Podcasts about Species

Join Ellen & special guest comedian, writer, and nature enthusiast Vinny Thomas for a review of some of the furry, feathered, and scaly neighbors making themselves at home right in our very own cities. We discuss domestication, dogs with human feet, inflatable snoods, ostriches for self-defense, kaiju battles at the park, life in a shipwreck, and so much more.Links:Follow Vinny on Instagram, Threads, and TikTok!For more information about us & our podcast, head over to our website!Follow Just the Zoo of Us on BlueSky, Facebook, Instagram & Discord!Follow Ellen on Instagram or BlueSky!

AGT 205: The Evolution of a Species Pt 4: The Borg (Part 1) In this episode of All Good Things: A Star Trek Universe Podcast, host Christos is joined by Kelvin, Kristin, and Amy  to begin a two-part deep dive into one of Star Trek's most iconic and terrifying adversaries: the Borg. Part 1 explores the Borg's evolution from their first chilling appearance in Star Trek: The Next Generation—where they function as an unknowable, unstoppable force of cosmic horror—to Star Trek: First Contact, where the introduction of the Borg Queen gives the Collective a face, a voice, and a more personal connection to Jean-Luc Picard's trauma. The panel examines key episodes including “Q Who,” “The Best of Both Worlds,” “I, Borg,” and “Descent,” discussing how fear, loss of identity, and inevitability defined the Borg at their peak. They also debate whether First Contact strengthened the Borg by making them cinematic—or weakened them by making them knowable. This is Part 1 of 2 in our Evolution of a Species series on the Borg. Part 2 will continue the discussion with Voyager and Picard. Resistance, as always, is optional.     Join our listeners group The BQN Collective on Facebook Join our Discord server: https://discord.gg/wqJt68vnxg The Network: @BQNpodcasts (IG/Bluesky) The Show: @AllGoodPod (Bluesky) Amy: @amynelson522 (IG/Discord) Christos: @whatstheteabev (IG/Bluesky/Discord) Kelvin: @KelvinsTimeline (IG/X/Discord) Kristin: @Kstraz (IG)

Well shoot, a lot is happening all at once this week in "Species Ten-C"! With the key to talking to the titular aliens unlocked, it's time for negotiations and Harai to strut his stuff! Okay, he actually gets to do precious little yet again, the poor sod. Meanwhile: Tarka takes a hostage! Also this week: Ames loves a puzzle, homebrewed technobabble, and sci-fi video games! [Species 10-C: 01:35; press start: 42:33] [insert coin: https://sshbpodcast.tumblr.com/post/806380304078077954/top-five-sci-fi-video-games ]

Join Ellen & special guest comedian, writer, and nature enthusiast Vinny Thomas for a review of some of the furry, feathered, and scaly neighbors making themselves at home right in our very own cities. We discuss domestication, dogs with human feet, inflatable snoods, ostriches for self-defense, kaiju battles at the park, life in a shipwreck, and so much more.Links:Follow Vinny on Instagram, Threads, and TikTok!For more information about us & our podcast, head over to our website!Follow Just the Zoo of Us on BlueSky, Facebook, Instagram & Discord!Follow Ellen on Instagram or BlueSky!

As we gear up to launch another season of incredible guest interviews we're revisiting a few of our most beloved episodes, starting with the fabulous Doug Tallamy.Over the course of his career, Doug has become a leading voice helping people understand why native plants matter and how simple and accessible it can be to support biodiversity right in your backyard. In this conversation, we talk about the power of keystone species, the remarkable progress he's made restoring native plants on his own Pennsylvania property, and the nonprofit he founded to inspire private landowners to be part of this growing movement.Dr. Tallamy has an incredible gift for breaking down big, complex environmental challenges into ideas that feel approachable rather than overwhelming, offering practical, common-sense ways to make a real and meaningful impact.Doug Tallamy  is the T.A. Baker Professor of Agriculture in the Department of Entomology and Wildlife Ecology at the University of Delaware, and the author of more than 100 publications, including Bringing Nature Home, The Living Landscape, Nature's Best Hope, and his most recent book, The Nature of Oaks.Biophilic Solutions is available wherever you get podcasts. Please listen, follow, and give us a five-star review. Follow us on Instagram and LinkedIn and learn more on our website. #NatureHasTheAnswers

Patrick and Chris talk about an exciting tribal council and shifting alliances as we head to the finale.Email: tribalcouncilpodcast@gmail.com

All plants need water, but some take it to the extreme. This episode, Dr. Aly Baumgartner joins us to explore the many life strategies of plants that live in the water. We'll discuss the adaptations that allow them to lead an aquatic lifestyle, their evolutionary history as seen through genes and fossils, and the benefits that keep leading plants back to water. In the news: fish diversity, ammonite survivors, gut microbes, and hiding dinosaurs. Time markers: Intro & Announcements: 00:00:00 News: 00:07:55 Main discussion, Part 1: 00:51:00 Main discussion, Part 2: 01:47:00 Patron question: 02:29:20 Check out our website for this episode's blog post and more: http://commondescentpodcast.com/ Join us on Patreon to support the podcast and enjoy bonus content: https://www.patreon.com/commondescentpodcast Got a topic you want to hear about? Submit your episode request here: https://commondescentpodcast.com/request-a-topic/ Lots more ways to connect with us: https://linktr.ee/common_descent The Intro and Outro music is “On the Origin of Species” by Protodome. More music like this at http://ocremix.org Musical Interludes are "Professor Umlaut" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0

