Podcasts about Melancholia

So who killed JFK? We still don't know, but we're concluding our series on DeLillo's conspiratorial history with Episode 27: Libra (3). This episode begins by focusing on the unexpected injection of humor and depth that comes with Jack Ruby, another reluctant shooter, in the novel's second part. We draw into this episode some comparisons of Libra to other artists' paranoid visions of conspiracy, including Oliver Stone, Norman Mailer, and Thomas Pynchon. We spend ample time on the newspaper-clipping and TV-watching of CIA wife Beryl Parmenter, one of several figures here who make Libra a canny narrative of media and information history. And we close with detailed debate and speculation about why DeLillo's concluding “Author's Note” – with its powerful notion that “readers may find refuge here” – has changed over the years. Like Nicholas Branch, we're overwhelmed by all that still could be said about Libra (and we may still say it in a future episode!), but we conclude our three-part analysis here. References and corrections for this episode: “Don DeLillo: The Word, the Image, and the Gun.” BBC Documentary, September 27, 1991. https://www.youtube.com/watch?v=0DTePKA1wgc Sigmund Freud, “Mourning and Melancholia.” chrome-extension://efaidnbmnnnibpcajpcglclefindmkaj/https://www.sas.upenn.edu/~cavitch/pdf-library/Freud_MourningAndMelancholia.pdf JFK (dir. Oliver Stone, 1991). Frank Lentricchia, “Libra as Postmodern Critique.” In Frank Lentricchia, ed., Introducing Don DeLillo (Durham, NC: Duke U. Press, 1991), 193-215. George F. Will, “Shallow Look at the Mind of an Assassin.” Washington Post, September 22, 1988. Correction and references on Carmine Latta and Sam Giancana: DeLillo's character Carmine Latta is indeed based on Carlos Marcello (https://en.wikipedia.org/wiki/Carlos_Marcello), but we misstate the name of mobster Sam Giancana (https://en.wikipedia.org/wiki/Sam_Giancana). Interlude clips include the voices of Jack Ruby and Marguerite Oswald.

Our journey into wedding movies continues with Lars von Trier's Melancholia! We discuss the dress, the family dynamics, the allegory and why in the end the only thing that matters is your family. Also: You're kidding me with the bean thing, right? Seth gets depressed, Michelle does her nails and we find a wedding speech to top last week's. Check it out!  Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, decoder ring, shout out on the show AND you get to vote on monthly episodes and themes. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Bluesky. Enjoy! The Creative Source 29th May 2025 Artist - Track - Album - Year Russ Spiegel    Epic    Nitty Gritty    2025 José Luiz Martins    Cravo E Canela    Odyssey Mixtape    2025 Phil Brown    Es y no es    Rule of Three    2025 Renegade Queens    Moving Day (feat. Kristen Strom)    Salsa de la Bahia, Vol. 3    2025 Michel Benebig & Le Grand B3 Big Band    Mango and Papaya    Blue Note in My Suitcase    2024 Bill O'Connell    Sea Glass    Touch    2024 Dave Bass    Latin Journey    Trio Nuevo, Vol. 2    2025 BeatleJazz    It's All Too Much    Reunion    2025 Omar Thomas Thomas Large Ensemble    Episode D'Azur    Griot Songs    2024 CCCN Jazz Orchestra & Hendrik Meurkens    Lingua de Mosquito    Big Band Brasil    2025 Mark Masters Ensemble featuring Billy Harper    Cyclic Episode    Sam Rivers 100    2025 The Steve Holt Jazz Impact Quintet    Second Voyage    Impact    2025 Jordan VanHemert    Survival of the Fittest    Survival of the Fittest    2025 Mike Clark & Mike Zilber    Green Dolphin Street (Redolphinized)    Standard Deviations    2025 Jamie Shew    Enough (feat. Kait Dunton)    Spicy, Classy, (and a little) Sassy    2025 The Count Basie Orchestra w/ Deborah Slver    Tainted Love    Basie Rocks!    2025 Tyler Henderson    Get Out of Town    Love Endures    2025 Mehmet Ali Sanlikol featuring Ingrid Jensen    Şedd-iAraban Şarki    7 Shades of Melancholia    2025 Gaia Wilmer & Ra Kalam Bob Moses    Turning the Tide    Dancing with Elephants    2025 Dave Sharp World's Quartet & Elden Kelly    Catalyst    Catalyst: The Music of Gregg Hill    2025 Billy Mohler    Hawkwind    The Eternal    2025 The post The Creative Source (#CreativeSource) – 29th May 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.

This week, we discuss two depressing Scandinavian films. The first is Aniara (2018), which follows a spaceship of passengers drifting hopelessly through space, confronting existential despair after veering off course. The second is Melancholia (2011), which centres on two sisters grappling with personal and cosmic doom as a rogue planet threatens to destroy Earth.   Timestamps What we've been watching (00:01:00) – Suspect: The Shooting of Jean Charles de Menezes, Final Destination: Bloodlines, Andor season two, Rogue One Aniara (00:35:30) Melancholia (00:52:10) Coin toss (01:15:50)   Links Instagram - @callitfriendopodcast @munnywales @andyjayritchie   Letterboxd – @andycifpod @fat-tits mcmahon   Justwatch.com – streaming and rental links - https://www.justwatch.com

Sean and Amanda return to continue their yearlong project of listing the 25 best movies of the 21st century so far. Today, they discuss Lars von Trier's ‘Melancholia,' the deeply upsetting 2011 science fiction drama, which stars Kirsten Dunst and Kiefer Sutherland and features one of the greatest opening scenes of all time. They discuss Dunst's astounding performance, explain why this was such a critical project for von Trier's career, and revisit the infamous controversy at the Cannes Film Festival and consider what it means for the legacy of the film. Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

Words by Angela CroudaceUK death metal giants Ingested are returning to Australian shores, and drummer Lyn Jeffs gave HEAVY the inside scoop on what fans can expect. After their tour in 2023 alongside Archspire, the band was blown away by the warm reception and immediately knew they had to come back — this time for a headlining run.“We always wanted to come over and do a headliner,” Lyn shared. “The Aussie crowds were amazing — really good energy, and we made solid connections with bands like Melancholia and Werewolves. It just felt right.”Ingested's recent shift back to a five-piece line up has brought fresh energy and creativity to both the stage and studio. With the addition of guitarist Andrew and bassist Tom, the band embraces a more collaborative approach to writing and performance. “It's way more dynamic now,” said Lyn. “We've got new perspectives, and it's even influencing the sound. There's a section in the new track ‘Ultra Flesh' that's just bass — something we've never done before.”Their physical and mental preparation for tours has evolved over the years, too. Gone are the hard-partying days of trying to live out Pantera-style tour videos.Now, Lyn sticks to yoga, running, and a gym routine to stay stage-ready. “Playing the kind of music we do is like a sport,” he said. “It's not normal to play these tempos — it's f***ing stupid really — but if you prepare well, you can still perform at your best.”The band is embracing this tour as a way to connect their evolving sound with their roots. Expect older tracks to return to the set list, now that they've got longer headline slots.Despite their brutal sound, Lyn reminds us not to judge a book by its cover. “People expect us to be scary or into horror 24/7,” he laughs. “But most of us are just regular people who like football, cycling, or different kinds of music.”With their grounded approach and renewed energy, Ingested's return to Australia promises to be a tour that fans — and the band — won't soon forget.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

KGMI's Adam Smith and Dianna Hawryluk chat about the Sunnyland Garden Party, the Spring Swing Dance in Ferndale, Friends of the Everson Library's book sale, the Skagit Wood Expo, and Melancholia performing at the Shakedown.

