Podcasts about American Museum

On this episode of “Out of Office: A Travel Podcast,” the boys discuss historic homes and parks related to Kiernan's favorite President, Theodore Roosevelt. Brace yourselves for high adventure—assassins, deadly predators, and poor eyesight. Things we discussed on today's episode: Theodore Roosevelt Birthplace https://www.nps.gov/thrb/index.htm  American Museum of Natural History https://www.amnh.org/exhibitions/permanent/theodore-roosevelt-memorial/roosevelt-rotunda  Sagamore Hill https://www.nps.gov/sahi/index.htm  TR Gravesite https://www.nps.gov/thingstodo/visit-the-roosevelt-gravesite-at-young-s-cemetery.htm Theodore Roosevelt National Park https://www.nps.gov/thro/index.htm  Upcoming Presidential Library  https://www.trlibrary.com  Theodore Roosevelt Island https://www.nps.gov/this/index.htm  Architectural Digest Detroit https://www.architecturaldigest.com/story/detroit-is-booming-and-its-a-must-visit-for-design-lovers 

 Today, a college diploma is no guarantee that graduates have the competencies that businesses need, including using emerging technologies, communicating, working in teams, and other necessary skills. So, it's fair to ask, “Do students really need a college degree”?   Brandeis University President, and nationally respected higher education leader and researcher, Arthur Levine has been at the forefront of the changing role of higher education.  Co-author of THE GREAT UPHEAVAL, HIGHER EDUCATIONS PAST PRESENT AND UNCERTAIN FUTURE, Levine argues that in the next 20 years, consumers of higher education will determine what higher education will be, and that every institution will have to change.   Today, the United States is undergoing change of even greater magnitude and speed than it did during the Industrial Revolution as it shifts from a national, analog, industrial economy to a global, digital, knowledge economy. At the same time, public confidence in higher education has declined. Threatened by a demographic cliff in most states where fewer students will be graduating from high school over the next 20 years, the increased competition for students means that a larger number of higher education institutions will be closing or merging with other institutions. It is expected that as many as 20 to 25 percent of colleges, particularly liberal arts colleges and comprehensive regional colleges, will close in the coming years.   Learn more about The Great Upheaval: The book reveals that five new realities, none of higher education's own making, will characterize the coming transformation: Institutional control of higher education will decrease, and the power of higher education consumers will increase. In a range of knowledge industries, the advent of the global, digital, knowledge economy multiplied the number of content providers and disseminators and gave consumers choice over what, where, when, and how of the content they consumed. The same will be true of higher education. The digital revolution will put more power in the hands of the learner who will have greater choice about all aspects of their own education. With near universal access to digital devices and the Internet, students will seek from higher education the same things they are getting from the music, movie and newspaper industries. Given the choice, consumers of the three industries chose round-the-clock over fixed-time access, consumer- rather than producer-determined content, personalized over uniform content, and low prices over high. In the emerging higher education environment, students are placing a premium on convenience—anytime, anyplace accessibility; personalized education that fits their circumstances and unbundling, only purchasing what they need or want to buy at affordable prices. For instance, during the pandemic, while college enrollments were declining, enrollment in institutions with these attributes, such as Coursera, an online learning platform, saw the number of students they serve jump. In the United States and abroad, Coursera enrollments jumped from 53 to 78 million. That 25 million student increase is more than the entire enrollment in U.S. higher education. New content producers and distributors will enter the higher education marketplace, driving up institutional competition and consumer choice and driving down prices. We are already seeing a proliferation of new postsecondary institutions, organizations and programs that have abandoned key elements of mainstream higher education. These emphasize digital technologies, reject time and place-based education, create low-cost degrees, adopt competency or outcome-based education, and award nontraditional credentials. Increasingly, libraries, museums, media companies and software makers have entered the marketplace, offering content, instruction and certification. Google offers 80 certificate programs and Microsoft has 77. The American Museum of Natural History has its own graduate school, which offers a Ph.D. in comparative biology, a Master of Arts degree in teaching, and short-term online courses that teachers can use for graduate study or professional development credit. The new providers are not only more accessible and convenient, offering a combination of competency- and course-based programs, they are also cheaper and more agile than traditional colleges and universities which will lead to more contraction and closings? The industrial era model of higher education focusing on time, process and teaching will be eclipsed by a knowledge economy successor rooted in outcomes and learning. In the future, higher education will focus on the outcomes we want students to achieve, what we want them to learn, not how long we want them to be taught. This is because students don't learn at the same rate and because the explosion of new content being produced by employers, museums, software companies, banks, retailers and other organizations inside and outside higher education will be so heterogeneous that what students accomplish cannot be translated into uniform time or process measures. The one common denominator they all share is that they produce outcomes, whatever students learn as consequence of the experience. The dominance of degrees and “Just-in-case” education will diminish; non-degree certifications and “Just-in-time” education will increase in status and value. American higher education has historically focused on degree granting programs intended to prepare their students for careers and life beyond college. This has been called “just-in-case education” because its focus is teaching students the skills and knowledge that institutions believe will be necessary for the future. In contrast, “just-in-time education” is present-oriented and more immediate, teaching students the skills and knowledge they need right now. “Just-in-time education” comes in all shapes and sizes, largely diverging from traditional academic time standards, uniform course lengths and common credit measures. The increasing need for upskilling and reskilling caused by automation, the knowledge explosion and Covid promises to tilt the balance toward more “just-in-time education, which is closely aligned with the labor market and provides certificates, micro-credentials, and badges, not degrees. This episode is made possible by our partner Poll Everywhere Poll Everywhere's new version makes student engagement faster, simpler, and smarter. With AI-powered poll creation and seamless LMS integration, it's built to transform lectures into truly interactive learning experiences. Try it out today with special promo code '25OFF'

Both mothers and murderers are unmasked. And the return of Floor Time.Book: Warriors, Series 3: Power of Three #6: SunriseSupport us on Ko-fi! WCWITCast Ko-fiFollow us on BlueSky! WCWITCastFollow us on Instagram! WCWITCastWhat We Are Reading (Not Sponsored):Fourth Wing by Rebecca YarrosCat Fact Sources:American Museum of the House CatYoutube - Little Works of Art - Kim BestThe American House Cat Museum (@wnccatmuseum) · Sylva, NCAmerican Museum of the House CatCatman2 Cat ShelterStrangeville: The American Museum of the House Cat is a meow-tain treasure - Asheville's 828 News NOWCatman's legacy continues – The Western CarolinianDr. Harold "Catman" Walter Sims Jr. Obituary November 17, 2024 The American Museum of the House Cat (2025) - All You Need to Know BEFORE You Go (with Reviews)American Museum of the House CatAmerican Museum of the House Cat - Visit SmokiesMusic:The following music was used for this media project:Happy Boy Theme by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3855-happy-boy-themeLicense: http://creativecommons.org/licenses/by/4.0/This transformative podcast work constitutes a fair-use of any copyrighted material as provided for in section 107 of the US copyright law. Warrior Cats: What is That? is not endorsed or supported by Harper Collins and/or Working Partners. All views are our own.

Join our host Lorenda and SGaan Kwahagang James McGuire, Guest Scientist and Indigenous Fellow in Conservation at the American Museum of Natural History, and Jessica Strayer, NAGPRA/CalNAGPRA Administrative Manager at the Fowler Museum - UCLA, for this continued conversation on NAGPRA. This follow-up episode deepens the discussion by highlighting the voices of those directly engaged in repatriation efforts and the importance of centering Indigenous perspectives, focusing on lived experience, ongoing challenges, and the work still to be done. This NAGPRA series underscores how repatriation is not a one-time event but a continuous responsibility and accountability. Museums are encouraged to critically examine their roles in truth-telling, relationship-building, and consent-based curation. Resources:  BCMA Podcast: NAGPRA and Consent-based Curation BCMA Podcast: NAGPRA In Theory, In Practice Candid Actionable Reconciliation Resources (CARE!) BCMA Indigenous Culture & Heritage Resource Portal Native American Graves Protection and Repatriation Act BCMA WhAi

The City Council has approved legislation requiring New York to publish detailed information on every supportive housing unit, after reports showed more than 5,000 of the city's 40,000 units sat empty as recently as June. Meanwhile, the American Museum of Natural History will resume its popular children's sleepovers in October for the first time since 2020. Plus, Prospect Park will host the Second United Lenape Nations Pow Wow this weekend, organized with the Eenda Lunaapeewahkiing Collective. Brent Stonefish, cofounder of the group, joins us to talk about the event and its celebration of Lenape life and culture.

