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Guest artists JENNET THOMAS and SALLY O'REILLY come together to discuss their work via the short story 'Critique' by Ben Marcus. Published in 2018 by Alfred A Knopf and Grant Books, it is one of 13 stories appearing in 'Notes from the Fog' which explore dysfunction, desolation and disconnection within a woundingly funny collision of art and reality. 'The Big Throw' at SET Social 23 April 2026 Buy us a coffee! Support us on Patreon! Get in touch! artfictionspodcast@gmail.com "...narrative plot and how sticky and unpleasant it can be" JT "The idea of just working in response to the infinity of the universe is appalling to me" SO'R Sally and Jennet's conversation encompasses anti-plot, delirium, vertigo, maximalism, hermeticism, visitations and the grotesque. Yearning superpowers of persuasion, they go on and about carboot sales, ontological slippage, lemon sucking, deceptive loops, skewing language, twiddling knobs, automatic sterilisers, visually flamboyant, minor violences, constricting constraints, painting barcodes, slyly political, shifting rules, making knickerbockers, troubling reality, social reproductions, found objects, draped flesh and ecstatic technology talk. As well as working in a factory, the pleasure of difficulty, a taste in the head, reality from the inside out, audience participation as part of the materials, weirdness coming into the living room, jumping to the whip of the ref, being wary of simplification and elegance, well made in a brutal violent sense at gunpoint, and a seal in mud with a lion's head. JENNET THOMAS jennetthomas.com @jennetthomas 'School of Change' 2012 'All Suffering SOON TO END!' 2010 'Return of the Black Tower (after John Smith)' 2007 SALLY O'REILLY sallyoreilly.org.uk @manfredopenarms 'The Money Laundering Service' 2025 'Dog Shelves' 2024 'Where They Gather' 2022 'Estee Lauder Factory' 2022 'The Annual Retrieval' 2016 'The Virtues of Things' 2015 "I can't breath" Eric Garner George Floyd ARTISTS John Smith Kit Downes Klara Kofen Leo Chadburn Matt Rogers Maz Murray Simeon Barclay WRITERS + BOOKS Christine Brooke-Rose Frieze magazine M John Harrison Muriel Spark Russell Hoborn 'Riddley Walker' Sally O'Reilly 'Help in Cucumbers' Will Self William Empson FILM + TELEVISION 'Bedknobs and Boomsticks' 'Brimstone and Treacle' Dennis Potter Michael Kitchen 'The Terminator' GALLERIES + ORGANISATIONS Bandcamp Horse Hospital Matts Gallery ICA Institute Contemporary Art October House Records Opera North Royal Opera House SET Social SLG South London Gallery
THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall The lads grab their heart-boxes and make for the creepy woods as they cover Walt Disney's 1937 landmark animated film: Snow White and the Seven Dwarfs. Topics include the origins of Walter Elias Disney, the make-it-up-as-you-go-along production, and the enduring legacy of the film that built the Disney empire. Media Referenced in this Episode: Snow White and the Seven Dwarfs. Dir. Walt Disney. 1937. “Before Snow White” by J.B. Kaufman. Film History, Jun., 1993, Vol. 5, No. 2, Animation (Jun., 1993), pp. 158-175 “The Disney Way of Death” by Gary Laderman. Journal of the American Academy of Religion, Mar., 2000, Vol. 68, No. 1 (Mar., 2000), pp. 27-46. Oxford University Press. “The Great Animation Strike” by Kristin Hunt. JSTOR Daily. January 2nd, 2020. Walt Disney: An American Original by Bob Thomas. Simon & Schuster. 1976. Walt Disney: The Triumph of the American Imagination by Neal Gabler. Alfred A. Knopf. 2006. “‘With a smile and a song …': Walt Disney and the Birth of the American Fairy Tale” by Tracey Mollet. Marvels & Tales, Vol. 27, No. 1 (2013), pp. 109-124. Wayne State University Press TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: “Hermann Huntsmann's Heart-Box Hut” // Written by A.J. Ditty // feat. A.J. Ditty “Hermann Huntsmann/The Animals” and Eleanor Philips “Snow White”
Przez lata nagrywania biografii zauważyłem ciekawą prawidłowość. Aleksander Hamilton na Karaibach,Benjamin Franklin w swojej drukarni, Napoleon w Brienne, Washington w Mount Vernon, Churchill w wojskowym namiocie, Truman w Białym Domu, Machiavelli na wygnaniu, Montaigne w swojej wieży, Fryderyk Wielki po bitwie, Jan Karski na studiach, Kościuszko w drodze do Ameryki.Oni wszyscy czytali tę samą książkę. Napisaną przez greckiego kapłana z małego prowincjonalnego miasteczka. Przed dwoma tysiącami lat.Co takiego było w tej księdze, że kształtowała największych przywódców w historii? Dlaczego ludzie, którzy zmieniali świat, wracali do niej raz za razem? I co najważniejsze, dlaczego Ty, szukający własnej transformacji, powinieneś ją dziś otworzyć?Ten odcinek to opowieść:O odkryciu, które połączyło wszystkie biografie, które nagrałem. O instrukcji obsługi wielkości, która przetrwała tysiąclecia. I o tym, jak starożytna mądrość może zmienić Twoje życie teraz.Czasami odpowiedzi na współczesne problemy czekają w bibliotece. Trzeba tylko wiedzieć, gdzie szukać.Wesprzyj mój podcast: Będę wdzięczny za postawienie mi kawy → suppi.pl/lepiejteraz Zostań Mecenasem odcinka→ patronite.pl/podcastlepiejterazŹRÓDŁA:Źródła podstawowe:Plutarch – „Żywoty równoległe” (szczególnie wstępy do „Żywota Aleksandra” i „Żywota Demostenesa”)Merle Miller – „Plain Speaking: An Oral Biography of Harry S. Truman”, Berkley Publishing Group, 1974Ron Chernow – „Alexander Hamilton”, Penguin Books, 2004Louis Sarkozy – „Napoleon's Library: The Emperor, His Books and Their Influence on the Napoleonic Era”, 2024Albert Guerard – „Napoleon I”, Alfred A. Knopf, 1969Źródła uzupełniające:Timothy Duff – „Plutarch As Moral and Political Educator”, Cambridge University Press, 2023Rebecca Burgess – „Plutarch's Gift”, Law & Liberty, 2024Pierre Hadot – „The Inner Citadel: The Meditations of Marcus Aurelius”The Online Library of Liberty – „Plutarch's Parallel Lives” (eseje o recepcji w Ameryce)Cytaty źródłowe użyte w odcinku:„Nie piszę historii, lecz życiorysy…” – Plutarch, „Żywot Aleksandra”, wstęp„Mieszkam w małym mieście…” – Plutarch, „Żywot Demostenesa”„Kiedy byłem w polityce…” – Truman w wywiadzie dla Merle'a Millera„Bonaparte, w Tobie nie ma nic nowoczesnego…” – cytat przypisywany Pasquale Paoli„Niech mój syn czyta i rozmyśla nad historią…” – Napoleon, instrukcje dla synaList Machiavellego do Francesco Vettoriego z 10 grudnia 1513 r.
