Podcasts about Pye

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In this episode, Buzz, Pye, and Scot engage in a lively discussion about the Democratic Party's challenges in connecting with male voters, particularly men of color. They explore cultural perceptions of men in politics, the importance of genuine conversations across political lines, and the economic implications of current fiscal policies. The conversation highlights the need for political parties to listen to and engage with their constituents rather than relying on superficial strategies. In this conversation, the speakers discuss various political issues, focusing on the importance of effective communication in politics, concerns about taxation and spending, the controversial practice of civil asset forfeiture, and the dynamics within the Republican Party in Georgia. They highlight the need for reform and the challenges faced by politicians in addressing these issues, particularly in relation to public trust and law enforcement. Takeaways The Democratic Party is struggling to connect with male voters, especially men of color. Cultural perceptions of men in politics often undermine their aspirations and needs. Political parties need to engage in genuine conversations with constituents. Superficial strategies will not effectively attract voters; authenticity is key. Economic concerns are becoming increasingly important in political discussions. The current fiscal policies may lead to significant debt issues in the future. Men are often portrayed in a negative light in political messaging. There is a need for sustained dialogue to understand diverse communities. The Republican Party is also facing challenges in presenting itself as the party of the working class. Engaging with voters requires listening rather than talking at them. Thomas Massey is a key figure in conservative politics today. The recent tax bill has significant implications for future spending. Civil asset forfeiture raises serious ethical concerns. Political communication is crucial for voter engagement. The relationship between law enforcement and communities needs improvement. Georgia's political landscape is complex and evolving. Reform efforts are often met with resistance from established interests. Public trust in government is at an all-time low. The GOP faces internal challenges that could impact its future. Engagement in local politics is essential for meaningful change. Chapters 00:00 Introduction and Banter 03:01 Buzz's New Orleans Experience 06:16 Democratic Party's Struggles with Male Voters 12:01 Cultural Perceptions of Men in Politics 18:08 Conversations Across Political Lines 24:05 Economic Concerns and Fiscal Responsibility 31:35 The Importance of Political Communication 33:57 Taxation and Spending Concerns 36:16 Civil Asset Forfeiture: A Controversial Practice 51:05 Political Dynamics in Georgia 01:04:05 The Future of the GOP and Its Leadership

With Buzz away there was nobody to play the role of calming influence, so we Pye and Scot tangoed some. Topics Pye got a tattoo. Because nothing says long-term thinking like permanent body art on a whim. Biden's mental decline is no longer a theory. The media covered for him. Not surprising, but still infuriating. Maybe we should have hearings about that. Our leaders are all eligible for early bird specials and hip replacements. Maybe it's time to let someone under 80 take a turn at the wheel. Keisha Lance Bottoms wants to be Governor. Because her handling of Atlanta clearly screamed "let me run more stuff." Democrats still don't have a bench. They barely have a stool. And it wobbles. Geoff Duncan ditches GOP 2.0 for Dems 2.0.. Moody's downgraded our credit rating. Turns out borrowing trillions doesn't come with a thank-you note. Interest on the national debt is now a budget category all by itself. We are literally paying interest on interest. The SALT deduction is still a scam that benefits rich people in high-tax states. But sure, tell me more about how it's for the middle class. The budget deficit is set to skyrocket over the next decade. You can only ignore math for so long before it shows up with consequences. Please be sure to like and subscribe for free to Peach Pundit the Podcast™ wherever you listen to podcasts—some people like Spotify, some like Apple Podcasts, YouTube, Pandora, or Amazon. We are on all of them and many more, so listen however you prefer. Turn on your notifications so you never miss an episode. ​ If you are inclined to offer financial support to Peach Pundit voluntarily, you may sign up to be a Patreon here. In the second tier, you are invited to watch our recording sessions live, giving you extra, unedited content. And trust us, it is worth it.

Pantheon rules, companion dynamics, rhymes with the past, fandom commentary, liminal nights, aesthetic choices, dodgy lyrics — we discuss all that, & more, in covering Lux, Russell T Davies' second episode of the 2025 season of Doctor Who. (00:00:00) Similarities to Devil's Chord (00:07:30) Rules of the Pantheon genre (00:14:12) Belinda and 15's changed dynamic (00:22:03) Choices of music (00:28:21) The fans sequence (00:35:34) What audience? War Between tangent (00:41:18) Visuals and details we appreciated (00:46:25) Belinda's nursing expertise (00:48:55) Handling of racism (00:53:21) Liminal, marginal, Scooby Doo camp (00:57:38) "Planned leaks" delusions (01:02:13) Issues with Pantheon & vibes storytelling (01:12:15) Dodgy lyricism (01:13:50) Mr Pye, PoV for the Target novel (01:20:15) Performances of the two leads (01:24:31) Spoons arc & outro … Continue reading →

Summary In this episode of Peach Party, hosts Jason Pye, Scot Turner, and Buzz Brockway discuss a range of topics from a recent Metallica concert experience to the political landscape in Georgia, including the implications of Governor Brian Kemp's decision not to run for Senate and the controversies surrounding Marjorie Taylor Greene's candidacy. The conversation also touches on the uncertainty surrounding a tax bill in Congress and the hosts' perspectives on foreign policy issues. The conversation delves into the evolving landscape of American politics, focusing on the realignment within the Republican Party, the implications of military presence and global power dynamics, and the impact of congressional decisions on political vacancies. The discussion also highlights the influence of MAGA politics, electability concerns, and the importance of polling insights in shaping voter sentiment. Economic issues and trade policies are examined, particularly in relation to the current administration's approach to international trade and its effects on the American economy. Takeaways Pye shares his experience at a Metallica concert, highlighting the unique atmosphere. The hosts discuss the popularity of Governor Brian Kemp in Georgia and his decision not to run for Senate. Legislative initiatives can change rapidly; no bill is ever truly dead until finalized. Marjorie Taylor Greene's potential candidacy raises concerns among Republicans. The hosts analyze Greene's controversial statements and their implications for her political future. The conversation reflects on the impact of partisan politics on governance. The hosts express skepticism about the current state of the tax bill in Congress. Pye emphasizes the importance of the legislative branch in a hyper-partisan environment. The discussion includes insights on the upcoming elections in Georgia and potential candidates. The hosts critique Greene's foreign policy views and their alignment with historical narratives. The political landscape is shifting with a populist approach among Republicans. Military presence is crucial for maintaining global stability. The U.S. must be cautious about retreating from international conflicts. Political vacancies can lead to significant changes in local and national politics. Candidates' electability is a key concern for voters in primaries. Polling data reveals a disconnect between Republican primary voters and independents. Economic issues, particularly inflation, are top concerns for voters. Trade policies are complex and can have unintended consequences. The influence of MAGA politics is significant but may not be sustainable long-term. Candidates should focus on their individual brand rather than aligning too closely with any one figure.

  From Wikipedia, the free encyclopedia 314 – "Lux"  episode Promotional title-card Cast  –   –  Others  – Newsreader Cassius Hackforth – Tommy Lee Ryan Speakman – Husband  – Reginald Pye  – Mr Ring-a-Ding  – Sunshine Sally Lewis Cornay – Logan Cheever Lucy Thackeray – Renée Lowenstein Jane Hancock – Helen Pye William Meredith – Policeman Samir Arrian – Hassan Chowdry Bronté Barbé – Lizzie Abel Steph Lacey – Robyn Gossage  – Mrs Flood Production Directed by Written by Script editor David Cheung Produced by Chris May Executive producer(s) Russell T Davies Joel Collins Music by Series Running time 43 minutes First broadcast 19 April 2025 Chronology ← Preceded by "" Followed by → "" "Lux" is the second episode of the  of the  series . It was written by , the Doctor Who showrunner, from a concept first developed over two decades prior, and directed by . In the episode, the  () and his , , land in 1952 , while trying to make their way back to 2025. After doing so, they discover a mysterious  where fifteen people have disappeared. The pair stay to investigate and ultimately confront an animated God, Lux (voiced by ), who traps them in film. "Lux" is unusual for the programme in that it features a mixed live-action and animated format. Filming for the episode took place in  and at  in January 2024. Some voice-over work took place internationally in  in June. Animation and other  work continued later into the year, with some tasks still being completed as late as September. The episode includes references to ,  and  to its own . It was released on , , and  on 19 April 2025. Reception to the episode was positive, with critics praising its use of animation in a live-action setting. A novelisation written by  is set to be released in July 2025. Plot [] Unable to return to 24 May 2025, the  lands in 1952 , where the Doctor and  find a cinema that is chained shut. At a diner, they speak to the mother of one of fifteen people who disappeared from the cinema, which continues to play movies at night. Although  is still enforced, the waiter allows them to stay. Inside the cinema, the pair discover a living cartoon, Mr Ring-a-Ding, the embodiment of Lux Imperator, God of Light, is responsible. The projectionist, Reginald Pye, plays films for Lux, who uses his power to recreate Pye's dead wife. Lux has trapped the missing people in a film reel. He similarly traps the Doctor and Belinda, and turns them into cartoon characters, until they regain their usual forms. They flee to another false reality, where a racist  cop challenges them. They escape through a television watched by . Though delighted to meet the Doctor they reveal that their world is the fake one, and encourage him to return and defeat Lux, even though they will then cease to exist. Back in the cinema, the Doctor heals his injured hand using residual  energy. Lux steals the energy to create a solid body. Belinda attempts to burn film reels to cause an explosion, but encouraged by his wife, Pye sacrifices himself. The explosion exposes the cinema to sunlight causing Lux to expand infinitely until he becomes one with the universe. The missing people return. As the Doctor and Belinda leave, Mrs Flood encourages the bystanders to watch the TARDIS dematerialise, claiming this "show" is a "limited run" that ends on 24 May. The Doctor's fans critique the episode, realising that they still exist. Production [] Development and production design [] "Lux" was written by . He had wanted to do an episode that included a living cartoon for a long time, but was unable to do one until now for funding reasons. He also revealed that he had considered variants of such an episode, including one two decades prior that would have featured a hologram rather than a legitimate animation as a result of the budgetary constraints. The story also contains mentions of segregation and racism in which Davies said he added to address issues in present-day society. It was also used as a subversion to the Doctor usually situating themselves as the main authority figure. While including such themes, he didn't want it to be the dominant subject. Among these are the NYPD officer saying the cinema is a space "reserved for " and prejudicely assuming that Belinda is . Other motifs present explore grief, hope, friendship, and sadness.  references to  and the  character  were included. Additionally, Davies has continued a recent trend of . Also unusual for the show, the episode featured a . Costume designer Pam Downe created the Doctor's and Belinda's outfits using the  of blue and yellow. Sethu's dress was inspired by a similar one worn by Anita () and designed by  in the  of . Meanwhile, Gatwa's blue suit was influenced by American musical artists of the 1950s. These hues were intended to further contrast with the red interior of the cinema by ultimately using all three . Downe ultimately wanted to successfully convey movement during the episodes action scenes. As such, three different  were considered for Sethu to wear and her dress had multiple . The concept of Mr. Ring-a-Ding was inspired by animations from . Ian Spendloff worked as a creative designer for the episode, and was the designer of Mr. Ring-a-Ding. Davies compared the concept of Mr. Ring-a-Ding to  from the 1930s. Spendloff drafted thirty different sketches that were considered before finally settling on the one used in the episode. Each one featured variations in noses, hair, and other elements. Mr. Ring-a-Ding was ultimately given a pig-like nose and blue skin to reflect characteristics of cartoon characters from the time period, with Davies wanting the character to look vaguely human but not be immediately identifiable as something else.  to  were also present in the episode because Davies recalled his enjoyment of cartoons while writing it, which made him consider people who loved the programme. Within the episode, the fans wore Doctor Who apparel (including a  scarf, another a  "Telos" sweatshirt) and declared "" (2008) as their favourite episode. One of them also mentioned the impending cancellation of the show. They then point out the "obviousness" of the episode's , and made references to . The show's BBC ident appears on the screen of their television. Although they say they are too inconsequential to be given surnames, all three characters—Hassan Chowdry, Lizzie Abel and Robyn Gossage—are fully named in the credits. The concept of Doctor Who existing within  had previously been briefly explored in  (1988) and other expanded media. Following this instance, such an idea was considered quasi-. This scene raised suspicion that Davies had potentially been planting  online himself regarding upcoming episodes as well as rumours that the series would enter into another hiatus. When the fact that the episode was written and filmed well before the leaks began appearing was considered, it was compared to the . Casting [] The episode stars  as the  of  and  as his , .  voices the antagonist, Mr. Ring-a-Ding. It marks Cumming's second appearance in the show after his role as King  in the 2018 episode "". Davies said that he and the production team had considered whether it was too soon to cast Cumming again and that had it been a live action role, he likely would not have been. Mr. Ring-a-Ding is the "God of Light" and part of the "Pantheon of Gods" that Davies has been developing since "" (2023).  stars as Reginald Pye, the theatre's projectionist and Lewis Cornay plays a diner worker who helps the Doctor and Belinda investigate the disappearances.  also makes a brief appearance as recurring character Mrs. Flood. The trio of fans were portrayed by Samir Arrian, Bronte Barbe, and Steph Lacey. Filming and post-production [] Exterior shots for the theater were filmed at  Pavilion. The wooden ramp can be seen at the bottom of the photo. The story was filmed in the series' third production block, along with the following episode, "". It was directed by  and recorded in late-January 2024.  took place in . The surrounding area was made up to look like an American city in the 1950s by adding vehicles and American flags.  pavilion was used for exterior shots of the theatre. The production team painted the building, added a period theatre sign, and removed a modern ramp at the front of the building. Its removal led to the discovery of rotting wood that had to be replaced at the show's expense. The episode was shot during  causing the cast and crew to struggle with unexpected rain and winds, requiring hot water bottles to keep warm during takes. Interior shots for the studio were filmed on  4 at . Pieces of that set were reused from "" (2024). As a result of Mr. Ring-a-Ding being an animated creation, the performers had to interact with a two-foot acrylic cutout of the character or a thin green pole on set.The scenes were then edited during the  process. References for Mr. Ring-a-Ding's movement were filmed by crew, and then drawn directly into the scene by animators from . Cumming voiced his scenes in  on 28 June 2024. Elements of Cumming's facial expressions during this recording for were incorporated into Mr. Ring-a-Ding. The scene where the Doctor and Belinda are turned into cartoons were first recorded on a , in which Gatwa and Sethu had to portray the characters in a rigid and cartoon-like manner. The animators used this as a reference for interaction between the two characters when redrawing them as a cartoon. Animations were done at twenty-five frames a second, requiring twenty-five drawings for each second of screen time, or fewer if characters' movement was limited.  artists recorded  at Bang Post Production in  on 4 September 2024. The episode's soundtrack included two singles: "" by , and the  rendition of "". Despite the episode taking place in 1952, the tracks were not released until 1956 and 1969, respectively. , the show's , also included the song "The Sad Man With A Box", a piece that he originally composed for . Broadcast and reception [] Professional ratings Aggregate scores Source Rating  (Tomatometer) 100%  (Average Score) 7.70/10 Review scores Source Rating B 10/10 9/10 Broadcast [] "Lux" was  released on  at 8 a.m.  (BST) in the United Kingdom and on  in the United States at 12 a.m.  on 12 April 2025. A  broadcast followed at 7:15 p.m. BST.  also handled international distribution of the episode. Ratings [] The episode received overnight viewing figures of 1.58 million, the lowest broadcast ratings in Doctor Who's history. It was the fourth most-watched programme of the day on BBC One, with one show on  also achieving higher numbers. Critical reception [] On the  website , 100% of 10 critics' reviews are positive, with an average rating of 7.70/10. Robert Anderson, writing for , praised the episode, highlighting Mr. Ring-a-Ding, several individual scenes, such as the fourth-wall-breaking scene, and the performances of Gatwa and Sethu. 's Martin Belam responded positively to the episode, praising Cumming's performance and the fourth-wall-breaking scene. Will Salmon, writing for , highlighted Mr. Ring-a-Ding and Gatwa's performance, though felt Murray Gold's musical score "drowned out" some scenes. Adi Tantimedh, writing for , found the episode to be the strongest out of the episodes headed by Davies in his second tenure as showrunner. Andrew Blair, writing for , highlighted the characterization of Mr. Ring-a-Ding, but criticized the episode's similarities to "", which he felt made the episode feel repetitive and weaker than it should have. He also felt the episode's handling of race was not effective, as while he felt the episode's inclusion of the topic was commendable, he felt the Doctor's in-universe way of handling it "can't help but scrape awkwardly against our real-world knowledge." Vicky Jessop, writing for the , criticized the inclusion of the scene featuring Doctor Who fans, stating that while it was initially entertaining, it quickly became "strained".    