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News; birthdays/events; have you ever been ghosted by a job application? Ontario Canada is doing something interesting...; word of the day. News; Ashley sfa...big box store story; game: Star Trek trivia; would you complain to a company if your favorite item was being discontinued? News; game: word ladder; what's your take on female umpires and male cheerleaders?; can you tell the difference between A.I. and real pics? News; game: just over $1,000 pyramid; would you rather have free coffee or free ice cream for the rest of your life?; goodbye/fun facts....World Photography Day...the unofficial holiday that allows people to honor the art of photography. A photograph is a way to feel the emotion and context of that exact moment. While not photography in the modern sense, ancient Egyptians and Greeks experimented with camera obscura. This early technique projected inverted images through a pinhole onto surfaces. Modern photography was created by two Frenchmen in 1837. Then the French government acquired the patent for the innovation and handed it to the world as a free gift with no copyright. Over 40 years later, in 1884,  George Eastman of Rochester, New York perfected the french photography method. Eastmann was an innovator and entrepreneur who founded the Eastman Kodak Company. Despite the pivot to digital technology, film remains a major component of Kodak's business. The company continues to supply film to the motion picture industry after signing new agreements with major studios. On Check out the American Museum of Photography, a year-round virtual museum dedicated to appreciating photography! 

Some hot weather and a spur of the moment decision turned into an excellent 24 hours of father-and-sons fly fishing time. In this episode, I talk about the great time that my boys and I had in Manchester, Vermont. The occasion was the American Museum of Fly Fishing's Summer Festival. There were vendors, exhibits, and competitions. (And there was food.) Needless to say, a good time was had by all. This is the kind of event that isn't fly fishing... but it is a quintessential to fly fishing culture.  Hear about our time and make plans to attend something similar near you. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's almost 20 years old, people still remember it, but surprisingly have some mixed emotions about it. Nostalgia Critic takes a look at Night at the Museum and sees if it's worth a watch all this time later. Join our YouTube Members - https://www.youtube.com/channel/UCiH828EtgQjTyNIMH6YiOSw/join Last weeks Nostalgia Critic - https://youtu.be/nKcGvOQi7do Check out our store - https://channelawesome.myshopify.com/ Support this month's charity - https://solvecfs.org/ Night at the Museum is a 2006 fantasy comedy film directed by Shawn Levy and written by Robert Ben Garant and Thomas Lennon. It is based on the 1993 children's book by Milan Trenc. The film stars Ben Stiller in the lead role, alongside Carla Gugino, Dick Van Dyke, Mickey Rooney, Bill Cobbs, and Robin Williams. It tells the story of a divorced father who applies for a job as a night watchman at New York City's American Museum of Natural History and subsequently discovers that the exhibits come to life at night, animated by a magical Egyptian artifact. Learn more about your ad choices. Visit megaphone.fm/adchoices

Did you know there's a legend about a creepy creature lurking in the Gobi Desert? They call it the Mongolian Death Worm, and it's said to be a long, red, slimy thing that can spit venom or even shoot out electric shocks! Locals have been telling stories about it for ages, saying it hides under the sand and only pops out to attack its prey. Scientists haven't found solid proof it exists yet, but the mystery keeps adventurers and researchers hooked. Some think it's just a legend or maybe a misidentified snake, while others swear it's real. Whether it's fact or fiction, it's one wild story from one of the world's most desolate places! Credit: Allghoikhorkhoi: By Pieter0024, CC BY-SA 1.0 https://creativecommons.org/licenses/..., https://commons.wikimedia.org/w/index... American Museum of Natural History: By Ingfbruno, CC BY-SA 3.0 https://creativecommons.org/licenses/..., https://commons.wikimedia.org/w/index... Animation is created by Bright Side. ---------------------------------------------------------------------------------------- Music from TheSoul Sound: https://thesoul-sound.com/ Check our Bright Side podcast on Spotify and leave a positive review! https://open.spotify.com/show/0hUkPxD... Subscribe to Bright Side: https://goo.gl/rQTJZz ---------------------------------------------------------------------------------------- Our Social Media: Facebook: / brightside Instagram: / brightside.official TikTok: https://www.tiktok.com/@brightside.of... Telegram: https://t.me/bright_side_official Stock materials (photos, footages and other): https://www.depositphotos.com https://www.shutterstock.com https://www.eastnews.ru ---------------------------------------------------------------------------------------- For more videos and articles visit: http://www.brightside.me ---------------------------------------------------------------------------------------- This video is made for entertainment purposes. We do not make any warranties about the completeness, safety and reliability. Any action you take upon the information in this video is strictly at your own risk, and we will not be liable for any damages or losses. It is the viewer's responsibility to use judgement, care and precaution if you plan to replicate. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jim Schottenham is a curator at the American Museum of Fly Fishing in Manchester, VT. In this episode, we talk about all sorts of things related to the history of fly fishing, including influential people, the value of historical pieces, the first mentions of the sport, the evolution of rods and reels, notable flies, tenkara, and much more.   Website: AMFF.org Waypoint TV Learn more about your ad choices. Visit megaphone.fm/adchoices

Join this special episode of The Articulate Fly fishing podcast as Henry Cowen and Allen Rupp share intimate stories about their friendships with legendary angler, tier and artist Dave Whitlock and his profound impact on their fly fishing careers.Guest Expertise: Two Perspectives on Dave's LegacyHenry Cowen, author of "Fly Fishing for Freshwater Striped Bass" and renowned Lake Lanier guide, discusses his deep connection with Dave over their shared passion for freshwater striper fishing. Henry reveals how Dave's insights shaped his understanding of striper behavior and fly design, including their extensive correspondence about tactics and seasonal fishing patterns.Allen Rupp, Dave's hand-selected legacy tier and founder of the NearNuff fly schools, shares his unique perspective as Dave's protégé. Allen discusses the intensive mentoring he received, learning over 130 of Dave's 400+ fly patterns and the philosophy behind Dave's perfectionist approach to fly tying.What You'll Learn: Dave Whitlock's Lasting InfluenceDiscover how Dave Whitlock revolutionized fly fishing by making species like bluegill, carp and freshwater stripers "cool" to target decades before today's multi-species movement. Learn about Dave's teaching philosophy that emphasized stopping to fix imperfect flies rather than accepting "good enough," and how this approach elevated both guests' tying skills.Featured Techniques: From Letters to LegacyHear fascinating stories about Dave's handwritten correspondence, including detailed diagrams and multi-page letters that served as personal fly fishing tutorials. Allen shares specific techniques Dave taught him, including proper eye and operculum placement on baitfish patterns and the development of signature flies like the NearNuff crayfish and sculpin.Preserving Dave's Legacy: Education and ConservationLearn about Allen's specialized NearNuff schools that teach Dave's techniques and philosophies. Discover how both guests are working to preserve Dave's contributions through the American Museum of Fly Fishing and continued education efforts.Whether you're a striper enthusiast, serious fly tier or simply appreciate fly fishing history, this heartfelt tribute reveals the man behind the legendary patterns and his lasting impact on generations of anglers.SponsorsThanks to TroutRoutes for sponsoring this episode. Use artfly20 to get 20% off of your TroutRoutes Pro membership.Related ContentS2, Ep142 - Stripers with Henry Cowen and Dave WhitlockS6, Ep41 - Smallmouth Secrets and Streamer Savvy with Brendan RuchS1, Ep97 - All Things Smallmouth with Mike SchultzS6, Ep91 - Predator Flies and Sparkle Boats: Steve Maldonado's...

