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Poetry, at its best, takes us beyond our analytical minds and lands us in an embodied experience. It helps us meet the despair which inevitably rises up in the darkest moments. Poetry can cut windows and doors in your despair and give you a way to walk back into the world with others. Jane Hirshfield is an award-winning poet, essayist and translator. She's the author of ten books of poetry and two collections of essays. She has edited and co-translated four books presenting the work of world poets from the past. Her books have received the Poetry Center Book Award, the California Book Award, and the Donald Hall-Jane Kenyon Prize in American Poetry. Her poems appear in a wide range of prestigious outlets. A resident of Northern California, she is a chancellor emerita of the Academy of American Poets. She presents her work at literary and interdisciplinary events worldwide. In 2017, in conjunction with the March for Science in Washington DC, she founded Poets for Science, an interactive exhibit of science poems and writing invitation housed at Kent State's Wick Poetry Center, which has traveled to venues across the country.Jane Hirshfield has authored many books including The October Palace (HarperCollins 1994), The Lives of the Heart (Harper Collins 1997), Women in Praise of the Sacred (HarperCollins 1994), Nine Gates: Entering the Mind of Poetry (Perennial 1998), After (Harper Collins 2006), Given Sugar, Given Salt (Harper Collins 2001), Come, Thief (Knopf 2011), Ten Windows: How Great Poems Transform the World (Alfred A. Knopf 2015), The Beauty: Poems (Alfred A. Knopf 2015), Ledger (Alfred A. Knopf 2020) and The Asking: New and Selected Poems (Alfred A. Knopf 2023)Interview Date: 9/1/2023 Tags: Jane Hirshfield, Poetry, Hersch Wilson, bryophyta, mosses, kinship of all life, despair, March for Science, beauty, Poetry, Art & Creativity, Ecology/Nature/Environment, Philosophy
Jane Hirshfield is an award-winning poet, essayist and translator. She's the author of ten books of poetry and two collections of essays. She has edited and co-translated four books presenting the work of world poets from the past. Her books have received the Poetry Center Book Award, the California Book Award, and the Donald Hall-Jane Kenyon Prize in American Poetry. Her poems appear in a wide range of prestigious outlets. A resident of Northern California, she is a chancellor emerita of the Academy of American Poets. She presents her work at literary and interdisciplinary events worldwide. In 2017, in conjunction with the March for Science in Washington DC, she founded Poets for Science, an interactive exhibit of science poems and writing invitation housed at Kent State's Wick Poetry Center, which has traveled to venues across the country.Jane Hirshfield has authored many books including The October Palace (HarperCollins 1994), The Lives of the Heart (Harper Collins 1997), Women in Praise of the Sacred (HarperCollins 1994), Nine Gates: Entering the Mind of Poetry (Perennial 1998), After (Harper Collins 2006), Given Sugar, Given Salt (Harper Collins 2001), Come, Thief (Knopf 2011), Ten Windows: How Great Poems Transform the World (Alfred A. Knopf 2015), The Beauty: Poems (Alfred A. Knopf 2015), Ledger (Alfred A. Knopf 2020) and The Asking: New and Selected Poems (Alfred A. Knopf 2023)Interview Date: 9/1/2023 Tags: Jane Hirshfield, Poetry, being present, pockets in a vest, writing poetry, appreciating every moment, kindness, kinship, Poetry, travel, Art & Creativity
“Poetry is the attempt to understand fully what is real, what is present, what is imaginable, what is feelable, and how can I loosen the grip of what I already know to find some new, changed relationship,” the poet Jane Hirshfield tells me. Through poetry, she says, “I know something new and I have been changed.”Hirshfield is the award-winning author of nine books of poetry and two illuminating essay collections about what poetry does to us and in the world: “Nine Gates: Entering the Mind of Poetry” and “Ten Windows: How Great Poems Transform the World.” Her book “Ledger” is one I gift to people most often. Hirshfield's true talent as a poet is her singular ability to imbue the ordinary, the invisible, the forgotten with a sense of majesty and wonder. Her work is littered with lines that force you to stop, to slow down, to notice what you might have missed or overlooked.Hirshfield's work also raises some profound questions: What does it mean to grapple with our complicity in the climate crisis? Where does the self end and the rest of the world begin? How do we learn to desire what we previously dreaded or despised?This is one of those conversations that is hard to describe in words. But it was truly a delight for me to be a part of. And I think you'll enjoy it too.Mentioned:The Iliad by HomerThe Odyssey by HomerGilgameshThe Beauty by Jane HirshfieldHow Emotions Are Made by Lisa Feldman BarrettFlow by Mihaly CsikszentmihalyiLiving with a Wild God by Barbara EhrenreichThe Two Cultures and the Scientific Revolution by C.P. SnowBook recommendations:Metaphors We Live By by George Lakoff and Mark JohnsonLess Than One by Joseph BrodskyThe Fire Next Time by James BaldwinThoughts? Guest suggestions? Email us at ezrakleinshow@nytimes.com.You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.“The Ezra Klein Show” is produced by Emefa Agawu, Annie Galvin, Jeff Geld, Rogé Karma and Kristin Lin. Fact-checking by Kate Sinclair. Mixing by Sonia Herrero. Original music by Isaac Jones. Audience strategy by Shannon Busta. The executive producer of New York Times Opinion Audio is Annie-Rose Strasser. Special thanks to Carol Sabouraud and Kristina Samulewski.