Quel plus grand et effroyable spectacle que la destruction du monde ? L'Apocalypse de Saint-Jean, écrit à la fin du 1ᵉʳ siècle après Jésus-Christ, ressemble à un script de superproduction hollywoodienne : « Le ciel se retira comme un livre que l'on roule ; et les rois de la terre, les grands du monde, et tous les hommes, esclaves ou libres, se cachèrent dans les cavernes parce que le grand jour de leur colère est arrivé, et qui pourra subsister ? » Le texte biblique inspire depuis des siècles nombre de représentations, et reste une source inépuisable pour l'art spectaculaire par excellence, le cinéma.Un cycle à la Cinémathèque française, adossé à une grande exposition à la BNF, explore la représentation de l'Apocalypse au cinéma.Nous recevons François Angelier, l'un des commissaires de l'exposition et expert associé au cycle de la Cinémathèque lors duquel sont projetés 25 longs métrages, notamment Deep Impact de Mimi Leder, Dr Folamour de Stanley Kubrick, la série des Mad Max de George Miller, ou encore Melancholia de Lars Von Trier.À l'affiche de notre cinéma également ce samedi 15 février 2025, nous reviendrons sur les polémiques qui plombent les chances d'Emilia Perez aux Oscars, et notamment les critiques négatives émises au Mexique (avec notre correspondante Gwendolina Duval).► Pauses musicales : System System de Voilààà et Lass, Loose control de Jafunk, Apocalypse de Cigarette after sex.

NB: Brian informs me that Yarvin's interviewer was actually David Marchese, not Michael Barbaro, which might explain why I found him so much less insufferable than usual! Also, male mainstream liberal podcasters sure do all have the same voice, don't they?SLEERICKETS is a podcast about poetry and other intractable problems. My book Midlife now exists. Buy it here, or leave it a rating here or hereFor more SLEERICKETS, check out the SECRET SHOW and join the group chatLeave the show a rating here (actually, just do it on your phone, it's easier). Thanks!Wear SLEERICKETS t-shirts and hoodies. They look good!SLEERICKETS is now on YouTube!Some of the topics mentioned in this episode:– The Daily's interview with Curtis Yarvin– Yarvin's embarrassing thoughts on the Passage Prize– Yarvin's less less embarrassing thoughts on a Poetry Daily poem– Alice's two poems in New Verse Review– Violent Femmes by Nida Sophasarun– My short essay on the 32 Poems website– My poem Melancholia in Ploughshares (just ask if you want to read it)– Poetry Says Ep 186. Sensitive New Right Guy– Poetry Says Ep 294. The American Ecstatic– Sex Elegy by Terence Winch– Tar River Poetry– Nik Prassas' transcriptions of Geoffrey Hill's lectures– Ep 49: Handsome People Can Be Sad, ft. David Kern– What is art? by Leo TolstoyFrequently mentioned names:– Joshua Mehigan– Shane McCrae– A. E. Stallings– Ryan Wilson– Morri Creech– Austin Allen– Jonathan Farmer– Zara Raab– Amit Majmudar– Ethan McGuire– Coleman Glenn– Chris Childers– Alexis Sears– JP Gritton– Alex Pepple– Ernie Hilbert– Joanna PearsonOther Ratbag Poetry Pods:Poetry Says by Alice AllanI Hate Matt Wall by Matt WallVersecraft by Elijah BlumovRatbag Poetics By David Jalal MotamedAlice: Poetry SaysBrian: @BPlatzerCameron: CameronWTC [at] hotmail [dot] comMatthew: sleerickets [at] gmail [dot] comMusic by ETRNLArt by Daniel Alexander Smith

V tomto vydaní podcastu o vizuálnom umení rozpráva kurátorka Patricia Ballx o medirytine renesančného umelca Albrechta Dürera.  

It's not the end of the world...or is it? This week things get bleak as Leigh Singer joins Mike to discuss two apocalyptic psychological dramas...TAKE SHELTER and MELANCHOLIA.  Hosted, Produced and Edited by Mike Muncer Music by Jack Whitney.  Artwork by Mike Lee-Graham Big thank you to Mary Wild for this week's 'Wild About Horror' segment! Sign up to Mary's Patreon!  Visit our website www.evolutionofhorror.com  Buy tickets for our UPCOMING SCREENINGS & EVENTS Buy yourself some brand new EOH MERCH! Subscribe and donate on PATREON for bonus monthly content and extra treats... www.patreon.com/evolutionofhorror  Email us!  Follow us on TWITTER Follow us on INSTAGRAM Like us on FACEBOOK Join the DISCUSSION GROUP Join the DISCORD Follow us on LETTERBOXD Mike Muncer is a producer, podcaster and film journalist and can be found on TWITTER

Wir haben unsere Freunde Olli und Torsten vom Podcast „Plastik im Ohr“ zu Gast. Und jeder stellt einen Lieblingsfilm vor: „Casablanca“, „Der weiße Hai“, „Psycho“ und „Melancholia“. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textA grieving woman and her son move back to the unoccupied house of her ex husband, recently found dead, but they discover that they are not alone inside the house. Living in the basement are three friends struggling to find relevancy. On Episode 650 of Trick or Treat Radio we discuss the British horror film The Monster Beneath Us directed by Sophie Osbourne! We also discuss gothic horror, the 80s comedy classic Top Secret!, and we amazingly find out who invented the faucet! So grab your comically large horse pills, be like Steve Guttenberg, and strap on for the world's most dangerous podcast!Stuff we talk about: The Exorcist, Frankenstein, Basket Case, Hellraiser, Children of the Corn, Professor Elemental, The Woman in Black, Crimson Peak, Guillermo del Toro, Hammer Films, Twins of Evil, The Others, Hagazusa, Nicole Kidman, The Old Dark House, Boris Karloff, Gloria Stuart, The Haunting, Richard Johnson, WWE, Netflix, The Rock looks old for the first time, Royal Rumble, Buddy Matthews, Rhea Ripley, Hogan heat, American Bad Ass Undertaker, R.J. Brewer, Hulk Hogan looking terrible, Cope, Kenny Omega, who invented the faucet, ball valve, The Monster Beneath Us, Sophie Osbourne, the balls of my father, Becca Hirani, Marshall Hawkes, Top Secret!, Val Kilmer, Zucker Abrahams and Zucker, go back in time to the 1900s, Boggarts, smoke monsters, stiff upper lip, British Culture, large horse pills, Melancholia, Amphetamines, Vamp Quartet, Jodorowsky's Dune, George A. Romero's Resident Evil, A-Lister, Four Roses Bourbon, ROFL, Hamburgler, Aaron Pierre, Keanu Reeves, Constantine, we'd be an 18th Century 8.5/10, Boggart in the Basement, and what's good for the goose is good for the Guttenberg!Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Am citit și am discutat romanul Greața (Nausea) de Jean-Paul Sartre, publicat în 1938. Romanul are loc în „Bouville” (omofon al lui Boue-ville, literal, „Orașul noroios”), un oraș asemănător cu Le Havre, și cuprinde gândurile și experiențele subiective — sub forma unui jurnal personal — ale lui Antoine Roquentin, un intelectual melancolic și izolat social, care locuiește în Bouville aparent cu scopul de a completa biografia unui personaj istoric. Alienarea și deziluzia crescândă a lui Roquentin coincid cu o experiență tot mai intensă de repulsie, pe care o numește „greața”, în care oamenii și lucrurile din jurul său par să-și piardă toate calitățile familiare și recognoscibile. Titlul original al romanului lui Sartre înainte de publicare a fost Melancholia. ▶DISCORD: – Participă la următoarele discuții din book club: discord.gg/meditatii ▶DIALOGURI FILOSOFICE: – Română: soundcloud.com/meditatii/sets/dialoguri-pe-discord – Engleză: www.youtube.com/playlist?list=PLL…NYNkbJjNJeXrNHSaV ▶PODCAST INFO: – Website: podcastmeditatii.com – Newsletter: podcastmeditatii.com/aboneaza – YouTube: youtube.com/c/meditatii – Apple Podcasts: podcasts.apple.com/us/podcast/medi…ii/id1434369028 – Spotify: open.spotify.com/show/1tBwmTZQHKaoXkDQjOWihm – RSS: feeds.soundcloud.com/users/soundclo…613/sounds.rss ▶SUSȚINE-MĂ: – Patreon: www.patreon.com/meditatii – PayPal: paypal.me/meditatii ▶TWITCH: – LIVE: www.twitch.tv/meditatii – Rezumate: www.youtube.com/channel/UCK204s-jdiStZ5FoUm63Nig ▶SOCIAL MEDIA: – Instagram: www.instagram.com/meditatii.podcast – TikTok: www.tiktok.com/@meditatii.podcast – Facebook: www.facebook.com/meditatii.podcast – Goodreads: goodreads.com/avasilachi – Telegram (jurnal): t.me/andreivasilachi – Telegram (chat): t.me/podcastmeditatii ▶EMAIL: andrei@podcastmeditatii.com

