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From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs
From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Jackie Faherty, astrophysicist and science educator at the American Museum of Natural History, talks about a new show at Hayden Planetarium that draws on new data from the European Space Agency's Gaia mission to map the galaxy and our place in it.→ Encounters in the Milky Way
California's Governor and Attorney General are suing the Trump administration for sending hundreds of National Guard members to Los Angeles over the weekend. Mayor Adams announced plans to remove an old jail barge in the Bronx. He has big plans for the future of the site. WFUV's Livia Regina reports. There's a new Milky Way exhibit at the American Museum of Natural history — narrated by Pedro Pascal! WFUV's Alexandra Pfau reports. Today we're highlighting The Kota Alliance for our public service Strike A Chord campaign. Their mission is to support women, girls, and gender non-conforming New Yorkers through advocacy, health and wellness. WFUV's Avery Loftis reports. What's What explores current events, culture, news and hot topic issues surrounding the New York metropolitan area. The weekday show includes features, interviews and music news exclusively from WFUV. New episodes air every weekday after 4pm. News Host and Producer: Brenda Plascencia Editor: Robin Shannon Theme Music: Joe Bergsieker
The Compendium Podcast: An Assembly of Fascinating and Intriguing Things
In this episode of the Compendium, we unravel the real story behind the McDonald's hot coffee case—a tale often misrepresented in the media. Stella Liebeck, a 79-year-old woman, suffered third-degree burns from coffee served at dangerously high temperatures. Despite seeking a modest settlement, McDonald's offered only $800, leading to a lawsuit that highlighted issues of corporate negligence and consumer rights. We delve into how big business and media narratives distorted the facts, turning a legitimate claim into a symbol of "frivolous lawsuits." This case became a catalyst for American tort reform debates, revealing the profound impact of corporate influence in politics. We give you just the Compendium, but if you want more, here are our resources: Liebeck v. McDonald's - The American Museum of Tort Law Legal Myths: The McDonald's "Hot Coffee" Case - Public Citizen Hot Coffee Documentry (2011) - Susan Saladoff Host & Show Info Hosts: Kyle Risi & Adam Cox About: Kyle and Adam are more than just your hosts, they're your close friends sharing intriguing stories from tales from the darker corners of true crime, the annals of your forgotten history books, and the who's who of incredible people. Intro Music: Alice in dark Wonderland by Aleksey Chistilin Community & Calls to Action ⭐ Review & follow on: Spotify & Apple Podcasts
Mutton was one of the last of the Salish Woolly Dogs– a breed raised by Indigenous Coast Salish communities before colonization led to its disappearance. Sarah Lando and Dr. Kaylee Byers delve into how genome sequencing is helping uncover the Woolly Dog's legacy—and could even lead to its revival.Resources:1. The history of Coast Salish “woolly dogs” revealed by ancient genomics and Indigenous Knowledge – Science2. Salish Woolly Dog – The Canadian Encyclopedia3. Extinct Woolly Dog was carefully bred for weaving, ancient DNA confirms – Washington Post4. Extinct Woolly Dog Analyzed in Collaborative Study with Coast Salish Co-authors – American Museum of Natural History
In today's episode, we present a brand new installment of DINO DNA with Conor O'Keefe! This week, Conor discusses the Mosasaurus with Amelia Zietlow, paleontogy student out of the American Museum of Natural History in New York. Sit back, relax and ENJOY this episode of The Jurassic Park Podcast!Please check out my Newsletter featured on Substack! You can sign up for the newsletter featuring the latest from Jurassic Park Podcast and other shows I'm featured on - plus other thoughts and feelings towards film, theme parks and more!FOLLOW USWebsite: https://www.jurassicparkpodcast.com/YouTube: https://www.youtube.com/@JurassicParkPodcastInstagram: https://www.instagram.com/jurassicparkpodcast/Bluesky: https://bsky.app/profile/jurassicparkpod.bsky.socialThreads: https://www.threads.net/@jurassicparkpodcastFacebook: https://www.facebook.com/jurassicparkpodcastApple Podcasts: https://apple.co/2VAITXfSpotify: https://spoti.fi/2Gfl41TDon't forget to give our voicemail line a call at 732-825-7763!Catch us on YouTube with Wednesday night LIVE STREAMS, Toy Hunts, Toy Unboxing and Reviews, Theme Park trips, Jurassic Discussion, Analysis and so much more.
For decades, the Chicago-based architect Jeanne Gang has captured the imaginations of critics and the public alike with her environmentally aware projects. Her latest, an expansion of New York's American Museum of Natural History, has turned heads and inspired leagues of visitors. On this episode, Dan speaks with the visionary talent on her upbringing in the American Midwest, studying abroad in Paris and how those experiences helped shape her career, what actionable idealism is, why she loves birding, and much more. Hosted on Acast. See acast.com/privacy for more information.
In this episode of the Weinberg in the World podcast, Aimee Resnick '26 interviews Priscilla Vail-Caldwell '85, founder of Vail-Caldwell Projects. Priscilla shares her undergraduate experiences at Northwestern, including impactful classes and internships that shaped her career in the arts. She discusses her current role as an advisor and curator, helping clients build art collections with a focus on research and quality. Aimee: Welcome to the Weinberg in the World Podcast, where we bring you stories of interdisciplinary thinking in today's complex world. My name is Aimee Resnick and I am your student host of the special podcast episode. I'm a senior studying social policy at Northwestern University who plans to pursue public administration in my home state of Colorado. Today, I'm very excited to be speaking with Priscilla Vail-Caldwell, who is the founder of the consulting firm, Vail-Caldwell Projects. Thank you, Priscilla for taking the time to speak with me today. Priscilla: Thank you, Aimee, for having me. Aimee: Of course. To start us off today, we were wondering if you can just tell us a little bit more about your time at Northwestern as an undergraduate in terms of what did you study and what were the impactful experiences you had at Northwestern that led you to your current career? Priscilla: I think one thing to note is that I came to Northwestern following a year of study abroad in France. As a senior, I studied in France, and then I came to Northwestern with an idea that I wanted to be at a big university near a city. Logistics had something to do with actually my choice of university, and I think it had to do with the fact that I had this experience that had really kind of opened my mind up about the world, essentially. There was that, and for some reason I declared an art history major very early on in my time at Northwestern. I think as a freshman, I had already decided that that was what I was going to do. You had asked what was one of the transformative experiences that I had at school, and I was thinking that ironically, in a way, I think it may have been a studio art class that I took because it was very rigorous and I enjoyed it, and I had a lot of respect for the other students in the class who I thought were gifted than I was. And I then realized that that wasn't really what I should be doing, but I still wanted to be involved in the arts, and I wanted to be involved in art history and working with objects. I always enjoyed those big introductory courses, sort of identifying paintings, and it seemed like a game to me, really. And I enjoyed that. And then frankly, learning about history through the lens of art. That was always something that kind of compelled me. I think another thing that I did while I was on campus, and I do think this is something that big universities offer, especially ones like Northwestern that are near a city like Chicago, are the opportunities to work in different situations outside of the university campus. I always worked, while I was at Northwestern, I waitressed, I did all sorts of things in order to earn extra money, and I found a job at a gallery downtown in Chicago called Frumkin & Struve. It's no longer in existence, but at the time, it was one of the big galleries downtown. And I worked there every Saturday. And then I had time in my schedule during the week, and I would work there usually one day during the week as well. And Bill and Debbie Struve were the principals of the gallery, and they gave me a lot... I mean, for a college student, they gave me a lot of responsibility, and they really brought me into the fold in a sense. So, I was included in all sorts of things, and the dinners for the artists, and I got to meet a lot of the artists that they were working with. And it was exciting and engaging, and I thought that that seemed like the kind of life I wanted to lead. I enjoyed the interaction with the artists primarily. Aimee: Oh, I totally empathize with your studio art experience, I'm taking painting right now, and there are some incredible painters in that class. But I also wanted to just say, I think that your experience having a really meaningful internship in Chicago is a good reminder to students to look outside the Northwestern bubble for opportunities as they're going through school. And I was wondering if you could tell us a little bit more about what you do at Vail-Caldwell Projects now that you're in New York. Priscilla: Well, I'm an advisor and a curator, and I've had my own advisory business now for the last... I think it's been about eight years. I've always been in the professional... I've always been in the commercial art world, but in this iteration, I advise private people who are building collections on acquiring works of art for the collection. We're building things oftentimes from the ground up. Oftentimes, I will start working on a project with somebody and there will be nothing essentially, and we will work on that together and build something that is meaningful and very specific in every single case with every client that I work with. All my projects are very, very different. There are clients that I work with who buy only the work of one artist. There are clients that I work with who focus very specifically on certain kinds of movements in, for instance, the California Light and Space Movement. There are people who are interested in collecting works by female artists. It all ends up having very different kinds of focuses. Each one of the projects allows me to apply my research skills and learn a lot alongside whoever it is that I'm advising, oftentimes about different aspects of the art world. I see what I do, as always, very research-based and obviously sort of a search for quality and also to include different voices in any kind of project that I work on. I also have a very strong background in modern American painting. I have this kind of hybrid experience where I oftentimes advise people on the purchase of work by contemporary and emerging artists, but I have a strong background in historic American painting. Many of my curatorial projects have been focused on the works of some of the seminal painters of the 20th century. I've done a series of exhibitions at Paul Kasmin Gallery on the work of Stuart Davis. I worked with Kasmin on a number of projects. Another one was a exhibition of sculptures by Elie Nadelman, who is artist who came to the United States from Europe and is considered part of the canon of modern American painting or sculpture, really. He's not a painter, he is a sculptor. I've also done projects with smaller galleries where I've curated relevant shows of young, relatively unknown artists. And that's always fun. I enjoy doing that. That's really a wonderful way for me to dive in and learn about what's going on out there amongst a group of recent graduates. So that's always exciting and I enjoy that kind of work very, very much. And currently, I think one of the things that I've just started working on is a collaboration with a gallery in London called Pi Artworks and an artist who they represent, whose name is Jyll Bradley. So I also advise the estate of Stuart Davis. Aimee: Yes, it does. And I have a related question, which is that you mentioned having worked with a lot of different genres and periods and different artists in this realm of art history. And while you were going through your education in your early career, was there a certain artist or movement that was particularly influential or touching to you? Priscilla: I'm going to answer that question by giving you a little bit more of my background. I left Northwestern, I moved to New York, and I took a job at a small gallery. And that year of working there were like three people on staff. That was an experience that taught me that I wanted to go back to school and learn to become more expert on something. I wasn't sure exactly what that was going to be, but I needed more skills actually in order to have the sort of job in the art world that I envisioned. I was accepted at Williams, which a small... Everybody's always confused because it's a college, but it has two graduate programs, and one of them is an art history program that's associated with the Clark Art Institute. I was one of 12 students in that following year, entering in to a two-year program. I had the good fortune of... Linda Nochlin was the visiting professor at the time who, if you're not familiar with Linda Nochlin, she was, she died a few years ago, one of the great feminist revisionist art historians of her time. And so studying with Linda, I began to look into the histories of certain artists like Eva Hesse and Jackie Winsor. Eva Hesse, of course, has been dead for many, many years. Jackie Winsor just died recently. At that moment in time, and I'm still very moved by the work and very interested in it, but I was very much focused on the work of minimalist and post-minimalist female sculptors to be extremely specific. That experience studying with Linda and looking into the histories of these women and the difficulties that they faced in a world that discriminates against women was eye-opening