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Oliver White is a world-renowned fly fishing guide, lodge owner, entrepreneur, and conservationist whose career bridges wild rivers and Wall Street. He began his guiding journey in college after a skiing injury, quickly developing a reputation as a skilled and passionate angler. This passion led him from the rivers of North Carolina to international waters in Argentina and the Bahamas. Along the way, a chance encounter with hedge fund manager Bill Ackman opened the door to a brief but formative stint in finance, sharpening White's business acumen and laying the groundwork for his future as a fishing industry entrepreneur. In 2008, White channeled that experience into building Abaco Lodge in the Bahamas, followed by partnerships in other elite destinations like South Fork Lodge in Idaho, which he co-owns with late-night host Jimmy Kimmel. His lodges have become known not only for their world-class fishing but also for their immersive guest experiences and commitment to sustainability. White continues to guide and host trips around the world, sharing his expertise with a growing community of anglers while advocating for the health of the ecosystems they explore. A dedicated conservationist, White co-founded Indifly, a nonprofit that empowers Indigenous communities through sustainable fly fishing tourism. The organization has helped transform remote villages like Rewa in Guyana into thriving ecotourism hubs, ensuring local control and environmental stewardship. In recognition of his contributions to angling, conservation, and community development, White was recently honored with the 2025 Heritage Award by the American Museum of Fly Fishing—the highest distinction the museum bestows. His life reflects a rare blend of adventure, entrepreneurship, and social impact.

Jackie Faherty, astrophysicist at the American Museum of Natural History, talks about the many meteor showers on view in the night sky this month, plus a return of 'Manhattanhenge.'=> EVENT: On Friday, July 11 at 7 pm, Jackie Faherty gives a lecture and 3D presentation about the science and history of the "Manhattanhenge" phenomenon in AMNH's LeFrak theater, followed by an outdoor viewing event with salsa music.  Tickets available here.

Highlights of conversations about innovation from AMSEcast. The Podcast of the American Museum of Science and Energy.

Dit is de laatste aflevering van onze vijfde serie, zijnde: Zaak 58: Murf de Surf rooft de edelstenen van J.P. MorganIn december 2025 komen we weer terug met de zesde serie maar ter overbrugging kunt u regelmatig een gratis Nieuwsbrief van KUNSTMAFFIA lezen op https://kunstmaffia.substack.com/En leuk uiteraard indien u ons zou willen ondersteunen voor onze zesde serie via: https://fooienpod.com/kunstmaffiaZeer veel dank mochten jullie iets voor onze podcast over hebben! Vergeet niet je gratis te abonneren op de podcast, zodat je voorlopig op het gemak alle eerdere 58 afleveringen kan beluisteren!Bekijk ook graag:https://instagram.com/KunstmaffiaAlright, folks, buckle up because we're diving into a wild caper that went down on October 29, 1964, in the heart of New York City. Picture this: two dudes scaling walls and shimmying down ropes to snag a treasure trove of jewels from the American Museum of Natural History, including the legendary Star of India and the Dilong Star Ruby. This isn't just your average heist—it's a tale of audacity with our main man, Murf the Surf, leading the charge, all while the museum's security was snoozing away. As we wrap up Season 5 of Kunstmaffia, we'll not only relive the thrilling escapade of these jewel thieves but also peek into what's next for us. Spoiler alert: we're not disappearing entirely; we've got plans for a newsletter to keep you in the loop, so don't go anywhere!Imagine two surf-loving bandits pulling off a heist in the heart of New York City. This episode of Kunstmaffia tells the wild story of Jack Murphy, aka Murf the Surf, who, in a quest for thrill and riches, orchestrated the theft of the American Museum of Natural History's most prized gemstones. We're talking about a heist so smooth, it could make a dolphin jealous! On the night of October 29, 1964, Murphy and his crew executed a plan that involved climbing walls, sneaking through half-open windows, and slicing through glass display cases like it was a hot knife through butter. The gems they stole were valued at over 450,000 dollars—back in the day, mind you! That's a staggering amount, and today, it would be worth millions!But this isn't just a tale of theft; it's a deep dive into the personalities involved. Murphy was not only a skilled surfer but also a charismatic figure who could charm his way into any situation. The episode juxtaposes the thrill of the heist with the absurdity of the characters involved, from Murphy's carefree attitude to the bumbling museum security that left the doors wide open for these mischief-makers. We'll also touch on the after-effects of the heist, including how the FBI caught wind of their escapades and how the trio's downfall was as dramatic as their rise. Keep your ears perked for some hilarious anecdotes and unexpected twists that will have you laughing as much as you're gasping!Takeaways: In deze aflevering duiken we in de spectaculaire edelstenenroof van het American Museum of Natural History, die in 1964 plaatsvond. De dieven, bekend als Murf the Surf en zijn vrienden, waren niet zomaar amateurs, maar strategische plannenmakers met een goed doordacht plan. De waarde van de gestolen edelstenen, zoals de Star of India en de Dilong Star Ruby, is vandaag de dag moeilijk te schatten, maar ze zijn enorm. We bespreken hoe de FBI hen uiteindelijk te pakken kreeg en de terugkeer van sommige gestolen juwelen, maar niet allemaal. Murphy's verhaal is fascinerend: van surfkampioen tot dief en uiteindelijk een evangelist die zijn leven beterde na zijn gevangenisstraf. De...

Dr. Maureen (Mo) Donnelly is a Professor of Biology and Associate Dean for Graduate Studies in the College of Arts and Sciences at Florida International University (FIU). She is also a Research Associate in the Department of Herpetology at the American Museum of Natural History in New York City. Mo studies amphibians like frogs and toads. These organisms are all currently at risk for extinction, and her lab is dedicated to trying to understand how to prevent losses of species in the future. Mardi Gras is Mo's favorite holiday, and she likes to spend her free time preparing for riding in the each Mardi Gras parade. She was able to ride on a float in the parade in New Orleans, and it was an incredible experience. Mo received her PhD in Biology from the University of Miami and completed postdoctoral research at the American Museum of Natural History and at the University of Miami. She worked as an Adjunct Assistant Professor and Project Director at the University of Miami before joining the faculty at Florida International University. Mo is with us today to tell us all about her journey through life and science.

From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Jackie Faherty, astrophysicist and science educator at the American Museum of Natural History, talks about a new show at Hayden Planetarium that draws on new data from the European Space Agency's Gaia mission to map the galaxy and our place in it.→ Encounters in the Milky Way

California's Governor and Attorney General are suing the Trump administration for sending hundreds of National Guard members to Los Angeles over the weekend. Mayor Adams announced plans to remove an old jail barge in the Bronx. He has big plans for the future of the site. WFUV's Livia Regina reports. There's a new Milky Way exhibit at the American Museum of Natural history — narrated by Pedro Pascal! WFUV's Alexandra Pfau reports. Today we're highlighting The Kota Alliance for our public service Strike A Chord campaign. Their mission is to support women, girls, and gender non-conforming New Yorkers through advocacy, health and wellness. WFUV's Avery Loftis reports. What's What explores current events, culture, news and hot topic issues surrounding the New York metropolitan area. The weekday show includes features, interviews and music news exclusively from WFUV. New episodes air every weekday after 4pm. News Host and Producer: Brenda Plascencia Editor: Robin Shannon Theme Music: Joe Bergsieker

In this episode of the Compendium, we unravel the real story behind the McDonald's hot coffee case—a tale often misrepresented in the media. Stella Liebeck, a 79-year-old woman, suffered third-degree burns from coffee served at dangerously high temperatures. Despite seeking a modest settlement, McDonald's offered only $800, leading to a lawsuit that highlighted issues of corporate negligence and consumer rights. We delve into how big business and media narratives distorted the facts, turning a legitimate claim into a symbol of "frivolous lawsuits." This case became a catalyst for American tort reform debates, revealing the profound impact of corporate influence in politics.​   We give you just the Compendium, but if you want more, here are our resources: Liebeck v. McDonald's - The American Museum of Tort Law Legal Myths: The McDonald's "Hot Coffee" Case - Public Citizen Hot Coffee Documentry (2011) - Susan Saladoff Host & Show Info Hosts: Kyle Risi & Adam Cox About: Kyle and Adam are more than just your hosts, they're your close friends sharing intriguing stories from tales from the darker corners of true crime, the annals of your forgotten history books, and the who's who of incredible people. Intro Music: Alice in dark Wonderland by Aleksey Chistilin Community & Calls to Action ⭐ Review & follow on: Spotify & Apple Podcasts

Mutton was one of the last of the Salish Woolly Dogs– a breed raised by Indigenous Coast Salish communities before colonization led to its disappearance. Sarah Lando and Dr. Kaylee Byers delve into how genome sequencing is helping uncover the Woolly Dog's legacy—and could even lead to its revival.Resources:1. The history of Coast Salish “woolly dogs” revealed by ancient genomics and Indigenous Knowledge – Science2. Salish Woolly Dog – The Canadian Encyclopedia3. Extinct Woolly Dog was carefully bred for weaving, ancient DNA confirms – Washington Post4. Extinct Woolly Dog Analyzed in Collaborative Study with Coast Salish Co-authors – American Museum of Natural History