Anne and Ryan discuss Luca Guadagnino's new drama QUEER starring Daniel Craig, Drew Starkey, Jason Schwartzman, and Lesley Manville. Based on the William S. Burroughs novella of the same name, QUEER follows an American writer living in 1950s Mexico City, pursuing a romance with a recently discharged Navy man. As the pair travel to South America in search of a mysterious drug, the story takes on a dreamlike aura in its depiction of longing and wanderlust. Join us for this discussion of Guadagnino's directorial follow-up to this year's Challengers, as well as diversions into James Bond, AMC theaters, Melancholia, the Babygirl trailer, Black Narcissus, Derek Jeter's gift baskets, Under the Volcano, The Agency and much, much more! QUEER is currently in theaters.

[editor's note: Due to the context of rapidly developing events in the region, it is important to note that this conversation was recorded back in early October, 2024]   In this episode, we speak with Nihal El Aasar about her recently penned essay, "Left Wing Melancholia, the Arab Political Subject." We speak about Palestine's importance to the Arab political subject and the need to analyze the current absence of the Arab masses in light of Israel's genocidal onslaught. She highlights the influence of Palestinian intellectual Ghassan Kanafani on her work, particularly his broader definition of the Palestinian question and the importance of not isolating it from the wider struggle against capitalism and imperialism in the so-called Middle East and beyond. Nihal critiques the narrow framing of the Palestinian struggle vis-a-vis Israel and stresses the need to consider the wider Arab and regional dimensions of the struggle. We also explore the role of reactionary Arab regimes play in weakening the National Liberation Movement and preying on the masses' instincts toward national and class liberation. Nihal provides historical context, discussing the impact of the 1967 defeat on Arab socialism and pan-Arabism, and the subsequent rise of neoliberal policies that have continued to govern certain segments of the region. Through a materialist lens, she critiques the current political paralysis that can be observed throughout the Arab world, attributing it to severe repression and systemic depoliticization. We cross-reference this paralysis and juxtapose the phenomenon across similar instances happening across the world—including for Black folks in the US. She emphasizes the need to grapple with defeat as a material reality and learn from past struggles to reactivate the colonized masses and reengage in political struggle.   Nihal is an Egyptian writer, researcher and radio host. She mainly writes about politics, political economy and culture. Her work has appeared in various Arabic and English language publications. If you like what we do and want to support our ability to have more conversations like this. Please consider becoming a patron. You can do so for as little as a 1 Dollar a month.   This episode is edited & produced by Aidan Elias. Music, as always, is by Televangel   Links: "Left Wing Melancholia, the Arab Political Subject."   For another related conversation on Nasser, the context of Arab regimes today, and some of the same dynamics that Nihal outlines in this conversation, we recently hosted Ameed Faleh discussing among other things Anouar Abdel-Malek's Egypt: Military Society. 

"What Freud may have missed here is that the investment in the lost object is a much more reconstructive and integrative process. It's one where we remember all the stories that we have heard from the lost object - the repetitive stories about the childhood of the person or how they met significant others and all these stories are within us and revived, and we have questions. We think: ‘Too bad I never asked about this or that' and in activating these memories we also experience joy and we have a slow process of integration which is not necessarily about loss but about how continuous this person lives in our mind and that is a little bit the focus of this novel. It's in that sense a portrait of the mind and the process of mourning."    Episode Description: We begin with recognizing Cordelia's contributions to clinical and theoretical psychoanalysis in addition to her fiction writing. Her latest novel, Momento, has been described as "a journey through the labyrinth of the dream world" and invites the reader into the experiences of ambiguity, timelessness, and the absurd. On a theoretical level, Cordelia introduces the usefulness of the term lethe - the river in the underworld of Hades that causes people to forget their past when they drink from it. We discuss the distinction between libido and lethe and how they manifest themselves in the analytic setting. She emphasizes the importance of understanding aggression not as a stand-alone but as a container of further meaning. We close with her sharing her childhood story of wanting to please her father with her detailed knowledge - a sublimation that she continues to gain pleasure from to this day.   Our Guest: Cordelia Schmidt-Hellerau, Ph.D.,  is a Training and Supervising Analyst and on the Faculty of the Boston Psychoanalytic Society and Institute as well as of the Swiss Psychoanalytic Society. Her area of expertise is metapsychology, in particular drive theory and its clinical applications. An updated version of her monograph of Freud's metapsychology, Life Drive & Death Drive, Libido & Lethe, is just being published by International Psychoanalytic Books. Her psychoanalytic books and articles have been published in many languages. She has also published three novels and edited a Freud Reader, an Essay Book, and three collections of Short Stories. She is the Chair of the IPA in Culture Committee and works in private practice in Brookline, Massachusetts.   Recommended Readings: Freud, S (1917) Morning and Melancholia. In Freud, S. Standard Edition, Vol IVX,     239 258   Schmidt-Hellerau, C. (2018) Driven to Survive. Selected Papers Psychoanalysis.      New York: International, Psychoanalytic Books.   Schmidt-Hellerau, C. (2020) Memory's Eyes. A New-York Oedipus Novel. Queens, NY: International Psychoanalytic Books.   Schmidt-Hellerau, C. (2023) Memento. A Novel in Dreams, Thoughts, and Images. New York: International Psychoanalytic Books.   Schmidt-Hellerau, C. (2024) Life Drive & Death Drive, Libido & Lethe. A clear road through Freud's metapsychology leading to helpful findings and new concepts. New York: International Psychoanalytic Books.