for me. And it's informed everything that I've probably done since. Aimee: Well, that's very interesting. And I think it's fascinating how some of these formative pieces of art really brought your eye into the future and your current work. And I know at the Block Museum on campus, we've had several exhibits that kind of follow in line with the types of art that you've just described in terms of the revisionist view of art history, the modernism with their Arabic art exhibit not too long ago. And I'm going to transition us to that because you're currently a member of the Block Museum Advisory Committee, and I just want to hear more about the work that you do there and then how you use that as a way to bring volunteerism and philanthropy into your professional career. Priscilla: I have always felt that volunteering my time to certain organizations in the art world is as important as the work that I do professionally. The idea of giving back, which I think frankly is something that either is kind of... For me, it's something that was ingrained in me as a young person. I try to only align myself with organizations whose missions I agree with. And that kind of mission usually includes a sort of mentorship for young artists so that there's a teaching element, which I think is really important. And also this sense of inclusion and diversity in institutions at every level. It's not just the artists that you're showing, but also in integration into the organization itself so that it represents the world in a sense. I mean, that's kind of big, but I think you get the gist of what I'm saying. I sit on the advisory board, and I mean, I think that I help in a number of different ways, but I have a feeling that my experience in the commercial art world and my interaction with lots of different artists and different galleries helps the director and the curatorial department in different ways. I can shed some insight sometimes that is useful. And of course, there are other people on the advisory board, not just me, who have similar experiences. My colleague Steve Henry, who is a classmate of mine, is one of the directors, one of the partners, not directors at Paula Cooper Gallery here in New York, so he sits on the advisory board with me as well. I think Lisa has been very wise in the way that she's chosen the members of her board, where we all contribute important things in different ways. Aimee: Absolutely. And I'm curious, outside of the Block, what other organizations do you volunteer your time to? Priscilla: Right now, the Block is my focus, but I was for a long time on the board of an organization here in New York. It's actually on Long Island City called Sculpture Center, which is a Kunsthalle and a place that essentially acts as an exhibition space oftentimes for artists who live outside the United States to have their first museum exhibition here in the US. It's a place of discovery, I think for a lot of people. It's a place that is very research-based, and they have a very knowledgeable curatorial staff that is very involved in the international art world. They do that. And then they also do a very, what I think is a really important annual exhibition that is an open call to artists that is directed at younger emerging artists, again, who haven't exhibited in an institutional space. And there are funds provided and mentorship provided. And it's a kind of learning lab for a group of artists who then create a group show. There's also a curator who's hired from outside who comes up with a theme for the show, and then they work together to put on these annual exhibitions. And they're amazing shows, and they do great work, and it's a very rich environment. Aimee: Next time I'm in New York, I'd love to come see the gallery. That is so interesting. Priscilla: It's a beautiful space. It's a beautiful, beautiful space in Long Island City. I would be happy to take you there, so let's do that. Aimee: Thank you. Priscilla: Yeah. Aimee: I think we're going to pivot a little bit from your specific career more to the field of art history on the whole, and a big part of being in art history is curating relationships with your clients, which you mentioned previously. What is your advice for students who are looking to foster quick relationships with other people, be it interviewers, co-workers, anyone in the professional world that they need to have a really strong bond with? Priscilla: Well, I will say that when... I did a lot of research on people before I meet them, so that at least I understand what it is that they do, what some of their interests might be. I feel like... I mean, in any case, in any field, if you're going into an interview, if you're meeting somebody for the first time, if it's an important engagement of any sort, it's really good to know who it is, who you're talking to. I think first of all, I would say do your research and figure out, find some interesting things to talk about that will interest the person who you are meeting with. And also will give them a sense that you actually know who they are. I think that's always... That's just flattering for one thing, and it also makes you look like you've paid attention. I used to take every opportunity to go out and do things, and I mean, I go to a lot of openings. I get myself into situations where I will meet people. I think that it can be uncomfortable. You might not know anybody where you're going. You could feel sort of nervous and shy, but I think you have to push yourself to be in situations where you might not feel comfortable, but something will come out of it almost inevitably, and you'll walk away knowing somebody who you didn't know before, and you never know where that's going to lead you. I'm a big believer in that, and I sort of feel like I have two personas. I have the person who doesn't like to do those sorts of things, and then I have the person who has to get up in the morning and go to work and for whom it's a requirement. I think those are two bits of advice that I would have. I mean, for students at Northwestern, of course, if they're looking to create networks for themselves, I mean, they have one, right? I mean, you all have an amazing network through the university, and you have professors who want to support and help you. Again, even though I think sometimes it's difficult to push yourself to go in and talk to your professors, they are there for that reason and they want to support the student body and see them be successful and help you to find things outside of the university that will engage you and also perhaps end up being a path towards a career. I don't know if all of that necessarily answers your question, but you've got... I think sometimes you wake up in the morning and you think that you don't have the tools at your fingertips, but you do and you just have to press the button. Aimee: That's good advice. I think a lot of times students at Northwestern are too timid to take advantage of many of those resources. That's really good advice. I have a little bit of background for this last question, which is that I, myself, was an artist history major for two years, dropping the major because I realized I was never going to get a job in art history because I don't necessarily have a family background or the connections to leverage to get a job in art history. And I was just curious, understanding that art history enrollment is rapidly declining. The cover story of the Nation magazine in early April was about how art history enrollment is declining. What advice would you offer to people who might not traditionally undertake a career in art history who are interested in becoming art historians or people in the art world? Priscilla: I think that oftentimes when people approach the idea of being an art historian or being in the art world, that they don't think broadly enough about all of the different things that happen in the art world. Of course, the glamorous jobs are to be a curator at a museum and to be a director or a principal at a gallery. And frankly, not everybody... I mean, as far as gallery work is concerned, really... I mean, there's curation going on, but it's sales primarily. So that might not be for everybody for one thing. Sales is not exactly the job that everybody wants to have. But what I've been thinking about a lot recently, and certainly a lot of the people in the art world who I rely very, very heavily on and whose expertise is impressive are there are registrarial departments at galleries and museums. Those are people who work with the objects and who have to deal with whether it's insurance or packing or moving objects from one country to another. And all of these things, while it may sound less glamorous, are still very interesting and complicated. And so those are jobs, I think that certainly registrarial departments, we depend on them. They're extremely important. And they have their own networks as well, by the way. There's also art restoration and working directly with objects, which is an interesting kind of combination of the scientific and the art historical. Especially for people who are interested in the sciences, there's an application for that in the art world. And there's a lot of ways of... There's all sorts of things that happen like carbon dating and various different X-ray techniques and all sorts of things that help to say define an object isn't really what I mean. But you have to understand organic chemistry in order to be a painting conservator. I think that we should think maybe differently about the art world a little bit than we do sometimes. And art history will inform all of those things. I mean, all of those people who are working in those different departments need to understand art history. They probably wouldn't even be doing that work unless they did. But you can come at it from a different angle. And I think that that's something that should probably be more emphasized. We need more art conservators out there. We really do. And there are a lot of objects to work on. Aimee: Definitely. Definitely. And I have one more follow-up question on that, which is my worst job I ever worked was at the American Museum of Western Art. I love the museum. I think it's a beautiful museum. I love pictures of cowboys, my favorite genre, but at the same time, it was just scanning documents all day as an unpaid internship. And I think that finances are often a really big barrier to entry for people in art history, given the precedence of unpaid internships, years long fellowships where you're not compensated. I'm just going to narrow in on my question, which is what advice would you give to people from non-traditional backgrounds who want to pursue a job in art history at all? Priscilla: Well, a lot of graduate programs now are fully funded, so that might be something to explore a little bit. I know that for instance, Williams, there are a lot of... I don't know that every single one of them, but many of those students are fully funded and also receive help with living expenses, health insurance, all of their expenses are accounted for. That isn't exactly what you're asking me. But I do think that it's good to... If art history is something that you're serious about, and frankly, if something you're serious about an advanced degree is something to consider, there are programs that will essentially fully fund you to study. So that's one potential way. The art world's a little hard actually in terms of entry-level jobs, and people aren't really paid a living wage. And I would like to know a way around that, too. It's a funny thing. It does prevent a lot of people who are gifted and able and should have access to the field, it probably prevents them from entering the field and that's our loss really. Aimee: I totally agree. And hopefully, we'll see some change in that arena during our lifetimes. Priscilla: I hope so. Yeah. I wish I had a better answer to your question, but also I think that when people go in for interviews, sometimes you are hesitant to be realistic about what you need. And I do think that there's no harm in being forthright about that. That's just a practicality, and you should expect it. Aimee: Yes, self-advocacy is very important. And I think that leads us to our very last question. This is our closeout question we ask every interviewee, which is what advice would you give to a senior in college who is about to graduate? From any field, from any major, what advice do you have for young people in this transitional moment? Priscilla: Well, try not to be discouraged. The world is in upheaval right now, but it won't remain that way. Or I think that we hope that it won't, and we've got to believe that it won't. And that it's funny. This is a kind of big question right now, Aimee. Also, don't close yourself off to opportunities that may not fit exactly into the vision of what you have for yourself. I mean, we do meander sometimes, and I think that it's actually important to because you learn a lot about yourself when you sort of take a fork in the road that you didn't expect that you might. I guess proceed without fear if it's possible, and have confidence in yourself. I mean, anybody who's graduating from Northwestern has done an amazing... They're capable. You're able. You can go out there and get it done. So yeah, I guess we all just remain... I know it sounds sort of like trite, but be positive. Aimee: Absolutely. That's all we can do. All we can do is control our own- Priscilla: Yeah. And fight and stand up for the things that you believe in. Give me the opportunity. Say it, say it out loud. Say what you mean. Don't be scared that somebody might disagree with you. Aimee: Absolutely. It's tough to keep that in mind with the current challenges the university is facing, but that is very good advice. I just want to say in general, thank you so much for your great advice and for chatting with us today. I think this podcast will be so helpful to many students who are interested in either going into art history or just looking at the state of the world right now. So thank you for being with us. Priscilla: Aimee, thank you. You're a very impressive young woman, I appreciate the invitation and it was fun talking to you. Aimee: Thank you. So to all of our listeners, thank you for listening to this special episode of the Weinberg in the World Podcast. We hope you have a great day and go Cats.
