ee/RexXenoDon't forget to leave us a 5-star review!

Every time I go to upload the episode this week, I get an error. So I'm sick of rewriting a witty episode description. If this ends up being what you see... it worked. Fuck this shit.*** Wanna become part of The Gaggle and access all the extra content on the end of each episode PLUS tons more?! Our Patreon page is LIVE! This is the biggest way you can support the show. It would mean the world to us: http://www.patreon.com/canyoudontpodcast ***New Episodes every Wednesday at 12pm PSTWatch on Youtube: https://youtu.be/bzEftxwFih8Send in segment content: heyguys@canyoudontpodcast.comMerch: http://canyoudontpodcast.comMerch Inquires: store@canyoudontpodcast.comFB: http://facebook.com/canyoudontpodcastIG: http://instagram.com/canyoudontpodcastYouTube Channel: https://bit.ly/3wyt5rtOfficial Website: http://canyoudontpodcast.comCustom Music Beds by Zach CohenFan Mail:Can You Don't?PO Box 1062Coeur d'Alene, ID 83816Hugs and tugs.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today's sermon, by Rev. Joyce Shin, was offered on Sunday, December 14, 2025. The scripture passages this morning were Luke 1:46-55 and Matthew 11:2-11. To listen to the full Lord's Day service, search for "Swarthmore Presbyterian Church."

Liting Cong is Legal Counsel at ASICS, one of Japan's most successful sportswear companies. Liting shares her journey through the lens of Japanese aesthetics, particularly the concept of wabi-sabi or embracing imperfection, impermanence, and incompleteness. If you're considering an in-house career in Japan, curious about human-centric AI, or looking for wisdom on embracing life's uncertainties, you will enjoy the metaphor Liting shares about building a beautiful garden. More on that inside this episode! If you enjoyed this episode and it inspired you in some way, we'd love to hear about it and know your biggest takeaway. Head over to Apple Podcasts to leave a review and we'd love it if you would leave us a message here!In this episode you'll hear:How Japanese martial arts and dance became a source of peace and resilience during challenging timesThe evolution of in-house counsel roles beyond gatekeeping and contract reviewPractical strategies for unlearning perfectionism that Liting uses herself at workWhy ideation is a lawyer's secret weapon in the age of AILiting's favourite book and other fun facts About LitingLiting Cong is a Legal Counsel at ASICS Corporation, where she leads global privacy, AI governance, and digital initiatives in the Legal Department. She graduated from Grinnell College in 2011, and University of Toronto Faculty of Law in 2014. She was admitted to the bar in Ontario in 2015, and in New York in 2019. Before relocating to Japan, Liting gained diverse international experience at King & Wood in Shanghai, Shin & Kim in Seoul, and Stikeman & Elliott in Toronto, and started her own practice as a sole practitioner in Toronto.In addition to her legal credentials, Liting is a data protection professional with multiple certifications from the International Association of Privacy Professionals (IAPP) for European privacy (CIPP/E), privacy program management (CIPM), and artificial intelligence governance (AIGP). With over a decade of experience living and working in Canada and Japan, Liting brings not only legal expertise but also fluency in the languages--English, Chinese, and Japanese--and a deep understanding of cross-cultural business environments. In 2018, as an avid fan of Japanese arts and culture since childhood, Liting relocated to Japan. She joined Mitsubishi Tanabe Pharma Corporation in Osaka as Legal Counsel, and later SymBio Pharmaceuticals Limited in Tokyo as Legal Manager.In 2023, Liting joined ASICS Corporation in its global headquarters in Kobe. She now serves as the lead in global privacy and AI governance and managing ASICS' digital initiatives across the globe. Liting lives in Osaka with her husband and a cat who enjoys making cameos in Teams calls and supervising all her legal work.  Connect with LitingLinkedIn: https://www.linkedin.com/in/litingcong/ LinksGokan: https://patisserie-gokan.co.jp/item/ The Cultural Map by Erin Meyer https://amzn.asia/d/9w9muCI Connect with Catherine LinkedIn https://www.linkedin.com/in/oconnellcatherine/Instagram: https://www.instagram.com/lawyeronair

Join us as we explore Jin Shin Jutsu, a Japanese technique for releasing anxiety and tension through simple hand holds. Learn quick, effective ways to relax and restore balance in minutes.Sharmee Divan is an Intuitive Coach, Motivational Speaker, and author. She is a lifelong psychic and clairvoyant who has been teaching Angelic Therapy for over a decade. She inspires people to follow the loving, joyful, and abundant spiritual path guided by Angels.Sharmee Divan's book: https://www.amazon.com/Sharmee-Divan/e/B08P3VQHZQ/ref=aufs_dp_fta_dskEWN Facebook: https://bit.ly/2tbQ9jdEWN YouTube Channel: Connect to Enlightened World's global network of lightworkers and enjoy our videos.Sign Up For News from Enlightened World Online: https://lp.constantcontactpages.com/su/FBoFQef/webEnlightened World Network is your guide to inspirational online programs about the spiritual divinity, angels, energy work, chakras, past lives, or soul. Learn about spiritually transformative authors, musicians and healers. From motivational learning to inner guidance, you will find the best program for you.Archangel Raphael's clearing modality: ANGELIC GEMShttps://enlightenedworld.online/angelic-gems/Check out our website featuring over 200 spirit-inspired lightworkers specializing in meditation, energy work and angel channelinghttps://www.enlightenedworld.onlineEnjoy inspirational and educational shows at http://www.youtube.com/c/EnlightenedWorldNetworkTo sign up for our newsletter: https://bit.ly/3fbZLiPLink to EWN's disclaimer: https://enlightenedworld.online/disclaimer/#spiritualessence #spiritual #spirituality #compassion #guidedmeditation

Today's sermon, by Rev. Joyce Shin, was offered on Sunday, December 7, 2025. The scripture passages this morning were Isaiah 11:1-10 and Matthew 3:1-12. To listen to the full Lord's Day service, search for "Swarthmore Presbyterian Church."

The whole crew is back together to check out more Shin'ichi Sakamoto with Innocent Rouge! We also discuss the live-action Look Back movie, Pluribus, CLAMP's COLOR KURO, the end of 2.5 Dimensional Seduction, and more!!! Send us emails! mangamachinations@gmail.com  Follow us on Social Media! @mangamacpodcast Check out our website! https://mangamachinations.com Support us on Ko-fi! https://ko-fi.com/mangamac  Check out our YouTube channel! https://www.youtube.com/mangamactv Check out our new gaming channel! https://www.youtube.com/@NakayoshiGaming/  Timestamps: Intro - 00:00:00 Live-Action Look Back - 00:02:47 Pluribus - 00:05:55 CLAMP Official Artbook: COLOR KURO - 00:13:07 Kozure Doushin - 00:20:42 2.5 Dimensional Seduction - 00:23:26 Next Episode Preview - 00:43:40 Innocent Rouge 1 - 00:44:14 Outro - 01:35:20 Song Credits: "Hopscotch" by Louis Adrien "Jiggin the Jig" by Bless & the Professionals "Green Light" by Emily Lewis "Tasty Bites" by ZISO

Welcome to Heroes Three podcast! This episode it's Marty's pick and we are discussing Shin'ichiro Ueda's One Cut of the Dead!Check out some H3 art and merch! - https://www.teepublic.com/user/kf_carlito Full cast and credits - IMDBFind us online - https://linktr.ee/Heroes3PodcastEmail us! - heroes3podcast@gmail.comMaking of One Cut of the Dead documentary!Timestamps(0:00) Intro(0:29) Spoiler Free thoughts(3:40) Start Spoilers(1:07:51) Plugs and Training for Next Week