Nihal El Aasar discusses her recent essay, titled Left-wing Melancholia, which has been published as part of Parapraxis Magazine's Palestine issue. In the essay Nihal explores the responses to the ongoing genocide in Gaza from people in other Arab countries. In her words “there have been certain weighted expectations for the Arab masses to react more strongly and urgently to this genocide. Some have heeded the call; some have tried and failed.” She draws on the work of people like Ghassan Kanafani, Nouri Gana, and friend of the podcast Hannah Proctor, to explore the relationship between counterrevolution in Egypt, US Imperialism, and Palestinian liberation through the lens of Arab political subjectivity. Nihal El Aasar is an Egyptian researcher living in London. Her writing has been published by outlets such as Protean, Africa Is A Country, ArtReview, and elsewhere. Her essay can be found here: https://www.parapraxismagazine.com/articles/leftwing-melancholia  SUPPORT: www.buymeacoffee.com/redmedicineSoundtrack by Mark PilkingtonTwitter: @red_medicine__www.redmedicine.substack.com/

In this video, I dive into the fascinating connection between imagination and healing. Did you know that fantasy and visioning play a key role in our physical and mental health? I'll share personal stories and insights from years of working with clients, illustrating how imagination can help us overcome challenges and achieve our goals. We'll also explore the ancient concept of the four humors, focusing on "melancholia." The Greeks viewed melancholy not just as sadness but as a profound wellspring for creativity and healing—a space where inspiration often strikes after periods of solitude. To support this creative and healing process, I'll introduce two incredible herbal allies: Rosemary and Burdock. Learn how these plants can nurture your imagination and help transform moments of melancholy into sparks of vision and renewal. Join me for this inspiring journey into the power of your mind and the wisdom of plants!  ———— MY ONLINE COURSES 

On this episode of On the Nose—recorded at an online event on October 30th—editor-in-chief Arielle Angel speaks with author Naomi Klein and writer and clinical psychologist Hala Alyan about the place of feelings and affect in the movement for Palestinian liberation. They discuss the role of grief and rage, how movements can accommodate affective diversity, and what it means to channel emotions politically. Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).Texts Mentioned and Further Resources:“How Israel has made trauma a weapon of war,” Naomi Klein, The GuardianThe Generation of Postmemory: Writing and Visual Culture After the Holocaust by Marianne HirschProsthetic Memory: The Transformation of American Remembrance in the Age of Mass Culture by Alison Landsberg “‘Chronic traumatic stress disorder': the Palestinian psychiatrist challenging western definitions of trauma,” Bethan McKernan, The Guardian“Can the Palestinian Mourn?,” Abdaljawad Omar, Rusted Radishes“‘Resistance Through a Realist Lens,'” Arielle Angel in conversation with Abdaljawad Omar, Jewish Currents“Mourning and Melancholia,” Sigmund FreudThe Shock Doctrine: The Rise of Disaster Capitalism by Naomi Klein“One Year,” Palestinian Youth Movement, The New Inquiry (originally published in The New York War Crimes)Recognizing the Stranger: On Palestine and Narrative by Isabella Hammad“A Surge in American Jewish Left Organizing,” On the Nose, Jewish Currents“Gaza and the Coming Age of the ‘Warrior,'” Ghassan Hage, Allegra“One Year,” Arielle Angel, Jewish Currents newsletterThe Secret Life of Saeed: The Pessoptimist by Emile Habibi“Theses on the Philosophy of History,” Walter Benjamin

Audiovisual ➡️ fanlink.tv/Y0UTUBE Tracklisting ➡️ https://bit.ly/tracklist_gintonicboraa Join Boraa on an exclusive musical journey with a delicious Gin Tonic. In this 1-hour mix, Boraa masterfully blends progressive house, organic house, and deep house, featuring a mix of brand new releases and his personal favorites. Boraa, a rising star in the electronic music scene, began his musical adventure at just 17 in Istanbul. His productions are influenced by the rich and diverse sounds of the city, and his performances have taken him across Turkey, from Istanbul to Bodrum, and beyond to Baku in Azerbaijan and even Los Angeles. Having shared stages with prominent artists like Guy J, Tantum, and Frankey & Sandrino, Boraa has solidified his presence in the electronic music world. Recent releases such as "Mind Field" (Three Records), "Melancholia" (AH Digital), and "Clouds" (BC2 Records) highlight his talent for creating immersive soundscapes. Boraa's music can be found on esteemed labels like UV Noir, AH Digital, and BC2 Records, further showcasing his influence. As you immerse yourself in this episode, Gin Tonic, you're in for a refreshing auditory experience—just like the cocktail itself. The Gin Tonic, a classic mix of gin and tonic water, is beloved for its simplicity and refreshing taste, much like how Boraa's mix offers a smooth yet invigorating experience. Enjoy this perfect fusion of sound and setting, whether you're relaxing at home or hosting a stylish event. Tune in now to Boraa's Gin Tonic for an hour of captivating progressive, organic, and deep house music ! Cheers! The Bartenders Boraa @boraamusic www.facebook.com/boraamusic www.instagram.com/boraamusic Schirmchendrink @schirmchendrink www.facebook.com/schirmchendrink www.instagram.com/schirmchendrink

Złota polska jesień, czy jesienna chandra? Obniżony nastrój i brak motywacji może być normalnym uczuciem, związanym z odejściem lata, ale czasem bywa sygnałem ostrzegawczym o depresji. Jak rozróżnić te stany i czy można się polubić z jesienią? Dajcie znać, jakie Wy macie na to metody! _________ #Autopromocja: pierścionek ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Wishbone dla Można Zwariować⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ aplikacja do medytacji Cleo: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MEditate⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ książka Ani: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Przewodnik po emocjach. Jak lepiej rozumieć własne uczucia"⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ książka Cleo: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Clou. Jak być sobą, gdy jesteś wszystkim innym"⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ _________ Dziękujemy za Wasze wsparcie na ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patronite⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ oraz słanie dobrego słowa o podcaście! Jeśli chcecie podzielić się swoimi refleksjami to piszcie do nas na: podcast@moznazwariowac.pl lub na Instagramie: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@cleocwiek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@aniacyklinska⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@moznazwariowac⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.moznazwariowac.pl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Grupa na FB⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Jens' film scoring credits include: Lars Von Trier's Melancholia, Ai Weiwei's documentary Vivos, the WWII themed film Out Of The Darkness, and the documentary Markie In Milwaukee. Jens was nominated for a Danish Film Academy award for his score to the documentary 7 Years Of Lukas Graham. More recently Jens scored the acclaimed Netflix documentary, Tell Them You Love Me. 

165. The Holder of Research *** 166. The Holder of the Ethereal *** 167. The Holder of the Palette *** 168. The Holder of Zeal *** Stories can be found at: https://theholderseries.wordpress.com/ *** Sound design by: Samii Taylor *** Music credit: "Melancholia" by Ryan Creep, "Haunted" by Ross Bugden, "A Deep Voice" and "Unspoken" by Myuu Learn more about your ad choices. Visit megaphone.fm/adchoices

Our month's theme and our year's theme have crossed over. You could call it “LARS VON TRIER'S BULLSHIT TOMORROW” but it may not be bullshit for Lars or the character of Justine so much as cathartic. Imagine being overwhelmed with crippling depression and then you discover a rogue planet is hurtling towards Earth. Guys who get their astronomy news from Joe Rogan aren't too worried about it but you know exactly what's going to happen. The end of the world. The world is shitting itself and you're basking peacefully in the sun's reflection off of the planetoid Melancholia as it looms towards Earth. Yes, we are discussing von Trier's 2011 examination of extreme depression in “MELANCHOLIA” starring Kirsten Dunst and Charlotte Gainsbourg. Personally I would spend all of that time collecting as many Beanie Babies as I can. It's a passion of mine and I'd rather go out doing what I love the most. I just hope the stores will be open until the very end. I want my last moments to be me handing my credit card to a cashier for a tie-dye Iggy Iguana. Signing that receipt right as I'm misted into nothing. I may need to borrow some money though. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Abby and Patrick welcome labor journalist Sarah Jaffe – author of Necessary Trouble and Work Won't Love You Back – for her first interview about her forthcoming book, From the Ashes: Grief and Revolution in a World on Fire. From the Ashes is at once a deeply personal narrative and a wide-ranging journey of searing reportage on the lives and struggles of individuals and communities. Sarah, Abby, and Patrick take on the overdeterminations of loss, grief, mourning, and memorialization from contemporary political discourse to Freud's classic “Mourning and Melancholia.” In what ways can individual experiences of grief be fundamentally singular and yet also sites of collective solidarity and social transformation? What are the norms, narratives, and timelines that get imposed on expressions of psychic pain in the wake of loss, from the DSM to Human Resources to newspaper headlines? How does the experience of loss differ when the lost object in question isn't necessarily a person, but a place, an ideal, intergenerational links, or expectations for a now-foreclosed future instead?Details about From the Ashes are here: https://www.hachettebookgroup.com/titles/sarah-jaffe/from-the-ashes/9781541703490/ and the book is available for preorder here: https://hachettebookgroup.formstack.com/forms/fromtheashes (use code FTA20 for 20% off, plus bonus content)Sarah's website is here: https://sarahljaffe.com/Key texts cited in the episode:Freud, “Mourning and Melancholia”Freud, “On Transience”Jacqueline Rose, “Virginia Woolf and the Death of Modernism”Namwali Serpell, The FurrowsHave you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! 484 775-0107  A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:  Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music