Militärtribunalen i Tokyo ställdes inför nya frågor om rätt och rättvisa. Ingemar Ottosson reflekterar över processens framgångar och misslyckanden. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Tokyotribunalen. Tjugoåtta män i grådaskiga kläder och med hörlurar sitter och lyssnar med uttryckslösa miner när en åklagare läser upp sin anklagelseakt. Scenen får oss att tänka tillbaka till en ond epok av anfallskrig och hänsynslös krigföring. Japan hade invaderat Kina för att fyra år senare genomföra en samordnad blixtattack mot tre av Asiens vita kolonialmakter, USA, Storbritannien och Nederländerna. Krigsfångar hade fått utstå grymheter, civilpersoner hade slaktats.1946 inkallades Tokyotribunalen, en parallell till Nürnbergrättegångarna i Europa. Nu efterlystes retributiv rättvisa, det vill säga en juridisk reaktion på brott genom lämplig bestraffning. Att hålla en offentlig process kändes tvunget. En rättegång är ett sätt att bearbeta ett traumatiskt skeende, och att den dömer skyldiga kan även verka förebyggande inför framtida krig.Ändå var man inne på ny mark. I gamla tider hade ingen ställts till svars för krig. När Sverige 1658 besegrade sitt västra grannland i det som varit ett danskt anfallskrig kom ingen på tanken att dra kung Fredrik III inför rätta. Däremot behöll Sverige några viktiga danska provinser. Nederlaget var en dom i sig.Kanske var Tokyotribunalen ett uttryck för att världen – som idealisterna tänkte – hade blivit mer organiserad och att det äntligen skapats ett regelverk för staters beteende. Det hade skrivits konventioner i Haag, och många stater (dock inte USA) hade högtidligt anslutit sig till Nationernas förbund i Genève. 1918 hade det funnits krav på att åtala den tyske kejsaren.Vägen framåt tycktes alltså relativt oproblematisk för domstolen, men i själva verket öppnade sig en aveny av problem och hinder. Först och främst ordet ”rättvisa”, ett notoriskt oklart och omstritt begrepp. Skall man eftersträva en högre, moralisk rättvisa gentemot människor som sitter på ”historiens åklagarbänk”? Eller måste man hålla till godo med existerande lagparagrafer i internationell rätt? Och rättvisa för vem? Ett oväldigt domslut acceptabelt för världssamfundet eller segrarnas rättvisa? Skulle det bli en upprepning av gallerhövdingen Brennus svar när han intog Rom år 387 före Kristus: Vae victis! (Ve de besegrade!)En elementär rättsregel säger att den som är part i ett mål är jävig och inte får döma i egen sak. En annan lika välkänd regel fastslår att man inte kan dömas för handlingar som inte ansågs brottsliga när de begicks, i detta fallet att starta krig. Den första punkten lämnades obeaktad – fast det säkert varit möjligt att inkalla kompetenta jurister från neutrala länder som Sverige, Schweiz och Irland. På den andra punkten påminde åklagarna om tidigare internationella avtal mot krig, framförallt den så kallade Kelloggpakten från 1928. Dokumentet säger dock inte uttryckligen att krig är ett brott eller att individer kan straffas. De tyska och japanska ledarna dömdes sålunda enligt retroaktiva lagar.Men var processen rättvis i så måtto att de åtalade via sina advokater fick möjlighet att framlägga sin sak? Ja. De hävdade att det inte fanns något utrymme inom rådande system för att förbättra situationen för en överbefolkad asiatisk nation med akut brist på mark och resurser. Rasistiska invandringslagar i USA och en del andra anglosachsiska länder hade sedan 1920-talet eliminerat möjligheten till japansk emigration. Anfallet på Pearl Harbor hade blivit oundvikligt på grund av amerikanska sanktioner med syfte att strypa landets råvaruförsörjning, hette det. Det hävdades också att man inte kan göra en distinktion mellan human och inhuman krigföring – all krigföring är inhuman.Men det var nog just på den punkten som domstolen gjorde störst nytta. Försvarets argument att krig alltid är grymma hade visserligen resonans, men det fanns konventioner som tydligt kriminaliserade dålig behandling av krigsfångar och övergrepp mot civila, så som hade hänt i Kinas dåvarande huvudstad Nanjing 1937.Gjorde domstolen rätt som nöjde sig med bara 28 åtalade? Var de inte snarare en sorts ställföreträdande syndabockar för ett mycket större antal skyldiga? Dåtida japansk press skrev ofta självkritiskt om allas delaktighet i krigsskulden. En sak som krig gör med människor är ju att de skapar en euforisk nationell solidaritet. I Japan hade de flesta låtit sig ryckas med. Soldater, bankkamrerer, läkare, rörmokare, servitriser, hemmafruar, skolpojkar och skolflickor. Så varför bara åtala ett fåtal för anfallskriget? Svaret är kanske ändå inte förvånande. Just dessa personer hade drivit den utveckling som ledde till kriget, och för det kunde man knappast lasta ”folket”.Men skulle krigets efterspel enbart styras av juridik? Det var otänkbart. Rättsväsendet existerar aldrig i ett vacuum, det är en del av samhället. Japan skulle från nu hållas ockuperat av de allierade, främst USA, och oddsen för en fredlig ockupation verkade inte höga. Juridik mötte politik. Frågan gällde om japanernas vördade kejsare skulle åtalas tillsammans med de militarister som agerat i hans namn. De allierades överbefälhavare, general MacArthur, kände till Abraham Lincolns yttrande på tal om de besegrade sydstaterna: “I have always found that mercy bears richer fruits than strict justice.” Nåd framför rättvisa alltså. MacArthur menade att bara statsmannaskap kan föda försoning mellan segrare och besegrade. Man måste låta minnet vara selektivt. I gengäld förväntades japanerna dra ett streck över atombombningarna, en punkt som aldrig fick dryftas vid tribunalen. Man kan hävda att generalen lyckades: Japan är än idag USA:s främste bundsförvant i Östasien.Alla 28 förklarades skyldiga. Av dem dömdes sju militärer och politiker till avrättning. Det skedde i en atmosfär av djup oenighet mellan de allierades domare. Det kalla kriget hade börjat och samtidigt blåste bildligt talat en tyfon över östra Asien. Mao och hans kommunister höll på att ta över Kina, kolonialmakterna var på god väg att tappa sina kolonier och i Nordkorea etablerades en stalinistisk regim. De allierades triumf tycktes plötsligt ha blivit en pyrrhusseger.Med tanke på allt detta, kom det något gott ur Tokyoprocessen? Ja, trots sina många brister bidrog den ändå till ett viktigt framsteg. Den var en del av den förändringsprocess som gjorde anfallskrig till ett otvetydigt brott mot folkrätten. Den fastslog även att individer kan ställas till svars för grym krigföring. Men den ledde knappast till att man kunde lägga det förflutna bakom sig. Och den förhindrade knappast några framtida anfallskrig. I vår tid finns en ständig internationell brottmålsdomstol i Haag. Den dömer inte någon till döden men den har klara riktlinjer och fasta procedurer. USA och Ryssland erkänner inte domstolens auktoritet, men kanske kommer den en dag att uppfylla det löfte som gavs i Tokyo på 1940-talet: löftet om en värld säkrad åt freden.Ingemar Ottossonhistoriker och professor vid Meijiuniversitetet i TokyoLitteraturGary J Bass: Judgement at Tokyo – World War II on Trial and the Making of Modern Asia. Alfred A. Knopf, 2024.