Join Laura Cassiday and Joanna Wachowiak-Finlaison as they chat and chuckle with Frania Shelley-Grielen about introducing cats, inter-cat aggression, and other topics related to multi-cat households.Frania Shelley-Grielen is a professional animal behaviorist, dog trainer, and educator who holds a Masters Degrees in Animal Behavior from Hunter College and a Masters Degree in Urban Planning from New York University, complimenting her insight into behavior with an in-depth understanding of the built environment. She is a licensed Pet Care Technician Instructor, a registered therapy dog handler, a certified Doggone safe Bite Safety Instructor, and a professional member of the Pet Professional Guild and the Association of Pet Dog Trainers. Frania specializes in behavior modification work and training with cats, dogs, and birds and humane management for urban wildlife.Frania is the author of Cats and Dogs: Living With and Looking at Companion Animals From Their Point of View. She founded AnimalBehaviorist.us in 2009 to share her work on how welfare-based, science-focused strategies and solutions from the canine and feline point of view are more effective and make everyone happier, including the humans. Frania also taught the ASPCA's Fundamentals of Dog Care course for the Houlton Institute where she is on the zoology faculty. She has worked on research projects at the Wildlife Conservation Society, the American Museum of Natural History, and the ASPCA in NYC. Frania presents and consults in the metropolitan New York area, nationally and internationally. She lives in New York City with her family and cats and dogs.
EPISODE 130: Mustapha Khan is an Emmy Award-winning American director of uniquely inspiring narrative, documentary and television films. His credits include: Song For Our People, a new music documentary currently playing in film festivals; Rocksteady, a coming-of-age action movie about a small town stock car racer; House on Fire, an award-winning documentary about the AIDS epidemic in Black America; twenty years of original films and specials for Sesame Street and other children's television shows; and his breakthrough film Reflections of a Native Son, which is on permanent display at the American Museum of Television and Radio. Mustapha Khan is a graduate of Harvard University and a member of the Directors Guild of America. mustaphakhan.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!
Wednesday May 7, 20259:30 am to 11:00 am Dealer Room Opens11:00 am to 12:30 pm Session #412:30 pm to 2:30 pm Dealers Open2:30 pm to 4:00 pm Session #56:30 pm- 10:00 Fabulous Las Vegas Dinner & Show View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize Time Stamps: 00:00:19 - This is the first Collector Expo for Jania Taylor. She is the Chairman of the Board for the American Museum of Magic and is enjoying this convention.00:13:40 - John Carney will be one of the performers who will be on the bill for our evening's dinner. He chats about his experiences in attending many of these events going back to the 1980's.00:20:41 - Charles Greene III is working on yet another biography of a noted person, but this one is not necessarily a magician. His book on Ionia has been a best seller for him.00:31:09 - We thank David Copperfield for opening his museum to the attendees and I give him some critical suggestion about the Women in Magic section of his collection.00:36:00 - Stan Allen has been attending many of these history conferences since they used to be in Los Angeles. He talks about the rich history of this convention, plus he talks about MAGIC Live!00:50:14 - David Sandy and Lance Rich are two of the forces behind the success of the Magic Collector Expo. In lieu of having Bill Smith chat with us, these two gentlemen give us a wrap of the day's activities. Download this podcast in an MP3 file by Clicking Here and then right click to save the file. You can also subscribe to the RSS feed by Clicking Here. You can download or listen to the podcast through Stitcher by Clicking Here or through FeedPress by Clicking Here or through Tunein.com by Clicking Here or through iHeart Radio by Clicking Here..If you have a Spotify account, then you can also hear us through that app, too. You can also listen through your Amazon Alexa and Google Home devices. Remember, you can download it through the iTunes store, too. See the preview page by Clicking Here
Join Niki Tudge as she chats and chuckles with Frania Shelley-Grielen about her book, Behavior Matters for Cats and Dogs, winner of the Dog Writers of America's "Best Behavior Book 2024" and the Dogwise "Best Book of 2024.”Niki and Frania discussed both the cat and dog sections of the book and snippets from the chapters on aggression, dog bite prevention, and some of the individual cat and dog skills.Frania Shelley-Grielen is a professional animal behaviorist, dog trainer, and educator who holds a Masters Degrees in Animal Behavior from Hunter College and a Masters Degree in Urban Planning from New York University, complimenting her insight into behavior with an in-depth understanding of the built environment. She is a licensed Pet Care Technician Instructor, a registered therapy dog handler, a certified Doggone safe Bite Safety Instructor, and a professional member of the Pet Professional Guild and the Association of Pet Dog Trainers. Frania specializes in behavior modification work and training with cats, dogs, and birds and humane management for urban wildlife.Frania is the author of Cats and Dogs: Living With and Looking at Companion Animals From Their Point of View. She founded AnimalBehaviorist.us in 2009 to share her work on how welfare-based, science-focused strategies and solutions from the canine and feline point of view are more effective and make everyone happier, including the humans. Frania also taught the ASPCA's Fundamentals of Dog Care course for the Houlton Institute where she is on the zoology faculty. She has worked on research projects at the Wildlife Conservation Society, the American Museum of Natural History, and the ASPCA in NYC. Frania presents and consults in the metropolitan New York area, nationally and internationally. She lives in New York City with her family and cats and dogs.
'River of Grass' profiles a range of figures who interact with the Everglades in the past and present, including a Miccosukee educator, a python hunter, and the pioneering environmentalist Marjory Stoneman Douglas. Filmmaker Sasha Wortzel will attend the film's New York premiere at the Margaret Mead Film Festival at the American Museum of Natural History.
Send us a textWhat up with the small intestine and the large intestine? Join Cosmo and me—and our friend Franck Carbonero, microbiologist at Washington State University—to break down how we break down food.You'll hear:how the intestines differ in size and functionall about your gut bacteriathe journey food takes through your digestive tractResources you can use:American Museum of Natural History's microbiology resourcesFrontiers for Young Minds' explainer on fermentationNational Geographic Kids' info on the human digestive systemSound effects courtesy Zapsplat As always, submit burning questions at askdruniverse.wsu.edu. Who knows where your questions will take us next.
✨ Awaken. Heal. Transform. The journey to wholeness is calling your name. Release the past, reclaim your power, and step boldly into your highest self. Healing the Mother Wound is your portal to deep transformation.
Join Niki Tudge and Judy Luther as they chat and chuckle with Frania Shelley-Grielen about behavior matters for cats and dogs.Frania Shelley-Grielen is a professional animal behaviorist, dog trainer, and educator who holds a Masters Degrees in Animal Behavior from Hunter College and a Masters Degree in Urban Planning from New York University, complimenting her insight into behavior with an in-depth understanding of the built environment. She is a licensed Pet Care Technician Instructor, a registered therapy dog handler, a certified Doggone safe Bite Safety Instructor, and a professional member of the Pet Professional Guild and the Association of Pet Dog Trainers. Frania specializes in behavior modification work and training with cats, dogs, and birds and humane management for urban wildlife.Frania is the author of Cats and Dogs: Living With and Looking at Companion Animals From Their Point of View. She founded AnimalBehaviorist.us in 2009 to share her work on how welfare-based, science-focused strategies and solutions from the canine and feline point of view are more effective and make everyone happier, including the humans. Frania also taught the ASPCA's Fundamentals of Dog Care course for the Houlton Institute where she is on the zoology faculty. She has worked on research projects at the Wildlife Conservation Society, the American Museum of Natural History, and the ASPCA in NYC. Frania presents and consults in the metropolitan New York area, nationally and internationally. She lives in New York City with her family and cats and dogs.