Lars von Trier is a controversial filmmaker with his work and as a person himself. Due to his depression that, he creates films with dark characters with, sometimes, dark storylines. But his films are great. Some are beautifully shot with referneces to classical art. This film "Melancholia" is one of those. It's about the last days of the world due to a planet that is literally going to crash into Earth and the main character welcomes with open arms. It's more dramatic than how it sounds but it's there and it's in full effect. The film is great for its cinematography, how Earth plays a role as a planet that is dying by the frame and we get to see characters go through it. We see characters that represent illnesses such as depression and anxiety. The film highlights and sometimes makes it very visually poetic.I love the fact that Trier made a film like this and it's not overdramatic. Overall, it's a dark and straight-in-your-face type of filmmaking that anybody can appreciate.Four out of four tokes.

Dr. Mary M. Alcaro, a visiting assistant professor of literature at Bryn Mawr College, takes us on a captivating journey through the intersections of plague, trauma, and Middle English texts. This episode kicks off our new interview series with Dr. Alcaro, who shares her path from undergraduate curiosity to a dissertation on the social and psychological effects of the Black Death. Through her fascinating insights, we uncover the profound influence of the plague on language and its lasting impact on literary theory and the history of medicine. Filled with humor and introspection, this conversation shines a new light on medieval literature and its contemporary relevance. Our discussion takes a closer look at Geoffrey Chaucer's "The Book of the Duchess," highlighting how Chaucer subtly addresses the plague's impact without explicitly mentioning it. Dr. Alcaro explains the use of terms like "wound" to reflect the collective suffering of the audience, drawing intriguing parallels to modern-day euphemisms and the language of trauma. We also explore the concept of a "history of omission," where what is left unsaid can be as revealing as what is recorded, and how language evolves in response to shared traumatic experiences. This episode offers a thought-provoking examination of how literary works navigate the complexities of human grief and communal memory. Rounding out the episode, we delve into the unexpected connections between medieval melancholia and modern-day humor, uncovering tales that resonate with contemporary comedic sensibilities. Dr. Alcaro reflects on the historical context of forced positivity during pandemics, drawing parallels to our recent experiences with COVID-19. We contemplate the long-term impacts of the pandemic on literature and society, pondering how themes of disease, isolation, and sensory perception might shape future works. Join us for an engaging and often humorous exploration of trauma, literature, and the enduring human experience across the ages. ⁠⁠⁠⁠⁠Support us on Patreon.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Now with Beyond the Grave, a relaxed talk series with the crew! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on instagram(@deathandfriendspodcast)! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Nash Flynn @itsnashflynn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Angel Luna @GuerrillaJokes ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on TikTok @deathapodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This is a KnaveryInk podcast.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Have you seen our NEWER and GAYER website? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.deathandfriends.gay/⁠⁠ Topics: Trauma, Literature, Middle English, Plague, Black Death, Language, Literary Theory, History of Medicine, Geoffrey Chaucer, The Book of the Duchess, Wound, Omission, Euphemisms, Traumatic Events, Melancholia, Plague Prophylaxis, Humor, Contemporary Relevance, Grief, Memory, Pandemic, COVID-19, Isolation, Sensory Perception, Post-Pandemic Society, Social Norms, Developmental Concerns, Autism, Quarantine, Social Class, Misinformation, Social Alienation, Disease, Endemic, Identity, Irony, Dr. Mary M. Alcaro

*Podporte podcast Vertigo v aplikácii Toldo a získajte prístup k extra obsahu na sme.sk/extravertigo Prvá epizóda Vertiga, ktorá nebude len s dvojicou Peter Konečný a Juraj Malíček, ale aj s odchádzajúcou šéfkou podcastovej sekcie Denníka SME Jankou Maťkovou. Janke sa čoskoro začínajú materské povinnosti a radosti a preto sme sa ju rozhodli vyspovedať na tému – Filmy môjho života. A aby sme to nemali vôbec také jednoduché, ani jeden film nám neprezradila dopredu. Podcast Vertigo a našu prácu môžete podporiť cez aplikáciu Toldo na sme.sk/extravertigo a dostanete sa tak aj k bonusovému obsahu. Ten bude venovaný ceste filmovej diváčky Janky Maťkovej k artovej kinematografii a jej prvým veľkým kino zážitkom. Kapitoly: (kapitoly v epizóde môžu byť v niektorých prípadoch o pár sekúnd posunuté) (00:00) Úvod (01:04) Fight Club (09:24) Spalovač mrtvol  (16:27) Melancholia  (21:18) Nehanební bastardi / Inglourious Basterds  (26:52) La haine / Nenávisť  (33:39) Saulov syn / Saul fia  (38:02) Byl jednou jeden král  (45:36) Záver _ Ak nám chcete napísať, ozvite sa na vertigo@sme.sk _ Ďakujeme, že počúvate podcast Vertigo a zaujímate sa o filmový svetSee omnystudio.com/listener for privacy information.

In this episode of The Coaching Psychology Pod, host Dr. Natalie Lancer, with Raul Aparici, an integrative coach and psychotherapist, and Dr. Susan Kahn, a psychodynamic coaching psychologist, engage in a rich discussion about the nuances of psychodynamic coaching. We explore the wounded and celebrated self, emphasising the need for coaches to be self-aware and to understand their own vulnerabilities. The conversation also covers the contributions of influential thinkers such as Winnicott and Bion, and the use of creative techniques in coaching. The importance of ethical boundaries, supervision, and respecting client defenses in deep psychodynamic work is highlighted. We ask: What is psychodynamic coaching? What is the difference between psychotherapy and psychodynamic coaching? Which tools and concepts are useful in psychodynamic coaching? Does goal-setting show up in psychodynamic coaching? What are the challenges in using psychodynamic terminology with clients? Why is containment, referral and maintaining boundaries in the coaching relationship important? What roles do supervision, reflective practice and self-awareness have in psychodynamic coaching work? Who are influential thinkers in the field of psychodynamic coaching? How can we train in psychodynamic coaching?   What are the risks and rewards of psychodynamic coaching? The importance of taking a client-centred approach is emphasised in psychodynamic coaching. It privileges understanding the unconscious and the here and now in coaching relationships, such as unpicking transference and counter transference in coaching sessions. Psychodynamic coaching draws upon a rich lineage of a specific set of assumptions and philosophical foundations, aspects of which we cover in our conversation. Learn how this distinctive approach can be integrated into your coaching practice with expert guidance and education in this field.  Our guests today are: Dr Susan Kahn is a Chartered Coaching Psychologist and Business Psychologist, an executive coach, consultant, mediator, BPS registered supervisor and author.  She writes about below the surface dynamics at work and her research interests encompass vulnerability, conflict, leadership and resilience.  She has written three books, Death & the City: On Loss, Mourning and Melancholia at Work; Bounce Back, How to Fail Fast and be Resilient at Work and Reinvent Yourself: Psychological Insights that will Transform your Work Life. She is also a lecturer at Birkbeck, University of London, teaching coaching and organisational psychology, and is a faculty member at the School of Life, working with businesses to develop their emotional intelligence. Raul Aparici is a coach, psychotherapist, consultant and facilitator. He is the Head of Faculty for The School of Life, a global organisation focussed on delivering psychological and philosophical insights to help people learn, heal and grow. With a diverse background in literature, fitness, management and consulting, an MA in Critical theory, and an MA in Gestalt Therapy Theory, he is driven by curiosity and a desire to help others make the most out of their current situation and likes to match academic insights with commercial pragmatism. He provides Equine Assisted Coaching and Leadership Consulting with Operation Centaur in Richmond Park and he is the former Programme Director for Coaching Psychology at Birkbeck College, University of London. Your host, Dr Natalie Lancer, is a Chartered Coaching Psychologist, and British Psychological Society (BPS) Registered Supervisor. She is the Chair of the BPS's Division of Coaching Psychology and an accredited member of the Association for Coaching. She is the host of this podcast series and invites you to email any comments to docp-tcppod@bps.org.uk https://www.bps.org.uk/member-networks/division-coaching-psychology © British Psychological Society 2024