A memoir titled Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice, written by Virginia Roberts Giuffre with journalist Amy Wallace, is scheduled for posthumous release on October 21, 2025, from Alfred A. Knopf (with Penguin Random House involved in audio and ebook editions). The 400‑page manuscript was completed prior to Giuffre's death by suicide in April 2025, and she had conveyed—via an email to Wallace dated April 1—that it was her “heartfelt wish” for the book to be published regardless of the outcome. Publishers describe the memoir as an unsparing and powerful narrative of trafficking, abuse, and survival, rigorously fact-checked and legally vetted, aimed at spotlighting systemic failures in human trafficking enforcement and championing justice and awareness.Of particular note, Nobody's Girl includes “intimate, disturbing, and heartbreaking new details” about Giuffre's experiences with Jeffrey Epstein, Ghislaine Maxwell, and other high-profile individuals—including Britain's Prince Andrew. This marks her first public discussion of Andrew since their 2022 out-of-court settlement, which reportedly involved a multi-million‑dollar payment. In doing so, the memoir is expected to reignite scrutiny and media attention on the allegations Andrew has long denied, resurrecting his central role in a scandal many believed had faded from the headlines.to contact me:bobbycapucci@protonmail.comsource:Prince Andrew struggling as Virginia Giuffre memoir set for release: expert | Fox NewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
Today I have the true honor of speaking with journalist, storyteller, historical researcher, and Native American ceremonial dancer Julian Brave Noisecat about his book, We Survived the Night. This highly original book blends many voices and registers, from both well-known but also buried and purposefully obscured historical archives, to tribal and family stories. Foremost are the legends and adaptations of the Coyote figure—which haunts, inspires, deceives, and, yes, teaches lessons that help Indigenous peoples survive the night. We spend some time talking about how Coyote is many things at once, but not all the time, we discuss notions of purity and mixedness, multiplicity and singularity, truth and lies, and come out on the side of generosity, love, and creativity, to make worlds that deserve not only to survive, but also to thrive.Julian Brave NoiseCat is a writer, Oscar-nominated filmmaker, champion powwow dancer and student of Salish art and history. His first documentary, Sugarcane, directed alongside Emily Kassie, follows an investigation into abuse and missing children at the Indian residential school NoiseCat's family was sent to near Williams Lake, British Columbia. Sugarcane premiered at the 2024 Sundance Film Festival where NoiseCat and Kassie won the Directing Award in the U.S. Documentary Competition. The film was recognized with dozens of awards including Best Documentary from the National Board of Review and was nominated for an Academy Award. A proud member of the Canim Lake Band Tsq'escen and descendant of the Lil'Wat Nation of Mount Currie, NoiseCat's first book, We Survived the Night, was published by Alfred A. Knopf, Penguin Random House Canada, and Profile Books in October 2025 and was an instant national bestseller in Canada with translations forthcoming from Albin Michel in France, Aufbau Verlag in Germany, Iperborea in Italy, and Libros del Asteroide in Spain.NoiseCat's journalism has appeared in dozens of publications including The New York Times, The Washington Post and The New Yorker and has been recognized with many awards including the 2022 American Mosaic Journalism Prize, which honors "excellence in long-form, narrative or deep reporting on stories about underrepresented and/or misrepresented groups in the present American landscape." In 2021, NoiseCat was named to the TIME100 Next list of emerging leaders alongside the starting point guard of his fantasy basketball team, Luka Doncic.
Audiobook sales have been on the rise for many years, and they show no signs of stopping; so many independent publishers are hoping to take advantage of this boom. But there are important factors to consider first. Will the return on investment be worth the cost of producing an audiobook? How do you produce a quality audiobook on a lean budget? What genres perform the best as audiobooks? Do you market your audiobook differently than your print and ebooks?Podium Entertainment has had great success in the audiobook market, so Publisher Victoria Gerken joins the podcast today to answer those questions, as well as discuss their transition from being an audiobook-only publisher to now also publishing print and ebooks.PARTICIPANTSVictoria Gerken is the Publisher at Podium Entertainment. She has welcomed independent authors into the Podium family since 2016. She previously worked with authors in traditional publishing roles - at Random House and Alfred A. Knopf - where she was a publicist and sold subsidiary rights. Victoria got her first taste of entrepreneurship in publishing as the founder of the Random House Speakers Bureau.Independent Book Publishers Association is the largest trade association for independent publishers in the United States. As the IBPA Director of Membership & Member Services, Christopher Locke assists the 4,000 members as they travel along their publishing journeys. Major projects include managing the member benefits to curate the most advantageous services for independent publishers and author publishers; managing the Innovative Voices Program that supports publishers from marginalized communities; and hosting the IBPA podcast, “Inside Independent Publishing (with IBPA).” He's also passionate about indie publishing, because he's an author publisher himself, having published two novels so far in his YA trilogy, The Enlightenment Adventures.LINKSLearn more about the many benefits of becoming a member of Independent Book Publishers Association (IBPA) here: https://www.ibpa-online.org/Learn more about Podium Entertainment here: www.podiumentertainment.comFollow IBPA on:Facebook – https://www.facebook.com/IBPAonlineX – https://twitter.com/ibpaInstagram - https://www.instagram.com/ibpalovesindies/Follow Podium Entertainment on social media: @podiumentertainment
This week on ‘The Write Question,' host Lauren Korn speaks with novelist and memoirist Abi Maxwell, author of ‘One Day I'll Grow Up and Be a Beautiful Woman' (Alfred A. Knopf), now available in paperback.
This week on ‘The Write Question,' host Lauren Korn speaks with novelist and memoirist Abi Maxwell, author of ‘One Day I'll Grow Up and Be a Beautiful Woman' (Alfred A. Knopf), now available in paperback.
With his political fortunes waning in France, Lafayette decides to embark on a long-deferred trip to the United States. As one of the last surviving figures of the founding generation, Lafayette's 18 month grand tour inspires some of the most rapturous celebrations in the young nation's history. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Kramer, Lloyd S. Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions. University of North Carolina Press, 1996. Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier. Memoirs, Correspondence, and Manuscripts of General Lafayette, vols 1-6. Saunders and Otley, 1837. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
Up Next:Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice.