A robotic food truck is cooking up fresh Korean stir-fries without the need for a human chef. At the crossroads of robotics and restaurants, one Silicon Valley startup says it's serving up the future. It's a new kind of food truck hitting the road that might change the way we think about food delivery. In a world where delivery robots are dropping off food, Kish Shin is flipping the script. Kish Shin, CEO & co-founder of Shin Starr Presents, says, "We thought we wanted to disrupt and enhance the food delivery service market by a food truck that is able to cook food autonomously whilst in driving conditions." Inside the truck, the magic happens through a system called Autowok, a modular, AI-powered robot that automates cooking, serving, and even cleaning. Once a human preps the ingredients and stocks the truck, the robot takes over from there. Shin says, "So the value of the truck is it's able to provide freshly cooked food, which is obviously more tasty, better quality food because it's freshly cooked." As the truck drives to your location, the system retrieves ingredients and drops them into a heated, rotating canister, like a high-tech wok. The Autowok fires into life, and hot meals are stir-fried en route. "Once the food is finished, the Autowok dispenses the finished food into the bowl, and the bowl is passed on to the driving section," says Shin. What's more, the robot is even able to clean itself—so no more laborious pot-washing. Shin says, "The Autowok is able to clean itself, to, I want to say, a perfect clean condition." Shin Starr also envisions someday partnering with an autonomous vehicle company. "We're definitely very open to working closely with the likes of delivery bots, as well as driverless trucks, so in which case our next generation trucks wouldn't even require a human driver," he says. The company isn't stopping at food trucks. Shin Starr is preparing to open its first micro restaurant inside a California airport, a fully automated kitchen that serves guests 24/7. This article was provided by The Associated Press.

Send us a textThe full text of this podcast with all the links mentioned in it can be found in the transcript of this edition, or at the following link:https://andrewjbrown.blogspot.com/2025/11/the-eternal-buddha-is-no-one-else-but.htmlPlease feel free to post any comments you have about this episode there.Opening Music, "New Heaven", written by Andrew J. Brown and played by Chris Ingham (piano), Paul Higgs (trumpet), Russ Morgan (drums) and Andrew J. Brown (double bass) Thanks for listening. Just a reminder that the texts of all these podcasts are available on my blog. You'll also find there a brief biography, info about my career as a musician, & some photography. Feel free to drop by & say hello. Email: caute.brown[at]gmail.com

Jason and Jordon sit down to review Side Project's Shin Shin, one of the brewery's newest and most talked-about dessert stouts. We break down the sweetness, barrel character, viscosity, mouthfeel, chocolate profile, and how Shin Shin stacks up against other Side Project classics.Is this a must-buy release… or one you can safely skip?#SideProject #ShinShin #BeerReview #CraftBeer #StoutReview #ArsenicCulturehttps://www.youtube.com/@arsenicculturehttps://instagram.com/arsenicculturehttps://tiktok.com/@arsenicculturehttps://www.facebook.com/arsenicculture/https://x.com/arsenicculture

Klein, Mechthild www.deutschlandfunk.de, Tag für Tag

The guys are back to preview the games for Week 12 of the NFL season as the playoff picture takes shape and the fantasy season hits the home stretch. They talk through the marquee matchup of Colts-Chiefs, discuss some potential blowout games, and then share their Ringer 107 picks for the week before closing the show. 00:00 Show start 2:32 Colts-Chiefs 12:14 Steelers-Bears 21:59 Patriots-Bengals 32:32 Vikings-Packers 43:38 Seahawks-Titans 48:14 Jets-Ravens 52:44 Giants-Lions 55:03 Browns-Raiders 56:33 Eagles-Cowboys 01:04:09 Falcons-Saints 01:05:48 Buccaneers-Rams 01:08:54 Panthers-49ers 01:11:56 Ringer 107 Week 12 picks Check out our 2025 Ringer Fantasy Football Rankings here! YT: Check out the 2025 Ringer Fantasy Football Rankings: https://fantasyfootball.theringer.com/ Email us! ringerfantasyfootball@gmail.com The Ringer is committed to responsible gaming. Please visit www.rg-help.com to learn more about the resources and helplines available. This episode is sponsored by Chime. Bank Smarter, Progress Further. Hosts: Danny Heifetz, Danny Kelly, and Craig Horlbeck Producers: Kai Grady, Carlos Chiriboga, and Ronak Nair Learn more about your ad choices. Visit podcastchoices.com/adchoices

2025-11-16 | Dharma Transmission Talk | Nathan Hōshin Kōnen Smalley by Appamada

Today's sermon, by Rev. Joyce Shin, was offered on Sunday, November 16, 2025. The scripture passages this morning were Isaiah 65:17-25 and Luke 21:5-19. To listen to the full Lord's Day service, search for "Swarthmore Presbyterian Church."

Cuties, do you want to hear about our dreams? If not, Chelsea may break up with you on a golf course. What we do want to hear about is Lea Michele stealing the roles from childhood friends. Scott Kelly, if you need a job, send the Cute Ones an email. Stephanie Sanchez needs an assistant. Gatekeep. Girl boss. Shin kick. To access AD FREE versions of our episodes, as well as bonus episodes and uncut audio and video,⁠ subscribe to our Patreon!⁠  If today's episode makes you laugh or scream, please do us a favor and rate our show 5 STARS on⁠ Apple⁠ or⁠ Spotify⁠ This is the easiest way for us to grow our community! Get your Cutie ⁠MERCH!⁠ We're on YOUTUBE! Be sure to⁠ subscribe⁠ so you don't miss a second of our hijinx - now on video! Follow Us on Social Media! TikTok: ⁠cuteonepodcast⁠ Chelsea:⁠ @ohnochels⁠ Donny:⁠ @realdonnywood Learn more about your ad choices. Visit megaphone.fm/adchoices

For the 40th anniversary of The Jesus and Mary Chain's landmark debut album, Psychocandy, we take a detailed look at how it was made. Growing up in East Kilbride, Scotland, brothers William and Jim Reid had their lives changed by punk and both made plans to start their own bands. When they had trouble finding like-minded musicians in their town, they realized they could pool their resources and start a band together. After their father was made redundant from his job at a factory, he gave them a gift of 300 pounds, which they used to buy a Portastudio 4-track machine. Recording the songs they were writing allowed them to find the sound of the band that they were looking for. By 1984, they had recruited Douglas Hart on bass and Murray Dalglish on drums and were sending around a demo tape to try and get gigs. Their tape was passed on to Bobby Gillespie, who loved it and connected them with Alan McGee of Creation Records. After seeing them live, McGee signed them to a deal and they released their first single, “Upside Down,” in 1984. The single, along with their notorious live performances, generated a lot of interest and they ended up signing a deal with a subsidiary of Warner Music Group, called Blanco y Negro. At this point, Bobby Gillespie replaced Murray Dalglish on drums and they released their follow-up single, “Never Understand,” in early 1985. Their full-length debut album, Psychocandy, was eventually released in late 1985.  In this episode, Jim Reid describes the impetus for starting a band with his brother William and how they would spend hours talking about music and envisioning the type of band that could start a cultural revolution. He describes how they were of a shared mind in those early days and how they would each write songs and flipped a coin to ultimately decide that Jim would become the lead singer. William Reid talks about his punk-inspired approach to guitar and how a chance purchase of a used Shin-ei fuzz pedal from a neighbor kid gave him the sound he was looking for. By blending feedback and noise with 60s-inspired pop, the Reid brothers found their unique sound and went to great lengths to protect it from being watered down by the record company. From being emboldened to experiment by engineer John Loder, to the chaos of their early live gigs, to the standup drumming style of Bobby Gillespie, to swapping shifts in the studio with Ministry, to creating an album where every song could be a single, to punk music as the missing ingredient in their lives, to their shared confidence in making a record that would stand the test of time, we'll hear the stories of how the album came together.