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 1ú lá de mí Aibreán, liomsa Lauren Ní Loingsigh. I 1981 scuab Uachtarán Regan a chuid fhiacla agus shínigh sé bille reachtach ina leaba san ospidéal. Nuair a bhí sé ann dúirt na dochtúirí go raibh téarnamh iontach aige. I 2005 tháinig an nuacht amach go raibh botún teicniúil sa mbanc agus bhí tionchar ar níos mó ná 60,000 duine. I 1998 bhí an tAonach Urmhumhan an baile is móréilimh chun cónaí ann de réir staitisticí. Bhí an daonra ag ardú go tapúla gach bliain. I 2002 tháinig an nuacht amach go mbeadh 50 post nua chun teacht chuig an chontae I mBuiríos Ó Luigheach. Dúirt siad go mbeadh 2.5 milliúin euro ag teacht isteach chun níos mó ná 500 post nua a dhéanamh timpeall an tír. Sin Duran Duran le Is There Something I Should Know – an t-amhrán is mó ar an lá seo i 1983. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1966 tháinig David Bowie amach lena chéad singil Do Anything You Say. Bhí sé a chéad amhrán a tháinig sé amach leis faoi a ainm stáitse. I 2020 fuair amhránaí Adam Schlesinger bás ag aois 52 de bharr Covid. Tá sé cáiliúil de bharr gur bhunaíodh sé Fountains Of Wayne agus tháinig siad amach le cúig albam le chéile. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh amhránaí Susan Boyle san Albain I 1961 agus rugadh aisteoir Asa Butterfield I Londain ar an lá seo I 1997 agus seo chuid de na rudaí a rinne sé. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 1st of April, with me Lauren Ní Loingsigh In 1981 President reagan brushed his teeth and signed a legislative bill in his hospital bed as he made what his doctors called a remarkable recovery. In 2005 About 60,000 bank of ireland customers fell victimed to a technical error this weeek, the bank admitted. In 2002- A welcome announcement of FIFTY new jobs were to be created at Tipperary Natural Mineral Water in Borrisoleigh. The € 2.5 million program will expand the company to employ over 500 people. In 1998 NENAGH was the most popular town in North Tipperary in which to live, according to statistics. Nenagh's population has been rising for almost the past half-century. That was Duran Duran with is there something i should know – the biggest song on this day in 1983. Onto music news on this day in 1966, David Bowie released his maiden solo single, “Do Anything You Say,” on the Pye label. Produced by Tony Hatch, it was the London artist's first recording under his new stage name. In 2020, singer, songwriter, and multi-instrumentalist Adam Schlesinger died at the age of 52 from COVID-19. Schlesinger was best known as the co-founder of the power-pop band Fountains Of Wayne, with whom he released five albums. And finally celebrity birthdays on this day – susan boyle was born in scotland in 1961 and actor asa butterfield was born in london on this day in 1997 and this is some of the stuff he done. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

Fáilte ar ais chuig eagrán nua de Ar An Lá Seo ar an 1ú lá de mí Aibreán, liomsa Lauren Ní Loingsigh. I 1981 scuab Uachtarán Regan a chuid fhiacla agus shínigh sé bille reachtach ina leaba san ospidéal. Nuair a bhí sé ann dúirt na dochtúirí go raibh téarnamh iontach aige. I 2005 tháinig an nuacht amach go raibh botún teicniúil sa mbanc agus bhí tionchar ar níos mó ná 60,000 duine. I 1967 tháinig teachtaireacht amach ó Pope Paul a bhí 20,000 focail chuig na gCaitliceach agus bhí sé ag iarradh ocras, bochtaineacht agus cíocras a stopadh sa domhain. I 2005 bhí imní ag na oibreoirí ag aerfort na Sionainne de bharr go raibh plean acu chun seachfhoinsiú an lónadóireacht don chéad uair I 60 bhliain. Sin Duran Duran le Is There Something I Should Know – an t-amhrán is mó ar an lá seo i 1983. Ag lean ar aghaidh le nuacht cheoil ar an lá seo I 1966 tháinig David Bowie amach lena chéad singil Do Anything You Say. Bhí sé a chéad amhrán a tháinig sé amach leis faoi a ainm stáitse. I 2020 fuair amhránaí Adam Schlesinger bás ag aois 52 de bharr Covid. Tá sé cáiliúil de bharr gur bhunaíodh sé Fountains Of Wayne agus tháinig siad amach le cúig albam le chéile. Agus ar deireadh breithlá daoine cáiliúla ar an lá seo rugadh amhránaí Susan Boyle san Albain I 1961 agus rugadh aisteoir Asa Butterfield I Londain ar an lá seo I 1997 agus seo chuid de na rudaí a rinne sé. Beidh mé ar ais libh amárach le heagrán nua de Ar An Lá Seo. Welcome back to another edition of Ar An Lá Seo on the 1st of April, with me Lauren Ní Loingsigh In 1981 President reagan brushed his teeth and signed a legislative bill in his hospital bed as he made what his doctors called a remarkable recovery. In 2005 About 60,000 bank of ireland customers fell victimed to a technical error this weeek, the bank admitted. In 1967 Pope Paul, in a moving 20,000 word messsage to catholics appealed to the world to bring an end to hunger,poverty,strife and greed. In 2005 There was mounting unease and worker unrest at shannon airport over the plans to outsource the catering operation for the first time in 60 years. That was Duran Duran with is there something i should know – the biggest song on this day in 1983. Onto music news on this day in 1966, David Bowie released his maiden solo single, “Do Anything You Say,” on the Pye label. Produced by Tony Hatch, it was the London artist's first recording under his new stage name. In 2020, singer, songwriter, and multi-instrumentalist Adam Schlesinger died at the age of 52 from COVID-19. Schlesinger was best known as the co-founder of the power-pop band Fountains Of Wayne, with whom he released five albums. And finally celebrity birthdays on this day – susan boyle was born in scotland in 1961 and actor asa butterfield was born in london on this day in 1997 and this is some of the stuff he done. I'll be back with you tomorrow with another edition of Ar An Lá Seo.

Join Jimmy, Dan and Steve as they wax lyrical over a clinical performance from the Hatters which brought the 3 points back down the M61 / M60 to Stockport. Excellent performances from Tanto, Pye, Hills and Addai were instrumental in ensuring another away victory for the blue and white army to celebrate in style. Subscribe to our Patreon to get exclusive episodes! Hosted on Acast. See acast.com/privacy for more information.

In this episode, host Alyssa Watson, DVM, welcomes Charlie Pye, DVM, DVSc, DACVD, to talk about her recent Clinician's Brief article, “Cutaneous Lymphoma in an American Pit Bull Terrier Crossbreed.” Dr. Pye covers all the essential background for cutaneous lymphoma, which can mimic many other skin diseases. She also gives practical tips for performing skin biopsies, runs through treatment options, and even negotiates the challenging terminology connected to this disease (mycosis fungoides?!).Resource:https://www.cliniciansbrief.com/article/lymphoma-treatment-lymph-nodes-dogContact:podcast@instinct.vetWhere To Find Us:Website: CliniciansBrief.com/PodcastsYouTube: Youtube.com/@clinicians_briefFacebook: Facebook.com/CliniciansBriefLinkedIn: LinkedIn.com/showcase/CliniciansBrief/Instagram: @Clinicians.BriefX: @CliniciansBriefThe Team:Alyssa Watson, DVM - HostAlexis Ussery - Producer & Multimedia Specialist

brianturnershow.com, eastvillageradio.comBILL NELSON - Smiles - Northern Dream (Smile, 1971)FRED E. SCOTT - Journey Within - 7" (Two Rooms, 2022)KISS - Strutter (Live at The Daisy, 1973)DEATH AWARENESS CAFE - Sick Moons (BC, 2024)JPEGMAFIA - It's Dark and Hell It's Hot - I Lay Down My Life For You (Peggy/Awal, 2024)MEAT WHIPLASH - Loss (Live BBC Session: John Peel 28/10/1985) - Collected/Contextualized (Silvergirl, 2024)HARDWARE - Speed Unit - Untitled LP, 1979 (1979, re: N-A-R-C, 2024)SWEAT TALLEY - Looking For a Virgin - 7" (RSR, 1979)FIRMAMENT AND THE ELEMENTS - Shane II - Essential (Press, 1982)DAEVID ALLEN & KRAMER - Thinking Thoughts - Who's Afraid? (Shimmy Disc, 1992)ORNETTE COLEMAN / PRIME TIME - Live Nickleodeon, Toronto 2/1/82MUSKEG MUDSUCK - Le Cauchemar - Dirges of the Eneolithic (NL, 2024)FRANK HARRIS & MARIA MARQUEZ - Canto del Pilon - 7" (Third Wave, 1985)BLACK SABBATH WAR PIGS IF IT WAS RECORDED IN 1950GNONNAS PEDRO & HIS DADJES BAND - L'Indomptable Gnonnas - Roi De L'Agbadja Moderne (1974-1983) (Analog Africa, 2025)CRACKED ACTORS - Statues - 7" (Cracked Actors, 1980)PHEON BEAR - War Against War - 7" (Pye, 1973)MIZUTAMA SHOBODAN - Happy End - 満天に赤い花びら (Kinniku-Bijo, 1985)OPERATING THEATER - Spring Is Coming With a Strawberry In the Mouth - Spring Is Coming With A Strawberry In The Mouth / Rapid Eye Movements (Allchival, 2023)LARS HALLNÄS -  Mit Einer Rede Von - V/A: Text-Sound Compositions Stockholm 1974 Vol. 11 (Fylkingen, 2016)ADAM BOHMAN -  Roy-Or Bison Text Piece - Text Pieces + Compositions for Prepared Strings and Objects (Krim Kram, 2024)FRANKENSTEIN'S UTERUS - Fire Bad - Fire Bad/School Good (Arbitrary Signs, 2025)BALLS - In My Head (Live CBGB)  (Samoa Occupy Moriki Soundcloud)NET GALA - Cistem Boom / Rac Cap Cu (Feat. Ran Cap Duoi) - Galapaggot (Hakuna Kulala, 2024)EDVARD GRAHAM LEWIS - Kinds of Whether - Alreet? (Upp, 2025)VÍZ - Angel's Throat - Danse des Larmes (Heat Crimes, 2025)SOFT MACHINE - Moon In June (Bilzen Jazz And Pop Festival, Aug 22, 1969)

There is a lot of pride in being a "self taught" photographer or business owner. I know I touted that title at one time. But can we truly be self taught, and if not, how can we fast-track our success?Pye Jirsa is my guest today. He's the co-founder of Lin and Jirsa Photography, a multi-seven-figure wedding and portrait photography studio, and the co-founder of SLR Lounge, a photography website and community dedicated to empowering photographers of all levels with the knowledge and resources they need to succeed.Today we talk about business mindsets, lessons, and how to grow and scale your business quickly without having to go through the trial and error yourself.Sponsor of the show: Imagen AIGet 1500 images edited for free at allheartphoto.com/aiConnect with Pye:slrlounge.comlinandjirsa.cominstagram.com/pyejirsaFollow the show at:instagram.com/witt.podyoutube.com/@wisdominthetangents

