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Tsui Hark's SHANGHAI BLUES (1984), starring Kenny Bee, Sylvia Chang and Sally Yeh, is currently playing on MUBI. A commercial romantic comedy with musical numbers galore and lots of screwball and slapstick, the film is easy to like. We discuss the pleasures in the performers, the interwar Shanghai setting, the beauty of its look and design, the inventiveness of its shot design and composition. We note how rare it is to see a look designed purely to please instead of to evoke, convey and signify in contemporary cinema. Might this also be a limitation? The film feels like a quickly executed trifle. It's very broad and the execution feels a bit clunky. We were nonetheless both charmed by it though Richard rated it a bit higher than I did. Where we intersect and where we diverge is the subject of the podcast.
Capodanno in Chinatown con Chen Shean Yun , Chen Lan Li, Grace Chang, Frankie Pako, Betty Pai, 好時光, 大囍門 200度, Sally Yeh, David Ling Jr, Philip, 無盡空虛, Beyond, 我愛雀斑 恭喜發財 - 國, Andy Lau, Ultravox a cura di Piergiorgio Pardo And many other
Sally Yeh 葉蒨文, Hong Kong's much loved Canto pop superstar talks to Joey Yap on how to Think and Act Positive in challenging times. While Sally is widely known for her songs and movies, she also has a very spiritual and humanitarian approach to life. Join Joey Yap in speaking with Sally Yeh on this episode of Forged in Fire and learn to think and ACT Positive in life.#JoeyYap #ForgedInFire #LeadershipAndBreakthroughs
Age anxiety is a social pressure that is especially common among women. Even the outstanding #HongKong pop diva Sally Yeh once struggles with it. Let's figure out how she deals with her age anxiety. #womensday
In this episode we first take a look at The Killer, a film from 1989 directed by John Woo. It stars Chow Yun-fat, Danny Lee and Sally Yeh, and nobody's motivation is what you think it is. Are people acting out of malice, avarice, guilt or something else? From there we move to 2002 and So Close, directed by Corey Yuen and starring Shu Qi, Zhao Wei and Karen Mok. Once again, everyone has some deeply buried motives. Perhaps they're so deep that they're only released through subtext. You really have to "read between the lines" to understand what people are thinking. Or, you could just listen to this episode and we'll tell you. Both of these episodes are a genuine romp and you'll definitely have fun watching them. COMING ATTRACTIONS: In our next episode we remain in Asia to look at a pair of films that Sean calls "Modern-Day Kurosawa," because they're set in the present day.First it'll be 1949's Stray Dog; then we look at High and Low, from 1963. Did you guess that they both star Toshiro Mifune? It's kind of a sucker bet. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/wordsandmovies/support
This week on Saturday School, we continue our season on Asian American sci-fi with the 1988 film "The Laser Man." What happens when an immigrant actor/director (Peter Wang) who's been one of the faces of burgeoning Asian American cinema in the 1980s (with the seminal indie "Chan is Missing" and "A Great Wall," the first US feature to be shot in China) just wants to make a zany, nonsensical detective parody about killer lasers? And he brings together Asian American actors like Marc Hayashi (also of "Chan is Missing"), some famous connections in Hong Kong cinema (Tsui Hark, Tony Leung Ka-fai, Sally Yeh) and up-and-coming American filmmakers like Ernest Dickerson and Christine Vachon)? The result is something probably too strange and cringe-y for 1988, but arguably hilarious for 2021. Full of illogical hijinks and (we think) made-up Confucius sayings, this is another episode where we tell you about a movie you can't really watch because we want you to know that this happened. In 1988. With much more brazen confidence (to be weird) that we even get to see now in Asian America.