In today's episode, we present a brand new installment of DINO DNA with Conor O'Keefe! This week, Conor discusses the Mosasaurus with Amelia Zietlow, paleontogy student out of the American Museum of Natural History in New York. Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Please check out my Newsletter featured on Substack! You can sign up for the newsletter featuring the latest from Jurassic Park Podcast and other shows I'm featured on - plus other thoughts and feelings towards film, theme parks and more!FOLLOW USWebsite: https://www.jurassicparkpodcast.com/YouTube: https://www.youtube.com/@JurassicParkPodcastInstagram: https://www.instagram.com/jurassicparkpodcast/Bluesky: https://bsky.app/profile/jurassicparkpod.bsky.socialThreads: https://www.threads.net/@jurassicparkpodcastFacebook: https://www.facebook.com/jurassicparkpodcastApple Podcasts: https://apple.co/2VAITXfSpotify:  https://spoti.fi/2Gfl41TDon't forget to give our voicemail line a call at 732-825-7763!Catch us on YouTube with Wednesday night LIVE STREAMS, Toy Hunts, Toy Unboxing and Reviews, Theme Park trips, Jurassic Discussion, Analysis and so much more.

For decades, the Chicago-based architect Jeanne Gang has captured the imaginations of critics and the public alike with her environmentally aware projects. Her latest, an expansion of New York's American Museum of Natural History, has turned heads and inspired leagues of visitors. On this episode, Dan speaks with the visionary talent on her upbringing in the American Midwest, studying abroad in Paris and how those experiences helped shape her career, what actionable idealism is, why she loves birding, and much more. Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Weinberg in the World podcast, Aimee Resnick '26 interviews Priscilla Vail-Caldwell '85, founder of Vail-Caldwell Projects. Priscilla shares her undergraduate experiences at Northwestern, including impactful classes and internships that shaped her career in the arts. She discusses her current role as an advisor and curator, helping clients build art collections with a focus on research and quality. Aimee: Welcome to the Weinberg in the World Podcast, where we bring you stories of interdisciplinary thinking in today's complex world. My name is Aimee Resnick and I am your student host of the special podcast episode. I'm a senior studying social policy at Northwestern University who plans to pursue public administration in my home state of Colorado. Today, I'm very excited to be speaking with Priscilla Vail-Caldwell, who is the founder of the consulting firm, Vail-Caldwell Projects. Thank you, Priscilla for taking the time to speak with me today. Priscilla: Thank you, Aimee, for having me. Aimee: Of course. To start us off today, we were wondering if you can just tell us a little bit more about your time at Northwestern as an undergraduate in terms of what did you study and what were the impactful experiences you had at Northwestern that led you to your current career? Priscilla: I think one thing to note is that I came to Northwestern following a year of study abroad in France. As a senior, I studied in France, and then I came to Northwestern with an idea that I wanted to be at a big university near a city. Logistics had something to do with actually my choice of university, and I think it had to do with the fact that I had this experience that had really kind of opened my mind up about the world, essentially. There was that, and for some reason I declared an art history major very early on in my time at Northwestern. I think as a freshman, I had already decided that that was what I was going to do. You had asked what was one of the transformative experiences that I had at school, and I was thinking that ironically, in a way, I think it may have been a studio art class that I took because it was very rigorous and I enjoyed it, and I had a lot of respect for the other students in the class who I thought were gifted than I was. And I then realized that that wasn't really what I should be doing, but I still wanted to be involved in the arts, and I wanted to be involved in art history and working with objects. I always enjoyed those big introductory courses, sort of identifying paintings, and it seemed like a game to me, really. And I enjoyed that. And then frankly, learning about history through the lens of art. That was always something that kind of compelled me. I think another thing that I did while I was on campus, and I do think this is something that big universities offer, especially ones like Northwestern that are near a city like Chicago, are the opportunities to work in different situations outside of the university campus. I always worked, while I was at Northwestern, I waitressed, I did all sorts of things in order to earn extra money, and I found a job at a gallery downtown in Chicago called Frumkin & Struve. It's no longer in existence, but at the time, it was one of the big galleries downtown. And I worked there every Saturday. And then I had time in my schedule during the week, and I would work there usually one day during the week as well. And Bill and Debbie Struve were the principals of the gallery, and they gave me a lot... I mean, for a college student, they gave me a lot of responsibility, and they really brought me into the fold in a sense. So, I was included in all sorts of things, and the dinners for the artists, and I got to meet a lot of the artists that they were working with. And it was exciting and engaging, and I thought that that seemed like the kind of life I wanted to lead. I enjoyed the interaction with the artists primarily. Aimee: Oh, I totally empathize with your studio art experience, I'm taking painting right now, and there are some incredible painters in that class. But I also wanted to just say, I think that your experience having a really meaningful internship in Chicago is a good reminder to students to look outside the Northwestern bubble for opportunities as they're going through school. And I was wondering if you could tell us a little bit more about what you do at Vail-Caldwell Projects now that you're in New York. Priscilla: Well, I'm an advisor and a curator, and I've had my own advisory business now for the last... I think it's been about eight years. I've always been in the professional... I've always been in the commercial art world, but in this iteration, I advise private people who are building collections on acquiring works of art for the collection. We're building things oftentimes from the ground up. Oftentimes, I will start working on a project with somebody and there will be nothing essentially, and we will work on that together and build something that is meaningful and very specific in every single case with every client that I work with. All my projects are very, very different. There are clients that I work with who buy only the work of one artist. There are clients that I work with who focus very specifically on certain kinds of movements in, for instance, the California Light and Space Movement. There are people who are interested in collecting works by female artists. It all ends up having very different kinds of focuses. Each one of the projects allows me to apply my research skills and learn a lot alongside whoever it is that I'm advising, oftentimes about different aspects of the art world. I see what I do, as always, very research-based and obviously sort of a search for quality and also to include different voices in any kind of project that I work on. I also have a very strong background in modern American painting. I have this kind of hybrid experience where I oftentimes advise people on the purchase of work by contemporary and emerging artists, but I have a strong background in historic American painting. Many of my curatorial projects have been focused on the works of some of the seminal painters of the 20th century. I've done a series of exhibitions at Paul Kasmin Gallery on the work of Stuart Davis. I worked with Kasmin on a number of projects. Another one was a exhibition of sculptures by Elie Nadelman, who is artist who came to the United States from Europe and is considered part of the canon of modern American painting or sculpture, really. He's not a painter, he is a sculptor. I've also done projects with smaller galleries where I've curated relevant shows of young, relatively unknown artists. And that's always fun. I enjoy doing that. That's really a wonderful way for me to dive in and learn about what's going on out there amongst a group of recent graduates. So that's always exciting and I enjoy that kind of work very, very much. And currently, I think one of the things that I've just started working on is a collaboration with a gallery in London called Pi Artworks and an artist who they represent, whose name is Jyll Bradley. So I also advise the estate of Stuart Davis. Aimee: Yes, it does. And I have a related question, which is that you mentioned having worked with a lot of different genres and periods and different artists in this realm of art history. And while you were going through your education in your early career, was there a certain artist or movement that was particularly influential or touching to you? Priscilla: I'm going to answer that question by giving you a little bit more of my background. I left Northwestern, I moved to New York, and I took a job at a small gallery. And that year of working there were like three people on staff. That was an experience that taught me that I wanted to go back to school and learn to become more expert on something. I wasn't sure exactly what that was going to be, but I needed more skills actually in order to have the sort of job in the art world that I envisioned. I was accepted at Williams, which a small... Everybody's always confused because it's a college, but it has two graduate programs, and one of them is an art history program that's associated with the Clark Art Institute. I was one of 12 students in that following year, entering in to a two-year program. I had the good fortune of... Linda Nochlin was the visiting professor at the time who, if you're not familiar with Linda Nochlin, she was, she died a few years ago, one of the great feminist revisionist art historians of her time. And so studying with Linda, I began to look into the histories of certain artists like Eva Hesse and Jackie Winsor. Eva Hesse, of course, has been dead for many, many years. Jackie Winsor just died recently. At that moment in time, and I'm still very moved by the work and very interested in it, but I was very much focused on the work of minimalist and post-minimalist female sculptors to be extremely specific. That experience studying with Linda and looking into the histories of these women and the difficulties that they faced in a world that discriminates against women was eye-opening for me. And it's informed everything that I've probably done since. Aimee: Well, that's very interesting. And I think it's fascinating how some of these formative pieces of art really brought your eye into the future and your current work. And I know at the Block Museum on campus, we've had several exhibits that kind of follow in line with the types of art that you've just described in terms of the revisionist view of art history, the modernism with their Arabic art exhibit not too long ago. And I'm going to transition us to that because you're currently a member of the Block Museum Advisory Committee, and I just want to hear more about the work that you do there and then how you use that as a way to bring volunteerism and philanthropy into your professional career. Priscilla: I have always felt that volunteering my time to certain organizations in the art world is as important as the work that I do professionally. The idea of giving back, which I think frankly is something that either is kind of... For me, it's something that was ingrained in me as a young person. I try to only align myself with organizations whose missions I agree with. And that kind of mission usually includes a sort of mentorship for young artists so that there's a teaching element, which I think is really important. And also this sense of inclusion and diversity in institutions at every level. It's not just the artists that you're showing, but also in integration into the organization itself so that it represents the world in a sense. I mean, that's kind of big, but I think you get the gist of what I'm saying. I sit on the advisory board, and I mean, I think that I help in a number of different ways, but I have a feeling that my experience in the commercial art world and my interaction with lots