Podcasts about jazzmasters

Today our hosts tackle an all-timer of a question: what's the right number of knobs on a pedal? Stay tuned until the end to find out if they arrive at a definitive, unanimously agreed upon answer! They also talk a lot about Andy's exploration of the Chase Bliss Big Time, and take some listener calls. There's product development chat, time signature chat, listen it's just more chat from your favorite chatterboxes. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Will York of Thunder Road Guitars PDX joins us to tell the real story behind one of the West Coast's favorite guitar shops. Before Thunder Road Portland became a destination for vintage guitar weirdos, touring players, local lifers, and anyone who enjoys staring at old offsets under flattering lighting, Will was a Gainesville, Florida kid chasing music any way he could. That road eventually led him west to Lollar Pickups, then to Thunder Road in Seattle, and finally to opening the Portland shop in 2017. This episode gets into the unglamorous, deeply human side of building a guitar store: living in the basement of the first shop, putting every penny into the business, surviving the COVID guitar boom, buying a commercial building, learning when to delegate, and navigating a major open-heart surgery scare right in the middle of it all. We also talk vintage guitar shows, rare finds, the difference between selling new and vintage gear, why guitar stores should actually feel welcoming, and why Will still believes the whole thing works best when everyone remembers how lucky we are to play with this stuff for a living. Plus: gold-hardware Jaguars, first-year Jazzmasters, Paul Bigsby lore, TK Smith guitars, Boss pedals, Portland pizza, and a very important reminder that nobody regrets buying the guitar. Selling it? Different story. Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Carolina Caroline Film, Jazzmaster Marilyn Crispell + 76th Old Town Art Fair Gary Zidek On this edition of The Arts Section, host Gary Zidek sits down with filmmaker Adam Carter Rehmeier to chat about his new movie CAROLINA CAROLINE. Theater critics Jonathan Abarbanel and Emily Werner join Gary to review a new production of ANTIGONE. Later in the show, Gary catches up with NEA Jazz Master Marilyn Crispell to talk about her love of improvisation and an upcoming program at the Art Institute. Gary previews the 76th Old Town Art Fair. And we'll hear about a storefront theater's new mobile device policy.

Today our hosts talk about their favorite off-label uses for pedals: an Expression Ramper as an expression splitter, a trereo overdrive pedal as a lofi tape machine, a pedal with perfectly spaced knobs as a phone holder, etc. They take calls and some comments from the Discord, all focused around pedal usage that goes beyond the marketing and expectations of the user interface into unexpected sonic corners. Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @carolinegco, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

This week on Echoes of Indiana Avenue, we'll pay tribute to the legendary jazz saxophonist Sonny Rollins. He died on May 25th, 2026, at the age of 95. Explore Rollins' collaborations with the jazz masters of Indiana Avenue and trace the connections between his work and the musicians who helped define the sound of Naptown jazz.

Today our hosts welcome Philippe Herndon of Caroline Guitar Company. He talks about their latest pedal, a self-proclaimed normie pedal called the Aaron Graves Overdrive. We talk about specific design choices, the story of its namesake, and the importance of versatility even in a fairly fundamental pedal. Plus, we get the scoop on why they use pictures instead of labels, and Philippe has a surprise for us in lieu of the traditional object talk. It's basically a two parter, so fire it up and get listening! Check out the Aaron Graves Overdrive and other pedals from Caroline: https://carolineguitar.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @carolinegco, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Today our hosts welcome themselves! Andy talks about his recent show at a planetarium: the gear involved, the style of preparation, and the experience of performing with previous guest Matt Kidd. Then they take some calls with questions about a variety of things, and their answers range from "we've never heard of it" to "sorry, that was a lot of information and I don't know if I answered your question." It's another hour of unabashed whatever this is! Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Today our hosts welcome Phillip Carter of the 40 Watt Podcast. It takes them 45 minutes to get to his object because they're all just so good at conversing! They talk about blues, jazz, early influences, discovery of tube amps, the importance of the right speaker, and of course ask the big questions like: are guitar solos good? Check out all things 40 Watt: https://40wattpodcast.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @40wattpodcast, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Today our hosts welcome back Doctor John Snyder of Electronic Audio Experiments. We catch up on his latest project, released into the world today: a hybrid delay pedal made in collaboration with Chase Bliss called Big Time. He also brings with him the Caroline Guitar Company Wave Cannon, a rad distortion pedal that likely set him on the path toward being a go-to collaborator and in-demand brilliant mind of our industry. The release day energy is good and we're all just excited to talk about pedal architecture! Check out EAE: https://www.electronicaudioexperiments.com/ Check out Big Time: https://www.chasebliss.com/big-time Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @electronicaudioexperiments, @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Today our hosts welcome Shelby Pollard of Black Bobbin. He brings with him the city of Chicago, as well as a 65/61 Jazzmaster refin that set him on the path of Jazzmaster expertise back in his days working at Chicago Music Exchange. Today, Black Bobbin is a curated boutique of interesting guitar products, including the Black Bobbin JM, which represents the culmination of Shelby's knowledge and preferences in the world of Jazzmasters (you've also heard Dan yapping about how much he likes his). There's a lot of insight and tidbits of knowledge throughout this one - go hit play! Check out Black Bobbin: https://blackbobbin.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Subscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomy Leave us a voicemail at 505-633-4647!