It's here! Our 150th episode and it's a brand new redo of our very first episode, as Kirsten Dunst finally gets the proper The Mixed Reviews treatment! From Interview With the Vampire to Civil War, from Bring It On to The Power of the Dog, from Drop Dead Gorgeous to Spider-Man and everything in between! Join us as we celebrate 150 episodes of film history! If you have any questions/comments/suggestions for the show, follow us on twitter @TheMixedReviews, like us on Facebook, e-mail us at reviewsmixed@gmail.com, visit our  Instagram or  TikTok for extra content, become a patron on  our Patreon, or stop by  our shop and pick up some podcast merchandise! Don't forget to subscribe to us on  iTunes,  Stitcher Radio,  Spotify,  Podchaser,  Audible, or  Google.

 "Ever since I was 7 years old and first "played" with the Interactive Media of Encarta 97 Encyclopedia World Music on my computer, I became captivated by the sounds of Trinidad's steel drums. These sounds, perhaps through cultural associations, filled me with absolute joy. In the naive imagination of a 7-year-old Peruvian girl, the Caribbean was portrayed as a paradise brimming with life and carnival vibes. As a young girl just starting her percussion workshop at school, I dreamed of playing in a live steel pan band. "As I delved deeper into the history of this instrument and learned about the colonization stories behind it, my perspective began to shift. On the one hand, working with recordings of steel drum music still evokes fond memories of an ever-happy past shaped by its presence in pop culture. Conversely, as a migrant, I felt compelled to share the stories behind the waves of migration from colonized lands to those of the colonizers.  "Now, using sample technologies from DAWs I can play along with this live steel drum band. I resonate emotionally and critically with the desire to preserve one's traditional culture, especially coming from a migrant background in the land of the colonizers. Despite facing structural racism and other forms of violence, I admire how the pan players infuse the grey skies with the vibrant colors of calypso and soca, even amidst the distant echoes and noises of Brixton's tube station." Steel drums in Brixton reimagined by Ale Borea. Part of the Migration Sounds project, the world's first collection of the sounds of human migration.  For more information and to explore the project, see https://www.citiesandmemory.com/migration Sunil060902, CC BY-SA 3.0 , via Wikimedia Commons

This week, Nate jumps on to talk about Battlepasses and Microtransactions: the good, the bad, and the predatory. Check out Upper Echelon's video on How Video Games Play You (language warning) here: https://www.youtube.com/watch?v=VJG2dli2LTg Jump in our Discord and let him know how much you enjoyed the episode! Click Here to visit our LinkTree: https://linktr.ee/thebacklogbreakdown The Backlog Breakdown is a proud member of the Play Well Network, a network of podcasts that seek to approach recreation in a more thoughtful manner. Until there is a rabbit trail to follow. Check out all of the other amazing Play Well podcasts Here. Get PWNed, scrubs.

Get access to this entire episode as well as all of our premium episodes and bonus content by becoming a Hit Factory Patron for just $5/month.Producer and co-host of Die Hard On A Blank Podcast and recovering Lars Von Trier superfan Liam Billingham joins to discuss enigmatic Danish provocateur Lars Von Trier and his breakout Cannes award-winning feature 'Breaking the Waves' starring then-newcomer Emily Watson, Stellan Skarsgård, and the late Katrin Cartlidge. The film, set in a small comminuty in the Scottish Highlands in the 1970s, tells the story of Bess McNeill, a simply, godly woman who marries outsider oil rig worker Jan. When Jan is paralyzed after a work accident, he compels Bess to take other lovers in order to "keep him alive"...a task which she steadily comes to believe has divine connotations. Shot in 35mm 'scope with the great Robby Muller behind the camera, the film is a visually staggering work broaching difficult subject matter in the realms of faith, sexuality, and patriarchy all rendered in Von Trier's singular tenor, equal parts brutal, earnest, and cheekily playful.We discuss the career of Von Trier, his work as a founding member of the Dogme95 collective, and the later period evolution of his storytelling. Then, we wrestle with the film's themes and execution of its ideas. Does the movie hold up for a longtime devotee and a newcomer alike? Finally, we try to make sense of Von Trier's oeuvre, and what - if anything - could be considered the trademarks of his style.Follow Liam Billingham on Twitter.Listen and subscribe to Die Hard On A Blank Podcast.Read & Subscribe to Peter Raleigh's Newsletter 'Long Library'. ....Our theme song is "Mirror" by Chris Fish

It's been four years since the demise of Sandersism in the United States. It's been two years since the COVID-19 crisis upended society and Russia invaded Ukraine. Socialist politics is, if anything, even more fractured and impotent than it was last decade.What do we make of the deep melancholy gripping politics today? How have the various political solutions on offer been delegitimated? And why is Sean KB seemingly immune to this melancholy? (Hint: it's the Independent Labor Club.)This is an extended preview of the full three-hour discussion. To access the whole audio file, become a patron at www.patreon.com/theantifada And for a video version of the recording become a supporter of C. Derick Varn's work at www.patreon.com/varnvlog

