Podcasts about Factory Records

Send us a text- FOLGE 88 -  Wir klären in dieser Folge ein für alle Mal:Okay, aus Raider wurde Twix, das weiß jeder, aber was wurde sonst noch so umbenannt oder ist verschwunden?Welche deutsche Fast-Food-Kette gibt es zum Glück nicht mehr?Welche amerikanische Fast-Food-Kette war die erste in Deutschland? Und nein, es nicht McDonalds.Und natürlich die Fragen aller Fragen: Hieß es in Deutschland in den 80ern Pizza Hut (wie englisch für Hütte) oder Pizza Hut (wie der Hut)?  -       Fun facts, hard facts & Nerd FactsWer wissen will, warum Wendy's in der EU wegen eines holländischen Mini-Imbissstands nicht mehr vertreten ist, findet die Antwort hier: https://bit.ly/43RChrAHier der Link zur Pizza Hut Werbung mit Donald Trump und einer seiner unzähligen Ex-Frauen: https://bit.ly/4jKBcbgUnd hier der Link zur Pizza Hut Werbung mit Michael Gorbatschow (im Gegensatz zu Donald Trump ein Held der 80er und für die Ewigkeit): https://bit.ly/4jHEPyK  -        Unser Buchtipp:Hans Seelenmeyer: Funky Chicken Blues. Ein Wendland-Krimi mit dem Revoluzzer-Hahn Che, einem antriebsarmen Bio-Bauern und jede Menge Morden: https://bit.ly/459qjfr -        Unser Filmtipp:"B-Movie: Lust & Sound in West-Berlin 1979-1989": Eine wilde Reise durch die Mauerstadt der 80er, an der Seite der damaligen Szenegröße Mark Reeder, Vertreter von Factory Records in West-Berlin. Scheut euch den Film unbedingt an, damit ihr in der übernächsten Folge mitreden könnt! Gibt es als DVD/Bluray hier: https://bit.ly/3SGXpfb Oder bei Apple TV zum Leihen für unter 3 Euro hier: https://bit.ly/3HMuu75 -        Unser Konzerttipp:80er live, die größte 80er Stadiontour der Welt.18 Juli Hamburg, Volksparkstadion25 Juli Schalke, Veltins Arena2. August Frankfurt Deutsche Bank ArenaDetails findet ihr hier: https://80er-live.de Und nicht vergessen: Das nächste Purwien & Kowa Konzert findet am Samstag, 26.07.25 ab 19:30 Uhr in Saalbau Witten statt, zusammen mit T.O.Y. im Rahmen des Kultursommers Witten: https://bit.ly/4jZw2IT -       Links·        Podcast Disko 80: https://disko80.buzzsprout.com·        RSS-Feed: https://feeds.buzzsprout.com/1754816.rss·        Disko 80 bei Replay.fm: listen.replay.fm/tunein-aac-hd·        Aktuelle CD von Purwien & Kowa: https://ffm.to/puk5·        Musik von Purwien & Kowa: https://purwienkowa.bandcamp.com·        Bücher von Purwien & Kowa: https://amzn.to/2W9Ftj8·        Videos von Purwien & Kowa: https://bit.ly/3QVfTbR·        Follow us on Facebook: https://www.facebook.com/purwienundkowa 

Yasi is joined by Big Picture host Sean Fennessey to talk abou music biopics, specifically diving into two films that deal with key figures in the British music landscape, Tony Wilson of Factory Records in 24 Hour Party People (2002), and Alan McGee of Creation Records in Creation Stories (2021).  CREDITS: Host: Yasi Salek @yasisalek Guest: Sean Fennessey IG: @seanfennessey, X: @SeanFennessey Producer: Liz Sánchez  Audio Editor: Adrian Bridges Additional Production Supervision: Justin Sayles Theme Song: Bethany Cosentino Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a text- FOLGE 83 -  Wir klären in dieser Folge ein für alle Mal:Hat New Order wirklich den Song Blue Monday für eine Werbung von Sunkist neu eingesungen?Wie kam es dazu, dass Bernhard Sumner zum Sänger von New Order wurde?Warum wurde der Name New Order zum Problem?Warum war Blue Monday trotz des riesigen Erfolgs ein VerlustgeschäftWie kam es dazu, dass New Order an der Hacienda beteiligt war?  -       Fun facts, hard facts & Nerd Facts Factory records hat mit Blue Monday bei jeder Maxi-Single 5 Pence verloren, wegen des aufwändigen Floppy Disc Covers.Peter Hook hat New Order 2007 verlassen, direkt vor der Premiere von Control.Hier der Auftritt von New Order bei Pop of the Tops, der dafür gesorgt hat, dass Blue Monday in den Charts erst einmal abgesunken ist. https://www.youtube.com/watch?v=tJBAVTwUzHUUnd hier das lustige Video von Touched by the hand of god: https://www.youtube.com/watch?v=T9M_bqIB6EUMehr zum sehr sehenswerten Film 24 hour party people, der auf lustige Art und Weise die Geschichte von Factory Records und der Hacienda erzählt: https://en.wikipedia.org/wiki/24_Hour_Party_PeopleUnd auch den Dokumentarfilm von Mark Reeder B-Movie: Lust & Sound in West-Berlin 1979–1989solltet ihr euch unbedingt anschauen: B-Movie: Lust & Sound in West-Berlin 1979–1989 -       LinksPodcast Disko 80: https://disko80.buzzsprout.comRSS-Feed: https://feeds.buzzsprout.com/1754816.rssDisko 80 bei Replay.fm: listen.replay.fm/tunein-aac-hdHomepage: http://www.purwienundkowa.comAktuelle CD von Purwien & Kowa: https://ffm.to/puk5Musik von Purwien & Kowa: https://purwienkowa.bandcamp.comBücher von Purwien & Kowa: https://amzn.to/2W9Ftj8Videos von Purwien & Kowa: https://bit.ly/3QVfTbRFollow us on Facebook: https://www.facebook.com/purwienundkowaSpotify Playlist Folge 83: https://bit.ly/4k41gzx 

Ah, the bizarre love/hate life of the New Order fan. What's your most loved and least favorite song on Low-Life?! For our fourth Request Episode Election, we went through dozens of listener suggestions to nominate Joe Jackson's Look Sharp, Jane's Addiction's Ritual de lo Habitual and this 1985 Manchester classic, which won in a landslide election. While half of us moaned about the album choice from our mystery nominators (MIA), we all had lots of great memories to share of adoring and rolling our eyes at NO. Superfan Sam hosted and held up lots of New Order vinyl, old tshirts were dusted off and Adam delivered an avalanche of guest rankers, starting with internationally-loved San Diego superstars Koi Division, who donned their iconic fish heads for a filmed interview. Days later, he visited Gold Diggers Sound in Los Angeles to chat with Dave Trumfio of the synth-lovin' Pulsars, whose lone 1997 debut/farewell album has finally recently been reissued. The two full interviews will be on our Youtube channel. Just you wait. In addition to getting tribute band opinions from San Francisco's Temptation and San Diego's Thieves Like Us (Substance responded too late to have their support for "Sunrise" be included), he got first hand accounts of 91X FM's infamous 1985 year-end countdown switcheroo from DJs Dwight Arnold, Pam Wolf and Billy Bones. Listen at WeWillRankYouPod.com, Apple, Spotify and your favorite voting booth.  Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod . SPOILERS/FILE UNDER:Angel dust, Angel Dust, Dwight Arnold, As It Is When It Was, Blue Monday, Billy Bones, breathing solo, Brotherhood, capitalization, Jimmy Cliff, Ian Clownfish, cowbell, the Cure, dance pop, darkwave, Darker Waves Festival, Jonathan Demme, Depeche Mode, double claps, Echo and the Bunnymen, Elegia, England, Erasure, Face Up, Factory Records, folk music, frogs, funeral soundtrack, Gene Loves Jezebel, Gillian Gilbert, harpsichord, Hook, Peter Hook, hooky, Hooky, Joy Division, Koi Division, Love Vigilantes, Low-Life, Manchester, Ennio Morricone, Stephen Morris, New Order, new wave, 91X FM, Oyster Band, Paradise, The Perfect Kiss, post-punk, Power Corruption and Lies, Pretty In Pink, Pulsars, request episode, Bernard Salmon, Peter Saville, seasonable, shaft, shenanigans, Simple Minds, Sooner Than You Think,  Sub-culture, Bernard Sumner, Sunrise, synthpop, Temptation, terrible lyrics, Thieves Like Us, This Time of Night, tribute band, Dave Trumfio, Weirdo, Steve West, Pam Wolf, 1963, 1985. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