In 80 Podcasts um die Welt - Filmkultur in China Review, Kritik Willkommen zur ersten Ausgabe der großen Tele-Stammtisch Weltreise! In der heutigen Ausgabe wagen sich Lukas, Sven und Paul nach China, Taiwan und Hong Kong und präsentieren eine breite Auswahl ihrer filmischen Highlights. Lockere Filmkritiken zum selbst mitmachen! Meldet euch via Mail (info@tele-stammtisch.de), Facebook, Twitter oder Instagram für den nächsten Podcast an! Haupt-RSS-Feed | Filmkritiken-RSS-Feed iTunes (Hauptfeed) | iTunes (Filmkritiken) Spotify (Hauptfeed) | Spotify (Filmkritiken) Website | Twitter | Facebook | Instagram Titel: Ein Hauch Von Zen Original: Hsia Nu Startdatum: 19.11.1971 (Hong Kong) Länge(min): 187 FSK: 12 Regie: King Hu Darsteller: Hsu Feng, Shih Jun, Billy Chang uvm. Verleih: KSM Titel: Ein Sommer Zum Verlieben Original: Gulingjie Shaonian Startdatum: 27.7.1991 Länge(min): 237 FSK: 16 Regie: Edward Yang Darsteller: Chang Chen, Lisa Yang, Elaine Jin uvm. Verleih: The Criterion Collection Titel: Still Life Original: San xia hao ren Startdatum: 4.9.2007 Länge(min): 111 FSK: Regie: Jia Zhangke Darsteller: Zhao Tao, Han Sangming uvm. Verleih: EuroVideo Trailer Titel: City Wolf/ A Better Tomorrow Original: Ying Hung Boon Sik Startdatum: 2.8.1986 (Hong Kong) Länge(min): 95 FSK: 18 Regie: John Woo Darsteller: Chow-Yun Fat, Lung Ti, Leslie Cheung uvm. Verleih: Astro Distribution Trailer Titel: The Killer Original: Dip Huet Seung Hung Startdatum: 13.2.1997 Länge(min): 111/104 (R-Rated) 124(Extended) FSK: 18 Regie: John Woo Darsteller: Danny Lee, Chow-Yun Fat, Sally Yeh uvm. Verleih: E-M-S The DVD Company Trailer Titel: Hard Boiled Original: Lat Sau San Taam Startdatum: 16.4.1992 Länge(min): 128/92 (cut) 148 (Extended) FSK: 18 Regie: John Woo Darsteller: Chow-Yun Fat,John Woo, Tony Leung uvm. Verleih: Splendid Film Titel: Rote Laterne Original: Da Hong Denglong Gaogao Gua Startdatum: 30.7.1992 Länge(min): 125 FSK: 12 Regie: Yimou Zhang Darsteller: Gong Li, Jing Wu Ma, Saifei He uvm. Verleih: KSM Trailer Titel: Chungking Express Original: Chung Hing Sam Lam Startdatum: 28.3.1996 Länge(min): 102 FSK: 12 Regie: Kar-Wai Wong Darsteller: Brigitte Lin, Tony Leung, Liang Zhen uvm. Verleih: The Criterion Collection Trailer Titel: An Elephant Sitting Still Original: Da Xiang Xi Di Er Zuo Startdatum: 15.11.2018 Länge(min): 230 FSK: keine Angabe Regie: Bo Hu Darsteller: Yu Zhang, Uvin Wang, Yuchang Peng uvm. Verleih: The Criterion Collection Trailer Teilnehmer*innen: Lukas Facebook | Twitter | Instagram | Letterboxd Paul Facebook | Instagram Sven Facebook | Instagram Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! i used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0) Folge direkt herunterladen
Welcome to episode 74 of Heroes Three! This week Matthew and Carlos wander the forest looking for Marty and end up in an abandoned temple. Marty isn't there but we find something much scarier as we discuss the 1987 Tsui Hark production, A Chinese Ghost Story starring Leslie Cheung, Wu Ma, and Joey Wong.Check us out on social media - Twitter Instagram Facebook EmailGrab your favorite H3 GIFs here - Heroes Three Giphy Heroes Three gfycatCheck out some art from the show by Carlos - Kung Fu Carlito on TeepublicFull film credits at HKMDBDownload the episode here!Qian Nu You Hun, the theme of A Chinese Ghost Story, sung by Leslie CheungDawn Don't Come, the love theme, sung by Sally YehWu Ma InterviewDao of Yen Chik Ha
Today's guest is China-based producer Sally Yeh. We talk about the US / China divide – the effects of the current trade war on the film industry. Sally also discusses how she deals with censorship, ageism and climate change in China. She also shares her thoughts on what the Chinese studios are looking for. The China-Hollywood Greenlight Podcast – Episode 023 Sally Yeh, Producer Show Notes Host: Caryn McCann Website: The China List – where Hollywood and China meet Facebook: https://www.facebook.com/groups/TheChinaList Twitter: @chnlist https://twitter.com/chnlist LinkedIn: https://www.linkedin.com/in/caryn-mccann-5718058/ Guest: Sally Yeh LinkedIn: SallyMYeh WeChat: TimeLoveEntity Email: SallyMYeh@yahoo.com
LEX the Lexicon Artist - Raging Ego - Glasses (Mozart von Robot's Dismount Your Donkeys Remix) Sam Ock - Godly Love (ft. Nak) Year of The Ox - Twlight Zone Rich Brian - Rapapapa (ft. RZA) Jay Park - Stutter (Feat. Ted Park) Wax - Love Will Make You Do Dumb Shit (feat. Awkwafina) Sally Yeh & Alex To - Love Will Never Do [Chinese Version] Prometheus Brown - Old (Heads) (ft. Klassy) Awesome cuts botg old and new, including throwback to the early 90's!