Stop polishing that halo for a moment and listen to this! It's Mark Fiddes reading from his Live Cannon collection *Other Saints Are Available - a series of vivid and memorable footnotes to an increasingly polarised world... All via men roaring into flame from the neck up, the haircuts of Burnley defenders, brash parakeets and much more.And what do you do, as a poetry lover, when you just can't face reading another poem? Read something about poetry of course. Peter barges through Nine Gates: Entering the Mind of Poetry essays by the fine US poet Jane Hirshfield -- while Robin entertains 'The Hatred of Poetry' by Ben Lerner. Support the show
Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Jane Hirshfield was born in New York City on February 24, 1953. A poet, translator, essayist, and editor, she received her BA from Princeton University in its first graduating class to include women, and went on to study at the San Francisco Zen Center.Her books of poetry include Ledger (Alfred A. Knopf, 2020); The Beauty: Poems (Alfred A. Knopf, 2015), which was longlisted for the National Book Award, and Given Sugar, Given Salt (HarperCollins, 2001), which was a finalist for the National Book Critics Circle Award. Hirshfield is also the author of Ten Windows: How Great Poems Transform the World(Alfred A. Knopf, 2015), Nine Gates: Entering the Mind of Poetry (HarperCollins, 1997), and an an ebook on Basho, The Heart of Haiku (2011). She has also edited and cotranslated books with Mariko Aratani and Robert Bly. Her honors include the Poetry Center Book Award, the Donald Hall-Jane Kenyon Prize in American Literature, the Bay Area Book Reviewers Award, Columbia University's Translation Center Award, and the Commonwealth Club of California Poetry Medal, as well as fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Rockefeller Foundation. Her work has been selected for seven editions of Best American Poetry and, in 2004, Hirshfield was awarded the seventieth Academy Fellowship for distinguished poetic achievement by the Academy of American Poets. In 2019, she was elected to the American Academy of Arts & Sciences.In addition to her work as a freelance writer, editor, and translator, Hirshfield has taught at Stanford University and U.C. Berkeley, in the Bennington MFA Writing Seminars, and at the University of San Francisco. She has been a visiting Poet-in-Residence at Duke University, the University of Alaska, the University of Virginia, and elsewhere, and has been the Elliston Visiting Poet at the University of Cincinnati. She served as a Chancellor of the Academy of American Poets from 2012 to 2017 and is the guest editor for Poem-a-Day in April 2021 (National Poetry Month). Hirshfield lives in the San Francisco Bay Area.From https://poets.org/poet/jane-hirshfield. For more information about Jane Hirshfield:Previously on The Quarantine Tapes:Sunita Puri about Hirshfield, at 23:00: https://quarantine-tapes.simplecast.com/episodes/the-quarantine-tapes-108-sunita-puri“Jane Hirshfield”: https://www.poetryfoundation.org/poets/jane-hirshfieldLedger by Jane Hirschfield: https://www.penguinrandomhouse.com/books/612680/ledger-by-jane-hirshfield/“Jane Hirshfield: The Fullness of Things”: https://onbeing.org/programs/jane-hirshfield-the-fullness-of-things/
The esteemed writer Jane Hirshfield has been a Zen monk and a visiting artist among neuroscientists. She has said this: “It's my nature to question, to look at the opposite side. I believe that the best writing also does this … It tells us that where there is sorrow, there will be joy; where there is joy, there will be sorrow … The acknowledgement of the fully complex scope of being is why good art thrills … Acknowledging the fullness of things,” she insists, “is our human task.” And that's the ground Krista meanders with Jane Hirshfield in this conversation: the fullness of things — through the interplay of Zen and science, poetry and ecology — in her life and writing.Jane Hirshfield is the author of books of poetry, including The Beauty, Come, Thief, and most recently, Ledger, with selections read this hour. She's also written two books of essays: Nine Gates: Entering the Mind of Poetry and Ten Windows: How Great Poems Transform the World.Find the transcript for this show at onbeing.org.