Dive into an adventure with this listener-created lesson on pufferfish! Discover this amazing balloon-of-the-sea fish and how it inflates, along with how we can inflate our hearts with God's love.Here's our trail map:Are All Pufferfish Spikey?Why Do Porcupine Fish Have Spikes?How Do Puffers Puff Up?What Do Pufferfish Eat?Are all Pufferfish Poisonous?How Can We Inflate Our Hearts Full of God's Love?Episode Links:Order Eryn's book: The Nature of Rest: What the Bible and Creation Teach Us About Sabbath Living: https://www.amazon.com/Nature-Rest-Creation-Sabbath-Living/dp/0825448891Nat Theo Club Bonus Video: https://erynlynum.com/club-videosGet full lesson guides in the Nat Theo Club: https://erynlynum.com/clubFree Pufferfish Coloring Sheet: https://erynlynum.com/pufferfish-facts-for-kids/Plan Your Visit to the Family Adventure Days at the Creation Museum: CreationMuseum.org/family-daysJoin us at the Rocky Mountain Homeschool Conference! SAVE $30 USING CODE nattheo25*! https://rockymountainhomeschoolconference.com/Discover God's wild and wonderful world with the Kids Answers magazine by Answers in Genesis: GetAnswers.org/kids Ask your nature question: https://erynlynum.com/askOrder Eryn's book, Rooted in Wonder: Nurturing Your Family's Faith Through God's Creation: https://www.amazon.com/Rooted-Wonder-Nurturing-Familys-Creation/dp/0825447615Resources used for research:American Museum of Natural History: chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://www.amnh.org/content/download/109168/1987445/file/stepread-for-grade-4.pdfSeattle Aquarium: https://www.seattleaquarium.org/animal/pufferfish-and-porcupinefish/Scriptures Referenced in This Episode:“When you do things, do not let selfishness or pride be your guide. Instead, be humble and give more honor to others than to yourselves.” Philippians 2:3 (NCV)“Christ's love is greater than anyone can ever know, but I pray that you will be able to know that love. Then you can be filled with the fullness of God.” Ephesians 3:19 (NCV)Terms Learned in This Episode:Pufferfish: A family of fish called Tetraodontidae known for puffing up. Some have short, prickly bumps that appear when they puff up.Porcupinefish: A family of fish called Diodontidae. Like pufferfish, they also puff up. They have long spikes that are visible even when they are not puffed up, and that point out when they do puff up. Tetrodotoxin (TTX): A neurotoxin present in some pufferfish,...
with @eddylazzarin @DarenMatsuoka @ahall_research @rhhackettWelcome to web3 with a16z. I'm Robert Hackett.Today we're talking about one of the most familiar — and most misunderstood — mechanics in crypto: the airdrop.We'll explore the history of airdrops in and outside crypto, the challenges of incentive design, and learnings from airdrops to date. We'll also answer questions like how do you avoid Sybil attacks and professional airdrop farming? Should your drop be big or small, one-time or ongoing? And what happens when AI agents enter the mix? To break it all down, we're joined by:a16z crypto's Chief Technology Officer Eddy Lazzarin;a16z crypto Data Science Partner Daren Matsuoka; anda16z crypto Research Consultant Andrew Hall, who is also a Professor of Political Economics at Stanford's Graduate School of Business.Whether you're planning a token launch, looking for token rewards, or just curious why airdrops have become such a powerful mechanism in crypto — this episode is for you. Timestamps:(0:00) introduction(1:42) what is an airdrop?(6:27) tokens vs traditional equity(8:49) incentive design challenges(15:18) origins from credit cards to crypto(17:14) Optimism airdrop case study(23:09) NFT market learnings(28:32) Sybil resistance and verifying humanity(33:04) Uniswap airdrop and beyond(36:35) AI agents and the future of airdrops(40:33) connection to performance reviews(45:30) token vesting and volatility(49:08) experimentation vs. best practices(59:20) Batesian mimicryResources:Research into how airdrops can increase user retention [Optimism Collective forum; January 2025]Effects of Optimism airdrop 2 on governance participation [a16z crypto; June 2024]One From Many: Visa and the Rise of Chaordic Organization by Dee Hock [Berrett-Koehler Publishers; October 2005]How the '9-Box' talent review system can make or break your career [Forbes; March 2024]Batesian mimicry [American Museum of Natural History; July 2023]As a reminder, none of the content should be taken as investment, business, legal, or tax advice. Please see a16z.com/disclosures for more important information, including a link to a list of our investments.
The story of how strawberries went from small forage item to one of the world’s most popular fruits – though they're technically not a true fruit – involves lots of crossbreeding experimentation, as you might expect, but also a bit of spy craft. Research: “A Transatlantic Tango: The Story of the Strawberry. Royal Horticultural Society. https://www.rhs.org.uk/advice/grow-your-own/features/history-of-the-strawberry#:~:text=It%20is%20hard%20to%20believe,back%20on%20fortifications%20near%20Concepci%C3%B3n. Allen, Mike. “The 18th-Century Spy Who Gave Us Big Strawberries.” Atlas Obscura. Nov. 16, 2017. https://www.atlasobscura.com/articles/big-strawberries-spy-chile-france Barnes, Monica. “Frezier, Amédée François (1682-1773).” American Museum of Natural History. January 2008. https://www.researchgate.net/publication/280567727_Frezier_Amedee_Francois_1682-1773 Darrow, George M. “The Strawberry: History, Breeding and Physiology.” New York. Holt, Rinehart and Winston. 1966. Accessed online: https://archive.org/details/strawberryhistor00darr/mode/1up The Editors of Encyclopaedia Britannica. "strawberry". Encyclopedia Britannica, 29 Jun. 2023, https://www.britannica.com/plant/strawberry Folta, K.M., Barbey, C.R. “The strawberry genome: a complicated past and promising future.” Hortic Res 6, 97 (2019). https://doi.org/10.1038/s41438-019-0181-z Grubinger, Vern. “History of the Strawberry.” University of Vermont. June 2012. https://www.uvm.edu/vtvegandberry/factsheets/strawberryhistory.html Hancock, J.F. “Strawberries.” Oxford University Press. 2000. Petruzzello, Melissa. "list of plants in the family Rosaceae". Encyclopedia Britannica, 7 Mar. 2024, https://www.britannica.com/topic/list-of-plants-in-the-family-Rosaceae-2001612 Sevilla, Elisa, and Ana Sevilla. “STRAWBERRY.” New World Objects of Knowledge: A Cabinet of Curiosities, edited by Mark Thurner and Juan Pimentel, University of London Press, 2021, pp. 207–12. JSTOR, http://www.jstor.org/stable/j.ctv1vbd275.34 “Strawberry Facts.” University of Florida Gulf Coast Research and Education Center. https://gcrec.ifas.ufl.edu/fruit-crops/strawberries/strawberry-facts/ Sytsma, Kenneth J.. "Rosaceae". Encyclopedia Britannica, 28 Feb. 2025, https://www.britannica.com/plant/Rosaceae See omnystudio.com/listener for privacy information.
Send us a textBritish L.A.-based playwright Stephen Laughton came sat in-house in the Playwright's Spotlight before the West Coast Premiere of his play One Jewish Boy. In this interview, we discuss the differences in the London, New York, and Los Angeles markets, London gatekeepers and the draw of the London Fringe and its difference to the Edinburgh Fringe, taking advantage of Covid, and the responsibilities and how playwriting applies to the Astrophysics Team at the American Museum of Natural History. Mid conversation we accept a call from Stephen's director and give a live, on-air response. We follow it up with what makes a great hook and how that provides a good story, what British playwrights sound like, stealing from the best, and moving to L.A. to do theatre. Like most Brits, Stephen's a charmer and offers some great stories and insight. Enjoy!For tickets to One Jewish Boy at the Atwater Village Theater in Los Angeles through April 28th, visit - https://echotheatercompany.ludus.com/index.php?show_id=200474485.Stephen Laughton is an award-winning, critically acclaimed writer. He has work in various stages of development across film and theater in NYC, L.A., London, Cape Town, and Sydney. He has worked with major theaters and broadcasters including and is an associate artist in the Astrophysics team at the American Museum of Natural History in New York. Two major plays coming up in 2025 include: Giants, which explores the controversy that unfolded on the set of James Dean's last film, set to open at the Sydney Opera House; and Velocity, which examines mental health in the LGBTQ+ community and is set to open at the Hayden Planetarium in New York City.To watch the video format of this episode, visit - https://youtu.be/bSazK8h4ndkLinks to resources mentioned in this episode -American Museum of Natural History - https://www.amnh.orgNick Hern Books - https://www.nickhernbooks.co.ukWebsite and Socials for Stephen Laughton -https://www.adventuresinstenography.comWebsites and socials for James Elden, PMP, and Playwright's Spotlight -Punk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods - @playnoirla IG - @punkmonkeyprods - @playnoir_la FB - fb.com/playnoir - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show
Journey with us into the colorful and thought-provoking world of Native American art with our special guest, Laura J. Allen. As the Curator of Native American Art at the Montclair Art Museum, Laura shares her fascinating journey from the American Museum of Natural History to her current role, where she spearheads groundbreaking projects. She sheds light on the collaborative vision behind the reinstallation of MAM's Native American Art Collection, crafted in close consultation with a Native American Art Advisory Council. Laura's passion for an artist-focused curatorial approach shines through in her work on exhibitions like Meryl McMaster Chronologies and From My Home to Yours, where themes of time disruption and inclusivity take center stage.We unravel the layers of creativity and cultural dialogue in exhibitions that merge historical and contemporary Native art forms, challenging colonial narratives and celebrating Indigenous knowledge. The episode features the thoughtful works of artists such as Holly Wilson and Nicholas Galanin, who engage with historical collections to critique misattributions and colonial suppression. Through powerful site-specific installations and narratives of dispossession and reconnection, the exhibitions aim to transform the museum space, fostering a dialogue between the past and present. With insights from creatives like Sine Austro and Sebastian Aubin, we explore how weaving serves as both a metaphor and a tool for storytelling in these exhibitions.Looking forward, the conversation also highlights the ongoing evolution of Indigenous textiles and fashion at MAM, emphasizing cultural expression and sovereignty. Laura delves into the complex process of selecting works from a vast collection while adhering to NAGPRA guidelines and collaborating with Indigenous communities. Exciting upcoming projects, such as a 2026 exhibition on Northwest Coast dress and textiles, promise to continue the museum's commitment to highlighting the transformative power of contemporary Native American art. Through these vibrant discussions, we emphasize our dedication to deepening responsibilities to Native communities and exploring the potential of future exhibitions to promote justice and environmental stewardship.