Once again restored to power in France, the House of Bourbon and their supporters work to reverse the enduring changes brought about by the revolution. Lafayette rallies his fellow liberals to oppose this reactionary agenda, but when legal methods of opposition prove ineffective, he is driven to increasingly seditious actions. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Kramer, Lloyd S. Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions. University of North Carolina Press, 1996. Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier. Memoirs, Correspondence, and Manuscripts of General Lafayette, vols 1-6. Saunders and Otley, 1837. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
Bright on Buddhism - Episode 126 - Who is Xuanzang? What were some of his views and written works? How did they affect Buddhism in East Asia?Resources: Beal, Samuel, trans. (1911). The Life of Hiuen-Tsiang. Translated from the Chinese of Shaman (monk) Hwui Li. London. 1911. Reprint Munshiram Manoharlal, New Delhi. 1973. (a dated, abridged translation)Bernstein, Richard (2001). Ultimate Journey: Retracing the Path of an Ancient Buddhist Monk (Xuanzang) who crossed Asia in Search of Enlightenment. Alfred A. Knopf, New York. ISBN 0-375-40009-5.Christie, Anthony (1968). Chinese Mythology. Feltham, Middlesex: Hamlyn Publishing. ISBN 0600006379.Gordon, Stewart. When Asia was the World: Traveling Merchants, Scholars, Warriors, and Monks who created the "Riches of the East" Da Capo Press, Perseus Books, 2008. ISBN 0-306-81556-7.Julien, Stanislas (1853). Histoire de la vie de Hiouen-Thsang, par Hui Li et Yen-Tsung, Paris.Yung-hsi, Li (1959). The Life of Hsuan Tsang by Huili (Translated). Chinese Buddhist Association, Beijing. (a more recent, abridged translation)Li, Rongxi, trans. (1995). A Biography of the Tripiṭaka Master of the Great Ci'en Monastery of the Great Tang Dynasty. Numata Center for Buddhist Translation and Research. Berkeley, California. ISBN 1-886439-00-1 (a recent, full translation)Nattier, Jan. "The Heart Sutra: A Chinese Apocryphal Text?". Journal of the International Association of Buddhist Studies Vol. 15 (2), p. 153-223. (1992) PDF Archived 29 October 2013 at the Wayback MachineSaran, Mishi (2005). Chasing the Monk's Shadow: A Journey in the Footsteps of Xuanzang. Penguin Books. ISBN 978-0-14-306439-8Sun Shuyun (2003). Ten Thousand Miles Without a Cloud (retracing Xuanzang's journeys). Harper Perennial. ISBN 0-00-712974-2Waley, Arthur (1952). The Real Tripitaka, and Other Pieces. London: G. Allen and Unwin.Watters, Thomas (1904–05). On Yuan Chwang's Travels in India. London, Royal Asiatic Society. Reprint, Delhi, Munshiram Manoharlal, 1973.Wriggins, Sally Hovey. Xuanzang: A Buddhist Pilgrim on the Silk Road. Westview Press, 1996. Revised and updated as The Silk Road Journey With Xuanzang. Westview Press, 2003. ISBN 0-8133-6599-6.Wriggins, Sally Hovey (2004). The Silk Road Journey with Xuanzang. Boulder, Colorado: Westview Press. ISBN 0-8133-6599-6.Xuanzang (1996). The great Tang dynasty record of the western regions. Translated by Li, Rongxi. Berkeley, CA: Numata Center for Buddhist Translation & Research. ISBN 978-1-886439-02-3.Yu, Anthony C. (ed. and trans.) (1980 [1977]). The Journey to the West. Chicago and London: The University of Chicago Press. ISBN 978-0-226-97150-6 (fiction)https://wck.org/relief/chefs-for-gazaDo you have a question about Buddhism that you'd like us to discuss? Let us know by emailing us at Bright.On.Buddhism@gmail.com.Credits:Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host
In 1814, as Napoleon's fortunes turn for the worse, Lafayette considers returning to politics. Unwilling to sit idle while the survival of the nation was at stake, he was determined to rekindle the flame of liberty- or at least to do what he could to avert a total catastrophe. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Kramer, Lloyd S. Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions. University of North Carolina Press, 1996. Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier. Memoirs, Correspondence, and Manuscripts of General Lafayette, vols 1-6. Saunders and Otley, 1837. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
Regaining his freedom after five years in prison, Lafayette emerges into a world irrevocably changed by the revolution he helped put into motion. Now considered a political liability by the governments of both France and the United States, and with war continuing to rage across Europe, his future appeared more uncertain than ever. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Kramer, Lloyd S. Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions. University of North Carolina Press, 1996. Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier. Memoirs, Correspondence, and Manuscripts of General Lafayette, vols 1-6. Saunders and Otley, 1837. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
Este es el ultimo episodio de nuestra miniserie sobre biocomunicación. Aquí hablamos un poco sobre esa comunicación invisible, una de las más antiguas de la evolución y la que usan la mayoría de organismos vivos en este planeta: la comunicación química. REFERENCIAS-El-Sayed, A., Byers, J., Suckling, D. 2016. Pollinator-prey conflicts in carnivorous plants: When flower and trap properties mean life or death. Scientific Reports. https://www.nature.com/articles/srep21065?error=cookies_not_supported&code=c466f3c2-7c40-4c43-baad-a44cd3a29eb9#Sec11-Karst, J., Jones, M. D., & Hoeksema, J. D. (2023). Positive citation bias and overinterpreted results lead to misinformation on common mycorrhizal networks in forests. Nature Ecology & Evolution, 7, 501–511. https://doi.org/10.1038/s41559-023-01986-1-Keller-Costa, T., Canário, A. V. M., Hubbard, P. C. 2015. Chemical communication in cichlids: A mini-review. General and Comparative Endocrinology 64-74. https://www.sciencedirect.com/science/article/abs/pii/S0016648015000039-Lassance, J. M., Löfstedt, C. 2013. Chemical Communication: A Jewel Sheds Light on Signal Evolution. Current Biology 346-348. https://www.sciencedirect.com/science/article/pii/S0960982213003576-Ortegón, S. R., Carlos, O., Robert-Hazotte, A., Lelgouarch, A., Desoche, C., Kawabata Duncan, K., Tagai, K., Fournel, A., Bensafi, M., Race, B., Ferdenzi, C. 2023. Investigating the human chemical communication of positive emotions using a virtual reality-based mood induction. Physiology & Behavior. https://www.sciencedirect.com/science/article/abs/pii/S0031938423000756-Roberts, S. A., Simpson, D. M., Armstrong, S. D., Davidson, A. J., Robertson, D. H., McLean, L., Beynon, R. J., & Hurst, J. L. (2010). Darcin: a male pheromone that stimulates female memory and sexual attraction to an individual male's odour. BMC Biology, 8, Article 75. https://doi.org/10.1186/1741-7007-8-75-Simard, S. W., Perry, D. A., Jones, M. D., Myrold, D. D., Durall, D. M., & Molina, R. (1997). Net transfer of C between ectomycorrhizal tree species in the field. Nature, 388(6642), 579–582. https://doi.org/10.1038/41557-Simard, S. (2021). Finding the mother tree: Discovering the wisdom of the forest. Alfred A. Knopf.-W. C. Agosta, Comunicación química. El lenguaje de las feromonas . Nueva York: Scientific American Library, 1992
When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024. Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024. Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024. Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024. Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
Arrested by the Austrians after escaping political persecution in France, Lafayette is locked away in a dungeon for refusing to betray his ideals. While his family and friends, scattered across the world, do what they can to aid him, it becomes increasingly clear as time went on that his salvation would come from the same nation that had once scorned him. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Kramer, Lloyd S. Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions. University of North Carolina Press, 1996. Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier. Memoirs, Correspondence, and Manuscripts of General Lafayette, vols 1-6. Saunders and Otley, 1837. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
This episode begins a three-part series on the pantoum and looks at how the repetitions work especially well for a poem that dwells incessantly in memories of the past, trying to recover, trying to move forward. For the text of the poem, see The Poetry Foundation: https://www.poetryfoundation.org/poems/58080/pantoum-of-the-great-depression For more on Donald Justice, see The Poetry Foundation: https://www.poetryfoundation.org/poets/donald-justice Copyright Credit: Donald Justice, "Pantoum of the Great Depression" from Collected Poems. Copyright © 2004 by Donald Justice. Read on our podcast by permission of Alfred A. Knopf, Inc.