The esteemed writer Jane Hirshfield has been a Zen monk and a visiting artist among neuroscientists. She has said this: “It's my nature to question, to look at the opposite side. I believe that the best writing also does this … It tells us that where there is sorrow, there will be joy; where there is joy, there will be sorrow … The acknowledgement of the fully complex scope of being is why good art thrills … Acknowledging the fullness of things,” she insists, “is our human task.” And that's the ground Krista meanders with Jane Hirshfield in this conversation: the fullness of things — through the interplay of Zen and science, poetry and ecology — in her life and writing.Jane Hirshfield is the author of books of poetry, including The Beauty, Come, Thief, and most recently, Ledger, with selections read this hour. She's also written two books of essays: Nine Gates: Entering the Mind of Poetry and Ten Windows: How Great Poems Transform the World.This interview is edited and produced with music and other features in the On Being episode "Jane Hirshfield — The Fullness of Things." Find the transcript for that show at onbeing.org.
Jane Hirshfield is the author of nine books of poetry and two collections of essays, and has edited and co-translated four books presenting the work of world poets from the past. Her books have received the Poetry Center Book Award, the California Book Award, and the Donald Hal-Jane Kenyon Prize in American Poetry. Her poems appear in a wide range of prestigious outlets. A resident of Northern California, she is a chancellor emerita of the Academy of American Poets. She presents her work at literary and interdisciplinary events worldwide. She has authored many books including The October Palace (HarperCollins 1994), Lives of the Heart (Harper Collins 1997), Women in Praise of the Sacred (HarperCollins 1994), Nine Gates: Entering the Mind of Poetry (Perennial 1998), After (Harper Collins 2006), Given Sugar, Given Salt (Harper Collins 2001), Come, Thief (Knopf 2011), Ten Windows: How Great Poems Transform the World (Alfred A. Knopf 2015), The Beauty: Poems (Alfred A. Knopf 2015), Ledger (Alfred A. Knopf 2020)Interview Date: 4/16/2020 Tags: Jane Hirshfield, poetry, pandemic, sheltering in place, illusion of normality, muse, uncertain times, isolation, beauty, suffering, space station, Robert Rauschenberg, refugee crisis, Art & Creativity, Social Change/politics
In this time of global uncertainty good poems can soften the heart and help us face another day with curiosity, wonder and hope. It gives us another lens to view the world and helps bring what is often unseen into view. Poetry opens us to feel our connection to one another and to nature. It gives us the opportunity to recalibrate our perspective on our place in the world.Jane Hirshfield is the author of nine books of poetry and two collections of essays. She has edited and co-translated four books presenting the work of world poets from the past. Her books have received the Poetry Center Book Award, the California Book Award, and the Donald Hal-Jane Kenyon Prize in American Poetry. Her poems appear in a wide range of prestigious outlets. A resident of Northern California, she is a chancellor emerita of the Academy of American Poets. She presents her work at literary and interdisciplinary events worldwide. She has authored many books including The October Palace (HarperCollins 1994), The Lives of the Heart (Harper Collins 1997), Women in Praise of the Sacred (HarperCollins 1994), Nine Gates: Entering the Mind of Poetry (Perennial 1998), After (Harper Collins 2006), Given Sugar, Given Salt (Harper Collins 2001), Come, Thief (Knopf 2011), Ten Windows: How Great Poems Transform the World (Alfred A. Knopf 2015), The Beauty: Poems (Alfred A. Knopf 2015) and Ledger (Alfred A. Knopf 2020)Interview Date: 4/16/2020 Tags: MP3, Jane Hirshfield, despair, praise, ghazal, resilience, coronavirus, humility, self-quarantine, poetry, Shikantaza meditation, activism, Badlands, beekeepers, interdependence, Kent State Wick Poetry Center, memory, reminiscing, Arts & Creativity, Meditation, social change/politics, science
