Podcasts about new langton arts

¿Por qué escuchar esta entrevista? Diana López es una artista visual venezolana y gestora cultural. Su trabajo incluye fotografía, video, performance e instalaciones. La obra de Diana López ha sido expuesta individual y colectivamente en prestigiosas instituciones de América Latina, Estados Unidos, Canadá y Australia. Entre ellas el MoMa PS1, Anthology Film Archives de Nueva York, la Galería Diego Rivera, New Langton Arts de San Francisco, Track 16 de Los Ángeles, Art Metropole, el Museo Alejandro Otero, la Galería de Arte Nacional, la Sala Mendoza, el Museo Jesús Soto de Ciudad Bolívar, el Museo de Arte de Lima, el MAC de Panamá, y el Centro de Fotografía Contemporánea de Melbourne, entre otros. Actualmente es directora de El Archivo, fundación dedicada a la conservación, la investigación y la difusión de la memoria visual venezolana. Diana se convirtió en el año 1994, en la primera mujer en recibir el Premio de Arte Eugenio Mendoza. Y en 2014 recibió el reconocimiento de los Premios Aica. Explora lo que tenemos para ti en nuestra página web: https://tramauniversity.org/ Síguenos en Instagram para estar al día con todas nuestras actividades: https://www.instagram.com/tramauniversity/

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Doug DuBois talk about the influence photographers Larry Sultan and Jim Goldberg had on Doug’s artistic development while he was in grad school in San Francisco.  Doug discusses his long term project, My Last Day at Seventeen and the complex, always evolving, responsibility he feels for how the teenage subjects, now adults, were represented. Doug’s openness, honestly and good humor bring warmth and breadth to this conversation. http://dougdubois.com https://aperture.org/books/my-last-day-at-seventeen/?post_type=product&p=12198/ Doug DuBois’ photographs are in the collection of the Museum of Modern Art in NY, SFMOMA in San Francisco, J. Paul Getty Museum and LACAMA in Los Angeles, The Museum of Fine Art in Houston, the Library of Congress in Washington DC and the Victoria and Albert Museum, London. He has received fellowships from the John Simon Guggenheim Foundation, the MacDowell Colony, Yaddo, The National Endowment for the Arts, SITE Santa Fe, Light Works and The John Gutmann Foundation. Doug DuBois has exhibited at The J Paul Getty Museum in Los Angeles; The Aperture Foundation, The Museum of Modern Art and Higher Pictures in New York; SITE, Santa Fe; New Langton Arts in San Francisco; PARCO Gallery, Tokyo, Japan, Museo D’arte Contemporanea in Rome, Italy and The Irish Museum of Modern Art, The Crawford Art Gallery and the Gallery of Photography in Ireland. He has published two monographs with the Aperture Foundation, My last day at Seventeen (2015), All the Days and Nights (2009); exhibition catalogues including Where We Live: Photographs from the Berman Collection (2007) with the J. Paul Getty Museum, The Pleasures and Terrors of Domestic Comfort (1991) with the Museum of Modern Art; as well as features in Double Take, The Picture Project, The Friends of Photography, and in magazines including The New York Times, Time, Details, GQ, The Telegraph and Financial Times of London, Monopol in Berlin and Outlook Magazine in Beijing. Doug DuBois received his MFA from the San Francisco Art Institute and is an associate professor at Syracuse University and on the faculty at the Hartford Art School’s International Limited Residency MFA program in photography. Find out more at https://photowork.pinecast.co

Renny Pritikin, godfather of the Bay Area art community, veteran curator and author of the manifesto “Prescription for a Healthy Art Scene,” talks about: Being a young poet who got into contemporary art via New Langton Arts, the pioneering San Francisco art non-profit that started back in the ‘70s; his close relationship with art critic, and poet, Peter Schjeldahl, who did a residency back in the early days of New Langston; his “Prescription for a Healthy Art Scene,” a document which he wrote back in the ‘90s, but his students starting putting out in the world a decade later, and then it got printed by galleries and he was finding it on the walls of artists he did studio visits with…; in ticking through the list of Prescriptions (there are 23 total), we discuss a few in particular, which lead to questions around: how realistic some of these points (such as there being plenty of teaching jobs at local art schools/universities) are now….whether graduate education has become something of a Ponzi scheme…why villains are important in an art scene, and more; some very practical things that he taught his curatorial students while at California College of the Arts, including assigning them to write wall texts directed at several different audience types, and how to collaborate as a group; his own experience as a curator, dealing with artists, embracing and coping with varying degrees of reception and critical feedback (including having his shows savaged by one local critic on more than one occasion), and the challenges and pleasures of working with varying artists; putting on the populist and the hit, first American museum show featuring Star Wars, which brought in 120,000 visitors; and the particular satisfaction of having viewers to your show read the wall text you wrote for your show.