In some editions of the Siddur, several words are added to the text of Baruch She'amar on Shabbat. However, these additions are incorrect. The text of Baruch She'amar – which, according to tradition, was revealed to the Ansheh Kenesset Ha'gedola (Men of the Great Assembly) on a piece of paper that fell from the heavens – contains precisely 87 words, and this is the exact text that we should recite. There are some editions of the Siddur in which additions for Shabbat appear before Baruch She'amar. One may recite these additions, though he should ensure to have in mind that they are not said as part of Baruch She'amar, but rather comprise a separate text. The custom is to stand during the recitation of Baruch She'amar. However, since standing is required only by force of custom, and not as a strict Halachic obligation, one who is ill or otherwise frail may sit. Our custom is to hold the front two Sisit of the Tallit in our hand during the recitation of Baruch She'amar. This is based on a Kabbalistic teaching mentioned in the Sha'ar Ha'kavanot (a work based on the teachings of Rav Haim Vital, 1542-1620), according to which there is a deep connection between Baruch She'amar and Sisit. The Ben Ish Hai (Rav Yosef Haim of Baghdad, 1833-1909) adds that one should kiss the Sisit upon concluding Baruch She'amar, as an expression of love and affection for the Misva of Sisit. In the phrase "Ha'mehulal Be'feh Amo," there are some who say "Be'fi" instead of "Be'feh." However, this is incorrect. The proper text is "Be'feh." Significantly, the word "Be'feh" in Gematria equals 87 – the number of words in Baruch She'amar. The correct pronunciation of the final word of Baruch She'amar is "Ba'tishbahot," and not "Ba'tushbahot." One who arrives in the synagogue late, and skips Pesukeh De'zimra in order to recite the Amida together with the congregation, does not recite Baruch She'amar afterward. This Beracha is to be recited only before the Amida. (This applies also to Yishtabah, the concluding Beracha of Pesukeh De'zimra.) The first four words of Baruch She'amar are "Baruch She'amar Ve'haya Ha'olam," the first letters of which (Bet, Shin, Vav, Heh) spell the word "Be'shaveh" – "equal." This has been understood as alluding that reciting Baruch She'amar properly earns us rewards equal to the rewards granted to the angels for serving G-d. Moreover, these four words express praise to Hashem for bringing the world into existence – and so reciting this blessing properly helps us tap into G-d's creative powers. So often, we need Hashem to bring us a salvation, to "create" a solution for us. People frequently approach me asking how they can earn something that they so desperately need. One thing we can do is to recite Baruch She'amar properly, slowly, from the Siddur, and with concentration, thinking about how Hashem created the world from sheer nothingness, and in this merit we will, please G-d, be worthy of Him "creating" the solutions that we all need in our lives.

It's tokusatsu time with long time listener, first time caller, Newfie. We're exploring Hideaki Anno's fourth addition to his "Shin" series and his take on the prolific Japanese superhero. We tackle cults, covid conspiracies, contradiction, motorcycle accidents, and the contents of Charlie's dreams. Follow Newfie on Bluesky: @newfie.bsky.social Listen to his film podcast: Contempt For The Audience We have bonus episodes, behind the scenes notes, and post-recording wrap ups for just $1 a month on Patreon.  Patreon.com/NoGodsPod Follow us on Bluesky @nogodspod.bsky.social

Os dejamos nuestro repaso semanal de novedades y recomendaciones para que tengáis la pila de lecturas siempre ocupada y al día. Star Wars; Ahsoka DC Absolute Impenetrable Patrulla-X: Amanecer de X. Marvel Omnibus Animal Man de Grant Morrison Animal Man de Jeff Lemire Ragnarök. El destino de los Dioses Rai – Valiant Orígenes Britania En Vela Silent Jenny Es Jeff El Diablo y Coral Remington 1885 Dime tu Nombre Huracán sobre nuevo Mexico Puño de hierro 01 (MLE). All in Los nuevos dioses Meteoros. Historias de gente que pasa Digimon Adventure V-Tamer TMNT - Aventuras Animadas Shin Zero

Na ziyarci Dr. Sabo Tanimu a jihar Wisconsin ta Amurka. Yana daya daga cikin kwararrun likitocin kayan cikin bil'adama a kasar inda yake shugabantar bangaren cutar dajin da ta shafi kayan ciki. Dan asalin Najeriya ne daga jihar Benue a tsakiyar Arewacin Najeriya. Shin yaya aka yi Likita Sabo ya fara daga Najeriya har ya tsinci kansa a Amurka inda ya shafe shekaru da dama yana aikin Likita a can.

On today's episode I once again had the pleasure to speak to Dr. Shin Lin. Shin Lin, PhD, is a world-renowned expert on Tai Chi and a 12th generation heir of Chen Style Tai Chi designated by Grandmaster Chen Zheng-Lei of China's Chen Family Village, where Tai Chi originated.He is a longtime chair of biophysics at Johns Hopkins and professor of biological sciences and biomedical engineering at UCI, where his Laboratory for Mind-Body Signaling and Energy Research applies modern biophysical technologies to study the benefits of Tai Chi/Qigong on mind-body functions and body energy measured as heat, light and electricity. The result of his studies, are used to formulate models to explain the beneficial effects of these practices  on health and healing at the cellular, and molecular levels.You can checkout his research @ Department of Cell Biology Please visit Somatic Primer:You can visit at our website: Somaticprimer.comFor upcoming live courses: Vidyamethod.comOur Online Learning Platform @ Somatic Primer on PatreonPlease consider supporting the show with a monthly donation and don't to forget to like and subscribe.Support the show

In this super Shin'ichi Sakamoto episode, not only do we continue reading #DRCL, but we skip ahead to where he took over writing duties on The Climber! We also discuss Tatsuki Fujimoto 17-26, K-Pop Demon Hunters, and Silent Hill f!!! Send us emails! mangamachinations@gmail.com  Follow us on Social Media! @mangamacpodcast Check out our website! https://mangamachinations.com Support us on Ko-fi! https://ko-fi.com/mangamac  Check out our YouTube channel! https://www.youtube.com/mangamactv Check out our new gaming channel! https://www.youtube.com/@NakayoshiGaming/  Timestamps: Intro - 00:00:00 Chainsaw Man Movie - 00:05:58 Tatsuki Fujimoto 17-26 - 00:08:53 K-Pop Demon Hunters - 00:15:55 Silent Hill f - 00:36:51 Next Episode Preview - 00:51:12 #DRCL 4 - 00:53:34 The Climber 3 - 01:29:43 *SPOILERS* The Climber 2 - 01:45:11 Our Rankings - 02:02:09 Outro - 02:05:08 Song Credits: "Hopscotch" by Louis Adrien "Jiggin the Jig" by Bless & the Professionals "Green Light" by Emily Lewis "Tasty Bites" by ZISO

Shadesmar is not quite yet everything we were hoping for, but the story makes up for that with some terrific Szeth stuff in this section of chapters. We're all happy to see everyone's favorite Shin back on the scene, though what his relationship with his new sword means is still anyone's guess. 