of different artists and different galleries helps the director and the curatorial department in different ways. I can shed some insight sometimes that is useful. And of course, there are other people on the advisory board, not just me, who have similar experiences. My colleague Steve Henry, who is a classmate of mine, is one of the directors, one of the partners, not directors at Paula Cooper Gallery here in New York, so he sits on the advisory board with me as well. I think Lisa has been very wise in the way that she's chosen the members of her board, where we all contribute important things in different ways. Aimee: Absolutely. And I'm curious, outside of the Block, what other organizations do you volunteer your time to? Priscilla: Right now, the Block is my focus, but I was for a long time on the board of an organization here in New York. It's actually on Long Island City called Sculpture Center, which is a Kunsthalle and a place that essentially acts as an exhibition space oftentimes for artists who live outside the United States to have their first museum exhibition here in the US. It's a place of discovery, I think for a lot of people. It's a place that is very research-based, and they have a very knowledgeable curatorial staff that is very involved in the international art world. They do that. And then they also do a very, what I think is a really important annual exhibition that is an open call to artists that is directed at younger emerging artists, again, who haven't exhibited in an institutional space. And there are funds provided and mentorship provided. And it's a kind of learning lab for a group of artists who then create a group show. There's also a curator who's hired from outside who comes up with a theme for the show, and then they work together to put on these annual exhibitions. And they're amazing shows, and they do great work, and it's a very rich environment. Aimee: Next time I'm in New York, I'd love to come see the gallery. That is so interesting. Priscilla: It's a beautiful space. It's a beautiful, beautiful space in Long Island City. I would be happy to take you there, so let's do that. Aimee: Thank you. Priscilla: Yeah. Aimee: I think we're going to pivot a little bit from your specific career more to the field of art history on the whole, and a big part of being in art history is curating relationships with your clients, which you mentioned previously. What is your advice for students who are looking to foster quick relationships with other people, be it interviewers, co-workers, anyone in the professional world that they need to have a really strong bond with? Priscilla: Well, I will say that when... I did a lot of research on people before I meet them, so that at least I understand what it is that they do, what some of their interests might be. I feel like... I mean, in any case, in any field, if you're going into an interview, if you're meeting somebody for the first time, if it's an important engagement of any sort, it's really good to know who it is, who you're talking to. I think first of all, I would say do your research and figure out, find some interesting things to talk about that will interest the person who you are meeting with. And also will give them a sense that you actually know who they are. I think that's always... That's just flattering for one thing, and it also makes you look like you've paid attention. I used to take every opportunity to go out and do things, and I mean, I go to a lot of openings. I get myself into situations where I will meet people. I think that it can be uncomfortable. You might not know anybody where you're going. You could feel sort of nervous and shy, but I think you have to push yourself to be in situations where you might not feel comfortable, but something will come out of it almost inevitably, and you'll walk away knowing somebody who you didn't know before, and you never know where that's going to lead you. I'm a big believer in that, and I sort of feel like I have two personas. I have the person who doesn't like to do those sorts of things, and then I have the person who has to get up in the morning and go to work and for whom it's a requirement. I think those are two bits of advice that I would have. I mean, for students at Northwestern, of course, if they're looking to create networks for themselves, I mean, they have one, right? I mean, you all have an amazing network through the university, and you have professors who want to support and help you. Again, even though I think sometimes it's difficult to push yourself to go in and talk to your professors, they are there for that reason and they want to support the student body and see them be successful and help you to find things outside of the university that will engage you and also perhaps end up being a path towards a career. I don't know if all of that necessarily answers your question, but you've got... I think sometimes you wake up in the morning and you think that you don't have the tools at your fingertips, but you do and you just have to press the button. Aimee: That's good advice. I think a lot of times students at Northwestern are too timid to take advantage of many of those resources. That's really good advice. I have a little bit of background for this last question, which is that I, myself, was an artist history major for two years, dropping the major because I realized I was never going to get a job in art history because I don't necessarily have a family background or the connections to leverage to get a job in art history. And I was just curious, understanding that art history enrollment is rapidly declining. The cover story of the Nation magazine in early April was about how art history enrollment is declining. What advice would you offer to people who might not traditionally undertake a career in art history who are interested in becoming art historians or people in the art world? Priscilla: I think that oftentimes when people approach the idea of being an art historian or being in the art world, that they don't think broadly enough about all of the different things that happen in the art world. Of course, the glamorous jobs are to be a curator at a museum and to be a director or a principal at a gallery. And frankly, not everybody... I mean, as far as gallery work is concerned, really... I mean, there's curation going on, but it's sales primarily. So that might not be for everybody for one thing. Sales is not exactly the job that everybody wants to have. But what I've been thinking about a lot recently, and certainly a lot of the people in the art world who I rely very, very heavily on and whose expertise is impressive are there are registrarial departments at galleries and museums. Those are people who work with the objects and who have to deal with whether it's insurance or packing or moving objects from one country to another. And all of these things, while it may sound less glamorous, are still very interesting and complicated. And so those are jobs, I think that certainly registrarial departments, we depend on them. They're extremely important. And they have their own networks as well, by the way. There's also art restoration and working directly with objects, which is an interesting kind of combination of the scientific and the art historical. Especially for people who are interested in the sciences, there's an application for that in the art world. And there's a lot of ways of... There's all sorts of things that happen like carbon dating and various different X-ray techniques and all sorts of things that help to say define an object isn't really what I mean. But you have to understand organic chemistry in order to be a painting conservator. I think that we should think maybe differently about the art world a little bit than we do sometimes. And art history will inform all of those things. I mean, all of those people who are working in those different departments need to understand art history. They probably wouldn't even be doing that work unless they did. But you can come at it from a different angle. And I think that that's something that should probably be more emphasized. We need more art conservators out there. We really do. And there are a lot of objects to work on. Aimee: Definitely. Definitely. And I have one more follow-up question on that, which is my worst job I ever worked was at the American Museum of Western Art. I love the museum. I think it's a beautiful museum. I love pictures of cowboys, my favorite genre, but at the same time, it was just scanning documents all day as an unpaid internship. And I think that finances are often a really big barrier to entry for people in art history, given the precedence of unpaid internships, years long fellowships where you're not compensated. I'm just going to narrow in on my question, which is what advice would you give to people from non-traditional backgrounds who want to pursue a job in art history at all? Priscilla: Well, a lot of graduate programs now are fully funded, so that might be something to explore a little bit. I know that for instance, Williams, there are a lot of... I don't know that every single one of them, but many of those students are fully funded and also receive help with living expenses, health insurance, all of their expenses are accounted for. That isn't exactly what you're asking me. But I do think that it's good to... If art history is something that you're serious about, and frankly, if something you're serious about an advanced degree is something to consider, there are programs that will essentially fully fund you to study. So that's one potential way. The art world's a little hard actually in terms of entry-level jobs, and people aren't really paid a living wage. And I would like to know a way around that, too. It's a funny thing. It does prevent a lot of people who are gifted and able and should have access to the field, it probably prevents them from entering the field and that's our loss really. Aimee: I totally agree. And hopefully, we'll see some change in that arena during our lifetimes. Priscilla: I hope so. Yeah. I wish I had a better answer to your question, but also I think that when people go in for interviews, sometimes you are hesitant to be realistic about what you need. And I do think that there's no harm in being forthright about that. That's just a practicality, and you should expect it. Aimee: Yes, self-advocacy is very important. And I think that leads us to our very last question. This is our closeout question we ask every interviewee, which is what advice would you give to a senior in college who is about to graduate? From any field, from any major, what advice do you have for young people in this transitional moment? Priscilla: Well, try not to be discouraged. The world is in upheaval right now, but it won't remain that way. Or I think that we hope that it won't, and we've got to believe that it won't. And that it's funny. This is a kind of big question right now, Aimee. Also, don't close yourself off to opportunities that may not fit exactly into the vision of what you have for yourself. I mean, we do meander sometimes, and I think that it's actually important to because you learn a lot about yourself when you sort of take a fork in the road that you didn't expect that you might. I guess proceed without fear if it's possible, and have confidence in yourself. I mean, anybody who's graduating from Northwestern has done an amazing... They're capable. You're able. You can go out there and get it done. So yeah, I guess we all just remain... I know it sounds sort of like trite, but be positive. Aimee: Absolutely. That's all we can do. All we can do is control our own- Priscilla: Yeah. And fight and stand up for the things that you believe in. Give me the opportunity. Say it, say it out loud. Say what you mean. Don't be scared that somebody might disagree with you. Aimee: Absolutely. It's tough to keep that in mind with the current challenges the university is facing, but that is very good advice. I just want to say in general, thank you so much for your great advice and for chatting with us today. I think this podcast will be so helpful to many students who are interested in either going into art history or just looking at the state of the world right now. So thank you for being with us. Priscilla: Aimee, thank you. You're a very impressive young woman, I appreciate the invitation and it was fun talking to you. Aimee: Thank you. So to all of our listeners, thank you for listening to this special episode of the Weinberg in the World Podcast. We hope you have a great day and go Cats.