Thank you for tuning in to another episode of Tin Foil Hat with Sam Tripoli. In this episode, we're excited to welcome back independent researcher Pye Ian to the show. Pye returns to dive deep into his research on the global network of fear-driven control that exerts a powerful grip over our economic, political, historical, and scientific systems — shaping virtually every aspect of our lives. This is an in-depth conversation, and Pye Ian brings the receipts. It's nothing but bangers. We truly appreciate your continued support! Grab your copy of the 2nd issue of the Chaos Twins now and join the Army Of Chaos: https://bit.ly/415fDfY Check out Sam Tripoli's new special "Why is Everybody Gettin Quiet?" that drops Oct 15th on Rumble.com, Twitter X, Youtube and SamTripoli.com! Join the WolfPack at Wise Wolf Gold and Silver and start hedging your financial position by investing in precious metals now!  Go to samtripoli.gold and use the promo code "TinFoil" and we thank Tony for supporting our show. CopyMyCrypto.com: The ‘Copy my Crypto' membership site shows you the coins that the youtuber ‘James McMahon' personally holds - and allows you to copy him. So if you'd like to join the 1300 members who copy James, then stop what you're doing and head over to: CopyMyCrypto.com/TFH You'll not only find proof of everything I've said - but my listeners get full access for just $1 Check out Sam "DoomScrollin with Sam Tripoli and Midnight Mike" Every Thursday At 2:30pm pst on Youtube, X Twitter, Rumble and Rokfin!  Want to see Sam Tripoli live?  Get tickets at SamTripoli.com: The World- Sam Tripoli's new special "Why is Everybody Gettin Quiet?" that drops Oct 15th on Rumble.com and SamTripoli.com!   Spokane, Wa  Tin Foil Hat Comedy Night Live At The Spokane Comedy Club On Jan 9th https://www.spokanecomedyclub.com/shows/294714   Batavia, IL:  The Comedy Vault Jan 23rd-25th https://www.comedyvaultbatavia.com/events/103545   Columbus, Ohio:  Tin Foil Hat Comedy Live At the Columbus Funnybones Feb 6th https://www.etix.com/ticket/p/75622775/tin-foil-hat-comedy-night-columbus-funny-bone-comedy-club-columbus   Pottstown, Pa: Feb 7th:  Tin Foil Hat Comedy Live At Soul Joels Feb 7th https://www.souljoels.com/shop/tickets/swarmtankspecialevent/   Morristown, Nj: Tin Foil Hat live at The Dojo Of Comedy Feb 8th https://www.tiffscomedy.com/events/103149   Phoenix, Az:  The House Of Comedy Arizona Feb 27th- March 1st https://aztickets.houseofcomedy.net/event/sam-tripoli-9938398e     Please check out SamTripoli.com for all things Sam Tripoli. Please check out Sam Tripoli's Linktree: https://linktr.ee/samtripoli Please Follow Sam Tripoli's Comedy Instagram: https://www.instagram.com/samtripolicomedy/ Please Follow Sam Tripoli's Podcast Clip Instagram: https://www.instagram.com/samtripolispodcastclips/   Thank you to our sponsors: HomeChef: Home Chef provides fresh ingredients and chef-designed recipes, conveniently delivered to your doorstep to simplify your cooking experience. Whether you prefer classic meal kits with pre-portioned ingredients and easy instructions, speedy recipes ready in less than 30 minutes, oven-ready kits with pre-chopped ingredients, or quick microwave meals that assemble in minutes, Home Chef has you and the entire family covered for delicious meals without the hassle.  For a limited time, HomeChef is offering my listeners 18 Free Meals PLUS Free Dessert for Life and of course, Free Shipping on your first box! Go to Home Chef dot com slash TINFOIL.   Helix Sleep: Helix is offering 25% off all mattress orders AND two free pillows for our listeners! Go to Helix Sleep dot com slash Tinfoil. That's Helix Sleep Dot Com Slash Tinfoil. This is their best offer yet and it won't last long! With Helix, better sleep starts now.   PolicyGenius:  Secure your family's tomorrow so you have peace of mind today. Head to policygenius.com/ TINFOIL or click the link in the description to get your free life insurance quotes and see how much you could save. That's policygenius.com/ TINFOIL.   Blue Chew: And we've got a special deal for our listeners: Try BlueChew FREE when you use our promo code TINFOIL at checkout--just pay $5 shipping. That's BlueChew.com, promo code TINFOIL to receive your first month FREE. Visit BlueChew.com for more details and important safety information, and we thank BlueChew for sponsoring the podcast.   Venice AI:  Venice AI is the next generation of private uncensored personal A.I.! Text generation, just like Chat GPT but faster, more efficient, and a variety of models to choose from is like 6 tools in one. Unbiased, and uncensored responses.  Uncensored Image Generation - Often image generators are restricted from making images that are political include celebrities, and more. We give you the power of several of the most cutting edge image models for all of your creative projects.  So grab your personal uncensored Venice AI at https://venice.ai/TINFOIL   VAII Hemp: This holiday season, unwind and recharge with VIIA. Whether you're enjoying a quiet evening at home or embracing the festive cheer, VIIA's premium THC & THC-Free gummies will help you find your perfect holiday balance. VIIA is well renowned for their award-winning THC & THC-free gummies & vapes, THCA flower, soothing topicals, and calming drops - all crafted with the highest-quality hemp sourced from trusted, independently owned American farms. And the best part…VIIA legally ships to nearly all states in the U.S. in discreet packaging directly to your door with a worry-free guarantee. No medical card required.So if you're 21+, check out our link to VIIA's website link in our description and use code viiatinfoilhat for 15% off.   True Classic: True Classic is made with stank-free, moisture-wicking technology so you can do it all in comfort and style. From running on the treadmill to running out for beer, True Classic has the gear for you.  So, if you're ready to upgrade your closet, shop now with my exclusive link at trueclassic.com/TinFoil and save up to 25% off your first order. PLEASE support our show and tell them we sent you. No matter how you move, make 2024 your most comfortable year yet with True Classic.   Arena Club:  In the hobby, it's not easy being a fan of ripping packs or repacks. Arena Club Slab Packs are revolutionizing the repack game with transparency. 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In this episode of Peach Pundit the Podcast, the Pye. Buzz and Scot discuss significant legal developments in Georgia's election cases, particularly focusing on the disqualification of Fani Willis from prosecuting Donald Trump. They explore themes of prosecutorial misconduct, the implications of absentee voting trends, and the accountability of election officials. The conversation also touches on the political investigations surrounding Liz Cheney and the broader implications for political norms and ethics in the current landscape. In this episode, the hosts discuss various pressing issues including the influence of woke culture in schools, reflections on the events of January 6th, the current state of the budget deficit, and the ongoing debate surrounding the debt ceiling. They also explore the lack of political will to address spending cuts and the implications for America's fiscal future. The conversation wraps up with a light-hearted segment where the hosts share their favorite things and air Festivus grievances.

Bright on Buddhism - Kōan Series Episode 11 - Jōshū's "Wash Your Bowls" Hello and welcome to a new episode of the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

This week, hosts Jim DeRogatis and Greg Kot celebrate the spooky season by revisiting their favorite songs about witches and ghosts.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:The Head and the Heart, "Ghosts," The Head and the Heart, Sub Pop, 2011The Beatles, "With a Little Help from My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Kinks, "Wicked Annabella ," The Kinks Are the Village Green Preservation Society, Pye, 1968Donovan, "Season of the Witch," Sunshine Superman, Epic, 1966Jethro Tull, "The Witch's Promise," The Witch's Promise (Single), Chrysalis, 1970Martha and the Vandellas, "Mobile Lil The Dancing Witch," Dance Party, Motown, 1965Monster Magnet, "19 Witches," Powertrip, A&M, 1998Radiohead, "Burn the Witch," A Moon Shaped Pool, XL, 2016Bettye LaVatte, "Witch Craft in the Air," Witch Craft in the Air (Single), LuPine, 1963Florence + the Machine, "Which Witch (Demo) [Bonus Track]," How Big, How Blue, How Beautiful, Island, 2015Roky Erickson and the Aliens, "If You Have Ghosts," The Evil One, 415, 1981Joy Division, "Dead Souls," Still, Factory, 1981Psychedelic Furs, "The Ghost in You," Mirror Moves, Columbia, 1984Suicide, "Ghost Rider," Suicide, Red Star, 1977Johnny Cash, "(Ghost) Riders in The Sky," Silver, Columbia, 1979Caroline Herring, "Long Black Veil," Golden Apples of the Sun, Signature Sounds, 2009Daniel Johnston, "Casper the Friendly Ghost," Yip/Jump Music, (Self-Released), 1983Robyn Hitchcock & The Egyptians, "My Wife and My Dead Wife," Gotta Let This Hen Out!, Midnight Music, 1985The Raveonettes, "Apparitions," Raven in the Grave, The Raveonettes, 2011Mekons, "Ghosts of American Astronauts," So Good It Hurts, Twin/Tone, 1988Ladytron, "Ghosts," Velocifero, Nettwerk Productions, 2008The Goldstars, "Stroll In Hell," Stroll In Hell (Single), The Goldstars, 2021Black Sabbath, "Black Sabbath," Black Sabbath, Vertigo, 1970Umphrey's McGee, "The Floor," Death By Stereo, ATO, 2011See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bright on Buddhism - Kōan Series Episode 10 - Hyakujō and The Fox Hello and welcome to a new episode of the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Hosts Jim DeRogatis and Greg Kot talk with Karla and Jack of SPRINTS, the Irish post-punk band who recently released their debut album titled Letter to Self. The hosts also review new music from Charli XCX and Goat Girl, and Jim speaks with music critic Niko Stratis.--Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops--Featured Songs:Sprints, "Heavy," Letter To Self, City Slang, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club, Parlophone, 1967Charli XCX, "Von Dutch," Brat, Atlantic, 2024Charli XCX, "Sympathy Is A Knife," Brat, Atlantic, 2024Charli XCX, "Girl, So Confusing," Brat, Atlantic, 2024Charli XCX, "So I," Brat, Atlantic, 2024Goat Girl, "TCNC," Below The Waste, Rough Trade, 2024Goat Girl, "Tonight," Below The Waste, Rough Trade, 2024Goat Girl, "Motorway," Below The Waste, Rough Trade, 2024Sprints, "Cathedral," Letter To Self, City Slang, 2024Sprints, "Kissing Practice," The Cheek (Single), Nice Swan, 2020Sprints, "Up And Comer," Letter To Self, City Slang, 2024Sprints, "Ticking," Letter To Self, City Slang, 2024Sprints, "Letter To Self," Letter To Self, City Slang, 2024Sprints, "Literary Mind," Letter To Self, City Slang, 2024Sprints, "Shaking Their Hands," Letter To Self, City Slang, 2024Talking Heads, "This Must Be The Place (Naive Melody)," Speaking in Tongues, Sire, 1983Ben E King, "Stand By Me," Don't Play That Song! , Atco, 1962The Kinks, "Lola," Lola Versus Powerman and the Moneygoround, Part One, Pye, 1970Little Richard, "Tutti Frutti," Here's Little Richard, Specialty, 1957See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join Exodus Cry Founder, Benjamin Nolot, in a compelling conversation with Chris McKenna, Founder and Executive Director of Protect Young Eyes. Chris shares how his past struggle with pornography use led him to educating families on digital safety through PYE, which he launched in 2015. They discuss groundbreaking state-level legislation, like the Child Device Protection Bill, which aims to enforce content filters on devices used by minors, as well as Chris's advisory role with major tech companies and his ongoing mission to protect children online. LINKS: Spotify: https://open.spotify.com/show/7h6K1rU... Apple Podcasts: https://podcasts.apple.com/us/podcast... Watch our films: www.exoduscry.com/watch Give & fuel the fight: www.exoduscry.com/donate Get involved: www.exoduscry.com/getinvolved Website: www.exoduscry.com Podcast: www.exoduscry.com/podcast Articles: www.exoduscry.com/articles SOCIALS: Youtube: https://www.youtube.com/exoduscry Instagram: www.instagram.com/exoduscry TikTok: www.tiktok.com/exoduscry Twitter: www.twitter.com/exoduscry Facebook: www.facebook.com/exoduscry Exodus Cry is a leading global anti-trafficking nonprofit organization focused on ending widespread sex trafficking and commercial sexual exploitation, exposing this injustice for millions worldwide, and helping its victims to rebuild their lives.

G'day mates and other stereotypically Australian things! This week, we're joined by our pal from Down Under, Pye, to discuss her pick: the 2014 zombie action film "Wyrmwood." Special topics for your consideration include: learning to speak Australian, legitimately new zombie ideas, nonshirts, new-to-us weaponry, and potentially our most irreparably horny episode EVER. Want more Australian horror? Check out You might enjoy Episode 11- "The Babadook", Episode 255- "Lake Mungo," Episode 266- "The Loved Ones," or Episode 453- "Talk to Me." The regular lineup of links! You can support us at patreon.com/werewolfambulance where you can listen to nearly 50 episodes of our action movie podcast with a new one coming every month. Get in now and vote for this month's movie! leave us a message at 412-407-7025 hang out with some cool listeners at https://discord.gg/DutFjx3cBD  buy merch at www.teepublic.com/user/werewolfambulance the best place to reach us is at werewolfambulance@gmail.com we're on Reddit at r/werewolfambulance sorta on Twitter @werebulance sorta on Instagram @werewolfambulance www.werewolfambulance.com if you feel you really must lodge a complaint with us, please do it on Facebook at facebook.com/werewolfambulance because we are probably not gonna see that, ever.   If you liked this, please leave us a review on Apple Podcasts or wherever you listen! It helps others find us and allows us to continue to grow. Intro song is by Alex Van Luvie Outro song is A. Wallis- "EMT" Seriously, we have the best listeners, hands down.

I am excited to welcome back a previous guest to the podcast today to speak about a very important topic. He is the founder of Protect Young Eyes, an organization dedicated to creating safer digital spaces for kids. Protect Young Eyes also provides parents with resources to help navigate technology safely.   Chris McKenna is a man with never-ending energy when it comes to fighting for the safety and protection of children. Chris practices his internet safety tips on his four amazing children and is regularly featured on news, radio, and podcasts for his research. His 2019 US Senate Judiciary Committee testimony was the catalyst for draft legislation and ongoing discussion that could radically change online child protection laws and earned PYE the NCOSE Dignity Defense Alert Award in 2020.   The PYE team has performed over 1,300 presentations at schools, churches, and nonprofits and was featured in the Childhood 2.0 movie. When not leading PYE, Chris is the Digital Marketing Manager for Covenant Eyes. Other loves include running, spreadsheets, nature, and candy.   All of the resources Chris and I discussed can be found at www.protectyoungeyes.com. You can also read the blog post about the WiFi router he recommends at www.protectyoungeyes.com/the-ultimate-guide-to-understanding-routers/. Be sure to follow them on Instagram @protectyoungeyes and Facebook @protectyoungeyes.   Please follow along with A Well + Nourished Soul podcast on your favorite listening platform and leave a rating and review of the show. If you want to dive even deeper, visit www.awellandnourishedsoul.com to join our private community.   Schedule your Angel Message Session: https://www.awellandnourishedsoul.com/book-an-angel-session  Come connect with me on Instagram @AshleyJGeorge. I love hearing from you!

