POPULARITY
Welcome to the What's Next! Podcast with Tiffani Bova. I have the wonderful pleasure of welcoming Mike Maples Jr. to the show this week. He is a co-founding partner at Floodgate. He has been on the Forbes Midas List eight times in the last decade and was also named a “Rising Star” by FORTUNE and profiled by Harvard Business School for his lifetime contributions to entrepreneurship. Before becoming a full-time investor, Mike was involved as a founder and operating executive at back-to-back startup IPOs, including Tivoli Systems, which was acquired by IBM, where his dad used to work, and Motive acquired by Alcatel-Lucent. Some of Mike's investments include Twitter, Clover Health, Okta, Outreach, Chegg, Demandforce, and Applied Intuition. And he has a new book out called Pattern Breakers with his co-author, Peter Zimmerman. THIS EPISODE IS PERFECT FOR…anyone curious to learn about the ingredients to start-up success. TODAY'S MAIN MESSAGE…why is it that 80% of start-ups fail? What factors sets the 20% apart? As a seasoned venture capitalist, Mike says it comes down to breaking patterns. In this episode, he shares how to break away from linear strategies and dare to think boldly and take a risk. KEY TAKEAWAYS... Great startups force choices, not comparisons. Early believers are essential for co-creating groundbreaking futures. Intrapreneurs succeed by innovating discreetly before scaling their ideas. Striking out on bold experiments is crucial - safe bets won't lead to grand slams. WHAT I LOVE MOST…Mike says that the best ideas often begin as unsettling or even disliked by many. It's a testament to the power of sticking to bold, authentic visions despite early skepticism. Running Time: 30:05 Subscribe on iTunes Find Tiffani Online: LinkedIn Facebook X Find Mike Online: Substack X Mike's Book: Pattern Breakers: Why Some Start-Ups Change the Future
durée : 00:14:58 - The Complete Warner Recordings - Frank Peter Zimmerman - Pour la rentrée discographique, le label Warner Classics a fait paraitre un coffret reprenant l'intégralité des enregistrements du violoniste Frank Peter Zimmerman. Le coffret réunit les oeuvres d'une vingtaine de compositeurs allant de Mozart à Ravel en passant par Satie.
durée : 01:29:57 - En pistes ! du vendredi 14 octobre 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Terminons la semaine avec le coffret Warner reprenant l'intégralité des enregistrements de Frank Peter Zimmerman mais aussi avec le disque "Grands Motets pour Louis XV" de l'ensemble Les Ombres.
Garrett Morelock and Dave Scharrer of Monroe Engineering join Tom D'Ovidio and Peter Zimmerman from ShoreView to reflect on the significant growth achieved by Monroe Engineering during a partnership with ShoreView.The conversation touches on a number of topics, including Monroe's approach to add-on acquisitions, its use of digital marketing to drive revenue in traditional industrial sectors, rapidly scaling a business while maintaining a cohesive culture, and advice for anyone thinking about using add-on acquisitions to drive growth.Finally, Garrett and Dave discuss their experience and perspective from now multiple rounds of choosing a financial partner to support their growth strategy.
The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies
The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture
durée : 01:57:42 - En pistes ! du jeudi 05 mai 2022 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le violoniste Frank Peter Zimmerman nous revient avec un nouvel album consacré aux sonates et partitas de Jean-Sébastien Bach parus chez BIS Recods, en février dernier. Nous écoutons également le nouvel album du Chiaroscuro Quartet. En Pistes!
Jordan Noir and Peter Zimmerman from Record Club join Dennis G and Neon Fawkes for a lively conversation about music, art, vinyl, and the proper way to cut a vinyl album. The cast celebrates the biggest event of the year. Thanks for listening and see you again in the future!
John Oursler and Peter Zimmerman join Efrain to wrap up their ticket buying experience for Europe 2022!
John Oursler and Peter Zimmerman join Efrain to recap the night of a thousand tickets.