This episode we start to get more into the material culture of the period with court fashion, as we look at the court robes that went along with the updated court ranks.  Granted, we only have a few resources, but from those it does seem like we can construct at least a plausible idea of what the court may have looked like at this time. For more discussion, check out the blogpost:  https://sengokudaimyo.com/podcast/episode-137   Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 137:  Courtly Fashion. In the New Year's ceremony, the court officials lined up in front of the Kiyomihara Palace, arranged by their relative court rank, dressed in their assigned court robes.  The effect was impressive—the rows of officials painting the courtyard like the bands of color in a rainbow, albeit one with only a couple of hues.  The fact that they were all wearing the same style of dress and black, stiffened gauze hats only added to the effect.  The individual officers were all but lost in what was, at least in outward form, a single, homogenous machine of government, just waiting for the command of their monarch to attend to the important matters of state. We are covering the reign of Ohoama no Ohokimi, aka Ama no Nunahara oki no mabito no Sumera no Mikoto, aka Temmu Tennou.  Last episode we went over the changes he had made to the family titles—the kabane—as well as to the courtly rank system.  For the former, he had consolidated the myriad kabane and traditional titles across Yamato into a series of eight—the Yakusa no Kabane.   These were, from highest to lowest: Mabito, Asomi, Sukune, Imiki, Michinoshi, Omi, Muraji, and Inaki.  By the way, you might notice that "Mabito" actually occurs in Ohoama's posthumous name:  Ama no Nunahara oki no mabito, which lends more credence to the idea that that kabane was for those with a special connection to the royal lineage. Besides simplifying and restructuring the kabane, Ohoama also reformed the court rank system.  He divided the Princely ranks into two categories:  Myou, or Bright, and Jou, or Pure.  For the court nobles the categories were:                Shou – Upright                Jiki – Straight                Gon – Diligent                Mu – Earnest                Tsui – Pursue                Shin – Advancement Each category was further divided into four grades (except for the very first princely category, Myou, which was only two).  Each grade was then further divided into large, "dai", or broad, "kou". And this brings us to our topic today. Along with this new rank system, Ohoama's administration also instituted a new set of court sumptuary laws. Some are vague in the record—we can just make assumptions for what is going on based on what we know from later fashion choices.  Others are a little more clear.  We'll take a look at those sumptuary laws, particularly those that were directly associated with the new court rank system, but we'll also look at the clothing styles more generally. To start with, let's talk about what we know about clothing in the archipelago in general.  Unfortunately, fabric doesn't tend to survive very well in the generally acidic soils of the Japanese archipelago.  Cloth tends to break down pretty quickly.  That said, we have fragments here and there and impressions in pottery, so we have some idea that there was some kind of woven fabric from which to make clothing out of. And before I go too far I want to give a shout out to the amazing people at the Kyoto Costume Museum.  They have a tremendous website and I will link to it in the comments.  While there may be some debate over particular interpretations of historical clothing, it is an excellent resource to get a feel for what we know of the fashion of the various periods.  I'll also plug our own website, SengokuDaimyo.com, which has a "Clothing and Accessory" section that, while more geared towards Heian and later periods, may still be of some use in looking up particular terms and getting to know the clothing and outfits. At the farthest reaches of pre-history, we really don't have a lot of information for clothing.  There is evidence of woven goods in the Jomon period, and we have Yayoi burials with bits of cloth here and there, but these are all scraps.  So at best we have some conjecture as to what people were wearing, and possibly some ability to look across the Korean peninsula and see what people had, there. There are scant to no reliable records from early on in Japanese history, and most of those don't really do a great job of describing the clothing.  Even where we do get something, like the Weizhi, one has to wonder given how they tended to crib notes from other entries. There is at least one picture scroll of interest: Portraits of Periodical Offering of Liang, or Liáng -Zhígòngtú.  It is said to have been painted by Xiao Yi in the early 6th century, and while the original no longer exists there is an 11th century copy from the time of the Song Dynasty.  The scroll shows  various ambassadors to the Liang court, including one from Wa.  The Wa ambassador is shown with what appears to be a wide piece of cloth around his hips and legs, tied in front.  His lower legs are covered in what we might call kyahan today: a rather simple wrap around leg from below the knee to the foot.  He has another, blue piece of cloth around his shoulders, almost like a shawl, and it is also tied in front.  Then there is a cloth wrapped and tied around his head. It's hard to know how much of this depiction is accurate and how much the artist was drawing on memory and descriptions from things like the Weizhi or Wei Chronicles, which stated that the Wa people wore wide cloths wrapped around and seamlessly tied As such, it may be more helpful to look at depictions actually from the archipelago: specifically, some of the human-figured haniwa, those clay cylinders and statues that adorned the burial mounds which gave the kofun period its name.  Some of these haniwa are fairly detailed, and we can see ties, collars, and similar features of clothing. These haniwa primarily seem to cluster towards the end of the Kofun period, in the later 6th century, so it is hard to say how much they can be used for earlier periods, though that is exactly what you will typically see for periods where we have little to know evidence.  I'm also not sure how regional certain fashions might have been, and we could very much be suffering from survivorship bias—that is we only know what survived and assume that was everything, or even the majority. Still, it is something. Much of what we see in these figures is some kind of upper garment that has relatively tight sleeves, like a modern shirt or jacket might have, with the front pieces overlapping create a V-shaped neckline.  The garment hem often hangs down to just above the knee, flaring out away from the body, and it's held closed with ties and some kind of belt, possibly leather in some cases, and in others it looks like a tied loop of cloth.  There is evidence of a kind of trouser, with two legs, and we see ties around the knee.  In some cases, they even have small bells hanging from the ties.  Presumably the trousers might have ties up towards the waist, but we cannot see that in the examples we have. We also see individuals who have no evidence of any kind of bifurcated lower garment.  That may indicate an underskirt of some kind, or possibly what's called a "mo"—but it could also be just a simplification for stability, since a haniwa has a cylindrical base anyway.  It is not always obvious when you are looking at a haniwa figure whether it depicts a man or woman: in some cases there are two dots on the chest that seem to make it obvious, but the haniwa do come from different artisans in different regions, so there is a lot of variability. We also see evidence of what seem to be decorative sashes that are worn across the body, though not in all cases.  There are various types of headgear and hairstyles.  Wide-brimmed and domed hats are not uncommon, and we also see combs and elaborate hairstyles depicted.  On some occasions we can even see that they had closed toed shoes.  For accessories, we see haniwa wearing jewelry, including necklaces (worn by both men and women), bracelets, and earrings.  In terms of actual human jewelry, early shell bracelets demonstrate trade routes, and the distinctive magatama, or comma shaped jewel, can be found in the archipelago and on the Korean peninsula, where it is known as "gogok".  Based on lines or even colored pigment on the haniwa, it appears that many of these outfits were actually quite heavily decorated.  Paint on the outfits is sometimes also placed on the face, suggesting that they either painted or tattooed themselves, something mentioned in the Wei Chronicles.  We also have archaeological examples of dyed cloth, so it is interesting that people are often depicted in undyed clothing.  There is one haniwa that I find particularly interesting, because they appear to be wearing more of a round-necked garment, and they have a hat that is reminiscent of the phrygian cap: a conical cap with the top bent forward.  These are traits common to some of the Sogdians and other Persian merchants along the silk road, raising the possibility that it is meant to depict a foreigner, though it is also possible that it was just another local style. If we compare this to the continent, we can see some immediate difference.  In the contemporaneous Sui dynasty, we can see long flowing robes, with large sleeves for men and women.  The shoes often had an upturned placket that appears to have been useful to prevent one from tripping on long, flowing garments.  Many of these outfits were also of the v-neck variety, with two overlapping pieces, though it is often shown held together with a fabric belt that is tied in front.  The hats appear to either be a kind of loose piece of fabric, often described as a turban, wrapped around the head, the ends where it ties together trailing behind, or black lacquered crowns—though there were also some fairly elaborate pieces for the sovereign. As Yamato started to import continental philosophy, governance, and religion, they would also start to pick up on continental fashion.  This seems particularly true as they adopted the continental concept of "cap rank" or "kan-i". Let's go over what we know about this system, from its first mention in the Chronicles up to where we are in Ohoama's reign. As a caveat, there is a lot we don't know about the details of these garments, but we can make some guesses. The first twelve cap-ranks, theoretically established in 603, are somewhat questionable in their historicity, as are so many things related to Shotoku Taishi.  And their names are clearly based on Confucian values:  Virtue, Humanity, Propriety, Faith, Justice, and Wisdom, or Toku, Nin, Rei, Shin, Gi, and Chi.  The five values and then just "Virtue", itself. The existence of this system does seem to be confirmed by the Sui Shu, the Book of Sui, which includes a note in the section on the country of Wa that they used a 12 rank system based on the Confucian values, but those values were given in the traditional Confucian order vice the order given in the Nihon Shoki.   The rank system of the contemporaneous Sui and Tang dynasties was different from these 12 ranks, suggesting that the Yamato system either came from older dynasties—perhaps from works on the Han dynasty or the Northern and Southern Dynasty, periods—or they got it from their neighbors, Baekje, Silla, and Goguryeo.  There does seem to be a common thread, though, that court rank was identifiable in one's clothes. As for the caps themselves, what did they look like?  One would assume that the Yamato court just adopted a continental style cap, and yet, which one? It isn't fully described, and there are a number of types of headwear that we see in the various continental courts. Given that, we aren't entirely sure exactly what it looked like, but we do have a couple of sources that we can look at and use to make some assumptions.  