Bright on Buddhism - Kōan Series Episode 9 - What is the Buddha? Three Pounds of Flax Hello and welcome to a new episode of the Kōan Series. In this series, we will read and discuss real Buddhist kōans to try and better understand them. We hope you enjoy. Resources: Episode 10 - https://anchor.fm/brightonbuddhism/episodes/What-is-Zen-Buddhism-e1a2sm2 Episode 18 - https://anchor.fm/brightonbuddhism/episodes/What-is-the-Buddhist-philosophy-of-speech--language--and-words-e1dgqu9 Episode 32 - https://anchor.fm/brightonbuddhism/episodes/What-are-kans-e1j5scl Episode 33 - https://anchor.fm/brightonbuddhism/episodes/What-is-emptiness-e1jc31i Hori, Victor Sogen (1999). "Translating the Zen Phrase Book" (PDF). Nanzan Bulletin (23).; Hori, Victor Sogen (2000), Koan and Kensho in the Rinzai Zen Curriculum. In: Steven Heine and Dale S. Wright (eds)(2000): "The Koan. Texts and Contexts in Zen Buddhism, Oxford: Oxford University Press; Heine, Steven (2008), Zen Skin, Zen Marrow; Bielefeldt, Carl (2009), "Expedient Devices, the One Vehicle, and the Life Span of the Buddha", in Teiser, Stephen F.; Stone, Jacqueline I. (eds.), Readings of the Lotus Sutra, New York: Columbia University Press, ISBN 9780231142885; Kotatsu, Fujita; Hurvitz, Leon (1975), "One Vehicle or Three", Journal of Indian Philosophy, 3 (1/2): 79–166; Lopez, Donald (2016), The Lotus Sutra: A Biography (Kindle ed.), Princeton University Press, ISBN 978-0691152202; Lopez, Donald S.; Stone, Jacqueline I. (2019), Two Buddhas Seated Side by Side: A Guide to the Lotus Sūtra, Princeton University Press; Pye, Michael (2003), Skilful Means – A concept in Mahayana Buddhism, Routledge, ISBN 0203503791; Watson, Burton (tr.) (1993), The Lotus Sutra, Columbia University Press, ISBN 023108160X; Patrick Olivelle, trans. Life of the Buddha. Clay Sanskrit Library, 2008. 1 vols. (Cantos 1-14 in Sanskrit and English with summary of the Chinese cantos not available in the Sanskrit); Stone, Jacqueline Ilyse (2003), "Original enlightenment and the transformation of medieval Japanese Buddhism" (PDF), Studies in East Asian Buddhism, University of Hawaii Press (12), ISBN 978-0-8248-2771-7, archived from the original (PDF) on November 5, 2013; Hakeda, Yoshito S., trans. (1967), Awakening of Faith—Attributed to Aśvaghoṣa, with commentary by Yoshito S. Hakeda, New York, NY: Columbia University Press, ISBN 0-231-08336-X; Jorgensen, John; Lusthaus, Dan; Makeham, John; Strange, Mark, trans. (2019), Treatise on Awakening Mahāyāna Faith, New York, NY: Oxford University Press, ISBN 9780190297718 Do you have a question about Buddhism that you'd like us to discuss? Let us know by finding us on email or social media! https://linktr.ee/brightonbuddhism Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

In this conversation, I was joined by Chris McKenna of Protect Young Eyes to dive into all things digital safety. We talk about when and how to give your child a device, danger areas online, how to talk to your child about online risks and much, much more.  Chris is a wealth of information, having spoken in countless schools and to parent groups around the country.  About Chris McKenna:  Former consultant, youth ministry director. Author of resources for families and churches on digital safety and pornography. His 2019 US Senate testimony catalyzed new online child protection laws and earned PYE the Dignity Defense Alert Award. Now an advisor to legislators and global tech companies on policies and feature improvements. The PYE team performs hundreds of presentations globally and was featured in the Childhood 2.0 movie. Chris is married to Andrea, enjoys family road trips, nature, running, and candy, and is father to four.

A well-known agribusiness leader pays tribute to her hard-working and entrepreneurial father-in-law, Allan Pye, the "Spud King", who passed away at 83 on Saturday. Pye left school at 14, leased two acres of land and started growing potatoes. His family farming business is now estimated to be worth one billion dollars.See omnystudio.com/listener for privacy information.

Ray Shelton, Ph.D. is a nationally-known expert on stress and the impacts it has on frontline personnel in disasters and other crises.  He is a Fellow and the Director of Professional Development for The American Academy of Experts in Traumatic Stress, in Miller Place, New York.  He's seen tragedy first-hand over 35 years serving with the Nassau County, New York Police department, including the Twin Towers Collapse during 9/11.  He's also a former firefighter and paramedic.“The adjusters are no different than fire, police, and EMS, they're front line.  They're action-oriented.  They take risks.  They have tremendous attention to detail.  They have a powerful need for control, to help people get their lives back in order,” said Shelton.  “But the price that is paid for that, is all of the memories, all of the conversations, all of the sites that they see stays with them.  There's absolutely no delete button in the human brain.”Shelton worked with the Liberty Mutual Insurance Catastrophe Response Team during the California Wildfires in 2008 and subsequent tornado outbreaks across the country.  That's where he met Jenny Pye, M.S., whose 35 years with Liberty Mutual included serving as a Property Claims Manager and Director of Quality Improvement for Auto Physical Damage (APD), Property, and Shared Services.“Every time I hear Ray talk, it takes me back to early in my career when I was an adjuster in the field and would go out and have multiple fatality 18-Wheeler accidents, and just the emotions of being on scene and investigating a claim,” said Pye.  “Sometimes the bodies were still there and then talking to their families, just all those emotions.”Today, Pye is the Director of Commercial Claims at Pilot Catastrophe Services, based in Mobile, Alabama.   She helps adjusters and the firms they serve to not only proficiently manage the technical part of the job, but manage the emotional toll that claims can have.  She said adjusters who strive for great customer experience, often ignore or cover-up signs of traumatic stress.  “But sometimes you get feedback as a manager and hopefully before you get that feedback from your customer, you're recognizing these issues,” said Pye.  “Maybe the adjuster is not as responsive as they normally are.  It's not just answering a text or phone call, if you're calling about a claim, it can be on a Zoom call and you will see where these folks that are normally engaged are not engaged.”  That, she adds, requires claim managers to “finely tune your senses to be aware of what's going on.”Shelton, who presents “Fine Tuned Adjuster” webinars for the Property Loss & Research Bureau said there are consequences of not recognizing the signs in adjusters or of claims management not responding to the signs.“If you do nothing, it stops productivity and the bigger danger (is) maybe that you lose that person who has bottled this all up from multiple times that this has occurred and finally says, ‘You know, I've had enough' and they leave the industry,” Shelton said, noting the current market challenge of recruiting adjusters to replace those that leave the profession.(For full Show Notes, visit https://lisamillerassociates.com/episode-47-stress-strain-of-adjusting/) 

In this episode, we pass the mic to Pye Young to discuss first-generation Americans and law students. Pye N. Young is the managing attorney of Bay Area Legal Services West Office, located in St. Petersburg, FL. She joined the team in 2019 after maintaining a civil litigation practice for several years. She specializes in assisting veterans in obtaining the VA services they need and provides general legal counsel on other client-related matters. As a Lead Attorney with the Bay Area/ Bay Pines VA Medical Legal Partnership (MLP), Pye and her team established a strong relationship within the VA and expanded legal services to Veterans in a three-county service area. Currently, the MLP is accessed by over 400 Veterans each year. Pye received her Bachelor of Arts in Interdisciplinary Social Sciences from Florida State University in 2001 and graduated from Stetson University College of Law in 2005. She enjoys volunteering in her community, spending time with family, and traveling. She looks forward to expanding Bay Area's mission of creating pathways for change. Social Media Website: www.journeytoesquire.com Email: info@journeytoesquire.com LinkedIn: https://www.linkedin.com/company/dive... Facebook: https://www.facebook.com/JourneytoEsq/ YT: https://youtube.com/@journeytoesquire Twitter: @JourneytoEsq                 https://mobile.twitter.com/journeytoesq Instagram: @JourneytoEsq  https://www.instagram.com/journeytoesq/ www.journeytoesquire.com info@journeytoesquire.com @JourneytoEsquire --- Send in a voice message: https://podcasters.spotify.com/pod/show/journey-to-esquire/message Support this podcast: https://podcasters.spotify.com/pod/show/journey-to-esquire/support

Bright on Buddhism Episode 82 - What are the paramitas in Buddhism? How ought one cultivate them? How do understandings of them change over time? Resources: Bodhi, Bhikkhu (1978). The All-Embracing Net of Views. Kandy: Buddhist Publication Society.; Bodhi, Bhikkhu (ed.) (1978, 2005). Lopez, Donald S. Jr. (1988). The Heart Sutra Explained: Indian and Tibetan Commentaries. SUNY Press. ISBN 978-0-88706-589-7.; Cantegreil, Mathieu; Chanana, Dweep; Kattumuri, Ruth, eds. (2013). Revealing Indian Philanthropy (PDF). Alliance Publishing Trust. ISBN 9781907376191. Archived from the original (PDF) on 2023-07-05. Retrieved 2023-07-05.; Bodhi, Bhikkhu (2000). The Connected Discourses of the Buddha: A Translation of the Saṃyutta Nikāya. Somerville, Mass.: Wisdom Publications. ISBN 0-86171-331-1.; A Chanting Guide. Dhammayut Order in the United States of America. 1994. Archived from the original on 2009-03-06.; Nandisena, Bhikkhu (2000). "Khantivadi Jataka". El Centro Mexicano del Buddhismo Theravada. J 313. Archived from the original on 2000-06-21. Retrieved 2007-07-08.; Cowell, E.B., ed. (2006) [1895]. The Jātaka or Stories of the Buddha's Former Births. Vol. II. Translated by Rouse, W.H.D. Cambridge: Cambridge University Press.; "Kakacupama Sutta: The Simile of the Saw (excerpt)". Access to Insight. Translated by Thanissaro, Bhikkhu. 1997c. MN 21. Retrieved 3 Jul 2007.; Federman, Asaf (2009), "Literal means and hidden meanings: a new analysis of skillful means" (PDF), Philosophy East and West, 59 (2): 125–141, doi:10.1353/pew.0.0050, S2CID 574336; Matsunaga, Daigan and Alicia (1974). The concept of upāya in Mahāyāna Buddhist philosophy, Japanese Journal of Buddhist Studies 1 (1), 51–72; Pye, Michael (1978). Skilful Means - A concept in Mahayana Buddhism. London: Gerald Duckworth & Co. Ltd. ISBN 0-7156-1266-2; Snellgrove, David (1987). Indo-Tibetan Buddhism: Indian Buddhists & Their Tibetan Successors (2 volumes). Boston, Massachusetts, USA: Shambhala Publications, Inc. ISBN 0-87773-311-2 (v. 1) & ISBN 0-87773-379-1 (v. 2); Schroeder, John (2001) Skillful Means: The Heart of Buddhist Compassion. University of Hawaii Press. ISBN 0-8248-2442-3; Tatz, M., trans. (1994). The Skill in Means (Upayakausalya) Sutra. Delhi: Motilal Banarsidass; Blo-gros-mthaʼ-yas, Koṅ-sprul; Taye, Lodro; Rinpoche, Bokar (2003). Śes bya mthaʼ yas paʼi rgya mtsho [Complete Explanation of the Pratimoksha, Bodhisattva and Vajrayana Vows – Buddhist Ethics]. Treasury of Knowledge. Ithaca: Snow Lion Publications. ISBN 1-55939-191-X. OCLC 52906881.; Panchen, Ngari; Gyalpo, Pema Wangyi; Rinpoche, Dudjom (1996). Sdom gsum rnam ṅes [Perfect Conduct: Ascertaining the Three Vows]. Translated by Gyurme Samdrub; Sangye Khandro. Boston: Wisdom Publications. ISBN 978-0-86171-083-6. OCLC 34669418.; Rinpoche, Bokar (1997). Vœu de Bodhisattva [Taking the Bodhisattva Vow]. Translated by Christiane Buchet. San Francisco: ClearPoint Press. ISBN 978-0-9630371-8-3. OCLC 42015705.; Rinchen, Sonam; Chandragomin (2000). Sonam, Ruth (ed.). Bodhisattvasaṃvaraviṃśaka [The Bodhisattva Vow]. Translated by Ruth Sonam. Ithaca: Snow Lion Publications. ISBN 1-55939-150-2. OCLC 44026191.; Tson-Kha-Pa (1986). Asanga's Chapter on Ethics, with the Commentary of Tsong-Kha-Pa: The Basic Path to Awakening – The Complete Bodhisattva. Translated by Mark Tatz. Lewiston: Edwin Mellen Press. ISBN 0-88946-054-X. OCLC 605654078 Do you have a question about Buddhism that you'd like us to discuss? Let us know by tweeting to us @BrightBuddhism, emailing us at Bright.On.Buddhism@gmail.com, or joining us on our discord server, Hidden Sangha https://discord.gg/tEwcVpu! Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

Eternal Vigilance Action has an awards event that causes the Alabama Cheerleader to give birth to live kittens. Scot Issued a debate challenge on RCV FISA Reauthorization added to the NDAA bill and Pye has thoughts. Georgia Legislature finished maps, and Media has a meltdown. Congress Drew Ferguson announces his retirement from Congress giving us the chance to engage in some wild speculation. Colton Moore, advocate for Government having a database of biometric data. But don't worry, he's going to right the College Football Playoff wrongs. Loudermilk releases January 6th tapes. The War is over! The water war with Alabama anyway.

This month's bonus series is on a topic that can tend to be very uncomfortable to talk about. But this is a good uncomfortable. Pornography is a subject that affects all of us in one way or another and it's important to have these conversations. The average age of kids who view pornography for the first time is 9 years old. As a parent you may read that statistic and feel completely discouraged or overwhelmed, but you're not alone! On today's show Chris McKenna shares ways we can help protect our kids from the weapons of the internet. Chris McKenna is a former middle school youth director, and author of multiple resources for families and churches. His 2019 US Senate testimony was the catalyst for new federal and state online child protection legislation and earned Protect Young Eyes (PYE) the Dignity Defense Alert Award in 2020. The PYE team performs hundreds of presentations at schools, churches, and nonprofits, receives over a million visits to their popular website annually, and was featured in the Childhood 2.0 movieI hope in this series you gain a wealth of resources to help you, however this topic affects you. Whether you're someone who has struggled with pornography and addiction, or you are a spouse or partner who is dealing with the betrayal of such addiction, we encourage you to check out the links from the show to find support, healing, and ultimately freedom.SHOW LINKS:Protect Young EyesGood Pictures Bad Pictures Jr.Good Pictures Bad PicturesGod's Design for SexHow to Talk to a 5 Year Old About Pornography What is Sextortion? 3 Prevention Tips for FamiliesBeggars DaughterQuenchedThe Healing ChurchPart 1 of Let's Talk About Porn with Sam BlackPart 2 of Let's Talk About Porn with Jessica HarrisCelebrate Recovery Covenant EyesCanopyBark - Use Code JAMIE10Coddling of the American MindTHH #506 From Porn to PastorTHH #565 Liberator Preview w/Chelsea and Layton BoeveTHH #538 Boundaries with Jim CressJamie's Newsletter

Visit our Patreon page to see the various tiers you sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!NEWSRob Liefeld's Captain America 'Heroes Reborn' cover-up for auction and up to 13K!X-Men: Forever' promises to answer Krakoa's darkest truths starting March 20th‘Black Widow & Hawkeye' coming March 2024Read Peach Momoko's X-Men backup story from ‘Ultimate Universe' #1 for freeVault Comics and Aethon partner to publish new comics, ebooks, audiobooks and graphic novelsDC Comics announces DC Compact Comics graphic novels starting June 2024DC to release 64-page ‘Wonder Woman: Outlaw' issues collecting issue 1 and 2Our Top Books of the WeekDave:Detective Comics #1076 (Ram V, Dan Watters, Jason Shawn Alexander, Liam Sharp, Christopher Mitten)Spider-Boy #1 (Dan Slott, Paco Medina, Ty Templeton)Nathan:Canary #1 (Scott Snyder, Dan Panosian)Blood Commandment #1 (Szymon Kudranski)Standout KAPOW moment of the week:Nathan - Detective Comics (2016) #1076 (Dan Watters, Liam Sharp)Dave - Detective Comics (2016) #1076 (Ram V, Jason Shawn Alexander)TOP BOOKS FOR NEXT WEEKDave: Zawa + The Belly of the Beast #1 (Michael Dialynas)Nathan: What If…? Dark: Tomb of Dracula #1 (Marv Wolfman, David Cutler)JUDGING BY THE COVER JR.Dave: Dark Ride #9 (Riley Rossmo)Nathan: Army of Darkness Forever #2 (Arthur Suydam)Interview: Rob Williams and Pye Parr ‘Petrol Head' out November 8What is the fascination with fast cars and racing in our world's culture, do you think?What was the first bud of an idea for Petrol Head, and how did it evolve once Pye finished the first issue?What other extreme sports have happened before the Petrol Head races?Humans would definitely still go for the old types of entertainment, regardless of the environmental cost, right? I love Head's design. Where did the idea for two different eye shapes come from?Are there any challenges to getting a character like PH to emote?I imagine there are some fun brainstorming sessions to come up with the car and bot designs. Walk us through your collaboration process!The colors in this book are insane in the best possible way. How did you come up with the palette of this world?Is there anything you learned about your own work after working on this project? If Petrol Head was adapted into TV or film, who would you love see direct?Anything else to plug?