Ruth Wallen is a multimedia artist and writer whose work is dedicated to encouraging dialogue about ecology and social justice. She creates web sites and outdoor installations and has participated in innumerable exhibitions. Solo exhibitions range from Franklin Furnace, CEPA, New Langton Arts, to many San Diego venues. Web site hosts include the California Museum of Photography and the Exploratorium, where her work is currently on view. She was part of Weather Report: Art and Climate Change at the Boulder Museum of Contemporary Art, curated by Lucy Lippard, and recently has been addressing climate change in collaboration with scientists at Scripps Institution of Oceanography. Ruth writes critically about ecological art and race, gender and visual culture.  She is on the faculty of the MFA in Interdisciplinary Arts Program at Goddard College, a lecturer at UCSD, and was a Fulbright Lecturer at the Autonomous University of Baja California, Tijuana. Links to the Artwork of Ruth Wallen Listen to the Trees Las Comadres Light Up the Border Again View Points: Estuary Intimate Details Remember The Trees Articles Preserving Paradise A Day Without Mexicans Barrier or Bridge: Photojournalism of the San Diego/Tijuana Border Region LEONaRDo vol 45 calls for “Visionary intervention in a time of crisis” Other mentions Naomi Klein: This Changes Everything Ep. 24 Regan Rosburg: Breaching Grief, Melancholia and Mania with Biophilia Helen Newton . . . @ about 46:30 Public Address (public artists) Guest Contact information RuthWallen.netRuth Wallen on Facebook Purchase the podcast’s namesake Eco Music album "Let’s Talk About The Weather" on iTunes or Bandcamp.

This week, Brian and Patricia (and her stealth interns) talk shop and the sublime with Renny Pritikin, Chief Curator of the Contemporary Jewish Museum, in San Francisco. Currently on view at the CJM is Night Begins the Day: Rethinking Space, Time, and Beauty, which tackles fear and awe, time and frailty, and the limits of seeing in our age of technological innovation. The always frank and open Pritikin shares his thoughts on curating for an ethnic-specific cultural institution, curating theology into art exhibitions, East vs West Coast Jewish culture, and Amy Winehouse.   Renny has been a pivotal figure in the San Francisco Bay Area arts community for over three decades. He served as Co-Director of New Langton Arts in San Francisco from 1979 to 1992, Chief Curator at the Yerba Buena Center for the Arts from 1992 to 2004, and Director of the Nelson Gallery and Fine Arts Collection at the University of California, Davis from 2004 until 2012.   http://www.thecjm.org/on-view/currently/night-begins-the-day-rethinking-space-time-and-beauty/  

If Felipe Dulzaides has his way, his art will make people question their everyday environments. Spark talks to him about his public art piece, "Double Take: A Billboard Project," a collaboration with New Langton Arts consisting of eight billboards that were installed throughout San Francisco over the course of a year.

For five weeks during the summer of 2003, artists Jon Brumit and Marc Horowitz took over the San Francisco gallery New Langton Arts, and reinvented themselves as the business team of Sliv & Dulet, the fictional enterprise behind 2001's much-publicized one-minute art show. In the Spark episode "The Bleeding Edge ... is this really art?" meet these unusual art entrepreneurs as they collaborate with 25 other artists to "develop new products and services" for The Summer Line 2003, an experiential installation that comments with great humor on the conventions of office life and the art world. Brumit and Horowitz, who met through the Artist-in-Residence Program at San Francisco Recycling & Disposal, create interactive performance works that predominately focus on social exchanges and the creative potential of ordinary objects. Incorporating elements of absurdity and the mundane, Brumit and Horowitz have collaborated on numerous Bay Area events that push the boundaries of public/performance art including: The One-Minute Show (2001), a 30-person group exhibition that took place in 60 seconds; Bring Your Own Big Wheel Race (2002), an annual public big wheel race down historic Lombard street; and the first annual Duct Tape Festival (2002) in Oakland.

In February 2009 GALLERY CRAWL interviewed Bill Fontana about his sound installation SPIRALING ECHOES at SF City Hall. A few blocks away, local art collector Robert Shimshak explained his interest in musical scores and how his collection inspired a new exhbition, EVERY SOUND YOU CAN IMAGINE at New Langton Arts.

Ellen Lake is a documentary filmmaker, sculptor, and installation artist from Oakland. CA. She received her MFA from Mills College in Oakland, California in 2002, where she studied sculpture, film and video, and installation. She has worked on an extensive group of experimental documentary short films about collecting, including Trina's Collections and Ann's Hoard. Her films, sculptures, and installations have been been screened at in the San Francisco Bay area at New Langton Arts, The Exploratorium, Pacific Film Archives, Other Cinema, and the San Francisco Art Commission Gallery, in addition to the Echo Park Film Center and Midnight Special Bookstore in LA, and The Pioneer Theater in NYC. She was the recipient of the 2005 Bay Area Video Coalition Mediamaker award, which is a competitive, in-kind grant of post-production, new media services, and certified training classes, awarded to filmmakers in the San Francisco Bay area each year to help them complete public media projects.

If Felipe Dulzaides has his way, his art will make people question their everyday environments. Spark talks to him about his public art piece, "Double Take: A Billboard Project," a collaboration with New Langton Arts consisting of eight billboards that were installed throughout San Francisco over the course of a year from December 1, 2004 to December 31, 2005. Original air date: April 2006.