EPISODE 130: Mustapha Khan is an Emmy Award-winning American director of uniquely inspiring narrative, documentary and television films. His credits include: Song For Our People, a new music documentary currently playing in film festivals; Rocksteady, a coming-of-age action movie about a small town stock car racer; House on Fire, an award-winning documentary about the AIDS epidemic in Black America; twenty years of original films and specials for Sesame Street and other children's television shows; and his breakthrough film Reflections of a Native Son, which is on permanent display at the American Museum of  Television and Radio.  Mustapha Khan is a graduate of Harvard University and a member of the Directors Guild of America. mustaphakhan.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Wednesday May 7, 20259:30 am to 11:00 am Dealer Room Opens11:00 am to 12:30 pm Session #412:30 pm to 2:30 pm Dealers Open2:30 pm to 4:00 pm Session #56:30 pm- 10:00 Fabulous Las Vegas Dinner & Show View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize Time Stamps: 00:00:19 - This is the first Collector Expo for Jania Taylor. She is the Chairman of the Board for the American Museum of Magic and is enjoying this convention.00:13:40 - John Carney will be one of the performers who will be on the bill for our evening's dinner. He chats about his experiences in attending many of these events going back to the 1980's.00:20:41 - Charles Greene III is working on yet another biography of a noted person, but this one is not necessarily a magician. His book on Ionia has been a best seller for him.00:31:09 - We thank David Copperfield for opening his museum to the attendees and I give him some critical suggestion about the Women in Magic section of his collection.00:36:00 - Stan Allen has been attending many of these history conferences since they used to be in Los Angeles. He talks about the rich history of this convention, plus he talks about MAGIC Live!00:50:14 - David Sandy and Lance Rich are two of the forces behind the success of the Magic Collector Expo. In lieu of having Bill Smith chat with us, these two gentlemen give us a wrap of the day's activities. Download this podcast in an MP3 file by Clicking Here and then right click to save the file. You can also subscribe to the RSS feed by Clicking Here. You can download or listen to the podcast through Stitcher by Clicking Here or through FeedPress by Clicking Here or through Tunein.com by Clicking Here or through iHeart Radio by Clicking Here..If you have a Spotify account, then you can also hear us through that app, too. You can also listen through your Amazon Alexa and Google Home devices. Remember, you can download it through the iTunes store, too. See the preview page by Clicking Here

'River of Grass' profiles a range of figures who interact with the Everglades in the past and present, including a Miccosukee educator, a python hunter, and the pioneering environmentalist Marjory Stoneman Douglas. Filmmaker Sasha Wortzel will attend the film's New York premiere at the Margaret Mead Film Festival at the American Museum of Natural History. 

Send us a textWhat up with the small intestine and the large intestine? Join Cosmo and me—and our friend Franck Carbonero, microbiologist at Washington State University—to break down how we break down food.You'll hear:how the intestines differ in size and functionall about your gut bacteriathe journey food takes through your digestive tractResources you can use:American Museum of Natural History's microbiology resourcesFrontiers for Young Minds' explainer on fermentationNational Geographic Kids' info on the human digestive systemSound effects courtesy Zapsplat As always, submit burning questions at askdruniverse.wsu.edu. Who knows where your questions will take us next.

Dive into an adventure with this listener-created lesson on pufferfish! Discover this amazing balloon-of-the-sea fish and how it inflates, along with how we can inflate our hearts with God's love.Here's our trail map:Are All Pufferfish Spikey?Why Do Porcupine Fish Have Spikes?How Do Puffers Puff Up?What Do Pufferfish Eat?Are all Pufferfish Poisonous?How Can We Inflate Our Hearts Full of God's Love?Episode Links:Order Eryn's book: The Nature of Rest: What the Bible and Creation Teach Us About Sabbath Living: https://www.amazon.com/Nature-Rest-Creation-Sabbath-Living/dp/0825448891Nat Theo Club Bonus Video: https://erynlynum.com/club-videosGet full lesson guides in the Nat Theo Club: https://erynlynum.com/clubFree Pufferfish Coloring Sheet: https://erynlynum.com/pufferfish-facts-for-kids/Plan Your Visit to the Family Adventure Days at the Creation Museum: CreationMuseum.org/family-daysJoin us at the Rocky Mountain Homeschool Conference! SAVE $30 USING CODE nattheo25*! https://rockymountainhomeschoolconference.com/Discover God's wild and wonderful world with the Kids Answers magazine by Answers in Genesis: GetAnswers.org/kids Ask your nature question: https://erynlynum.com/askOrder Eryn's book, Rooted in Wonder: Nurturing Your Family's Faith Through God's Creation: https://www.amazon.com/Rooted-Wonder-Nurturing-Familys-Creation/dp/0825447615Resources used for research:American Museum of Natural History: chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://www.amnh.org/content/download/109168/1987445/file/stepread-for-grade-4.pdfSeattle Aquarium: https://www.seattleaquarium.org/animal/pufferfish-and-porcupinefish/Scriptures Referenced in This Episode:“When you do things, do not let selfishness or pride be your guide. Instead, be humble and give more honor to others than to yourselves.” Philippians 2:3 (NCV)“Christ's love is greater than anyone can ever know, but I pray that you will be able to know that love. Then you can be filled with the fullness of God.” Ephesians 3:19 (NCV)Terms Learned in This Episode:Pufferfish: A family of fish called Tetraodontidae known for puffing up. Some have short, prickly bumps that appear when they puff up.Porcupinefish: A family of fish called Diodontidae. Like pufferfish, they also puff up. They have long spikes that are visible even when they are not puffed up, and that point out when they do puff up. Tetrodotoxin (TTX): A neurotoxin present in some pufferfish,...

with @eddylazzarin @DarenMatsuoka @ahall_research @rhhackettWelcome to web3 with a16z. I'm Robert Hackett.Today we're talking about one of the most familiar — and most misunderstood — mechanics in crypto: the airdrop.We'll explore the history of airdrops in and outside crypto, the challenges of incentive design, and learnings from airdrops to date. We'll also answer questions like how do you avoid Sybil attacks and professional airdrop farming? Should your drop be big or small, one-time or ongoing? And what happens when AI agents enter the mix? To break it all down, we're joined by:a16z crypto's Chief Technology Officer Eddy Lazzarin;a16z crypto Data Science Partner Daren Matsuoka; anda16z crypto Research Consultant Andrew Hall, who is also a Professor of Political Economics at Stanford's Graduate School of Business.Whether you're planning a token launch, looking for token rewards, or just curious why airdrops have become such a powerful mechanism in crypto — this episode is for you. Timestamps:(0:00) introduction(1:42) what is an airdrop?(6:27) tokens vs traditional equity(8:49) incentive design challenges(15:18) origins from credit cards to crypto(17:14) Optimism airdrop case study(23:09) NFT market learnings(28:32) Sybil resistance and verifying humanity(33:04) Uniswap airdrop and beyond(36:35) AI agents and the future of airdrops(40:33) connection to performance reviews(45:30) token vesting and volatility(49:08) experimentation vs. best practices(59:20) Batesian mimicryResources:Research into how airdrops can increase user retention [Optimism Collective forum; January 2025]Effects of Optimism airdrop 2 on governance participation [a16z crypto; June 2024]One From Many: Visa and the Rise of Chaordic Organization by Dee Hock [Berrett-Koehler Publishers; October 2005]How the '9-Box' talent review system can make or break your career [Forbes; March 2024]Batesian mimicry [American Museum of Natural History; July 2023]As a reminder, none of the content should be taken as investment, business, legal, or tax advice. Please see a16z.com/disclosures for more important information, including a link to a list of our investments.