Lafayette's persistent efforts to save the French monarchy end in failure when Louis XVI is overthrown once and for all in August 1792. With his avowed enemies, the Jacobins, now in power and accusing him of betraying the revolution, the general is faced with the most difficult decision of his life. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Kramer, Lloyd S. Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions. University of North Carolina Press, 1996. Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier. Memoirs, Correspondence, and Manuscripts of General Lafayette, vols 1-6. Saunders and Otley, 1837. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
A memoir titled Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice, written by Virginia Roberts Giuffre with journalist Amy Wallace, is scheduled for posthumous release on October 21, 2025, from Alfred A. Knopf (with Penguin Random House involved in audio and ebook editions). The 400‑page manuscript was completed prior to Giuffre's death by suicide in April 2025, and she had conveyed—via an email to Wallace dated April 1—that it was her “heartfelt wish” for the book to be published regardless of the outcome. Publishers describe the memoir as an unsparing and powerful narrative of trafficking, abuse, and survival, rigorously fact-checked and legally vetted, aimed at spotlighting systemic failures in human trafficking enforcement and championing justice and awareness.Of particular note, Nobody's Girl includes “intimate, disturbing, and heartbreaking new details” about Giuffre's experiences with Jeffrey Epstein, Ghislaine Maxwell, and other high-profile individuals—including Britain's Prince Andrew. This marks her first public discussion of Andrew since their 2022 out-of-court settlement, which reportedly involved a multi-million‑dollar payment. In doing so, the memoir is expected to reignite scrutiny and media attention on the allegations Andrew has long denied, resurrecting his central role in a scandal many believed had faded from the headlines.to contact me:bobbycapucci@protonmail.comsource:Prince Andrew struggling as Virginia Giuffre memoir set for release: expert | Fox News
A memoir titled Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice, written by Virginia Roberts Giuffre with journalist Amy Wallace, is scheduled for posthumous release on October 21, 2025, from Alfred A. Knopf (with Penguin Random House involved in audio and ebook editions). The 400‑page manuscript was completed prior to Giuffre's death by suicide in April 2025, and she had conveyed—via an email to Wallace dated April 1—that it was her “heartfelt wish” for the book to be published regardless of the outcome. Publishers describe the memoir as an unsparing and powerful narrative of trafficking, abuse, and survival, rigorously fact-checked and legally vetted, aimed at spotlighting systemic failures in human trafficking enforcement and championing justice and awareness.Of particular note, Nobody's Girl includes “intimate, disturbing, and heartbreaking new details” about Giuffre's experiences with Jeffrey Epstein, Ghislaine Maxwell, and other high-profile individuals—including Britain's Prince Andrew. This marks her first public discussion of Andrew since their 2022 out-of-court settlement, which reportedly involved a multi-million‑dollar payment. In doing so, the memoir is expected to reignite scrutiny and media attention on the allegations Andrew has long denied, resurrecting his central role in a scandal many believed had faded from the headlines.to contact me:bobbycapucci@protonmail.comsource:Prince Andrew struggling as Virginia Giuffre memoir set for release: expert | Fox NewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.
A memoir titled Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice, written by Virginia Roberts Giuffre with journalist Amy Wallace, is scheduled for posthumous release on October 21, 2025, from Alfred A. Knopf (with Penguin Random House involved in audio and ebook editions). The 400‑page manuscript was completed prior to Giuffre's death by suicide in April 2025, and she had conveyed—via an email to Wallace dated April 1—that it was her “heartfelt wish” for the book to be published regardless of the outcome. Publishers describe the memoir as an unsparing and powerful narrative of trafficking, abuse, and survival, rigorously fact-checked and legally vetted, aimed at spotlighting systemic failures in human trafficking enforcement and championing justice and awareness.Of particular note, Nobody's Girl includes “intimate, disturbing, and heartbreaking new details” about Giuffre's experiences with Jeffrey Epstein, Ghislaine Maxwell, and other high-profile individuals—including Britain's Prince Andrew. This marks her first public discussion of Andrew since their 2022 out-of-court settlement, which reportedly involved a multi-million‑dollar payment. In doing so, the memoir is expected to reignite scrutiny and media attention on the allegations Andrew has long denied, resurrecting his central role in a scandal many believed had faded from the headlines.to contact me:bobbycapucci@protonmail.comsource:Prince Andrew struggling as Virginia Giuffre memoir set for release: expert | Fox NewsBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.
An episode that isn't about making art that's palatable—it's about making art that's true. In Episode 145 of The Autistic Culture Podcast, Dr Angela Kingdon continues our journey through the 10 Pillars of Autistic Culture as we move onto Pillar 7 — Boldly Creating with Nina Danon, Composer, Sound Artist, and Doctoral Researcher, whose work explores the rich intersections between autism, music, creativity, and sensory experience.Nina's work on Musical Neuroqueering will be published in 2026 in Neuroqueer Theory and Practice, edited by Dr Nick Walker, providing the first draft of her toolkit to empower anyone to expand their neurodivergence through music, and music through neurodivergence.Autistic creativity is deeply rooted in our sensory experiences, emotional intensity, and need for authentic self-expression.Boldly Creating is the autistic drive to express truth through movement, sound, pattern, and special interest, using creativity as connection, regulation, and radical self-expression. So much of boldly creating comes from stimming and sensory experiences that are core to music and the heart of your work.Here's what defines this core Autistic trait:* Boldly Creating isn't about making art that's palatable—it's about making art that's true. * We don't wait for permission to make art, to move, to stim, or to build new worlds. We create in ways that often defy convention—through rhythm, repetition, structure, texture, sound, and story. * Autistics' creative work is fueled by special interests, hyperfocus, and bottom-up processing. We invent new forms when existing ones don't fit, building from the ground up, not following someone else's form.* Whether it's knitting, composing, coding, dancing, designing, scripting, or sound-building, autistic people boldly create because that's how we process, regulate, connect, and express our deepest selves.* Autistic creativity is sensory-rooted, emotionally rich, and self-expressive, often expressed through movement (like stimming), sound, visuals, and texture.Key Concepts:* Stimming is performance. Fandom is creation. Knitting is structure, roller derby is choreography.* Bold creation resists perfection—it values expression over conformity.* Autism-centered creativity often dismantles genre boundaries.* It's embodied, synaesthetic, non-linear: world as your playground.
Peter Mendelsund is a graphic designer, writer, and musician. Until recently he was the associate art director at Alfred A. Knopf where he designed book covers for everyone from James Joyce to Franz Kafka, Stieg Larsson and Simone De Beauvoir. In 2014, he published What We See When We Read and Cover and will publish his first novel, Same Same, next year. In this conversation, Peter and I talk about his relationship to graphic design, working across mediums and disciplines, and the differences between writing fiction and nonfiction. This episode originally aired on May 2, 2018. Since we spoke, Peter became the creative director of The Atlantic and published his second novel, The Delivery. This week, he has two new books out, Exhibitionist, a memoir, and Weepers, a novel.