Je n'avais jamais testé de guitare électrique baryton donc quand Pierre de MyDreamPartCaster (mydreampartcaster.com) m'a proposé de me confier cette Baryton de forme Jazzmaster, j'ai dit oui ! Voilà cette machine à gros riffs en test vidéo. Test MyDreamPartCaster Baryton JM Séquences de jeu uniquement Pour n'avoir que des notes et zéro blah blah, c'est L'article MyDreamPartCaster Baryton JM est apparu en premier sur La Chaîne Guitare.

Een hartstochtelijk gesprek over de kracht van muziek. Trombonist Bert Boeren vertelt hoe muziek kinderen vormt, gemeenschappen verbindt en waarom het onmisbaar blijft — ook in een tijd van bezuinigingen en afleiding.--

The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

222 - Steve Wynn (the Dream Syndicate, the Baseball Project) In episode 222 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer/guitarist Steve Wynn from the Dream Syndicate and the Baseball Project as well as solo. In their conversation Steve tells us about his current tour schedule and living in Queens, NY for the past 30 years and Steve tells us about his adventures in NYC in the 80's. Steve talks about his childhood and growing up musically in LA buying sheet music at the neighborhood music store. Steve describes his alternate passion early on as a sports writer and going to UC Davis where he met Kendra Smith the eventual bass player for the Dream Syndicate. Steve takes through the guitars he's used throughout the years and what he's using now on stage mostly Fenders and an Epiphone Riviera and his struggles with the Jazzmaster and the lack of needing an amp when touring and he describes his pedal chain including a signature pedal made by Ruess. Steve describes why the Dream Syndicate had a limited presence on MTV yet a big European following. To find out more about Steve you can go to his website: stevewynn.net which will also take you to the Dream Syndicate website. Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #SteveWynn #theDreamSyndicate #theBaseballProject #JamesPatrickRegan #EpiphoneRiviera #GibsonCustomShop #FenderJazzmaster #RuessPedals #theDeadlies #UCDavis #haveguitarwilltravelpodcast #HGWT #tourlife Please like, comment, and share this podcast! Download Link

The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The Jazz Masters: Setting the Record Straight (UP of Mississippi, 2021) is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman's interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarity, without changing any of the musicians' actual words. Peter Zimmerman tirelessly sought virtuosi whose lives span the twentieth and twenty-first centuries. The reader is rewarded with an intimate look into the past century's extraordinary period of creative productivity. The oldest two interview subjects were born in 1920 and all are professional musicians who worked in jazz for at least five decades, with a few enjoying careers as long as seventy-five years. These voices reflect some seventeen hundred years of accumulated experience yielding a chronicle of incredible depth and scope. The focus on musicians who are now emeritus figures is deliberate. Some of them are now in their nineties; six have passed since 2012, when Zimmerman began researching The Jazz Masters. Five of them have already received the NEA's prestigious Jazz Masters award: Sonny Rollins, Clark Terry, Yusef Lateef, Jimmy Owens, and most recently, Dick Hyman. More undoubtedly will one day, and the balance are likewise of compelling interest. Artists such as David Amram, Charles Davis, Clifford Jordan, Valery Ponomarev, and Sandy Stewart, to name a few, open their hearts and memories and reveal who they are as people. This book is a labor of love celebrating the vibrant style of music that Dizzy Gillespie once described as “our native art form.” Zimmerman's deeply knowledgeable, unabashed passion for jazz brings out the best in the musicians. Filled with personal recollections and detailed accounts of their careers and everyday lives, this highly readable, lively work succeeds in capturing their stories for present and future generations. An important addition to the literature of music, The Jazz Masters goes a long way toward “setting the record straight.” Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The legendary jazz saxophonist and flutist James Moody was born in Savannah, Georgia in 1925. This week on Echoes of Indiana Avenue, we'll celebrate the 100th anniversary of Moody's birth by listening to his work with the jazz masters of Indiana Avenue.  Moody gave many performances on the Avenue, appearing at the Sunset Terrace in 1952, 1956, and 1957. He also recorded with legendary Avenue musicians, including Larry Ridley, Slide Hampton, Freddie Hubbard, and J.J. Johnson. But Moody's connection to the Avenue goes even deeper — his father James Moody Sr. lived in Naptown for decades. Moody Sr. was a trumpet player and bandleader. Moody Sr. played with local bands, including Bob Womack's Bob Cats, Buchanan's Dance-A-Pators, and the Showboat Orchestra. Moody Sr. lived near the Avenue and played in neighborhood venues like the Defense Worker's Social Club.  Join us for music from the saxophonist and flutist James Moody — including rare, unreleased live recordings of Moody performing with the legendary Naptown jazz drummer Larry Clark.

Celebrate the 100th anniversary of the birth of legendary jazz saxophonist and flutist James Moody. Listen to his work with the jazz masters of Indiana Avenue, including rare, unreleased live recordings of him performing with the legendary Naptown jazz drummer Larry Clark.

En sjelden gang hender det at man lager noe for et spesielt formål, men som viser seg å bli mer brukt til noe helt annet. Det er tilfellet i dagens episode om Fender Jazzmaster, som opprinnelig ble laget for å være en jazz-øks, men som egentlig er mer kjent brukt i andre sjangere som surf og rock.Hell i uhell, kan man si.

