Podcasts about Project Trio

Do not adjust your television sets; you're reading that name in the title correctly. My guest this week is beatbox flutist Greg Patillo.A man that needs no further introduction; just let me add that having watched Greg's videos and listened to PROJECT Trio's albums on loop throughout my teen years, this was a special one for me personally.This was the most fun I've had on an episode in a very long time, and it's a little longer than usual for that reason. Indugle me; I couldn't cut anything. I'm only human xIf you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xAnd finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)Chapters:0:00 - An apology3:25 - Early Days in Frasier's Seattle8:03 - Jamming and French Fluting16:40 - Sankyo Very Much25:46 - Inspector Gadget and Leo DiCaprio37:05 - PROJECT Trio54:48 - Quickfire Questions and James Bond's Rum Hosted on Acast. See acast.com/privacy for more information.

On today's episode, Scott interviews Greg Pattillo, an American flutist, recognized worldwide for his signature beatbox flute sound. Since 2007, his solo videos have reached over 100 million views, featuring his arrangements, that span the gamut of musical styles, from Nintendo's Super Mario Brothers to Prokofiev's Peter and the Wolf. Greg has been featured on TV shows that include Jay Leno and iCarly, and his music was also featured in the 2017 Lego Ninjago movie, as the beatbox flute music of Master Wu. As a published author of his beatbox flute method books, Mr. Pattillo has taught masterclasses on beatbox flute and improvisation, at numerous higher education institutions, that include The Juilliard School, Curtis Institute of Music, and Berklee College of Music. In addition to his solo career, Greg is a founding member of the touring musical ensemble, The Project Trio, that has over 100,000 subscribers on their YouTube channel. This multi-talented beatbox flutist and educator, certainly GOT CHOPS! Follow Greg on  Website: https://www.pattillostyle.com/ Patreon: https://www.patreon.com/gregpattillo Beatbox Flute Method Books: https://www.flute4u.com/Pattillo-G-Beatbox-Flute-Method-Book.html Instagram: https://www.instagram.com/pattillostyle/ Twitter: https://twitter.com/pattillostyle Facebook: https://www.facebook.com/pattillostyle.beatboxflute/ YouTube: https://www.youtube.com/@freedomworksfilms Spotify: https://open.spotify.com/artist/6qgTBDlZ968Xb9SdoIA25f TikTok: https://www.tiktok.com/@pattillostyle Follow Got Chops on Instagram: https://www.instagram.com/gotchopspodcast/ Listen to Got Chops Podcast on - Spotify: https://open.spotify.com/show/6Pjh7tC3aTpeMFEhmn4fp4?si=699ae5b84e544cb5 - Apple Podcasts: https://podcasts.apple.com/us/podcast/got-chops/id1587699754 - Anchor: https://podcasters.spotify.com/pod/show/gotchops - YouTube: https://www.youtube.com/playlist?list=PLp5wwP8DvMPkqI4VM2VMlcufn6a-CzlHM Follow Scott on Instagram: https://www.instagram.com/scottgrimaldimusic/ Website: www.grimaldimusic.com Spotify: https://open.spotify.com/album/6DKn05Vy0ABShIU37u58vR --- Send in a voice message: https://podcasters.spotify.com/pod/show/gotchops/message

Peter Seymour is the co-founder of PROJECT Trio and recently joined the double bass faculty of the Longy School of Music of Bard College.  We talk about Peter's approach to bass teaching, how he prepares students for a diverse set of career options, his journey through the music world, his Carnival of the Animals “pandemic project,” and much more.  You can also find Peter's past appearances on the podcast here.   Enjoy, and you can learn more about Peter and his teaching at Longy here.   Subscribe to the podcast to get these interviews delivered to you automatically!   Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists.   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsors!   Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.   Carnegie Mellon University Double Bass Studio - CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Ear Trumpet Labs - They make hand-built mics out of Portland, OR and they have an excellent mic for upright bass called Nadine. The Nadine is a condenser mic with a clear natural sound and incredible feedback rejection. This mic is a completely new design -- the head mounts in between the strings above the tailpiece with a rubber grommet, and the body securely straps to the tailpiece with velcro elastic. A 14-inch Mogami cable connects the two parts making it easy to place on any bass. It's durable and holds up to the demanding needs of the instrument while offering excellent sound quality. Ear Trumpet Labs is offering a free t-shirt just for Contrabass listeners with the purchase of a mic, just visit EarTrumpetLabs.com/contrabass to claim yours and check out the Nadine!   Contrabass Conversations production team: Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer Trevor Jones, publication and promotion theme music by Eric Hochberg

It's the coolest thing I can't do. Beatboxing. Everyone knows Greg Pattillo from Project Trio. And I am cooler from this interview. Let's take notes. --- Support this podcast: https://anchor.fm/amy-porter9/support