Barrett Klein investigates mysteries of sleep in societies of insects, creates entomo-art, and is ever on the search for curious connections that bind our lives with our six-legged allies. Barrett studied entomology at Cornell University and the University of Arizona, fabricated natural history exhibits at the American Museum of Natural History, worked with honeybees for his PhD at the University of Texas at Austin, and spearheaded the Pupating Lab at the University of Wisconsin - La Crosse. He celebrates biodiversity and the intersection of science and art and believes fully that embracing the beauty of insects can transform our lives and our world.Find Barrett Klein and The Insects Epiphany online: Barrett Klein's LinkedIn ProfileBarrett Klein's Facebook ProfileBarrett Klein's Instagram ProfileThe Insects Epiphany - Barrett Klein's HomepageThe Insect Epiphany - The BookFind me online:This Sustainable Life: Solve For Nature Podcast: https://shows.acast.com/solvefornatureBlog: https://verdantgrowth.blog/YouTube: https://www.youtube.com/c/verdantgrowthBluesky: https://bsky.app/profile/verdantgrowth.bsky.socialFacebook: https://www.facebook.com/realverdantgrowthInstagram: http://instagram.com/verdant.growth or http://instagram.com/verdantgrowthofficial Hosted on Acast. See acast.com/privacy for more information.
Huaxiazhoulong is one of the most complete ankylosaurs ever found (except for the head). Plus "Apex" the extremely expensive Stegosaurus is now on public display.For links to every news story, all of the details we shared about Pawpawsaurus, and our fun fact check out https://iknowdino.com/Pawpawsaurus-Episode-530/Join us at www.patreon.com/iknowdino for dinosaur requests, bonus content, ad-free episodes, and more.Dinosaur of the day Pawpawsaurus, an ankylosaur with a well preserved skull which preserved the first nodosaurid eyelids.In dinosaur news this week:The most expensive dinosaur ever sold at auction, the Stegosaurus "Apex", is now on display at the American Museum of Natural History.The new ankylosaur, Huaxiazhoulong shouwen, is nearly complete (from the shoulders back). This episode is brought to you by the Colorado Northwestern Community College. Join them for two weeks digging up dinosaur bones from the Jurassic Period in Northwest Colorado this summer. For details go to CNCC.edu/dinodigSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this week's episode, scientists Charles Liu and George Musser find joy in daily observations through science and writing. Charles Liu is a professor of astrophysics at the City University of New York's College of Staten Island and an associate with the Hayden Planetarium and Department of Astrophysics at the American Museum of Natural History. His research focuses on colliding galaxies, starburst galaxies, quasars, and the star formation history of the universe. In addition to his research publications, he writes books and online content for students and general audiences, The Cosmos Explained and The Handy Quantum Physics Answer Book. He hosts The LIUniverse with Dr. Charles Liu, a half-hour dose of cosmic conversation with scientists, educators and students about the cosmos, scientific frontiers, scifi, comics, and more. George Musser is a contributing editor at Scientific American magazine, a contributing writer for Quanta magazine, and the author of three books on fundamental physics for the general public, most recently Putting Ourselves Back in the Equation. He is a co-recipient of two National Magazine Awards and sundry other prizes. He lives in Glen Ridge with his wife, his daughter, and his daughter's schnauzer. Resources: Magnum ForceThe LIUniverseNext Stop WonderlandHubble Space TelescopeWendy Freedman InterviewDark MatterDark EnergyJanna LevinSean CarrollRome Song (SNL)D&D LiveBooks:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!
Elizabeth Weiss's recent book, On the Warpath, chronicles her efforts to keep anthropology from falling prey to ideology, even as she curated a collection of ancient skeletons at San Jose State University. She and I had a chance to discuss her new book, and some of the ridiculous ways in which myth and superstition, and modern PC nonsense are intruding on the scientific study of humans and their ancestry. These included having a session the sex of skeletons being cancelled from a meeting of the American Anthropological Association because its leadership now insisted sex isn't binary, and the fact that the American Museum of Natural History warns visitors that certain artifacts have powerful supernatural characteristics. Many of her efforts have been to fight inappropriate repatriation of ancient bones to groups whose genetic relationship to these distant hominid ancestors is tenuous at best. It was this that caused her to lose her curations position at her University and eventually to retire from academia.It was a pleasure to talk common sense, and the importance of science for our understanding of the human condition with her. I hope you enjoy the conversation as much as I did. As always, an ad-free video version of this podcast is also available to paid Critical Mass subscribers. Your subscriptions support the non-profit Origins Project Foundation, which produces the podcast. The audio version is available free on the Critical Mass site and on all podcast sites, and the video version will also be available on the Origins Project YouTube. Get full access to Critical Mass at lawrencekrauss.substack.com/subscribe
Jackie Faherty, astrophysicist and science educator at the American Museum of Natural History, talks about the rare alignment of the planets, many visible without a telescope.
While Midtown Manhattan has many negative stereotypes among New Yorkers, the neighborhood is full of top-notch restaurants, vibrant bars, and phenomenal activities!In this article, we'll focus on what we're calling 'Upper Midtown,' or the area from 50th Street to Central Park and 8th Avenue to 5th Avenue.Top 4 Things to Do in Upper Midtown Central Park MoMa Radio City Carnegie HallTop 4 Restaurants in Upper Midtown Sugarfish - Get one of the omakase options; we usually get the Trust Me Quality Italian - Must try their homemade sambuca, Lobster alla vodka, and Whipped ricotta Kin Ramen Bengal TigerTop 4 Coffee Shops in Upper Midtown Blue Bottle Zibetto Espresso Ground Central Coffee Company Flavor Taste BodegaThis Episode's You'll Have to Check It Out Segment - The RibbonThe Ribbon is a cozy spot near Central Park West on the Upper West Side, with friendly staff, a phenomenal happy hour, and plenty of TVs with sports. They offer delicious drinks & their top-notch chicken tenders are probably our favorites in NYC.Their happy hour, daily from 4-7 pm, includes $7-$13 bites (including the chicken tenders) and $6 beer, $10 well drinks & wine, and $12 specialty cocktails, including a margarita, old fashioned, and pineapple mule.Check out The Ribbon on 72nd Street here.Top 4 Bars in Upper Midtown Valhalla Tanner Smith's - Brunch bottomless cocktails - $35 with the purchase of an entree for 90 minutes Haswell Green's - Named after Andrew Haswell Green, an influential city planner for NYC. Green was responsible for Central Park, the New York Public Library, the Bronx Zoo, the American Museum of Natural History, the Metropolitan Museum of Art, and also participated in or led significant projects, such as Riverside Drive, Morningside Park, Fort Washington Park, and protecting the Hudson River Palisades from destruction. Faces & Names - Great trivia set up every Tuesday night, solid food options include mini tacos, burgers, and pretzel bitesTop 4 Places to Shop Upper Midtown 5th Ave/Rockefeller Center Nordstrom Columbus Circle Tj Maxx on 57th street & 8th avenueDownload the full NYC Navigation & Transportation Guide here + join our newsletter here: https://rebrand.ly/nyc-navigation-guideGet the NYC Basic Tips & Etiquette book here:https://amzn.to/4fo5TRj
Stephanie H. Shih in the studio, Brooklyn, NY, 2025. Photo: Robert Bredvad Stephanie H. Shih (b. 1986, Philadelphia, PA) renders outdated consumer goods as trompe l'oeil sculptures that reveal the tensions within American domestic life. Turning everyday items—a Thighmaster, a self-help book, many pantries' worth of condiments—into intricately painted ceramic objects transforms each into a permanent artifact. Seen together, the works play with notions of timelessness and obsolescence, nostalgia and disillusionment. Shih has exhibited work at James Cohan, New York, NY; Jeffrey Deitch, Los Angeles, CA; Berggruen Gallery, San Francisco, CA; Alexander Berggruen, New York, NY; Cantor Arts Center, Stanford, CA; Berkeley Art Museum and Pacific Film Archive, Berkeley, CA; Santa Barbara Museum of Art, Santa Barbara, CA; Bradbury Art Museum, Jonesboro, AR; and the American Museum of Ceramic Arts, Pomona, CA. The artist has also been the recipient of numerous awards and residencies including the NYSCA/NYFA Artist Fellowship, New York, NY; residency at The Corporation of Yaddo, Saratoga Springs, NY as well as many others. Community work is central to Shih's practice, and since 2017, she has used her art and platform to raise over half a million dollars in direct aid for victims of state violence. Want to help? Click here. She is currently based in Brooklyn, New York. Works from Stephanie H. Shih's solo show Domestic Bliss (January 22-February 26, 2025) at Alexander Berggruen, New York. All works: 2023-2024, ceramic. Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Robert Bredvad Stephanie H. Shih Filet-O-Fish, 2023 ceramic 5 1/2 x 5 x 5 1/2 in. (14 x 12.7 x 14 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Robert Bredvad. Included in Stephanie H. Shih: Domestic Bliss (January 22-February 26, 2025) at Alexander Berggruen, NY. Stephanie H. Shih Zen and the Art of Motorcycle Maintenance, 2024 ceramic 7 x 4 1/2 x 1 1/2 in. (17.8 x 11.4 x 3.8 cm.) Copyright the artist. Courtesy of the artist and Alexander Berggruen, NY. Photo: Robert Bredvad. Included in Stephanie H. Shih: Domestic Bliss (January 22-February 26, 2025) at Alexander Berggruen, NY.