With the American republic hanging in the balance, Ralph calls on Democrats to pressure Republicans in the House and Senate to impeach Trump before the midterms or suffer the consequences. Then, we welcome Dino Grandoni, co-author of a Washington Post report on the surprising ways various species of animals and plants help advance our own health and longevity.Dino Grandoni is a reporter who covers life sciences for the Washington Post. He was part of a reporting team that was a finalist for the 2025 Pulitzer Prize in National Reporting for coverage of Hurricane Helene. He previously covered the Environmental Protection Agency and wrote a daily tipsheet on energy and environmental policy. He is co-author (with Hailey Haymond and Katty Huertas) of the feature “50 Species That Save Us.”The Democrats—while there are people like constitutional law expert Jamie Raskin (who has said a shadow hearing to publicly educate the American people on impeachment “is a good idea”) he's been muzzled by Hakeem Jeffries and Charlie Schumer, who basically don't want the Democrats to use the word impeachment. So who's using the word impeachment the most? Donald Trump—not only wants to impeach judges who decide against him, but he's talking about the Democrats impeaching him, and he uses the word all the time. So we have an upside-down situation here where the opposition party is not in the opposition on the most critical factor, which is that we have the most impeachable President in American history, getting worse by the day.Ralph NaderIf the founding fathers came back to life today, would any of them oppose the impeachment, conviction, and removal of office of Donald J. Trump, who talks about being a monarch? That's what they fought King George over. Of course, they would all support it.Ralph NaderWhat we have in these cards and in our stories at the Washington Post here are examples of the ways we know, the ways that scientists have uncovered how plants and animals help us. But we don't know what we don't know. There are likely numerous other ways that plants and animals are protecting human well-being that we don't know and we may very well never know if some of these species go extinct.Dino GrandoniI'm always eager to find these connections between human well-being and the well-being of nature and try to describe them in ways that are compelling to readers that get them to care about protecting nature. And also finding those instances (because I want to be objective here) of when human well-being and the well-being of nature might be in conflict, and that might involve some tough decisions that we as a society or policymakers have to make.Dino GrandoniNews 1/16/25* Our top two stories this week concern corporate wrongdoing. First, Business Insider reports that the New York City Department of Consumer and Worker Protection has released a new report which estimates Uber Eats and DoorDash, by altering their tipping processes in the city – moving tipping prompts to less prominent locations after checkout so upfront delivery costs would appear lower – have deprived gig delivery workers of $550 million since December 2023. As this piece notes, that was the month that New York City's minimum pay law for delivery workers took effect. As a result, “The average tip for delivery workers on the apps dropped 75%...from $3.66 to $0.93, one week after the apps made the changes…The figure has since declined to $0.76 per delivery.” This report presages a new city law that “requires the apps to offer customers the option to tip before or during checkout. Both Uber and DoorDash have sued the City over the law, which is set to take effect on January 26.” Whether the administration will stick to their guns on this issue, in the face of corporate pressure, will be a major early test for Mayor Zohran Mamdani.* Meanwhile, the Wall Street Journal reports UnitedHealth Group “deployed aggressive tactics to collect payment-boosting diagnoses for its Medicare Advantage members.” As the Journal explains, “In Medicare Advantage, the federal government pays insurers a lump sum to oversee medical benefits for seniors and disabled people. The government pays extra for patients with certain costly medical conditions, a process called risk adjustment.” A new report from the Senate Judiciary Committee found that UnitedHealth had “turned risk adjustment into a business,” thereby exploiting Medicare Advantage and systematically and fraudulently overbilling the federal government. Due to its structure, advocates like Ralph Nader have long warned that Medicare Advantage is ripe for waste fraud and abuse, in addition to being an inferior program for seniors compared to traditional Medicare. This report supports the accuracy of these warnings. Yet, Dr. Mehmet Oz Trump's appointee to head the Centers for Medicare & Medicaid Services, is a longtime proselytizer for Medicare Advantage and this setback is unlikely to make him reverse course, no matter the cost to patients or taxpayers.* Yet, even as these instances of corporate criminal lawlessness pile up, the Trump administration is all but abolishing the police on the corporate crime beat. In a new report, Rick Claypool, corporate crime research director at Public Citizen, documents how the administration has “canceled or halted a total of 159 enforcement actions against 166 corporations.” This amounts to corporations avoiding payments totaling $3.1 billion in penalties for misconduct. This report further documents how these corporations have ingratiated themselves with Trump, via donations to his inauguration or ballroom project, or more typical revolving door or lobbying arrangements. As Claypool himself puts it, “The ‘law enforcement' claims the White House uses as a pretext for authoritarian anti-immigrant crackdowns, city occupations, and imperial resource seizures abroad lose all credibility when cast against the lawlessness Trump allows for the pursuit of corporate profits.”* In another instance of a Trump administration giveaway to corporations, the New York Times reports the Environmental Protection Agency will “Stop Considering Lives Saved When Setting Rules on Air Pollution.” Under the new regulatory regime, the EPA will “estimate only the costs to businesses of complying with the rules.” The Times explains that different administrations have balanced these competing interests differently, always faced with the morbid dilemma of how much, in a dollar amount, to value human life; but “until now, no administration has counted it as zero.”* Moving to Congress, the big news from the Legislative Branch this week has to do with Bill and Hillary Clinton. NPR reports Congressman James Comer, Chair of the House Oversight Committee, issued subpoenas to the former president and former Secretary of State to testify in a committee hearing related to convicted sex offender Jeffrey Epstein. In a letter published earlier this week, the Clintons formally rejected the subpoenas, calling them “legally invalid.” The Clintons' refusal to appear tees up an opportunity for Congress to exercise its contempt power and force the couple to testify. Democrats on the Oversight Committee, who agreed to issue the subpoenas as part of a larger list, have noted that “most of the other people have not been forced to testify,” indicating that this is a political stunt rather than an earnest effort. That said, there is little doubt that, at least, former President Clinton knows more about the Epstein affair than he has stated publicly thus far and there is a good chance Congress will vote through a contempt resolution and force him to testify.* In the Senate, Elizabeth Warren, Chris Murphy and other liberal Senators are “urging their Democratic colleagues to pivot to economic populism by ‘confronting' corporate power and billionaires, warning that just talking about affordability alone won't move swing voters who backed President Trump in 2024,” per the Hill. Senators Adam Schiff of California and Tina Smith of Minnesota also signed this memo. The Senators cited a recent poll that found Americans “increasingly cannot afford basic goods such as medical care and groceries,” but they also warned that “Bland policy proposals — without a narrative explaining who is getting screwed and who is doing the screwing – will not work.” Hopefully this forceful urging by fellow Senators will move the needle within the Democratic caucus in the upper house. Nothing else seems to have driven the point home.* One candidate who seems to understand this message is Graham Platner of Maine. Platner, who is endorsed by Bernie Sanders, has a controversial past that includes a career in the Marines and a stint working for the private military contractor Blackwater. However, he is running as a staunch economic populist and New Deal style progressive Democrat – and the message appears to be working. According to Zeteo, a poll conducted in mid-December found Platner up by 15 points in the primary over his opponent, current Governor Janet Mills. More concerning is the fact that this same poll shows both Platner and Mills in a dead heat with incumbent Republican Senator Susan Collins, indicating this could be a brutal, protracted and expensive campaign.* On the other end of the spectrum, Axios reported this week that former Congressman Sean Patrick Maloney, who once led the Democratic Congressional Campaign Committee and then served as President Biden's ambassador to the Organization for Economic Co-operation and Development, has accepted a role as CEO and president of the Coalition for Prediction Markets. The coalition is essentially a trade association for betting websites; members include Kalshi, Crypto.com Robinhood and Coinbase, among others. The coalition will leverage Maloney's influence with Democrats, along with former Republican Congressman Patrick McHenry's influence across the aisle, to lobby for favorable regulation for their industry.* Turning to foreign affairs, prosecutors in South Korea have announced that they are seeking the death penalty for former President Yoon Suk-Yeol on “charges of masterminding an insurrection over his brief imposition of martial law in December 2024,” per Reuters. In a stunning courtroom revelation, a prosecutor said during closing arguments that “investigators confirmed the existence of a scheme allegedly directed by Yoon and his former defence minister, Kim Yong-hyun, dating back to October 2023 designed to keep Yoon in power.” The prosecutor added that “The defendant has not sincerely regretted the crime... or apologised properly to the people.” As this piece notes, South Korea has not carried out a death sentence in nearly three decades. Even still, it is remarkable to see how this case has unfolded compared to the reaction of the American judicial system to Donald Trump's attempted self-coup on January 6th, 2021.* Finally, turning to Latin America, many expected the fall of Nicolás Maduro to mean a redoubled energy crisis for the long-embargoed island nation of Cuba. Yet, the Financial Times reports that in fact, “Mexico overtook Venezuela to become Cuba's top oil supplier in 2025…helping the island weather a sharp drop in Venezuelan crude shipments.” CBS adds that “Despite President Trump's social media pronouncement…that ‘there will be no more oil or money going to Cuba — zero,' the current U.S. policy is to allow Mexico to continue to provide oil to the island, according to Energy Secretary Chris Wright.” For the time being, the administration seems open to maintaining this status quo – including maintaining cordial relations with Mexican President Claudia Sheinbaum – though this appears more strained than ever. Sheinbaum harshly criticized the kidnapping of Maduro, stating “unilateral action and invasion cannot be the basis for international relations in the 21st century,” while Republican Congressman Carlos Gimenez has threatened that there could be “serious consequences for trade between our countries” if Sheinbaum “continues to undermine US policy by sending oil to the murderous dictatorship in Cuba.”This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

In today's episode of Truth Wanted, Objectively Dan and Deconstruction Deacon wrestle with the concept of free will before uncovering their own limitations of free will when it comes to deciding what species to consume over another. Salvatore in LA calls to continue a conversation had with the co-host, and defines free will as the ability for a moral agent to choose. What are your thoughts around the ability not to choose? The caller explains that free will is a mechanism used to explain the problem of evil. Deacon uses his Street Epistemology skills to ask the caller a series of thought provoking questions. What does the process of choice look like in the brain? What factors in life make a person more likely to choose one option over another? In what sense is "will" free? Our choices can't be truly free if we don't understand all the conscious and unconscious processes. How is it free will when we are coerced?Chase, calling from the USA, wants to talk about speciesism, discrimination against other beings for not being human. If this is a form of harm reduction, what happens when one species is starving and another is abundantly available for food? If this is maximizing well being, how does this play out when one species consumes another due to dietary and nutritional needs? What happens when it is in the best interest of a spider to continue to live in a house that is occupied by someone who is terrified by spiders? Why do we put some animals in the food category such as pigs, and not other animals like dogs? Thank you for joining us this week! Our back up host, Scott Dickie joins us to close out the show and remind us of the question of the week: What is the worst example of god's unconditional love?Become a supporter of this podcast: https://www.spreaker.com/podcast/truth-wanted--3195473/support.

The federal government has unveiled the next steps in its national gun buyback program. Since 2020, Ottawa has banned about 2,500 models of what it calls "assault-style" firearms, offering Canadians compensation to hand them in. But the program is under fire from some gun owners, and not all parts of the country are co-operating.Also: In Greenland, Denmark, and Iqaluit - thousands of protesters came together with a unified message: "Hands off Greenland". U.S. President Donald Trump is escalating his efforts to annex the territory by threatening tariffs on European countries that try to stand in his way.And: It's almost considered a classic thing to see in British Columbia - drift logs scattered along beaches and waterways. What many people may not realize is those logs are destroying critical ecosystems that keep the ocean healthy.Plus: First Nation sues the U.S. government over oil and gas development, Cartagena replaces horse-drawn carriages, Music's effect on the brain, and more.