3Bender's Wade Back joins us this week to share the fascinating history of 3Bender and reveal an incredible new product he's unveiling at this year's Fretboard Summit, the Steelmaster. The Steelmaster is a string bender that can be mounted to any Jazzmaster-style guitar. It requires no drilling and works with stock or Mastery bridges. Wade's story is one of a kind. We hear about his love for steel guitar, meeting elderly guitar tech Bob Stafford, and about the Steelmaster's origin story (which involves Black Bobbin's Shelby Pollard and last year's Summit). https://www.3bender.com Come see Wade and the Steelmaster at the Fretboard Summit taking place this week: https://fretboardsummit.org/ Showcase-only tickets are just $40.  The Fretboard Summit is our three-day festival celebrating great guitars and great guitar people. We have nearly 80 luthiers, amp builders, and pedal makers exhibiting, hourly workshops and master classes, and some mind-bogglingly great evening performances. The fun takes place August 21-23, 2025 at Chicago's Old Town School of Folk Music.  We are brought to you by: Stringjoy Strings: https://stringjoy.com (Use the code FRETBOARD to save 10% off your first order) Mike & Mike's Guitar Bar: https://mmguitarbar.com Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout). https://www.fretboardjournal.com

Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/this-will-destroy-youSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubePost-rock/doomgaze outfit This Will Destroy You, formed in San Marcos, Texas, in 2004, are marking 21 years together, and 20 years of their self-recorded debut Young Mountain, with an anniversary tour. In late June, the band played Nashville's Basement East, where guitarists Jeremy Galindo and Nicholas Huft and bassist Ethan Billips met up with PG's Chris Kies to share what gear they packed for the roadtrip.0:00 - XPND Pedal Power Battery Kit0:15 - "They Move on Tracks of Never-Ending Light"2:07 - Subscribe to Rig Rundowns!2:14 - Chris Kies Intro2:28 - Celebrating 20 Years of Young Mountain3:34 - Going From Pop Punk to Post Rock4:46 - Post-Rock Influences & Genre Growth7:20 - Cinematic Quality Compositions in TWDY 9:10 - Soundtracks & Music Licensing Success10:03 - Working with Chef Jordan Kahn on Vespertine11:32 - You, Infinite Project with Raymond Brown13:08 - Jeremy Galindo's Fender American Performer Telecaster14:12 - Jeremy Galindo's Strings & Picks / TWDY Tunings15:13 - Jeremy Galindo's Roland Jazz Chorus 12017:08 - Jeremy Galindo's Pedalboard26:18 - Jeremy Galindo's Proudest Moment in TWDY27:49 - Getting This Will Destroy in Moneyball29:07 - This Will Destroy You Split with Jeremy & Chris30:28 - This Will Destroy You Live in Nashville31:44 - John Bohlinger & XPND Pedalboard32:33 - Nicholas Huft Intro32:54 - Nicholas Huft's Jazzmaster from Full of Hell34:23 - Nicholas Huft on Tone Role in This Will Destroy You36:26 - Nicholas Huft's Peavey Standard Mark III Amp37:54 - Nicholas Huft's Pedalboard45:33 - This Will Destroy You Live in Nashville46:31 - Ethan Billips' Sire Marcus Miller V648:04 - Ethan Billips' Darkglass Microtubes 500 v2 Amp48:57 - Ethan Billips' Pedalboard53:22 - "Burial On The Presidio Banks" Live in Nashville56:52 - XPND PedalboardFull Rig Info: https://www.premierguitar.com/videos/rig-rundown/this-will-destroy-youSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPGDon't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar© Copyright Gearhead Communications LLC, 2025#guitar #rigrundown #postrock #guitarist #guitarplayer #guitargear

In this episode of the Fret Files Podcast, Eric talks about vintage pre-war (pre 1940) Washburns and discusses the book "Washburn Prewar Instrument Styles" by Pleijsier Hubert. Then, Eric answers questions from listener emails including how to remove superglue from a finish, how to properly cut a Fender style nut, and setup tips for those finicky Jazzmasters. Also, something of a follow up from the pictured P-Bass bridge, but it still remains a mystery.

Tonight's Jazz Feature is this show's usual tribute to The Season and a long standing tradition. It's known as the "Bags' Groove Session". The music is truly classic and always worth hearing. Miles Davis is the nominal leader on trumpet with Milt Jackson on vibes, Thelonious Monk on piano, Percy Heath on bass and Kenny Clarke on drums. A meeting of Jazz Masters indeed. All of this was recorded on December 24,1954 and the whole date has a Christmassy feel to it even though that certainly wasn't the intention. We'll hear the 4 master takes from this timeless date and is our Christmas Jazz Feature. Merry Christmas to all!