Después de una larga espera, le he podido podido meter la mano encima a este título. The Hong Kong Massacre del estudio Vreski es un claro homenaje al cine de venganza oriental, al "Heroic Bloodshed", a las cintas de acción de directores como John Woo, Ringo Lam o Tsui Hark. Este videojuego tenía que estar en este diario. Música de entrada: Motorcade. Michael Gibbs. Hardboiled Soundtrack Música de fondo 1: Joseph Koo. A Better Tomorrow Soundtrack Música de fondo 2 y 3: Lowell Lo. The Killer Soundtrack Música de cierre: Drunk For Life. Sally Yeh. Face to Face / The Killer Soundtrack Cierro.
Después de una larga espera, le he podido podido meter la mano encima a este título. The Hong Kong Massacre del estudio Vreski es un claro homenaje al cine de venganza oriental, al "Heroic Bloodshed", a las cintas de acción de directores como John Woo, Ringo Lam o Tsui Hark. Este videojuego tenía que estar en este diario. Música de entrada: Motorcade. Michael Gibbs. Hardboiled Soundtrack Música de fondo 1: Joseph Koo. A Better Tomorrow Soundtrack Música de fondo 2 y 3: Lowell Lo. The Killer Soundtrack Música de cierre: Drunk For Life. Sally Yeh. Face to Face / The Killer Soundtrack Cierro.
The Bad and the Beautiful: Conversations on Cinema – Episode 12 On this episode, Charles and Jeff discuss the three big films of August 2018, a.k.a. CRAZY BLACKKK MEGALODONS. First we infiltrate Spike Lee’s BLACKKKLANSMAN, a provocative return-to-form that resonates with relevance, ranking among his (and the year’s) best. We close as two White Guys Gushing about CRAZY RICH ASIANS. In between, we take a small bite out of THE MEG. Suffice it to say, neither of us are afraid to go back in the water. - BLACKKKLANSMAN, @ 0:54 - THE MEG, @ 25:06 - CRAZY RICH ASIANS, @ 29:23 - OUTRO, @ 50:41 Music Selections: - "Welcome To The Terrordome", Public Enemy - "Material Girl (200 Du)", Sally Yeh
We love Tsui Hark in loony bit parts. What about a feature then? We'll discuss and review his role, the pairing with John Shum and a robotic Sally Yeh in I Love Maria from 1988. Also, somewhere along the way Wong Jing wanted to a Street Fighter movie. Only he couldn't. So he still did […]
We love Tsui Hark in loony bit parts. What about a feature then? We’ll discuss and review his role, the pairing with John Shum and a robotic Sally Yeh in I Love Maria from 1988. Also, somewhere along the way Wong Jing wanted to a Street Fighter movie. Only he couldn’t. So he still did […]
I review The Killer (1989), directed by John Woo, starring Chow Yun-fat, Danny Lee, Sally Yeh and Kenneth Tsang. Check out Distressor's "Just Breathe", they generously allowed us to use their music in our introduction.
Los 80 fueron los años dorados de un subgénero muy característico de Hong Kong; la comedia sobrenatural. Mucho antes de asaltar occidente con La novia de Chucky y Freddy contra Jason, Ronny Yu ya tenía muchos tiros pegados en varios géneros. Con The Occupant se marca una curiosa mezcla de triángulo amoroso de comedia romántica chorra y drama de fantasmas vengativos con un Chow Yun-Fat en pleno ascenso a la fama, Sally Yeh como la estrella del pop asiático garantía de éxito y Raymond Wong haciendo de alivio cómico. Víctor nos da sus impresiones en el podcast de rigor. Hasta mañana!