Pye brings us up to speed on why there is a looming government shutdown, more news on MTG and Jewish Space Lasers, Lauren Bobert and something about hoodies. I don't remember, I'm tired.

Defensiveness is a common reaction to criticism, where individuals become protective and guarded, perceiving a threat to their self-esteem or sense of identity. It is a natural response when feeling attacked, but if it becomes a habitual pattern, it can damage relationships and hinder personal growth.In this episode, Pye and Dr. Glen define defensiveness and discuss how to identify and change this behavior in relationships.

We're in the midst of a testosterone crisis. Alarmingly, the average levels of this crucial male hormone have been plummeting, with one seminal study reporting a staggering 1% annual decline in average testosterone levels since the late 20th century.Travison, T. G., Araujo, A. B., O'Donnell, A. B., Kupelian, V., & McKinlay, J. B. (2007). A population-level decline in serum testosterone levels in American men. The Journal of Clinical Endocrinology & Metabolism, 92(1), 196-202. This decline isn't just a number; it's a reality affecting men's health, well-being, and quality of life. Lower testosterone levels have been linked to an increased risk of cardiovascular disease, decreased muscle mass, diminished cognitive function, and even a reduced lifespan.Araujo, A. B., Esche, G. R., Kupelian, V., O'Donnell, A. B., Travison, T. G., Williams, R. E., ... & McKinlay, J. B. (2007). Prevalence of symptomatic androgen deficiency in men. The Journal of Clinical Endocrinology & Metabolism, 92(11), 4241-4247. So, to call it a "crisis" is no exaggeration at all. You're in the right place if you're concerned about low testosterone or suspect you may be part of this growing trend. This article breaks down the 17 leading causes of low testosterone—all supported by scientific evidence. It's actionable, understandable information that you can use to take charge of your health. 1. Aging By the time you hit 30, your testosterone levels could start to decline by around 1% each year.Harman, S. M., Metter, E. J., Tobin, J. D., Pearson, J., & Blackman, M. R. (2001). Longitudinal effects of aging on serum total and free testosterone levels in healthy men. The Journal of Clinical Endocrinology & Metabolism, 86(2), 724-731. Why does this happen? Simply put, it's due to a slowdown in testicular function coupled with a decrease in the responsiveness to luteinizing hormone (LH). LH acts like a messenger, telling your testes to produce testosterone. As you age, this messaging system gets a bit sluggish, causing the testes to produce less testosterone.Wu, F. C., Tajar, A., Pye, S. R., Silman, A. J., Finn, J. D., O'Neill, T. W., ... & Lean, M. E. (2008). Hypothalamic-pituitary-testicular axis disruptions in older men are differentially linked to age and modifiable risk factors: the European Male Aging Study. The Journal of Clinical Endocrinology & Metabolism, 93(7), 2737-2745. A 1% drop might not sound like much initially, but consider this: by the time you're 50, you could be looking at a decline of 20% or more. That's significant. Lower testosterone levels can lead to diminished energy, less muscle mass, a decreased sex drive, and even mood swings. Over time, this could affect your quality of life. You can't stop the clock, but you can buffer its effects. Supplements, nutrition, and exercise can all slow the loss significantly, but an intense resistance training program is one of the most effective.Vingren, J. L., Kraemer, W. J., Ratamess, N. A., Anderson, J. M., Volek, J. S., & Maresh, C. M. (2010). Testosterone physiology in resistance exercise and training. Sports Medicine, 40(12), 1037-1053. 2. Excess Body Fat When it comes to testosterone, carrying excess weight is like a double-edged sword. On one end, body fat—especially abdominal fat—contains an enzyme called aromatase that converts testosterone into estrogen, the primary female sex hormone.Cooke, P. S., Nanjappa, M. K., Ko, C., Prins, G. S., & Hess, R. A. (2017). Estrogens in Male Physiology. Physiological reviews, 97(3), 995–1043. So the more fat you have, the more of your limited testosterone is converted into estrogen. This inevitably leads to even lower levels of free testosterone in the body. On the other end, low testosterone can lead to an increase in body fat, setting off a self-perpetuating cycle. Lower testosterone levels slow your metabolism and decrease muscle mass, making it easier to gain body fat.Saad, F., Aversa, A., Isidori, A. M., & Gooren, L. J. (2011).

About Pye JirsaPye Jirsa is a photographer, educator, and author in Southern California. He blends his passions for learning, coaching, creativity, and photography to create educational frameworks and training systems. His education has become popular in the photography space due to his ability to take complex subjects and make them easy to learn/master. Pye believes that good education must be simple and intuitive in order for it to be effective.Pye is the co-founder and partner of SLR Lounge, Impossible Things, Lin and Jirsa Photography, Visual Flow Presets and other related projects and businesses in the photography, wedding, and self-help industries.

Contempt in relationships is not only destructive, it's the single biggest predictor of relationship failure. It's a pervasive feeling of disrespect, anger, and disapproval that goes beyond just feeling frustrated with your partner.In this episode, Pye and Dr. Glen explore the causes of contempt in relationships, the signs that indicate its presence, its effects, and solutions to prevent its spread.

Virginia Pye discusses the first pages of her wonderfully smart and imaginative novel, The Literary Undoing of Victoria Swann. AND, a special gift to our listeners: The ever-brave and generous Ginny also shares with us several paragraphs from her very first “shitty” draft for us to compare (which isn't so “shitty” after all, but sure makes her published pages look even better). We talk about the importance of narrative distance in historical fiction, how not to overly antiquate the prose and dialog, and how quickly we need to feel that trouble is brewing for the main character.Pye's first pages can be found here.Help local bookstores and our authors by buying this book on Bookshop.Click here for the audio/video version of this interview.The above link will be available for 48 hours. Missed it? The podcast version is always available, both here and on your favorite podcast platform.Virginia Pye is an award-winning author of three novels and the short story collection, Shelf Life of Happiness, which won the 2019 Independent Publisher Gold Medal for Short Fiction. Her debut novel, River of Dust, (Unbridled Books), was an Indie Next Pick and a 2013 Finalist for the Virginia Literary Award. Her second novel, Dreams of the Red Phoenix, (Unbridled Books), was named a Best Book of 2015 by the Richmond Times Dispatch. She is Fiction Editor for Pangyrus, a literary journal based in Cambridge, Massachusetts, and a board member of the Women's National Book Association, Boston Chapter. Virginia grew up in Cambridge, Massachusetts, and moved back after thirty-five years living up and down the East Coast.  This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 7amnovelist.substack.com

Resentment is the number one indicator of divorce or separation in a relationship. Translation: The stakes are high!However, beyond the obvious consequence of your relationship ending, there are hidden costs of resentment in a relationship that couples are often not aware of, or do not acknowledge. In this episode, Pye and Dr. Glen discuss and answer the question: How do you identify and overcome resentment?

Friendship with Jesus changes us and enables us to serve others. We can be both a Mary and a Martha, sitting at Jesus' feet and then taking action. Join me and guest Amy Boucher Pye writer, speaker, and retreat leader from the UK. She is the author of the book Transforming Love: How Friendship with Jesus Changes Us. Amy shares her personal faith journey and how her relationship with Jesus has grown over the years. We discuss the stories of Mary, Martha, and Lazarus from the Bible and how their friendship with Jesus transformed their lives. Amy emphasizes the importance of sitting at Jesus' feet, receiving from Him, and then serving others. She also highlights the countercultural nature of their actions and the extravagant love they showed to Jesus. "When you're really just trying to connect with people and equip them and share with them, and you share Jesus's love, then it changes everything," said Pye. Listen to hear testimonies from Amy's life and mighty prayer in the end.   CONNECT WITH OUR GUEST: Amy Boucher Pye, Transforming Love: How Friendship with Jesus Changes Us, Website , Facebook , Instagram , YouTube   RESOURCE: The Lord's Supper: Our Promised Place of Intimacy and Transformation with Jesus, By Jonathan Black Get 40% off and FREE shipping with code REVEALINGJESUS here at Bakerbookhouse.com   ABOUT:  Christina Perera Ministries SOCIAL CONNECT:  Facebook,  Instagram & YouTube @christinapereraministries MORE RESOURCES: I want to empower you with additional resources to deepen your walk with Jesus!  At the Feet of Jesus: Worship & Prayer Journal: Take your faith to the next level as you record your time with Jesus.  52 Week/Day Creative Journal Are you a new believer and don't know where to start? New Believer Workbook: Foundational Gospel Truths To Begin Your Relationship With Jesus Will equip you as you begin the most beautiful relationship of your life.  ADDITIONAL READING: Building Your Life on Jesus: The Power of Authenticity, Repentance, Co-Creation, and Grace in Building Faith that Lasts By Christina Perera & Discovering the Power of God's Redeeming Grace For Your Life By Christina Perera CPM EVENTS & OUTREACHES: Miracles Tour Photos & Contemporary Christian Music Magazine article! SUPPORT: We can only bring you this faith-building podcast with your financial gifts. Share the gospel of Jesus Christ by sponsoring an episode of Revealing Jesus!  Support Revealing Jesus and honor your loved one's special day. Get a special on-air dedication to your loved one! CONNECT: It's your turn to join the conversation on Revealing Jesus; tell us your burning questions about Jesus, your favorite Christian leaders, and your testimonies of God's goodness! STORE: Get your favorite gear from the store and help our ministry initiatives unite and reach a hurting world!     

GUEST OVERVIEW: Pye Ian is a Journalist, Broadcaster, Political, Commentator and Media Analyst. He is also a strategic planning executive with years of experience in corporate finance and operations, innovation advisory, commodity sales and trading, business development, media management, project and alliance management. Pye has overseen operational planning and budget management, merger due diligence and financial modelling, fielded private equity and venture capital stakeholders on multiple continents. Pye produced the show “Money and Fear” between 2017 and 2019 on the Newsbud.com independent media network, covering current, global, economic and historical affairs. He routinely comments for global news channels on similar subject matter.

Relationships are a lot like gardens – they require consistent care and attention in order to thrive. We often admire beautiful gardens all while being ignorant or oblivious to the work that it took to create such a garden. Relationships are quite similar, aren't they? Just like that beautiful garden, it's easy to see the beauty in someone else's relationship and to want that thing for ourselves. This is where we might fall into the notion of the “grass being greener on the other side.” But the truth follows something more like what Neil Barringham said, “the grass is greener where you water it.”Whether you're newly dating or have been together for years, there are steps you can take to cultivate a strong and healthy partnership.In this episode, Pye and Dr. Glen provide tips for how to keep your relationship grass wonderfully green. It's worth noting that we're going to focus on marriage/partnerships, but most of these tips are going to be applicable to ALL of your long-term relationships.

Stonewalling is a type of communication breakdown that can leave one feeling ignored, unimportant, or even dismissed altogether. Per research by the Gottman Institute, it's also one of the leading predictors of relationship failure and divorce. While it's a common relationship problem, it's important to be aware of its impact in order to address it immediately.In this episode, Pye & Dr. Glen dive into the different types of stonewalling, how it affects a relationship, and how you can stop it if you find yourself stonewalling or being stonewalled.

What's the number one reason for divorce? According to this famous pastor, it's "immaturity" and the lack of effort.In this episode, Pye and Dr. Glen react to Pastor Rick Warren's painfully oversimplified, and frankly, irresponsible, take on divorce and discuss the factors that ACTUALLY contribute to the end of a marriage.

Mary Lawson joins James Naughtie and a group of readers to answer questions about her novel, Crow Lake. An international bestseller, it tells the story of four siblings, orphaned by a road accident who have to find a new way to live as a family. The story is narrated by Kate, looking back at that dramatic rupture in her childhood. As she tells her story, Kate comes to understand not only how it affected her, but also her siblings - big brothers Luke and Matt, and baby sister Bo. Meanwhile, on a neighbouring farm, the Pye family faced their own crisis.... Upcoming recordings 13 June 1830 BBC Broadcasting House in London - Julian Barnes on Arthur and George 13 July 1830 BBC Broadcasting House in London - Mick Herron on Slough House email bookclub@bbc.co.uk

In this final episode of their tour through David Pye's The Nature and Art of Workmanship, Joshua and Mike bring up several of their critiques of Pye's thought. As helpful and insightful as he was, the guys both are left feeling like something was missing. See how this book comes up short of a full-orbed, holistic discussion of workmanship and it's enduring value in a technological age.

Joshua and Mike have finally arrived at the final chapter of David Pye's The Nature and Art of Workmanship, and it has been quite a ride. What did Pye see as the future of craftsmanship from his vantage point in 1968? Was he right? Is his assessment still valid in 2023? Listen in to this final installment to find out.

“Handmade” does not mean “shoddy.” This latest episode of the David Pye mini-series tackles chapter 10 of The Nature and Art of Workmanship in which Pye takes John Ruskin to task for his sloppy reasoning about workmanship. Pye's motivation in writing his book was to critique the “illegitimate extensions” of Ruskin's ideas about art and pleasure in work. He believed that a more precise analysis would clear up this muddy thinking so that the crafts could be recovered and dignified once again.

In this episode, Joshua and Mike pick up where they left off with David's Pye classic discussion about the value of craftsmanship in a mechanized age: The Nature and Art of Workmanship. This chapter explains that diversity is essential in design and that the artisan's handwork “picks up where design leaves off” to give us that lively tactile quality that we appreciate at the close proximity of daily use.