In this time of global uncertainty good poems can soften the heart and help us face another day with curiosity, wonder and hope. It gives us another lens to view the world and helps bring what is often unseen into view. Poetry opens us to feel our connection to one another and to nature. It gives us the opportunity to recalibrate our perspective on our place in the world.Jane Hirshfield is the author of nine books of poetry and two collections of essays. She has edited and co-translated four books presenting the work of world poets from the past. Her books have received the Poetry Center Book Award, the California Book Award, and the Donald Hal-Jane Kenyon Prize in American Poetry. Her poems appear in a wide range of prestigious outlets. A resident of Northern California, she is a chancellor emerita of the Academy of American Poets. She presents her work at literary and interdisciplinary events worldwide. She has authored many books including The October Palace (HarperCollins 1994), The Lives of the Heart (Harper Collins 1997), Women in Praise of the Sacred (HarperCollins 1994), Nine Gates: Entering the Mind of Poetry (Perennial 1998), After (Harper Collins 2006), Given Sugar, Given Salt (Harper Collins 2001), Come, Thief (Knopf 2011), Ten Windows: How Great Poems Transform the World (Alfred A. Knopf 2015), The Beauty: Poems (Alfred A. Knopf 2015) and Ledger (Alfred A. Knopf 2020)Interview Date: 4/16/2020 Tags: MP3, Jane Hirshfield, despair, praise, ghazal, resilience, coronavirus, humility, self-quarantine, poetry, Shikantaza meditation, activism, Badlands, beekeepers, interdependence, Kent State Wick Poetry Center, memory, reminiscing, Arts & Creativity, Meditation, social change/politics, science
Jane Hirshfield is an award-winning poet, essayist, and translator. She is the author of nine collections of poetry, including Ledger; The Beauty, longlisted for the National Book Award; Come, Thief, a finalist for the PEN USA Poetry Award; and Given Sugar, Given Salt, a finalist for the National Book Critics Award. Hirshfield is also the author of two collections of essays, Nine Gates: Entering the Mind of Poetry and Ten Windows: How Great Poems Transform the World, and has edited and co-translated four books collecting the work of world poets. In this discussion we talked about Ledger. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Doesn't everything die at last, and too soon?" asks Mary Oliver in her poem "The Summer Day." On January 17, 2019, her many fans — including the co-hosts of this podcast — discovered just how real this question was, as we reeled from the news of Oliver's death at the age of 83. Even before the podcast was launched in late 2017, Mary Oliver was on our dream list of persons we would like to interview. The word on the street was that she rarely gave interviews, but we remained optimistic, periodically sending her requests in the hope that one day she would say yes. Even as recently as our 2018 End of Year Episode, we confessed that Oliver was the one person we most wanted to interview. Less than three weeks after that episode was released, Oliver passed away due to lymphoma. Well — we may not have fulfilled our dream of interviewing Mary Oliver, but we did the next best thing: in today's episode we reflect together on our shared love for this most popular of contemporary poets — from Cassidy, who has loved Oliver's work for years, to Carl, who began reading Oliver because of Cassidy's and Kevin's love for her work. While poetry has become an increasingly important theme of this podcast, we remain devoted primarily to a conversation about silence, so naturally this episode includes some thoughts on the most mysterious silence of all: the silence of death. The poems we mention on this episode include: "The Summer Day" from House of Light "Wild Geese" from Dream Work "Moments" from Felicity "What I Said at Her Service" from Thirst "Whistling Swans" from Felicity "Gethsemane" from Thirst "One or Two Things" from Dream Work "The Fourth Sign of the Zodiac" from Blue Horses "In Blackwater Woods" from American Primitive Among the many books we love by Mary Oliver: Mary Oliver, No Voyage and Other Poems Mary Oliver, The River