Friends - it is our 100th episode!We are so pleased to be here with you, sharing, listening, celebrating.We have a very special conversation to mark the occasion: our very own Michael Shaeffer, host of The Poetry Exchange, talks about the poem that has been a friend to him - 'Having a Coke with You' by Frank O'Hara.10 years...100 episodes...countless more poems, stories, converastions...and now Michael shares his story of connection with O'Hara's gorgeous poem.We're thrilled and immensely grateful to Michael for sitting 'in the other chair' for this one, and sharing the story of his friendship so openly. You'll hear Michael in conversation with Roy McFarlane and Andrea Witzke Slot. Our thanks to the Alfred A. Knopf and the Frank O'Hara estate for allowing us to share the poem with you, and to the South London Gallery for hosting the conversation.Michael talks about his appearance in the re-staging of London Road at the National Theatre, which runs 7th - 21st June. Get your tickets while you can if you're in or around London during this time!As Michael says in this episode, we will be taking a pause from the podcast for a while after this episode, having reached this extraordinary milestone. Michael will also be stepping back from hosting at this point, having co-hosted The Poetry Exchange with Fiona since the very beginning.What an enormous journey it has been for Michael, for us all, and we are so grateful for all your friendship and support along the way.The Poetry Exchange is continuing, and for now we will be focussing on some new collaborations that create live, intimate encounters between people and poems....something that has always been at the heart of The Poetry Exchange.Keep in touch with us to find out more about as these new adventures as they unfold, including ways of being involved. You can sign up to our mailing list at www.thepoetryexchange.co.uk, follow us on Instagram @PoetryExch, or drop us a line any time on hello@thepoetryexchange.co.uk.For now, thank you so much for being with us over the years...for all your love, support and companionship. Here's to living life filled with poems as friends.Thank you for listening,Michael, John and The Poetry Exchange Xx Hosted on Acast. See acast.com/privacy for more information.
KB Brookins joins Let's Talk Memoir for a conversation about transness, masculinity, and race, how how being a writer has crystalized their experience and made it legible to an audience and to themselves, turning to prose to say the hard things, the tenacity of memoir, resisting erasure and pushing back on toxic systems, coming at creative nonfiction from a poetic impulse, having patience with ourselves, what we might need to let go of as writers, looking at our work with kinder eyes, the way we treat people because of gender, and their multi-themed memoir Pretty. Also in this episode: -stages of grief -permission to have anger -when lines for genre aren't as helpful Books mentioned in this episode: -Asatta: An Autobiography by Asatta Shakur -Black Boy by Richard Wright -Heavy by Kiese Laymon KB Brookins is a Black queer and trans writer, cultural worker, and visual artist from Texas. KB's chapbook How To Identify Yourself with a Wound won the Saguaro Poetry Prize, a Writer's League of Texas Discovery Prize, and a Stonewall Honor Book Award. Their debut poetry collection Freedom House won the American Library Association Barbara Gittings Literature Award and the Texas Institute of Letters Award for the Best First Book of Poetry. KB's debut memoir Pretty, released in May 2024 with Alfred A. Knopf, won the Great Lakes Colleges Association Award in Creative Non-Fiction. Connect with KB: Website: https://earthtokb.com/ Instagram: https://www.instagram.com/earthtokb TikTok: https://www.tiktok.com/@earthtokb Substack: https://substack.com/@earthtokb Bluesky: https://bsky.app/profile/earthtokb.bsky.social Facebook: https://www.facebook.com/earthtokb Get the book: https://www.penguinrandomhouse.com/books/724994/pretty-by-kb-brookins/ – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social Background photo credit: Photo by Patrick Tomasso on Unsplash Headshot photo credit: Sarah Anne Photography Theme music: Isaac Joel, Dead Moll's Fingers
This week on ‘The Write Question,' host Lauren Korn speaks with Karen Russell, author of ‘The Antidote' (Alfred A. Knopf), her sophomore novel. The two talk about soil ecology, developing caretaking relationships, her home state (Florida), her first novel, ‘Swamplandia!' (Vintage Books), and more.
This week on ‘The Write Question,' host Lauren Korn speaks with Karen Russell, author of ‘The Antidote' (Alfred A. Knopf), her sophomore novel. The two talk about soil ecology, developing caretaking relationships, her home state (Florida), her first novel, ‘Swamplandia!' (Vintage Books), and more.
In 2021, evidence of unmarked graves near an Indian residential school run by the Catholic Church in Kamloops. BC, Canada sparked a national outcry about the forced separation, assimilation, and abuse many children experienced at this network of segregated boarding schools designed to slowly destroy the culture and social fabric of Indigenous communities. When Emily- a journalist and filmmaker- asked her old friend and colleague, Julian, to direct a film documenting the Williams Lake First Nation investigation of St Joseph's Mission, she never imagined just how close this story was to his own family. As the investigation continued, Emily and Julian traveled back to the rivers, forests and mountains of his homelands to hear the myriad stories of survivors. During production, Julian's own story became an integral part of this beautiful multi-stranded portrait of a community. By offering space, time, and profound empathy the directors unearthed what was hidden. Emily and Julian encountered both the extraordinary pain these individuals had to suppress as a tool for survival and the unique beauty of a group of people finding the strength to persevere. The film is nominated for an Academy Award. It has already won two Critics Choice Awards. Julian Brave NoiseCat - Director Julian is a writer, filmmaker and student of Salish art and history. His first documentary, SUGARCANE, directed alongside Emily Kassie, follows an investigation into abuse and missing children at the Indian residential school NoiseCat's family was sent to near Williams Lake, British Columbia. A proud member of the Canim Lake Band Tsq'escen and descendant of the Lil'wat Nation of Mount Currie, he is concurrently finishing his first book, We Survived the Night, which will be published by Alfred A. Knopf in North America. EMILY KASSIE Director, Producer, Cinematographer Emily Kassie is an Emmy® and Peabody®-nominated investigative journalist and filmmaker. Kassie shoots, directs and reports stories on geopolitical conflict, humanitarian crises, corruption and the people caught in the crossfire. Her work for The New York Times, PBS Frontline, Netflix, and others ranges from drug and weapons trafficking in the Saharan desert, to immigrant detention in the United States. . Her first documentary, I Married My Family's Killer, following couples in post-genocide Rwanda, won a Student Academy Award in 2015. Indian residential school history and its impact are not in the past. For more information on the film's impact campaign, please visit here. If you need support, the following resources are available: CANADA The National Indian Residential School Crisis Line provides 24-hour crisis support to former Indian Residential School students and their families toll-free at 1-866-925-4419. First Nations, Inuit and Métis seeking immediate emotional support can contact the Hope for Wellness Help Line toll-free at 1-855-242-3310, UNITED STATES Call or text 988
In this episode of The Watchung Booksellers Podcast, poets Alicia Cook and Deborah Garrison share how poetry fosters connection and their own work. Plus, at the end of the episode, listen to some of the poetry readings from our special Valentine's Day Pop-Up Poetry Booth in The Kids' Room. Deborah Garrison began her career at the The New Yorker, where she worked for fifteen years and where her poetry first began appearing in the late 80s. She is the author of the bestselling poetry collection A Working Girl Can't Win, published in 1998, and joined book publishing herself in 2000, as the Poetry Editor of Alfred A. Knopf and a Senior Editor at Pantheon Books. Now editorial director of Knopf poetry, Deb also enjoys working with writers of literary fiction and biography. She is a proud Montclairian and raised her three kids here in town; their childhood and the experience of mothering them is the subject of many of the poems in her book The Second Child. Her poems have also appeared in a number of anthologies, including Garrison Keillor's Good Poems series and Caroline Kennedy's She Walks in Beauty: A Womans's Journey Through Poems.Alicia Cook is a multi-award-winning writer and mental health and addiction awareness advocate based in Newark, New Jersey. Her writing often focuses on addiction, mental health, and grief – sometimes all at once. She is the poet behind Stuff I've Been Feeling Lately, I Hope My Voice Doesn't Skip, Sorry I Haven't Texted You Back, and last year's The Music Was Just Getting Good. Her work has also been published in numerous anthologies and outlets including The New York Times. She received an MBA from Saint Peter's University and a bachelor's degree in English Literature from Georgian Court University, where she currently serves on the Board of Trustees. Alica has shared her work multiple times at Watchung Booksellers and we are excited to welcome her to the podcast.Resources:American Guild of Musical ArtistsSeptember 1, 1939 by W. H. AudenMosab TohaBooks:A full list of the books and authors mentioned in this episode is available here. Register for Upcoming Events.The Watchung Booksellers Podcast is produced by Kathryn Counsell and Marni Jessup and is recorded at Watchung Booksellers in Montclair, NJ. The show is edited by Kathryn Counsell. Original music is composed and performed by Violet Mujica. Art & design and social media by Evelyn Moulton. Research and show notes by Caroline Shurtleff. Thanks to all the staff at Watchung Booksellers and The Kids' Room! If you liked our episode please like, follow, and share! Stay in touch!Email: wbpodcast@watchungbooksellers.comSocial: @watchungbooksellersSign up for our newsletter to get the latest on our shows, events, and book recommendations!