This week, we talk to BRETT BOHAM (producer of Double Threat & The Best Show w/ Tom Scharpling + co-host of Movies Babyyyyy) about the UK film 24 HOUR PARTY PEOPLE. We discuss Steve Coogan's incredible performance as Tony Wilson (who put out records by Joy Division, New Order, Happy Mondays) and Paddy Considine as Rob Gretton, unearthing fake Stone Roses footage that was not used in the film, pivotal video store moments, working with Julie Klausner & Tom Scharpling, Brett being able to relate to Tony Wilson's handling of artists, discovering Joy Division, Shawn Rider, visiting the Hacienda, Goodfellas coke scenes, The Fall and the Manchester music scene, Tony Wilson being a prick in real life, Hollywood Vs. Blockbuster video stores, the B52s and the Athens music scene, Fassbinder films, getting your videos from your local bike shop, 1999 movies, the UK music press, Outkast, how the film uses actual news footage of Tony Wilson, backing up being a pretentious person, Todd Haynes, the Factory Records artwork, not having a contract with an artist, Martin Hannett, legendary under attended rock shows, early White Stripes and Dinosaur shows, how the Sex Pistols playing Manchester changed the course of music forever, Touch & Go records & Butthole Surfers, filmmaker Michael Winterbottom, Coffee & Cigarettes, Alan Partridge, A Certain Ratio, passing the car stereo test, skinheads infiltrating the UK music scene, Pulp and various Factory releases such as #61 Lawsuit featuring Martin Hannett & #501 Tony Wilson's Coffin. So, let's go ahead and sign a contract in blood as we delve into this week's Revolutions Per Movie.BRETT BOHAM:https://foreverdogpodcasts.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

On this week's Talkhouse Podcast we've got a couple of guys who are big parts of hardcore's current wave: Julian Cashwan Pratt of Show Me The Body and Graham Sayle of High Vis. Show Me The Body was conceived when Pratt was still in high school in New York City, enamored of the town's history of aggressive punk—and that music's propensity for political lyrics. But Show Me The Body, like other current hardcore bands making waves in the past few years, doesn't stick with the genre's typical signifiers. For one, Pratt's primary instrument is banjo, and it's attached to sounds that draw not only from hardcore's past, but also electronic blasts of noise and even some hip-hop. Show Me The Body's latest album is called Trouble The Water, and it's both tense and intense. It's a hell of a listen, though the band needs to be seen live to fully experience it. The other half of today's conversation is Graham Sayle, whose band High Vis formed in London around 2016, and whose version of hardcore dials in a healthy dose of British post-punk. They've been described as a mix of Factory Records and Cro-Mags—that'd be the legendary label that spawned Joy Division and New Order plus the legendary New York hardcore band—which is sort of perfect. There are elements of goth in there as well, but with a smart, sneering energy that's tough to deny. Show Me The Body and High Vis just started a US tour together, and they collaborated on a song and accompanying video that was just released on an EP called Corpus II EP II. You can find tour dates at showmethebody.com, and check out a little bit of their collaborative track, called “Stomach,” right here. As hardcore dudes often do, these guys chatted about what hardcore means to them, including that sense of community you can't get anywhere else. They also talk about how having a child has changed Pratt's outlook a bit, but how he's still fired up politically and ready to put it all out there on the stage. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Julian Cashwan Pratt and Graham Sayle for chatting. If you liked what you heard, please give the Talkhouse Podcast a review on your favorite platform, and don't forget to check out all the good stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse

POWER, CORRUPTION & LIES – NEW ORDER with special guest Lindsay Reade. 'Power, Corruption & Lies' cemented New Order's place as the most exciting dance-rock hybrid in music. Released on Factory, the album stands as a thrilling introduction to a band finding its feet and leaping ahead of the pack. With special guest LINDSAY READE. We were delighted to welcome Lindsay Reade as our guest, who was at the heart of the vast cultural changes that took place within Manchester and its evolving music scene during the past three decades. Lindsay worked at Factory Records, sang lead vocals on a Durutti Column single, was an early manager of The Stone Roses and much more besides. Lindsay was also married to Factory Records owner and Haçienda director, Tony Wilson. Her new memoir, ‘A Continual Farewel,' l tells the incredible story of their tempestuous and mercurial relationship. AMANDA COOKE was in the interviewer's chair. This event took place on 15th August 2024 in the Pigeon Loft at The Robin Hood, Pontefract, West Yorkshire. To find out more about the CAT Club please visit: www.thecatclub.co.uk This podcast has been edited for content and for copyright reasons. Happy Trails.

Britain's Railway Children were a band stuck between movements. Too late for the post-punk explosion of the early 80s and done just before Britpop conquered the world, they released a handful of albums and songs that deserved more attention. "Every Beat of the Heart" did crackthe UK top 40 and singles like "A Pleasure" and "Brighter" did well on the indie charts, but it wasn't enough and the band called it quits in the early 90s after three albums. Frontman Gary Newby joins us this week to explain how it all went down including their tours of the states, going from Factory Records to Virgin, and releasing more music on the band's name. These guys are ripe for rediscovery. Enjoy!  www.railwaychildren.co.uk  www.patreon.com/thehustlepod

Peter Saville is an English art director and graphic designer. He was one of the founders of Factory Records in 1978 and designed many record sleeves for their bands including Joy Division's 'Unknown Pleasures' and New Order's 'Power Corruption and Lies'. Outside of Factory he did work for artists such as Roxy Music, Wham!, OMD, Ultravox, Peter Gabriel, Suede and Pulp. He's worked with various fashion houses including Christian Dior, Stella McCartney and Calvin Klein. He was the Creative Director of the City of Manchester, designed the England football team home shirt and in 2020 was appointed Commander of the Order of the British Empire (CBE) for services to design.Wikipedia: https://en.wikipedia.org/wiki/Peter_Saville_(graphic_designer)Work For Sale: https://www.paulstolper.com/artists/28-peter-saville/works/Fan site: https://petersaville.info/The Cluster F Theory Podcast is edited by Julian Mayers at Yada Yada https://www.yada-yada.net/. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit theclusterftheory.substack.com

How Queer Culture Shaped Pop Culture "The 1972 version of David Bowie didn't spring from nowhere.  Although he refused to affiliate himself explicitly with gay liberation, he had found both artistic and social inspiration in the gay world, in particular the renewed sense of freedom and possibility that rippled through the British gay subculture in the early 1970s." We finally lured the award-winning, bestselling author, pop-culture, punk penman Jon Savage to the Bureau to talk about his life and epic new book The Secret Public: How LGBTQ Resistance Shaped Popular Culture (1955–1979) It's an electrifying, massively entertaining - and at times, tragic - look at key moments in music history between 1955 and 1979, which helped move gay culture from the margins to the mainstream and changed the face of pop forever – from the ambiguous sexuality of stars such as Little Richard in the 1950s through to David Bowie, glam rock and Sylvester's ‘You Make Me Feel(Mighty Real)'. We talked about all that, about Punk, Joy Division, Tony Wilson, Johnny Marr, Factory Records and about how Jon grew up in the London of the late '50s and '60s, how he became a writer during one of the most exciting times for music journalism in the '70s and '80s - and about his own Secret Public Life.. More on the book here More on the compilation album here More on Jon here #homosexuality #sex #london #queer #gayliberation #musichistory #sexuality #gay #tomrobinson #gladtobegay #queerculture #counterculture #punk #comingout #homesexuality #joydivision #theclash #sex #johnnymarr #factoryrecords #johnnymarr #faberandfaber #littlerichard #glf #gayliberationfront #bisexuality #pride #london #queer #gayliberation #lgbtq #sexuality #gay #thesecretpublic #musicpress #gaydisco #jonsavage #thesmiths #bowie