Matt Marble is an artist, author, audio producer and director of the American Museum of Paramusicology ("brilliant and humbling," The Paris Review). Both creatively and through historical research, his work explores the inspired intersections of art and metaphysics and the intuitive disciplines they mutually employ. Matt is the author of Buddhist Bubblegum: Esotericism in the Creative Process of Arthur Russell ("groundbreaking work," New York Times), and the producer/host of Secret Sound, a podcast exploring the metaphysical biopics of American musicians, and The Hidden Present, an audio interview series exploring intuitive discipline and spiritual imagination. Additional works have been featured by the California Festival, Warp Records, and the Philosophical Research Society. His writing, research, media production, and personal archive constitute the American Museum of Paramusicology (AMP), through which he also publishes the monthly AMP Journal. Matt's visual art and music are often rooted in his own dreamwork divination practice--the Astramira or "Wondering Stars." This work has been featured as a solo art exhibition at Greensboro Project Space, as well as through releases of instrumental guitar music and dream songs. His album of solo acoustic guitar music, The Living Mirror, was released by UK label The Crystal Cabinet in 2021. Matt holds a BA in speech & hearing science from Portland State University, a PhD in music composition from Princeton University, and a black rattlesnake from his dreams. On this episode, Matt discusses the relationship between music and mysticism, favorite musician-magicians, and how dreams influence his own sonic and visual art.Pam also talks about casting her love spell at Jinkx Monsoon's Carnegie Hall show, and answers a listener question about witchcraft and entrepreneurship.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are The Witch Summit, The Crystal Ballers podcast, BetterHelp, Black Phoenix Alchemy Lab, and The Witch and the Academic podcast.We also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave
Matt Marble is an artist, author, audio producer and director of the American Museum of Paramusicology. Both creatively and through historical research, his work explores the inspired intersections of art and metaphysics and the intuitive disciplines they mutually employ. Matt is the author of Buddhist Bubblegum: Esotericism in the Creative Process of Arthur Russell, and the producer/host of Secret Sound, a podcast exploring the metaphysical biopics of American musicians, and The Hidden Present, an audio interview series exploring intuitive discipline and spiritual imagination. Additional works have been featured by the California Festival, Warp Records, and the Philosophical Research Society. His writing, research, media production, and personal archive constitute the American Museum of Paramusicology (AMP), through which he also publishes the monthly AMP Journal.The term “paramusicology” was first coined in 1993 by author Melvyn Willin to address psychic and pagan histories of music. Musicology being the study of music, paramusicology is the study of paranormal music experience. Though the term has struggled to find solid footing, the paranormal generally refers us to that which is "beyond" or “outside” the normal—to experiences or phenomena which cannot be explained by scientific reasoning, objective perception, or causal agency. This points our awareness to what may be called the numinous* in human experience. Due to its abstract nature, to even convey the numinous requires active imagination and symbolic communication. The AMP explores how the numinous informs human listening. And it unpacks the esoteric philosophies and intuitive disciplines which facilitate and draw from our spiritual and auditory imagination.In this discussion, Matt shares a bit about his background, as well as his inspiration for creating his platform. He talks about his visual art project known as Wondering Stars, a mixture of music and physical visual works, and how this came out of his dreamwork.He also talks about his podcast, The Secret Sound, and his 7-part series called The Hidden Present, and we even go into a short discussion about musical modes (as used in Western music - (*thanks to my brother Dan for making that distinction) and their ‘moods', as well as how these can be useful tools for creativity.We then move to talk about the AMP Journal, and focus on Issue 16 from last August called “Spirit Invocations.” In this issues, Matt wrote about the film Longlegs and how sound (not ‘song', as I misspoke in the introduction) is key to this film, including the role of folk music and rock and roll and the esoteric aspects of these, along with how Marc Bolan served as inspiration and perhaps as blueprint of sorts for the main character. He also discusses the concept of the Fohat ( taken from the Theosophical Society) and how this may have inspired the ideas behind the metal balls that Longlegs placed inside the doll heads in the film.PROGRAM NOTEShttps://www.mattmarble.net/matt-marble (all links at the top of the page)https://www.mattmarble.net/buddhist-bubblegumhttps://www.mattmarble.net/amp-longlegshttps://mattmarble.bandcamp.com/https://www.youtube.com/@AmericanMuseumofParamusicologyhttps://www.instagram.com/americanmuseumofparamusicology/Full episode can be found at https://www.patreon.com/RejectedReligion, or purchased for a one-time fee. Music and Editing: Daniel P. SheaEnd Production: Stephanie Shea
Haley interviews Thomas Salerno, an educator, author, freelance essayist, and podcaster from Long Island, New York. With a bachelor's degree in anthropology and background in the fossil labs of the American Museum of Natural History in New York City, he turned to writing during the pandemic in 2020. This episode discusses Thomas's debut children's book The Riddle of the Tongue-Stones which just released from Word on Fire Votive and explores the importance of teaching children to integrate faith and science and helping them to develop friendships with the saints. You can find Thomas Salerno's new book The Riddle of the Tongue-Stones available for order from the Word on Fire Bookstore. Stay up-to-date with the latest episodes of the The Votive Podcast biweekly on WordonFire.org or wherever you listen to podcasts. Do you enjoy this podcast? Become a Word on Fire IGNITE member to support the production of the Votive Podcast and other initiatives from Word on Fire. Our ministry depends on the support of listeners like you! Become a part of this mission and join IGNITE today to become a Word on Fire insider and receive some special donor gifts for your generosity.
In the new novel All the Water in the World, the effects of climate change have caused much of Manhattan to flood. The story follows a family living in a settlement on the roof of the American Museum of Natural History. But when the floodwaters begin to rise, the family has to escape and see if they can save anything from the museum. Author Eiren Caffall joins us to discuss.
As the CEO and co-Founder of CorralData, Alex Lirstman is focused on leveraging AI to democratize data access and helping organizations become data-driven overnight. CorralData combines human data expertise with AI to make it simple for non-technical teams to analyze and act on their data. The platform allows users to unify disparate data sources and surface insights using natural language. CorralData's client roster includes category-leading organizations such as Sweetgreen, American Museum of Natural History, Just Salad, John Elliott, Brightfin, Lanvin, and St. John Knits.
What did dinosaur eggs taste like? In what shape would Jane Austen likely have had her dessert served to her? What does one of the world's leading paleontologists think of the paleo diet? How do you get maggots out of boiled sheep in the Gobi Dessert? How do you make ice cream on an uninhabited island in Madagascar in the summer? And how many ancient Aztecs would have had better teeth if they'd learned to eat corn by listening to The Sporkful? Dan gets answers to these questions and many more when he interviews the curators of a special food exhibit at the American Museum of Natural History entitled, "Our Global Kitchen: Food, Nature, Culture."This episode originally aired on February 10, 2013, and was produced by Dan Pashman. The Sporkful team now includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Nora Ritchie, and Jared O'Connell. Publishing by Shantel Holder.Every other Friday, we reach into our deep freezer and reheat an episode to serve up to you. We're calling these our Reheats. If you have a show you want reheated, send us an email or voice memo at hello@sporkful.com, and include your name, your location, which episode, and why.Transcript available at www.sporkful.com.Right now, Sporkful listeners can get three months free of the SiriusXM app by going to siriusxm.com/sporkful. Get all your favorite podcasts, more than 200 ad-free music channels curated by genre and era, and live sports coverage with the SiriusXM app.
Matthew and Alyce start off the year with a quick visit to the American Museum of Natural History in New York City, one of the most impressive gemstone and mineral collections in the world. Alyce puts Matthew's gem knowledge to the test, while Matthew concentrates on keeping them both out of trouble... www.courtville.ie Get social with Courtville, follow us on Instagram, Facebook, and TikTok This podcast was produced for Courtville by Tape Deck.
Terrence Deacon is Professor and Chair of the Department of Anthropology and member of the Helen Wills Neuroscience Institute at the University of California, Berkeley. His research combines developmental evolutionary biology and comparative neuroanatomy to investigate the evolution of human cognition, and is particularly focused on the explanation of emergent processes in biology and cognition. Terrence is a Harvard Lehman Fellow, a Harvard Medical School Psychiatric Neuroscience Fellow, a Western Washington University Centenary Alumni Fellow, and the 69^th James Arthur Lecturer for the American Museum of Natural History. He has published over 100 research papers in collected volumes and scholarly journals, and his acclaimed book, "The Symbolic Species: The Co-evolution of Language and the Brain" (1997) was awarded the I. J. Staley Prize for the most influential book in Anthropology in 2005 by the School of American Research. His other books include "Incomplete Nature: How Mind Emerged from Matter" (2011) and "Homo Sapiens: Evolutionary Biology and the Human Sciences" (2012). Lecture Title: "Inverse Darwinism: Evolution as Thermodynamic Work" or "How Biological Information Could Have Evolved From Thermodynamic Constraints" Special thanks to Terry for allowing me to share this lecture given at the Thermodynamics 2.0 Conference. EPISODE LINKS: - Terry's Podcast: https://youtu.be/_Kj2OgkxGa0 - Terry's Website: https://tinyurl.com/2zchenan - Terry's Publications: https://tinyurl.com/4tctx9ve - Terry's Books: https://tinyurl.com/yrxt72dh CONNECT: - Website: https://tevinnaidu.com - Podcast: https://podcasters.spotify.com/pod/show/drtevinnaidu - Twitter: https://twitter.com/drtevinnaidu - Facebook: https://www.facebook.com/drtevinnaidu - Instagram: https://www.instagram.com/drtevinnaidu - LinkedIn: https://www.linkedin.com/in/drtevinnaidu ============================= Disclaimer: The information provided on this channel is for educational purposes only. The content is shared in the spirit of open discourse and does not constitute, nor does it substitute, professional or medical advice. We do not accept any liability for any loss or damage incurred from you acting or not acting as a result of listening/watching any of our contents. You acknowledge that you use the information provided at your own risk. Listeners/viewers are advised to conduct their own research and consult with their own experts in the respective fields.