The king's ill-fated attempt to flee the country causes anti-monarchist protests to break out in Paris, which Lafayette responds to with a heavy hand. After the subsequent massacre at the Champ de Mars leaves his reputation in tatters, the general attempts to make his exit from the political stage. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Kramer, Lloyd S. Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions. University of North Carolina Press, 1996. Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier. Memoirs, Correspondence, and Manuscripts of General Lafayette, vols 1-6. Saunders and Otley, 1837. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
Join Ocean House owner and author Deborah Goodrich Royce for a conversation with author Jenny Jackson, who will discuss her New York Times bestselling novel Pineapple Street, new in paperback. About Pineapple Street: A New York Times bestseller | A Good Morning America Book Club Pick Darley, the eldest daughter in the well-connected old money Stockton family, followed her heart, trading her job and her inheritance for motherhood but giving up far too much in the process; Sasha, a middle-class New England girl, has married into the Brooklyn Heights family, and finds herself cast as the arriviste outsider; and Georgiana, the baby of the family, has fallen in love with someone she can't have, and must decide what kind of person she wants to be. Rife with the indulgent pleasures of life among New York's one-percenters, Pineapple Street is a smart, escapist novel that sparkles with wit. Full of recognizable, loveable—if fallible—characters, it's about the peculiar unknowability of someone else's family, the miles between the haves and have-nots, and the insanity of first love—all wrapped in a story that is a sheer delight. About Jenny Jackson: Jenny Jackson is a Vice President and Executive Editor at Alfred A. Knopf. A graduate of Williams College and the Columbia Publishing Course, she lives in Brooklyn Heights with her family. Pineapple Street is her first novel. For more information about author Jenny Jackson, visit penguinrandomhouse.com. For details on Deborah Goodrich Royce and the Ocean House Author Series, visit deborahgoodrichroyce.com
Lafayette stages a remarkable display of patriotism at a festival celebrating the one year anniversary of the revolution's beginning. Having reached the ‘zenith of his influence,' his political opponents on both the left and right grow increasingly wary of his ambition. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Kramer, Lloyd S. Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions. University of North Carolina Press, 1996. Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier. Memoirs, Correspondence, and Manuscripts of General Lafayette, vols 1-6. Saunders and Otley, 1837. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
Famine conditions in Paris and fears of counter-revolution prompt thousands of enraged civilians to march on Versailles. With the safety of the royal family threatened, Lafayette is compelled to intervene to avert a catastrophe. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Kramer, Lloyd S. Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions. University of North Carolina Press, 1996. Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier. Memoirs, Correspondence, and Manuscripts of General Lafayette, vols 1-6. Saunders and Otley, 1837. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
In this episode, we are joined by acclaimed poet Tamar Yoseloff, who shares with us the poem that has been a friend to her: 'Morning' by Frank O'Hara.The conversation, like the poem, is full of joy and delight, as well as sadness and loss. Tamar spoke with Michael and Andrea in early May 2024, and the conversation takes on a new light now, as we continue to hold Fiona so closely in our hearts.Tamar Yoseloff has published seven collections, including The Formula for Night: New and Selected Poems (2015) and most recently, Belief Systems, which was a PBS Summer Recommendation in 2024. She's also the author of Formerly, a chapbook incorporating photographs by Vici MacDonald (Hercules Editions, 2012) shortlisted for the Ted Hughes Award. She was a lecturer on the Poetry School / Newcastle University MA in Writing Poetry and continues to teach independently. She received a Cholmondeley Award in 2023.Tamar Yoseloff was one of Fiona's outstanding poetry mentors, having taught her on the MA in 2022, along with Glyn Maxwell. It is very fitting that Tammy is our guest this month, as we celebrate the arrival of Fiona's own collection of poetry: 'On the Brink of Touch', now available from Live Canon. Tamar Yoseloff and Glyn Maxwell, along with Helen Eastman of Live Canon, were all instrumental in ensuring Fiona's collection was published - something Fiona knew was going to happen, even if she didn't get to see her book its final form. 'On the Brink of Touch' is a work of great beauty and immense humanity, and it is extraordinary that we are all now able to hold it in our hands.Michael also mentions the memorial we held recently to remember and celebrate Fiona, which you can view anytime here.•••••••••Morningby Frank O'HaraI've got to tell youhow I love you alwaysI think of it on greymornings with deathin my mouth the teais never hot enoughthen and the cigarettedry the maroon robechills me I need youand look out the windowat the noiseless snowAt night on the dockthe buses glow likeclouds and I am lonelythinking of flutesI miss you alwayswhen I go to the beachthe sand is wet withtears that seem minealthough I never weepand hold you in myheart with a very realhumor you'd be proud ofthe parking lot iscrowded and I standrattling my keys the caris empty as a bicyclewhat are you doing nowwhere did you eat yourlunch and were therelots of anchovies itis difficult to thinkof you without me inthe sentence you depressme when you are aloneLast night the starswere numerous and todaysnow is their callingcard I'll not be cordialthere is nothing thatdistracts me music isonly a crossword puzzledo you know how it iswhen you are the onlypassenger if there is aplace further from meI beg you do not goFrom THE COLLECTED POEMS OF FRANK O'HARA © 1971 by Maureen Granville- Smith, renewed 1999 by Maureen O'Hara Granville-Smith and Donald Allen. Used by permission of Alfred A. Knopf, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLC. All rights reserved. Hosted on Acast. See acast.com/privacy for more information.