Brian, Blake, and Richard are back for Episode 537 of the Chasing Tone Podcast - The Wampler Fearbox, Brian gets kicked off TikTok, and New Guitar Day   Brian is having trouble rolling his Rs and there has been a slew of pedal releases from Keeley, JHS, and apparently also Wampler. But one that caught the collective eye was a reasonably unique compressor / fuzz circuit from a good friend of the show. Richard has had an IT disaster. Brian and Blake turn into British Victorian-era urchins when asked about transistors. Wampler have released a limited edition (and now sold out) version of the Gearbox - the Fearbox - and the guys chat about it. Blake has been to see some live music and Brian somehow is an expert on this. Brian has been kicked off TikTok and he is not happy about it. Richard visited Andertons an as a result he had a new guitar day and tells us about it and some of the other guitars he tested. Blake has a new pedal from Warm Audio, has confessed he is hoarding like Smaug, and foreshadows some future releases. It seems that Richard has found his ultimate 80's guitar and is suffering from some first world problems and makes an absurd prediction that angers Blake greatly. The guys then turn the conversation to selling guitars and somehow fish and trainsets are involved. Leaks everywhere, Electric Love, Gallagher World, Silver Sky SE, RG 550, Jaguars vs Jazzmasters, Trumptonshire...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Youtube:https://www.youtube.com/channel/UCdVrg4Wl3vjIxonABn6RfWwContact us at: podcast@wamplerpedals.comSupport the show

Scandal is a Japanese band that holds the Guinness World Record for longest-active all-female band that still has all its original members. So it's no wonder that they've all got signature guitars, including this 2014 Mami Sasazaki Jazzmaster, affectionately known as the “Stratomaster” - Enjoy! Like the show? Follow us at these fine establishments: Patreon || https://www.patreon.com/thehighgain Instagram || @thehighgain Web || https://www.thehighgain.com

It's been a busy year for Jack White. The enigmatic artist and Third Man Records boss rolled out his sixth solo album, No Name, this summer, first as secret, unmarked vinyls distributed to Third Man customers, then with a full-blown digital release on August 2. He celebrated the record with a tour of last-minute-notice, small-room gigs around the U.S., proving that mystery and randomness can still exist in the world of algorithms and overblown marketing. That's not all. In September, Fender and White launched a line of signature products that were years in the making, including the eye-popping Pano Verb amplifier and feature-packed Triplecaster. PG's John Bohlinger scored an invite to White's Nashville headquarters to do a full walk-through of White's current touring rig, courtesy of tech and collaborator Dan Mancini. Here's a sneak peek at some key pieces of White's arsenal, but you'll have to watch the full rundown to catch Jack's custom Jazzmaster with some Mancini-executed “redneck engineering,” his new Triplesonic Acoustasonic model, and a cameo from the Third Man himself—right after Bohlinger accidentally breaks one of his guitars.Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/jack-whiteSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeShop Jack White's Gear:Jack White Triplesonic Acoustasonic Telecaster - https://sweetwater.sjv.io/yqggv3Jack White Triplecaster Telecaster - https://sweetwater.sjv.io/Jz9MbRFender Jack White Pano Verb - https://sweetwater.sjv.io/g1mxPrCustom Fender Jazzmaster - https://sweetwater.sjv.io/K0KKGNBoss TU-3w - https://sweetwater.sjv.io/750ngORadial Big Shot ABY - https://sweetwater.sjv.io/EKxXzDDunlop 535Q Cry Baby - https://sweetwater.sjv.io/k0MGAvDigitech Whammy - https://sweetwater.sjv.io/q4LBROISP Technologies Deci-Mate - https://sweetwater.sjv.io/LKaa1MThird Man Records x Gamechanger Audio Plasma Coil - https://sweetwater.sjv.io/Dy00m2Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/jack-whiteSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook:

Best known as the lead guitarist in Wilco, Nels Cline has an exceedingly wide range. The intrepid Jazzmaster-master has tackled everything from the deepest out-jazz and extreme noise to sensitive balladry and all brands of rock. Fittingly, any one person's list of favorite Nels Cline records are like fingerprints: no two are the same. You'll be leaving this one with homework!Episode sponsored by JAM Pedals: https://www.jampedals.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

Episode 547 is is brought to you by... ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Use code: HUM to save 10% ⁠⁠Truefire⁠⁠ ⁠⁠Reverb x Fender Certified Pre-Owned⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Want to send us mail? 60 Cycle Hum #615 9450 Mira Mesa Blvd. San Diego, CA 92126 ⁠LINK HERE FOR PHOTOS 00:00 8 String Jazzmaster 14:00 Thanks Patreon! 20:14 Bootsy Collins Wah 28:15 Steve talks about his erratic behavior. Also, we got a package from Reverb! 37:13 Gibson reissued the Victory (just like we told them to) 49:19 THE BOOT 59:14 This week's music was sent by James of The Fabulous Planktones and is called "Man from Planktone" **************************** ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠60CH on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Something with our affiliate links: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy a Shirt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zZounds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thomann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Perfect Circuit⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ebay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tour Gear Designs Patch Cables⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ +++++++++++++++++++++ Social Media Stuff: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram and Twitter @60cyclehum ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Hire us for Demos and other marketing opportunities ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #60cyclehum #guitar #guitars #shameflute

Join jazz aficionados, Arts Council CEO Jonathan Grimes and Mike Esneault, our director of arts education as well as an award-winning composer and jazz pianist, for an insider's glimpse and listen into the upcoming River City Jazz Masters Series! You don't want to miss this one!