A 3 hour special as it is 2020 mother lickers! The gracious dude that is Peter Zimmerman provides the perfect blend of synth induced Italo and 80s inspired nudisco, proving that Space Jams is better then porn.. Or maybe it is porn.... Artist of the week: @peterzimmermann Label of the week: @masterworksmusic EP of the week :soundcloud.com/masterworksmusic/sets/chevals-the-masters-series-05-available-now-at-all-good-record-stores D J J D S E T L I S T [00:35] COEO: She Keeps It Good [04:15] Lup Ino: Come On Yo [07:00] Chevals: (B1) The Way U Move [10:33] Folamour: Cult of Operator [17:00] Genius of Time: Houston We Have a Problem [20:37] Gerry Read: It'll All Be Over (DJ Koze Remix) [24:50] Bobby D'Ambrosio: Moment of My Life (Joey Negro's Closer to the source mix) [28:50] Happy Clappers: I Believe [31:45] Shakedown: At Night {Kid Creme Remix) [34:42] Roberto Surace: Joys (Purple Disco Machine Extended Edit) [38:20] The Black Madonna: A1 Exodus [43:10] Brame & Hamo: Roy Keane [46:20] Shit Hot Sound System: Shit Goes To Minneapolis [50:15] Joey Negro: Latican Boogie (Crackazat Remix) [55:30] Chasing Kurt: One Thing (Fingerman's Boogie Beatdown) P E T E R Z I M M E R M A N N S E T L I S T [59:45] X-Ray Connection: Get Ready [1:03:30] Brian Ice & Duke Lake & Cyber People & Baby's Gang & Koto & J.D. Jaber & Alan Ross & Ken Laszlo: Megamix (Disco Version [1:08:15] NOA NOA: Harry'o [1:11:10] id [1:14:00] Viven Vee: Higher [1:17:30] Katty Gray: Hold Me Tight [1:21:50] Richard Romeo: Non Chalance [1:25:40] The White Shadow: The One [1:28:35] Tammie Lee: Sky High [1:30:30] Colors: Never Mind (12" Version) [1:33:50] The New Company: Tomorrow [1:38:45] Newcleus: Teknology [1:41:50] id [1:43:05] Trilogy: Not Love (Orginal Extended Version) [1:46:30] id [1:50:05] Gledd & The Funk District: Late At Midnight [1:51:50] id [1:52:50] Id [1:56:50] Casco: Cybernetic Love (Vocal Mix) [2:00:57] Disco Dreams & The Androids: Dream Machine [2:04:40] Orlando Riva Sound: Dream Machine [2:06:40] Laser: Laser [2:07:35] Andy Romano: Run To Love [2:10:10] The Flirts: Danger (Remix) [2:14:45] Supercharge: I Think I'm Gonna Fall (In Love) [2:17:30] Moses: We Just [2:20:00] Jay Shepherd & Pete Herbert: Mirage
Guest Co-host: Peter Zimmerman
By now we've all heard the "grim" tale of CNN Legal Analyst Jeffrey Toobin. The arch-Trump critic and quasi-celebrity exposed himself to colleagues during a Zoom meeting while masturbating. As the Internet laughed at Toobin's misfortune, Peter Zimmerman, a Professor of History of Education at Penn GSE, got to work on an op-ed for the New York Daily News defending Toobin against the anti-masturbation taboos of post-Enlightenment Western Civilization. Prof. Zimmerman joins us today (0:20:00). Trump lawyer Rudy Giuliani is left explaining an awkward situation about Sacha Baron Cohen's new Borat flick caught released some... odd footage. Big Cat joins the show to exchange apologies with Kirk (1:15:00).
El programa estará abierto a todo tipo de músicas: A escuchar al pianista Daniel Barenboim y al violinista Peter Zimmerman en sus aportaciones …
Open: (0:01:41) Holler and A Swoller: Scott and I swung by Syberg’s for a good beer and some…shark. (0:02:17) Show. Me. The. Merch: Some great new gear from the Portland Pickles and the O’Fallon Hoots.(0:04:27) From The Bleachers: Scott and I took in the CarShield Collegiate League this past weekend. We had an absolute blast.(0:10:35) Who’s On First” We’ve got Alan Miller, President and Owner of the Portland Pickles…and…the Portland Gerkins…? What?(0:23:29) On Deck: We’ve got Astros prospect and Car Shield Collegiate League Player. Peter Zimmerman is here to talk about baseball in 2020.(0:33:20) This Just In: There was a fracas in Oakland this weekend. What would I do? More importantly, where are we with media coverage, both baseball AND…well…everything. (0:44:55) Closing It Out)
Bitcoin’s design features cause it to behave weirdly: the more speculators buy it, the greater the short-term downward pressure on the cryptocurrency’s price. “There are two features of bitcoin that I think don’t exist for any other asset class,” says Peter Zimmerman, our guest on the latest New Money Review podcast. “The first is that its value depends on its usefulness as a means of payment. The second is the settlement constraint: there’s a hard-coded limit on how many transactions can be settled per second.” Zimmerman is a research economist at the Federal Reserve Bank of Cleveland and a former senior economist at the Bank of England, where he specialised in cryptocurrencies, blockchain, banking and financial regulation.
At the back of the record store with tapes you secured
Happy 350th Episode!!
Hold out!