Lines of Silence are a kosmische / krautrock referencing band hailing from Todmorden, West Yorkshire by way of South East London and Manchester. Formed in 2020 as a side project for David Little, Lines of Silence subsequently expanded into a loose collective of like-minded musicians, often playing improvised live sets with an ever-shifting line-up. Lines of Silence's 2024 incarnation is centred around a core duo of Todmorden's David Little and Manchester's Dave Clarkson, with live visuals supplied by John Bonner and Adrian Ball. The band's newest member, Dave Clarkson, has an extensive and illustrious history in electronic and experimental music circles spanning three decades. Dave is a member of the band Scissorgun alongside Alan Hempsall of Crispy Ambulance, as well as recording as a solo artist. Recent solo work has included a series of Pocket Guide field recording based albums and an album of mini soundtracks called Dreamadelica – Music for Dreamachines. Dave's past work has included collaborations with Ruth Davies (as Spectral Bazaar), Factory Records legend Vini Reilly, 808 State's Graham Massey, Alastair Stray (as Psychic Frequencies), the Burst Couch collective as well as providing soundtracks for various filmmakers. #Lines #Silence #Music #interview #AnalogueTrash

Show #1042 Still Got The Digital Blues 01. Buddy Guy - Damn Right I Got The Blues (6:25) (Live At Legends, RCA Records, 2012) 02. Bobby 'Hurricane' Spencer - I Got The Blues (4:08) (Unleased, Annie Mae Records, 2014) 03. The John Weeks Band - The Blues Just Got More Blue (3:43) (Dark Angel, self-release, 2016) 04. Scott Ellison - These Blues Got A Hold On Me (4:38) (Skyline Drive, Red Parlor Records, 2020) 05. Barbara Carr - I Got The Blues (3:28) (Keep The Fire Burning, Catfood Records, 2012) 06. The Texas Horns - Blues Gotta Holda Me (2:31) (Blues Gotta Holda Me, VizzTone Records, 2015) 07. The Rolling Stones - I Got The Blues (3:54) (Sticky Fingers, Rolling Stones Records, 1971) 08. Solomon Buke - I Got The Blues (4:11) (Make Do With What You Got, Shout! Factory Records, 2005) 09. Markey Blue Ric Latina Project - You Got The Blues (4:39) (Jumpin' The Broom, SoulOSound Records, 2022) 10. Blind Lemon Pledge - You Know You Reallty Got The Blues (3:39) (Pledge Drive, Ofeh Records, 2016) 11. Sass Jordan - Still Got The Blues (5:43) (Rebel Moon Blues, Stony Plain Records, 2020) 12. Guy King - I Gotta Right To Sing The Blues (5:34) (Truth, Delmark Records, 2016) 13. Al Collins Orchestra - I Got The Blues For You (2:29) (78 RPM Shellac, Ace Records, 1955) 14. Jim Wake & Sleepwalker - I Got The Blues For You (2:45) (Whatever It Is I'm Against It, self-release, 2012) 15. Laura Tate - Still Got The Blues (4:30) (Let's Just Be Real, 811 Gold Records, 2017) 16. JP Williams Blues Band - The Blues Got A Hold On Me (7:35) (Stolen Cadillac, Gizzifter Records, 2017) 17. Ray Fuller & The Bluesrockers - You've Got The Blues (2:46) (Long Black Train, Azuretone Records, 2016) 18. Elkie Brooks - I Ain't Got Nothing But The Blues (3:39) (Nothin' But The Blues, Castle Records, 1994) 19. Georgie Fame - I Ain't Got Nothin' But The Blues (3:58) (The Blues And Me, Go Jazz Records, 1992) 20. Thornetta Davis - I Gotta Sang The Blues (5:11) (Honest Woman, Sweet Mama Music, 2016) 21. Art Pepper - Red Pepper Blues (3:40) (Art Pepper Meets The Rhythm Section, Contemporary Records, 1957) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Lieve Monnens was born in Belgium in the 1960s. She had a musical awakening when she was eleven years old through listening to her dad's records by the Beatles, the Rolling Stones, and the Beach Boys. She became interested in going to live shows, then later took internships with radio and record companies which led to several jobs in the music industry. In 1990, Lieve moved to England and began working at Factory Records in Manchester, only 2 and a half years before the label dissolved. Over thirty years later, she has been featured in the book, I Thought I Heard You Speak: Women at Factory Records by Audrey Golden, which has just been released in the U.S. She offers her thoughts on the experience of being a woman at Factory at the time, what it's like looking back, and the importance of recording our lesser-known histories. After introducing the show, co-hosts Wendy Sheridan and Robin Renée share their This Fortnight I Learned facts; Wendy learned something cool where Babylon 5 meets International Women's Day, while Robin copped out and read the day's Google Doodle fact about fancy coffee drinks. Just the Tip news includes the State of the Union address and the Katie Britt response, Greta Thunberg climate protest, the passing of Akira Toriyama, and The Oscars. A call by Rosemarie Mallet, Bishop of Croydon for the Church of England to pay hefty reparations for chattel slavery, decreasing power of anti-trans talking points, SCOTUS taking up the presidential immunity question, and more are discussed In Deep. In The Earthscape segment, Wendy leads a discussion on early spring gardening. Robin nominates Clementine Morrigan as Lefty of the Week. Things to do: Get the book! I Thought I Heard You Speak: Women At Factory Records by Audrey Golden. Listen to Saved By Zero - Factory Records Favorites w/ Lieve Monnens. Check out the book event for I Thought I Heard You Speak on March 30th at Record Grouch, 986 Manhattan Avenue Brooklyn, NY 11222. Reading by author Audrey Golden. Former Factory colleagues Lieve Monnens and Seema Saini will be in attendance. Time TBD - Keep an eye on the Record Grouch events page. Learn about Lefty of the Week, Clementine Morrigan. Read American Nations: A History of the Eleven Rival Regional Cultures of North America by Colin Woodard. Donate to Vote Save America to help the most important campaigns in the upcoming U.S. elections. Keep track of the Trump trials.

Tomorrow's fascinating episode features an extraordinarily eclectic and creative character - Mark Reeder. He is a musician, record producer, remixer, DJ, graphic designer and film maker who has been living and working in Berlin since 1978. Originally from Manchester, his clandestine musical career has spanned over more than four decades. He was a founding member of The Frantic Elevators together with Mick Hucknall (Simply Red). Upon moving to Berlin in 1978, he became the German representative for Joy Division and the legendary Manchester record label Factory Records from 1978-1983 and a member of synthpop bands Die Unbekannten and Shark Vegas. Reeder is also meanwhile, an established DJ and remixer, for artists such as New Order, Depeche Mode, The Pet Shop Boys, Blank & Jones, John Foxx, Anne Clark, Yello or Die Toten Hosen. He has DJ'd all over the World in some of the most prestigious locations, from events in Amsterdam, Turin, Bogota, Stockholm, Vilnius, Taipei, Moscow, Minsk, Beijing, Shanghai, to venues like Berlin's Kraftwerk, or Ohm club, to more exotic locations as The Morning House Festival in Chengdu, China, Contact club in Tokyo, or in the Sydney Opera House and O2 Arena in London for New Order. Ladies and gentlemen – prepare to be immersed in the Berlin scene – meet Mark Reeder... If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours

That's right! We're getting mad wi' it! We're goin' all the way to Manchester, the birthplace of exciting musical new waves since the dawn of time! We're uncovering the Tony Wilson musical biopic 24 HOUR PARTY PEOPLE! Tony would make you believe this is not a film about him and how instrumental he was in nurturing these HUGE musical talents over the years using his clout as a TV personality to create the legendary Factory Records but you'd think otherwise. Honestly, Michael Winterbottom has made a real special biopic here with a stellar cast of top shelf British talent and cameos from countless musicians who lived through this "true-to-life tale". Don't miss out and enjoy the party! 