These sources l ead us to the idea of a round, colored cap made of fabric, around the brim that was probably the fabric or image prescribed for that rank.  It is also often depicted with a bulbous top, likely for the wearer's hair, and may have been tied to their top knot.     Our main source for this is the Tenjukoku Mandala Embroidery (Tenjukoku-mandara-shuuchou) at Chuuguuji temple, which was a temple built for the mother of Prince Umayado, aka Shotoku Taishi.    This embroidery was created in 622, so 19 years after the 12 ranks would have been implemented. It depicts individuals in round-necked jackets that appear to have a part straight down the center.  Beneath the jacket one can see a pleated hem, possibly something like a "hirami", a wrapped skirt that is still found in some ceremonial imperial robes.  It strikes me that this could also be the hem of something like the hanpi, which was kind of like a vest with a pleated lower edge.  Below that we see trousers—hakama—with a red colored hem—at least on one figure that we can see.  He also appears to be wearing a kind of slipper-like shoe. As for the women, there are a few that appear to be in the mandala, but it is hard to say for certain as the embroidery has been damaged over the years. That said, from what we can tell, women probably would have worn something similar to the men in terms of the jacket and the pleated under-skirt, but then, instead of hakama, we see a pleated full-length skirt, or mo.  We also don't have a lot of evidence for them wearing hats or anything like that. The round necked jacket is interesting as it appears to be similar to the hou that was common from northern China across the Silk Road, especially amongst foreigners.  This garment  came to displace the traditional robes of the Tang court and would become the basis for much of the court clothing from that period, onwards.  The round necked garment had central panels that overlapped, and small ties or fastenings at either side of the neck to allow for an entirely enclosed neckline.  This was more intricate than just two, straight collars, and so may have taken time to adopt, fully. The next change to the cap-rank system was made in 647, two years into the Taika Reform.  The ranks then were more directly named for the caps, or crowns—kanmuri—and their materials and colors.  The ranks translate to Woven, Embroidered, Purple, Brocade, Blue, Black, and finally "Establish Valor" for the entry level rank. The system gets updated two years later, but only slightly.  We still see a reference to Woven stuff, Embroidery, and Purple, but then the next several ranks change to Flower, Mountain, and Tiger—or possibly Kingfisher.  These were a little more removed from the cap color and material, and may have had something to do with designs that were meant to be embroidered on the cap or on the robes in some way, though that is just speculation based on later Ming and Qing court outfits. Naka no Ohoye then updates it again in 664, but again only a little.  He seems to add back in the "brocade" category, swapping out the "flower", and otherwise just adds extra grades within each category to expand to 26 total rank grades. And that brings us to the reforms of 685, mentioned last episode.  This new system was built around what appear to be moral exhortations—Upright, Straight, Diligent, Earnest, etc.  And that is great and all, but how does that match up with the official robes? What color goes with each rank category?  Fortunately, this time around, the Chronicle lays it out for us pretty clearly. First off we are given the color red for the Princely ranks—not purple as one might have thought.  Specifically, it is "Vermillion Flower", hanezu-iro, which Bentley translates as the color of the "Oriental bush" or salmon.  In the blogpost we'll link to a table of colors that the founder of Sengoku Daimyo, Anthony Bryant, had put together, with some explanation of how to apply it.  I would note that there is often no way to know exactly what a given color was like or what shades were considered an acceptable range.  Everything was hand-dyed, and leaving fabric in the dye a little longer, changing the proportions, or just fading over time could create slightly different variants in the hue, but we think we can get pretty close. From there we have the six "common" ranks for the nobility.  Starting with the first rank, Upright, we have "Dark Purple".  Then we have "Light Purple".  This pattern continues with Dark and Light Green and then Dark and Light Grape or Lilac.  Purple in this case is Murasaki, and green here is specifically Midori, which is more specifically green than the larger category of "Aoi", which covers a spectrum of blue to green.  The grape or lilac is specifically "suou", and based on Bentley's colors it would be a kind of purple or violet. The idea is that the official court outfits for each rank would be the proper color.  And yes, that means if you get promoted in rank, your first paycheck—or rice stipend—is probably going to pay for a new set of official clothes.  Fortunately for the existing court nobles at the time, in the last month of 685, the Queen provided court clothing for 55 Princes and Ministers, so they could all look the part. And the look at court was important.  In fact, several of the edicts from this time focus specifically on who was allowed—or expected—to wear what.  For instance, in the 4th month of 681, they established 92 articles of the law code, and among those were various sumptuary laws—that is to say, laws as to what you could wear.  We are told that they applied to everyone from Princes of the blood down to the common person, and it regulated the wearing of precious metals, pearls, and jewels; the type of fabric one could use, whether purple, brocade, embroidery, or fine silks; and it also regulated woollen carpets, caps, belts, and the colors of various things. And here I'd like to pause and give some brief thought to how this played into the goals of the court, generally, which is to say the goal of creating and establishing this new system of governance in the cultural psyche of the people of the archipelago.  From the continental style palaces, to the temples, and right down to the clothing that people were wearing, this was all orchestrated, consciously or otherwise, to emphasize and even normalize the changes that were being introduced.  When everything around you is conforming to the new rules, it makes it quite easy for others to get on board. The court had surrounded themselves with monumental architecture that was designed along continental models and could best be explained through continental reasoning.  Even if they weren't Confucian or Daoist, those lines of reasoning ran through the various cultural and material changes that they were taking up.  Sure, they put their own stamp on it, but at the same time, when everything is right in front of you, it would become that much harder to deny or push back against it. And when you participated in the important rituals of the state, the clothing itself became a part of the pageantry.  It reinforced the notion that this was something new and different, and yet also emphasized that pushing against it would be going against the majority.  So court uniforms were another arm of the state's propaganda machine, all designed to reinforce the idea that the heavenly sovereign—the Tennou—was the right and just center of political life and deserving of their position.  Getting back to the sumptuary laws and rank based regulations: It is unfortunate that the record in the Nihon Shoki doesn't tell us exactly how things were regulated, only that they were, at least in some cases.  So for anything more we can only make assumptions based on later rules and traditions.  A few things we can see right away, though.  First is the restriction of the color purple.  Much as in Europe and elsewhere in the world, getting a dark purple was something that was not as easy as one might think, and so it tended to be an expensive dye and thus it would be restricted to the upper classes—in this case the princely and ministerial rank, no doubt.  Similarly brocade and fine silks were also expensive items that were likely restricted to people of a particular social station for that reason. The mention of woolen rugs is particularly intriguing.  Bentley translates this as woven mattresses, but I think that woolen rugs makes sense, as we do have examples of woolen "rugs" in Japan in at least the 8th century, stored in the famous Shousouin repository at Toudaiji temple, in Nara.  These are all imported from the continent and are actually made of felt, rather than woven.  As an imported item, out of a material that you could not get in the archipelago, due to a notable lack of sheep, they would have no doubt been expensive. The funny thing is that the carpets in the Shousouin may not have been meant as carpets.  For the most part they are of a similar size and rectangular shape, and one could see how they may have been used as sleeping mattresses or floor coverings.  However, there is some conjecture that they came from the Silk Road and may have been originally meant as felt doors for the tents used by the nomadic steppe peoples.  This is only conjecture, as I do not believe any of these rugs have survived in the lands where they would have been made, but given the size and shape and the modern yurt, it is not hard to see how that may have been the case.  Either way, I tend to trust that this could very well have meant woolen rugs, as Aston and the kanji themselves suggest, though I would understand if there was confusion or if it meant something else as wool was not exactly common in the archipelago at that time or in the centuries following. The last section of the regulations talks about the use of caps and belts.  The caps here were probably of continental origin:  The kanmuri, or official cap of state of the court nobles, or the more relaxed eboshi—though at this time, they were no doubt closely related. In fact, a year later, we have the most specific mention to-date of what people were actually wearing on their heads: there is a mention of men tying up their hair and wearing caps of varnished gauze.  Earlier caps related to the cap rank system are often thought to be something like a simple hemisphere  that was placed upon the head, with a bulbous top where the wearer's hair could be pulled up as in a bun. The kanmuri seems to have evolved from the soft black headcloth that was worn on the continent, which would have tied around the head, leaving two ends hanging down behind.  Hairstyles of the time often meant that men had a small bun or similar gathering of hair towards the back of their head, and tying a cloth around the head gave the effect of a small bump.  This is probably what we see in depictions of the early caps of state.  Sometimes this topknot could be covered with a small crown or other decoration, or wrapped with a cloth, often referred to as a "Tokin" in Japanese.  But over time we see the development of hardened forms to be worn under a hat to provide the appropriate silhouette, whether or not you actually had a topknot (possibly helpful for gentlemen suffering from hair loss).  And then the hat becomes less of a piece of cloth and more just a hat of black, lacquered gauze made on a form, which was much easier to wear.  At this point in the Chronicle, the cap was likely still somewhat malleable, and would made to tie or be pinned to that bun or queue of hair.  This explains the mention of men wearing their hair up.  This pin would become important for several different types of headgear, but ties were also used for those who did not have hair to hold the hat on properly. Two years after the edict on hats, we get another edict on clothing, further suggesting that the court were wearing Tang inspired clothing.  