In this episode of Becoming a Bowhunter, Matty sits down with Dave Whiting, a highly respected traditional bowhunter with decades of experience hunting Australia's small game species. Today we're diving deep into bowhunting the small game species Australia has to offer, specifically, rabbits, hares, foxes and cats. Dave shares stories and lessons gathered over a lifetime with trad bows, covering everything from finding productive ground to learning how to move slowly, read sign, and wait for the right opportunity. This is a practical, experience-driven episode that highlights how small game hunting builds better bowhunters. After bowhunting for 55 years dave has had some incredible experiences in the bush and after we cover the small game species, Dave enlightens us with some of his fond memories and tales.

Adding a puppy to a home with cats, birds, or other animals? This episode dives into how to safely introduce, train, and manage puppies in multi-species households—without stress, chaos, or unrealistic expectations.Support the showFollow us on social mediaInstagram @BAXTERandBella Facebook @TheOnlinePuppySchool YouTube @BAXTERandBellaSubscribe to our site for FREE weekly training tips! Check out our FREE resources!Join our membership here.

In this episode of The North American Waterfowl Podcast, Elliott sits down with Harrison Collins of Hark Outdoors to talk North American waterfowl, chasing birds across the flyways, and the idea behind pursuing all 41 species. Harrison shares his path into waterfowl hunting, from not growing up hunting at all to traveling for ducks, hunting Arkansas public land, and building a product that celebrates the full spectrum of North American waterfowl. They dig into public land pressure, Arkansas timber hunts, migration struggles, dog work, and why the 41 species goal resonates with so many hunters. This conversation is about the culture of waterfowl hunting, the memories behind the birds, and finding meaningful ways to remember the hunts that matter. TideWe Waterproof and insulated hunting gear built for real hunters in real conditions Website https://bit.ly/4qHt5jB Discount code: NAW18 Mammoth Guardian Dog Crates Heavy duty dog crates built for safety and serious travel Website https://www.mammothpet.com Discount code GUARDIAN15 Shotty Gear Hunter owned gear built to handle the marsh, the boat, and the blind Website https://www.shottygear.com Discount code FDH10 Flight Day Ammunition Premium ammunition for waterfowl hunters Website https://www.flightdayammo.com Discount code FDH10 Weatherby Shotguns Reliable shotguns trusted by hunters across North America Website https://www.weatherby.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We've made it past the galactic barrier and no one's gotten tinfoil eyes so it looks like the mission is a go in "Rosetta"! But on the way, we spot some neat Dyson rings and a deserted planet, and decide the latter is the more intriguing place to visit. But it pans out when it seems poor atmospheric safety standards may hold the key to communicating with Species 10-C! Also this week: nerfing Zora, failing Adira, and reading science fiction! [Rosetta: 01:16; Sci-Fi Lit: 1:00:28] [Book's ship this way: https://sshbpodcast.tumblr.com/post/805753308327346176/top-five-sci-fi-novels ]

Writer's Voice: compelling conversations with authors who challenge, inspire, and inform. Today we explore what it really means to share the planet with other forms of life. We'll talk with writer Bridget Lyons about her acclaimed book, Entwined: Dispatches from the Intersection of Species, a collection of essays that invites us to see animals, plants, … Continue reading Entwined Lives: Bridget Lyons on the Intersection of Species, with Carl Safina on Alfie and Me →

Dr Scarlett Smash and Dr Craken chat about some of the new marine species that were discovered in 2025. Contact info@absolutelysmashingllc.com for more information about sponsoring MCHH episodes  Music credits By Jolly Shore Leave  "Al For Me Grog (Trad.)" HandsomeForrune-FE (Adapted Lyrics by Taran Christen : Musical Arrangement by K. Ryan Hart) Represented by Rebellious Entertainment Dr Scarlett Smash Instagram Dr Scarlett Smash TikTok  Dr Craken MacCraic Instagram MCHH Instagram MCHH Facebook Dr Scarlett Smash YouTube

Washington State salmon regulations are some of the most complex in the country—and making one small mistake can lead to hefty fines, confiscated gear, or worse. In this episode of Fishing for a Reason, Jamie walks listeners step-by-step through how to properly navigate Washington salmon rules so you can fish confidently and legally every trip.From understanding marine area boundaries and emergency closures to identifying legal salmon species and hatchery fish, this episode breaks down what most anglers get wrong—and exactly how to avoid it. Whether you're new to salmon fishing or have decades on the water, these rules change fast, and staying current is critical.What You'll Learn in This EpisodeHow Washington marine areas work and why fishing in the wrong one can cost youThe most common regulation mistakes salmon anglers makeHow to properly check WDFW emergency closures before every tripHow to read the salmon regulation pamphlet without getting overwhelmedSalmon species limits explained (Chinook, Coho, Pink, hatchery vs wild)How to legally identify hatchery salmon using the adipose finWhy barbless hooks are required in WashingtonThe smartest way to document regulations before leaving the dockResources & Links Mentioned in the EpisodeWashington Department of Fish & Wildlife (WDFW) Washington Sport Fishing RegulationsAnnual Fishing Pamphlet 2025 - 2026Fish Washington Mobile AppWDFW Emergency Fishing RulesWDFW Email Alerts & Mailing ListSalmon Identification Guide WDFW Fishing Hotline & Customer ServiceJOIN OUR INNER CIRCLE: Anglers Unlimited Gold MembershipAccess our BONUS Training:

Trap Talk Reptile Network Presents Ep.722Trap Talk's GTP Species Series Chapter 1: Breaking Down Morelia azurea azurea In Green Tree PythonsJOIN TRAP TALK FAM HERE: https://bit.ly/311x4gxFOLLOW & SUPPORT THE GUEST:  / wickenswickedreptiles  SUPPORT USARK: https://usark.org/MORPH MARKET STORE: https://www.morphmarket.com/stores/ex...SUBSCRIBE TO THE TRAP TALK NETWORK: https://bit.ly/39kZBkZSUBSCRIBE TO TRAP TALK CLIPS:   / @traptalkclips  SUBSCRIBE TO THE TRAP VLOGS:https://www.youtube.com/channel/UCKxL...SUPPORT USARK: https://usark.org/memberships/Follow On IG: The Trap Exotics https://bit.ly/3hthAZuTrap Talk Reptile Podcast https://bit.ly/2WLXL7w Listen On Apple:Trap Talk With MJ