Jim and Greg talk with longtime music photographer Marty Perez about his new career-spanning book, "Kill A Punk For Rock & Roll." They also share their favorite songs about photography and pay tribute to David Crosby.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundopsFeatured SongsThe Kinks, "People Take Pictures of Each Other," The Kinks Are the Village Green Preservation Society, Pye, 1968The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967Crosby, Stills and Nash, "Long Time Gone," Crosby, Stills and Nash, Atlantic, 1969David Crosby, "Cowboy Movie," If I Could Only Remember My Name, Atlantic, 1971Spoon, "I Turn My Camera On," Gimme Fiction, Matador, 2005Yes, "Into the Lens," Drama, Atlantic, 1980Pink, "Family Portrait," Missundaztood, Arista, 2001Ringo Starr, "Photograph," Ringo, Apple, 1973Kevin Morby, "This Is A Photograph," This Is A Photograph, Dead Oceans, 2022Patti Smith, "Gloria," Horses, Arista, 1975The Kinks, "Picture Book," The Kinks Are the Village Green Preservation Society, Pye, 1968Duran Duran, "Girls On Film," Duran Duran, EMI, 1981Ice Cube, "Who Got the Camera," The Predator, Priority, 1992Outkast, "Hey Ya!," Speakerboxxx/The Love Below, Arista, 2003Mission of Burma, "This Is Not a Photograph," Signals, Calls and Marches, Ace of Hearts, 1980The Cure, "Pictures of You," Disintegration, Fiction, 1989Labradford, "S," Mi Media Naranja, Kranky, 1998

Post-punk tunes topped with dadaist deadpan lyrics are an unlikely formula for popularity in music, but that's the secret to Dry Cleaning's success. Hosts Jim DeRogatis and Greg Kot talk with band members Florence Shaw and Nick Buxton about one of their favorite albums of 2022. They also review new albums by SZA and Margo Price and pay tribute to Jeff Beck.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundopsFeatured SongsDry Cleaning, "Don't Press Me," Stumpwork, 4AD, 2022SZA, "Shirt," SOS, Top Dawg, 2022SZA, "Nobody Gets Me," SOS, Top Dawg, 2022SZA, "Kill Bill," SOS, Top Dawg, 2022SZA, "Gone Girl," SOS, Top Dawg, 2022Margo Price, "Been To The Mountain," Strays, Loma Vista, 2023Margo Price, "Radio," Strays, Loma Vista, 2023Margo Price, "Time Machine," Strays, Loma Vista, 2023Margo Price, "Lydia," Strays, Loma Vista, 2023Margo Price, "Change of Heart," Strays, Loma Vista, 2023Dry Cleaning, "Magic of Meghan," Sweet Princess, It's OK, 2019Dry Cleaning, "Scratchcard Lanyard," New Long Leg, 4AD, 2021Dry Cleaning, "Unsmart Lady," New Long Leg, 4AD, 2021Dry Cleaning, "Anna Calls From The Artic," Stumpwork, 4AD, 2022Dry Cleaning, "No Decent Shoes For Rain," Stumpwork, 4AD, 2022The Yardbirds, "Shapes of Things," (Single), Epic, 1966Jeff Beck, "Beck's Bolero," Truth, Epic, 1968The Kinks, "People Take Pictures of Each Other," The Kinks Are the Village Green Preservation Society, Pye, 1968 