In 685 we see that individuals are given leave to wear their outer robe either open or tied closed. This is a clue that this outer robe might something akin to the round-necked hou that we see in the Tenjukoku Mandala, where the neck seems to close with a small tie or button.  However, we do see some examples, later, of v-necked garments with a tie in the center of the neck, so that may be the reference..  Opening the collar of the formal robes was somewhat akin to loosening a necktie, or unbuttoning the top button of a shirt.  It provided a more relaxed and comfortable feeling.  It could also be a boon in the warm days of summer.  Leaving it closed could create a more formal appearance. The courtiers also had the option of whether or not to wear the "Susotsuki", which Bentley translates as "skirt-band".  I believe this refers to the nai'i, or inner garment.  This would often have a pleated hem—a suso or ran—which would show below the main robe as just a slight hem.  Again, this is something that many would dispense with in the summer, or just when dressing a bit more casually, but it was required at court, as well as making sure that the tassles were tied so that they hung down.  This was the uniform of the court.  We are also told that they would have trousers that could be tied up, which sounds like later sashinuki, though it may have referred to something slightly different.  We are also given some regulations specifically for women, such as the fact that women over 40 years of age were allowed the discretion on whether or not to tie up their hair, as well as whether they would ride horses astride or side-saddle.  Presumably, younger women did not get a choice in the matter.  Female shrine attendants and functionaries were likewise given some leeway with their hairstyles. A year later, in 686, they do seem to have relaxed the hairstyles a bit more: women were allowed to let their hair down to their backs as they had before, so it seems that, for at least a couple of years, women under the age of 40 were expected to wear their hair tied up in one fashion or another. In that same edict, men were then allowed to wear "habakimo".  Aston translates this as "leggings" while Bentley suggests it is a "waist skirt".  There are an example of extant habakimo in the Shousouin, once again, and they appear to be wrappings for the lower leg.  It actually seems very closely related to the "kyahan" depicted all the way back in the 6th century painting of the Wo ambassador to Liang. Even though these edicts give a lot more references to clothing, there is still plenty that is missing.  It isn't like the Chroniclers were giving a red carpet style stitch-by-stitch critique of what was being worn at court.  Fortunately, there is a rather remarkable archaeological discovery from about this time. Takamatsuzuka is a kofun, or ancient burial mound, found in Asuka and dated to the late 7th or early 8th century.  Compared to the keyhole shaped tombs of previous centuries, this tomb is quite simple: a two-tiered circular tomb nestled in the quiet hills.  What makes it remarkable is that the inside of the stone burial chamber was elaborately painted.  There are depictions of the four guardian animals, as well as the sun and the moon, as well as common constellations.  More importantly, though, are the intricate pictures of men and women dressed in elaborate clothing. The burial chamber of Takamatsuzuka is rectangular in shape.  There are images on the four vertical sides as well as on the ceiling.  The chamber is oriented north-south, with genbu, the black tortoise, on the north wall and presumably Suzaku, the vermillion bird, on the south wall—though that had been broken at some point and it is hard to make out exactly what is there. The east and west walls are about three times as long as the north and south walls.  In the center of each is a guardian animal—byakko, the white tiger, on the west wall and seiryuu, the blue—or green—dragon on the east.  All of these images are faded, and since opening of the tomb have faded even more, so while photos can help, it may require a bit more investigation and some extrapolation to understand all of what we are looking at. On the northern side of both the east and west wall we see groups of four women.  We can make out green, yellow, and red or vermillion outer robes with thin fabric belt sashes, or obi, tied loosely and low around the waist.  There is another, lightly colored—possibly white, cream or pink—that is so faded it is hard to make out, and I don't know if that is the original color.  These are v-necked robes, with what appear to be ties at the bottom of the "v".  Around the belt-sash we see a strip of white peaking out from between the two sides of the robe—most likely showing the lining on an edge that has turned back slightly.  The cuffs of the robe are folded back, showing a contrasting color—either the sleeves of an underrobe or a lining of some kind.  Below the outer robe is a white, pleated hem—possibly a hirami or similar, though where we can make it out, it seems to be the same or similar color as the sleeves.  Under all of that, they then have a relatively simple mo, or pleated skirt.  The ones in the foreground are vertically striped in alternating white, green, red, and blue stripes.  There is one that may just be red and blue stripes, but I'm not sure.  In the background we see a dark blue—and possibly a dark green—mo.  At the base of each mo is a pleated fringe that appears to be connected to the bottom of the skirt.  The toe of a shoe seems to peek out from underneath in at least one instance.  They don't have any obvious hair ornaments, and their hair appears to be swept back and tied in such a way that it actually comes back up in the back, slightly.  They appear to be holding fans and something that might be a fly swatter—a pole with what looks like tassels on the end. In comparison, at the southern end of the tomb we have two groups of men.  These are much more damaged and harder to make out clearly.  They have robes of green, yellow, grey, blue, and what looks like dark blue, purple, or even black.  The neckline appears to be a v-necked, but tied closed, similar to what we see on the women.  We also see a contrasting color at the cuff, where it looks like the sleeves have turned back, slightly.  They have belt-sashes similar to the women, made of contrasting fabric to the robe itself.  Below that we see white trousers, or hakama, and shallow, black shoes.  On some of the others it is suggested that maybe they have a kind of woven sandal, but that is hard to make out in the current image.  On their heads are hats or headgear of black, stiffened—probably lacquered—gauze.  They have a bump in the back, which is probably the wearer's hair, and there is evidence of small ties on top and larger ties in the back, hanging down.  Some interpretations also show a couple with chin straps, as well, or at least a black cord that goes down to the chin.  They carry a variety of implements, suggesting they are attendants, with an umbrella, a folding chair, a pouch worn around the neck, a pole or cane of some kind, and a bag with some kind of long thing—possibly a sword or similar. The tomb was originally found by farmers in 1962, but wasn't fully examined until 1970, with an excavation starting in 1972.  The stone at the entryway was broken, probably from graverobbers, who are thought to have looted the tomb in the Kamakura period.  Fortunately, along with the bones of the deceased and a few scattered grave goods that the robbers must have missed, the murals also survived, and somehow they remained largely intact through the centuries.  They have not been entirely safe, and many of the images are damaged or faded, but you can still make out a remarkable amount of detail, which is extremely helpful in determining what clothing might have looked like at this time—assuming it is depicting local individuals. And there is the rub, since we don't know exactly whom the tomb was for.  Furthermore, in style it has been compared with Goguryeo tombs from the peninsula, much as nearby Kitora kofun is.  Kitora had images as well, but just of the guardian animals and the constellations, not of human figures. There are three theories as to who might have been buried at Takamatsuzuka.  One theory is that it was one of Ohoama's sons.  Prince Osakabe is one theory, based on the time of his death and his age.  Others have suggested Prince Takechi.  Based on the teeth of the deceased, they were probably in their 40s to 60s when they passed away. Some scholars believe that it may be a later, Nara period vassal—possibly, Isonokami no Maro.  That would certainly place it later than the Asuka period. The third theory is that it is the tomb of a member of one of the royal families from the Korean peninsula—possibly someone who had taken up refuge in the archipelago as Silla came to dominate the entire peninsula.  This last theory matches with the fact that Takamatsuzuka appears to be similar to tombs found in Goguryeo, though that could just have to do with where the tomb builders were coming from, or what they had learned. That does bring up the question of the figures in the tomb.  Were they contemporary figures, indicating people and dress of the court at the time, or were they meant to depict people from the continent?  Without any other examples, we may never know, but even if was indicative of continental styles, those were the very styles that Yamato was importing, so it may not matter, in the long run.     One other garment that isn't mentioned here is the hire, a scarf that is typically associated with women.  It is unclear if it has any relationship to the sashes we see in the Kofun period, though there is at least one mention of a woman with a hire during one of the campaigns on the Korean peninsula.  Later we see it depicted as a fairly gauzy piece of silk, that is worn somewhat like a shawl.  It is ubiquitous in Sui and Tang paintings of women, indicating a wide-ranging fashion trend.  The hire is a fairly simple piece of clothing, and yet it creates a very distinctive look which we certainly see, later. Finally, I want to take a moment to acknowledge that almost everything we have discussed here has to do with the elites of society—the nobles of the court.  For most people, working the land, we can assume that they were probably not immediately adopting the latest continental fashions, and they probably weren't dressing in silk very much.  Instead, it is likely that they continued to wear some version of the same outfits we see in the haniwa figures of the kofun period.  This goes along with the fact that even as the elite are moving into palaces built to stand well above the ground, we still have evidence of common people building and living in pit dwellings, as they had been for centuries.  This would eventually change, but overall they stuck around for quite some time.  However, farmers and common people are often ignored by various sources—they aren't often written about, they often aren't shown in paintings or statues, and they did often not get specialized burials.  Nonetheless, they were the most populous group in the archipelago, supporting all of the rest. And with that, I think we will stop for now.  Still plenty more to cover this reign.  We are definitely into the more historical period, where we have more faith in the dates—though we should remember that this is also one of the reigns that our sources were specifically designed to prop up, so we can't necessarily take everything without at least a hint of salt and speculation, even if the dates themselves are more likely to be accurate. Until then, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