First up on today's wide-ranging show, Ralph speaks to political scientist Adolph Reed about how American politics has started taking its cues from professional wrestling and how the left can rebuild itself. Then, we welcome Steve Silberstein from National Popular Vote to update us on their interstate compact's progress. Finally, we're joined by three interns from the American Museum of Tort Law—Dylan Bird, Gabriel Duffany, and Rachel Donovan discuss a rather unique summer assignment.Adolph Reed is Professor Emeritus of political science at the University of Pennsylvania and an organizer with the Debs-Jones-Douglass Institute's Medicare for All-South Carolina initiative, and co-host of Class Matters Podcast. His most recent books are The South: Jim Crow and Its Afterlives and (with Walter Benn Michaels) No Politics but Class Politics.One of the things that struck me, especially, is during the pandemic it was striking to see how much full-blown animus toward government— or toward the idea of public and public goods—that there is out there in society at large. And we know Heritage (and the rest of the reactionary, the Koch brothers) have been fueling that and stoking that kind of resentment for as long as they've been around, frankly, right…But what's different is that since the Clinton years, the Democrats have been just as likely to attack the idea of government or public goods and public services, right? And they're more likely to do it backhandedly…So there hasn't been any space for people to connect even the fact that they like to go to the public library or like to use the public park with this bipartisan, full-bore attack on the idea of government. And that has gone so far and so deeply within society.Adolph ReedSteve Silberstein founded and served as the first president of Innovative Interfaces Inc., a leading supplier of computer software for the automation of college and city libraries. Mr. Silberstein sold his interest in the company in 2001 and now devotes his time to philanthropic and civic matters, one of which is sitting on the Board of Directors of National Popular Vote.Of the states that have passed [the National Popular Vote compact], it's mostly been with Democratic votes. Because for a while there's been a theory that Republicans couldn't win the national popular vote. That's why they opposed it. But now that they have actually won the popular vote this time around, that theory which caused some of them to oppose it has gone by the wayside.Steve SilbersteinThere's no reason for [Wisconsin, Pennsylvania, and Michigan being “swing states”]. You know, those states didn't even exist when the constitution was established. It's just purely an accident…Those states are not typical of the United States—each state is unique in some way. So, Wisconsin has a big dairy industry. Pennsylvania has coal mining or fracking or something like that. So the candidates just concentrate on those—what are really very obscure issues to most of the people in the country. These states are not typical. They are not representative in any way shape or form of the rest of the country.Steve SilbersteinDylan Bird is a sophomore at St Lawrence University, pursuing a double major in Global Studies and Spanish on a Pre Law Track. Gabriel Duffany is a sophomore at the University of Connecticut, pursuing a double major in Human Rights and Communication also on a Pre Law Track, and he is an intern at the American Museum of Tort Law. Rachel Donovan is the Outreach Coordinator at the American Museum of Tort Law, and she is pursuing studies in education. All three recently worked as summer interns at the American Museum of Tort Law in the VoxBox Civic Engagement Summer Course, and they participated in Ralph Nader's Dictionary Pilot.It's a very daunting task when somebody hands you a full dictionary—over a thousand pages or so—and asks you to read it front-to-back. Once you start to actually sink your teeth into it…I actually found it to be a very positive experience. Rather than simply looking up individual words and ending your journey there, the goal really becomes the exploration of knowledge.Dylan BirdFor me, what really did stand out wasn't the individual words. It was more so the process of defining that I found the most compelling. So it showed up to me in the linguistic sense that these aren't exact definitions here. They're more so measurements, gauges of people's public opinions and definitions that would shift over time. So it was interesting to see how the evolution of words came, how meanings evolved over time with new technologies, new cultural moments. And as a news writer, I found that fascinating—the complexities of a word, the connotations that go with it, they can make or break the framing of any certain topic.Gabriel DuffanyI think that this project could be very important for students of all ages because it's not often that you would use a physical dictionary very much anymore—versus just going online and looking up a word. And now multiple definitions could come up—you may not even find exactly what you're looking for, because words undergo new meanings on a near-daily basis. And I think having the chance to read the original definition may give students new meanings to words that they may have thought they had the knowledge of due to social media.Rachel DonovanNews 12/25/241. On December 19th, the Teamsters announced they would launch “the largest strike against Amazon in U.S. history.” This strike covers nearly 10,000 Amazon workers who have joined the Teamsters, with workers taking to the picket line in New York City Atlanta, Southern California, San Francisco and Skokie, Illinois. Teamsters President Sean O'Brien is quoted saying “If your package is delayed during the holidays, you can blame Amazon's insatiable greed. We gave Amazon a clear deadline to come to the table and do right by our members. They ignored it…This strike is on them.” Scenes from this strike went viral over the holidays; one video posted by Labor Notes journalist Luis Feliz Leon shows NYPD officers guarding a path for Amazon trucks to depart after clearing away a blockade by striking workers – in case you were wondering whose side the cops are on.2. In more Amazon union news, INDY Week's Lena Geller reports that on December 23rd Amazon workers filed for a union election at the RDU1 warehouse in Garner, North Carolina. These workers are organizing under the auspices of Carolina Amazonians for Solidarity and Empowerment, aka CAUSE, which states that “despite an illegal campaign of intimidation by Amazon, which is desperate to keep unions out to continue paying poverty wages and failing to improve dismal work conditions,” the union believes they have “easily” exceeded the 30% card check threshold to demand an election. If successful, RDU1 would become the first unionized Amazon facility in the South.3. Independent investigative journalists Ken Klippenstein and Dan Boguslaw are out with a report on a potential conflict of interest in the Luigi Mangione prosecution. Apparently, “Magistrate Judge Katharine H. Parker, who is overseeing pre-trial hearings for…Mangione, is married to a former Pfizer executive.” Judge Parker's husband, Bret Parker, had served as Vice President and assistant general counsel at Wyeth, and held the same titles after that company was purchased by Pfizer. According to financial disclosures, Mr. Parker still collects a pension from Pfizer in the form of a “Senior Executive Retirement Plan.” The Parkers also own hundreds of thousands of dollars' worth of stock in Pfizer itself, along with other pharmaceutical, biotechnology, and healthcare companies. These holdings raise grave questions about the impartiality of this judge.4. In more news from New York, Gothamist reports New York Governor Kathy Hochul has vetoed a bill which would have “reversed New York's longstanding ban on jury service for anyone convicted of felonies at any point in their lives. If enacted, the bill would have allowed people with felony convictions to serve only after completing their sentences, including parole.” This bill passed with the support of the New York Civil Liberties Union and Phil Desgranges, an attorney at The Legal Aid Society, called this bill “common-sense legislation.” State Senator Jabari Brisport wrote “Fun fact about [New York] politics. The Governor has until end of year to sign bills so she usually waits until [the] holiday season and vetoes a bunch right before Christmas, hoping no one notices.” The Gothamist piece notes that Hochul vetoed 132 bills over the weekend.5. Turning to Israel, a remarkable story in unfolding around the 80th anniversary of the liberation of Auschwitz. According to Democracy Now!, Israeli Prime Minister Benjamin Netanyahu is planning to skip the anniversary “out of fears he might be arrested for committing war crimes in Gaza.” As we have documented on this program, the International Criminal Court issued arrest warrants for Netanyahu and his former defense minister Yoav Gallant in November, and since then various countries have grappled with their obligations under international law to arrest the pair. While certain ICC signatory nations like Germany and France have sought to weasel out of these commitments, according to this report, “Poland's deputy foreign minister recently confirmed Poland would comply with the ICC arrest warrants if Netanyahu visited.”6. On the domestic front, newly elected Congressional Progressive Caucus chair Greg Casar has sent a letter to Secretary of State Antony Blinken and Defense Secretary Lloyd Austin demanding that the Biden administration withhold new transfers of offensive weaponry to the Israeli military. In this letter, he and other progressive members of Congress make clear that the administration itself has “correctly identified steps the Israeli government must take in order for continued transfers…to be in accordance with U.S. law,” and that “the Israeli government has failed to take sufficient action or change course.” This letter is signed by 20 members of Congress including Casar himself along with Summer Lee, James McGovern, Mark Pocan, Pramila Jayapal, Sara Jacobs, AOC, Rashida Tlaib, and others.7. In a stunning story picked up by POLITICO, Republican Congresswoman Kay Granger – chair of the critical House Appropriations Committee until last April – has been missing in action for months. Despite continuing to hold her Texas seat, she has not cast a vote at all since July. Calls to her office went unanswered and unreturned. Visits to her office found it vacant. And when investigative reporters sought her out, they wound up finding her in an assisted living facility wracked with dementia. This story is tragic; Granger's son has spoken out since publication, addressing how rapidly his mother's mental decline has progressed. Yet, this is just the most striking example of the gerontocracy that has gripped Capitol Hill. And at least Granger had the sense remaining to recuse herself from votes; rebellious Republican Congressman Thomas Massie of Kentucky is quoted saying he's “more concerned about the congressmen who have dementia and are still voting.”8. Moving to some good news, the Federal Trade Commission announced last week that they, along with the Attorney General of Illinois, have reached a $25 million settlement with food delivery giant GrubHub, stemming from the firm's engagement in “an array of unlawful practices including deceiving diners about delivery costs and blocking their access to their accounts and funds, deceiving workers about how much money they would make delivering food, and unfairly and deceptively listing restaurants on its platform without their permission.” In addition to the monetary penalty, the company must make significant changes to its operations model, including “telling consumers the full cost of delivery, honestly advertising pay for drivers, and listing restaurants on its platform only with their consent.” This is a victory for consumers, workers, restaurants, but perhaps above all, the rule of law. As FTC Chair Lina Khan puts it “There is no ‘gig platform' exemption to the laws on the books.”9. On December 23rd, President Biden