Episode one hundred and fifty-five of A History of Rock Music in Five Hundred Songs looks at “Waterloo Sunset” by the Kinks, and the self-inflicted damage the group did to their career between 1965 and 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a nineteen-minute bonus episode available, on "Excerpt From a Teenage Opera" by Keith West. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud this week, as there are too many Kinks songs. I've used several resources for this and future episodes on the Kinks, most notably Ray Davies: A Complicated Life by Johnny Rogan and You Really Got Me by Nick Hasted. X-Ray by Ray Davies is a remarkable autobiography with a framing story set in a dystopian science-fiction future, while Kink by Dave Davies is more revealing but less well-written. The Anthology 1964-1971 is a great box set that covers the Kinks' Pye years, which overlap almost exactly with their period of greatest creativity. For those who don't want a full box set, this two-CD set covers all the big hits. And this is the interview with Rasa I discuss in the episode. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, this episode has some mentions of racism and homophobia, several discussions of physical violence, one mention of domestic violence, and some discussion of mental illness. I've tried to discuss these things with a reasonable amount of sensitivity, but there's a tabloid element to some of my sources which inevitably percolates through, so be warned if you find those things upsetting. One of the promises I made right at the start of this project was that I would not be doing the thing that almost all podcasts do of making huge chunks of the episodes be about myself -- if I've had to update people about something in my life that affects the podcast, I've done it in separate admin episodes, so the episodes themselves will not be taken up with stuff about me. The podcast is not about me. I am making a very slight exception in this episode, for reasons that will become clear -- there's no way for me to tell this particular story the way I need to without bringing myself into it at least a little. So I wanted to state upfront that this is a one-off thing. The podcast is not suddenly going to change. But one question that I get asked a lot -- far more than I'd expect -- is "do the people you talk about in the podcast ever get in touch with you about what you've said?" Now that has actually happened twice, both times involving people leaving comments on relatively early episodes. The first time is probably the single thing I'm proudest of achieving with this series, and it was a comment left on the episode on "Goodnight My Love" a couple of years back: [Excerpt: Jesse Belvin, "Goodnight My Love"] That comment was from Debra Frazier and read “Jesse Belvin is my Beloved Uncle, my mother's brother. I've been waiting all my life for him to be recognized in this manner. I must say the content in this podcast is 100% correct!Joann and Jesse practically raised me. Can't express how grateful I am. Just so glad someone got it right. I still miss them dearly to this day. My world was forever changed Feb. 6th 1960. I can remember him writing most of those songs right there in my grandmother's living room. I think I'm his last living closest relative, that knows everything in this podcast is true." That comment by itself would have justified me doing this whole podcast. The other such comment actually came a couple of weeks ago, and was on the episode on "Only You": [Excerpt: The Platters, "Only You"] That was a longer comment, from Gayle Schrieber, an associate of Buck Ram, and started "Well, you got some of it right. Your smart-assed sarcasm and know-it-all attitude is irritating since I Do know it all from the business side but what the heck. You did better than most people – with the exception of Marv Goldberg." Given that Marv Goldberg is the single biggest expert on 1950s vocal groups in the world, I'll take that as at least a backhanded compliment. So those are the only two people who I've talked about in the podcast who've commented, but before the podcast I had a blog, and at various times people whose work I wrote about would comment -- John Cowsill of the Cowsills still remembers a blog post where I said nice things about him fourteen years ago, for example. And there was one comment on a blog post I made four or five years ago which confirmed something I'd suspected for a while… When we left the Kinks, at the end of 1964, they had just recorded their first album. That album was not very good, but did go to number three in the UK album charts, which is a much better result than it sounds. Freddie "Boom Boom" Cannon got to number one in 1960, but otherwise the only rock acts to make number one on the album charts from the start of the sixties through the end of 1967 were Elvis, Cliff Richard, the Shadows, the Beatles, the Rolling Stones, Bob Dylan and the Monkees. In the first few years of the sixties they were interspersed with the 101 Strings, trad jazz, the soundtrack to West Side Story, and a blackface minstrel group, The George Mitchell Singers. From mid-1963 through to the end of 1967, though, literally the only things to get to number one on the album charts were the Beatles, the Rolling Stones, Bob Dylan, the Monkees, and the soundtrack to The Sound of Music. That tiny cabal was eventually broken at the end of 1967 by Val Doonican Rocks… But Gently, and from 1968 on the top of the album charts becomes something like what we would expect today, with a whole variety of different acts, I make this point to point out two things The first is that number three on the album charts is an extremely good position for the Kinks to be in -- when they reached that point the Rolling Stones' second album had just entered at number one, and Beatles For Sale had dropped to number two after eight weeks at the top -- and the second is that for most rock artists and record labels, the album market was simply not big enough or competitive enough until 1968 for it to really matter. What did matter was the singles chart. And "You Really Got Me" had been a genuinely revolutionary hit record. According to Ray Davies it had caused particular consternation to both the Rolling Stones and the Yardbirds, both of whom had thought they would be the first to get to number one with a dirty, distorted, R&B-influenced guitar-riff song. And so three weeks after the release of the album came the group's second single. Originally, the plan had been to release a track Ray had been working on called "Tired of Waiting", but that was a slower track, and it was decided that the best thing to do would be to try to replicate the sound of their first hit. So instead, they released "All Day And All Of The Night": [Excerpt: The Kinks, "All Day And All Of The Night"] That track was recorded by the same team as had recorded "You Really Got Me", except with Perry Ford replacing Arthur Greenslade on piano. Once again, Bobby Graham was on drums rather than Mick Avory, and when Ray Davies suggested that he might want to play a different drum pattern, Graham just asked him witheringly "Who do you think you are?" "All Day and All of the Night" went to number two -- a very impressive result for a soundalike follow-up -- and was kept off the number one spot first by "Baby Love" by the Supremes and then by "Little Red Rooster" by the Rolling Stones. The group quickly followed it up with an EP, Kinksize Session, consisting of three mediocre originals plus the group's version of "Louie Louie". By February 1965 that had hit number one on the EP charts, knocking the Rolling Stones off. Things were going as well as possible for the group. Ray and his girlfriend Rasa got married towards the end of 1964 -- they had to, as Rasa was pregnant and from a very religious Catholic family. By contrast, Dave was leading the kind of life that can only really be led by a seventeen-year-old pop star -- he moved out of the family home and in with Mick Avory after his mother caught him in bed with five women, and once out of her watchful gaze he also started having affairs with men, which was still illegal in 1964. (And which indeed would still be illegal for seventeen-year-olds until 2001). In January, they released their third hit single, "Tired of Waiting for You". The track was a ballad rather than a rocker, but still essentially another variant on the theme of "You Really Got Me" -- a song based around a few repeated phrases of lyric, and with a chorus with two major chords a tone apart. "You Really Got Me"'s chorus has the change going up: [Plays "You Really Got Me" chorus chords] While "Tired Of Waiting For You"'s chorus has the change going down: [Plays "Tired of Waiting For You" chorus chords] But it's trivially easy to switch between the two if you play them in the same key: [Demonstrates] Ray has talked about how "Tired of Waiting for You" was partly inspired by how he felt tired of waiting for the fame that the Kinks deserved, and the music was written even before "You Really Got Me". But when they went into the studio to record it, the only lyrics he had were the chorus. Once they'd recorded the backing track, he worked on the lyrics at home, before coming back into the studio to record his vocals, with Rasa adding backing vocals on the softer middle eight: [Excerpt: The Kinks, "Tired of Waiting For You"] After that track was recorded, the group went on a tour of Australia, New Zealand, and Hong Kong. The flight out to Australia was thirty-four hours, and also required a number of stops. One stop to refuel in Moscow saw the group forced back onto the plane at gunpoint after Pete Quaife unwisely made a joke about the recently-deposed Russian Premier Nikita Khruschev. They also had a stop of a couple of days in Mumbai, where Ray was woken up by the sounds of fishermen chanting at the riverside, and enchanted by both the sound and the image. In Adelaide, Ray and Dave met up for the first time in years with their sister Rose and her husband Arthur. Ray was impressed by their comparative wealth, but disliked the slick modernity of their new suburban home. Dave became so emotional about seeing his big sister again that he talked about not leaving her house, not going to the show that night, and just staying in Australia so they could all be a family again. Rose sadly told him that he knew he couldn't do that, and he eventually agreed. But the tour wasn't all touching family reunions. They also got into a friendly rivalry with Manfred Mann, who were also on the tour and were competing with the Kinks to be the third-biggest group in the UK behind the Beatles and the Stones, and at one point both bands ended up on the same floor of the same hotel as the Stones, who were on their own Australian tour. The hotel manager came up in the night after a complaint about the noise, saw the damage that the combined partying of the three groups had caused, and barricaded them into that floor, locking the doors and the lift shafts, so that the damage could be contained to one floor. "Tired of Waiting" hit number one in the UK while the group were on tour, and it also became their biggest hit in the US, reaching number six, so on the way home they stopped off in the US for a quick promotional appearance on Hullabaloo. According to Ray's accounts, they were asked to do a dance like Freddie and the Dreamers, he and Mick decided to waltz together instead, and the cameras cut away horrified at the implied homosexuality. In fact, examining the footage shows the cameras staying on the group as Mick approaches Ray, arms extended, apparently offering to waltz, while Ray backs off nervous and confused, unsure what's going on. Meanwhile Dave and Pete on the other side of the stage are being gloriously camp with their arms around each other's shoulders. When they finally got back to the UK, they were shocked to hear this on the radio: [Excerpt: The Who, "I Can't Explain"] Ray was horrified that someone had apparently stolen the group's sound, especially when he found out it was the Who, who as the High Numbers had had a bit of a rivalry with the group. He said later "Dave thought it was us! It was produced by Shel Talmy, like we were. They used the same session singers as us, and Perry Ford played piano, like he did on ‘All Day And All Of The Night'. I felt a bit appalled by that. I think that was worse than stealing a song – they were actually stealing our whole style!” Pete Townshend later admitted as much, saying that he had deliberately demoed "I Can't Explain" to sound as much like the Kinks as possible so that Talmy would see its potential. But the Kinks were still, for the moment, doing far better than the Who. In March, shortly after returning from their foreign tour, they released their second album, Kinda Kinks. Like their first album, it was a very patchy effort, but it made number two on the charts, behind the Rolling Stones. But Ray Davies was starting to get unhappy. He was dissatisfied with everything about his life. He would talk later about looking at his wife lying in bed sleeping and thinking "What's she doing here?", and he was increasingly wondering if the celebrity pop star life was right for him, simultaneously resenting and craving the limelight, and doing things like phoning the music papers to deny rumours that he was leaving the Kinks -- rumours which didn't exist until he made those phone calls. As he thought the Who had stolen the Kinks' style, Ray decided to go in a different direction for the next Kinks single, and recorded "Everybody's Gonna Be Happy", which was apparently intended to sound like Motown, though to my ears it bears no resemblance: [Excerpt: The Kinks, "Everybody's Gonna Be Happy"] That only went to number nineteen -- still a hit, but a worry for a band who had had three massive hits in a row. Several of the band started to worry seriously that they were going to end up with no career at all. It didn't help that on the tour after recording that, Ray came down with pneumonia. Then Dave came down with bronchitis. Then Pete Quaife hit his head and had to be hospitalised with severe bleeding and concussion. According to Quaife, he fainted in a public toilet and hit his head on the bowl on the way down, but other band members have suggested that Quaife -- who had a reputation for telling tall stories, even in a band whose members are all known for rewriting history -- was ashamed after getting into a fight. In April they played the NME Poll-Winners' Party, on the same bill as the Beatles, the Rolling Stones, the Animals, the Moody Blues, the Searchers, Freddie And The Dreamers, Herman's Hermits, Wayne Fontana & The Mindbenders, the Rockin' Berries, the Seekers, the Ivy League, Them, the Bachelors, Georgie Fame & The Blue Flames, Cilla Black, Dusty Springfield, Twinkle, Tom Jones, Donovan, and Sounds Incorporated. Because they got there late they ended up headlining, going on after the Beatles, even though they hadn't won an award, only come second in best new group, coming far behind the Stones but just ahead of Manfred Mann and the Animals. The next single, "Set Me Free", was a conscious attempt to correct course after "Everybody's Gonna Be Happy" had been less successful: [Excerpt: The Kinks, "Set Me Free"] The song is once again repetitive, and once again based on a riff, structured similarly to "Tired of Waiting" but faster and more upbeat, and with a Beatles-style falsetto in the chorus. It worked -- it returned the group to the top ten -- but Ray wasn't happy at writing to order. He said in August of that year “I'm ashamed of that song. I can stand to hear and even sing most of the songs I've written, but not that one. It's built around pure idiot harmonies that have been used in a thousand songs.” More recently he's talked about how the lyric was an expression of him wanting to be set free from the constraint of having to write a hit song in the style he felt he was outgrowing. By the time the single was released, though, it looked like the group might not even be together any longer. There had always been tensions in the band. Ray and Dave had a relationship that made the Everly Brothers look like the model of family amity, and while Pete Quaife stayed out of the arguments for the most part, Mick Avory couldn't. The core of the group had always been the Davies brothers, and Quaife had known them for years, but Avory was a relative newcomer and hadn't grown up with them, and they also regarded him as a bit less intelligent than the rest of the group. He became the butt of jokes on a fairly constant basis. That would have been OK, except that Avory was also an essentially passive person, who didn't want to take sides in conflicts, while Dave Davies thought that as he and Avory were flatmates they should be on the same side, and resented when Avory didn't take his side in arguments with Ray. As Dave remembered it, the trigger came when he wanted to change the setlist and Mick didn't support him against Ray. In others' recollection, it came when the rest of the band tried to get Dave away from a party and he got violent with them. Both may be true. Either way, Dave got drunk and threw a suitcase at the back of a departing Mick, who was normally a fairly placid person but had had enough, and so he turned round, furious, grabbed Dave, got him in a headlock and just started punching, blackening both his eyes. According to some reports, Avory was so infuriated with Dave that he knocked him out, and Dave was so drunk and angry that when he came to he went for Avory again, and got knocked out again. The next day, the group were driven to their show in separate cars -- the Davies brothers in one, the rhythm section in the other -- they had separate dressing rooms, and made their entrance from separate directions. They got through the first song OK, and then Dave Davies insulted Avory's drumming, spat at him, and kicked his drums so they scattered all over the stage. At this point, a lot of the audience were still thinking this was part of the act, but Avory saw red again and picked up his hi-hat cymbal and smashed it down edge-first onto Dave's head. Everyone involved says that if his aim had been very slightly different he would have actually killed Dave. As it is, Dave collapsed, unconscious, bleeding everywhere. Ray screamed "My brother! He's killed my little brother!" and Mick, convinced he was a murderer, ran out of the theatre, still wearing his stage outfit of a hunting jacket and frilly shirt. He was running away for his life -- and that was literal, as Britain still technically had the death penalty at this point; while the last executions in Britain took place in 1964, capital punishment for murder wasn't abolished until late 1965 -- but at the same time a gang of screaming girls outside who didn't know what was going on were chasing him because he was a pop star. He managed to get back to London, where he found that the police had been looking for him but that Dave was alive and didn't want to press charges. However, he obviously couldn't go back to their shared home, and they had to cancel gigs because Dave had been hospitalised. It looked like the group were finished for good. Four days after that, Ray and Rasa's daughter Louisa was born, and shortly after that Ray was in the studio again, recording demos: [Excerpt: Ray Davies, "I Go to Sleep (demo)"] That song was part of a project that Larry Page, the group's co-manager, and Eddie Kassner, their publisher, had of making Ray's songwriting a bigger income source, and getting his songs recorded by other artists. Ray had been asked to write it for Peggy Lee, who soon recorded her own version: [Excerpt: Peggy Lee, "I Go to Sleep"] Several of the other tracks on that demo session featured Mitch Mitchell on drums. At the time, Mitchell was playing with another band that Page managed, and there seems to have been some thought of him possibly replacing Avory in the group. But instead, Larry Page cut the Gordian knot. He invited each band member to a meeting, just the two of them -- and didn't tell them that he'd scheduled all these meetings at the same time. When they got there, they found that they'd been tricked into having a full band meeting, at which point Page just talked to them about arrangements for their forthcoming American tour, and didn't let them get a word in until he'd finished. At the end he asked if they had any questions, and Mick Avory said he'd need some new cymbals because he'd broken his old ones on Dave's head. Before going on tour, the group recorded a song that Ray had written inspired by that droning chanting he'd heard in Mumbai. The song was variously titled "See My Friend" and "See My Friends" -- it has been released under both titles, and Ray seems to sing both words at different times -- and Ray told Maureen Cleave "The song is about homosexuality… It's like a football team and the way they're always kissing each other.” (We will be talking about Ray Davies' attitudes towards sexuality and gender in a future episode, but suffice to say that like much of Davies' worldview, he has a weird mixture of very progressive and very reactionary views, and he is also prone to observe behaviours in other people's private lives and make them part of his own public persona). The guitar part was recorded on a bad twelve-string guitar that fed back in the studio, creating a drone sound, which Shel Talmy picked up on and heavily compressed, creating a sound that bore more than a little resemblance to a sitar: [Excerpt: The Kinks, "See My Friend"] If that had been released at the time, it would have made the Kinks into trend-setters. Instead it was left in the can for nearly three months, and in the meantime the Yardbirds released the similar-sounding "Heart Full of Soul", making the Kinks look like bandwagon-jumpers when their own record came out, and reinforcing a paranoid belief that Ray had started to develop that his competitors were stealing his ideas. The track taking so long to come out was down to repercussions from the group's American tour, which changed the course of their whole career in ways they could not possibly have predicted. This was still the era when the musicians' unions of the US and UK had a restrictive one-in, one-out policy for musicians, and you couldn't get a visa to play in the US without the musicians' union's agreement -- and the AFM were not very keen on the British invasion, which they saw as taking jobs away from their members. There are countless stories from this period of bands like the Moody Blues getting to the US only to find that the arrangements have fallen through and they can't perform. Around this time, Wayne Fontana and the Mindbenders were told they weren't notable enough to get permission to play more than one gig, even though they were at number one on the charts in the US at the time. So it took a great deal of effort to get the Kinks' first US tour arranged, and they had to make a good impression. Unfortunately, while the Beatles and Stones knew how to play the game and give irreverent, cheeky answers that still left the interviewers amused and satisfied, the Kinks were just flat-out confusing and rude: [Excerpt: The Kinks Interview with Clay Cole] The whole tour went badly. They were booked into unsuitable venues, and there were a series of events like the group being booked on the same bill as the Dave Clark Five, and both groups having in their contract that they would be the headliner. Promoters started to complain about them to their management and the unions, and Ray was behaving worse and worse. By the time the tour hit LA, Ray was being truly obnoxious. According to Larry Page he refused to play one TV show because there was a Black drummer on the same show. Page said that it was not about personal prejudice -- though it's hard to see how it could not be, at least in part -- but just picking something arbitrary to complain about to show he had the power to mess things up. While shooting a spot for the show Where The Action Is, Ray got into a physical fight with one of the other cast members over nothing. What Ray didn't realise was that the person in question was a representative for AFTRA, the screen performers' union, and was already unhappy because Dave had earlier refused to join the union. Their behaviour got reported up the chain. The day after the fight was supposed to be the highlight of the tour, but Ray was missing his wife. In the mid-sixties, the Beach Boys would put on a big Summer Spectacular at the Hollywood Bowl every year, and the Kinks were due to play it, on a bill which as well as the Beach Boys also featured the Byrds, the Righteous Brothers, Dino, Desi & Billy, and Sonny and Cher. But Ray said he wasn't going on unless Rasa was there. And he didn't tell Larry Page, who was there, that. Instead, he told a journalist at the Daily Mirror in London, and the first Page heard about it was when the journalist phoned him to confirm that Ray wouldn't be playing. Now, they had already been working to try to get Rasa there for the show, because Ray had been complaining for a while. But Rasa didn't have a passport. Not only that, but she was an immigrant and her family were from Lithuania, and the US State Department weren't exactly keen on people from the Eastern Bloc flying to the US. And it was a long flight. I don't know exactly how long a flight from London to LA took then, but it takes eleven and a half hours now, and it will have been around that length. Somehow, working a miracle, Larry Page co-ordinated with his co-managers Robert Wace and Grenville Collins back in London -- difficult in itself as Wace and Collins and Page and his business partner Eddie Kassner were by now in two different factions, because Ray had been manipulating them and playing them off against each other for months. But the three of them worked together and somehow got Rasa to LA in time for Ray to go on stage. Page waited around long enough to see that Ray had got on stage at the Hollywood Bowl, then flew back to London. He had had enough of Ray's nonsense, and didn't really see any need