Styx, Ohio, and Other Poems Mary Oliver, The Night Traveler Mary Oliver, Twelve Moons Mary Oliver, American Primitive Mary Oliver, Dream Work Mary Oliver, House of Light Mary Oliver, A Poetry Handbook Mary Oliver, White Pine: Poems and Prose Poems Mary Oliver, Blue Pastures Mary Oliver, West Wind: Poems and Prose Poems Mary Oliver, Rules for the Dance: A Handbook for Writing and Reading Metrical Verse Mary Oliver, Winter Hours: Prose, Prose Poems, and Poems Mary Oliver, The Leaf and the Cloud Mary Oliver, What Do We Know: Poems and Prose Poems Mary Oliver, Owls and Other Fantasies: Poems and Essays Mary Oliver, Blue Iris: Poems and Essays Mary Oliver, Long Life: Essays and Other Writings Mary Oliver, Why I Wake Early: New Poems Mary Oliver, At Blackwater Pond: Mary Oliver Reads Mary Oliver Mary Oliver, Thirst Mary Oliver, Our World with photographs by Molly Malone Cook Mary Oliver, Red Bird Mary Oliver, The Truro Bear and Other Adventures: Poems and Essays Mary Oliver, Evidence Mary Oliver, Swan: Poems and Prose Poems Mary Oliver, A Thousand Mornings: Poems Mary Oliver, Dog Songs Mary Oliver, Blue Horses Mary Oliver, Felicity Mary Oliver, Upstream: Selected Essays Mary Oliver, Devotions: The Selected Poems Kevin also mentioned the Buddhist poet Jane Hirshfield, author of Nine Gates: Entering the MInd of Poetry. Episode 49: Celebrating the Life and Poetry of Mary Oliver Hosted by: Cassidy Hall With: Carl McColman, Kevin Johnson Date Recorded: January 21, 2019
"Doesn't everything die at last, and too soon?" asks Mary Oliver in her poem "The Summer Day." On January 17, 2019, her many fans — including the co-hosts of this podcast — discovered just how real this question was, as we reeled from the news of Oliver's death at the age of 83. Even before the podcast was launched in late 2017, Mary Oliver was on our dream list of persons we would like to interview. The word on the street was that she rarely gave interviews, but we remained optimistic, periodically sending her requests in the hope that one day she would say yes. Even as recently as our 2018 End of Year Episode, we confessed that Oliver was the one person we most wanted to interview. Less than three weeks after that episode was released, Oliver passed away due to lymphoma. Well — we may not have fulfilled our dream of interviewing Mary Oliver, but we did the next best thing: in today's episode we reflect together on our shared love for this most popular of contemporary poets — from Cassidy, who has loved Oliver's work for years, to Carl, who began reading Oliver because of Cassidy's and Kevin's love for her work. While poetry has become an increasingly important theme of this podcast, we remain devoted primarily to a conversation about silence, so naturally this episode includes some thoughts on the most mysterious silence of all: the silence of death. The poems we mention on this episode include: "The Summer Day" from House of Light "Wild Geese" from Dream Work "Moments" from Felicity "What I Said at Her Service" from Thirst "Whistling Swans" from Felicity "Gethsemane" from Thirst "One or Two Things" from Dream Work "The Fourth Sign of the Zodiac" from Blue Horses "In Blackwater Woods" from American Primitive Among the many books we love by Mary Oliver: Mary Oliver, No Voyage and Other Poems Mary Oliver, The River Styx, Ohio, and Other Poems Mary Oliver, The Night Traveler Mary Oliver, Twelve Moons Mary Oliver, American Primitive Mary Oliver, Dream Work Mary Oliver, House of Light Mary Oliver, A Poetry Handbook Mary Oliver, White Pine: Poems and Prose Poems Mary Oliver, Blue Pastures Mary Oliver, West Wind: Poems and Prose Poems Mary Oliver, Rules for the Dance: A Handbook for Writing and Reading Metrical Verse Mary Oliver, Winter Hours: Prose, Prose Poems, and Poems Mary Oliver, The Leaf and the Cloud Mary Oliver, What Do We Know: Poems and Prose Poems Mary Oliver, Owls and Other Fantasies: Poems and Essays Mary Oliver, Blue Iris: Poems and Essays Mary Oliver, Long Life: Essays and Other Writings Mary Oliver, Why I Wake Early: New Poems Mary Oliver, At Blackwater Pond: Mary Oliver Reads Mary Oliver Mary Oliver, Thirst Mary Oliver, Our World with photographs by Molly Malone Cook Mary Oliver, Red Bird Mary Oliver, The Truro Bear and Other Adventures: Poems and Essays Mary Oliver, Evidence Mary Oliver, Swan: Poems and Prose Poems Mary Oliver, A Thousand Mornings: Poems Mary Oliver, Dog Songs Mary Oliver, Blue Horses Mary Oliver, Felicity Mary Oliver, Upstream: Selected Essays Mary Oliver, Devotions: The Selected Poems Kevin also mentioned the Buddhist poet Jane Hirshfield, author of Nine Gates: Entering the MInd of Poetry. Episode 49: Celebrating the Life and Poetry of Mary Oliver Hosted by: Cassidy Hall With: Carl McColman, Kevin Johnson Date Recorded: January 21, 2019