On this award-winning show which has just reached a total of 350,000 listens - we meet Phil Saxe, the very first Mondays manager who spills the beans on the early days - from the day Paul Ryder and Paul Davis went to buy flares from his market stall to them signing their first record deal, their first taste of crack in New York - "never again!" - and the recruitment of Bez into the ranks, fight Nazis on stage in Blackburn and the bankruptcy of Factory Records. Hosted on Acast. See acast.com/privacy for more information.

Staci chats with arts and culture writer Audrey J. Golden. Audrey has a new, unprecedented oral history book out called I Thought I Heard You Speak: Women at Factory Records. She is also the station manager of Louder Than War Radio, where she's also a DJ and presents the weekly show ‘Breaking Glass' that highlights women in music. Audrey touches on her interview techniques, gives the scoop on the challenges she faced in writing a book that involved dozens of interviewees from the defunct Factory Records, talks about the women behind the New Order hit ‘Blue Monday' and the movie 24-Hour Party People. Her “rock & roll nightmare” involves Nick Cave and The Birthday Party.

"The smaller the audience, the bigger the history." So, at least, said Tony Wilson, co-founder of Factory Records and larger than life character at the center of Michael Winterbottom's 2002 punk pseudo-music-doc, our topic today! We are joined by Professor of Italian Studies at Boston College to explore the pull of nostalgia, anticipated retrospection, how the film's blend of fact/fiction/and legend reflects the mythmaking of its protagonist, and, of course, the music duh! What do you think of the movie? What do you think of the show? Email us at cowspod@gmail.com! Reach out to us on Twitter @cowspod! And find us on the web at www.cowspod.com

Ever wondered how embracing a unique blend of post-punk and electronic music could move an entire culture? Join us as we traverse through the realm of music, focusing on the influential post-punk band from Manchester, New Order. Our journey takes us through their unique musical style, the impact of their partnership with Factory Records and Tony Wilson on their success, and how they redefined the music scene with their innovative sound. We also explore the pulsating Madchester scene, relive the summer of love in the 80s, and unmask the influence of DJs and American music on the band.This episode isn't just about music, it's about expressions, transitions and finding beauty in the harshest of environments. We dive into New Order's 2nd studio album, drawing parallels between the band's transition from Joy Division and the evolution of music over the years. Our conversation sways towards the intriguing world of face yoga - a practice that promises to reduce dark circles and facial problems. We also delve into how teenagers and young adults across cultures express themselves, the importance of the 'birds and bees' talk in today's world, and the effect of drugs on the youth.As we wrap up our journey, we reflect on the role celebrities play in our lives and how they could mold our decisions. We also draw conclusions on how New Order's age of consent has shaped their music. Lastly, we take a moment to appreciate the beauty of harsh environments and the remarkable inspiration they offer. Don't miss out on this thrilling exploration!Support the show

Gaz Whelan of Happy Mondays shares memories of early records, recordings, Manchester, Factory Records, The Hacienda, Martin Hannett, John Cale, Paul McCartney, the upcoming Aus/NZ tour & lots more. Welcome Gaz to the show Touring after Paul Ryder passed away The Paul Ryder Tapes Podcast Picking up drums after watching the Beatles on TV Paul McCartney commenting on Happy Mondays Sex Pistols and 1st wave punk in Manchester Soul and Northern Soul records Talking to Noel Gallagher about the “Get Back” Television series Earlier Manchester bands – Joy Division, The Smiths, etc Forming Happy Mondays, early band names Getting the attention of Factory Records Memories of The Hacienda – FAC51 The story of the “Forty Five EP” Tony Wilson testing Happy Mondays before making an album "Freaky Dancing" single Working with John Cale on the 1st album Gaz has some original tapes from Tony Wilson Making up the album title for the 1st album The track “Desmond” was removed from the 1st album 24 Hour Party People single creating opportunity for 2nd album Bez joining the band Memories of Martin Hannett as producer Rumours of Happy Mondays selling pills The design of Happy Mondays products and the Factory Records aesthetic Northen Soul records turning up in UK Does Paul have many records? Did “Yes Please” bankrupt Factory Records? Post Happy Mondays activity, Black Grape, etc Will there ever be another Happy Mondays album? Many Happy Mondays tapes were likely destroyed with the Hacienda Interview wrap up Happy Mondays Aus/NZ 2023 tour tix & info Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

This week on The Clientele Podcast, host Robin Allender talks to the American writer Audrey Golden. Audrey is a longtime fan of The Clientele and talks about hearing Suburban Light for the first time, seeing them live in a small venue, and interviewing Alasdair recently about the new album. Audrey has recently published her first book I Thought I Heard You Speak: Women at Factory Records, an oral history of the legendary label.Audrey Golden's website, from which you can order I Thought I Heard You Speak:https://www.audreyjgolden.com/Audrey's interview with Alasdair on Louder Than War:https://louderthanwar.com/the-clientele-interview-with-alasdair-maclean/This is the first of three episodes in which Robin speaks to fans of the band. Next week's episode will be a discussion with the Australian writer Anwen Crawford. Hosted on Acast. See acast.com/privacy for more information.

Richard Evans has worked in the music industry for over thirty years in a variety of roles, including positions at London Records, Factory Records and MTV Europe. In 1998 he set up marketing consultancy The Fan Base and has been connecting musical artists with their audiences ever since. He is the founder of the This Is Not Retro website and record label and has worked for Andy Bell, Vince Clarke and Erasure since 2009.During the pandemic, Richard set out to create a definitive record of electronic music during its earliest and most defining era, between 1978 and 1983. Instead of interviewing people with rose-tinted and distorted memories of that period, he instead decided to research the very magazines and publications being created as things happened to piece together an accurate record of the movement as it unfolded in real time.See the Show Notes for further details.Chapters00:00 - Introduction01:16 - Why chose this 5-year period?04:40 - What made you want to write this book?12:17 - What do you consider milestone songs in electronic pop?17:29 - Were producers and labels more important back then?20:07 - Why was British electronic pop at the forefront of the movement? 28:00 - The impact of Bowie31:29 - The influence of literature and politics on early electronic pop35:05 - Witnessing electronic music live40:00 - Will we ever see a musical revolution like that again? 44:05 - What did you learn about how underrepresented women were in this genre?Richard Evans BiogRichard Evans has worked in the music industry for over thirty years in a variety of roles, including positions at London Records, Factory Records and MTV Europe. In 1998 he set up marketing consultancy The Fan Base and has been connecting musical artists with their audiences ever since. He is the founder of the This Is Not Retro website and record label and has worked for Andy Bell, Vince Clarke and Erasure since 2009. Richard is based in Dorset where he lives in perpetual fear of being asked what his favourite record is. https://inventingelectronicpop.com/ Accompanying Spotify Playlist: https://open.spotify.com/user/ 31rfel5t6akji2obaa3g2bdyhpni Rob Puricelli BiogRob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI's so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.www.failedmuso.comTwitter: @failedmusoInstagram: @failedmusoFacebook: https://www.facebook.com/failedmuso/ 

On this episode, Marc talks to Audrey Golden, author of “I Thought I Heard You Speak: Woman At Factory Records,” published in June of 2023. It's a fascinating oral history of the legendary UK record label told exclusively by women involved in at all levels. Golden talked to nearly 100 individuals for her book, from people who ran the office, to people who managed the bands, to people who promoted the music, to people who worked at the label's nightclub, the Hacienda, and so much more.As she writes in her introduction, “I set out to do two things: to create an innovative historical record of Factory and its cultural influences, and to collate an archive of women's experiential knowledge in all its vast, varied, and anecdotal complexity.”We hope you enjoy Marc's conversation with Audrey!