WOW! We've reached the 400th episode of this podcast. I'd like to thank all of you for being here with me on this incredible journey. And now, let us begin.  Links: Email Me | Twitter | Fac ebook | Website | Linkedin Join the Time And Life Mastery Programme here. Use the coupon code: codisgreat to get 50% off. Download the Areas of Focus Workbook for free here Get Your Copy Of Your Time, Your Way: Time Well Managed, Life Well Lived The Working With… Weekly Newsletter Carl Pullein Learning Centre Carl's YouTube Channel Carl Pullein Coaching Programmes Subscribe to my Substack  The Working With… Podcast Previous episodes page   Script | 399 Hello, and welcome to episode 400 of the Your Time, Your Way Podcast. A podcast to answer all your questions about productivity, time management, self-development, and goal planning. My name is Carl Pullein, and I am your host of this show.  15 years ago, I remember being excited to find Ian Fleming's explanation of how to write a thriller. I saved the text of that article from the Internet directly into Evernote. As I look back, I think that is probably my favourite piece of text that I've saved in my notes over the years. This morning I did a little experiment. I asked Gemini what Ian Fleming‘s advice is for writing a thriller. Within seconds, Gemini gave me not only the original text but also a summary and bullet points of the main points.  Does this mean that many of the things we have traditionally saved in our digital notes today are no longer needed? I'm not so sure. It's this and many similar uses of our digital note-taking applications that may no longer be necessary And that nicely brings me on to this week's topic, and that means it's time for me to hand you over to the Mystery Podcast Voice for this week's question. This week's question comes from Ricardo. Ricardo asks, Could you discuss more about note-taking in your podcast, as I have difficulties regarding how to collect and store what's important? Hi Ricardo. Thank you for your question.  When digital note-taking apps began appearing on our mobile phones around 2009, they were a revelation.  Prior to this innovation, we carried around notebooks and collected our thoughts, meeting notes and plans in them.  Yet, given our human frailties, most of these notebooks were lost, and even if they were not, it was difficult to find the right notebook with the right notes.  Some people were good at storing these. Many journalists and scientists were excellent at keeping these records organised. As were many artists.  And we are very lucky that they did because many years later, those notebooks are still available to us. You can see Charles Darwin's and Isaac Newton's notebooks today. Many of which are kept at the Athenaeum Club in London, and others are in museums around the world.  It was important in the days before the Internet to keep these notebooks safe. They contained original thoughts, scientific processes and information that, as in Charles Darwin's and Isaac Newton's case, would later form part of a massive scientific breakthrough.  Darwin's journey on HMS Beagle was a defining moment in scientific history. It provided the raw data and observations that would eventually lead to his theory of evolution by natural selection.  That was published some twenty years after his journey in his book On the Origin of Species by Means of Natural Selection.  During Darwin's five-year journey around the world, he filled 15 field notebooks with observations and sketches—these were roughly the same size as the iconic Field Notes pocket notebooks you can buy today.  Additionally, he kept several Geological Specimen Notebooks. These were slightly larger than his field notes notebooks. He used these primarily to catalogue the fossils and rocks he collected Darwin also kept a large journal during his travels, which he used to record data and incidents.  These were all original thoughts and observations.  Today, all that information is freely available on the internet and, of course, in books.  What's more, with AI tools such as Gemini and ChatGPT, finding this information today is easy. I, like many people today, rarely use internet searches for information. I simply ask Gemini.  This means there's no point in saving this information in my digital notes. All my searches are saved within the Gemini app, as they are in ChatGPT and Claude.  But your original thoughts, ideas and project notes are unique. It's these you want to keep in your digital notes.  Much like Charles Darwin and Isaac Newton wrote down their thoughts and observations, your thoughts, observations and ideas should be collected and stored.  When Darwin travelled on the Beagle, he was 22 years old. When he published The Origin of Species, he was 45.  And perhaps, like Darwin, not all your ideas today will have an immediate practical purpose. But if you don't keep them, they never will. This is why it's important to keep them where you can find them later.  And that's where our digital tools today are so much better than the paper notebooks we kept. We can find anything, any time, from any digital device we have on hand.  I remember reading Leonardo Da Vinci's biography, and he often travelled to other parts of Italy. If he needed to reference a note he had made—and he made copious notes—and he did not have the right notebook with him on his travels, it would have taken him days to retrieve the information.  We don't have that problem today.  So, when it comes to collecting, be ruthless in what you keep.  I have a notebook in my notes app called “Suppliers”. This is where I store the names of the companies I regularly buy things from.  For example, I get my clothing from several preferred retailers. I buy my woollen jumpers (sweaters) from Cordings of Piccadilly. In the note I have for Cordings, are my sizes and the website address.  This makes it easy for me to find what I am looking for and order. I use Apple's Password app to store my login details, so once I have found what I want, I can order it very quickly.  Amazon makes this even easier with a “Buy It Again” section, so if I am running low on Yorkshire Tea, I go to Amazon, click Buy It Again, and within a few seconds, I see Yorkshire Tea and can order straight away.  Ten years ago, I kept all that information in my notes. Today, I don't bother as it's faster to go directly to Amazon.  Another use I have for my digital notes is to keep all my client meeting notes. Each week, I will have around fifteen to twenty calls with clients, and I keep notes for each call as I write feedback, which I send to the client after the call.  These are unique notes, and each one will be different, so using the Darwin/Newton principle—keeping thoughts, ideas and observations in your notes—they will be kept in my notes in a notebook called “clients”. What's great about this is I have over eight years' worth of client notes in Evernote, which feed ideas for future content as they're directly relatable to real experiences and difficulties.  Another useful note to have in your notes is something called an “Anchor Note”. This is a note where you keep critical information you may need at any particular time.  For example, I keep all the subscriber links to my various websites there, which can be quickly copied and pasted whenever needed.  I also have the Korean Immigration office website there, since it's not easy to find, and I only need it every 3 or 4 years.  Depending on how security-conscious you are, you can also keep your Social Security and driving license numbers there, too.  How you organise your notes depends on you and how your brain works. However, the more complex your organisational system, the slower you will be at finding what you need.  Now this is where computers come into their own. Whether you use Apple, Google or Microsoft, all these companies have built incredible search functionality into the core of their systems.  This means as long as you give your note a title that means something to you, you will be able to find it in five or ten years' time.  I remember once my wife asked me for a password to a Korean website I had not used in ten years or more. I couldn't remember it, and I didn't have the password stored in my old password manager, 1Password.  As a long shot, I typed the name of the website into Evernote—the note-taking app I've been using for almost fifteen years—and within a second, the website with my login details was on my screen.  If I'd tried to find that information by going through my notebooks and tags, I would never have found it. I let Evernote handle the hard work, and it did so superbly.  However, that said, there is something about having some basic structure to your notes. I use a structure I call GAPRA. GAPRA stands for Goals, Areas of Focus, Projects, Resources and Archive. It's loosely based on Tiago Forte's PARA method.  I find having separate places for my goals, areas of focus and projects makes it easier for me to navigate things when I am creating a note.  My goals section is for tracking data. For instance, if I were losing weight, I would record my weight each week there.  My areas of focus notebook is where I keep my definitions of my areas and what they mean to me, and it gives me a single place to review these every six months.  My project notebook is where I keep all my notes for my current projects.  The biggest notebook I have, though, is my resources notebook. This is a catch-all for everything else. My supplier's notebook is there, as is information about different cities I travel to or may travel to in the future. As I look at that notebook now, Paris is the note that has the most information. (Although Osaka in Japan is getting close to it)  I also have places to visit in Korea that I keep for when my mother visits—which she does every year—so I can build a different itinerary for her each year.  The archive is for old notes. I'm not by nature a hoarder, but I do find it reassuring that anything I have created is still there and still searchable.  And that's it, Ricardo.  You don't need to keep anything that is findable on the internet or in AI; that's duplication. But what I would highly recommend you keep are your original ideas, thoughts, and meeting notes (even if they are being summarised by AI. How AI interprets what's been said is not always what was meant)  And if, like me, you prefer to take handwritten notes, you can scan them into your digital notes app so you have a quick reference even if you don't have your paper notebook with you.  I hope that helps, and thank you for your question, Ricardo. And thank you to you, too, for listening.  It just remains for me now to wish you all a very, very productive week.   

An unassuming fossilized slab in the basement of a museum in Brazil turned out to be 110-million-year-old dinosaur vomit, and inside that vomit were the bones of two strange, seagull-sized pterosaurs.PLUS:Loss of fresh groundwater is now the leading driver of sea level riseHow doubting your self-doubt makes you doubt lessA huge black hole in a peculiar galaxy may date from the universe's earliest moments Shining a light on where viruses hide out in our bodies, and how they make us sick

Charles Darwin's On the Origin of Species opened the modern era of evolutionary thinking. The very name of his book suggests that as we look back in time, we should see fewer kinds of animals. Darwin led many people to think that there should be a greater variety of plants and animals today than in the distant past. And, those plants and animals should be more sophisticated today.But the fossil record tells just the opposite story. The most ancient rocks with identifiable fossils of multicelled creatures in them contain every major family alive today. These creatures just appear fully formed all at once. And both evolutionists and creationists admit that not all the creatures that existed in the day when these fossils were formed have been preserved in the fossil record.When you think of some of the pictures of strange creatures from the early days of earth history, it seems obvious that, contrary to Darwin's theory, there was a much greater variety of creatures alive in the past than exists today. And generally, they were bigger and stronger than creatures are today. Ferns grew over 100 feet high, and dragonflies had wingspans of six feet. There are fewer kinds of creatures today, and what we have are often smaller and weaker than what we find in the fossil record.These facts don't present a picture of evolutionary development and improvement at all. It is a picture of a perfect creation corrupted by sin and running down. This is the same flow of history revealed in Scripture. But thankfully, Scripture shows us how in Christ Jesus there is escape from all the effects of sin!Genesis 1:31"Then God saw everything that He had made, and indeed it was very good. So the evening and the morning were the sixth day."Prayer: Dear Father; the entire creation groans under the consequences of man's sin. Give me a clearer understanding of the fact that the gospel of forgiveness is a needed message for us in the everyday world, and help me to communicate that to others. In Jesus' Name. Amen.Image: Lepidodendron lycopodioides, Woudloper, PD, Wikimedia Commons. To support this ministry financially, visit: https://www.oneplace.com/donate/1232/29?v=20251111