Jane Hirshfield points out that many people turn to poetry at great life transitions. She says, “You know when people fall in love, or when they lose love, or lose someone they loved, that is when they want a poem. When they get married, they want a poem. These great transitions are larger than the normal, ordinary consciousness. And what poems do is give us a vocabulary for understanding things, which isn’t available through any other use of language.” Her poetry alludes to far ranging subjects such as time, nature, and even science. Here she reads some of her poems, and talks of the inspiration from which they come, and why they speak to us and move us beyond our rational minds and our busy intellect through their metaphors and images. She shares with us why poetry, and other art forms like music, speak so deeply to the heart and soul. (hosted by Justine Willis Toms) Her poetry books include The October Palace: Poems (HarperCollins 1994), The Lives of the Heart: Poems (HarperCollins 1997), Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women (HarperCollins 1994), Nine Gates: Entering the Mind of Poetry (Perennial 1998), After: Poems (HarperCollins 2006), Given Sugar, Given Salt: Poems (HarperCollins 2001), Come, Thief: Poems (Knopf 2011), Ten Windows: How Great Poems Transform the World (Alfred A. Knopf 2015), The Beauty: Poems (Alfred A. Knopf 2015)
Jane Hirshfield points out that many people turn to poetry at great life transitions. She says, “You know when people fall in love, or when they lose love, or lose someone they loved, that is when they want a poem. When they get married, they want a poem. These great transitions are larger than the normal, ordinary consciousness. And what poems do is give us a vocabulary for understanding things, which isn’t available through any other use of language.” Her poetry alludes to far ranging subjects such as time, nature, and even science. Here she reads some of her poems, and talks of the inspiration from which they come, and why they speak to us and move us beyond our rational minds and our busy intellect through their metaphors and images. She shares with us why poetry, and other art forms like music, speak so deeply to the heart and soul. (hosted by Justine Willis Toms) Her poetry books include The October Palace: Poems (HarperCollins 1994), The Lives of the Heart: Poems (HarperCollins 1997), Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women (HarperCollins 1994), Nine Gates: Entering the Mind of Poetry (Perennial 1998), After: Poems (HarperCollins 2006), Given Sugar, Given Salt: Poems (HarperCollins 2001), Come, Thief: Poems (Knopf 2011), Ten Windows: How Great Poems Transform the World (Alfred A. Knopf 2015), The Beauty: Poems (Alfred A. Knopf 2015)
Jane Hirshfield is a poet, translator, and essayist and is the author of many collections of poetry and other books, including three collections of women poets from the past. Her awards include fellowships from the Guggenheim and Rockefeller foundations, the Academy of American Poets, and the National Endowment for the Arts, three Pushcart Prizes, the California Book Award, The Poetry Center Book Award, and other honors. Her poems appear regularly in magazines such as The New Yorker, The Atlantic, and Poetry and have been included in six editions of The Best American Poetry. Her poetry books include The October Palace (HarperCollins 1994), Lives of the Heart (Harper Collins 1997), Women in Praise of the Sacred (HarperCollins 1994), Nine Gates: Entering the Mind of Poetry (Perennial 1998), After (Harper Collins 2006), Given Sugar, Given Salt (Harper Collins 2001), The classic translation of the ancient Japanese court women, The Ink Dark Moon (Vintage 1990), Come, Thief (Knopf 2011), Ten Windows: How Great Poems Transform the World (Alfred A. Knopf 2015), The Beauty: Poems (Alfred A. Knopf 2015) Tags: Jane Hirshfield, poetry, Art, Creativity