to be there anyway, because they had a road manager, their publisher, their agent, and plenty of support staff. He felt that he was only there to be someone for Ray Davies to annoy and take his frustrations out on. And indeed, once Page flew back to the UK, Ray calmed down, though how much of that was the presence of Rasa it's hard to say. Their road manager at the time though said "If Larry wasn't there, Ray couldn't make problems because there was nobody there to make them to. He couldn't make problems for me because I just ignored them. For example, in Hawaii, the shirts got stolen. Ray said, ‘No way am I going onstage without my shirt.' So I turned around and said to him, ‘Great, don't go on!' Of course, they went on.” They did miss the gig the next night in San Francisco, with more or less the same lineup as the Hollywood Bowl show -- they'd had problems with the promoter of that show at an earlier gig in Reno, and so Ray said they weren't going to play unless they got paid in cash upfront. When the promoter refused, the group just walked on stage, waved, and walked off. But other than that, the rest of the tour went OK. What they didn't realise until later was that they had made so many enemies on that tour that it would be impossible for them to return to the US for another four years. They weren't blacklisted, as such, they just didn't get the special treatment that was necessary to make it possible for them to visit there. From that point on they would still have a few hits in the US, but nothing like the sustained massive success they had in the UK in the same period. Ray felt abandoned by Page, and started to side more and more with Wace and Collins. Page though was still trying to promote Ray's songwriting. Some of this, like the album "Kinky Music" by the Larry Page Orchestra, released during the tour, was possibly not the kind of promotion that anyone wanted, though some of it has a certain kitsch charm: [Excerpt: The Larry Page Orchestra, "All Day And All Of The Night"] Incidentally, the guitarist on that album was Jimmy Page, who had previously played rhythm guitar on a few Kinks album tracks. But other stuff that Larry Page was doing would be genuinely helpful. For example, on the tour he had become friendly with Stone and Greene, the managers who we heard about in the Buffalo Springfield episode. At this point they were managing Sonny and Cher, and when they came over to the UK, Page took the opportunity to get Cher into the studio to cut a version of Ray's "I Go to Sleep": [Excerpt: Cher, "I Go to Sleep"] Most songwriters, when told that the biggest new star of the year was cutting a cover version of one of their tracks for her next album, would be delighted. Ray Davies, on the other hand, went to the session and confronted Page, screaming about how Page was stealing his ideas. And it was Page being marginalised that caused "See My Friend" to be delayed, because while they were in the US, Page had produced the group in Gold Star Studios, recording a version of Ray's song "Ring the Bells", and Page wanted that as the next single, but the group had a contract with Shel Talmy which said he would be their producer. They couldn't release anything Talmy hadn't produced, but Page, who had control over the group's publishing with his business partner Kassner, wouldn't let them release "See My Friend". Eventually, Talmy won out, and "See My Friend" became the group's next single. It made the top ten on the Record Retailer chart, the one that's now the official UK chart cited in most sources, but only number fifteen on the NME chart which more people paid attention to at the time, and only spent a few weeks on the charts. Ray spent the summer complaining in the music papers about how the track -- "the only one I've really liked", as he said at the time -- wasn't selling as much as it deserved, and also insulting Larry Page and boasting about his own abilities, saying he was a better singer than Andy Williams and Tony Bennett. The group sacked Larry Page as their co-manager, and legal battles between Page and Kassner on one side and Collins and Wace on the other would continue for years, tying up much of the group's money. Page went on to produce a new band he was managing, making records that sounded very like the Kinks' early hits: [Excerpt: The Troggs, "Wild Thing"] The Kinks, meanwhile, decided to go in a different direction for their new EP, Kwyet Kinks, an EP of mostly softer, folk- and country-inspired songs. The most interesting thing on Kwyet Kinks was "Well-Respected Man", which saw Ray's songwriting go in a completely different direction as he started to write gentle social satires with more complex lyrics, rather than the repetitive riff-based songs he'd been doing before. That track was released as a single in the US, which didn't have much of an EP market, and made the top twenty there, despite its use of a word that in England at the time had a double meaning -- either a cigarette or a younger boy at a public school who has to be the servant of an older boy -- but in America was only used as a slur for gay people: [Excerpt: The Kinks, "Well Respected Man"] The group's next album, The Kink Kontroversy, was mostly written in a single week, and is another quickie knockoff album. It had the hit single "Til the End of the Day", another attempt at getting back to their old style of riffy rockers, and one which made the top ten. It also had a rerecorded version of "Ring the Bells", the song Larry Page had wanted to release as a single: [Excerpt: The Kinks, "Ring the Bells"] I'm sure that when Ray Davies heard "Ruby Tuesday" a little over a year later he didn't feel any better about the possibility that people were stealing his ideas. The Kink Kontroversy was a transitional album for the group in many ways. It was the first album to prominently feature Nicky Hopkins, who would be an integral part of the band's sound for the next three years, and the last one to feature a session drummer (Clem Cattini, rather than Avory, played on most of the tracks). From this point on there would essentially be a six-person group of studio Kinks who would make the records -- the four Kinks themselves, Rasa Davies on backing vocals, and Nicky Hopkins on piano. At the end of 1965 the group were flailing, mired in lawsuits, and had gone from being the third biggest group in the country at the start of the year to maybe the tenth or twentieth by the end of it. Something had to change. And it did with the group's next single, which in both its sound and its satirical subject matter was very much a return to the style of "Well Respected Man". "Dedicated Follower of Fashion" was inspired by anger. Ray was never a particularly sociable person, and he was not the kind to do the rounds of all the fashionable clubs like the other pop stars, including his brother, would. But he did feel a need to make some kind of effort and would occasionally host parties at his home for members of the fashionable set. But Davies didn't keep up with fashion the way they did, and some of them would mock him for the way he dressed. At one such party he got into a fistfight with someone who was making fun of his slightly flared trousers, kicked all the guests out, and then went to a typewriter and banged out a lyric mocking the guest and everyone like him: [Excerpt: The Kinks, "Dedicated Follower of Fashion"] The song wasn't popular with Ray's bandmates -- Dave thought it was too soft and wimpy, while Quaife got annoyed at the time Ray spent in the studio trying to make the opening guitar part sound a bit like a ukulele. But they couldn't argue with the results -- it went to number five on the charts, their biggest success since "Tired of Waiting for You" more than a year earlier, and more importantly in some ways it became part of the culture in a way their more recent singles hadn't. "Til The End of the Day" had made the top ten, but it wasn't a record that stuck in people's minds. But "Dedicated Follower of Fashion" was so popular that Ray soon got sick of people coming up to him in the street and singing "Oh yes he is!" at him. But then, Ray was getting sick of everything. In early 1966 he had a full-scale breakdown, brought on by the flu but really just down to pure exhaustion. Friends from this time say that Ray was an introverted control freak, always neurotic and trying to get control and success, but sabotaging it as soon as he attained it so that he didn't have to deal with the public. Just before a tour of Belgium, Rasa gave him an ultimatum -- either he sought medical help or she would leave him. He picked up their phone and slammed it into her face, blacking her eye -- the only time he was ever physically violent to her, she would later emphasise -- at which point it became imperative to get medical help for his mental condition. Ray stayed at home while the rest of the band went to Belgium -- they got in a substitute rhythm player, and Dave took the lead vocals -- though the tour didn't make them any new friends. Their co-manager Grenville Collins went along and with the tact and diplomacy for which the British upper classes are renowned the world over, would say things like “I understand every bloody word you're saying but I won't speak your filthy language. De Gaulle won't speak English, why should I speak French?” At home, Ray was doing worse and worse. When some pre-recorded footage of the Kinks singing "Dedicated Follower of Fashion" came on the TV, he unplugged it and stuck it in the oven. He said later "I was completely out of my mind. I went to sleep and I woke up a week later with a beard. I don't know what happened to me. I'd run into the West End with my money stuffed in my socks, I'd tried to punch my press agent, I was chased down Denmark Street by the police, hustled into a taxi by a psychiatrist and driven off somewhere. And I didn't know. I woke up and I said, ‘What's happening? When do we leave for Belgium?' And they said, ‘Ray it's all right. You had a collapse. Don't worry. You'll get better.'” He did get better, though for a long time he found himself unable to listen to any contemporary rock music other than Bob Dylan -- electric guitars made him think of the pop world that had made him ill -- and so he spent his time listening to classical and jazz records. He didn't want to be a pop star any more, and convinced himself he could quit the band if he went out on top by writing a number one single. And so he did: [Excerpt: The Kinks, "Sunny Afternoon"] Or at least, I say it's a single he wrote, but it's here that I finally get to a point I've been dancing round since the beginning of the episode. The chorus line, "In the summertime", was Rasa's suggestion, and in one of the only two interviews I've ever come across with her, for Johnny Rogan's biography of Ray, she calls the song "the only one where I wrote some words". But there's evidence, including another interview with her I'll talk about in a bit, that suggests that's not quite the case. For years, I thought it was an interesting coincidence that Ray Davies' songwriting ability follows a curve that almost precisely matches that of his relationship with Rasa. At the start, he's clearly talented -- "You Really Got Me" is a great track -- but he's an unformed writer and most of his work is pretty poor stuff. Then he marries Rasa, and his writing starts to become more interesting. Rasa starts to regularly contribute in the studio, and he becomes one of the great songwriters of his generation. For a five-year period in the mid-to-late-sixties, the period when their marriage is at its strongest, Ray writes a string of classic songs that are the equal of any catalogue in popular music. Then around 1970 Rasa stops coming to the studio, and their marriage is under strain. The records become patchier -- still plenty of classic tracks, but a lot more misses. And then in 1973, she left him, and his songwriting fell off a cliff. If you look at a typical Ray Davies concert setlist from 2017, the last time he toured, he did twenty songs, of which two were from his new album, one was the Kinks' one-off hit "Come Dancing" from 1983, and every other song was from the period when he and Rasa were married. Now, for a long time I just thought that was interesting, but likely a coincidence. After all, most rock songwriters do their most important work in their twenties, divorces have a way of messing people's mental health up, musical fashions change… there are a myriad reasons why these things could be like that. But… the circumstantial evidence just kept piling up. Ray's paranoia about people stealing his ideas meant that he became a lot more paranoid and secretive in his songwriting process, and would often not tell his bandmates the titles of the songs, the lyrics, or the vocal melody, until after they'd recorded the backing tracks -- they would record the tracks knowing the chord changes and tempo, but not what the actual song was. Increasingly he would be dictating parts to Quaife and Nicky Hopkins in the studio from the piano, telling them exactly what to play. But while Pete Quaife thought that Ray was being dictatorial in the studio and resented it, he resented something else more. As late as 1999 he was complaining about, in his words, "the silly little bint from Bradford virtually running the damn studio", telling him what to do, and feeling unable to argue back even though he regarded her as "a jumped-up groupie". Dave, on the other hand, valued Rasa's musical intuition and felt that Ray was the same. And she was apparently actually more up-to-date with the music in the charts than any of the band -- while they were out on the road, she would stay at home and listen to the radio and make note of what was charting and why. All this started to seem like a lot of circumstantial evidence that Rasa was possibly far more involved in the creation of the music than she gets credit for -- and given that she was never credited for her vocal parts on any Kinks records, was it too unbelievable that she might have contributed to the songwriting without credit? But then I found the other interview with Rasa I'm aware of, a short sidebar piece I'll link in the liner notes, and I'm going to quote that here: "Rasa, however, would sometimes take a very active role during the writing of the songs, many of which were written in the family home, even on occasion adding to the lyrics. She suggested the words “In the summertime” to ‘Sunny Afternoon', it is claimed. She now says, “I would make suggestions for a backing melody, sing along while Ray was playing the song(s) on the piano; at times I would add a lyric line or word(s). It was rewarding for me and was a major part of our life.” That was enough for me to become convinced that Rasa was a proper collaborator with Ray. I laid all this out in a blog post, being very careful how I phrased what I thought -- that while Ray Davies was probably the principal author of the songs credited to him (and to be clear, that is definitely what I think -- there's a stylistic continuity throughout his work that makes it very clear that the same man did the bulk of the work on all of it), the songs were the work of a writing partnership. As I said in that post "But even if Rasa only contributed ten percent, that seems likely to me to have been the ten percent that pulled those songs up to greatness. Even if all she did was pull Ray back from his more excessive instincts, perhaps cause him to show a little more compassion in his more satirical works (and the thing that's most notable about his post-Rasa songwriting is how much less compassionate it is), suggest a melodic line should go up instead of down at the end of a verse, that kind of thing… the cumulative effect of those sorts of suggestions can be enormous." I was just laying out my opinion, not stating anything as a certainty, though I was morally sure that Rasa deserved at least that much credit. And then Rasa commented on the post, saying "Dear Andrew. Your article was so informative and certainly not mischaracterised. Thank you for the 'history' of my input working with Ray. As I said previously, that time was magical and joyous." I think that's as close a statement as we're likely to get that the Kinks' biggest hits were actually the result of the songwriting team of Davies and Davies, and not of Ray alone, since nobody seems interested at all in a woman who sang on -- and likely co-wrote -- some of the biggest hit records of the sixties. Rasa gets mentioned in two sentences in the band's Wikipedia page, and as far as I can tell has only been interviewed twice -- an extensive interview by Johnny Rogan for his biography of Ray, in which he sadly doesn't seem to have pressed her on her songwriting contributions, and the sidebar above. I will probably continue to refer to Ray writing songs in this and the next episode on the Kinks, because I don't know for sure who wrote what, and he is the one who is legally credited as the sole writer. But… just bear that in mind. And bear it in mind whenever I or anyone else talk about the wives and girlfriends of other rock stars, because I'm sure she's not the only one. "Sunny Afternoon" knocked "Paperback Writer" off the number one spot, but by the time it did, Pete Quaife was out of the band. He'd fallen out with the Davies brothers so badly that he'd insisted on travelling separately from them, and he'd been in a car crash that had hospitalised him for six weeks. They'd quickly hired a temporary replacement, John Dalton, who had previously played with The Mark Four, the group that had evolved into The Creation. They needed him to mime for a TV appearance pretty much straight away, so they asked him "can you play a descending D minor scale?" and when he said yes he was hired -- because the opening of "Sunny Afternoon" used a trick Ray was very fond of, of holding a chord in the guitars while the bass descends in a scale, only changing chord when the notes would clash too badly, and then changing to the closest possible chord: [Excerpt: The Kinks, "Sunny Afternoon"] Around this time, the group also successfully renegotiated their contract with Pye Records, with the help of a new lawyer they had been advised to get in touch with -- Allen Klein. As well as helping renegotiate their contracts, Klein also passed on a demo of one of Ray's new songs to Herman's Hermits. “Dandy” was going to be on the Kinks' next album, but the Hermits released it as a single in the US and took it into the top ten: [Excerpt: Herman's Hermits, “Dandy”] In September, Pete Quaife formally quit the band -- he hadn't played with them in months after his accident -- and the next month the album Face To Face, recorded while Quaife was still in the group, was released. Face to Face was the group's first really solid album, and much of the album was in the same vein as "Sunny Afternoon" -- satirical songs that turned on the songwriter as much as on the people they were ostensibly about. It didn't do as well as the previous albums, but did still make the top twenty on the album chart. The group continued work, recording a new single, "Dead End Street", a song which is musically very similar to "Sunny Afternoon", but is lyrically astonishingly bleak, dealing with poverty and depression rather than more normal topics for a pop song. The group produced a promotional film for it, but the film was banned by the BBC as being in bad taste, as it showed the group as undertakers. But the single happened to be released two days after the broadcast of "Cathy Come Home", the seminal drama about homelessness, which suddenly brought homelessness onto the political agenda. While "Dead End Street" wasn't technically about homelessness, it was close enough that when the TV programme Panorama did a piece on the subject, they used "Dead End Street" to soundtrack it. The song made the top five, an astonishing achievement for something so dark: [Excerpt: The Kinks, "Dead End Street"] But the track also showed the next possible breach in the Kinks' hitmaking team -- when it was originally recorded, Shel Talmy had produced it, and had a French horn playing, but after he left the session, the band brought in a trombone player to replace the French horn, and rerecorded it without him. They would continue working with him for a little while, recording some of the tracks for their next album, but by the time the next single came out, Talmy would be out of the picture for good. But Pete Quaife, on the other hand, was nowhere near as out of the group as he had seemed. While he'd quit the band in September, Ray persuaded him to rejoin the band four days before "Dead End Street" came out, and John Dalton was back to working in his day job as a builder, though we'll be hearing more from him. The group put out a single in Europe, "Mr. Pleasant", a return to the style of "Well Respected Man" and "Dedicated Follower of Fashion": [Excerpt: The Kinks, “Mr. Pleasant”] That was a big hit in the Netherlands, but it wasn't released in the UK. They were working on something rather different. Ray had had the idea of writing a song called "Liverpool Sunset", about Liverpool, and about the decline of the Merseybeat bands who had been at the top of the profession when the Kinks had been starting out. But then the Beatles had released "Strawberry Fields Forever" and "Penny Lane", and Ray hadn't wanted to release anything about Liverpool's geography and look like he had stolen from them, given his attitudes to plagiarism. He said later "I sensed that the Beatles weren't going to be around long. When they moved to London, and ended up in Knightsbridge or wherever, I was still in Muswell Hill. I was loyal to my origins. Maybe I felt when they left it was all over for Merseybeat.” So instead, he -- or he and Rasa -- came up with a song about London, and about loneliness, and about a couple, Terry and Julie -- Terry was named after his nephew Terry who lived in Australia, while Julie's name came from Julie Christie, as she was then starring in a film with a Terry, Terrence Stamp: [Excerpt: The Kinks, "Waterloo Sunset"] It's interesting to look at the musical inspirations for the song. Many people at the time pointed out the song's similarity to "Winchester Cathedral" by the New Vaudeville Band, which had come out six months earlier with a similar melody and was also named after a place: [Excerpt: The New Vaudeville Band, "Winchester Cathedral"] And indeed Spike Milligan had parodied that song and replaced the lyrics with something more London-centric: [Excerpt: Spike Milligan, "Tower Bridge"] But it seems likely that Ray had taken inspiration from an older piece of music. We've talked before about Ferd Grofe in several episodes -- he was the one who orchestrated the original version of "Rhapsody in Blue", who wrote the piece of music that inspired Don Everly to write "Cathy's Clown", and who wrote the first music for the Novachord, the prototype synthesiser from the 1930s. As we saw earlier, Ray was listening to a lot of classical and jazz music rather than rock at this point, and one has to wonder if, at some point during his illness the previous year, he had come across Metropolis: A Blue Fantasy, which Grofe had written for Paul Whiteman's band in 1928, very much in the style of "Rhapsody in Blue", and this section, eight and a half minutes in, in particular: [Excerpt: Paul Whiteman, "Metropolis: A Blue Fantasy" ] "Waterloo Sunset" took three weeks to record. They started out, as usual, with a backing track recorded without the rest of the group knowing anything about the song they were recording -- though the group members did contribute some ideas to the arrangement, which was unusual by this point. Pete Quaife contributed to the bass part, while Dave Davies suggested the slapback echo on the guitar: [Excerpt: The Kinks, "Waterloo Sunset, Instrumental Take 2"] Only weeks later did they add the vocals. Ray had an ear infection, so rather than use headphones he sang to a playback through a speaker, which meant he had to sing more gently, giving the vocal a different tone from his normal singing style: [Excerpt: The Kinks, "Waterloo Sunset"] And in one of the few contributions Rasa made that has been generally acknowledged, she came up with the "Sha la la" vocals in the middle eight: [Excerpt: The Kinks, "Waterloo Sunset"] And the idea of having the track fade out on cascading, round-like vocals: [Excerpt: The Kinks, "Waterloo Sunset"] Once again the Kinks were at a turning point. A few weeks after "Waterloo Sunset" came out, the Monterey Pop Festival finally broke the Who in America -- a festival the Kinks were invited to play, but had to turn down because of their visa problems. It felt like the group were being passed by -- Ray has talked about how "Waterloo Sunset" would have been another good point for him to quit the group as he kept threatening to, or at least to stay home and just make the records, like Brian Wilson, while letting the band tour with Dave on lead vocals. He decided against it, though, as he would for decades to come. That attitude, of simultaneously wanting to be part of something and be a distanced, dispassionate observer of it, is what made "Waterloo Sunset" so special. As Ray has said, in words that seem almost to invoke the story of Moses: "it's a culmination of all my desires and hopes – it's a song about people going to a better world, but somehow I stayed where I was and became the observer in the song rather than the person who is proactive . . . I did not cross the river. They did and had a good life apparently." Ray stayed with the group, and we'll be picking up on what he and they did next in about a year's time. "Waterloo Sunset" went to number two on the charts, and has since become the most beloved song in the Kinks' whole catalogue. It's been called "the most beautiful song in the English language", and "the most beautiful song of the rock 'n' roll era", though Ray Davies, ever self-critical when he's not being self-aggrandising, thinks it could be improved upon. But most of the rest of us disagree. As the song itself says, "Waterloo Sunset's fine".