Audrey Golden  in conversation with David Eastaugh https://www.audreyjgolden.com/ Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda. Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda. 

00:00 - 36:14 - 24 Hour Party People 36:15 - 55:00 - Malcolm in the Middle The Extended Clip Month of Music has arrived. for the inaugural episode of the miniseries, we're joined by Charis Huling ( @gothloglady ) aka DJ Kerosene to talk about 24 Hour Party People. Michael Winterbottom's 2002 music biopic about Tony Wilson and Factory Records subverts tropes just like it's subject matter did, and Steve Coogan's performance is an all-timer. we get into the music, the history, the muddy mini-dv cinematography by Robby Muller, and so much more. then, we finally have our boy Malcolm back for a juicy edition of Malcolm in the Middle (36:15). he regales us of tales from his parents' house, revisiting teenage inspirations such as Donnie Darko and Heathers. JT digs into FearDotCom, Charis goes to Freshman Year Film Bro mode, and Eddie keeps the music alive with two from D.A. Pennebaker — Don't Look Back and Monterey Pop. join us next week, for another long raga by Ravi Shankar. art by Charis + listen to her all-vinyl mixes: https://soundcloud.com/charis-huling

Another bumper episode for you pod fans. This week Comedian and radio presenter John Robins lets us into his personal archive of Phonographic Memories. John talks honestly and openly about being an odd kid, finding his tribe and falling head over heals for Americana. This is a really charming interview where John shares his vulnerability and passion for music. Some really deep choices here from a man who has deep feelings for the music in his life.We also share two brilliant features about two simply brilliant books! First up we talk top Cherie Percy about the latest edition in the much heralded 33&1/3 book series which explores important albums with style and wit. Cherie takes on the underground sensation of ESG and reveals all about this mysterious New York funk band that captured the heart of Martin Hannet at Factory Records and the minds of countless Hip Hop heads who have sampled their music. It's a brilliant topic treated with the respect and love it deserves. We also take a trip to Berlin in the capable hands of Paul Hanford who opens up this infamous city to all with his excellent tome 'Coming to Berlin'. Paul is a delight to talk to and brings his passion for Berlin into focus for us.Away from all that our heroes Deb and Eamon discuss the 2Tone documentary 'Dance Crazy' on its newly remastered release.Please spread the word about the pod, that is all we ask!John Robins:https://www.johnrobins.com/Cherie Percy's ESG Bookhttps://www.bloomsbury.com/uk/esgs-come-away-with-esg-9781501379192/Let Paul Hanford show you around Berlinhttps://boomkat.com/products/coming-to-berlin@whatgoespod Hosted on Acast. See acast.com/privacy for more information.

"Unknown Pleasures", el primer disco de Joy Division, es protagonista de este episodio. Un álbum seminal para la comprensión del sonido de Manchester, "Madchester", y su reencarnación en New Order, pero también por muchos otros factores que conversamos en este capítulo. Experiencias personales y datos imperdibles de una placa icónica.

In Part 2, we continue the discussion on the golden age of electronic pop in a deeper dive on bands and synthesizers with host Lyndsey Parker (Yahoo Music Entertainment Editor) and guests musician, arranger, composer, record producer and founding member of Human League and Heaven17, Martyn Ware and author of "Listening to the Music the Machines Make: Inventing Electronic Pop (1978-1983)," Richard Evans.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

LONGEST EPISODE EVER. Michael Winterbottom's 2002 film 24 Hour Party People is a semi-fictionalized account of Factory Records in Manchester, covering the years 1976-1992. Joy Division, Happy Mondays, New Order, Durutti Column, A Certain Ratio, many many more get covered in an insanely entertaining film that the three of us have seen collectively about 50 times. We have a LOT to say. So we edited very little. Its chaotic, its long and its great. Enjoy.Songs:Durutti Column - Chanthttps://www.youtube.com/watch?v=XAYZO1fo-Mc&ab_channel=TheDuruttiColumn-TopicHappy Mondays - Cowboy Davehttps://www.youtube.com/watch?v=acnZi5ANYUI&ab_channel=LondonRecordsJilted John - Jilted Johnhttps://www.youtube.com/watch?v=ybp-NbONgBo&ab_channel=fritz51304

RIP, Metaverse; nobody knows how LLMs work; CEOs that don't go into offices want you to go in; ChatGPT is low-paid people; sure, let's let AI generate mRNA vaccines; OURA acquires Proxy, but not science; MTV News shuttered; writer's strike; Spotify removes tons of AI generated songs; Google text-to-music in beta; Tucker turns to Twitter; the Diplomat; Slow Horses; Silo; Ted Lasso; Succession; Barry; the Muppets Mayhem; Bupkus; Beetlejuiice 2; Foundation: here be dragons?; Good Omens 2; FAST; Apple spatial audio; Blueky; sexy Alf; the Mission; Factory Records; Chip War; Star Wars: Visions; Citizen & Nextdoor; AI John Mayer; outsourcing inspiration; the EGOT of the internet.Sponsors:Hover - Go to Hover now and grab your very own domain or a few of them at hover.com/gog and get 10% off your first purchase.Kolide - Visit kolide.com/gog to learn more or book a demo.Private Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.Show notes at https://gog.show/601FOLLOW UPThe Energy Vault is a Dumb Idea, Here's WhyRIP MetaverseVideo shows Mark Zuckerberg fighting in jiu-jitsu match; Facebook founder won gold, silver medalsMark Zuckerberg Has a Problem Even Bigger Than the MetaverseEight things to know about LLMsIN THE NEWSBank of Canada asks for public feedback about a national digital currencyOpenAI CEO Sam Altman says the remote work ‘experiment' was a mistake—and ‘it's over'ChatGPT Is Powered by Human Contractors Getting Paid $15 Per Hour‘Remarkable' AI tool designs mRNA vaccines that are more potent and stableŌURA Acquires Proxy in All-Equity DealMTV News Signs Off for Good After 36-Year RunMEDIA CANDY‘It's Going to Be a While': No End in Sight for Hollywood StrikeSpotify has reportedly removed tens of thousands of AI-generated songsGoogle makes its text-to-music AI publicTurn ideas into music with MusicLMTucker Carlson Is Descending the Food ChainThe DiplomatSlow HorsesSiloTed LassoThe Muppets MayhemMenendez + Menudo: Boys BetrayedBupkusPoker FaceAfter 30 years of saying his name to no avail, Beetlejuice 2 has a release dateThe Foundation season 2 trailer will make you want to suddenly catch up on FoundationAll the Good Omens season 2 news we've heard so farDungeons & Dragons Free 24-Hour Streaming Channel Set to Launch This Summer (EXCLUSIVE)APPS & DOODADSBluesky SocialHow I Accidentally Ruined Bluesky With Pictures of Sexy AlfVintage Alf Stationary Paper and Envelopes Set 1987 Alien ProductionsSkeet (Bluesky Slang)Improving Your Communication With the Latest Product UpdatesAT THE LIBRARYHeady Daze: The Mission Years, 1985–1990 by Wayne HusseyNew book “I Thought I Heard You Speak” spotlights women's integral role at Factory RecordsChip War: The Fight for the World's Most Critical TechnologyTHE DARK SIDE WITH DAVEThe CyberWireDave BittnerHacking HumansCaveatControl LoopStar Wars: VisionsSeason 2 of Andor to continue production without writers due to strikeVICE News Presents: Vigilante, Inc.Watch: New Documentary Tells Inside Story of Vigilante App CitizenNew CS:GO map bypasses Russia's censorship of Ukraine war newsCan AI Write a John Mayer Guitar Solo? - ChatGPTCLOSING SHOUT-OUTSFrank Kozik, Acclaimed Graphic Artist and Designer, Dead 61See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Audrey Golden has written one of the first great music books of the year, a new tome, on the always interesting White Rabbit Books, called I Thought I Heard You Speak: Women at Factory Records. Available to buy now, it shines a light into the crevices of the legendary indie label and reveals new stories and new perspectives concerning the women who played significant roles in making the Manchester based operation function. Audrey was an unbelievably fun guest, and while I can't share the after-hours contents with you, our conversation went on for a good 45 minutes after we'd stopped recording. What I can share with you is the mini-breakdown I had at the end of the episode. Hey, it was a late one. Ps. I'm fine now.  Twitter - @jamesjammcmahon Substack - https://spoook.substack.com YouTube - www.youtube.com/channel/UC8Vf_1E1Sza2GUyFNn2zFMA Reddit - https://www.reddit.com/r/jamesmcmahonmusicpod/