Jane Hirshfield's eighth poetry book, The Beauty, appears from Knopf in early 2015, along with a new book of essays, Ten Windows. Previous books include Come, Thief (Knopf, 2011) and After (2006), named a best book of the year by The Washington Post, The San Francisco Chronicle, and The Financial Times (UK). She has also written a book of essays, Nine Gates: Entering the Mind of Poetry and edited and co-translated four books of work by world poets of the past. Her honors include The Poetry Center Book Award, the California Book Award, finalist selection for the National Book Critics Circle Award, England's T. S. Eliot Prize, and fellowships from the Guggenheim and Rockefeller foundations, the Academy of American Poets, and the National Endowment for the Arts. A frequent presenter at universities and literary festivals both in the US and abroad, in 2012 she was elected a Chancellor of the Academy of American Poets. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 29540]
Jane Hirshfield's eighth poetry book, The Beauty, appears from Knopf in early 2015, along with a new book of essays, Ten Windows. Previous books include Come, Thief (Knopf, 2011) and After (2006), named a best book of the year by The Washington Post, The San Francisco Chronicle, and The Financial Times (UK). She has also written a book of essays, Nine Gates: Entering the Mind of Poetry and edited and co-translated four books of work by world poets of the past. Her honors include The Poetry Center Book Award, the California Book Award, finalist selection for the National Book Critics Circle Award, England's T. S. Eliot Prize, and fellowships from the Guggenheim and Rockefeller foundations, the Academy of American Poets, and the National Endowment for the Arts. A frequent presenter at universities and literary festivals both in the US and abroad, in 2012 she was elected a Chancellor of the Academy of American Poets. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 29540]
Jane Hirshfield's eighth poetry book, The Beauty, appears from Knopf in early 2015, along with a new book of essays, Ten Windows. Previous books include Come, Thief (Knopf, 2011) and After (2006), named a best book of the year by The Washington Post, The San Francisco Chronicle, and The Financial Times (UK). She has also written a book of essays, Nine Gates: Entering the Mind of Poetry and edited and co-translated four books of work by world poets of the past. Her honors include The Poetry Center Book Award, the California Book Award, finalist selection for the National Book Critics Circle Award, England's T. S. Eliot Prize, and fellowships from the Guggenheim and Rockefeller foundations, the Academy of American Poets, and the National Endowment for the Arts. A frequent presenter at universities and literary festivals both in the US and abroad, in 2012 she was elected a Chancellor of the Academy of American Poets. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 29540]
Jane Hirshfield's eighth poetry book, The Beauty, appears from Knopf in early 2015, along with a new book of essays, Ten Windows. Previous books include Come, Thief (Knopf, 2011) and After (2006), named a best book of the year by The Washington Post, The San Francisco Chronicle, and The Financial Times (UK). She has also written a book of essays, Nine Gates: Entering the Mind of Poetry and edited and co-translated four books of work by world poets of the past. Her honors include The Poetry Center Book Award, the California Book Award, finalist selection for the National Book Critics Circle Award, England's T. S. Eliot Prize, and fellowships from the Guggenheim and Rockefeller foundations, the Academy of American Poets, and the National Endowment for the Arts. A frequent presenter at universities and literary festivals both in the US and abroad, in 2012 she was elected a Chancellor of the Academy of American Poets. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 29540]