For the first of our special LISTMAS LOCK episodes, hosts Reggie Worth and Jason Jefferies are joined by Jason Lytle, frontman of Grandaddy, who discusses his latest album Blu Wav, which is on Dangerbird Records.  Topics of discussion include skateboarding, the intersection of nature and technology, the influence of place on art, office environments, Jazzmasters, the lesser explored parts of Yosemite, making positives out of negatives, Pintos on the moon and much more.  Blu Wav can be purchased from your friendly local record store or ordered here.  Happy listening!

Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/loatheSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeLoathe is a challenging listen. In 10 years, they've released three dissimilar albums, a pair of pulverizing EPs, and a couple reinventive, collaborative covers (with Sleep Token and Teenage Wrist) of their own material, proving they thrive on juxtaposition and keeping your ears off guard. The Liverpool foursome morph from blissful dream state to Nightmare on Elm Street and everything in between. Their sound can be familiar like an old friend but thrilling like a first date. From the ashes of Our Imbalance's pure metalcore madness—featuring guitarist/vocalist Erik Bickerstaffe, vocalist Kadeem France, and drummer Sean Radcliffe before recruiting guitarist Connor Sweeney and bassist Shayne Smith—rose the reformation that became the experimental Loathe in 2014. (Current bassist Feisal El-Khazragi replaced Smith in 2018 and Sweeney left the band in 2021.) Nu-metal bounce, djent precision, shoegaze shimmer, post-hardcore chaos, synth segues, barbwire breakdowns, moody melodies, and singalong choruses aren't groundbreaking elements. But how they make them gel and grate against each other is what makes Loathe special. In a matter of minutes, they can make you scream, cry, and then dance before inciting you to do all three at once. The difference is in the disparate.Their creative applications of the past, present, and future keep them ahead of the audience providing a deep musical menu. If you don't like the first Loathe song you hear, there's a chance the next one will be your favorite. “The four of us have very differing influences, but when we work together, we create something very unique,” contends Bickerstaffe.Even Bickerstaffe's guitar choices are at odds. He wants the heaviest sound possible but avoids using 7- or 8-string guitars because of their brash tones and jagged aesthetics. He prefers to swing the sledgehammer in a classic costume of a Gretsch Jet (and formerly a Jazzmaster).“We wanted a British-rock sound that pushes further into modern extreme-metal influence when we were writing. I don't like anything too metallic or sharp sounding. For the band we are and what we're trying to do musically, it's not the right thing,” states Bickerstaffe.It's been over four years since their heralded I Let It In and It Took Everything, and the fans are growing impatient. The band is aware of the wait and are concerned with impressing themselves rather than capitalizing on the attention. “There's music in the world the four of us as individuals miss hearing, and we want to be the people that create that in our own style. Hopefully, people who agree with us are along for the ride, and if not, that's absolutely cool. We've been through a lot, and we're working really hard together to make sure the music that we put out is exactly what we want to put out. We'll let it speak for itself when we release it,” explains Bickerstaffe.Before Loathe's opening slot supporting Knocked Loose on May 1 at Nashville's Marathon Music Works, Bickerstaffe carved out some time to talk with PG's Chris Kies. Bickerstaffe details the obtainable instruments that help him deliver both deathly and dreamy moments, why he shies away from the metallic edges of metal, and what fans should expect from the ever-evolving outfit's new music. Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/loatheSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram:...

Spencer of Full of Hell dives into detail on their collaborative process, gear, and all things "Coagulated Bliss". If you are a casual gear dork, a full on metal-head, a Jazzmaster snob, or just a fan of the creative process, then this conversation is for you. Full of Hell's newest album "Coagulated Bliss" is out now and available wherever you listen to music.  They are currently on the road with Dying Fetus, besure to keep up with all things shows, and music at their website: fullofhell.com If you are not able to snag the vinyl on tour, be sure to support the band via their bandcamp page On that note!!  Spencer's project Sore Dream has a new track out that is simply perfect.  You can hear that over at this bandcamp page. If you want early access to these episodes (+ the extended version of this episode), head over to the Rigs of Dad Patreon Page where you can also hear more unedited, ad-free interviews with previous guests, patreon exclusives, and beyond! PLUS early access to other episodes.  Rad things: If you are in a band and are looking to cut shortcuts in developing a website, no company can help you more than SUPERTAPE.com.  It is the easiest way to streamline your entire online presence from merch sales to video, press, and beyond... ALL done with only a few clicks.   Big shout out to the homies at www.shearrevival.com Take care of yourself.  Look good, smell good, and feel good.  Treat your body and neighbor's nose with love using Shear Revival!  Use the code CLEANTONE10 to get 10% off your next order!   Huge loves to the incredible Sacha Dunable from Dunable Guitars.  The guys is building the absolute BEST axes in the game and I am a firm believer that EVERYONE needs to own one.  Check out www.dunableguitars.com if you need some real tone in your life. Much love to the fine folks at Custom District Pedalboards for allowing me to pack the heaviest tones on the lightest boards.  Get yours over at www.customdistrictpedalboards.com Do you have a ton of guitars?  Does the show not go on unless you have at least three guitars with you?  Then you need to check out Quantum Industries.  These dudes are putting out true tanks of guitar cases.  Check out https://www.quantumindustries.jp/ BE SURE to enter ROD10 for a discount on your order!!!

Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/black-pumasSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeIn just seven years since meeting based on a recommendation, Eric Burton and Adrian Quesada formed the Black Pumas, released two albums, and have already been nominated for seven Grammys. However, this fruitful friendship was almost never developed.Quesada was enrolled at the University of Texas but flunking out due to his dedication to guitar over textbooks. His parents gave him a proposition: Either stay home in Laredo, or return to Austin without a guitar in hand to focus on studying. He went with option B and headed back for school in Austin—or so his parents thought. Quesada took his remaining book money (about $200) and headed to Ray Hennig's Heart of Texas, where he snagged a Squier Telecaster Thinline. His parents eventually figured out the switcheroo, but Quesada was determined and hasn't looked back. (Side note: The family obviously sees and supports his musical talents, and attended Black Pumas' Ryman show the night before the filming of this Rig Rundown.) That matador move pulled off by Quesada allowed him to become a longtime fixture in the Austin music scene with bands Brownout, Ocote Soul Sound, Spanish Gold, Echocentrics, and Grupo Fantasma (with whom he played for over 15 years, earning a 2011 Grammy for Best Latin Rock or Alternative Album). He started to explore new ideas that didn't fit the mold for Grupo, and needed someone to narrate his musical vistas. A friend recommended he link up with Austin newcomer Eric Burton, who traded his busking spot on the Santa Monica pier for the bright lights of Sixth Street. The duo met up, and as the results prove, the rest is history. Before the Black Pumas' second headlining show at the Ryman Auditorium in downtown Nashville, bandleader Adrian Quesada, bassist Brendan Bond, and band tech Bryan Wilkinson invited PG's Chris Kies into the hallowed grounds for a chill conversation about their tonal tools. During our time with the Black Pumas, we learned about Quesada's love for tremolo (he even included it as a secret weapon in a semi-hollow Jazzmaster), Bond's fateful trip to the Wilco Loft in Chicago, and why a '59 ES-125 is Wilkinson's perfect pairing with Burton's expressive and emotive voice.Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/black-pumasSubscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPG Don't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar[Brought to you by D'Addario: https://ddar.io/wykyk-rr & https://ddari.io/xpnd.rr]© Copyright Gearhead Communications LLC, 20240:00 - D'Addario XPND Pedalboard0:15 - Chris Kies Intro1:57 - Adrian Quesada Intro3:15 - Touring with Vintage Gear4:02 - Adrian Quesada's Fender Custom Shop Telecaster6:13 - Playing with Fingers or Pick8:03 - College or Guitar?9:14 - Adrian Quesada's Strings10:00 - Adrian Quesada's Gibson ES-34511:53 - Playing ES-345 with DI Fuzz13:11 - Adrian Quesada's Fender Custom Shop Jazzmaster Thinline14:27 - Built-in Tremolo17:33 - Adrian Quesada's Fender Limited Edition '68 Custom Deluxe Reverb18:36 - Adrian Quesada's Pedalboard30:05 - D'Addario XPND & John Bohlinger30:55 - Brendan Bond Intro31:49 - Brendan Bond's 1974 Fender P Bass36:15 - Brendan Bond Fingerstyle & Bass...

In this episode of the Fret Files Podcast, Eric and Nat take questions regarding pickup phase, guitar finishes with no pore filler, getting rid of pick marks on lacquer finishes, the Sorkin "bowtie" bridge, and Eric's ideal Jazzmaster wiring.

Original Air Date: 12/17/2023 - Erin Douget shares the details on ACGBR's 2024 MPAC Gala while Jonathan Grimes gives us the scoop on the upcoming River City Jazz Masters concert with jazz percussionist Bobby Sanabria.

Matt takes Fender's Player series Jazzmaster for a spin on stage and in the studio for this Guitar Speak Podcast review. Thanks to Fender Australia, we are giving away this very guitar. Full details can be found at www.guitarspeakpodcast.com This episode is brought to you by Fretboard Biology  Fretboard Biology - the online guitar college created by Joe Elliott, ex Head of Guitar at GIT and McNally Smith Music College. www.fretboardbiology.com Guitar Speak Podcast #146 - Joe Elliott - ex guitar head of GIT - launches Fretboard Biology Guitar Speak Podcast Links PayPal Tip Jar Visit us at guitarspeakpodcast.com Subscribe and find previous episodes at: Apple Podcasts Spotify Stitcher   ...and wherever you find podcasts!