Join our investigators who learn more about the strange machinery in the factory and its purpose. (Part 2 of 2)**Add our Patreon Feed to your Podcast App**https://open.acast.com/public/patreon/fanSubscribe/3607115This series is not suitable for listeners under the age of 18 and may contain material some people find disturbing.CONTENT WARNINGS:Body Horror, Lewd Humor, Profanity, Rats, Substance Abuse, ViolencePlayer CharactersScott Dorward as Keeper of Arcane LoreBridgett Jeffries as Minniecuppycup as C.C.Rina Haenze as BonnieWes Davis as BlaneProduction and CreativeGame Rules and Setting: Call of Cthulhu 7e by Chaosium, Inc.Transcriptions: Sabrina Haenze and Sonix.aiPatreon Ideas we used in the story: "A one way ticket to Haiti", "HVAC", "Robot to spread peanut butter on bread", "The Gate" by firecop890, "NFTs", "Commodore 64" by Ethan J, "The broken latch on my front door which I'd appreciate having done sooner rather than later, thanks" by Heather P., "Leaf blower to power a raft", "Legend" by Grodel, "Busted pipes", "Poltergeist" by Bad Alex, "A coffee mug shaped like a crocodile", "Sink clogged with hair", "Anything is a dildo if you try hard enough" by Coffey, "Half used gift card" by Drew M, "Burst water pipe in the attic" by Killius Manjaro, "New Teeth" by Cardinal Catastrophe, "A stuck window", "Take On Me" by Dusty Dean, "Electric toothbrushes", "A clogged drain" by Vovina Games, "Oven will not heat up, yes, the pilot light is lit" and "Garbage Pail Kids" by Erik Day, "A purpose in life", "I wasn't alive for the 80s" by Caolán, "Anything diamond", "Half a twinkie wrapped in its originally packaging - it's still good" by TanyaLashea, "electric toothbrush as a vibrator" and "a crisp high five" by Thursday Euclid, "a nice little smile", "Old TV emptied out with dog bed inside" by Sig-Free & CoyPatreon ShoutoutAlthalos, Anthony D., Caolán M., Drew M., E.M.F.D., Heather P., India thank you terror, Kevin M., Killius Manjaro, Lancey Pants, Matthew C., Mikah S., Steven H., Tomboi LaCroix, ai.mmm0rphine, Call Me Dirt, Dan F., firecop890, Jeff F., Jessen, Mario S., Michael H., Nathanael C., Not That NicNew PatronsBen L., Oisin M., Mika S., Ogden, Michael S., Daniela Hosted on Acast. See acast.com/privacy for more information.

Join our investigators who are scouting an abandoned factory as a new rehearsal space for their experimental band. (Part 1 of 2)**Add our Patreon Feed to your Podcast App**https://open.acast.com/public/patreon/fanSubscribe/3607115This series is not suitable for listeners under the age of 18 and may contain material some people find disturbing.CONTENT WARNINGS:Lewd Humor, Profanity, Substance Abuse, ViolencePlayer CharactersScott Dorward as Keeper of Arcane LoreBridgett Jeffries as Minniecuppycup as C.C.Rina Haenze as BonnieWes Davis as BlaneProduction and CreativeGame Rules and Setting: Call of Cthulhu 7e by Chaosium, Inc.Transcriptions: Sabrina Haenze and Sonix.aiPatreon ShoutoutAlthalos, Anthony D., Caolán M., Drew M., E.M.F.D., Heather P., India thank you terror, Kevin M., Killius Manjaro, Lancey Pants, Matthew C., Mikah S., Steven H., Tomboi LaCroix, ai.mmm0rphine, Call Me Dirt, Dan F., firecop890, Jeff F., Jessen, Mario S., Michael H., Nathanael C., Not That NicNew PatronsBen L., Oisin M., Mika S., Ogden, Michael S., Daniela Hosted on Acast. See acast.com/privacy for more information.

Darin chats with Cream Co. Meats' CEO, Clifford Pollard, about his game changing butcher company. Clifford shares how he got his start in the San Francisco dining scene, talks about his approach to working with farmers, and what he likes to listen to when he's breaking down animals. Then we dip into the archives for performance from Triple Hex, who swung by in 2016 to share their new full length LP, Bust For Life, that resonated with fans of Bauhaus, 70s NYC rock n roll, and Factory Records. They played some tracks of the album and talked about what went into the recording!Snacky Tunes: Music is the Main Ingredient, Chefs and Their Music (Phaidon), is now on shelves at bookstores around the world. It features 77 of the world's top chefs who share personal stories of how music has been an important, integral force in their lives. The chefs also give personal recipes and curated playlists too. It's an anthology of memories, meals and mixtapes. Pick up your copy by ordering directly from Phaidon, or by visiting your local independent bookstore. Visit our site, www.snackytunes.com for more info.Heritage Radio Network is a listener supported nonprofit podcast network. Support Snacky Tunes by becoming a member!Snacky Tunes is Powered by Simplecast.

Manchester's music scene is famous the world over – but did Joy Division, the Haçienda and Factory Records really lead to a real estate boom that transformed the city? Journalist and adopted Mancunian Andy Spinoza tells Andrew Harrison how Tony Wilson's empire triggered a boom that transformed the city's skyline and more – as charted in his book Manchester Unspun: Pop, Property And Power In The Original Modern City.  BOOK ORDER LINK: https://www.hive.co.uk/Product/Andy-Spinoza/Manchester-Unspun--Pop-Property-and-Power-in-the-Original-Modern-City/27859796  “Those leaders in Manchester didn't dismiss the music as just a bunch of kids larking around. They could see this was the way economies were changing.” “All cities should give space to the artists to create their authentic homegrown culture and that should be away from officialdom and away from corporate interests.” www.patreon.com/bunkercast  Written and presented by Andrew Harrison. Producer: Chris Jones. Music by Kenny Dickinson. Audio production: Robin Leeburn. Lead Producer: Jacob Jarvis. Group Editor: Andrew Harrison. THE BUNKER is a Podmasters Production Instagram | Twitter Learn more about your ad choices. Visit megaphone.fm/adchoices