Jeff Smith and Carson Odegard sit down with Dwight Jones, founder of Closaway Outfitters (Uruguay) and CEO of Okmulgee Fields Inc., to unpack a boutique, American-run operation built for wild birds, predictable shoots, and no-surprises pricing. From why shore blinds mean no waders, to how legal baiting and lead shape reliable duck hunts, to the perdiz over dogs that steal the show—this is a clean, honest look at South American wingshooting done right. Learn travel logistics (LATAM into Montevideo, 2h40 lodge transfer, hunt the day you arrive), what's truly wild vs. planted, and how Closaway keeps pressure low by resting ponds and limiting hunts. More at closaway.com/about-usEpisode highlightsWhy Uruguay, not just Argentina: high-quality mixed bag (ducks, dove/pigeon, wild perdiz) with shorter drives and afternoon duck hunts that “feel like a war at first light.”Predictable ducks, lower pressure: 30–50 ponds prepped each season, legal baiting, and ponds hunted only 2–3 times to keep birds finishing.All-inclusive, transparent pricing: airport transfers, daily gun rental, laundry, Wi-Fi, meals, and 125 shells/day included—no surprise add-ons at checkout.Guns, shells & safety: quality Beretta/Browning/Bennelli inventory, Magtech ammo, and shore setups that skip horses and chest-deep wades.Species & export notes: Rosybill, White-faced Whistling Duck, Speckled Teal—plus context on limited export rules for skins.Food & culture: Italian/Spanish-inspired meals, cook your harvest, and lodge life that feels like visiting a friend—not a hotel lobby.If you're curious about a wild, fair-chase South American hunt—without the shell-bill sticker shock—this one lays out the full playbook so you know exactly what you're getting into.

There's more to trout fishing than rainbows, browns, cutthroats, and brookies. There's all sorts of interesting trout out there, just waiting for you! But when you get the chance to fish for these lesser-known trout, you'll probably get hung up on one thing: what flies do you need? Are there top-secret patterns that only work for these fish, but locals won't tell you about unless you buy 'em the right 12-pack? This week on Untangled, you'll learn about some of the rare trout species on the planet, and the flies we use to catch them.  You'll also learn about:  Pros and cons of having multiple reels and spools with different line options on them Why your fly line sometimes gets stuck in your rod guides, and how to fix that with the nail knot Does hook gap size matter when fishing with streamers? Why you should let your streamers "die" when they initially get tagged by a trout What a short-strike is  LINKS FROM THE SHOW Get the FREE Year-Round Hatch Chart - CHECK IT OUT Join the VFC Online Community - CHECK IT OUT QUESTIONS FOR THE SHOW - SUBMIT HERE #LIVEREELLIFE MOMENT - SUBMIT HERE

In this remastered episode of the Stockman Grassfarmer Podcast, we revisit a foundational session from the Multi-Species Grazing School, led by renowned grazier Greg Judy. This episode is Part 1 of 3 from the first module of the complete Multi-Species Grazing course, and it sets the philosophical and practical groundwork for building resilient, profitable grazing systems through diversity. Greg shares his personal journey from financial struggle to becoming debt-free through custom grazing, leasing land strategically, and embracing practices others were unwilling to try. The conversation dives deep into why single-species systems break down, how plants and animals work together to heal soil, and how livestock can replace machinery for brush, weed, and parasite control. This episode challenges conventional thinking and reframes “problems” like weeds, brush, and invasive species as opportunities—when managed correctly.

From deep-sea trenches to your home garden, gastropods (snails and slugs) are among the most diverse and successful groups of animal life in Earth history. This episode, we'll explore what makes these animals distinctive, we'll touch on their extraordinary fossil record, and we'll investigate the many evolutionary experiments gastropods have undergone in their anatomy and lifestyle. In the news: squishable ants, false saber-tooths, bee burrows, and baby ankylosaurs Time markers: Intro & Announcements: 00:00:00 News: 00:06:30 Main discussion, Part 1: 00:43:55 Main discussion, Part 2: 01:40:10 Patron question: 02:10:25 Check out our website for this episode's blog post and more: http://commondescentpodcast.com/ Join us on Patreon to support the podcast and enjoy bonus content: https://www.patreon.com/commondescentpodcast Got a topic you want to hear about? Submit your episode request here: https://commondescentpodcast.com/request-a-topic/ Lots more ways to connect with us: https://linktr.ee/common_descent The Intro and Outro music is “On the Origin of Species” by Protodome. More music like this at http://ocremix.org Musical Interludes are "Professor Umlaut" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0

In this episode, the Water Colors team discusses their top 5 favorite fish that are not safe to keep with coral. The average reef aquarium in 2026 has a variety of mixed corals. Many of the most interesting fish in the aquarium trade are unsafe to keep with corals. This means there’s a whole world of fun and unique species that get overlooked, simply because they’re not compatible with the average reef tank. Many of the species mentioned in this episode will eat corals, but that doesn’t mean they don’t have a place in the hobby! What are your favorite non reef safe fish? Looking for more content? Become a YouTube member for exclusive access to behind the scenes livestreams! https://www.youtube.com/@watercolorsaquariumgallery Enjoying the show? Support the gallery by shopping aquarium plants, merch, equipment, and more! https://watercolorsaquariumgallery.com/ Join the discussion on the Water Colors Aquarium Gallery Podcast Listeners Facebook group! https://www.facebook.com/groups/788428861825086/ Join our growing community on Discord! https://go.watercolors.shop/discord Species mentioned in this episode: Scribbled boxfish, ostracion solarensis Yellow clown goby, gobiodon okinawae Red Sea cleaner wrasse, larabicus quadrilineatus Orange spotted rabbitfish, siganus guttatus Eibli angelfish, centropyge eibli Lemonpeel angelfish, centropyge flavissima Regal angelfish, pygoplites diacanthus Brownband butterflyfish, roa modesta Threadfin butterflyfish, chaetodon auriga Chocolate chip starfish, protoreaster nodosus Peppered butterflyfish, chaetodon guttatissimus Undulated triggerfish, balistapus undulatus Caribbean longnose butterflyfish, prognathodes aceleatus

Within an ecosystem there are many different species, and it can be difficult for conservationists to come up with specific strategies to protect every single one of them. That's why some have started focusing on umbrella species, because of the benefits that protecting them has for other co-occurring species. It's as if they're putting an umbrella over the entire surrounding ecosystem. They help conservationists select locations for reserves, establish the minimum size, and to generally better understand ecosystems i.e. their composition, structure and processes. What are some examples of umbrella species? Funny, a lot of those are also the most popular species in humans' eyes, aren't they? What about umbrella species in Europe?  In under 3 minutes, we answer your questions ! Date of first release : 11th June 2022 To listen to the last episodes, you can click here : ⁠⁠How can I spot a liar?⁠⁠ ⁠⁠What is the Cannes Film Festival ?⁠⁠ ⁠⁠What is the great unretirement?⁠⁠ A podcast written and realised by Joseph Chance. First Broadcast: 11/6/2022 Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Worth Your Time, Dr. Rob Shumaker speaks with Mwezi “Badru” Mugerwa, the 2025 Indianapolis Prize Emerging Conservationist Award winner. Mugerwa shares his journey from growing up in Kampala, Uganda, to dedicating 15 years to studying and protecting the elusive African golden cat. The conversation explores his path into conservation, life and fieldwork in Bwindi Impenetrable National Park, and the patience and perseverance required to protect one of Africa's least understood animals.