On this version of WOTS we talk with Greg Pattillo. Greg and I went to high school together so we start off with a little reminiscing about high school and how it has impacted his music and life.  Greg shared with us many ideas and philosophies around music as it relates to classical, jazz and other forms. We talked about Project Trio how it formed, what it is, and how it will possibly live in a post pandemic world. We touched on his experience with youtube, playing music in New York city subways, beat box flute, and so much more. I hope you enjoy this conversation with Greg as much as I did.*The conversation with Greg starts at 8:23Featured music:"Sweet Pea" by Project Trio"Hotel Crazyness" by Greg Pattillo (Video) Learn more here:http://www.pattillostyle.com/https://www.patreon.com/gregpattillohttps://www.instagram.com/pattillostylehttp://www.projecttrio.com/https://www.youtube.com/freedomworksfilmsYou can find, subscribe, rate, and review the podcast on Apple Podcasts, Google Podcasts and Spotify.

Greg Pattillo has always been an unconventional flute player. From his days at conservatory to his brief stint as Principal Flute, Greg was always looking for something more and for a way to really connect with his audience. Everything really seemed to fall into place for Greg when he moved to New York City, started performing in the subways, and founded his group, Project Trio, with Eric Stephenson on cello and Peter Seymour on bass.

"He's the best person in the world at what he does" - NY Times.  He has over 100 million YouTube views, he's been the principal flute player of the Guangzhou Symphony orchestra in China, street musician in San Francisco and worked in a grocery store in NY.  Now Greg Pattillo is wooing audiences around the world with his flute not only as a soloist, but also with the highly acclaimed Project Trio with Peter Seymour on bass and Eric Stephenson on Cello. In this podcast Greg teaches Jean-Paul to Beatbox and speaks about his latest project to notate his beatboxing exercises for the benefit of flutists everywhere. 'Talking Flutes Extra' is a podcast production by the Trevor James flute company.  For more information visit www.trevorjamesflutes.com 

Blending their classical training with an eclectic taste in musical styles, PROJECT Trio offers concerts that combine the virtuosity of world-class artists with the energy of rock stars. Using social media to broaden their reach beyond the concert stage and classroom, the Trio has its own YouTube channel, which has over 80 million views and 96,000 subscribers, making PROJECT Trio one of the most watched instrumental ensembles on the internet. Young musicians from Metropolitan Youth Symphony joined Project Trio on stage for this not-to-be-missed concert.

Do you ever wonder how musicians feel when they leave their assumed path to an orchestra job? Sometimes you might think that this could be a bittersweet decision. After all, mostly a classically trained musician will be thinking of a job in an orchestra as the IT thing to do. I asked Peter Seymour about this, bassist and co-founder of the cool, hip group Project Trio, made up of flute, bass, and cello, and I just loved his answer! These three friends who met at music school decided to create their OWN impact on the music world, and boy have they EVER. The positivity of Peter just exudes through this conversation- he is one of the most inspiring musicians out there. Have a listen! Also from the show, the links to what we talked about: Project Trio's website and their new upcoming program called The Studio. More information about that in the link below: http://www.projecttrio.com/ http://www.projecttrio.com/the-studio/

Teaching improvisation is like Fight Club. The first rule of teaching improvisation is you don’t talk about improvisation! That’s Project Trio’s approach, and it’s totally compelling. 10 years ago, Peter took all the energy and drive he had for the audition circuit and poured into getting Project Trio off the ground. We talked about it back then. Fast-forward to the present, and the results of this hard work have paid dividends. Learn about what Peter did and the results he got in this interview! Links to check out: Project Trio website YouTube channel

Una entrega en forma de sucesión... uno (los de 111, la entrega de HDO)... dos (por el dúo Konix con Peter van Huffel y Alex Maksymiw)... tres (por el No Project Trio)... cuatro por el Jean-Brice Godet Quartet... Toda la información en http://www.tomajazz.com/web/?p=24147. HDO es un podcast de la factoría Tomajazz editado, producido y presentado por Pachi Tapiz.

This TEM Short features some thoughts about my interview with Peter Seymour of PROJECT Trio from episode 30. Show notes for all episodes of TEM including links to all books and websites referenced can be found at: http://www.andrewhitz.com/shownotes Links: Peter Seymour of PROJECT Trio: Episode 29 Want to help "keep the lights on" and make future episodes of TEM possible? Please visit our Patreon page to see how you can help:  https://www.patreon.com/tempodcast Produced by Austin Boyer and Buddy Deshler of FredBrass

TEM 29: Peter Seymour of PROJECT Trio on Energy in Your Presentation, Taking Action and the Need to Be Brutally Honest With Yourself About What You Can and Can Not Do Peter Seymour is the bass player and manager for PROJECT Trio, the internationally touring trio featuring bass, cello and flute. Peter has had a fascinating path through the music business that has evolved from playing with the Cleveland Orchestra to forming PROJECT Trio. Show notes for Episode 29 including links to all books and websites discussed as well as my favorite quote from the episode can be found at: http://www.andrewhitz.com/shownotes Want to help "keep the lights on" and make future episodes of TEM possible? Please visit our Patreon page to see how you can help:  https://www.patreon.com/tempodcast Produced by Austin Boyer and Buddy Deshler of FredBrass