It's Founder Friday! I am happy to welcome to the show Kenny Kuk, and Hong Shin of Haan Coffee Roasters in Orlando Florida! Haan Coffee has been in operation since 2020 starting first as a roastery and quickly a cafe space to showcase the beautiful coffees and hospitality they are known for. The four friends Suzie Shin, Kenny Kuk, Albert Kang that founded Haan had an affinity for business, coffee, and a desire to serve people and honor their shared Korean culture. Haan Coffee Roasters was born as a project to share these things with the diverse guests in their Orlando, FL community. I have enjoyed their hospitality and coffee several times in recent years and am happy we could sit down with Kenny and Hong to tell the tale. We discuss: The idea that started their coffee journey going from popcorn popper to proper roaster developing the standards for coffee and service how to assemble a winning team leadership with empathy how to curate a coffee menu that is accessible but adventurous communication and working together as an ownership team  The unique Korean culture and architecture that goes into their cafe Why it is critical to know your staff in order to meet their needs Advice to other owners on how to build a people first brand   Related Episodes: 542: Founder Friday! w/ Nori and Tin Burmudez of Corridor Flow, Lomita, CA 391 : Founder Friday! w/ Megan Wilson of Spuds Coffee in Ft. Lauderdale, Florida

In this episode, veteran KBS journalist Bong-Seung Shin shares his experience reporting from North Korea and communicating with journalists on the ground in the country. Shin first traveled to Pyongyang in 2008, crossing the demilitarized zone by air as part of a trip organized by an NGO. He describes the excitement of entering North Korea for the first time, the strict media controls he faced and the challenge of filming under constant supervision. A decade later, in 2018, Shin led KBS coverage of inter-Korean events from Seoul, coordinating live broadcasts with his team stationed in Pyongyang. He explains how they managed to send footage, the professionalism of North Korean media workers and how journalists on both sides found common ground despite political barriers. Reflecting on both trips, Shin discusses what these experiences taught him about inter-Korean relations, the divided culture of the two Koreas and his hope to one day open a KBS bureau in Pyongyang. Bong-Seung Shin is a TV journalist with South Korea's state-owned broadcaster KBS.  About the podcast: The North Korea News Podcast is a weekly podcast hosted by Jacco Zwetsloot exclusively for NK News, covering all things DPRK — from news to extended interviews with leading experts and analysts in the field, along with insight from our very own journalists. NK News subscribers can listen to this and other exclusive episodes from their preferred podcast player by accessing the private podcast feed. For more detailed instructions, please see the step-by-step guide at nknews.org/private-feed.