As the early stages of the French Revolution unfold on the streets of Paris, Lafayette's new role as the commander of the National Guard forces him to maintain a delicate balancing act between the preservation of liberty and the restoration of public order. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Kramer, Lloyd S. Lafayette in Two Worlds: Public Cultures and Personal Identities in an Age of Revolutions. University of North Carolina Press, 1996. Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier. Memoirs, Correspondence, and Manuscripts of General Lafayette, vols 1-6. Saunders and Otley, 1837. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
When King Louis XVI is forced to take drastic measures to stave off financial collapse, Lafayette and other liberal-minded nobles hope to use the opportunity to push for much-needed reforms to France's decrepit political structure. However, it quickly becomes apparent that the crisis facing the regime is more severe than previously thought. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
November 19, 2024 - The Korea Society is pleased to announce that the eighth annual Sherman Family Korea Emerging Scholar Lecture Awardee is Dr. David Krolikoski, assistant professor at the University of Hawai'i. In his lecture Dr. Krolikoski examines The Silence of Love (Nim ŭi ch'immuk, 1926), the acclaimed collection of eighty-eight poems by Han Yong-un (1879-1944), a Buddhist monk and public intellectual. Although the book is commonly celebrated as a metaphor for colonial subjugation, Dr. Krolikoski complicates this established reading to argue that its artistic significance lies in Han's paradigm-shifting use of colonial poetry as a medium of communal expression during a time of national crisis. The lecture explores how Han uses fiction and symbols to collapse the boundary between private and public address, transmuting the individual voice of his poetic speaker into a platform for a community. Dr. Krolikoski also contextualizes The Silence of Love within the history of the translation of foreign poetic forms into Korea during the 1920s, with a focus on how Han incorporated elements from the lyric and prose poem into his verse. Dr. Emily Jungmin Yoon, author of Find Me as the Creature I Am (Alfred A. Knopf, 2024) and assistant professor of Korean literature at the University of Hawaiʻi at Mānoa, will serve as moderator. For more information, please visit the link below: https://www.koreasociety.org/policy-and-corporate-programs/item/1859-sherman-family-korea-emerging-scholar-lecture-2024
Rejoining the American war effort in 1780, Lafayette is sent south to bring a traitorous general to heel. Unbeknownst to him, his actions were setting the stage for the dramatic final act of the War of Independence: the Battle of Yorktown. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
After the formalization of an alliance between France and the United States, Lafayette is dispatched to facilitate cooperation between allied forces- a task that would prove more difficult than he'd hoped. Returning temporarily to his home country in 1779, the marquis continued to work tirelessly to advance the American cause abroad. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
Lafayette accompanies Washington and the Continental Army at their winter encampment at Valley Forge. During this time, he finds himself entangled in a series of political intrigues and inconclusive military actions that threaten to shake his faith in the American cause. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution.
Upon arriving in America, the Marquis de Lafayette is granted a commission in the Continental Army, serving directly under George Washington. Most expected this to be nothing more than a ceremonial appointment, but Lafayette remained determined to prove his worth to the American cause and to win glory on the battlefield. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution
Born into a noble family in the small French town of Chavaniac, Gilbert du Motier, the Marquis de Lafayette would lose both of his parents at a young age. Left as an orphan and sent to live with relatives in Paris, he would inherit a massive fortune that altered the course of his life. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Auricchio, Laura. The Marquis: Lafayette Reconsidered. Vintage Books, 2015. Babeau, Emile and Maurice de la Fuye. The Apostle of Liberty: A Life of Lafayette. Thames and Hudson, 1956. Duncan, Mike. Hero of Two Worlds: The Marquis de Lafayette in the Age of Revolution. Hachette Book Group, 2021. Israel, Jonathan. The Expanding Blaze: How the American Revolution Ignited the World, 1775-1848. Princeton University Press, 2011. Schama, Simon. Citizens: A Chronicle of the French Revolution. Alfred A. Knopf, 1989. Unger, Harlow Giles. Lafayette. John Wiley & Sons, Inc, 2002. Woodward, W.E. Lafayette. Farrar & Rinehart, 1938. Cover Image: Portrait of Gilbert Motier the Marquis De Lafayette as a Lieutenant General, 1791. Painting by Joseph-Désiré Court, 1834. Closing theme: "Ça Ira" (It will be fine)- popular song from the French Revolution
This week on the Journal we will be talking with Alan Pell Crawford about his book, This Fierce People: The Untold Story of America's Revolutionary War in the South (2024, Alfred A. Knopf). In his book Alan tells the story of three-plus years in the Revolutionary war, and of the fierce battles fought in the South that made up the central theater of military operations in the latter years of the War. And it was in these bloody battles that the British were, in essence, vanquished.
Ruth Fulton Benedict was one of the first women to become really prominent in the field of anthropology. She had a huge impact, but she's often overshadowed by some of her students, including Zora Neale Hurston and Margaret Mead. Research: Banner, Lois W. “Intertwined Lives: Margaret Mead, Ruth Benedict, and Their Circle.” New York. Alfred A. Knopf. 2003. Banner, Lois W. “Mannish Women, Passive Men, and Constitutional Types: Margaret Mead's Sex and Temperament in Three Primitive Societies as a Response to Ruth Benedict's Patterns of Culture.” Signs. Vol. 28, No. 3, Gender and Science: New Issues (Spring 2003). Via JSTOR. https://www.jstor.org/stable/10.1086/345325 Benedict, Ruth, 1887-1948, and Gene Weltfish. The Races of Mankind. New York: Public Affairs Committee, 1943. Borovoy, Amy. “Ruth Benedict and the Study of Japanese Culture.” UC San Diego School of Global Policy and Strategy. 8/26/2020. Via YouTube. https://www.youtube.com/watch?v=IfZYIGltfsE Britannica, The Editors of Encyclopaedia. "Ruth Benedict". Encyclopedia Britannica, 13 Sep. 2022, https://www.britannica.com/biography/Ruth-Benedict. Accessed 17 May 2023. Burns, J. Conor. "Anthropology." History of Modern Science and Mathematics, edited by Brian S. Baigrie, Charles Scribner's Sons, 2002. Gale In Context: Science, link.gale.com/apps/doc/CV2640700006/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4a63896c. Accessed 22 May 2023. Kent, Pauline. “Japanese Perceptions of ‘The Chrysanthemum and the Sword.'” Dialectical Anthropology, June 1999, Vol. 24, No. 2 (June 1999). https://www.jstor.org/stable/29790600 Lie, John. “Ruth Benedict's Legacy of Shame: Orientalism and Occidentalism in the Study of Japan.” Asian Journal of Social Science , 2001, Vol. 29, No. 2 (2001). Via JSTOR. https://www.jstor.org/stable/23653936 Mead, Margaret and Ruth Benedict. “An Anthropologist At Work Writings Of Ruth Benedict.” Secker & Warburg. 1959. "Patterns of Culture." American Decades Primary Sources, edited by Cynthia Rose, vol. 4: 1930-1939, Gale, 2004, pp. 645-647. Gale In Context: U.S. History, link.gale.com/apps/doc/CX3490200798/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=fa7f9002. Accessed 17 May 2023. "Ruth Fulton Benedict." Dictionary of American Biography, Charles Scribner's Sons, 1974. Gale In Context: U.S. History, link.gale.com/apps/doc/BT2310017919/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=0181011f. Accessed 17 May 2023. "Ruth Fulton Benedict." Scientists: Their Lives and Works, UXL, 2006. Gale In Context: Science, link.gale.com/apps/doc/K2641500229/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=4fba0976. Accessed 17 May 2023. Salamone, Frank A., 2018. “Life‑affirming versus Life‑denying Cultures : Ruth Benedict and Social Synergy”, in BEROSE International Encyclopaedia of the Histories of Anthropology, Paris. https://www.berose.fr/article1333.html?lang=en Schachter, Judith . "Ruth Benedict". In obo in Anthropology. 18 May. 2023. . Vassar Encyclopedia. “Ruth Benedict '1909.” 2009. https://vcencyclopedia.vassar.edu/distinguished-alumni/ruth-benedict/ Yong, Daniel. “Ruth Benedict: Strength in Disability.” University of Chicago. 12/13/2020. https://womanisrational.uchicago.edu/2020/12/13/ruth-benedict-strength-in-disability/ Young, Virginia Heyer. “Ruth Benedict: Beyond Relativity, Beyond Pattern.” Critical Studies in the History of Anthropology. Series editors Regna Darnell and Stephen O. Murray. University of Nebraska Press. 2005. See omnystudio.com/listener for privacy information.