「選擇意味著失去。而當你選擇用否認的方式過生活，那麼你只會比你想像的失去更多。學會哀悼，可以幫助我們對自己的選擇感到更快樂。」 每次的選擇都是一個失去，我們該如何面對失去呢？今天來聊聊一個關於死亡、關於哀悼的故事。 思考自己名字的意義 受到創傷後的分離機制：故事中姐弟的隱喻 過度補償與完美主義的防衛機制 為什麼我們會在哀悼過程中變得憂鬱？ 哀悼七步驟：從肯定悲傷到平衡狀態 參考資料： 《流傳千年的日本神話故事》 https://www.books.com.tw/products/0010487117 [1]Deborah L. Cabaniss（2021,December 8）Choice Means Loss: The Mourning of Everyday Life Learning to mourn can help us to be happier with our choices. PsychologyToday. [2]Clifford N. Lazarus（2013,November 21）Understanding Mourning Is there a proper way to mourn?PsychologyToday. [3]Molly S. Castelloe（2021,December 30）Blocked Mourning, Melancholia, and Depression's Trap Melancholia and mourning as responses to the loss of a person or thing.PsychologyToday. [4]Robert Berezin（2015,March 4）Mourning – Death, Loss, Trauma, and Psychotherapy Mourning is the universal agent for recovery and change.PsychologyToday. [5]Freud, S. (1917). Mourning and Melancholia. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XIV (1914-1916): On the History of the Psycho-Analytic Movement, Papers on Metapsychology and Other Works, 237-258. [6]Kathryn Betts Adams(2013, May 30).Mourning and Reinvention in Mid-Life “Reinvention” sounds fabulous, but sometimes we feel sad and overwhelmed.PsychologyToday. [7]Bennett K.M., Gibbons K. & Mackenzie-Smith S. (2010). Loss and restoration in later life: an examination of dual process model of coping with bereavement. Omega (Westport), 61(4), 315-32. [8]Richardson, V.E. (2010). The dual process model of coping with bereavement: a decade later. Omega (Westport), 61(4), 269-71. [9]Stroebe, M. & Schut, H. (1999). The dual process model of coping with bereavement: rationale and description. Death Studies, 23(3), 197-224 -- - - - -

It's been four years since the demise of Sandersism in the United States. It's been two years since the COVID-19 crisis upended society and Russia invaded Ukraine. Socialist politics is, if anything, even more fractured and impotent than it was last decade.What do we make of the deep melancholy gripping politics today? How have the various political solutions on offer been delegitimated? And why is Sean KB seemingly immune to this melancholy? (Hint: it's the Independent Labor Club.)This is an extended preview of the full three-hour discussion. To access the whole audio file, become a patron at www.patreon.com/theantifada and for a video version of the recording become a supporter of C. Derick Varn's work at www.patreon.com/varnvlog

This father-and-son duo is here to make you smile and change your life! Mark and John Cronin share their stories, including:-by being vulnerable, we get to make connections -building a community and offering hope -the loneliness of entrepreneurship: advice for when that happens -favorite things to improve their mental health-putting people FIRSTLooking for a mental health break?! Join John every Tuesday at 3 PM EST for a virtual dance party on Zoom, a space where everyone is welcome to let loose and have fun!Welcome back to A Mental Health Break! If you enjoy the show, please subscribe for weekly episodes and rate the show 5 stars to help others join our conversations!Love what you hear? Get ready to learn more about their business on That Entrepreneur Show next week!More about this dynamic duo: John's Crazy Socks is a social enterprise inspired by John Lee Cronin, a young man with Down syndrome, and his love of colorful and fun socks—what he calls his “crazy socks.” John suggested to his father, Mark X. Cronin, that they start the business to spread happiness. They built the business on five pillars:-Inspiration and Hope –Showing What People with Differing Abilities Can Do-Giving Back-Fun Products You Can Love-Making It Personal-Making It a Great Place to WorkStay connected with us on social media! You can find A Mental Health Break on all podcasts and social media platforms. For more information about our show and our guests, visit www.vincentalanci.com. We look forward to engaging with you!Episode Music Credits: Adventure by MusicbyAden | https://soundcloud.com/musicbyadenHave a question for the host or guest? Looking to become a show partner? Email Danica at PodcastsByLanci@gmail.com.

On this episode of They Live By Film, Chris and Zach continue discussing Lars von Trier's filmography. This episode covers The Boss of it All, Antichrist, and Melancholia.Adam's Letterboxd: https://letterboxd.com/TheOwls23/Adam's Twitter/X: https://twitter.com/adamlundy23Zach's Letterboxd: https://letterboxd.com/dharmabombs/Chris' subreddit: https://www.reddit.com/r/personalhistoryoffilmChris' Twitter/X: https://twitter.com/prsnlhstryfflm

We discuss the sci-fi/drama film, Melancholia (2011). It's about two sisters, their strained relationship, their mental illnesses, and an impending world-ending astronomical event. Mental health is health. This episode deals heavily in topics of anxiety and depression specifically, and mental health in general. There is no shame in seeking medical treatment, whether the issue is a broken bone or a mental crisis. If you need assistance in NYC, contact the Suicide & Crisis Lifeline. Elsewhere in the US you may have local resources, but you can always start with SAMHSA's National Helpline. Spoil My Movie now has a phone number! Call us at (646) 926-0529‬. It goes right to voicemail, so we're calling it Spoil My Voicemail. Leave us a message and we might throw the audio into a future episode! Spoil My Movie is sponsored by Revival Candle Company. Visit ⁠⁠⁠⁠⁠revivalcandlecompany.com⁠⁠⁠⁠⁠ and use our promo code SPOILMYMOVIE20 for 20% off your order. We've been a Revival customer since before we were podcasters, so you know we really love them. Why buy a crap candle when you can buy a ‘crack' candle? Enjoying Spoil My Movie but not into our sponsors? You could... Buy us a coffee instead: ⁠⁠⁠buymeacoffee.com/spoilmymovie⁠⁠⁠ Rate and review us anywhere you listen to or watch us Subscribe to our ⁠⁠⁠YouTube⁠⁠⁠ and ⁠⁠⁠Tik-Tok⁠⁠⁠ channels Interact with us on our socials: @spoilmymovie on IG, FB and Threads Call us to offer praise us, berate us, suggest a movie, or whatever else! --- Send in a voice message: https://podcasters.spotify.com/pod/show/spoilmymovie/message

Words, Voices, and Production by https://www.hugopierremartin.com/ Music (All free use) Earth Appears by Brian Bolger Robots & Aliens by Joel Cummins Inexorable (Segment) by Kevin Macleod Inexorable by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Source: http://incompetech.com/music/royalty-... Artist: http://incompetech.com/ Melancholia by Godmode

Marquee Week | 116:SCI-FI SPRINGOn this week's show, we continue our Sci-Fi Spring series with a depressive display of catastrophe in Lars von Trier's MELANCHOLIA. Stay tuned for our Reel Week episode next week.Next episode: Mad Max Fury Road | Sci-Fi SpringTimestamps:00:00:00 - Show Start00:01:07 - Civil War00:17:07 - Topic of the Show01:09:28 - Theme Ranking01:10:41 - Next Episode01:14:11 - OutroSocials:Cristian on Twitter: @_isoCristianCristian on Letterboxd: isoCristianHugo on twitter: @Hugo_PinaiHugo on Letterboxd: Hugo_Pm/film/melancholia/Helpful Links Large Popcorn linktree Large Popcorn on Twitter: @ LargePopcornPod Dial-in to the show via SpeakPipe! Keep up with all the films we watch on every show at my letterboxd profile Check out our merch on bonfire!