In this episode Phillip sits down with luthier Creston Lea and talks about how he got into guitar building, our love of weird Peavey stuff, and drawing on popular models for inspiration to create new and unique guitars that feel classic. Find Creston and Creston Guitars on:Internet: https://crestonguitars.com/Instagram: https://www.instagram.com/crestonguitars/Facebook: https://www.facebook.com/groups/61598245820/I've partnered with TourGear Designs to get you 10% off the best patch cables in the game! You can use my affiliate link (https://www.tourgeardesigns.com/discount/40WATT) or just use the code 40WATT at checkout to get 10% off your order! If you want to save even more, Patreon supporters of the show get 20% OFF!  Check out my post over on my patreon page for more information!Get 20% off Rattlesnake Cables using this link: 20% off their order using this link: https://www.rattlesnakecables.com/40watt/Support the show at: https://www.patreon.com/40wattpodcast/​Find guitar lessons on TrueFire (remember to use code 40WATT): https://bit.ly/3t0v1ZdFind all of the podcast links at:https://www.linktr.ee/40wattpodcasthttps://www.40wattpodcast.com/40 Watt Merchandise: https://40-watt-merch.creator-spring.com/Reverb Affiliate link: https://reverb.grsm.io/phillipcarter5480StringJoy Affiliate link: https://stringjoy.com/partner/fortywatt/Subscribe to the channel and give a like – also find us in audio format wherever you listen to podcasts and leave us a review and share us with your friends.Support the show

Barrie Cadogan (also known as "Little Barrie") is one of the world's first call electric guitarists when it comes to classic soul, rock, punk, and rhythm & blues. He has worked with some of the biggest indie artists performing today including Morrissey, Paul Weller, Edwyn Collins, Liam Gallagher, and Primal Scream. That's a hell of a CV by anyone's standards, but Barrie is perhaps best known for the theme music from the Netflix show 'Better Call Saul.' That glorious guitar intro? That was him! Quite simply, he is very cool. He inhabits a world of pristine big E vintage Levis, Cuban heels, and 1960s Jazzmasters; bespoke hatmakers name their latest designs after him; and, if you are planning a global stadium tour and you need a guitarist that will bring the goods, then you had better make sure that you have Little Barrie on speed dial. I caught up with him at the private, by-appointment-only premises of Guncotton Guitars in London. (More from them later as they have generously sponsored this episode!)  We talked about our shared love of seminal Manchester band The Stone Roses and watching 'Sounds of The Sixties' on British TV which for many musicians of our generation had a similar impact as that of the Ed Sullivan show in the USA. Barrie shares his experiences as a young musician moving to London some 20 years ago, his realization that a Marshall half stack may not be the ideal bedroom practice amp, the dangers of applying a Jackson Pollock-style paint job to a guitar, and Bobby Gillespie's eccentric hiding place for demo CDs. He also shares his love of Japanese architecture and his recent reunion with a guitar that got away from him years previously. I think we can all relate to that. This interview was recorded on a hot summer's day in London. As I sank into the vintage Charles Eames furniture and pressed record, I remember feeling very happy to be there. I hope it shows...and I'm glad to be able to share this with you. Barrie Cadogan https://www.littlebarrie.com https://www.youtube.com/channel/UCVn9XB03wI5dM4d0Vbl-i2A https://open.spotify.com/artist/5ozUXaDjc4mfVyDIWCJH4E?autoplay=true https://www.instagram.com/littlebarrie/   This episode is brought to you by the kind sponsorship of Guncotton Guitars in London https://www.guncottonguitars.com https://www.instagram.com/guncottonguitars/  and Microtech Gefell Microphones https://www.microtechgefell.de  Your Host Michael Watts https://www.michaelwattsguitar.com https://www.youtube.com/user/michaelwattsguitar https://www.instagram.com/michael.watts.guitar/  To support this podcast please use this Tip Jar link https://michaelwattsguitar.com/tip-jars/4745  

For this episode, we head out to Nashville, TN, where Smash Mouth founding guitarist GREG CAMP plugs in and shows you how he gets his magical, multi-platinum-selling "surfadelic" Jazzmaster sounds. He also details the art of writing hit songs (he wrote Smash Mouth's biggest hits, including "All-Star" and "Walkin' on the Sun"); introduces you to his new band, the Defiant; and celebrates the life and music of late, great Smash Mounth singer Steve Harwell. Hosted by Jude Gold. This episode is brought to you by Guitar Player magazine.

Fender has two factories in North America - one in California, and one in Mexico. They share a lot of resources, both material and human. Is this why, more than ever before, it's getting harder to choose between the two? We're taking the new Vintera II series Jazzmaster for a ride. Enjoy! Like the show? Follow us at these fine establishments: Patreon || https://www.patreon.com/thehighgain Instagram || @thehighgain Web || https://www.thehighgain.com

Buy Old Blood pedals: http://www.oldbloodnoise.comCheck out Emily's stuff: https://getoffsetpodcast.com/Hear Andy's new music: https://lowercasenoises.bandcamp.com/album/an-encounter-with-broken-timeJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us on the socials: @oldbloodnoise, @andyothling, @danfromdsf

The Hamilton Watch Company was founded in Lancaster, PA, USA in 1892 and started making watches for local railways and operators. As we moved closer to World War II, Hamilton got involved with the US Military and began providing watches to troops, so much so that they even ceased production of civilian models. They continued to innovate, releasing the world's first electronic watch, the Ventura in 1957.   Today, we associate Hamilton watches with a few things: Movies in which they are placed, sometimes becoming a plot point, and field watches, which they execute nearly to perfection. From Hawaii Blue to Men In Black, and most recently Interstellar and Oppenheimer, Hamilton watches continue playing a crucial role in outfitting characters across many genres.   In this episode we cover all this and more, including a vintage mechanical Hamilton 1936, the predecessor to the Boulton/Indiana Jones watch. We also cover several movies like Men In Black, Interstellar, and The Martian, where Hamilton watches are featured.   Be sure to subscribe to the show to get notifications when new episodes are released (Spotify, Apple Podcasts, and all other directories) and follow us on Social Media @strapandlink!   Show Notes: 6:40 - History of Hamilton Watches 29:40 - "Lawrence" 1936 / Hamilton Boulton 38:44 - Khaki Field "Murph" 49:07 - Jazzmaster Collection 56:15 - Intra-Matic Chronograph Collection 1:07:10 - Mailbag