The story of how strawberries went from small forage item to one of the world’s most popular fruits – though they're technically not a true fruit – involves lots of crossbreeding experimentation, as you might expect, but also a bit of spy craft. Research: “A Transatlantic Tango: The Story of the Strawberry. Royal Horticultural Society. https://www.rhs.org.uk/advice/grow-your-own/features/history-of-the-strawberry#:~:text=It%20is%20hard%20to%20believe,back%20on%20fortifications%20near%20Concepci%C3%B3n. Allen, Mike. “The 18th-Century Spy Who Gave Us Big Strawberries.” Atlas Obscura. Nov. 16, 2017. https://www.atlasobscura.com/articles/big-strawberries-spy-chile-france Barnes, Monica. “Frezier, Amédée François (1682-1773).” American Museum of Natural History. January 2008. https://www.researchgate.net/publication/280567727_Frezier_Amedee_Francois_1682-1773 Darrow, George M. “The Strawberry: History, Breeding and Physiology.” New York. Holt, Rinehart and Winston. 1966. Accessed online: https://archive.org/details/strawberryhistor00darr/mode/1up The Editors of Encyclopaedia Britannica. "strawberry". Encyclopedia Britannica, 29 Jun. 2023, https://www.britannica.com/plant/strawberry Folta, K.M., Barbey, C.R. “The strawberry genome: a complicated past and promising future.” Hortic Res 6, 97 (2019). https://doi.org/10.1038/s41438-019-0181-z Grubinger, Vern. “History of the Strawberry.” University of Vermont. June 2012. https://www.uvm.edu/vtvegandberry/factsheets/strawberryhistory.html Hancock, J.F. “Strawberries.” Oxford University Press. 2000. Petruzzello, Melissa. "list of plants in the family Rosaceae". Encyclopedia Britannica, 7 Mar. 2024, https://www.britannica.com/topic/list-of-plants-in-the-family-Rosaceae-2001612 Sevilla, Elisa, and Ana Sevilla. “STRAWBERRY.” New World Objects of Knowledge: A Cabinet of Curiosities, edited by Mark Thurner and Juan Pimentel, University of London Press, 2021, pp. 207–12. JSTOR, http://www.jstor.org/stable/j.ctv1vbd275.34 “Strawberry Facts.” University of Florida Gulf Coast Research and Education Center. https://gcrec.ifas.ufl.edu/fruit-crops/strawberries/strawberry-facts/ Sytsma, Kenneth J.. "Rosaceae". Encyclopedia Britannica, 28 Feb. 2025, https://www.britannica.com/plant/Rosaceae See omnystudio.com/listener for privacy information.

Huaxiazhoulong is one of the most complete ankylosaurs ever found (except for the head). Plus "Apex" the extremely expensive Stegosaurus is now on public display.For links to every news story, all of the details we shared about Pawpawsaurus, and our fun fact check out https://iknowdino.com/Pawpawsaurus-Episode-530/Join us at www.patreon.com/iknowdino for dinosaur requests, bonus content, ad-free episodes, and more.Dinosaur of the day Pawpawsaurus, an ankylosaur with a well preserved skull which preserved the first nodosaurid eyelids.In dinosaur news this week:The most expensive dinosaur ever sold at auction, the Stegosaurus "Apex", is now on display at the American Museum of Natural History.The new ankylosaur, Huaxiazhoulong shouwen, is nearly complete (from the shoulders back). This episode is brought to you by the Colorado Northwestern Community College. Join them for two weeks digging up dinosaur bones from the Jurassic Period in Northwest Colorado this summer. For details go to CNCC.edu/dinodigSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Elizabeth Weiss's recent book, On the Warpath, chronicles her efforts to keep anthropology from falling prey to ideology, even as she curated a collection of ancient skeletons at San Jose State University. She and I had a chance to discuss her new book, and some of the ridiculous ways in which myth and superstition, and modern PC nonsense are intruding on the scientific study of humans and their ancestry. These included having a session the sex of skeletons being cancelled from a meeting of the American Anthropological Association because its leadership now insisted sex isn't binary, and the fact that the American Museum of Natural History warns visitors that certain artifacts have powerful supernatural characteristics. Many of her efforts have been to fight inappropriate repatriation of ancient bones to groups whose genetic relationship to these distant hominid ancestors is tenuous at best. It was this that caused her to lose her curations position at her University and eventually to retire from academia.It was a pleasure to talk common sense, and the importance of science for our understanding of the human condition with her. I hope you enjoy the conversation as much as I did. As always, an ad-free video version of this podcast is also available to paid Critical Mass subscribers. Your subscriptions support the non-profit Origins Project Foundation, which produces the podcast. The audio version is available free on the Critical Mass site and on all podcast sites, and the video version will also be available on the Origins Project YouTube. Get full access to Critical Mass at lawrencekrauss.substack.com/subscribe

Jackie Faherty, astrophysicist and science educator at the American Museum of Natural History, talks about the rare alignment of the planets, many visible without a telescope.

Matt Marble is an artist, author, audio producer and director of the American Museum of Paramusicology ("brilliant and humbling," The Paris Review). Both creatively and through historical research, his work explores the inspired intersections of art and metaphysics and the intuitive disciplines they mutually employ. Matt is the author of Buddhist Bubblegum: Esotericism in the Creative Process of Arthur Russell ("groundbreaking work," New York Times), and the producer/host of Secret Sound, a podcast exploring the metaphysical biopics of American musicians, and The Hidden Present, an audio interview series exploring intuitive discipline and spiritual imagination. Additional works have been featured by the California Festival, Warp Records, and the Philosophical Research Society. His writing, research, media production, and personal archive constitute the American Museum of Paramusicology (AMP), through which he also publishes the monthly AMP Journal. Matt's visual art and music are often rooted in his own dreamwork divination practice--the Astramira or "Wondering Stars." This work has been featured as a solo art exhibition at Greensboro Project Space, as well as through releases of instrumental guitar music and dream songs. His album of solo acoustic guitar music, The Living Mirror, was released by UK label The Crystal Cabinet in 2021. Matt holds a BA in speech & hearing science from Portland State University, a PhD in music composition from Princeton University, and a black rattlesnake from his dreams. On this episode, Matt discusses the relationship between music and mysticism, favorite musician-magicians, and how dreams influence his own sonic and visual art.Pam also talks about casting her love spell at Jinkx Monsoon's Carnegie Hall show, and answers a listener question about witchcraft and entrepreneurship.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are The Witch Summit, The Crystal Ballers podcast, BetterHelp, Black Phoenix Alchemy Lab, and The Witch and the Academic podcast.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

What did dinosaur eggs taste like? In what shape would Jane Austen likely have had her dessert served to her? What does one of the world's leading paleontologists think of the paleo diet? How do you get maggots out of boiled sheep in the Gobi Dessert? How do you make ice cream on an uninhabited island in Madagascar in the summer? And how many ancient Aztecs would have had better teeth if they'd learned to eat corn by listening to The Sporkful? Dan gets answers to these questions and many more when he interviews the curators of a special food exhibit at the American Museum of Natural History entitled, "Our Global Kitchen: Food, Nature, Culture."This episode originally aired on February 10, 2013, and was produced by Dan Pashman. The Sporkful team now includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Nora Ritchie, and Jared O'Connell. Publishing by Shantel Holder.Every other Friday, we reach into our deep freezer and reheat an episode to serve up to you. We're calling these our Reheats. If you have a show you want reheated, send us an email or voice memo at hello@sporkful.com, and include your name, your location, which episode, and why.Transcript available at www.sporkful.com.Right now, Sporkful listeners can get three months free of the SiriusXM app by going to siriusxm.com/sporkful. Get all your favorite podcasts, more than 200 ad-free music channels curated by genre and era, and live sports coverage with the SiriusXM app.