announced that he would commute the death sentences for 37 out of the 40 federal prisoners on death row, in a major victory for ending executions by the state. These sentences have been commuted to life in prison without the possibility of parole. In a statement, Biden wrote “I've dedicated my career to reducing violent crime and ensuring a fair and effective justice system…Make no mistake: I condemn these murderers, grieve for the victims of their despicable acts, and ache for all the families who have suffered unimaginable and irreparable loss. But… I am more convinced than ever that we must stop the use of the death penalty at the federal level.” He ends this statement by alluding to the fact that as president he has imposed a moratorium on federal executions and fears that the incoming Trump administration will resume state-sponsored killings. Per AP, the three inmates whose sentences were not commuted are: Dylann Roof, the Mother Emanuel AME Church shooter, Boston bomber Dzhokhar Tsarnaev, and Tree of Life Synagogue shooter Robert Bowers.10. Finally, on Christmas Eve, Bernie Sanders issued a statement laying out “How to Make America Healthy Again,” echoing the language used by Robert F. Kennedy Jr. Under Bernie's plan, this initiative would include Medicare for All, lowering the cost of prescription drugs, paid family and medical leave, a 32-hour work week, raising the minimum wage, and reforms to the food industry itself, such as banning junk food ads and stronger warning labels on high-sugar products. As with Bernie's qualified embrace of the “Department of Government Efficiency” this should be seen as a savvy move to call the Trump team's bluff. Will they really go after big sugar? Or will they bend the knee to their corporate benefactors yet again?This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe
STEGOSAURUS AUCTION NOW $44.6 MILLION: : 1/4: The Monster's Bones: The Discovery of T. Rex and How It Shook Our World Hardcover by David K. Randall (Author) https://www.amazon.com/Monsters-Bones-Discovery-Shook-World/dp/1324006536 In the dust of the Gilded Age Bone Wars, two vastly different men emerge with a mission to fill the empty halls of New York's struggling American Museum of Natural History: Henry Fairfield Osborn, a privileged socialite whose reputation rests on the museum's success, and intrepid Kansas-born fossil hunter Barnum Brown. When Brown unearths the first Tyrannosaurus Rex fossils in the Montana wilderness, forever changing the world of paleontology, Osborn sees a path to save his museum from irrelevancy. With four-foot-long jaws capable of crushing the bones of its prey and hips that powered the animal to run at speeds of 25 miles per hour, the T. Rex suggests a prehistoric ecosystem more complex than anyone imagined. As the public turns out in droves to cower before this bone-chilling giant of the past and wonder at the mysteries of its disappearance, Brown and Osborn together turn dinosaurs from a biological oddity into a beloved part of culture. Vivid and engaging, The Monster's Bones journeys from prehistory to present day, from remote Patagonia to the unforgiving badlands of the American West to the penthouses of Manhattan. With a wide-ranging cast of robber barons, eugenicists, and opportunistic cowboys, New York Times best-selling author David K. Randall reveals how a monster of a bygone era ignited a new understanding of our planet and our place within it. 1856 DINOSAURIA CRYSTAL PALACE
STEGOSAURUS AUCTION NOW $44.6 MILLION: : 2/4: The Monster's Bones: The Discovery of T. Rex and How It Shook Our World Hardcover by David K. Randall (Author) https://www.amazon.com/Monsters-Bones-Discovery-Shook-World/dp/1324006536 In the dust of the Gilded Age Bone Wars, two vastly different men emerge with a mission to fill the empty halls of New York's struggling American Museum of Natural History: Henry Fairfield Osborn, a privileged socialite whose reputation rests on the museum's success, and intrepid Kansas-born fossil hunter Barnum Brown. When Brown unearths the first Tyrannosaurus Rex fossils in the Montana wilderness, forever changing the world of paleontology, Osborn sees a path to save his museum from irrelevancy. With four-foot-long jaws capable of crushing the bones of its prey and hips that powered the animal to run at speeds of 25 miles per hour, the T. Rex suggests a prehistoric ecosystem more complex than anyone imagined. As the public turns out in droves to cower before this bone-chilling giant of the past and wonder at the mysteries of its disappearance, Brown and Osborn together turn dinosaurs from a biological oddity into a beloved part of culture. Vivid and engaging, The Monster's Bones journeys from prehistory to present day, from remote Patagonia to the unforgiving badlands of the American West to the penthouses of Manhattan. With a wide-ranging cast of robber barons, eugenicists, and opportunistic cowboys, New York Times best-selling author David K. Randall reveals how a monster of a bygone era ignited a new understanding of our planet and our place within it. 1966 DINO HUNTING WESTERN CANADA
STEGOSAURUS AUCTION NOW $44.6 MILLION: : 3/4: The Monster's Bones: The Discovery of T. Rex and How It Shook Our World Hardcover by David K. Randall (Author) https://www.amazon.com/Monsters-Bones-Discovery-Shook-World/dp/1324006536 In the dust of the Gilded Age Bone Wars, two vastly different men emerge with a mission to fill the empty halls of New York's struggling American Museum of Natural History: Henry Fairfield Osborn, a privileged socialite whose reputation rests on the museum's success, and intrepid Kansas-born fossil hunter Barnum Brown. When Brown unearths the first Tyrannosaurus Rex fossils in the Montana wilderness, forever changing the world of paleontology, Osborn sees a path to save his museum from irrelevancy. With four-foot-long jaws capable of crushing the bones of its prey and hips that powered the animal to run at speeds of 25 miles per hour, the T. Rex suggests a prehistoric ecosystem more complex than anyone imagined. As the public turns out in droves to cower before this bone-chilling giant of the past and wonder at the mysteries of its disappearance, Brown and Osborn together turn dinosaurs from a biological oddity into a beloved part of culture. Vivid and engaging, The Monster's Bones journeys from prehistory to present day, from remote Patagonia to the unforgiving badlands of the American West to the penthouses of Manhattan. With a wide-ranging cast of robber barons, eugenicists, and opportunistic cowboys, New York Times best-selling author David K. Randall reveals how a monster of a bygone era ignited a new understanding of our planet and our place within it. 1942
STEGOSAURUS AUCTION NOW $44.6 MILLION: : 4/4: The Monster's Bones: The Discovery of T. Rex and How It Shook Our World Hardcover by David K. Randall (Author) https://www.amazon.com/Monsters-Bones-Discovery-Shook-World/dp/1324006536 In the dust of the Gilded Age Bone Wars, two vastly different men emerge with a mission to fill the empty halls of New York's struggling American Museum of Natural History: Henry Fairfield Osborn, a privileged socialite whose reputation rests on the museum's success, and intrepid Kansas-born fossil hunter Barnum Brown. When Brown unearths the first Tyrannosaurus Rex fossils in the Montana wilderness, forever changing the world of paleontology, Osborn sees a path to save his museum from irrelevancy. With four-foot-long jaws capable of crushing the bones of its prey and hips that powered the animal to run at speeds of 25 miles per hour, the T. Rex suggests a prehistoric ecosystem more complex than anyone imagined. As the public turns out in droves to cower before this bone-chilling giant of the past and wonder at the mysteries of its disappearance, Brown and Osborn together turn dinosaurs from a biological oddity into a beloved part of culture. Vivid and engaging, The Monster's Bones journeys from prehistory to present day, from remote Patagonia to the unforgiving badlands of the American West to the penthouses of Manhattan. With a wide-ranging cast of robber barons, eugenicists, and opportunistic cowboys, New York Times best-selling author David K. Randall reveals how a monster of a bygone era ignited a new understanding of our planet and our place within it. 1915 AMERICAN NATURAL HISTORY MUSEUM
***Listen to GFY on the radio!***You can now hear the show LIVE on the radio in the Los Angeles area on NPR station LAist 89.3 FM. You can also stream the show live around the world at LAist.com (Click the big “Listen” button at the top of the page.)Airtimes: Saturdays at 10am & 5pm. Sundays at 8pm. (All times Pacific)—--We're firing up some star-studded trivia on this brand new episode of Go Fact Yourself!In this episode…Guests:Marc Summers is the original host of Nickelodeon's hit game show “Double Dare.” He'll tell us what it was like hosting the messiest show on television… as he was getting diagnosed with Obsessive Compulsive Disorder. You can see Marc in the upcoming Hallmark movie Hannukah on the Rocks.Michaela Watkins is an accomplished actor who's expanded her talents into being an executive producer. What's the biggest difference between the two crafts? The footwear! You can see Michaela in the upcoming film Suze.Areas of ExpertiseMarc: Johnny Carson, the TV show “Star Search,” and Comedy MagiciansMichaela: The film Bugsy Malone, the TV show “Sex and the City,” and pottery. What's the difference: Corn FlakesWhat's the difference between an ear of corn and a cob of corn?What's the difference between crispy and crunchy?With guest experts:Pam Aliaga: Exhibitions Manager for the American Museum of Ceramic ArtReniel Del Rosario: Artist in Residence at the American Museum of Ceramic Art. Sam Harris: Singer, theater actor, and original winner of “Star Search.”Hosts: J. Keith van StraatenHelen HongCredits:Theme Song by Jonathan Green.Maximum Fun's Senior Producer is Laura Swisher.Co-Producer and Editor is Julian Burrell.Seeing our next live-audience shows in LA by YOU!
They're acrobatic fliers with long bodies and veined wings and their babies breathe through their butts: dragonflies. Let's get into the difference between a damselfly and dragonfly, how fast they dart around, how big they were in the age of the dinosaurs, sci-fi aviation inspiration, mating choreography, attracting them to your yard (maybe to eat them) and lots more with scholar, American Museum of Natural History curator, and dragonfly expert: Dr. Jessica Ware.Visit Dr. Ware's website and follow her on Google Scholar, Instagram and XBuy Jessica's children's book, Bugs (A Day in the Life): What Do Bees, Ants, and Dragonflies Get up to All Day?, on Amazon or Bookshop.orgA donation went to the World Dragonfly AssociationMore episode sources and linksSmologies (short, classroom-safe) episodesOther episodes you may enjoy: Entomology (INSECTS), Lepidopterology (BUTTERFLIES), Cicadology (CICADAS), Sparklebuttology (FIREFLIES), Dipterology (FLIES), Entomophagy Anthropology (EATING BUGS), Plumology (FEATHERS), Melaninology (SKIN/HAIR PIGMENT), Ophthalmology (EYES)Sponsors of OlogiesTranscripts and bleeped episodesBecome a patron of Ologies for as little as a buck a monthOlogiesMerch.com has hats, shirts, hoodies, totes!Follow @Ologies on Instagram and XFollow @AlieWard on Instagram and XEditing by Mercedes Maitland of Maitland Audio Productions and Jacob ChaffeeManaging Director: Susan HaleScheduling Producer: Noel DilworthTranscripts by Aveline Malek Website by Kelly R. DwyerTheme song by Nick Thorburn
1/2: #ANT-FARMiNG: The ant colony that farms and prospers on fungi created out of the eco collapse of 66 million years ago. Ted Schultz, Smithsonian Museum. David Livingston, SpaceShow.com The coevolution of fungus-ant agriculture. Science, 386(6717), 105-109. https://doi.org/10.1126/science.adn7179 2922 American Museum of Natural History
Astrophysicist and science educator at the American Museum of Natural History, Jackie Faherty, talks about comets, planets and constellations visible this season, plus the aurora borealis that made a rare appearance in the NYC sky.
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