Jane Hirshfield's eighth poetry book, The Beauty, appears from Knopf in early 2015, along with a new book of essays, Ten Windows. Previous books include Come, Thief (Knopf, 2011) and After (2006), named a best book of the year by The Washington Post, The San Francisco Chronicle, and The Financial Times (UK). She has also written a book of essays, Nine Gates: Entering the Mind of Poetry and edited and co-translated four books of work by world poets of the past. Her honors include The Poetry Center Book Award, the California Book Award, finalist selection for the National Book Critics Circle Award, England's T. S. Eliot Prize, and fellowships from the Guggenheim and Rockefeller foundations, the Academy of American Poets, and the National Endowment for the Arts. A frequent presenter at universities and literary festivals both in the US and abroad, in 2012 she was elected a Chancellor of the Academy of American Poets. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 29540]
Jane Hirshfield's eighth poetry book, The Beauty, appears from Knopf in early 2015, along with a new book of essays, Ten Windows. Previous books include Come, Thief (Knopf, 2011) and After (2006), named a best book of the year by The Washington Post, The San Francisco Chronicle, and The Financial Times (UK). She has also written a book of essays, Nine Gates: Entering the Mind of Poetry and edited and co-translated four books of work by world poets of the past. Her honors include The Poetry Center Book Award, the California Book Award, finalist selection for the National Book Critics Circle Award, England's T. S. Eliot Prize, and fellowships from the Guggenheim and Rockefeller foundations, the Academy of American Poets, and the National Endowment for the Arts. A frequent presenter at universities and literary festivals both in the US and abroad, in 2012 she was elected a Chancellor of the Academy of American Poets. Series: "Lunch Poems Reading Series" [Humanities] [Show ID: 29540]
Jane Hirshfield Language As Lathe: A Conversation on Poetry and Prose ~Co-presented with Point Reyes Books~ Join TNS Host Eric Karpeles for a conversation with poet Jane Hirshfield. Jane’s poems, described as “radiant and passionate” in The New York Times Book Review, “magnificent and distinctive” by The Irish Times, and “among the pantheon of the modern masters of simplicity” in the Washington Post, have appeared in The New Yorker, The Atlantic, The Times Literary Supplement, The Paris Review, Poetry, Harper’s, The New Republic, The American Poetry Review, and eight editions of The Best American Poetry. Her new book, The Beauty (Knopf, 2015), appears along with a new book of essays, Ten Windows: How Great Poems Transform the World (Knopf, 2015). Jane Hirshfield Jane is the author of eight books of poetry, including The Beauty (Knopf, 2015) and Ten Windows: How Great Poems Transform the World (Knopf, 2015); Come, Thief (Knopf, 2011); After (HarperCollins, 2006), named a best book of the year by The Washington Post, The San Francisco Chronicle, and The Financial Times (UK); and Given Sugar, Given Salt (HarperCollins, 2001), a finalist for the National Book Critics Circle Award. Her previous collection of essays, Nine Gates: Entering the Mind of Poetry (HarperCollins, 1997), is considered a classic. Her many honors include The Poetry Center Book Award, the California Book Award, the Northern California Book Award, the Donald Hall-Jane Kenyon Award in American Poetry, Columbia University’s Translation Center Award, and fellowships from the Guggenheim and Rockefeller foundations, the Academy of American Poets, and the National Endowment for the Arts. In 2012 she was elected a Chancellor of the Academy of American Poets. Find out more about The New School at tns.commonweal.org.
Phyllis McGibbon reads an excerpt from Nine Gates: Entering the Mind of Poetry by Jane Hirshfield, published by Harper Perennial. "Part of any good artist’s work is to find a right balance between the independence born of willing solitude and the ability to speak for and to others."