With Geoff out after a bizarre curling incident (long story), Keith flies solo this week as he welcomes Paul Heck into Thunderlove Studio for a chat. Paul Heck created the AIDS Music Project to raise awareness about HIV/AIDS and normalize discussing safe sex. In this endeavor, Heck pursued the idea of an AIDS-benefit alternative rock compilation. He partnered with fellow Brown alumni Chris Mundy (a Rolling Stone senior writer) and Jessica Kowal (a freelance writer for Newsday) to produce the album No Alternative, the third album in the Red Hot Organization's (RHO) AIDS Benefit Music series. No Alternative, released on Arista Records in October 1993. The album received an A+ review in Entertainment Weekly and was described by Rolling Stone as "a jaw-dropping compilation of musical gems." A No Alternative MTV special featured a mix of live performances by Smashing Pumpkins and Goo Goo Dolls, music videos, short films by directors Hal Hartley, Tamra Davis, Michael Stipe, Jim McKay, and Matt Mahurin. No Alternative raised over $1.5 million, and the proceeds were donated to AIDS relief organizations across the US. Following No Alternative's commercial and critical success, Heck has produced other HIV/AIDS awareness-raising albums and a series of concerts at the Brooklyn Academy of Music. Heck's subsequent productions include: Red Hot + Bothered Offbeat Red Hot + RIO Red Hot + Rhapsody Red Hot + Indigo Red Hot + RIOT Red Hot + RIO2 Red Hot + FELA Master Mix: Red Hot + Arthur Russell In 2004, Heck was honored by Brown University as the recipient of the John Hope Award for Career Public Service. Paul co-produced Dark Was The Night (2009), an AIDS benefit album that raised over $1 million and featured artists like The National, Sharon Jones & the Dap-Kings, My Morning Jacket, and Jose Gonzalez. In 2013 Heck produced a 20th Anniversary reissue of No Alternative on vinyl (Sony Legacy) for Record Store Day. In 2019 Heck produced Love is the Drug, a campaign in N. Carolina featuring live music pop-up events with video storytelling focused on raising awareness around Harm Reduction and Opioid Addiction.  In 2020 Heck invited another Brown alum, fine artist Keith Mayerson, to create a portrait of Dr. Anthony Fauci as a part of a limited art edition fundraiser for Treatment Action Group (TAG). Heck worked as an A&R for Arista Records and Warner Bros. Records in the mid-1990s. Paul has produced the compilation albums: Shuggie Otis Inspiration Information (Luaka Bop, 2002) Fela Kuti The Underground Spiritual Game Mix (with Chief Xcel of Blackalicous - Quannum Projects, 2004) Tim Maia Nobody Can Live Forever: The Existential soul of Tim Maia (Luaka Bop, 2011) In The Name of Love: Africa Celebrates U2 a project featuring African artists reinterpreting the songs of U2 (Shout! Factory Records, 2007) With his company Cobeep, Heck has produced video projects and live events for Steve Martin, Yo-Yo Ma[32] and Joe Walsh's annual VetsAid benefit concerts and livestreams.  LINKS Paul Heck Jujulele - Short Songs About The Universe Paul Heck on Substack No Alternative Red Hot Organization Wild Combination: A Portrait of Arthur Russell - documentary Joe Walsh's Vet Aid Farm Aid Shuggie Otis Tim Maia Nirvana - Sappy Everything But The Girl - Corcovado Go-Go Music

Formed in the late-70s South Bronx, ESG has an almost impossibly wide-ranging impact on popular music. Factory Records-owner Tony Wilson spotted sister act performing in Manhattan, and within days they found themselves recording in Manchester and playing opening night at the Hacienda. The group's self-titled debut EP prove a massive hit with critics, while its third track, “UFO,” would go one to become one of music's most-sampled tracks following the birth of hip-hop – a mixed blessing, to say the least. Singer Renee Scroggins has been through a lot in the 45 years since the group's founding, but she's managed to remain active, all while keeping ESG in the family. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode I speak to Tony Michaelides, Music Industry Executive.Throughout this episode he shares so many wonderful stories and experiences, including one about how he stood up to Simon Cowell, and it's a must listen!Key takeaways include:● How to deal with complacency● The importance of persistence● The importance of self beliefMichaelides spent years specialising in the launching, promotion, and artist development of both British and International Artists' careers. He has also been a music industry consultant, mentor, and advisor to numerous associations, music consortiums and colleges over the years.Michaelides has worked with many Record Labels including Island Records, Factory Records and BMG. In 1997 he took on the role as publicist for David Bowie's Earthling Tour. Michaelides has received numerous accolades from music professionals and associations.After the United States Government granted him an Alien of Extraordinary Ability Green Card, he moved to Florida to pursue a career as an author and further his career as a professional public speaker.Follow Joanna Howes and The Change Creators:website: https://www.thechangecreators.comlinkedin: https://www.linkedin.com/in/joannahowes/For Leadership and team coaching and training, you can message me at joanna.howes@thechangecreators.com and we can book a call. website: https://www.thechangecreators.com linkedin: https://www.linkedin.com/in/joannahowes/youtube: https://www.youtube.com/channel/UC2kZ-x8fDHKEVb222qpQ_NQ

This month for the album spotlight Danny takes us to the year 1987 for the brilliant debut album "It's Better To Travel" by the Manchester England band Swing Out Sister.Although Swing Out Sister are currently a duo, they began as a trio in the UK. The group was formed by Andy Connell (keyboards) and Martin Jackson (drums); they were later joined by Corinne Drewery (vocals). According to the group's website, "They christened themselves after an obscure Billie Burke "B"-musical from the '40s [a 1945 movie starring Arthur Treacher, called Swing Out, Sister] because it was the only name they could agree upon - they all agreed they hated it." Both Connell and Jackson had been playing in other bands prior to forming SOS, while Drewery was a fashion designer and model before she became the band's lead vocalist. 52nd Street's Diane Charlemagne was influential in the period just prior to the band signing to Phonogram Records. Connell and Jackson, outside of their usual roles as Manchester musicians in A Certain Ratio and Magazine, were producing Electro tracks for Morgan Khan's Streetwise label with a degree of underground success. This activity triggered interest from a few major labels including Phonogram/Mercury Records. Vocalised songs were asked for, so Connell, who knew Charlemagne through Factory Records, approached her to sing on the Phonogram demos. These demos helped secure Connell and Jackson's major label contract. This was the period in which 52nd Street moved from Factory Records to Virgin Records and as a result, Diane Charlemagne's Swing Out Sister involvement ended. Beginnings and debut album: It's Better to Travel (1985–1987)Together with their producer, Paul Staveley O'Duffy, they signed with Mercury Records. Before their first album, they released the single "Blue Mood" in the UK in November 1985. However, it did not chart.In late 1986, the single "Breakout" was released. It reached the number four position on the UK Singles Chart in November 1986, and number six on the Billboard Hot 100 chart in the United States in November 1987. When they released their debut album, It's Better to Travel, on 11 May 1987, it reached number one on the UK Albums Chart. The album blended real horns, synths (arranged subtly, to sound like strings), drums, and xylophones, scored by producer/arranger Richard Niles. The follow-up single to "Breakout" was "Surrender", which featured a trumpet solo performed by John Thirkell. It rose to number seven on the UK charts in January 1987. The next single was the more serious and jazzy "Twilight World". This song was the subject of many remixes and was a dance club favourite worldwide. The final single, "Fooled By a Smile", returned to the upbeat pop orientation characteristic of "Breakout".The group were subsequently nominated for two Grammy Awards in 1988: Best New Artist and Best Pop Vocal Performance by a Group or Duo ("Breakout").In addition to long-time partner O'Duffy as well as Thirkell, Swing Out Sister have also enlisted the talents of saxophonist Gary Barnacle (who with Thirkell also comprise the Phantom Horns known for their work with Level 42); percussionist Luis Jardim; guitarist Tim Cansfield; trumpet/fluegelhorn master Jerry Hey; and songwriter-arranger Jimmy Webb.Complete Setlist- 3/7/23BreakoutTwilight WorldAfter HoursBlue MoodSurrenderFooled By A SmileCommunionIt's Not EnoughIt's Better To TravelRecorded live at the She Shack Studio on March 7th 2023.© Copyright Danny Diess

John Dowie is a British comedian, musician and writer who was a pioneer of alternative comedy and is credited with establishing observational humour as part of the new movement. He's often called 'Britain's first alternative comedian'. He toured with and influenced another alternative pioneer, Victoria Wood. As well as writing songs and sketches with her, he is credited with helping her to develop her future trademark patter between songs. Dowie was among the inaugural acts on Tony Wilson's Factory Records label. In 1978 he contributed three comedic songs to the first Factory music release, A Factory Sample, along with Joy Division. As a director, he's directed shows by, among others, Neil Innes, Arthur Smith, Barry Cryer and Ronnie Golden and Simon Munnery and he wrote Jesus – My Boy which was performed in London's West End by Tom Conti and around the world. He has written many books including The Freewheeling John Dowie, Dogman and Hard To Swallow. John Dowie is guest number 232 on My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Follow John Dowie on Twitter: @dowiejohn .Follow My Time Capsule on Twitter, Instagram & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens and Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people. Hosted on Acast. See acast.com/privacy for more information.