In this, our first episode of the 2015-16 academic year...Toni Robinsonwe hear from students Lisa Salazar and Maureen Bailey about their summer internships...Orchestra director Orcenith Smith stops in to tell us what the orchestra’s up to this semester...we present a few of the many wonderful performances from this year’s Greencastle Summer Music Festival...and our new Associate Director of Music Admission, Toni Robinson, and Director of the 21st Century Musician Initiative, Mark Rabideau, each come by to introduce themselves! SOURCES From the June 17th concert of the Greencastle Summer Music Festival, violinist Philip Palermo, violist Nicole Brockmann, cellist Eric Edberg, and pianist Claude Cymerman perform the Allegro molto movement from the Quartet in C Minor, op. 15 by Gabriel Fauré.From the July 22nd concert of the Greencastle Summer Music Festival,cellist Eric Edberg and pianist Fernando Otero perform Otero’s piece  “From Now On.”From the August 19th concert of the Greencastle Summer Music Festival, pianist John Kamfona performs Aram Khatchaturian’s Toccata in E-Flat Minor.From the August 5th concert of the Greencastle Summer Music Festival,  Tim Grimm and Friends perform Grimm’s song “Better Days.”From the Student Recital Hour of August 26, 2015, Julie Strauser, soprano; Yazid Pierce-Gray, baritone; and Amanda Hopson, piano perform “Dunque io son” from Rossini’s Barber of Seville.From the Project Trio performance in Kresge Auditorium of August 23, 2015, bassist Peter Seymour, flutist Greg Pattillo, and cellist Eric Stephenson play their piece “Sloeberry Jam.”

Episode #107 of Hey Mister Jesse is now available to download and enjoy. November's show features new music from **The Cope Street Parade**, the *8-Count Swing* celebrating the flute, with songs from **Cats and the Canary** and **Project Trio**, and tons of international audience feedback. *(82 minutes)*

VIDEO: Imani Winds perform 'Red Clay Mississippi Delta' Imani Winds was a novelty when it first arrived on the scene in 1997, a wind quintet that veered away from the customary European classical fare to focus on compositions drawing from African and Latin American styles and idioms. Composers like Astor Piazzolla, Paquito D’Rivera and Wayne Shorter were the group's mainstays. So were arrangements of spirituals or songs by jazz singer Josephine Baker. Critics and audiences praised the quintet's freshness and accessibility. But its members started to feel pigeonholed. "At the beginning of our career, we used to do a lot of children's concerts,” Toyin Spellman-Diaz, the quintet’s oboist, told WQXR's Jeff Spurgeon. “That was kind of our vehicle into the large concert stage. People would hire us to do a bunch of residency activities in their town and we would do a main stage concert.” By playing for kids the quintet learned how to ratchet up their on-stage energy, a skill that also served increasingly distracted adults. “But making that into a more sophisticated thing, and learning how to be sophisticated artists, that’s our next evolution,” said Spellman-Diaz. “Our manager has this phrase: 'we’re trying to go from being successful to being significant.'" By any measure, the Imani Winds has been a success. The group has taken an outlier format in chamber music – lacking the deep repertoire of a string quartet – and has commissioned dozens of works. It has released eight recordings, the latest being an arrangement of Stravinsky’s The Rite of Spring for EMI. Along with touring, the group is a staple on Public Radio stations across the U.S. In an effort to build a sharper identity in New York, the quintet has launched the Imani Winds Chamber Music Festival, which begins its fourth installment this Thursday. The four-day event features performances at Juilliard, Christ & St. Stephen’s Church and Bryant Park, plus a daylong symposium at Mannes College of Music, and an emerging composers workshop. The Imani will perform with violinist Lara St. John and host guest ensembles like the Zodiac Trio and Project Trio. “The festival came about as a macrocosm of what we do on the road, which is to perform an evening concert and go and give a master class at the local conservatory or school of music,” said Mariam Adam, the group’s clarinetist. “That recipe became necessary for us to expand on.” Adam notes that the quintet's recent tours abroad have been a wakeup call. The exposure to other styles "has been wonderful to regain a concept of what the wind quintet is and what it can be,” she said. As the Imani Winds members seek to deepen their profile, the members face the immediate reality of family life. Flutist Valerie Coleman is currently away on maternity leave (Sato Moughalian is filling in) and bassoonist Monica Ellis is expecting a baby shortly. The group plans to use substitutes, said Spellman-Diaz, noting that both children are due two days apart from each other. "It’s a testament to women living together in harmony in that we are very much joined together in a way that we don’t understand at this point," she joked. Video: Amy Pearl; Audio: George Wellington; Text & Production: Brian Wise