I'll be waiting for them at the river bend
That won't bring her back
Bombshell Radio: Thursday's 8-11PM EST *Special 3 Hour Show#Nudisco #ItaloDisco #FunkyHouseHappy new year from Space Jams, we love youThis week a 3 hour special with a Italo/nudisco groove journey from Peter ZimmermannNew releases from Chevals and LUP INO from Masterworks Music, the hottest disco records in 2019 from PurpleDiscoMachine and DJ Koze, plus a selection of all time favourites from Joey Negro, Folamour, COEO and Shit Hot Soundsystem!
In this episode we sit down with one of our very favorite people, Peter Zimmerman, an undisputed icon of the Nouveau Tour Generation. Peter has it all: brains, beauty, talent. And the best part is, he's a sister who won't steal your mister. OR your ankle-straps! Today we'll find out what made him this way. It's September 2018 and this is Tour All Year!
Peter Zimmerman
Should there be limits on the number of visitors to Banff? Rob talks with Peter Zimmerman, parks program supervisor with CPAWS.
Peter Zimmerman of the Canadian Parks and Wilderness Society speaks to Parks Canada's call for input on a new management plan for the Sunshine Village ski area.
The Walking Dead's Peter Zimmerman visits The Man Cave Chronicles Podcast this week. We talk about his career in acting, music and The Walking Dead. You can find Peter on twitter @IamPeterZ, Instagram @IamPeterZ. Email the show themccpodcast@gmail.com Twitter @themccpodcast Instagram the_mancave_chronicles_podcast Facebook www.facebook.com/themancavechroniclespodcast www.themancavechonicles.podbean.com
Season 8 of The Walking Dead is basically here and unlike season 7, we're actually not dreading it (and it's not just because we heard there was some Richonne goodness to be had in the premiere). In this preview 'cast, we talk to some supporting players from the different communities to get their take on what we're in store for in season 8. Peter Zimmerman (@IamPeterZ, Eduardo from the Hilltop), Sabrina Gennarino (@girlsgottaeat, Tamiel of the Trash People), Kerry Cahill (@IAMKerryCahill, Dianne from The Kangdom) and Jordan Woods-Robinson (@jwoodsrobinson, Eric from Alexandria) get us prepped for All Out War! Subscribe to get the newest episodes: Apple | Stitcher | Google Play | wherever you get your podcasts Support: Rate and review us on Apple Podcasts! Recommend or favorite us using Overcast, Pocket Casts or the podcast app of your choice! Tell your friends! Tweet/post using our hashtag: #TDCPod Socials: Facebook | Twitter | Instagram | Snapchat Special thanks to Eden Burning for providing our music, “Glitter Girl.” Check them out at Reverb Nation
章节(时:分:秒): 00:00:00 前戏 00:01:59 开场,《IT 公论》会员计划 00:03:25 Apple Pay 进驻加拿大 00:09:28 Adele 的新专辑《25》不在音乐流播站上线 00:14:26 Rdio 破产 00:17:33 YouTube Music 和 YouTube Red 00:22:48 蓝牙协议明年升级(Bluetooth LE),以及智能家居 00:32:34 YouTube 推出 Jump VR 频道 00:40:13 从巴黎恐怖袭击看加密通讯与隐私权利(嘉宾:talich) 01:31:02 什么是专业 01:31:55 尾声 本期会员通讯将于稍后发至各位会员邮箱。每月三十元,支持不鸟万如一和 Rio 把《IT 公论》做成最好的科技播客。请访问 itgonglun.com/member。若您无意入会,但喜欢某一期节目,也欢迎用支付宝或 PayPal 支付小费至 hi@itgonglun.com,支付宝用户亦可扫描下方二维码: 相关链接 《IT 公论》两周年,博客上线 IPN 播客网络 Telegram 听众群列表 蓝牙明年升级 Amazon Echo Philips 的灯泡 Hue Google Cardboard 的 VR 设计则例 Clipper chip PGP 加密算法(Pretty Good Privacy) Phil Zimmermann (不鸟万如一在节目中误说成 Peter Zimmerman 了) 袭击巴黎的恐怖分子沟通时有使用未加密的普通短信 西点军校研究人员找到了一份 34 页的 ISIS 成员行动安全手册 手册链接 (PDF) IT 公论第一四五期:医疗的未来 2.0 IPN 播客网络常见问题解答 人物简介 不鸟万如一:字节社创始人 Rio: Apple4us 程序员 talich:《虹膜》专栏《娱乐的逻辑》作者
The Message of Death and Life. Isaiah 38:1-22 A Message by Peter Zimmerman
Living In The Light of The Gift of Grace. Hebrews 4:14-6:12 A Message By Peter Zimmerman