Happy New Year! Please enjoy our annual question-answering marathon, now longer than ever! Thank you so much to everyone who listens, shares, and supports the podcast.  Check out our website blog posts and more: http://commondescentpodcast.com/ Join us on Patreon to support the podcast and enjoy bonus content: https://www.patreon.com/commondescentpodcast Got a topic you want to hear about? Submit your episode request here: https://commondescentpodcast.com/request-a-topic/ Lots more ways to connect with us: https://linktr.ee/common_descent The Intro and Outro music is “On the Origin of Species” by Protodome. More music like this at http://ocremix.org

On Music, Trust and Connection with the Animal World“Mostly I'll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.”Musician Plumes takes his guitar to the world's most unlikely concert halls—farms, sanctuaries, and wild habitats. A passionate advocate for veganism and animal welfare, we discuss what animals hear, how trust forms, and what music can reveal when it enters a world not made for humans alone.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

On Music, Trust and Connection with the Animal World“Mostly I'll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.”Musician Plumes takes his guitar to the world's most unlikely concert halls—farms, sanctuaries, and wild habitats. A passionate advocate for veganism and animal welfare, we discuss what animals hear, how trust forms, and what music can reveal when it enters a world not made for humans alone.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

On Music, Trust and Connection with the Animal World“Mostly I'll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.”Musician Plumes takes his guitar to the world's most unlikely concert halls—farms, sanctuaries, and wild habitats. A passionate advocate for veganism and animal welfare, we discuss what animals hear, how trust forms, and what music can reveal when it enters a world not made for humans alone.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

On Music, Trust and Connection with the Animal World“Mostly I'll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.”Musician Plumes takes his guitar to the world's most unlikely concert halls—farms, sanctuaries, and wild habitats. A passionate advocate for veganism and animal welfare, we discuss what animals hear, how trust forms, and what music can reveal when it enters a world not made for humans alone.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

On Music, Trust and Connection with the Animal World“Mostly I'll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.”Musician Plumes takes his guitar to the world's most unlikely concert halls—farms, sanctuaries, and wild habitats. A passionate advocate for veganism and animal welfare, we discuss what animals hear, how trust forms, and what music can reveal when it enters a world not made for humans alone.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

On Music, Trust and Connection with the Animal World“Mostly I'll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.”Musician Plumes takes his guitar to the world's most unlikely concert halls—farms, sanctuaries, and wild habitats. A passionate advocate for veganism and animal welfare, we discuss what animals hear, how trust forms, and what music can reveal when it enters a world not made for humans alone.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

On Music, Trust and Connection with the Animal World“Mostly I'll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.”Musician Plumes takes his guitar to the world's most unlikely concert halls—farms, sanctuaries, and wild habitats. A passionate advocate for veganism and animal welfare, we discuss what animals hear, how trust forms, and what music can reveal when it enters a world not made for humans alone.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

On Today's Show: Dennis refers to a scene in the new film, Slumdog Millionaire, in which a character blinds a young boy to make him a more effective beggar. Is someone who does something so evil, so alien to the rest of us really human?See omnystudio.com/listener for privacy information.

Joining the Exchange to help us learn more is Dr. Sristi Kamal, Deputy Director of the Western Environmental Law Center.

So many books are published each year; few stand the test of time. Today we devote our whole show to asking which works have shaped the way we behave and how we think. Picks include “Frankenstein” by Mary Shelley, “Pride and Prejudice” by Jane Austen, “A Suitable Boy” by Vikram Seth and “Lord of the Rings” by JRR Tolkien.Full list of books mentioned in the show:The BibleThe Koran“Pride and Prejudice” by Jane Austen “The Hunger Games” by Suzanne Collins“On the Origin of Species” by Charles Darwin“Il Saggiatore” by Galileo Galilei“Two New Sciences” by Galileo Galilei“Capital in the Twenty-First Century” by Thomas Piketty“Amusing Ourselves to Death” by Neil PostmanThe novels of Philip PullmanThe Harry Potter series by J.K. Rowling“The Satanic Verses” by Salman Rushdie“Frankenstein” by Mary Shelley“A Suitable Boy” by Vikram Seth “Lord of the Rings” by J.R.R. Tolkien “A Room of One's Own” by Virginia Woolf Hosted on Acast. See acast.com/privacy for more information.

So many books are published each year; few stand the test of time. Today we devote our whole show to asking which works have shaped the way we behave and how we think. Picks include “Frankenstein” by Mary Shelley, “Pride and Prejudice” by Jane Austen, “A Suitable Boy” by Vikram Seth and “Lord of the Rings” by JRR Tolkien.Full list of books mentioned in the show:The BibleThe Koran“Pride and Prejudice” by Jane Austen “The Hunger Games” by Suzanne Collins“On the Origin of Species” by Charles Darwin“Il Saggiatore” by Galileo Galilei“Two New Sciences” by Galileo Galilei“Capital in the Twenty-First Century” by Thomas Piketty“Amusing Ourselves to Death” by Neil PostmanThe novels of Philip PullmanThe Harry Potter series by J.K. Rowling“The Satanic Verses” by Salman Rushdie“Frankenstein” by Mary Shelley“A Suitable Boy” by Vikram Seth “Lord of the Rings” by J.R.R. Tolkien “A Room of One's Own” by Virginia Woolf Hosted on Acast. See acast.com/privacy for more information.

For The Other Side NDE Videos Visit ️ youtube.com/@TheOtherSideNDEYT Purchase our book on Amazon The Other Side: Stories From the Afterlife https://a.co/d/23Bbbsa  El's condition deteriorates quickly, with doctors warning her family that the chances of survival are nearly gone. Yet as her body fails, her awareness feels active—moving through unfamiliar spaces with the help of three distinct guides. She's shown how different outcomes branch from the same moment, and why certain bonds anchor someone to life. She returns with a deeper understanding of love, consciousness, and what truly matters beyond the physical world. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Scientists say they have discovered 20 new species deep in the Pacific Ocean Contact the Show: coolstuffdailypodcast@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Sleep Essentials, we step beyond the human bedroom and into the animal kingdom to explore how different species rest, dream, and survive. From insects that pause in rhythmic waves to birds that nap mid-flight, dolphins that sleep with half their brain awake, and octopuses that dream in color, sleep reveals itself as a biological negotiation between vulnerability and protection. We also explore animal dreaming — how rats replay mazes, birds rehearse songs, dogs relive scent and memory, and what these nocturnal rehearsals suggest about learning, memory, and evolution itself. The episode closes with a simple invitation: to observe how animals rest, and to reflect on what modern life may have taught us to override — our own instincts for stillness, safety, and surrender.

Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/87_Dover_Beach_by_Matthew_Arnold.mp3 Poet Matthew Arnold Reading and commentary by Mark McGuinness Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Podcast Transcript This is a magnificent and haunting poem by Matthew Arnold, an eminent Victorian poet. Written and published at the mid-point of the nineteenth century – it was probably written around 1851 and published in 1867 – it is not only a shining example of Victorian poetry at its best, but it also, and not coincidentally, embodies some of the central preoccupations of the Victorian age. The basic scenario is very simple: a man is looking out at the sea at night and thinking deep thoughts. It's something that we've all done, isn't it? The two tend to go hand-in-hand. When you're looking out into the darkness, listening to the sound of the sea, it's hard not to be thinking deep thoughts. If you've been a long time listener to this podcast, it may remind you of another poet who wrote about standing on the shore thinking deep thoughts, looking at the sea, Shakespeare, in his Sonnet 60: Like as the waves make towards the pebbled shore,So do our minutes hasten to their end; Arnold's poem is not a sonnet but a poem in four verse paragraphs. They're not stanzas, because they're not regular, but if you look at the text on the website, you can clearly see it's divided into four sections. The first part is a description of the sea, as seen from Dover Beach, which is on the shore of the narrowest part of the English channel, making it the closest part of England to France: The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; – on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay. And as you can hear, the poem has a pretty regular and conventional rhythm, based on iambic metre, ti TUM, with the second syllable taking the stress in every metrical unit. But what's slightly unusual is that the lines have varying lengths. By the time we get to the third line: Upon the straits; – on the French coast the light There are five beats. There's a bit of variation in the middle of the line, but it's very recognisable as classic iambic pentameter, which has a baseline pattern going ti TUM, ti TUM, ti TUM, ti TUM, ti TUM. But before we get to the pentameter, we get two short lines: The sea is calm tonight.Only three beats; andThe tide is full, the moon lies fair – four beats. We also start to notice the rhymes: ‘tonight' and ‘light'. And we have an absolutely delightful enjambment, where a phrase spills over the end of one line into the next one: On the French coast the light,Gleams and is gone. Isn't that just fantastic? The light flashes out like a little surprise at the start of the line, just as it's a little surprise for the speaker looking out to sea. OK, once he's set the scene, he makes an invitation: Come to the window, sweet is the night-air! So if there's a window, he must be in a room. There's somebody in the room with him, and given that it's night it could well be a bedroom. So this person could be a lover. It's quite likely that this poem was written on Arnold's honeymoon, which would obviously fit this scenario. But anyway, he's inviting this person to come to the window and listen. And what does this person hear? Well, helpfully, the speaker tells us: Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Isn't that just great? The iambic metre is continuing with some more variations, which we needn't go into. And the rhyme is coming more and more to the fore. Just about every line in this section rhymes with another line, but it doesn't have a regular pattern. Some of the rhymes are close together, some are further apart. There's only one line in this paragraph that doesn't rhyme, and that's ‘Listen! You hear the grating roar'. If this kind of shifting rhyme pattern reminds you of something you've heard before, you may be thinking all the way back to Episode 34 where we looked at Coleridge's use of floating rhymes in his magical poem ‘Kubla Khan'. And it's pretty evident that Arnold is also casting a spell, in this case to mimic the rhythm of the waves coming in and going out, as they ‘Begin, and cease, and then again begin,'. And then the wonderful last line of the paragraph, as the waves ‘bring / The eternal note of sadness in'. You know, in the heart of the Victorian Age, when the Romantics were still within living memory, poets were still allowed to do that kind of thing. Try it nowadays of course, and the Poetry Police will be round to kick your front door in at 5am and arrest you. Anyway. The next paragraph is a bit of a jump cut: Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; So Arnold, a classical scholar, is letting us know he knows who Sophocles, the ancient Greek playwright was. And he's establishing a continuity across time of people looking out at the sea and thinking these deep thoughts. At this point, Arnold explicitly links the sea and the thinking:                                     weFind also in the sound a thought,Hearing it by this distant northern sea. And the thought that we hear when we listen to the waves is what Arnold announces in the next verse paragraph, and he announces it with capital letters: The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled. And for a modern reader, I think this is the point of greatest peril for Arnold, where he's most at risk of losing us. We may be okay with ‘the eternal note of sadness', but as soon as he starts giving us the Sea of Faith, we start to brace ourselves. Is this going to turn into a horrible religious allegory, like The Pilgrim's Progress? I mean, it's a short step from the Sea of Faith to the Slough of Despond and the City of Destruction. And it doesn't help that Arnold uses the awkwardly rhyming phrase ‘a bright girdle furled' – that's not going to get past the Poetry Police, is it? But fear not; Arnold doesn't go there. What comes next is, I think, the best bit of the poem. So he says the Sea of Faith ‘was once, too, at the full', and then: But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Well, if you thought the eternal note of sadness was great, this tops it! It's absolutely fantastic. That line, ‘Its melancholy, long, withdrawing roar,' where the ‘it' is faith, the Sea of Faith. And the significance of the line is underlined by the fact that the word ‘roar' is a repetition – remember, that one line in the first section that didn't rhyme? Listen! you hear the grating roar See what Arnold did there? He left that sound hovering at the back of the mind, without a rhyme, until it came back in this section, a subtle but unmistakeable link between the ‘grating roar' of the actual sea at Dover Beach, and the ‘withdrawing roar' of the Sea of Faith: Its melancholy, long, withdrawing roar, Isn't that the most Victorian line ever? It encapsulates the despair that accompanied the crisis of faith in 19th century England. This crisis was triggered by the advance of modern science – including the discoveries of fossils, evidence of mass extinction of previous species, and the theory of evolution, with Darwin's Origin of Species published in 1859, in between the writing and publication of ‘Dover Beach'. Richard Holmes, in his wonderful new biography of the young Tennyson, compares this growing awareness of the nature of life on Earth to the modern anxiety over climate change. For the Victorians, he writes, it created a ‘deep and existential terror'. One thing that makes this passage so effective is that Arnold has already cast the spell in the first verse paragraph, hypnotising us with the rhythm and rhyme, and linking it to the movement of the waves. In the second paragraph, he says, ‘we find also in the sound a thought'. And then in the third paragraph, he tells us the thought. And the thought that he attaches to this movement, which we are by now emotionally invested in, is a thought of such horror and profundity – certainly for his Victorian readers – that the retreat of the sea of faith really does feel devastating. It leaves us gazing down at the naked shingles of the world. The speaker is now imaginatively out of the bedroom and down on the beach. This is very relatable; we've all stood on the beach and watched the waves withdrawing beneath our feet and the shingle being left there. It's an incredibly vivid evocation of a pretty abstract concept. Then, in the fourth and final verse paragraph, comes a bit of a surprise: Ah, love, let us be trueTo one another! Well, I for one was not expecting that! From existential despair to an appeal to his beloved. What a delightful, romantic (with a small ‘r') response to the big-picture, existential catastrophe. And for me, it's another little echo of Shakespeare's Sonnet 60, which opens with a poet contemplating the sea and the passing of time and feeling the temptation to despair, yet also ends with an appeal to the consolation of love: And yet to times in hope my verse shall stand,blockquotePraising thy worth, despite his cruel hand. Turning back to Arnold. He says ‘let us be true / To one another'. And then he links their situation to the existential catastrophe, and says this is precisely why they should be true to each other: for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain; It sounds, on the face of it, a pretty unlikely justification for being true to one another in a romantic sense. But actually, this is a very modern stance towards romantic love. It's like the gleam of light that just flashed across the Channel from France – the idea of you and me against an unfeeling world, of love as redemption, or at least consolation, in a meaningless universe. In a world with ‘neither joy, nor love, nor light,' our love becomes all the more poignant and important. Of course, we could easily object that, regardless of religious faith, the world does have joy and love and light. His very declaration of love is evidence of this. But let's face it, we don't always come to poets for logical consistency, do we? And we don't have to agree with Matthew Arnold to find this passage moving; most of us have felt like this at some time when we've looked at the world in what feels like the cold light of reality. He evokes it so vividly and dramatically that I, for one, am quite prepared to go with him on this. Then we get the final three lines of the poem:We are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. I don't know about you, but I find this a little jarring in the light of what we've just heard. We've had the magnificent description of the sea and its effect on human thought, extending that into the idea of faith receding into illusion, and settling on human love as some kind of consolation for the loss of faith. So why do we need to be transported to a windswept plain where armies are clashing and struggling? It turns out to be another classical reference, to the Greek historian Thucydides' account of the night battle of Epipolae, where the two armies were running around in the dark and some of them ended up fighting their own side in the confusion. I mean, fine, he's a classical scholar. And obviously, it's deeply meaningful to him. But to me, this feels a little bit bolted on. A lot of people love that ending, but to me, it's is not as good as some of the earlier bits, or at least it doesn't quite feel all of a piece with the imagery of the sea. But overall, it is a magnificent poem, and this is a small quibble. Stepping back, I want to have another look at the poem's form, specifically the meter, and even more specifically, the irregularity of the meter, which is quite unusual and actually quite innovative for its time. As I've said, it's in iambic meter, but it's not strictly iambic pentameter. You may recall I did a mini series on the podcast a while ago looking at the evolution of blank verse, unrhymed iambic pentameter, from Christopher Marlowe and Shakespeare's dramatic verse, then Milton's Paradise Lost and finally Wordsworth's Tintern Abbey. ‘Dover Beach' is rhymed, so it's not blank verse, but most of the techniques Arnold uses here are familiar from those other poets, with variations on the basic rhythm, sometimes switching the beats around, and using enjambment and caesura (a break or pause in the middle of the line). But, and – this is quite a big but – not every line has five beats. The lines get longer and shorter in an irregular pattern, apparently according to Arnold's instinct. And this is pretty unusual, certainly for 1851. It's not unique, we could point to bits of Tennyson or Arthur Hugh Clough for metrical experiments in a similar vein, but it's certainly not common practice. And I looked into this, to see what the critics have said about it. And it turns out the scholars are divided. In one camp, the critics say that what Arnold is doing is firmly in the iambic pentameter tradition – it's just one more variation on the pattern. But in the other camp are people who say, ‘No, this is something new; this is freer verse,' and it is anticipating free verse, the non-metrical poetry with no set line lengths that came to be the dominant verse form of the 20th century. Personally, I think you can look back to Wordsworth and see a continuity with his poetic practice. But you could equally look forward, to a link with T. S. Eliot's innovations in ‘The Love Song of J. Alfred Prufrock' and The Waste Land. Eliot is often described as an innovator in free verse, which is true up to a point, but a lot of his writing in that early period isn't strictly free verse; it's a kind of broken up metrical verse, where he often uses an iambic metre with long and short lines, which he varies with great intuitive skill – in a similar manner to Arnold's ‘Dover Beach'. Interestingly, when ‘Dover Beach' was first published, the reviews didn't really talk about the metre, which is ammunition for the people who say, ‘Well, this is just a kind of iambic pentameter'. Personally, I think what we have here is something like the well-known Duck-Rabbit illusion, where you can look at the same drawing and either see a duck or a rabbit, depending how you look at it. So from one angle, ‘Dover Beach' is clearly continuing the iambic pentameter tradition; from another angle, it anticipates the innovations of free verse. We can draw a line from the regular iambic pentameter of Wordsworth (writing at the turn of the 18th and 19th century) to the fractured iambic verse of Eliot at the start of the 20th century. ‘Dover Beach' is pretty well halfway between them, historically and poetically. And I don't think this is just a dry technical development. There is something going on here in terms of the poet's sense of order and disorder, faith and doubt. Wordsworth, in the regular unfolding of his blank verse, conveys his basic trust in an ordered and meaningful universe. Matthew Arnold is writing very explicitly about the breakup of faith, and we can start to see it in the breakup of the ordered iambic pentameter. By the time we get to the existential despair of Eliot's Waste Land, the meter is really falling apart, like the Waste Land Eliot describes. So overall, I think we can appreciate what a finely balanced poem Arnold has written. It's hard to categorise. You read it the first time and think, ‘Oh, right, another conventional Victorian melancholy lament'. But just when we think he's about to go overboard with the Sea of Faith, he surprises us and with that magnificent central passage. And just as he's about to give in to despair, we get that glimmering spark of love lighting up, and we think, ‘Well, maybe this is a romantic poem after all'. And maybe Arnold might look at me over his spectacles and patiently explain that actually, this is why that final metaphor of the clashing armies is exactly right. Friend and foe are running in first one direction, then another, inadvertently killing the people on the wrong side. So the simile gives us that sense of being caught in the cross-currents of a larger sweep of history. With all of that hovering in our mind, let's go over to the window once more and heed his call to listen to the sound of the Victorian sea at Dover Beach. Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Matthew Arnold Matthew Arnold was a British poet, critic, and public intellectual who was born in 1822 and died in 1888. His father was Thomas Arnold, the famed headmaster of Rugby School. Arnold studied Classics at Oxford and first became known for lyrical, melancholic poems such as ‘Dover Beach', ‘The Scholar-Gipsy', and ‘Thyrsis', that explore the loss of faith in the modern world. Appointed an inspector of schools, he travelled widely and developed strong views on culture, education, and society. His critical essays, especially Culture and Anarchy, shaped debates about the role of culture in public life. Arnold remains a central figure bridging Romanticism and early modern thought. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Episode 85 From The Rime of the Ancient Mariner by Samuel Taylor Coleridge Mark McGuinness reads and discusses a passage from ‘The Rime of the Ancient Mariner' by Samuel Taylor Coleridge.Poet Samuel Taylor ColeridgeReading and commentary by Mark McGuinnessFrom...