STEGOSAURUS AUCTION NOW $44.6 MILLION: : 4/4: The Monster's Bones: The Discovery of T. Rex and How It Shook Our World Hardcover by  David K. Randall  (Author) https://www.amazon.com/Monsters-Bones-Discovery-Shook-World/dp/1324006536 In the dust of the Gilded Age Bone Wars, two vastly different men emerge with a mission to fill the empty halls of New York's struggling American Museum of Natural History: Henry Fairfield Osborn, a privileged socialite whose reputation rests on the museum's success, and intrepid Kansas-born fossil hunter Barnum Brown. When Brown unearths the first Tyrannosaurus Rex fossils in the Montana wilderness, forever changing the world of paleontology, Osborn sees a path to save his museum from irrelevancy. With four-foot-long jaws capable of crushing the bones of its prey and hips that powered the animal to run at speeds of 25 miles per hour, the T. Rex suggests a prehistoric ecosystem more complex than anyone imagined. As the public turns out in droves to cower before this bone-chilling giant of the past and wonder at the mysteries of its disappearance, Brown and Osborn together turn dinosaurs from a biological oddity into a beloved part of culture. Vivid and engaging, The Monster's Bones journeys from prehistory to present day, from remote Patagonia to the unforgiving badlands of the American West to the penthouses of Manhattan. With a wide-ranging cast of robber barons, eugenicists, and opportunistic cowboys, New York Times best-selling author David K. Randall reveals how a monster of a bygone era ignited a new understanding of our planet and our place within it. 1915  AMERICAN NATURAL HISTORY MUSEUM

STEGOSAURUS AUCTION NOW $44.6 MILLION: :  1/4: The Monster's Bones: The Discovery of T. Rex and How It Shook Our World Hardcover by  David K. Randall  (Author) https://www.amazon.com/Monsters-Bones-Discovery-Shook-World/dp/1324006536 In the dust of the Gilded Age Bone Wars, two vastly different men emerge with a mission to fill the empty halls of New York's struggling American Museum of Natural History: Henry Fairfield Osborn, a privileged socialite whose reputation rests on the museum's success, and intrepid Kansas-born fossil hunter Barnum Brown. When Brown unearths the first Tyrannosaurus Rex fossils in the Montana wilderness, forever changing the world of paleontology, Osborn sees a path to save his museum from irrelevancy. With four-foot-long jaws capable of crushing the bones of its prey and hips that powered the animal to run at speeds of 25 miles per hour, the T. Rex suggests a prehistoric ecosystem more complex than anyone imagined. As the public turns out in droves to cower before this bone-chilling giant of the past and wonder at the mysteries of its disappearance, Brown and Osborn together turn dinosaurs from a biological oddity into a beloved part of culture. Vivid and engaging, The Monster's Bones journeys from prehistory to present day, from remote Patagonia to the unforgiving badlands of the American West to the penthouses of Manhattan. With a wide-ranging cast of robber barons, eugenicists, and opportunistic cowboys, New York Times best-selling author David K. Randall reveals how a monster of a bygone era ignited a new understanding of our planet and our place within it. 1856 DINOSAURIA CRYSTAL PALACE

STEGOSAURUS AUCTION NOW $44.6 MILLION: :  2/4: The Monster's Bones: The Discovery of T. Rex and How It Shook Our World Hardcover by  David K. Randall  (Author) https://www.amazon.com/Monsters-Bones-Discovery-Shook-World/dp/1324006536 In the dust of the Gilded Age Bone Wars, two vastly different men emerge with a mission to fill the empty halls of New York's struggling American Museum of Natural History: Henry Fairfield Osborn, a privileged socialite whose reputation rests on the museum's success, and intrepid Kansas-born fossil hunter Barnum Brown. When Brown unearths the first Tyrannosaurus Rex fossils in the Montana wilderness, forever changing the world of paleontology, Osborn sees a path to save his museum from irrelevancy. With four-foot-long jaws capable of crushing the bones of its prey and hips that powered the animal to run at speeds of 25 miles per hour, the T. Rex suggests a prehistoric ecosystem more complex than anyone imagined. As the public turns out in droves to cower before this bone-chilling giant of the past and wonder at the mysteries of its disappearance, Brown and Osborn together turn dinosaurs from a biological oddity into a beloved part of culture. Vivid and engaging, The Monster's Bones journeys from prehistory to present day, from remote Patagonia to the unforgiving badlands of the American West to the penthouses of Manhattan. With a wide-ranging cast of robber barons, eugenicists, and opportunistic cowboys, New York Times best-selling author David K. Randall reveals how a monster of a bygone era ignited a new understanding of our planet and our place within it. 1966 DINO HUNTING WESTERN CANADA

STEGOSAURUS AUCTION NOW $44.6 MILLION: :  3/4: The Monster's Bones: The Discovery of T. Rex and How It Shook Our World Hardcover by  David K. Randall  (Author) https://www.amazon.com/Monsters-Bones-Discovery-Shook-World/dp/1324006536 In the dust of the Gilded Age Bone Wars, two vastly different men emerge with a mission to fill the empty halls of New York's struggling American Museum of Natural History: Henry Fairfield Osborn, a privileged socialite whose reputation rests on the museum's success, and intrepid Kansas-born fossil hunter Barnum Brown. When Brown unearths the first Tyrannosaurus Rex fossils in the Montana wilderness, forever changing the world of paleontology, Osborn sees a path to save his museum from irrelevancy. With four-foot-long jaws capable of crushing the bones of its prey and hips that powered the animal to run at speeds of 25 miles per hour, the T. Rex suggests a prehistoric ecosystem more complex than anyone imagined. As the public turns out in droves to cower before this bone-chilling giant of the past and wonder at the mysteries of its disappearance, Brown and Osborn together turn dinosaurs from a biological oddity into a beloved part of culture. Vivid and engaging, The Monster's Bones journeys from prehistory to present day, from remote Patagonia to the unforgiving badlands of the American West to the penthouses of Manhattan. With a wide-ranging cast of robber barons, eugenicists, and opportunistic cowboys, New York Times best-selling author David K. Randall reveals how a monster of a bygone era ignited a new understanding of our planet and our place within it. 1942

They're acrobatic fliers with long bodies and veined wings and their babies breathe through their butts: dragonflies. Let's get into the difference between a damselfly and dragonfly, how fast they dart around, how big they were in the age of the dinosaurs, sci-fi aviation inspiration, mating choreography, attracting them to your yard (maybe to eat them) and lots more with scholar, American Museum of Natural History curator, and dragonfly expert: Dr. Jessica Ware.Visit Dr. Ware's website and follow her on Google Scholar, Instagram and XBuy Jessica's children's book, Bugs (A Day in the Life): What Do Bees, Ants, and Dragonflies Get up to All Day?, on Amazon or Bookshop.orgA donation went to the World Dragonfly AssociationMore episode sources and linksSmologies (short, classroom-safe) episodesOther episodes you may enjoy: Entomology (INSECTS), Lepidopterology (BUTTERFLIES), Cicadology (CICADAS), Sparklebuttology (FIREFLIES), Dipterology (FLIES), Entomophagy Anthropology (EATING BUGS), Plumology (FEATHERS), Melaninology (SKIN/HAIR PIGMENT), Ophthalmology (EYES)Sponsors of OlogiesTranscripts and bleeped episodesBecome a patron of Ologies for as little as a buck a monthOlogiesMerch.com has hats, shirts, hoodies, totes!Follow @Ologies on Instagram and XFollow @AlieWard on Instagram and XEditing by Mercedes Maitland of Maitland Audio Productions and Jacob ChaffeeManaging Director: Susan HaleScheduling Producer: Noel DilworthTranscripts by Aveline Malek Website by Kelly R. DwyerTheme song by Nick Thorburn