This week we have Jeff Schroeder of The Smashing Pumpkins joining us in the hall of discussion. We caught up with Jeff on a day off while in New Mexico on a headlining tour. It was great getting to have such a down to earth chat with someone playing in one of the biggest rock bands of not only our generation, but arguably in the history of modern rock. As always, we really enjoy getting to chat with someone as humble and real as Jeff. In this conversation we get into the Korean-American experience, reluctantly attending Korean Church for the food, our love for Jazzmasters, current stage setups, Jeff's beginnings in music, home life, pre and post show meals and lots more! Thanks for listening, as always. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brian, Blake, and Richard are back for an all-new episode of the Chasing Tone Podcast!Blake has an anecdote about the Dave Matthews band which he shares with the guys while Richard talks about Threads and an advert that uses the same piece of stock music as this show does. Brian recalls the time he met Hartley Peavey, Blake worries about the provenance of his hat, and Richard talks about the new Jake. E. Lee signature amp from Dave Friedman which he very much loves. How do you set the whammy bar up on your 'Strat?  Richard asks the question because he saw a great tip on the interwebs and wants to share it with the listeners, but has to struggle agains certain negative attitudes towards said instrument. Meanwhile, Brian rants in silence while the guys hurl insults at him. The guys then look at the myth of the backplate and whether it is acoustically or electrically significant and Richard is getting into DIY pedals. Brian give his some helpful tips on soldering and breadboarding and general DIY advice. Let's see how much Richard listens to him... Would you rather have a really rubbish amp or a really rubbish guitar? The guys chat about this and about how important the right cab can be while Brian struggles to think of a name for a Wah pedal. Again. Brian also confesses he has a collection of domains and this baffles Richard, who has fallen in love with a new Jazzmaster guitar and is also thinking about the Tone-X pedal. Origin has released a new Klon clone and Brian tells us a bit about the history of the Tumnus Deluxe before he and Richard drop some huge hints about a new release.  Peavey on the Teevee, Mon Chat, Ear protection, Steve Lukather, Megadeth disappointment, Steve Martin, Mustard crimes...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Merch and DIY mods:https://modyourownpedal.com/collections/booksFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Youtube:https://www.youtube.com/channel/UCdVrg4Wl3vjIxonABn6RfWwContact us at: podcast@wamplerpedals.com-Support the show

The always-entertaining guitar tech/writer/historian/musician Michael James Adams (@puisheen) joins Jason this week to talk about life updates, offset Fenders, the proper setup of a Jazzmaster setup and so much more. In a new feature, we then recap some of the memorable guitar news of the month of March 2023, including some cool guitar-centric events, the new EMG pickups for Jazzmasters (the EMG Retro Active JMaster), Taylor Guitars selling direct, the JHS Show / Digitech Bad Monkey saga, the passings of some great guitar heroes, and a lot more.  https://www.instagram.com/puisheen Want to meet Michael, Josh Scott, Bill Frisell, and dozens of other guitar luminaries?  Come to our 2023 Fretboard Summit August 24-26, 2023 at Chicago's Old Town School of Folk Music. Register here: https://fretboardsummit.org/   Our podcast is sponsored by Retrofret Vintage Guitars; Deering Banjos; Peghead Nation (use the promo code FRETBOARD and get your first month free or $20 off any annual subscription); Izotope (use the coupon code FRET10 to save 10% off their plug-ins); and Stringjoy Strings.

Bush had an unbelievable debut with 1994's Sixteen Stone that eventually surpassed 6x platinum status. The post-grunge juggernaut continued making moody, mercurial, and sometimes menacing music has continuing mutating while keeping them modern with a total of nine full-length releases with 2022's The Art of Survival as their most recent chapter.The band's headlining Ryman tour stop was furthering their support for the October 2022 release where the camp invited PG's Chris Kies onstage to catalog their compact setups. Guitarist Chris Traynor starts the chat covering his instruments that run the gamut from import steals to one-off custom baritones with and without frets. The baton gets passed to Gavin Rossdale tech Trace Foster who covers the frontman's arsenal of Strats, SGs, and Jazzmasters before breaking down Rossdale's core patches living within his Fractal Audio FM9.Brought to you by D'Addario XPND.

On this week's podcast, we're talking to singer-songwriter Lincoln Barr, who recently released a gorgeous new album, 'Forfeit the Prize.' Lincoln was a fixture of Seattle's music scene for years but currently resides in Lexington, South Carolina. That hasn't stopped him from assembling an all-star group of musicians - scattered around the country - for his latest project. During our interview, we talk about his influences (including Burt Bacharach), how he assembled the lineup found on his record, his songwriting process, and more. To coincide with this interview, we'll be posting a new video with Lincoln performing at the Fretboard Journal's Seattle headquarters. Follow us on YouTube to watch it.