In this episode of the AACC podcast, host Ray Chang engages in a rich conversation with Helen Lee and Shin Maeng about their collaborative children's book 'Kaylee Prays for the Children of the World.' They discuss the inspiration behind the book, the evolution of its themes, particularly around prayer, and the importance of cultural identity in storytelling. The conversation also touches on the challenges faced by Asian American creatives in the publishing industry and the hope that this book will inspire meaningful conversations between parents and children about prayer and global issues. Join us in the conversation!  A huge thank you to our episode's sponsor Boston University's School of Theology. At Boston University's School of Theology pursue your ministry and public leadership as you become a leader ready to respond to the challenges of today's global religious landscape. Transform yourself, then change the world. Find out more about their programs on BU's School of Theology website at www.bu.edu/sth/.   Linked Resources:https://www.shinmaeng.com/ https://www.helenleebooks.com/ Hosts: Raymond Chang Guests: Helen Lee and Shin Maeng Manager: Gracie Hulse Producers: Daniel Harris & Josh Huver Coordinator: Amber Rhee   Follow us on IG: @aachristcollab

Review: Jacob's family; Israel?; Caring for "many souls"; People vs stuff; Loving Caesar; Rachel's treachery; Reading bible with guidance; Melchizedek? Abimelech?; Esau's descendants; Father's blessing; True sons; Doing the will of the father; "Judeo-Christian values"; Listening to Holy Spirit; Knowing Jesus; Pure Religion; No kings in Israel - until Saul; Society of righteousness; Cities (of blood); "leaven"; Men exercising authority; Loving your neighbor; Difference between Esau and Jacob; Honoring what you say and do; Tribal/national values; Jacob giving choice; "logos"; Following Christ's ways; Condemning Jews?; "Religious" quarrels; "Scripture"; Reading without understanding; Two trees; Gen 36:1 Esau is Edom - aleph-dalet+vav-mem; disconnected mem?; Hittites and Hivites; Daughters of Canaan; Human resources; aleph-chet = brother; Weakening the people; Idolators; "Seir"; Changing the way you think; Shin-ayin-yod-resh (70); forgiveness; Simon the leper, Nicodemus; Sanhedrin; Baptism; Real Israel; Listing Esau's offspring; Dukes and kings?; Teaching the ways of Edom; hey+chet-resh-yod Horite; Importance of Hebrew letters; Knowing Holy Spirit; v31 kings; Generation to generation; Cities of unrighteousness; Ways of Edom vs Israel; Mystery Babylon; Power; God is spirit; Pursuing our divine connection; Logos of Christ; Habitations; mem-vav-shin-biet; What deeds are you doing?; Possession?; Owning land; Legal title; Forced sacrifice; Rulers; "No kings"?; But one purse; Passports; Property tax; Golems; Are you a possession?; Jesus - king and high priest, order of Melchizedek; No oppression; Sharing in love; Gift of salvation; Free assemblies; God is the same.

Being a Christian and and athlete can be daunting, and in some sports, feel impossible. However, Audrey Shin is living proof that it's not impossible to be a Christian and pursue a relationship with Jesus and be a dedicated, disciplined athlete. Audrey is a Team USA Figure Skater in the partner discipline, and she joins us to talk about her testimony, her sport, and how she's not just an athlete; she's a Christian, too.You can follow Audrey on Instagram at @audreyshin.skater to keep up with her competitions. (Go Team USA!!

Shin splints (or medial tibial stress syndrome) are the bane of many a runner, proving hard to find a cause for and hard to treat. Nate is joined by Dr. Doug Adams to demystify this frustrating ailment. Nate & Doug break down the physiology of shin splints and its most common causes. They offer strategies to both prevent and rehab from shin splints, and offer insights on how your footwear might be affecting your shin pain. Dr. Doug Adams is a Physical Therapist who has published and spoken at an international level on all things related to running. Doug has taught thousands of professionals his systematic approach to providing personalized plans for runners through the Certified Running Gait Analyst and Endurance Running Coaching courses. He also designed and created a portable 3D Motion Analysis system called Helix 3D for analyzing and categorizing running form that is used widely throughout the Department of Defense and commercial sectors. You can find him on Instagram at @RunDNASystem and @DougAdamsPT.Get your DOR Merch: https://doctors-of-running.myspreadshop.com/Get 20% off your first order from Skratch with code: DOCTORSOFRUNNING!Chapters0:00 - Intro4:34 - Defining the term "shin splints"7:04 - Can I run through shin splints?12:10 - How do I get to race day healthy if I'm experiencing shin splints?15:24 - What can I do to prevent shin splints?25:56 - How to tell whether it's shin splints or a stress fracture30:30 - What causes shin splints?35:26 - The role of gait retraining48:42 - How to manage training load wisely54:36 - Do shoes cause shin splints? Will better shoes fix it?1:02:56 - Wrap-up

داستان الهام بخش برای ملت‌هایی که دنبال توسعه می‌گردن، وقتی ایران داشت گذشته رو خرج می‌کرد ولی کره آینده رو می‌ساخت.متن: بهجت بندری، علی بندری با راهنمایی آرش رئیسی‌نژاد | ویدیو و صدا: حمیدرضا فرخ‌سرشتبرای دیدن ویدیوی این اپیزود اگر ایران هستید وی‌پی‌ان بزنید و روی لینک زیر کلیک کنیدیوتیوب بی‌پلاسکانال تلگرام بی‌پلاسمنابع و لینک‌هایی برای کنجکاوی بیشترSouth Korean Development Model by Milan LajčiakThe chaebol and the US military–industrial complex: Cold War geopolitical economy and South Korean industrialization by Jim GlassmanThe democratic transition by Fabrice Murtin and Romain WacziargPopulation Change and Development in KoreaINSTITUTIONS AS THE FUNDAMENTAL CAUSE OF LONG-RUN GROWTH by Daron Acemoglu, Simon Johnson, James RobinsonThe Park Chung Hee Era by by UNG-KOOK KIMKorea's Development Under Park Chung Hee By Hyung-A KimKorea's Rapid Export Expansion in the 1960s: How It Began,JUNGHO YOO*THE KOREAN MIRACLE (1962-1980) REVISITED: MYTHS AND REALITIES IN STRATEGY AND DEVELOPMENT Kwan S. KimLand Reform in Korea, 1950, Shin, Yong-HaThe Economic and Social Modernization of the Republic of Korea: 1945-1975,EDWARD S. MASONTenancy, Land Redistribution, and Economic Growth A Case of Korea, 1920-1960, Jea Hwan Hong, Duol Kimچرا ملت‌ها شکست می‌خورند، دارون عجم اوغلو، جیمز رابینسونراه باریک آزادی، دارون عجم اوغلو، جیمز رابینسونکره بعد از جنگ: اصلاحات ارضی (شروع ازسینگمان ری (Syngman Rhee) اوج در دوره پارک) Hosted on Acast. See acast.com/privacy for more information.

Blayne Alexander sits down with Keith Morrison to talk about his episode, "In a Lonely Place,”  about the disappearance of Chris Smith, a California entrepreneur who vanished in June 2010. For months, his family believed he was traveling the world, thanks to a series of convincing emails. But what a sharp-eyed investigator eventually uncovered led to the truth: Chris had been murdered by his business partner, Ed Shin. Blayne and Keith discuss how the case slowly unraveled, and how Keith's sit-down with Shin behind bars got testy. Keith also shares an extra clip from his interview with investigator Joe Dalu, whose instincts led him to a critical discovery. Have a question for Talking Dateline? DM us on social @DatelineNBC or leave a voicemail at (212) 413-5252. Your message might be featured in an upcoming episode. Listen to the full episode In a Lonely Place on Apple: https://apple.co/4mUiPCMListen to the full episode on Spotify: https://open.spotify.com/episode/4iZOGhLs4h6XEJoc4ysSPj?si=8221d39ac645491dListen to the episode “Body of Evidence” Keith mentions as another unusual interview with a killer here on Apple: https://apple.co/4mpEL8ZListen to “Body of Evidence” on Spotify: https://open.spotify.com/episode/6xym79PJkeiO5oMzZ8x8w1?si=0fa4d6d5fabd402e