On this week's show, director Alex Garland and star Kirsten Dunst join us to discuss their hot button-pushing actioner Civil War, Sam Taylor-Johnson does Amy Winehouse a gross disservice in the disastrous biopic, Back to Black, and in Film Club, we revisit Lars von Trier's end-of-the-world relationship drama from 2011, Melancholia.Regular host Leila Latif is joined by LWLies Digital Editor Hannah Strong and freelance writer Rogan Graham.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comTwitter and Instagram: @LWLiesProduced by TCOEdited by Bob Stankus Hosted on Acast. See acast.com/privacy for more information.

an essay nearly entitled, “the orange trees teach me art-making.” This essay is a continuation of my prolonged look at revolutionary healers in practice to become one— where healing also includes artistry. What is my role as an freedom-minded artist, this side of revolution? Check the link to donate to the universal basic income program for Ebola Survivors in Kenema, Sierra Leone below! https://msha.ke/ismatu Theses: A (art-making) = B(world-making) = C (truth-telling) (1) One of the greatest powers held in the human sovereign world is the power to create and destroy: to make, shape and reshape the world and what we know to be true. I call this world-making. (2) We are currently at war and (I would argue) in the exposition of a new world. (3) This world is still actively being made. What constitutes power in the hands of the masses? What methods of world-making are truly available to us? All sources available at ismatu.substack.com. Jazz of the Episode (sampling):Melancholia x Wynton Marsalis For All We Know x Ahmad Jamal Why, Buzzardman, Why? X Alabaster DePlumeTezeta x Mulatu AstatkeMy Odoh - African Lofi x Lofi Afrobeats This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit ismatu.substack.com/subscribe

Have you felt sad, lethargic, and are experiencing a lack of interest in things you're usually invested in? It's probably because you've listened to our discussion on Lars von Trier's 2011 psychological-drama 'Melancholia'. We've just come out of three months straight of bleak grayness with no sun in sight, but the heavens aligned when we got together for this session with a warm sunny day...thank god, we needed it considering the emotionally heavy subject matter. For this episode we're drinking 'Beat' by Heart State Brewing,. This film stars Kirsten Dunst, Charlotte Gainsbourg, Kiefer Sutherland, Alexander Skarsgård, Stellan Skarsgård, John Hurt, Charlotte Rampling, and Udo Kier.

Welcome to The Cluttered Desk! In this episode, Andrew and Colin discuss the 2016 film Personal Shopper. Enjoy! *** Episode Notes: The Why Theory episode about Freud's "Mourning and Melancholia" is available here. *** The Coda: Winking Owl Wine and Jim's Organic Coffee Sweet Love Blend *** Here are links for this episode: Andrew's recommendation: The Lighthouse (2019) and The Killing of the Scared Dear (2018) Colin's recommendation: Olivia Rodrigo's album, GUTS (2023) *** Please contact us at any of these locations: Website: www.thecdpodcast.com Email: thecluttereddeskpodcast@gmail.com Twitter: @TheCDPodcast Facebook: www.facebook.com/thecdpodcast Andrew is on Twitter @AndrewPatrickH1 (Twitter non grata) Colin is on Twitter @ColinAshleyCox *** We want to thank Test Dream for supplying The Cluttered Desk's theme music. You can find Test Dream at any of these locations: Website: testdream.bandcamp.com Facebook: www.facebook.com/testdream Twitter: @testdream *** Our entire catalogue is available through iTunes, Stitcher, and Google Play.

On today's show, multi-talented artist/musician Chris Koehn explains how he became interested in becoming an architect and discusses the similarities between music and architecture. Chris reveals parts of his creative process, shares some interesting details about his personal life, compares notes with Joseph about the joys of running for exercise, and live performs a couple of songs - TRAUMA (unreleased) and MELANCHOLIA. GUEST OVERVIEW: The introspective lyrics & atmospheric vocals of Chris Koehn's shoegaze songs, create an awareness moment, a reminder of enjoying the present, the NOW. To appreciate that nothing is permanent, and death can come anytime. “The freer from our attachments we are, the happier our life will be.” After experiencing his brother`s death, Chris Koehn architect & singer/songwriter producer, enters a musical journey as an introspective grieving process sharing his music to help others heal. It is through his music, lyrics, architecture & paintings he embraces silence, emptiness & stillness, for all of us to connect & elevate our frequencies together.

Listen as John bravely tolerates Alexx's depression talk in the episode about Lars von Trier's Melancholia. The post Melancholia appeared first on John and Alexx Hate Stuff.

We discuss the enfant terrible writer/director and focus on BREAKING THE WAVES, DOGVILLE and MELANCHOLIA. Join the Patreon now for an exclusive episode every week, access to our entire Patreon Episode back catalog, your name read out on the next episode, and the friendly Discord chat: patreon.com/theimportantcinemaclub Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as well as Will's MICHAEL AND US (@michael-and-us).

This week I have the joy of sharing a long-overdue discussion with legendary psychedelic media pioneer Ken Adams (Vimeo | LinkedIn), one of the first people I ever interviewed on record years before Future Fossils and whose influence on my own creative life cannot be overstated. Two of Ken's main claims to fame are the films he created in collaboration with Terence McKenna, namely Alien Dreamtime (mediocre fan upload, archived references to) and Imaginatrix (rental page). This June was the thirtieth anniversary of Alien Dreamtime's theatrical release, a major if initially under-appreciated moment in the history of digital film-making, and I had the good fortune to meet up with Ken here in Santa Fe for his commemorative screening at The Jean Coctea Cinema. What followed was an EPIC storytelling download about bold underground innovation told by one of the most soulful, thoughtful, heartfelt, humble, humorous, and generous people I know.✨ Support Future Fossils:• Become a patron on Substack, Patreon, and/or Bandcamp for MANY extras, including a members-only FB Group and private channels on our Discord Server!• Buy the show's soundtrack (recorded live at Psychedelic Science 2023) on Bandcamp.• Browse my art and buy original paintings and prints (or commission new work).• Dig my reading list at the Future Fossils Bookshop.org page!• Follow my music and awesome, eclectic playlists on Spotify.✨ Tip Jars:@futurefossils on Venmo • $manfredmacx on CashApp • @michaelgarfield on PayPal✨ Chapters, Summary, & Keywords provided by Podium.Page:(0:00:00) - Reminiscing on Psychedelic Underground and Filmmaking(0:10:07) - Ken's Childhood & Early Adulthood(0:25:04) - Screenings and Influence of Psychedelic Movie(0:30:06) - McKenna and Psychedelic Community Influence(0:35:24) - Nature, Doubt, Validation(0:44:23) - Late Night Studio Discovery and Reflection(0:49:30) - Non-Human Encounters and Embracing the Weird(0:57:17) - Encounters With Terence McKenna After His Passing(1:10:46) - Spiritual Experiences and the Need for Change(1:18:51) - Life, Legacy, and Creative Expression ReflectionsJoin me as I host Ken Adams, an experimental filmmaker, documentarian, and psychedelic explorer. We journey through his life from his childhood in Louisiana, his graduate studies in sociology and anthropology, to his discovery of LSD, and his eventual meeting with Terence McKenna. Ken shares his experiences with psychedelics and computers, and we discuss the impact these have had on his life and work. He provides insight into the psychedelic world in San Francisco, shedding light on the risks people took to make psychedelia accessible.This episode offers a fascinating look into the world of psychedelic filmmaking, with Ken Adams sharing how he created a business model from showcasing his experimental film. From the Adobe theater in Austin to the Roxy in San Francisco, Ken reveals how his work was embraced in the psychedelic space. He further explores the influence of Terence McKenna, discussing how Terence navigated the expectations of being a celebrity, his thoughts on psychedelics, and his ability to unite the psychedelic community.Finally, we examine Ken's experiences with non-human entities in altered states of consciousness, as well as his ideas on serving the common good. Ken shares his unusual encounters and his belief in the need for imaginative solutions to the issues facing the planet. We also reflect on the sadness and loneliness of the digital era, and discuss how digital arts are changing our world. Join us as we traverse the path of creativity, courage, and psychedelic exploration.Psychedelic, Filmmaking, Terence McKenna, San Francisco, Digital Filmmaking, Louisiana, Sociology, Anthropology, LSD, Art World, Austin, Digital Arts, Transmutation of Trauma, Winter Solstice 2012, Non-Human Entities, Altered States, Spiritual Experiences, Imagination, Transformation, Existential Issues, Melancholia, The Digital Age, Oral History, Unborn, Dreaming, Noble Things, Valuable MistakesSpecial thanks to my friends at Noonautics.org for supporting both the show and pioneering research! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit michaelgarfield.substack.com/subscribe