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Of all the highly successful and capable flying insects in the world, few are as successful or capable as those in the order Diptera. This episode, we're joined by special guest Brandon Strauss to discuss the distinctive anatomy and varied habits of flies, mosquitoes, and their many two-winged relatives. Then, we'll peer into the past for a glimpse at the fossil record and dynamic evolutionary history of the group. In the news: long-nosed crocs, river mosasaurs, stampeding sea turtles, and giant snakes Find Brandon at punk_entomology on Instagram, Bluesky, and Twitch! Time markers: Intro & Announcements: 00:00:00 News: 00:05:35 Main discussion, Part 1: 00:38:30 Main discussion, Part 2: 01:38:35 Patron question: 02:25:55 Check out our website for this episode's blog post and more: http://commondescentpodcast.com/ Join us on Patreon to support the podcast and enjoy bonus content: https://www.patreon.com/commondescentpodcast Got a topic you want to hear about? Submit your episode request here: https://commondescentpodcast.com/request-a-topic/ Lots more ways to connect with us: https://linktr.ee/common_descent The Intro and Outro music is “On the Origin of Species” by Protodome. More music like this at http://ocremix.org Musical Interludes are "Professor Umlaut" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0

Steve, Todd, and Aaron spend much of the show responding to some burning listener feedback for a special Feedback Friday. The team responds to one note asking what happens to our civilization if one side refuses to participate in reproduction. Then, the team discusses a note from a listener who had some concerns with Steve's recent interview with Rep. Tim Burchett (R-Tenn.). In the final segment, Billboard Chris sits down with Steve to discuss his efforts to end gender madness. TODAY'S SPONSORS: PREBORN: https://give.preborn.com/preborn/media-partner?sc=IABSD0123RA PATRIOT MOBILE: https://patriotmobile.com/STEVE or call 972-PATRIOT for your FREE MONTH of service SELECT QUOTE: https://life.selectquote.com/termlife?sCode=HATQ BEAM: https://shopbeam.com/products/sleep-powder?discount=steve&variant=40436356710455&selling_plan=787415095&utm_source=podcast&utm_medium=sponsorship&utm_campaign=steve and use code STEVE at checkout CHIRP: https://gochirp.com/pages/steve-deace use promo code STEVE BIRCH GOLD: Text STEVE to 989898 Learn more about your ad choices. Visit megaphone.fm/adchoices

Rain joins me to dive deep into one of the most unique reptile projects you'll ever hear about — keeping snail-eating snakes and the unexpected adventure that came with it. We discuss everything from how to care for snail-eating snakes, their specialized diet, and how to breed and collect snails as feeders… all the way to the hilarious twist that turned Rain into one of eBay's top snail sellers. SHOW NOTES: https://www.animalsathomenetwork.com/241-snail-eaters/SPONSORS: Visit Fauna-Lux Here: https://fauna-lux.com/Visit The BioDude: https://www.thebiodude.com/ JOIN US ON PATREON: https://www.patreon.com/animalsathomePhotos and Video in Episode:Provided by Rain0:00 Intro1:48 Welcome Rain, Discovering Snail-Eaters14:35 Starting with the Snails16:45 TrueChroma by Fauna Lux18:20 Finding Wild Snails23:20 Buying & Selling Snails on eBay31:28 Parasites on Snails & Snail Worms33:25 Selling & Collecting Millipedes 36:08 How Many Snails each Snail-eater needs43:25 BioDude44:26 Raising Snails vs Raising Crickets47:34 The Benefits of Keeping & Breeding Snails55:53 The Species of Snail-Eaters Rain Keeps & Their Characteristics 1:14:54 How they eat1:28:56 A look at Rain's Snail-Eaters1:46:37 What size snail to feed?1:48:56 Feeder variety?1:51:50 Structure for Captive Keeping1:56:28 Setting up the Snail Tubs & Feeding2:02:38 Semi-Slugs2:06:28 Closing Thoughts

New methods in antivenom technology may yield a treatment that works on most of the cobras in Africa, thanks to the blood of alpacas and some very clever scientists. Then we follow up with two new species of sleepyhead snake from Venezuala. Become a Patreon: https://www.patreon.com/herphighlights Merch: https://www.redbubble.com/people/herphighlights/shop Full reference list available here: http://www.herphighlights.podbean.com Main Paper References: Ahmadi S, Burlet NJ, Benard-Valle M, Guadarrama-Martínez A, Kerwin S, Cardoso IA, Marriott AE, Edge RJ, Crittenden E, Neri-Castro E, Fernandez-Quintero ML, Nguyen GTT, O'Brien C, Wouters Y, Kalogeropoulos K, Thumtecho S, Ebersole TW, Dahl CH, Glegg-Sørensen EU, Jansen T, Boddum K, Manousaki E, Rivera-de-Torre E, Ward AB, Morth JP, Alagón A, Mackessy SP, Ainsworth S, Menzies SK, Casewell NR, Jenkins TP, Ljungars A, Laustsen AH. 2025. Nanobody-based recombinant antivenom for cobra, mamba and rinkhals bites. Nature. DOI: 10.1038/s41586-025-09661-0. Species of the Bi-Week: Esqueda LF, Rojas-Runjaic FJM, Prudente A, Bazó S, Navarrete LF, Carmargo-Sillet E, Ortiz JC, Correa C, Guerrero P, Urra F. 2025. A first phylogenetic and taxonomic approach to sleepyhead snakes from Venezuela (Dipsadidae: Atractus), with the description of two new Andean species. Organisms Diversity & Evolution. DOI: 10.1007/s13127-025-00682-1. Other Links/Mentions: https://www.redbubble.com/people/herphighlights/shop  Editing and Music: Intro/outro – Treehouse by Ed Nelson Species Bi-week theme – Michael Timothy Other Music – The Passion HiFi, https://www.thepassionhifi.com

November 24, 1859. Charles Darwin sparks a scientific revolution by introducing the theory of evolution in his book On the Origin of Species.You can listen ad-free in the Wondery or Amazon Music app. Or for all that and more, go to IntoHistory.comHistory Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.