Peter Saville is a man of the moment—and has been, again and again, throughout the past five decades. Raised in Manchester, England, in the sixties—in tandem with the growing prominence of counterculture, the rise of anti-war sentiments, and the birth of pop—Saville developed early on a keen eye and ear for the zeitgeist, or what he terms “nowness.” In his adolescence, he took up a fervent interest in music and in record covers in particular, and went on to art school to study graphic design. In his final year, he was commissioned to design the very first posters for the punk music venue The Factory, which would soon morph into the legendary independent record label Factory Records. Across his prolific, nearly 50-year-long career in graphic design and art direction, Saville has created album covers for Joy Division and New Order (most iconically, the one for Joy Division's debut studio album, Unknown Pleasures); branding for clients including Ferragamo, Burberry, and Aston Martin; and more recently, even Kvadrat fabric designs—each drawing inspiration from the spirit of their times—that can be called nothing short of era-defining. Woven across all of his work are provocative dialogues between past, present, and future.On this episode, Saville speaks with Andrew about coming of age in the punk and post-punk worlds, the increasing impossibility of tracking “nowness,” and creating literal signs of the times.Special thanks to our Season 6 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Peter Saville[12:11] Kvadrat Technicolour[01:10:48] Power, Corruption & Lies album cover[42:21] Factory Records[50:15] FAC1 poster[50:15] Haçienda[53:13] FAC 2[29:23] Unknown Pleasures album cover[01:22:13] Closer album cover[01:24:43] “Blue Monday” cover[01:35:44] The Apartment[01:39:29] Show Studio

Things kick off with an immediate derail into Merlin's Apple Health data, with John noting that he never liked _Statistics_. Next up, your hosts have—at least by their standards—a pretty big announcement. This leads to an appropriately in-depth exegesis into the process of making and selling a t-shirt. Side topics include Scott Pilgrim, JavaScript, domain names, throwing money at artists you love, and just one of the _numerous_ ways Factory Records managed to lose lots of money.

Things kick off with an immediate derail into Merlin's Apple Health data, with John noting that he never liked _Statistics_. Next up, your hosts have—at least by their standards—a pretty big announcement. This leads to an appropriately in-depth exegesis into the process of making and selling a t-shirt. Side topics include Scott Pilgrim, JavaScript, domain names, throwing money at artists you love, and just one of the _numerous_ ways Factory Records managed to lose lots of money.

36 years after the original, Tom Cruise returns for Top Gun: Maverick, plus we don our parkas as we listen to the new album from Liam Gallagher, Come On You Know. Legendary music writer and broadcaster Paul Morley, joins us to talk Island Records, Factory Records, and ALL records, and we get comfy in our nests, to watch the latest major Sky adaptation of The Midwich Cuckoos. And Jelena heads out to the Southbank Centre to speak to International Booker Prize shortlister, Mieko Kawakami.  Hear all the music on our rolling playlists. Spotify: https://bit.ly/CultBunk Tidal: https://tidal.com/browse/playlist/1aea7525-7891-4a88-8474-a08c45ea064b Presented and produced by Siân Pattenden and Alex Andreou. Audio production by Jade Bailey. Theme music: ‘Bunker Theme (Juntos Mix)' by Kenny Dickinson. Co-produced by Jelena Sofronijevic and Elina Ganatra. Group Editor: Andrew Harrison. The Culture Bunker is a Podmasters production.  https://www.simonandschuster.com/books/The-Islander/Chris-Blackwell/9781982172695  Learn more about your ad choices. Visit megaphone.fm/adchoices

We had so much fun with What Was First last week that we just had to do one more!  Thanks to listener Nick Optus who wrote in to suggest we investigate the first release on the legendary Factory Records. There is a twist to the "first release" tale on this episode you won't want to miss, dear listener.  And oh yeah, the music. You'll hear from Joy Division, Durutti Column, John Dowie and Cabaret Voltaire from the "Factory Sample" double 7-inch. Hit play for your bite-size history lesson.  Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com

For this week's podcast, we review Marvel's Doctor Strange in the Multiverse of Madness, and Keith review's the new Nicholas Cage comedy, The Unbearable Weight of Massive Tallent. We also talk about the history of the American rating system and debate the merits of the PG-13 blockbuster standard. From Amazon Prime, we review the 2002 British comedy, 24 Hour Party People, which details the rise and fall of Factory Records. 

Jonesy is back with another special episode in advance of the May 31 release of the limited series Pistol. Jonesy talks about the time Tony Wilson interviewed him on Jonesy's Jukebox. Wilson was made famous as the subject of the film 24 Hour Party People. Before that, he became etched in British music history as the TV presenter who gave the Sex Pistols their first exposure on television in Manchester. Wilson went on to co-found Factory Records with artists such as Joy Division, New Order, and Happy Mondays and was the founder and manager of the legendary Manchester nightclub the Hacienda. You'll hear Tony Wilson describe witnessing the Sex Pistols' now-mythical first Lesser Free Trade Hall show, as later depicted in the film Control. As a journalist, Wilson came to interview Jonesy on his own show May 4, 2005. This episode took place two days before the last-minute appearance by Malcolm McLaren from last week's podcast. Enjoy the entire discussion, share it with your mates and be sure to subscribe to Jonesy's Jukebox to get the latest episode on Mondays. Fanx for listenin!

Tom and Jenny talk about the excellent, anarchic film directed by Michael Winterbottom, which follows the burgeoning post-punk and rave scenes from 1976 through 1992 in Manchester, England through the lens of Tony Wilson, Factory Records, and the Hacienda club. It stars Steve Coogan as Wilson, and touches on the careers of musical legends Joy … Continue reading Matinee LIVE: 24 Hour Party People (2002)

NOTE: This episode was removed from the feed by our podcast host. Listen on our website: https://discordpod.com/listen/088-new-order-substance-1987We used to think that the day would never come, but Discord & Rhyme has reached a new milestone: it's our first singles compilation! New Order issued Substance in an effort to bail out Factory Records, whose financial mismanagement is the stuff of legend. But that also meant that the label was willing to spend money on cool new equipment for the band, which meant that they were always one step ahead of the game technologically, leading an unintentional revolution in electronic dance music. Substance spans the years 1981–1987, during which the band rose from the ashes of Joy Division, issued the groundbreaking 12-inch single “Blue Monday,” and ascended to arena stardom with appearances on major soundtracks such as Pretty in Pink and hits such as “Bizarre Love Triangle” and “True Faith.” They're one of Rich's very favorite bands, so join us as he leads Mike and John on the journey from Manchester to Madchester.Cohosts: Rich Bunnell, Mike DeFabio, John McFerrinComplete show notes: https://discordpod.com/listen/088-new-order-substance-1987Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

We used to think that the day would never come, but Discord & Rhyme has reached a new milestone: it's our first singles compilation! New Order issued Substance in an effort to bail out Factory Records, whose financial mismanagement is the stuff of legend. But that also meant that the label was willing to spend money on cool new equipment for the band, which meant that they were always one step ahead of the game technologically, leading an unintentional revolution in electronic dance music. Substance spans the years 1981–1987, during which the band rose from the ashes of Joy Division, issued the groundbreaking 12-inch single “Blue Monday,” and ascended to arena stardom with appearances on major soundtracks such as Pretty in Pink and hits such as “Bizarre Love Triangle” and “True Faith.” They're one of Rich's very favorite bands, so join us as he leads Mike and John on the journey from Manchester to Madchester.Cohosts: Rich Bunnell, Mike DeFabio, John McFerrinComplete show notes: https://discordpod.com/listen/088-new-order-substance-1987Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod