Podcasts about LCR

Ep.203 is here! Come listen as we tell you all about Ready Set Bet! We then dive into our thoughts on apps in games, before telling you about our favorite Christmas gifts. Be sure to like, share, and subscribe! Game: 10:39 Topic: 19:41 Question: 31:46 Game Mentions: Mansion of Madness 2e, Alchemists, Forgotten Waters, Search for Planet X Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volumemalthousma

Happy New Year! You may have noticed that in 2025 we had moved toward YouTube as our primary podcasting platform. As we'll explain in the next State of Latent Space post, we'll be doubling down on Substack again and improving the experience for the over 100,000 of you who look out for our emails and website updates!We first mentioned Artificial Analysis in 2024, when it was still a side project in a Sydney basement. They then were one of the few Nat Friedman and Daniel Gross' AIGrant companies to raise a full seed round from them and have now become the independent gold standard for AI benchmarking—trusted by developers, enterprises, and every major lab to navigate the exploding landscape of models, providers, and capabilities.We have chatted with both Clementine Fourrier of HuggingFace's OpenLLM Leaderboard and (the freshly valued at $1.7B) Anastasios Angelopoulos of LMArena on their approaches to LLM evals and trendspotting, but Artificial Analysis have staked out an enduring and important place in the toolkit of the modern AI Engineer by doing the best job of independently running the most comprehensive set of evals across the widest range of open and closed models, and charting their progress for broad industry analyst use.George Cameron and Micah-Hill Smith have spent two years building Artificial Analysis into the platform that answers the questions no one else will: Which model is actually best for your use case? What are the real speed-cost trade-offs? And how open is “open” really?We discuss:* The origin story: built as a side project in 2023 while Micah was building a legal AI assistant, launched publicly in January 2024, and went viral after Swyx's retweet* Why they run evals themselves: labs prompt models differently, cherry-pick chain-of-thought examples (Google Gemini 1.0 Ultra used 32-shot prompts to beat GPT-4 on MMLU), and self-report inflated numbers* The mystery shopper policy: they register accounts not on their own domain and run intelligence + performance benchmarks incognito to prevent labs from serving different models on private endpoints* How they make money: enterprise benchmarking insights subscription (standardized reports on model deployment, serverless vs. managed vs. leasing chips) and private custom benchmarking for AI companies (no one pays to be on the public leaderboard)* The Intelligence Index (V3): synthesizes 10 eval datasets (MMLU, GPQA, agentic benchmarks, long-context reasoning) into a single score, with 95% confidence intervals via repeated runs* Omissions Index (hallucination rate): scores models from -100 to +100 (penalizing incorrect answers, rewarding ”I don't know”), and Claude models lead with the lowest hallucination rates despite not always being the smartest* GDP Val AA: their version of OpenAI's GDP-bench (44 white-collar tasks with spreadsheets, PDFs, PowerPoints), run through their Stirrup agent harness (up to 100 turns, code execution, web search, file system), graded by Gemini 3 Pro as an LLM judge (tested extensively, no self-preference bias)* The Openness Index: scores models 0-18 on transparency of pre-training data, post-training data, methodology, training code, and licensing (AI2 OLMo 2 leads, followed by Nous Hermes and NVIDIA Nemotron)* The smiling curve of AI costs: GPT-4-level intelligence is 100-1000x cheaper than at launch (thanks to smaller models like Amazon Nova), but frontier reasoning models in agentic workflows cost more than ever (sparsity, long context, multi-turn agents)* Why sparsity might go way lower than 5%: GPT-4.5 is ~5% active, Gemini models might be ~3%, and Omissions Index accuracy correlates with total parameters (not active), suggesting massive sparse models are the future* Token efficiency vs. turn efficiency: GPT-5 costs more per token but solves Tau-bench in fewer turns (cheaper overall), and models are getting better at using more tokens only when needed (5.1 Codex has tighter token distributions)* V4 of the Intelligence Index coming soon: adding GDP Val AA, Critical Point, hallucination rate, and dropping some saturated benchmarks (human-eval-style coding is now trivial for small models)Links to Artificial Analysis* Website: https://artificialanalysis.ai* George Cameron on X: https://x.com/georgecameron* Micah-Hill Smith on X: https://x.com/micahhsmithFull Episode on YouTubeTimestamps* 00:00 Introduction: Full Circle Moment and Artificial Analysis Origins* 01:19 Business Model: Independence and Revenue Streams* 04:33 Origin Story: From Legal AI to Benchmarking Need* 16:22 AI Grant and Moving to San Francisco* 19:21 Intelligence Index Evolution: From V1 to V3* 11:47 Benchmarking Challenges: Variance, Contamination, and Methodology* 13:52 Mystery Shopper Policy and Maintaining Independence* 28:01 New Benchmarks: Omissions Index for Hallucination Detection* 33:36 Critical Point: Hard Physics Problems and Research-Level Reasoning* 23:01 GDP Val AA: Agentic Benchmark for Real Work Tasks* 50:19 Stirrup Agent Harness: Open Source Agentic Framework* 52:43 Openness Index: Measuring Model Transparency Beyond Licenses* 58:25 The Smiling Curve: Cost Falling While Spend Rising* 1:02:32 Hardware Efficiency: Blackwell Gains and Sparsity Limits* 1:06:23 Reasoning Models and Token Efficiency: The Spectrum Emerges* 1:11:00 Multimodal Benchmarking: Image, Video, and Speech Arenas* 1:15:05 Looking Ahead: Intelligence Index V4 and Future Directions* 1:16:50 Closing: The Insatiable Demand for IntelligenceTranscriptMicah [00:00:06]: This is kind of a full circle moment for us in a way, because the first time artificial analysis got mentioned on a podcast was you and Alessio on Latent Space. Amazing.swyx [00:00:17]: Which was January 2024. I don't even remember doing that, but yeah, it was very influential to me. Yeah, I'm looking at AI News for Jan 17, or Jan 16, 2024. I said, this gem of a models and host comparison site was just launched. And then I put in a few screenshots, and I said, it's an independent third party. It clearly outlines the quality versus throughput trade-off, and it breaks out by model and hosting provider. I did give you s**t for missing fireworks, and how do you have a model benchmarking thing without fireworks? But you had together, you had perplexity, and I think we just started chatting there. Welcome, George and Micah, to Latent Space. I've been following your progress. Congrats on... It's been an amazing year. You guys have really come together to be the presumptive new gardener of AI, right? Which is something that...George [00:01:09]: Yeah, but you can't pay us for better results.swyx [00:01:12]: Yes, exactly.George [00:01:13]: Very important.Micah [00:01:14]: Start off with a spicy take.swyx [00:01:18]: Okay, how do I pay you?Micah [00:01:20]: Let's get right into that.swyx [00:01:21]: How do you make money?Micah [00:01:24]: Well, very happy to talk about that. So it's been a big journey the last couple of years. Artificial analysis is going to be two years old in January 2026. Which is pretty soon now. We first run the website for free, obviously, and give away a ton of data to help developers and companies navigate AI and make decisions about models, providers, technologies across the AI stack for building stuff. We're very committed to doing that and tend to keep doing that. We have, along the way, built a business that is working out pretty sustainably. We've got just over 20 people now and two main customer groups. So we want to be... We want to be who enterprise look to for data and insights on AI, so we want to help them with their decisions about models and technologies for building stuff. And then on the other side, we do private benchmarking for companies throughout the AI stack who build AI stuff. So no one pays to be on the website. We've been very clear about that from the very start because there's no use doing what we do unless it's independent AI benchmarking. Yeah. But turns out a bunch of our stuff can be pretty useful to companies building AI stuff.swyx [00:02:38]: And is it like, I am a Fortune 500, I need advisors on objective analysis, and I call you guys and you pull up a custom report for me, you come into my office and give me a workshop? What kind of engagement is that?George [00:02:53]: So we have a benchmarking and insight subscription, which looks like standardized reports that cover key topics or key challenges enterprises face when looking to understand AI and choose between all the technologies. And so, for instance, one of the report is a model deployment report, how to think about choosing between serverless inference, managed deployment solutions, or leasing chips. And running inference yourself is an example kind of decision that big enterprises face, and it's hard to reason through, like this AI stuff is really new to everybody. And so we try and help with our reports and insight subscription. Companies navigate that. We also do custom private benchmarking. And so that's very different from the public benchmarking that we publicize, and there's no commercial model around that. For private benchmarking, we'll at times create benchmarks, run benchmarks to specs that enterprises want. And we'll also do that sometimes for AI companies who have built things, and we help them understand what they've built with private benchmarking. Yeah. So that's a piece mainly that we've developed through trying to support everybody publicly with our public benchmarks. Yeah.swyx [00:04:09]: Let's talk about TechStack behind that. But okay, I'm going to rewind all the way to when you guys started this project. You were all the way in Sydney? Yeah. Well, Sydney, Australia for me.Micah [00:04:19]: George was an SF, but he's Australian, but he moved here already. Yeah.swyx [00:04:22]: And I remember I had the Zoom call with you. What was the impetus for starting artificial analysis in the first place? You know, you started with public benchmarks. And so let's start there. We'll go to the private benchmark. Yeah.George [00:04:33]: Why don't we even go back a little bit to like why we, you know, thought that it was needed? Yeah.Micah [00:04:40]: The story kind of begins like in 2022, 2023, like both George and I have been into AI stuff for quite a while. In 2023 specifically, I was trying to build a legal AI research assistant. So it actually worked pretty well for its era, I would say. Yeah. Yeah. So I was finding that the more you go into building something using LLMs, the more each bit of what you're doing ends up being a benchmarking problem. So had like this multistage algorithm thing, trying to figure out what the minimum viable model for each bit was, trying to optimize every bit of it as you build that out, right? Like you're trying to think about accuracy, a bunch of other metrics and performance and cost. And mostly just no one was doing anything to independently evaluate all the models. And certainly not to look at the trade-offs for speed and cost. So we basically set out just to build a thing that developers could look at to see the trade-offs between all of those things measured independently across all the models and providers. Honestly, it was probably meant to be a side project when we first started doing it.swyx [00:05:49]: Like we didn't like get together and say like, Hey, like we're going to stop working on all this stuff. I'm like, this is going to be our main thing. When I first called you, I think you hadn't decided on starting a company yet.Micah [00:05:58]: That's actually true. I don't even think we'd pause like, like George had an acquittance job. I didn't quit working on my legal AI thing. Like it was genuinely a side project.George [00:06:05]: We built it because we needed it as people building in the space and thought, Oh, other people might find it useful too. So we'll buy domain and link it to the Vercel deployment that we had and tweet about it. And, but very quickly it started getting attention. Thank you, Swyx for, I think doing an initial retweet and spotlighting it there. This project that we released. And then very quickly though, it was useful to others, but very quickly it became more useful as the number of models released accelerated. We had Mixtrel 8x7B and it was a key. That's a fun one. Yeah. Like a open source model that really changed the landscape and opened up people's eyes to other serverless inference providers and thinking about speed, thinking about cost. And so that was a key. And so it became more useful quite quickly. Yeah.swyx [00:07:02]: What I love talking to people like you who sit across the ecosystem is, well, I have theories about what people want, but you have data and that's obviously more relevant. But I want to stay on the origin story a little bit more. When you started out, I would say, I think the status quo at the time was every paper would come out and they would report their numbers versus competitor numbers. And that's basically it. And I remember I did the legwork. I think everyone has some knowledge. I think there's some version of Excel sheet or a Google sheet where you just like copy and paste the numbers from every paper and just post it up there. And then sometimes they don't line up because they're independently run. And so your numbers are going to look better than... Your reproductions of other people's numbers are going to look worse because you don't hold their models correctly or whatever the excuse is. I think then Stanford Helm, Percy Liang's project would also have some of these numbers. And I don't know if there's any other source that you can cite. The way that if I were to start artificial analysis at the same time you guys started, I would have used the Luther AI's eval framework harness. Yup.Micah [00:08:06]: Yup. That was some cool stuff. At the end of the day, running these evals, it's like if it's a simple Q&A eval, all you're doing is asking a list of questions and checking if the answers are right, which shouldn't be that crazy. But it turns out there are an enormous number of things that you've got control for. And I mean, back when we started the website. Yeah. Yeah. Like one of the reasons why we realized that we had to run the evals ourselves and couldn't just take rules from the labs was just that they would all prompt the models differently. And when you're competing over a few points, then you can pretty easily get- You can put the answer into the model. Yeah. That in the extreme. And like you get crazy cases like back when I'm Googled a Gemini 1.0 Ultra and needed a number that would say it was better than GPT-4 and like constructed, I think never published like chain of thought examples. 32 of them in every topic in MLU to run it, to get the score, like there are so many things that you- They never shipped Ultra, right? That's the one that never made it up. Not widely. Yeah. Yeah. Yeah. I mean, I'm sure it existed, but yeah. So we were pretty sure that we needed to run them ourselves and just run them in the same way across all the models. Yeah. And we were, we also did certain from the start that you couldn't look at those in isolation. You needed to look at them alongside the cost and performance stuff. Yeah.swyx [00:09:24]: Okay. A couple of technical questions. I mean, so obviously I also thought about this and I didn't do it because of cost. Yep. Did you not worry about costs? Were you funded already? Clearly not, but you know. No. Well, we definitely weren't at the start.Micah [00:09:36]: So like, I mean, we're paying for it personally at the start. There's a lot of money. Well, the numbers weren't nearly as bad a couple of years ago. So we certainly incurred some costs, but we were probably in the order of like hundreds of dollars of spend across all the benchmarking that we were doing. Yeah. So nothing. Yeah. It was like kind of fine. Yeah. Yeah. These days that's gone up an enormous amount for a bunch of reasons that we can talk about. But yeah, it wasn't that bad because you can also remember that like the number of models we were dealing with was hardly any and the complexity of the stuff that we wanted to do to evaluate them was a lot less. Like we were just asking some Q&A type questions and then one specific thing was for a lot of evals initially, we were just like sampling an answer. You know, like, what's the answer for this? Like, we didn't want to go into the answer directly without letting the models think. We weren't even doing chain of thought stuff initially. And that was the most useful way to get some results initially. Yeah.swyx [00:10:33]: And so for people who haven't done this work, literally parsing the responses is a whole thing, right? Like because sometimes the models, the models can answer any way they feel fit and sometimes they actually do have the right answer, but they just returned the wrong format and they will get a zero for that unless you work it into your parser. And that involves more work. And so, I mean, but there's an open question whether you should give it points for not following your instructions on the format.Micah [00:11:00]: It depends what you're looking at, right? Because you can, if you're trying to see whether or not it can solve a particular type of reasoning problem, and you don't want to test it on its ability to do answer formatting at the same time, then you might want to use an LLM as answer extractor approach to make sure that you get the answer out no matter how unanswered. But these days, it's mostly less of a problem. Like, if you instruct a model and give it examples of what the answers should look like, it can get the answers in your format, and then you can do, like, a simple regex.swyx [00:11:28]: Yeah, yeah. And then there's other questions around, I guess, sometimes if you have a multiple choice question, sometimes there's a bias towards the first answer, so you have to randomize the responses. All these nuances, like, once you dig into benchmarks, you're like, I don't know how anyone believes the numbers on all these things. It's so dark magic.Micah [00:11:47]: You've also got, like… You've got, like, the different degrees of variance in different benchmarks, right? Yeah. So, if you run four-question multi-choice on a modern reasoning model at the temperatures suggested by the labs for their own models, the variance that you can see on a four-question multi-choice eval is pretty enormous if you only do a single run of it and it has a small number of questions, especially. So, like, one of the things that we do is run an enormous number of all of our evals when we're developing new ones and doing upgrades to our intelligence index to bring in new things. Yeah. So, that we can dial in the right number of repeats so that we can get to the 95% confidence intervals that we're comfortable with so that when we pull that together, we can be confident in intelligence index to at least as tight as, like, a plus or minus one at a 95% confidence. Yeah.swyx [00:12:32]: And, again, that just adds a straight multiple to the cost. Oh, yeah. Yeah, yeah.George [00:12:37]: So, that's one of many reasons that cost has gone up a lot more than linearly over the last couple of years. We report a cost to run the artificial analysis. We report a cost to run the artificial analysis intelligence index on our website, and currently that's assuming one repeat in terms of how we report it because we want to reflect a bit about the weighting of the index. But our cost is actually a lot higher than what we report there because of the repeats.swyx [00:13:03]: Yeah, yeah, yeah. And probably this is true, but just checking, you don't have any special deals with the labs. They don't discount it. You just pay out of pocket or out of your sort of customer funds. Oh, there is a mix. So, the issue is that sometimes they may give you a special end point, which is… Ah, 100%.Micah [00:13:21]: Yeah, yeah, yeah. Exactly. So, we laser focus, like, on everything we do on having the best independent metrics and making sure that no one can manipulate them in any way. There are quite a lot of processes we've developed over the last couple of years to make that true for, like, the one you bring up, like, right here of the fact that if we're working with a lab, if they're giving us a private endpoint to evaluate a model, that it is totally possible. That what's sitting behind that black box is not the same as they serve on a public endpoint. We're very aware of that. We have what we call a mystery shopper policy. And so, and we're totally transparent with all the labs we work with about this, that we will register accounts not on our own domain and run both intelligence evals and performance benchmarks… Yeah, that's the job. …without them being able to identify it. And no one's ever had a problem with that. Because, like, a thing that turns out to actually be quite a good… …good factor in the industry is that they all want to believe that none of their competitors could manipulate what we're doing either.swyx [00:14:23]: That's true. I never thought about that. I've been in the database data industry prior, and there's a lot of shenanigans around benchmarking, right? So I'm just kind of going through the mental laundry list. Did I miss anything else in this category of shenanigans? Oh, potential shenanigans.Micah [00:14:36]: I mean, okay, the biggest one, like, that I'll bring up, like, is more of a conceptual one, actually, than, like, direct shenanigans. It's that the things that get measured become things that get targeted by labs that they're trying to build, right? Exactly. So that doesn't mean anything that we should really call shenanigans. Like, I'm not talking about training on test set. But if you know that you're going to be great at another particular thing, if you're a researcher, there are a whole bunch of things that you can do to try to get better at that thing that preferably are going to be helpful for a wide range of how actual users want to use the thing that you're building. But will not necessarily work. Will not necessarily do that. So, for instance, the models are exceptional now at answering competition maths problems. There is some relevance of that type of reasoning, that type of work, to, like, how we might use modern coding agents and stuff. But it's clearly not one for one. So the thing that we have to be aware of is that once an eval becomes the thing that everyone's looking at, scores can get better on it without there being a reflection of overall generalized intelligence of these models. Getting better. That has been true for the last couple of years. It'll be true for the next couple of years. There's no silver bullet to defeat that other than building new stuff to stay relevant and measure the capabilities that matter most to real users. Yeah.swyx [00:15:58]: And we'll cover some of the new stuff that you guys are building as well, which is cool. Like, you used to just run other people's evals, but now you're coming up with your own. And I think, obviously, that is a necessary path once you're at the frontier. You've exhausted all the existing evals. I think the next point in history that I have for you is AI Grant that you guys decided to join and move here. What was it like? I think you were in, like, batch two? Batch four. Batch four. Okay.Micah [00:16:26]: I mean, it was great. Nat and Daniel are obviously great. And it's a really cool group of companies that we were in AI Grant alongside. It was really great to get Nat and Daniel on board. Obviously, they've done a whole lot of great work in the space with a lot of leading companies and were extremely aligned. With the mission of what we were trying to do. Like, we're not quite typical of, like, a lot of the other AI startups that they've invested in.swyx [00:16:53]: And they were very much here for the mission of what we want to do. Did they say any advice that really affected you in some way or, like, were one of the events very impactful? That's an interesting question.Micah [00:17:03]: I mean, I remember fondly a bunch of the speakers who came and did fireside chats at AI Grant.swyx [00:17:09]: Which is also, like, a crazy list. Yeah.George [00:17:11]: Oh, totally. Yeah, yeah, yeah. There was something about, you know, speaking to Nat and Daniel about the challenges of working through a startup and just working through the questions that don't have, like, clear answers and how to work through those kind of methodically and just, like, work through the hard decisions. And they've been great mentors to us as we've built artificial analysis. Another benefit for us was that other companies in the batch and other companies in AI Grant are pushing the capabilities. Yeah. And I think that's a big part of what AI can do at this time. And so being in contact with them, making sure that artificial analysis is useful to them has been fantastic for supporting us in working out how should we build out artificial analysis to continue to being useful to those, like, you know, building on AI.swyx [00:17:59]: I think to some extent, I'm mixed opinion on that one because to some extent, your target audience is not people in AI Grants who are obviously at the frontier. Yeah. Do you disagree?Micah [00:18:09]: To some extent. To some extent. But then, so a lot of what the AI Grant companies are doing is taking capabilities coming out of the labs and trying to push the limits of what they can do across the entire stack for building great applications, which actually makes some of them pretty archetypical power users of artificial analysis. Some of the people with the strongest opinions about what we're doing well and what we're not doing well and what they want to see next from us. Yeah. Yeah. Because when you're building any kind of AI application now, chances are you're using a whole bunch of different models. You're maybe switching reasonably frequently for different models and different parts of your application to optimize what you're able to do with them at an accuracy level and to get better speed and cost characteristics. So for many of them, no, they're like not commercial customers of ours, like we don't charge for all our data on the website. Yeah. They are absolutely some of our power users.swyx [00:19:07]: So let's talk about just the evals as well. So you start out from the general like MMU and GPQA stuff. What's next? How do you sort of build up to the overall index? What was in V1 and how did you evolve it? Okay.Micah [00:19:22]: So first, just like background, like we're talking about the artificial analysis intelligence index, which is our synthesis metric that we pulled together currently from 10 different eval data sets to give what? We're pretty much the same as that. Pretty confident is the best single number to look at for how smart the models are. Obviously, it doesn't tell the whole story. That's why we published the whole website of all the charts to dive into every part of it and look at the trade-offs. But best single number. So right now, it's got a bunch of Q&A type data sets that have been very important to the industry, like a couple that you just mentioned. It's also got a couple of agentic data sets. It's got our own long context reasoning data set and some other use case focused stuff. As time goes on. The things that we're most interested in that are going to be important to the capabilities that are becoming more important for AI, what developers are caring about, are going to be first around agentic capabilities. So surprise, surprise. We're all loving our coding agents and how the model is going to perform like that and then do similar things for different types of work are really important to us. The linking to use cases to economically valuable use cases are extremely important to us. And then we've got some of the. Yeah. These things that the models still struggle with, like working really well over long contexts that are not going to go away as specific capabilities and use cases that we need to keep evaluating.swyx [00:20:46]: But I guess one thing I was driving was like the V1 versus the V2 and how bad it was over time.Micah [00:20:53]: Like how we've changed the index to where we are.swyx [00:20:55]: And I think that reflects on the change in the industry. Right. So that's a nice way to tell that story.Micah [00:21:00]: Well, V1 would be completely saturated right now. Almost every model coming out because doing things like writing the Python functions and human evil is now pretty trivial. It's easy to forget, actually, I think how much progress has been made in the last two years. Like we obviously play the game constantly of like the today's version versus last week's version and the week before and all of the small changes in the horse race between the current frontier and who has the best like smaller than 10B model like right now this week. Right. And that's very important to a lot of developers and people and especially in this particular city of San Francisco. But when you zoom out a couple of years ago, literally most of what we were doing to evaluate the models then would all be 100% solved by even pretty small models today. And that's been one of the key things, by the way, that's driven down the cost of intelligence at every tier of intelligence. We can talk about more in a bit. So V1, V2, V3, we made things harder. We covered a wider range of use cases. And we tried to get closer to things developers care about as opposed to like just the Q&A type stuff that MMLU and GPQA represented. Yeah.swyx [00:22:12]: I don't know if you have anything to add there. Or we could just go right into showing people the benchmark and like looking around and asking questions about it. Yeah.Micah [00:22:21]: Let's do it. Okay. This would be a pretty good way to chat about a few of the new things we've launched recently. Yeah.George [00:22:26]: And I think a little bit about the direction that we want to take it. And we want to push benchmarks. Currently, the intelligence index and evals focus a lot on kind of raw intelligence. But we kind of want to diversify how we think about intelligence. And we can talk about it. But kind of new evals that we've kind of built and partnered on focus on topics like hallucination. And we've got a lot of topics that I think are not covered by the current eval set that should be. And so we want to bring that forth. But before we get into that.swyx [00:23:01]: And so for listeners, just as a timestamp, right now, number one is Gemini 3 Pro High. Then followed by Cloud Opus at 70. Just 5.1 high. You don't have 5.2 yet. And Kimi K2 Thinking. Wow. Still hanging in there. So those are the top four. That will date this podcast quickly. Yeah. Yeah. I mean, I love it. I love it. No, no. 100%. Look back this time next year and go, how cute. Yep.George [00:23:25]: Totally. A quick view of that is, okay, there's a lot. I love it. I love this chart. Yeah.Micah [00:23:30]: This is such a favorite, right? Yeah. And almost every talk that George or I give at conferences and stuff, we always put this one up first to just talk about situating where we are in this moment in history. This, I think, is the visual version of what I was saying before about the zooming out and remembering how much progress there's been. If we go back to just over a year ago, before 01, before Cloud Sonnet 3.5, we didn't have reasoning models or coding agents as a thing. And the game was very, very different. If we go back even a little bit before then, we're in the era where, when you look at this chart, open AI was untouchable for well over a year. And, I mean, you would remember that time period well of there being very open questions about whether or not AI was going to be competitive, like full stop, whether or not open AI would just run away with it, whether we would have a few frontier labs and no one else would really be able to do anything other than consume their APIs. I am quite happy overall that the world that we have ended up in is one where... Multi-model. Absolutely. And strictly more competitive every quarter over the last few years. Yeah. This year has been insane. Yeah.George [00:24:42]: You can see it. This chart with everything added is hard to read currently. There's so many dots on it, but I think it reflects a little bit what we felt, like how crazy it's been.swyx [00:24:54]: Why 14 as the default? Is that a manual choice? Because you've got service now in there that are less traditional names. Yeah.George [00:25:01]: It's models that we're kind of highlighting by default in our charts, in our intelligence index. Okay.swyx [00:25:07]: You just have a manually curated list of stuff.George [00:25:10]: Yeah, that's right. But something that I actually don't think every artificial analysis user knows is that you can customize our charts and choose what models are highlighted. Yeah. And so if we take off a few names, it gets a little easier to read.swyx [00:25:25]: Yeah, yeah. A little easier to read. Totally. Yeah. But I love that you can see the all one jump. Look at that. September 2024. And the DeepSeek jump. Yeah.George [00:25:34]: Which got close to OpenAI's leadership. They were so close. I think, yeah, we remember that moment. Around this time last year, actually.Micah [00:25:44]: Yeah, yeah, yeah. I agree. Yeah, well, a couple of weeks. It was Boxing Day in New Zealand when DeepSeek v3 came out. And we'd been tracking DeepSeek and a bunch of the other global players that were less known over the second half of 2024 and had run evals on the earlier ones and stuff. I very distinctly remember Boxing Day in New Zealand, because I was with family for Christmas and stuff, running the evals and getting back result by result on DeepSeek v3. So this was the first of their v3 architecture, the 671b MOE.Micah [00:26:19]: And we were very, very impressed. That was the moment where we were sure that DeepSeek was no longer just one of many players, but had jumped up to be a thing. The world really noticed when they followed that up with the RL working on top of v3 and R1 succeeding a few weeks later. But the groundwork for that absolutely was laid with just extremely strong base model, completely open weights that we had as the best open weights model. So, yeah, that's the thing that you really see in the game. But I think that we got a lot of good feedback on Boxing Day. us on Boxing Day last year.George [00:26:48]: Boxing Day is the day after Christmas for those not familiar.George [00:26:54]: I'm from Singapore.swyx [00:26:55]: A lot of us remember Boxing Day for a different reason, for the tsunami that happened. Oh, of course. Yeah, but that was a long time ago. So yeah. So this is the rough pitch of AAQI. Is it A-A-Q-I or A-A-I-I? I-I. Okay. Good memory, though.Micah [00:27:11]: I don't know. I'm not used to it. Once upon a time, we did call it Quality Index, and we would talk about quality, performance, and price, but we changed it to intelligence.George [00:27:20]: There's been a few naming changes. We added hardware benchmarking to the site, and so benchmarks at a kind of system level. And so then we changed our throughput metric to, we now call it output speed, and thenswyx [00:27:32]: throughput makes sense at a system level, so we took that name. Take me through more charts. What should people know? Obviously, the way you look at the site is probably different than how a beginner might look at it.Micah [00:27:42]: Yeah, that's fair. There's a lot of fun stuff to dive into. Maybe so we can hit past all the, like, we have lots and lots of emails and stuff. The interesting ones to talk about today that would be great to bring up are a few of our recent things, I think, that probably not many people will be familiar with yet. So first one of those is our omniscience index. So this one is a little bit different to most of the intelligence evils that we've run. We built it specifically to look at the embedded knowledge in the models and to test hallucination by looking at when the model doesn't know the answer, so not able to get it correct, what's its probability of saying, I don't know, or giving an incorrect answer. So the metric that we use for omniscience goes from negative 100 to positive 100. Because we're simply taking off a point if you give an incorrect answer to the question. We're pretty convinced that this is an example of where it makes most sense to do that, because it's strictly more helpful to say, I don't know, instead of giving a wrong answer to factual knowledge question. And one of our goals is to shift the incentive that evils create for models and the labs creating them to get higher scores. And almost every evil across all of AI up until this point, it's been graded by simple percentage correct as the main metric, the main thing that gets hyped. And so you should take a shot at everything. There's no incentive to say, I don't know. So we did that for this one here.swyx [00:29:22]: I think there's a general field of calibration as well, like the confidence in your answer versus the rightness of the answer. Yeah, we completely agree. Yeah. Yeah.George [00:29:31]: On that. And one reason that we didn't do that is because. Or put that into this index is that we think that the, the way to do that is not to ask the models how confident they are.swyx [00:29:43]: I don't know. Maybe it might be though. You put it like a JSON field, say, say confidence and maybe it spits out something. Yeah. You know, we have done a few evils podcasts over the, over the years. And when we did one with Clementine of hugging face, who maintains the open source leaderboard, and this was one of her top requests, which is some kind of hallucination slash lack of confidence calibration thing. And so, Hey, this is one of them.Micah [00:30:05]: And I mean, like anything that we do, it's not a perfect metric or the whole story of everything that you think about as hallucination. But yeah, it's pretty useful and has some interesting results. Like one of the things that we saw in the hallucination rate is that anthropics Claude models at the, the, the very left-hand side here with the lowest hallucination rates out of the models that we've evaluated amnesty is on. That is an interesting fact. I think it probably correlates with a lot of the previously, not really measured vibes stuff that people like about some of the Claude models. Is the dataset public or what's is it, is there a held out set? There's a hell of a set for this one. So we, we have published a public test set, but we we've only published 10% of it. The reason is that for this one here specifically, it would be very, very easy to like have data contamination because it is just factual knowledge questions. We would. We'll update it at a time to also prevent that, but with yeah, kept most of it held out so that we can keep it reliable for a long time. It leads us to a bunch of really cool things, including breakdown quite granularly by topic. And so we've got some of that disclosed on the website publicly right now, and there's lots more coming in terms of our ability to break out very specific topics. Yeah.swyx [00:31:23]: I would be interested. Let's, let's dwell a little bit on this hallucination one. I noticed that Haiku hallucinates less than Sonnet hallucinates less than Opus. And yeah. Would that be the other way around in a normal capability environments? I don't know. What's, what do you make of that?George [00:31:37]: One interesting aspect is that we've found that there's not really a, not a strong correlation between intelligence and hallucination, right? That's to say that the smarter the models are in a general sense, isn't correlated with their ability to, when they don't know something, say that they don't know. It's interesting that Gemini three pro preview was a big leap over here. Gemini 2.5. Flash and, and, and 2.5 pro, but, and if I add pro quickly here.swyx [00:32:07]: I bet pro's really good. Uh, actually no, I meant, I meant, uh, the GPT pros.George [00:32:12]: Oh yeah.swyx [00:32:13]: Cause GPT pros are rumored. We don't know for a fact that it's like eight runs and then with the LM judge on top. Yeah.George [00:32:20]: So we saw a big jump in, this is accuracy. So this is just percent that they get, uh, correct and Gemini three pro knew a lot more than the other models. And so big jump in accuracy. But relatively no change between the Google Gemini models, between releases. And the hallucination rate. Exactly. And so it's likely due to just kind of different post-training recipe, between the, the Claude models. Yeah.Micah [00:32:45]: Um, there's, there's driven this. Yeah. You can, uh, you can partially blame us and how we define intelligence having until now not defined hallucination as a negative in the way that we think about intelligence.swyx [00:32:56]: And so that's what we're changing. Uh, I know many smart people who are confidently incorrect.George [00:33:02]: Uh, look, look at that. That, that, that is very humans. Very true. And there's times and a place for that. I think our view is that hallucination rate makes sense in this context where it's around knowledge, but in many cases, people want the models to hallucinate, to have a go. Often that's the case in coding or when you're trying to generate newer ideas. One eval that we added to artificial analysis is, is, is critical point and it's really hard, uh, physics problems. Okay.swyx [00:33:32]: And is it sort of like a human eval type or something different or like a frontier math type?George [00:33:37]: It's not dissimilar to frontier frontier math. So these are kind of research questions that kind of academics in the physics physics world would be able to answer, but models really struggled to answer. So the top score here is not 9%.swyx [00:33:51]: And when the people that, that created this like Minway and, and, and actually off via who was kind of behind sweep and what organization is this? Oh, is this, it's Princeton.George [00:34:01]: Kind of range of academics from, from, uh, different academic institutions, really smart people. They talked about how they turn the models up in terms of the temperature as high temperature as they can, where they're trying to explore kind of new ideas in physics as a, as a thought partner, just because they, they want the models to hallucinate. Um, yeah, sometimes it's something new. Yeah, exactly.swyx [00:34:21]: Um, so not right in every situation, but, um, I think it makes sense, you know, to test hallucination in scenarios where it makes sense. Also, the obvious question is, uh, this is one of. Many that there is there, every lab has a system card that shows some kind of hallucination number, and you've chosen to not, uh, endorse that and you've made your own. And I think that's a, that's a choice. Um, totally in some sense, the rest of artificial analysis is public benchmarks that other people can independently rerun. You provide it as a service here. You have to fight the, well, who are we to, to like do this? And your, your answer is that we have a lot of customers and, you know, but like, I guess, how do you converge the individual?Micah [00:35:08]: I mean, I think, I think for hallucinations specifically, there are a bunch of different things that you might care about reasonably, and that you'd measure quite differently, like we've called this a amnesty and solutionation rate, not trying to declare the, like, it's humanity's last hallucination. You could, uh, you could have some interesting naming conventions and all this stuff. Um, the biggest picture answer to that. It's something that I actually wanted to mention. Just as George was explaining, critical point as well is, so as we go forward, we are building evals internally. We're partnering with academia and partnering with AI companies to build great evals. We have pretty strong views on, in various ways for different parts of the AI stack, where there are things that are not being measured well, or things that developers care about that should be measured more and better. And we intend to be doing that. We're not obsessed necessarily with that. Everything we do, we have to do entirely within our own team. Critical point. As a cool example of where we were a launch partner for it, working with academia, we've got some partnerships coming up with a couple of leading companies. Those ones, obviously we have to be careful with on some of the independent stuff, but with the right disclosure, like we're completely comfortable with that. A lot of the labs have released great data sets in the past that we've used to great success independently. And so it's between all of those techniques, we're going to be releasing more stuff in the future. Cool.swyx [00:36:26]: Let's cover the last couple. And then we'll, I want to talk about your trends analysis stuff, you know? Totally.Micah [00:36:31]: So that actually, I have one like little factoid on omniscience. If you go back up to accuracy on omniscience, an interesting thing about this accuracy metric is that it tracks more closely than anything else that we measure. The total parameter count of models makes a lot of sense intuitively, right? Because this is a knowledge eval. This is the pure knowledge metric. We're not looking at the index and the hallucination rate stuff that we think is much more about how the models are trained. This is just what facts did they recall? And yeah, it tracks parameter count extremely closely. Okay.swyx [00:37:05]: What's the rumored size of GPT-3 Pro? And to be clear, not confirmed for any official source, just rumors. But rumors do fly around. Rumors. I get, I hear all sorts of numbers. I don't know what to trust.Micah [00:37:17]: So if you, if you draw the line on omniscience accuracy versus total parameters, we've got all the open ways models, you can squint and see that likely the leading frontier models right now are quite a lot bigger than the ones that we're seeing right now. And the one trillion parameters that the open weights models cap out at, and the ones that we're looking at here, there's an interesting extra data point that Elon Musk revealed recently about XAI that for three trillion parameters for GROK 3 and 4, 6 trillion for GROK 5, but that's not out yet. Take those together, have a look. You might reasonably form a view that there's a pretty good chance that Gemini 3 Pro is bigger than that, that it could be in the 5 to 10 trillion parameters. To be clear, I have absolutely no idea, but just based on this chart, like that's where you would, you would land if you have a look at it. Yeah.swyx [00:38:07]: And to some extent, I actually kind of discourage people from guessing too much because what does it really matter? Like as long as they can serve it as a sustainable cost, that's about it. Like, yeah, totally.George [00:38:17]: They've also got different incentives in play compared to like open weights models who are thinking to supporting others in self-deployment for the labs who are doing inference at scale. It's I think less about total parameters in many cases. When thinking about inference costs and more around number of active parameters. And so there's a bit of an incentive towards larger sparser models. Agreed.Micah [00:38:38]: Understood. Yeah. Great. I mean, obviously if you're a developer or company using these things, not exactly as you say, it doesn't matter. You should be looking at all the different ways that we measure intelligence. You should be looking at cost to run index number and the different ways of thinking about token efficiency and cost efficiency based on the list prices, because that's all it matters.swyx [00:38:56]: It's not as good for the content creator rumor mill where I can say. Oh, GPT-4 is this small circle. Look at GPT-5 is this big circle. And then there used to be a thing for a while. Yeah.Micah [00:39:07]: But that is like on its own, actually a very interesting one, right? That is it just purely that chances are the last couple of years haven't seen a dramatic scaling up in the total size of these models. And so there's a lot of room to go up properly in total size of the models, especially with the upcoming hardware generations. Yes.swyx [00:39:29]: So, you know. Taking off my shitposting face for a minute. Yes. Yes. At the same time, I do feel like, you know, especially coming back from Europe, people do feel like Ilya is probably right that the paradigm is doesn't have many more orders of magnitude to scale out more. And therefore we need to start exploring at least a different path. GDPVal, I think it's like only like a month or so old. I was also very positive when it first came out. I actually talked to Tejo, who was the lead researcher on that. Oh, cool. And you have your own version.George [00:39:59]: It's a fantastic. It's a fantastic data set. Yeah.swyx [00:40:01]: And maybe it will recap for people who are still out of it. It's like 44 tasks based on some kind of GDP cutoff that's like meant to represent broad white collar work that is not just coding. Yeah.Micah [00:40:12]: Each of the tasks have a whole bunch of detailed instructions, some input files for a lot of them. It's within the 44 is divided into like two hundred and twenty two to five, maybe subtasks that are the level of that we run through the agenda. And yeah, they're really interesting. I will say that it doesn't. It doesn't necessarily capture like all the stuff that people do at work. No avail is perfect is always going to be more things to look at, largely because in order to make the tasks well enough to find that you can run them, they need to only have a handful of input files and very specific instructions for that task. And so I think the easiest way to think about them are that they're like quite hard take home exam tasks that you might do in an interview process.swyx [00:40:56]: Yeah, for listeners, it is not no longer like a long prompt. It is like, well, here's a zip file with like a spreadsheet or a PowerPoint deck or a PDF and go nuts and answer this question.George [00:41:06]: OpenAI released a great data set and they released a good paper which looks at performance across the different web chat bots on the data set. It's a great paper, encourage people to read it. What we've done is taken that data set and turned it into an eval that can be run on any model. So we created a reference agentic harness that can run. Run the models on the data set, and then we developed evaluator approach to compare outputs. That's kind of AI enabled, so it uses Gemini 3 Pro Preview to compare results, which we tested pretty comprehensively to ensure that it's aligned to human preferences. One data point there is that even as an evaluator, Gemini 3 Pro, interestingly, doesn't do actually that well. So that's kind of a good example of what we've done in GDPVal AA.swyx [00:42:01]: Yeah, the thing that you have to watch out for with LLM judge is self-preference that models usually prefer their own output, and in this case, it was not. Totally.Micah [00:42:08]: I think the way that we're thinking about the places where it makes sense to use an LLM as judge approach now, like quite different to some of the early LLM as judge stuff a couple of years ago, because some of that and MTV was a great project that was a good example of some of this a while ago was about judging conversations and like a lot of style type stuff. Here, we've got the task that the grader and grading model is doing is quite different to the task of taking the test. When you're taking the test, you've got all of the agentic tools you're working with, the code interpreter and web search, the file system to go through many, many turns to try to create the documents. Then on the other side, when we're grading it, we're running it through a pipeline to extract visual and text versions of the files and be able to provide that to Gemini, and we're providing the criteria for the task and getting it to pick which one more effectively meets the criteria of the task. Yeah. So we've got the task out of two potential outcomes. It turns out that we proved that it's just very, very good at getting that right, matched with human preference a lot of the time, because I think it's got the raw intelligence, but it's combined with the correct representation of the outputs, the fact that the outputs were created with an agentic task that is quite different to the way the grading model works, and we're comparing it against criteria, not just kind of zero shot trying to ask the model to pick which one is better.swyx [00:43:26]: Got it. Why is this an ELO? And not a percentage, like GDP-VAL?George [00:43:31]: So the outputs look like documents, and there's video outputs or audio outputs from some of the tasks. It has to make a video? Yeah, for some of the tasks. Some of the tasks.swyx [00:43:43]: What task is that?George [00:43:45]: I mean, it's in the data set. Like be a YouTuber? It's a marketing video.Micah [00:43:49]: Oh, wow. What? Like model has to go find clips on the internet and try to put it together. The models are not that good at doing that one, for now, to be clear. It's pretty hard to do that with a code editor. I mean, the computer stuff doesn't work quite well enough and so on and so on, but yeah.George [00:44:02]: And so there's no kind of ground truth, necessarily, to compare against, to work out percentage correct. It's hard to come up with correct or incorrect there. And so it's on a relative basis. And so we use an ELO approach to compare outputs from each of the models between the task.swyx [00:44:23]: You know what you should do? You should pay a contractor, a human, to do the same task. And then give it an ELO and then so you have, you have human there. It's just, I think what's helpful about GDPVal, the OpenAI one, is that 50% is meant to be normal human and maybe Domain Expert is higher than that, but 50% was the bar for like, well, if you've crossed 50, you are superhuman. Yeah.Micah [00:44:47]: So we like, haven't grounded this score in that exactly. I agree that it can be helpful, but we wanted to generalize this to a very large number. It's one of the reasons that presenting it as ELO is quite helpful and allows us to add models and it'll stay relevant for quite a long time. I also think it, it can be tricky looking at these exact tasks compared to the human performance, because the way that you would go about it as a human is quite different to how the models would go about it. Yeah.swyx [00:45:15]: I also liked that you included Lama 4 Maverick in there. Is that like just one last, like...Micah [00:45:20]: Well, no, no, no, no, no, no, it is the, it is the best model released by Meta. And... So it makes it into the homepage default set, still for now.George [00:45:31]: Other inclusion that's quite interesting is we also ran it across the latest versions of the web chatbots. And so we have...swyx [00:45:39]: Oh, that's right.George [00:45:40]: Oh, sorry.swyx [00:45:41]: I, yeah, I completely missed that. Okay.George [00:45:43]: No, not at all. So that, which has a checkered pattern. So that is their harness, not yours, is what you're saying. Exactly. And what's really interesting is that if you compare, for instance, Claude 4.5 Opus using the Claude web chatbot, it performs worse than the model in our agentic harness. And so in every case, the model performs better in our agentic harness than its web chatbot counterpart, the harness that they created.swyx [00:46:13]: Oh, my backwards explanation for that would be that, well, it's meant for consumer use cases and here you're pushing it for something.Micah [00:46:19]: The constraints are different and the amount of freedom that you can give the model is different. Also, you like have a cost goal. We let the models work as long as they want, basically. Yeah. Do you copy paste manually into the chatbot? Yeah. Yeah. That's, that was how we got the chatbot reference. We're not going to be keeping those updated at like quite the same scale as hundreds of models.swyx [00:46:38]: Well, so I don't know, talk to a browser base. They'll, they'll automate it for you. You know, like I have thought about like, well, we should turn these chatbot versions into an API because they are legitimately different agents in themselves. Yes. Right. Yeah.Micah [00:46:53]: And that's grown a huge amount of the last year, right? Like the tools. The tools that are available have actually diverged in my opinion, a fair bit across the major chatbot apps and the amount of data sources that you can connect them to have gone up a lot, meaning that your experience and the way you're using the model is more different than ever.swyx [00:47:10]: What tools and what data connections come to mind when you say what's interesting, what's notable work that people have done?Micah [00:47:15]: Oh, okay. So my favorite example on this is that until very recently, I would argue that it was basically impossible to get an LLM to draft an email for me in any useful way. Because most times that you're sending an email, you're not just writing something for the sake of writing it. Chances are context required is a whole bunch of historical emails. Maybe it's notes that you've made, maybe it's meeting notes, maybe it's, um, pulling something from your, um, any of like wherever you at work store stuff. So for me, like Google drive, one drive, um, in our super base databases, if we need to do some analysis or some data or something, preferably model can be plugged into all of those things and can go do some useful work based on it. The things that like I find most impressive currently that I am somewhat surprised work really well in late 2025, uh, that I can have models use super base MCP to query read only, of course, run a whole bunch of SQL queries to do pretty significant data analysis. And. And make charts and stuff and can read my Gmail and my notion. And okay. You actually use that. That's good. That's, that's, that's good. Is that a cloud thing? To various degrees of order, but chat GPD and Claude right now, I would say that this stuff like barely works in fairness right now. Like.George [00:48:33]: Because people are actually going to try this after they hear it. If you get an email from Micah, odds are it wasn't written by a chatbot.Micah [00:48:38]: So, yeah, I think it is true that I have never actually sent anyone an email drafted by a chatbot. Yet.swyx [00:48:46]: Um, and so you can, you can feel it right. And yeah, this time, this time next year, we'll come back and see where it's going. Totally. Um, super base shout out another famous Kiwi. Uh, I don't know if you've, you've any conversations with him about anything in particular on AI building and AI infra.George [00:49:03]: We have had, uh, Twitter DMS, um, with, with him because we're quite big, uh, super base users and power users. And we probably do some things more manually than we should in. In, in super base support line because you're, you're a little bit being super friendly. One extra, um, point regarding, um, GDP Val AA is that on the basis of the overperformance of the models compared to the chatbots turns out, we realized that, oh, like our reference harness that we built actually white works quite well on like gen generalist agentic tasks. This proves it in a sense. And so the agent harness is very. Minimalist. I think it follows some of the ideas that are in Claude code and we, all that we give it is context management capabilities, a web search, web browsing, uh, tool, uh, code execution, uh, environment. Anything else?Micah [00:50:02]: I mean, we can equip it with more tools, but like by default, yeah, that's it. We, we, we give it for GDP, a tool to, uh, view an image specifically, um, because the models, you know, can just use a terminal to pull stuff in text form into context. But to pull visual stuff into context, we had to give them a custom tool, but yeah, exactly. Um, you, you can explain an expert. No.George [00:50:21]: So it's, it, we turned out that we created a good generalist agentic harness. And so we, um, released that on, on GitHub yesterday. It's called stirrup. So if people want to check it out and, and it's a great, um, you know, base for, you know, generalist, uh, building a generalist agent for more specific tasks.Micah [00:50:39]: I'd say the best way to use it is get clone and then have your favorite coding. Agent make changes to it, to do whatever you want, because it's not that many lines of code and the coding agents can work with it. Super well.swyx [00:50:51]: Well, that's nice for the community to explore and share and hack on it. I think maybe in, in, in other similar environments, the terminal bench guys have done, uh, sort of the Harbor. Uh, and so it's, it's a, it's a bundle of, well, we need our minimal harness, which for them is terminus and we also need the RL environments or Docker deployment thing to, to run independently. So I don't know if you've looked at it. I don't know if you've looked at the harbor at all, is that, is that like a, a standard that people want to adopt?George [00:51:19]: Yeah, we've looked at it from a evals perspective and we love terminal bench and, and host benchmarks of, of, of terminal mention on artificial analysis. Um, we've looked at it from a, from a coding agent perspective, but could see it being a great, um, basis for any kind of agents. I think where we're getting to is that these models have gotten smart enough. They've gotten better, better tools that they can perform better when just given a minimalist. Set of tools and, and let them run, let the model control the, the agentic workflow rather than using another framework that's a bit more built out that tries to dictate the, dictate the flow. Awesome.swyx [00:51:56]: Let's cover the openness index and then let's go into the report stuff. Uh, so that's the, that's the last of the proprietary art numbers, I guess. I don't know how you sort of classify all these. Yeah.Micah [00:52:07]: Or call it, call it, let's call it the last of like the, the three new things that we're talking about from like the last few weeks. Um, cause I mean, there's a, we do a mix of stuff that. Where we're using open source, where we open source and what we do and, um, proprietary stuff that we don't always open source, like long context reasoning data set last year, we did open source. Um, and then all of the work on performance benchmarks across the site, some of them, we looking to open source, but some of them, like we're constantly iterating on and so on and so on and so on. So there's a huge mix, I would say, just of like stuff that is open source and not across the side. So that's a LCR for people. Yeah, yeah, yeah, yeah.swyx [00:52:41]: Uh, but let's, let's, let's talk about open.Micah [00:52:42]: Let's talk about openness index. This. Here is call it like a new way to think about how open models are. We, for a long time, have tracked where the models are open weights and what the licenses on them are. And that's like pretty useful. That tells you what you're allowed to do with the weights of a model, but there is this whole other dimension to how open models are. That is pretty important that we haven't tracked until now. And that's how much is disclosed about how it was made. So transparency about data, pre-training data and post-training data. And whether you're allowed to use that data and transparency about methodology and training code. So basically, those are the components. We bring them together to score an openness index for models so that you can in one place get this full picture of how open models are.swyx [00:53:32]: I feel like I've seen a couple other people try to do this, but they're not maintained. I do think this does matter. I don't know what the numbers mean apart from is there a max number? Is this out of 20?George [00:53:44]: It's out of 18 currently, and so we've got an openness index page, but essentially these are points, you get points for being more open across these different categories and the maximum you can achieve is 18. So AI2 with their extremely open OMO3 32B think model is the leader in a sense.swyx [00:54:04]: It's hooking face.George [00:54:05]: Oh, with their smaller model. It's coming soon. I think we need to run, we need to get the intelligence benchmarks right to get it on the site.swyx [00:54:12]: You can't have it open in the next. We can not include hooking face. We love hooking face. We'll have that, we'll have that up very soon. I mean, you know, the refined web and all that stuff. It's, it's amazing. Or is it called fine web? Fine web. Fine web.Micah [00:54:23]: Yeah, yeah, no, totally. Yep. One of the reasons this is cool, right, is that if you're trying to understand the holistic picture of the models and what you can do with all the stuff the company's contributing, this gives you that picture. And so we are going to keep it up to date alongside all the models that we do intelligence index on, on the site. And it's just an extra view to understand.swyx [00:54:43]: Can you scroll down to this? The, the, the, the trade-offs chart. Yeah, yeah. That one. Yeah. This, this really matters, right? Obviously, because you can b

100 Meters | Anime-Sprint auf Netflix Wir alle haben die Bundesjugendspiele in der Schule gehasst. Alle? Nein, natürlich nicht alle. Es gab auch immer ein paar sportbegeisterte Mitschüler:innen. Einer von ihnen ist Komiya im Anime 100 Meters, den ihr seit dem 31. Dezember auf Netflix finden könnt. Das Sportdrama begleitet den talentierten Sprinter über mehrere Jahre und zeigt die Faszination - und vielleicht auch die Obsession - für den Sport. Für die Aufnahme haben sich Sero und Johannes ganz unsportlich vor das Mikrofon gesetzt und besprechen, wie ihnen der Anime gefallen hat. Viel Spaß mit der neuen Folge des Tele-Stammtischs! Trailer Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Viel Spaß mit unseren Besprechungen! Website | Twitch | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Holy Meat | Ist das Kirche oder kann das weg? - Review Kritik Frohes neues Kinojahr 2026! Gleich zum Jahresauftakt macht mit „Holy Meat“ ein Film aus deutschen Landen den Anfang, der die Gemüter womöglich nicht erhitzt, aber spürbar spalten dürfte. So erging es zumindest Sero und Dom, die den zweiten Langspielfilm von Regisseurin Alison Kuhn in Augenschein nahmen und sich im Anschluss alles andere als einig über den eigenwilligen Mix aus Kirchensatire, Komödie und Dorfdrama waren. Wer von beiden dem Ganzen mehr und wer weniger abgewinnen konnte und wo sich beide vielleicht doch eher einig sind - das und mehr erfahrt ihr im Podcast. Viel Spaß mit der neuen Folge des Tele-Stammtischs! Trailer Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Viel Spaß mit unseren Besprechungen! Website | Twitch | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Pluribus (Apple TV) - Invasion des Glücks oder der Langeweile? Über drei Jahre nach dem Serienende von "Better Call Saul", dem gefeierten Prequel zur Kultserie "Breaking Bad", meldete sich Schöpfer Vince Gilligan Anfang November endlich mit seinem neuen Projekt "Pluribus" zurück. Viel bekannt war darüber nicht im Vorfeld, abgesehen von der erneuten Beteiligung von BCS-Star Rhea Seehorn sowie der Tatsache, dass das Serien-Mastermind damit nicht nur nach Albuquerque, New Mexico zurückkehrt, sondern auch zu seinen "Akte X"-Karrierewurzeln im Bereich Mystery. Pünktlich zu Heiligabend sind aber nun alle neun Episoden der Serie, die seit dem 7. November exklusiv bei Apple TV läuft, verfügbar und so haben Valentin, Tim und Dom schon zuvor die Gelegenheit genutzt, sich darüber ausführlich auszutauschen. Ob sie dabei in die kollektiven Lobeshymnen zu "Pluribus" einstimmen konnten oder sie dem Ganzen jeweils doch eher mit gemischten Gefühlen gegenüberstehen, erfahrt ihr im Podcast. Viel Spaß mit der neuen Folge des Tele-Stammtischs! Trailer Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Viel Spaß mit unseren Besprechungen! Website | Twitch | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Anaconda | Wer steht dafür Schlange? Was passiert, wenn die Macher des Nic-Cage-Meta-Films „Massive Talent“ ein Reboot-Remake-Reimagining des Creature-Features "Anaconda" von 1997 drehen? Richtig: ein Meta-Film. Dieses Mal mit Jack Black, Paul Rudd, Thandiwe Newton und Steve Zahn besetzt, die eine Freundesgruppe spielen, die all ihren Mut und ihr Geld zusammenkratzt, um im brasilianischen Dschungel einen neuen Film über eine gefräßige Riesenschlange zu drehen – nur um festzustellen, dass genau so ein Exemplar plötzlich selbst Appetit auf das Quartett entwickelt. War das Original noch darauf aus, möglichst ernst und erschreckend zu wirken, zielt die neue "Anaconda" klar auf augenzwinkernde Unterhaltung: Comedy trifft Horror, ergänzt um eine doppelte Meta-Ebene, die das Genre und Hollywood kommentiert. Ist das kurz vor Jahresende noch ein echtes Highlight? Darüber und über vieles mehr sprechen Sam und Stu im Podcast. Die neue "Anaconda" startet am 25. Dezember in den deutschen Kinos. Viel Spaß mit der neuen Folge des Tele-Stammtischs! Trailer Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Viel Spaß mit unseren Besprechungen! Website | Twitch | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Therapie für Wikinger | Der neue Film der "Adams Äpfel"-Macher Mads Mikkelsen ist weltweit bekannt, doch der Name Anders Thomas Jensen sagt nur wenigen etwas. Dabei haben der Darsteller und der Autorenfilmer bereits mehrfach zusammengearbeitet – nicht nur bei Dramen, sondern vor allem bei schwarzen Komödien wie "Flickering Lights", "Dänische Delikatessen", "Adams Äpfel", "Men & Chicken", "Helden der Wahrscheinlichkeit" und nun, mit deutschem Kinostart am 25. Dezember, "Therapie für Wikinger". Alles Werke mit ausgeprägtem Kultcharakter, mit scharfen Kanten und einem deutlichen Hang zu böser Absurdität, die zugleich immer wieder überraschend viel menschliche Herzlichkeit zulässt. Worum es in "Therapie für Wikinger" geht, für wen dieser Film vermutlich überhaupt nicht geeignet ist und ob Jensen und Mikkelsen wieder harmonieren, darüber und über vieles mehr sprechen Sero und Chris im Podcast. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Spongebob Schwammkopf: Piraten Ahoi! | Sorry, Nolan – SpongeBob erlebt seine "The Odyssey" zuerst Sam und Stu wohnen zwar nicht in einer Ananas tief unten im Meer, doch über "SpongeBob" sprechen sie trotzdem nur zu gern. Unter uns: Sam soll Gerüchten zufolge in einer Mango in einem Vulkan leben – aber wenn die Miete stimmt, warum nicht? Doch zurück zum eigentlichen Star dieses Textes: dem saugstarken, gelben und porösen Schwamm, der nach einigen Abstechern ins Netflix-Universum mit "Spongebob Schwammkopf: Piraten Ahoi!" ab dem 25. Dezember wieder die Kinoleinwände unsicher macht. Zur Handlung? Genau da wird es kompliziert, denn es passiert sehr viel auf einmal: alles ist laut, grell, hektisch und permanent in Bewegung. Ob diese Reizüberflutung Teil des anarchischen Vergnügens ist oder dem Film eher im Weg steht, darüber sprechen Sam und Stu ausführlich im Podcast. Viel Spaß mit der neuen Folge des Tele-Stammtischs! Trailer Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Viel Spaß mit unseren Besprechungen! Website | Twitch | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Die jüngste Tochter | Die eigene Identität und Paris Lida und Johannes besprechen in diesem Podcast das französische Drama „Die Jüngste Tochter“. Im Mittelpunkt des Films, der ab dem 25. Dezember in den Kinos zu sehen ist, steht die 17-jährige Fatima (Nadia Melliti), die jüngsten Tochter einer französisch-algerischen Familie, die in den Vorstädten aufwächst und mit Fragen nach Identität, Glaube und Liebe ringt. Als sie für ihr Studium nach Paris zieht, öffnet sich ihr eine neue Welt: Sie findet Anschluss an die queere Szene, schließt neue Freundschaften und verliebt sich in die Krankenschwester Ji-Na (Park Ji-min). Zwischen familiären Erwartungen, religiöser Überzeugung und eigenen Gefühlen entfaltet sich eine einfühlsame Geschichte über Selbstfindung und innere Freiheit. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Movie Cannibals #24 - Blut unterm Weihnachtsbaum Herzlichst willkommen, allerliebste Wühltischratten, zur neuesten Folge der „Movie Cannibals“! Ein Podcast so herzerwärmend wie ein warmer Kakao mit extra viel Sahne, Marshmallows und einer Prise Zimt – nur eben mit mehr Blut. In dieser besonderen Episode laden Till und Sero zu einer leuchtenden Schlittenfahrt durch den Zauber des Weihnachtshorrors ein – ein Subgenre, das wie kaum ein anderes beweist, wie schön Dunkelheit im Lichterglanz funkeln kann. Zwischen Kerzenschein, Schneeflocken und sanftem Unbehagen entfaltet sich eine liebevolle Hommage an Horrorfilme, die das Fest der Liebe aufnehmen und auf charmant verstörende Weise neu interpretieren. Gemeinsam sprechen wir über moderne Klassiker wie „Better Watch Out“, verspielt und überraschend wie ein sorgfältig verpacktes Geschenk. Wir würdigen das Kultjuwel „Deadly Games: Allein gegen den Weihnachtsmann“, das Mut, Fantasie und einen Hauch Wahnsinn zu echten Weihnachtswerten erhebt. „P2“ macht selbst ein kaltes Parkhaus zur emotionalen Bühne voller Spannung, während „The Children“ daran erinnert, dass Familie alles bedeutet – wirklich alles. Natürlich darf auch der festliche Auftritt von „Terrifier 3“ nicht fehlen: Art the Clown, der mit kindlicher Verspieltheit und grausamer Eleganz den Horror unter den Weihnachtsbaum legt. Ergänzt wird dies durch „Controlled: Bewahren Sie Ruhe“, der zeigt, dass selbst im Chaos noch Platz für Hoffnung und ein wenig Weihnachtsmagie bleibt – auch im Heimkino. Abgerundet wird die Folge durch eine historische Einordnung des Weihnachtshorrors – von zaghaften Anfängen bis zu seiner heutigen Vielfalt – sowie einen optimistischen Blick auf 2026, voller Vorfreude, Neugier und festlicher Erwartung. Diese Folge ist eine warme Decke aus Blut, Lametta und Nostalgie. Ein Kaminfeuer aus Schrecken und Herzenswärme. Ein Podcast wie ein sanfter Schneefall auf eine leicht verstörte Seele. Movie Cannibals – wo selbst der Horror zu Weihnachten ein liebevolles Zuhause findet. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Werdet Teil unserer Community: Discord | Instagram Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien – aktuell, informativ und mit der nötigen Prise Humor. Website | YouTube | PayPal | BuyMeACoffee Großer Dank an Engelbert von Nordhausen – die deutsche Stimme von Samuel L. Jackson – für das Einsprechen unseres Intros. Thank you very much to Bastian Hammer for the orchestral part of the intro! I used sounds from freesound.org (Credits): 16mm Film Reel by bone666138; wilhelm_scream.wav by Syna-Max; backspin.wav by il112; Crowd in a bar (LCR).wav by Leandros.Ntounis; Short Crowd Cheer 2.flac by qubodup License: CC BY 4.0

Sorry, Baby | Zu Weihnachten gibt's was von A24 Mit „Sorry, Baby“ startet am 18. Dezember nicht nur der letzte A24-Film des Jahres in den deutschen Kinos, sondern auch ein Titel, der im Vorfeld bereits viel Lob auf sich gezogen hat. Regisseurin, Autorin und Hauptdarstellerin Eva Victor erzählt von Agnes (Victor), inzwischen Literaturprofessorin, die noch immer mit den Folgen eines traumatischen Übergriffs ringt, der sich vor drei Jahren auf ihrem Campus ereignete, als sie Doktorandin war. Während ihr Umfeld das Geschehene längst hinter sich gelassen hat, bleibt Agnes in der Erinnerung gefangen. Unterstützung findet sie bei ihrer engen Freundin Lydie (Naomi Ackie), zugleich entwickelt sich eine vorsichtige Annäherung an Gavin (Lucas Hedges). Johannes und Niklas haben sich „Sorry, Baby“ angesehen. Wie ihnen der Film gefallen hat, erfahrt ihr im Podcast. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Wake Up, Dead Man - A Knives Out Mystery (Netflix) | Benoit Blanc is back Gerade noch Warner-Discovery gekauft, kommt Netflix noch mit einem Highlight zum Jahresende um die Ecke. Denn bevor der Streaming-Dienst das Kino beerdigt (so prophezeien es die ganz Schwarzmalenden), muss Daniel Craig als Benoit Blanc seinen dritten Fall lösen. Erneut hat Regisseur Rian Johnson in Wake Up, Dead Man- A Knives Out Mystery einen All-Star-Cast um den doppelten Josh (Brolin und O'Connor), Glenn Close oder Jeremy Renner für sein Projekt gewinnen können, um die Geschichte um einen Mord in einer Kirche zu erzählen. Doch macht Rian Johnson erneut Rian Johnson-Dinge und unterläuft die Erwartungen? Diese und noch viele weitere Fragen besprechen Kommissar Johannes, Ordensschwester Laura und der altersmäßig päpstlich anmutende Timo in ihrem spoilerfreien Cast. Wir wollen Euch doch nicht den Spaß am Miträtseln nehmen, wenn ihr ab dem 12. Dezember 2025 bei Netflix reinschaut. Jetzt drei Ave Maria und Play drücken! Amen! Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Der Held vom Bahnhof Friedrichstraße | Good Bye, DDR! Der letzte Film des verstorbenen Regisseurs Wolfgang Becker ("Good Bye, Lenin!") erzählt die Geschichte des Berliner Videothekenbesitzers Micha Hartung (Charly Hübner), der ungewollt zum gesamtdeutschen Helden wird: Zum 30. Jahrestag des Mauerfalls stilisiert ihn ein Journalist plötzlich zum Drahtzieher der größten DDR-Massenflucht – und Michas ohnehin wackliges Leben gerät vollends aus den Fugen. Zwischen Halbwahrheiten, handfesten Lügen und wachsendem Chaos trifft er auf Paula (Christiane Paul), deren Charme und Witz ihn ebenso überraschen wie seine eigenen Gefühle. Doch über allem schwebt die Frage, wie lange seine Geschichte der Wahrheit noch standhält. Keine Schatten wirft hingegen unsere Besprechung zu "Der Held vom Bahnhof Friedrichstraße": Kenny und Sero verraten euch im Podcast, ob sich ab dem 11. Dezember der Gang ins Kino lohnt – oder ob ihr diesmal lieber zu Hause bleibt. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Bibi Blocksberg - Das große Hexentreffen | Oberflächlich statt magisch Vergesst Benjamin Blümchen – die bedeutendste Schöpfung von Autorin Elfie Donnelly war für viele schon immer "Bibi Blocksberg". Diese Ansicht vertritt auch unser Stu, der in seiner Kindheit nicht nur ein einzelnes Hörspiel der liebenswerten Junghexe aus Neustadt im Regal stehen hatte, sondern zahlreiche ihrer Abenteuer verschlungen hat. Umso bemerkenswerter ist es, dass gerade er mit dem neuen "Bibi Blocksberg"-Kinofilm, der ab dem 11. Dezember startet, nur wenig anfangen konnte. Woran das liegt, welche Erwartungen er an eine moderne Interpretation der Figur hatte und warum diese Umsetzung für ihn nicht funktioniert, erörtert er ausführlich im Podcast. Ergänzend dazu kommt Kinderexpertin Schlogger zu Wort, die beleuchtet, wie zeitgemäß Bibis Rückkehr auf die große Leinwand wirklich ist und was junge Zuschauer*innen heute von einer Neuauflage der traditionsreichen Hexenwelt erwarten. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Five Nights at Freddy's 2 | Der Horror-Flop des Jahres Knapp zwei Jahre ist es her, da entwickelte sich die Spielverfilmung "Five Nights at Freddy's" zum internationalen Hit. Kritikerinnen reagierten eher verhalten, doch die Kinokassen füllten sich umso schneller. Am 4. Dezember startet nun "Five Nights at Freddy's 2", das Sequel, das die bekannten Figuren zurückbringt – darunter Wachmann Mike (Josh Hutcherson) und seine Schwester Abby (Piper Rubio). Letztere vermisst nach den Ereignissen des ersten Teils ihre „Freunde“ und gerät dadurch erneut in große Gefahr. Inhaltlich soll es das an dieser Stelle erst einmal gewesen sein. Schlogger und Stu haben sich das Sequel bereits angesehen. Normalerweise versuchen wir, die Meinungen unserer Rezensentinnen in diesen Texten nicht vorwegzunehmen, doch diesmal sei es kurz angemerkt: Sie waren vom Film nicht besonders begeistert. Warum genau und was sie am Sequel störte? Drückt auf Play, und ihr werdet es erfahren. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Stromberg – Wieder alles wie immer | Der Papa ist wieder da! Wer es trotz der allgegenwärtigen Werbeoffensive noch nicht mitbekommen hat: Bernd Stromberg ist zurück – nicht im Streaming oder Fernsehen, sondern auf der großen Leinwand. Elf Jahre nach dem ersten Kinofilm läuft am 4. Dezember mit „Stromberg – Wieder alles wie immer“ der zweite Leinwandausflug an, erneut inszeniert von Arne Feldhusen und geschrieben von Ralf Husmann. Unser „Stromberg“-Ultra Dom und (Alters-)Teilzeitpodcastler Timo konnten die Fortsetzung bereits bei einem Fan-Event sehen und sprechen im Podcast darüber, ob die Komödie auch für Nicht-Fans funktioniert, ob wir Bernd Stromberg in diesen Zeiten tatsächlich brauchen und ob die altvertraute Besetzung – allen voran Christoph Maria Herbst und Bjarne Mädel – weiterhin zu überzeugen weiß. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Timos Videokritik Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Ep.202 is here! This is the episode all about BGGCon 2025. We tell you about the fun we had, the games we played, and plenty of other things. We then tell you about our next two conventions coming in the spring. We hope you enjoy it! Be sure to like, share, and subscribe! Topic: 11:50 Question: 37:29 Game Mentions: Here Lies, The Presence, Message in a Bottle, Battle for Rokugan, Wandering Towers, Red Letter Yellow Letter, Hercules Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volume

Percy Jackson - Die Serie (Disney+) | Unser Ersteindruck zur zweiten Staffel Seit dem 10. Dezember werden die neuen Folgen von „Percy Jackson – Die Serie“ exklusiv bei Disney+ veröffentlicht. Jackson-Fan und Vorlagenkenner Valentin sowie Britt-Marie konnten einige Episoden der zweiten Staffel bereits vorab sehen und sprechen im Podcast darüber, ob die Serie weiterhin überzeugt – oder ob sie doch die eine oder andere Achillesferse besitzt. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Sentimental Value | Familiendrama in Norwegen "Sentimental Value" ist der neue Film von Joachim Trier, der nach dem weltweiten Erfolg von „Der schlimmste Mensch der Welt“ erneut mit Darstellerin Renate Reinsve zusammengearbeitet hat. Der Film erzählt von zwei Schwestern, die nach dem Tod ihrer Mutter mit ihrem entfremdeten Vater Gustav konfrontiert werden – einst ein gefeierter, heute jedoch weitgehend vergessener Regisseur. Nora verfolgt unbeirrt ihre Theaterkarriere, während Agnes ein ruhigeres Familienleben führt. Als Gustav ein neues Drehbuch schreibt und Nora die Hauptrolle anbietet, lehnt sie ab. Auf einer Retrospektive in Frankreich findet er stattdessen eine Hollywood-Darstellerin für die Rolle. Während der Dreharbeiten in Norwegen versucht Gustav, die Beziehung zu seinen Töchtern zu reparieren. Im Podcast mit Kenny, Tim und Kathi gibt es hoffentlich keine zerrütteten Verhältnisse, sondern klare Meinungen zu „Sentimental Value“, der am 4. Dezember in den deutschen Kinos startet. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Zweitland | Südtirol, 1961 Die neue Woche beginnt mit unserer Besprechung zu „Zweitland“. Das Drama startet am 4. Dezember bundesweit in den Kinos, und Lida sowie Sero konnten den Film bereits vorab sehen. Darum geht's: Paul (Thomas Prenn), der Sohn eines Bauern, träumt im Südtirol der 1960er Jahre von einem Leben jenseits der engen Täler – von Kunst, Freiheit und einem Malereistudium in München. Doch als eine Welle des Terrors seine Heimat erschüttert, wird sein Aufbruch jäh gestoppt. Zwischen Gewalt, Idealen und verbotenen Begierden verliert Paul die Kontrolle über sein Schicksal – und muss entscheiden, ob er seinem Traum oder dem zerstörerischen Ruf des Heldentums folgt. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Eternity | Nach dem Tod fängt der Stress erst an "Eternity" mit Miles Teller und Elizabeth Olsen in den Hauptrollen startet am 4. Dezember in den deutschen Kinos und entführt die Zuschauer*innen an einen besonderen Ort: das Jenseits. Dort erhält jede Seele üblicherweise sieben Tage, um über ihr ewiges Schicksal zu entscheiden. Für Joan jedoch wird diese Frist zu einer Zerreißprobe: Soll sie ihrer langjährigen Partnerschaft treu bleiben oder der Liebe folgen, die einst durch einen frühen Tod abrupt endete? Ihre erste Liebe wartet seit Jahrzehnten auf ein Wiedersehen, während die Erinnerungen an ein gemeinsames Leben mit einem anderen nicht verblassen. Zwischen Vergangenem und Vertrautem entfaltet sich ein innerer Konflikt, der keine einfachen Antworten zulässt. Ob sich ein Besuch im Kino lohnt, verrät Stu im Podcast der sehr lebendigen Schlogger. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Best of Cinema | Charlie und die Schokoladenfabrik (am 02.12. zurück im Kino) Zwanzig Jahre nach dem offiziellen Kinostart wird es in den deutschen Lichtspielhäusern nicht nur festlich, sondern ausgesprochen zuckersüß: Die Best-of-Cinema-Reihe holt am 2. Dezember das Remake von "Charlie und die Schokoladenfabrik" zurück auf die große Leinwand. Der Film markiert die vierte und insgesamt siebte Zusammenarbeit von Johnny Depp und Regisseur Tim Burton. Für die aktuelle Ausgabe hat sich unser Best-of-Cinema-Host Chris die beiden ausgewiesenen Naschkatzen Elias und Dom an seine Seite geholt. Gemeinsam gleiten sie über einen See aus flüssiger Schokolade, sprechen über den märchenhaften Film und widmen sich unter anderem der Frage, ob das Ergebnis heute noch süß wirkt – oder bereits in Richtung unangenehm kitschig driftet. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Der Hochstapler - Roofman | Ein Kindheitstraum wird wahr Eingesperrt in einem Spielzeugladen – welches Kind hat davon nicht schon einmal fantasiert? In der Tragikomödie „Der Hochstapler – Roofman“, die auf einer wahren Begebenheit basiert, wird diese Vorstellung jedoch auf ungewöhnliche Weise Realität: Nicht ein Kind, sondern ein flüchtiger Krimineller sucht Anfang der 2000er in einer Toys-R-Us-Filiale Zuflucht und verliebt sich dort in eine Angestellte. Das klingt verspielt und romantisch, und genau das bietet der Film auch – doch unter der Regie von Derek Cianfrance, der mit „Blue Valentine“ die schmerzhaften Seiten zwischenmenschlicher Nähe eindrücklich erforschte, schwingt stets ein leiser Unterton der Zerbrechlichkeit mit. Wie Cianfrance diese Mischung aus Humor, Anziehung und melancholischer Tiefe gestaltet, wie Channing Tatum, Kirsten Dunst und Peter Dinklage ihre Figuren mit Leben füllen und was es darüber hinaus zum Film zu wissen gibt, erfahrt ihr, sobald ihr auf Play drückt und den Stimmen von Schlogger und Stu sowie Manuel lauscht. „Der Hochstapler – Roofman“ startet am 27. November in unseren Kinos. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Rückkehr nach Ithaka | Der Epilog zu "The Odyssey" Bevor Christopher Nolan nächsten Sommer seine „The Odyssey“ ins Kino bringt, erscheint am 27. November bereits „Rückkehr nach Ithaka“, den Laura und Lasse vorab für uns gesehen und im Podcast besprochen haben. Der Film zeigt Odysseus (Ralph Fiennes) zwanzig Jahre nach dem Trojanischen Krieg als ausgelaugten Heimkehrer, der unerkannt in ein verödetes Ithaka zurückkehrt. Penelope (Juliette Binoche) wird in ihrem eigenen Haus von skrupellosen Freiern bedrängt, die sie zu einer Neuvermählung drängen, während Telemachos ohne Vater aufgewachsen und von denselben Männern bedroht wird. Odysseus, vom Krieg innerlich gezeichnet und weit entfernt von seinem einstigen Heldenbild, muss sich trotz Müdigkeit und Schuldgefühlen erneut aufrichten, um seine Familie zu retten und die verloren geglaubte Kraft in sich wiederzufinden. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Mit Liebe und Chansons | Mutti und Manipulation Im Jahr 1963 bringt Esther (Leïla Bekhti) ihren Sohn Roland zur Welt – ein Kind, das aufgrund eines Klumpfußes zunächst weder stehen noch laufen kann. Doch Esther weigert sich, ihn in den engen Rahmen gesellschaftlicher Erwartungen zu pressen. Mit unbeirrbarer Hingabe begleitet sie ihn Schritt für Schritt, unterstützt ihn bei medizinischen Eingriffen, stärkt sein Selbstvertrauen und trotzt gemeinsam mit ihm den Vorurteilen der Umgebung. Gleichzeitig setzt sie auf die Kraft der Musik: Französische Chansons werden für sie zu einem beinahe magischen Begleiter, der Trost spendet und Hoffnung stiftet. Diese Lebensreise bildet das Herz des Films „Mit Liebe und Chansons“ (ab 27. November im Kino), der auf der Autobiographie von Roland Perez basiert – einem Buch, das in Frankreich große Erfolge feierte. Ob diese außergewöhnliche Lebensgeschichte auch auf der Leinwand trägt, diskutieren Elias und Stu im Podcast. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Zoomania 2 | Wenig anders, aber tierisch gut In „Zoomania 2“ (ab 26. November im Kino) führt ein Einsatz die ungleichen, tierischen Cops Judy Hopps und Nick Wilde auf eine rätselhafte Fährte, die die vermeintlich gut geordnete Säugetier-Metropole ins Chaos stürzt. Die beiden müssen sich undercover in bis dahin unbekannten Vierteln behaupten, in denen neue Regeln gelten und ihre noch junge Partnerschaft stärker ins Wanken gerät, als ihnen lieb ist – nicht zuletzt, weil eine Schlange auftaucht, die es in einer Stadt wie Zoomania eigentlich gar nicht geben dürfte. Schlangen sind zwar auch beim Tele-Stammtisch seltene Gäste, dafür haben sich Schlogger und Stu das Sequel zu einem der erfolgreichsten Disney-Filme der vergangenen Jahre angesehen und erzählen nicht nur, ob sich der Kinobesuch lohnt, sondern auch, welche Tiere sie selbst wären, wie sich der zweite Teil atmosphärisch und erzählerisch vom Original unterscheidet – und natürlich, ob Schlangen wirklich so unsympathisch sind, wie ihr Ruf vermuten lässt. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Welcome Home Baby | Die gruseligen Tanten Nach einigen Festival-Abstechern startet der österreichische Genre-Film „Welcome Home Baby“ am 27. November nun endlich regulär in den Kinos: Julia Franz Richter verkörpert darin die Notärztin Judith, die ein Haus erbt – hinterlassen von einer Familie, die sie als Kind verlassen hat. Gemeinsam mit ihrem Mann reist sie nach Österreich, um den Verkauf abzuwickeln, stößt dort jedoch auf ihre rätselhaft wirkende Tante, die alles daransetzt, sie im Dorf festzuhalten. Je länger Judith in ihre frühere Heimat eintaucht, desto intensiver brechen vergessene Bilder und dunkle Emotionen aus ihrem Unterbewusstsein hervor. Unter der Regie des Genre-Spezialisten Andreas Prochaska verspricht „Welcome Home Baby“ eine atmosphärische und packende Erfahrung, die insbesondere Zuschauer*innen anspricht, die Werke wie „Wicker Man“ oder „Get Out“ schätzen. Wie gut der Film letztlich ist, diskutieren Laura und Stu im Podcast. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Anemone | Daniel Day-Lewis ist zurück! Acht Jahre lang blieb Ausnahmetalent und Oscar-Preisträger Daniel Day-Lewis dem Filmgeschäft fern – und warum auch nicht? Mit grandiosen Leistungen in Klassikern wie „Mein linker Fuß“ oder „There Will Be Blood“ hat er längst bewiesen, dass er zur absoluten Elite der internationalen Schauspielkunst gehört. Nun aber kehrt er mit „Anemone“ am 27. November auf die große Leinwand zurück. Ein Glücksfall oder doch ein Reinfall? Laura und Stu sprechen ausführlich über das anspruchsvolle Drama, das neben Day-Lewis auch Samantha Morton und Sean Bean in wichtigen Rollen vereint – und das, so viel lässt sich vermuten, nicht zufällig von seinem Sohn Ronan Day-Lewis inszeniert wurde. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Sehnsucht in Sangerhausen | Deutschland, deine Träumer Johannes und Stu sehnten sich nach einem neuen, deutschen und zugleich klugen Heimatfilm – und dank „Sehnsucht in Sangerhausen“ wurde dieser Wunsch erfüllt. Julian Radlmaiers Film verwebt mehrere Erzählstränge: Ursula, eine Kellnerin mit gebrochenem Herzen, trifft auf Neda, eine iranische YouTuberin mit lädiertem Arm. An einem warmen Sommerabend verliebt sich Ursula in eine geheimnisvolle Musikerin aus der Großstadt, während Neda überzeugt ist, in einer rätselhaften Straßenkehrerin eine alte Freundin aus Teheran wiederzuerkennen. Die unerwarteten Begegnungen und feinen Verwicklungen führen die beiden Frauen schließlich zu einer skurrilen Geisterjagd in den Bergen. Das klingt tatsächlich ein wenig absurd – und ist es auch. Weshalb ihr diesem Film, der am 27. November in die Kinos kommt, dennoch unbedingt eine Chance geben solltet, erfahrt ihr, sobald ihr auf Play drückt. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Movie Cannibals #23 - Von Knochen, Chaos und kulinarischem Widerstand So, liebe Wühltischratten: Bereit, mit uns kopfüber in die fauligen Tiefen filmischer Selbstzerstörung abzutauchen? Sagt später nicht, wir hätten euch nicht gewarnt. Willkommen zur 23. Ausgabe der „Movie Cannibals“ – dem Podcast, der Genrefilme, Horror und Heimkino-Abgründe nicht einfach schaut, sondern mit Haut, Haar und intellektueller Hybris durchlebt, um anschließend alles gnadenlos zu mensplainen. Eure Helden Till und Sero schwanken diesmal zwischen absoluter Gaumenschmausgarantie in „Cannibal Mukbang“ (30.10.2025, Meteor Film) und dem perfekten Airbnb-Albtraum für Paartherapie-Interessierte in „Bone Lake“ (15.01.2026, vier Mediabooks, Busch Media Group). Damit diese Episode nicht komplett in der ontologischen Hirnverflüssigung endet, stehen uns zwei tapfere Seelen bei – Susi und Asfaha vom Podcast „Filmtieftauchen“. Ob sie wussten, worauf sie sich einlassen? Vermutlich nicht. Ob wir sie vorgewarnt haben? Natürlich nicht. Ob sie uns danach blockieren? 98 % Wahrscheinlichkeit. Erwartet schwarzhumorige Existenzverdrängung, inspirierende Lebensweisheiten und das übliche Maß an destruktiver Filmliebe. Movie Cannibals #23 – ein Podcast wie ein elterlicher Liebesakt: Man sollte nicht hinhören, aber man tut es trotzdem. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Verlinkungen zu unseren Gästen: Filmtieftauchen – Der Film-Podcast mit historischem Faktencheck: Instagram Uhrwerk Banane: Instagram Weird Weekender: Website Werdet Teil unserer Community: Discord | Instagram Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien – aktuell, informativ und mit der nötigen Prise Humor. Website | YouTube | PayPal | BuyMeACoffee Großer Dank an Engelbert von Nordhausen – die deutsche Stimme von Samuel L. Jackson – für das Einsprechen unseres Intros. Thank you very much to Bastian Hammer for the orchestral part of the intro! I used sounds from freesound.org (Credits):   16mm Film Reel by bone666138; wilhelm_scream.wav by Syna-Max; backspin.wav by il112; Crowd in a bar (LCR).wav by Leandros.Ntounis; Short Crowd Cheer 2.flac by qubodup License: CC BY 4.0

Train Dreams (Netflix) | Tagträumer und Tagelöhner Robert Grainier arbeitet Anfang des 20. Jahrhunderts als Tagelöhner im rauen Pazifischen Nordwesten und wächst als Adoptivkind in den endlosen Wäldern auf, während er am Ausbau des Schienennetzes mitwirkt. Mit Gladys gründet er eine kleine Familie, bis ein einschneidendes Ereignis sein Leben und seinen Blick auf die Wälder für immer verändert. Ob "Train Dreams" den Blick auf Netflix-Eigenproduktionen verändert, bleibt abzuwarten – fest steht jedoch, dass die Literaturverfilmung der Macher von "Sing Sing" ab dem 21. November bei Netflix verfügbar ist (nach einem kurzen Kinofenster) und dass Britt-Marie und Sero den Film mit Joel Edgerton, Felicity Jones, Kerry Condon und William H. Macy besprechen. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Keeper | Neuer Horror vom "Longlegs"-Regisseur In nur zwei Jahren hat Regisseur Oz Perkins gleich drei Filme realisiert und sich damit förmlich in die Arbeit gestürzt. Herausgekommen sind „Longlegs“, „The Monkey“ und nun „Keeper“, der am 20. November in unseren Kinos startet. In dem neuen Werk, getragen von einer intensiven Hauptrolle von Tatiana Maslany, folgt Perkins einer klassischen Horrorerzählung: Ein Paar verbringt eine vermeintlich romantische Auszeit in einem abgelegenen Waldhaus, doch rasch schleichen sich irritierende Ereignisse ein, die unweigerlich die Frage aufwerfen, was in diesem einsamen Domizil tatsächlich vor sich geht. In unserer spoilerfreien Besprechung mit Schlogger und Stu sowie unserem Gast Kühne (König des Gurkensalats) diskutieren wir, ob „Keeper“ als neuer Horror-Hit gehandelt werden kann oder ob Perkins einmal mehr zahlreiche Genre-Fans irritieren dürfte. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Sisu: Road to Revenge | Action mit FSK18 - aber ohne viele Worte Vor drei Jahren sorgte der norwegische Actionfilm „Sisu“ für strahlende Gesichter bei Genre-Fans: kaum Handlung, noch weniger Dialoge und eine kompromisslos auf Effektivität ausgerichtete Abfolge kraftvoller Setpieces. Mit genau dieser Mischung avancierte der Film international zu einem so deutlichen Erfolg, dass eine Fortsetzung fast unvermeidbar schien. Diese trägt nun den Titel „Sisu: Road to Revenge“, kommt am 20. November in unsere Kinos und setzt erneut auf das eingespielte Team vor und hinter der Kamera. Zugleich verfolgt der Film ein weiter zugespitztes Konzept: eine noch reduziertere Geschichte, eine noch stärkere Verdichtung auf physische Ausdruckskraft – kurz: Action pur. Das klingt nach einem vergnüglichen Kinoabend. Ob „Sisu 2“ dieser Erwartungshaltung auch gerecht wird, darüber sprechen Kathi und Theresia gemeinsam mit ihrem Gast Kühne sowie Stu ausführlich im aktuellen Podcast. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Wicked: Teil Zwei | Showdown in Oz Musicalfans haben sich den 19. November 2025 vermutlich schon lange im Kalender angestrichen, denn dann startet – nach einem Jahr Wartezeit – „Wicked: Teil Zwei“ in unseren Kinos und führt nicht nur die Geschichte der grünen Hexe Elphaba (Cynthia Erivo) und der strahlenden Glinda (Ariana Grande) fort, sondern bringt sie zugleich zu einem Abschluss. Melanie Kali, Kathi und Stu haben sich für uns erneut ins geheimnisvolle Land Oz begeben und sprechen im Podcast darüber, worin die (erneuten) Stärken der Verfilmung liegen, an welchen Stellen der Zauber vielleicht nicht ganz seine Wirkung entfaltet und ob auch Nicht-Fans erwägen sollten, für den Film, in dem unter anderem Jeff Goldblum und Michelle Yeoh mitwirken, einen Kinobesuch einzuplanen. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Eddington | Pedro Pascal vs. Joaquin Phoenix Vom gefeierten Horror-Maestro zum wankenden Arthouse-Liebling? Ari Aster legte mit den Spielfilmen „Hereditary“ und „Midsommar“ einen furiosen Start hin, doch für viele (nicht für alle!) setzte mit „Beau Is Afraid“ eine Abwärtsbewegung ein – und nicht wenige sehen in seiner Satire „Eddington“ gar den bisherigen Tiefpunkt, auch wenn dieses Wort angesichts des erneut brillanten Ensembles fast fehl am Platz wirkt. Schließlich versammelt Aster für seinen neuen Film, der am 20. November in die Kinos kommt, eine beeindruckende Besetzung um Joaquin Phoenix, Pedro Pascal, Luke Grimes, Emma Stone und Austin Butler, deren Präsenz allein schon neugierig macht. In unserem Podcast sprechen Manuel, Niklas und Dom jedoch nicht nur über die Stars – und darüber, wie oft sie tatsächlich auf der Leinwand zu sehen sind –, sondern auch darüber, ob Aster sich mit „Eddington“ vielleicht doch ein gutes Stück übernommen hat. Viel Spaß mit der neuen Folge vom Tele-Stammtisch! Trailer Werdet Teil unserer Community und besucht unseren Discord-Server! Dort oder auch auf Instagram könnt ihr mit uns über Filme, Serien und vieles mehr sprechen. Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0)

Ep.201 is live! Listen to us tell you all about The Gang, the cooperative poker game, and why we love it! We also tell you about some other classics games that have been influential to so many modern games! We end the show by telling you a classic that we missed out on. Be sure to like, share, and subscribe! Game: 11:28 Topic: 22:17 Question: 40:27 Game Mentions: Mafia, Werewolf, Risk, Clue, Cluedo, Betrayal at House on the Hill, Rummy, War, Hearts, Rook, Dominoes Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volume

Ep.200 is live! Come take a listen as we tell you about Halloween Re-themes and what we think of holiday re-themes in general! Be sure to like, share, and subscribe! Game: 12:44 Topic: 19:44 Question: 34:52 Game Mentions: Boop, Patchwork, Tokaido, Escape: Curse of the Temple, Sagrada, Final Girl Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volume

Vindo de grande atuação na Indonésia, com direito à vitória - sua terceira na temporada 2025 - pela Moto2, o brasileiro Diogo Moreira foi confirmado como titular da LCR na MotoGP 2026, quando a classe rainha retorna ao País, com o GP do Brasil agendado como segunda etapa do próximo campeonato, em Goiânia. Repórteres do Motorsport.com, Erick Gabriel (@erickjornalista), Carlos Costa (@ocarlos_costa) e Guilherme Longo (@gglongo) explicam todos os detalhes!

The group discussed various aspects of the music and entertainment industry, including recent performances, technical challenges, and historical experiences working with famous musicians. They explored topics such as audio equipment, mixing techniques, and the evolution of live sound production, while sharing personal anecdotes and industry insights. The conversation concluded with discussions about upcoming events, the changing landscape of audio technology, and the logistics of large-scale music productions.Next stepsThe next steps section is empty, so there are no action items to summarize and rank.SummaryMusicians' Experiences and PerformancesThe group discussed various topics, including Wayne Sims's recent work with the Blues Roadshow, which involved eight guitar players performing simultaneously. They also talked about Barry Manilow's ongoing career at age 82 and his energetic performances. The conversation shifted to past experiences working with famous musicians, with Bruce and Wayne sharing stories about difficult encounters with drummers like Buddy Rich. The group also briefly discussed a fundraising event they had worked on together in the past.Challenges of Celebrity and MediaThe group discussed the challenges faced by celebrities, particularly child stars, and how fame can affect their demeanor and careers. They also talked about audio setup issues and technical adjustments for a live stream. The conversation briefly touched on the situation with Jimmy Kimmel and the role of politics in late-night talk shows, but Jan stopped the discussion before it could become too political. The conversation ended with a brief discussion about the shift towards streaming media and its impact on traditional broadcast ratings.Music Industry and Concert TrendsThe group discussed various topics including concert ticket prices, the changing music industry, and upcoming tours. Ken shared his experience attending Paul McCartney's concert in Las Vegas, while Curt explained his involvement in setting up equipment for The Who's tour. The conversation touched on the high costs of concert productions and the shift in the music industry from album sales to live performances for revenue. Jan mentioned a TikTok prediction of the world ending by September, which led to some lighthearted banter. Fred announced he would be away for a few weeks due to travel. The group also briefly discussed a potential concert by a band named Hotel California in Canada, which David Dansky clarified was not his band.Music Copyright and Tech UpdatesThe group discussed copyright issues, particularly regarding the Eagles' strict enforcement of their music rights, with Jan sharing a story about a company that could only use "Hotel California" in Japan due to licensing restrictions. Christopher explained the concept of fair use, noting that news outlets can use up to 7-8 seconds of music without permission, while Ken inquired about the rules for live performances. The conversation then shifted to technical matters, with Curt seeking advice about digital whiteboards for his shop, and Jan recommending Office Hours Global as a resource. The conversation ended with Christopher providing an update on the Pacific Palisades fire situation, noting that the permit process was taking longer than usual and land prices had dropped by 25-30% in the area.Cedar vs. Waves Noise ReductionThe group discussed noise reduction equipment, comparing the Waves WNS plugin to Cedar audio devices. Wayne explained that while the WNS is less expensive at $35, it doesn't work as well as the Cedar units, which are more expensive but offer better customization with 6 frequency bands. Bruce shared that a 2-channel Cedar unit cost around $4,000 several years ago, while Denis noted that a 2-channel 5045 unit currently costs $2,000. The discussion concluded with Denis sharing information about a DNS 8-channel Cedar unit priced at around $7,000 Canadian.Audio Technology Evolution and SolutionsThe group discussed the evolution of audio technology, with Bruce sharing his experience transitioning from analog to digital consoles and the challenges of managing multiple audio sources in corporate events. Wayne demonstrated a more cost-effective alternative to the Cedar audio noise suppressor unit, and the conversation touched on the practicalities of using EtherCon connectors and Ethernet cables in live sound applications. The discussion concluded with recommendations for adapter solutions to handle different cable types and connector standards in various audio systems.Digital vs Analog Mixing InsightsThe group discussed the differences between analog and digital mixers, with Wayne emphasizing the need for proactive thinking in digital mixing rather than reactive adjustments. Bruce shared his technique of using "home buttons" on digital consoles to navigate back to familiar settings, while Denis recounted a humorous story about a water incident at the Montreal Jazz Festival that highlighted the complexity of digital mixing. The conversation concluded with Bruce and Wayne exchanging stories about their experiences with digital consoles, including a water damage incident at a Phoenix event where Bruce was able to recover the setup using a saved configuration on a thumb drive.LCR Audio Mixing TechniquesThe group discussed mixing techniques for left-center-right (LCR) audio systems in theaters. Bruce inquired about optimal ways to pan vocals and instruments, leading to a discussion about placing vocals in the center and panning band members to the stereo sides. Denis explained the use of a "divergence" feature on LCR consoles to control how much of the center signal goes to the left and right channels. The conversation also covered the challenges of using center clusters, including coverage issues and the need for proper mixing techniques. Wayne Sims shared an experience using a matrixed LCR setup in a theater in Port Macquarie, which resulted in a seamless audio experience during a spoken word performance.Isolation Transformers in Audio SystemsThe group discussed the importance of isolation transformers in audio systems, particularly during the transition from analog to digital in the late 90s. Wayne Sims shared his experience with creating audio loops and the challenges of working without isolation transformers, while Bruce and Wayne Pierce highlighted the effectiveness of carrying heavy isolation transformers to ensure clean power for audio and lighting systems. Denis inquired about transformers with variable R or Q factors, which Wayne and Wayne Pierce researched, finding that these factors relate to insulation and impedance, though the exact details were unclear. The conversation concluded with a lighthearted mention of the Pink Panther movies and a brief discussion about transformer taps and their function in adjusting output voltage.Music Production and Event PlanningThe meeting participants discussed various topics, including WORLD Dream Day, upcoming events, and personal updates. Jan mentioned speaking with Sean, who expressed interest in participating in an unspecified activity and will follow up with Kurt. The group also talked about the logistics and scale of large music productions, with Joshua sharing experiences from recent concerts and events. Wayne Sims shared his thoughts on the increasing complexity and technology involved in modern live sound productions.Musicians' Tech Evolution and ChallengesJoshua shared his experience working with various bands and venues, highlighting how technology has changed the industry, making it easier for musicians to travel with minimal equipment. He discussed his recent show setup, including challenges with lighting and sound equipment, and how he managed to deliver a successful performance despite some technical issues. The conversation...

Ep.199 is here! Come listen as we tell you all about the many games we played at JenCon2025, plus all the adventures we went on! Be sure to like, share, and subscribe! Game: 08:30 Topic: 42:39 Question: 48:15 Game Mentions: Satchel Quest, 23 Knives, Whale Riders, Marvel:Remix, Earth, Emerald Skulls, The Gang, Brass:Birmingham, The Great Split, Red Letter Yellow Letter, Rapid Dungeon, Dice Cards, Hot Steak, Ito, Two Rooms and a Boom, Werewolf in the Dark, Ready Set Bet, Quacks of Quedlinburg Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volume

This is a JenCon Preview! Hayley had a gum graft surgery this week and Delton contracted Covid, so the episode will be delayed until everyone is back on their feet. Hope you enjoy this small preview of the game talk to come! Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volume

Ep.198 is here! Come listen to us talk about the fun game of Llama Land, before telling you about the 5 Love Languages of Board Games! We end by telling you our favorite game we have gifted someone! Be sure to like, share, and subscribe! Game: 14:40 Topic: 28:16 Question: 38:15 Game Mentions: War of the Ring 2e, Barenpark, Sushi Go, Ticket to Ride Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volume

Ep.197 is live! We discuss the great game of SETI before diving into the topic about space exploration and colonialism. We discuss lots of ideas, food for thought, and hopefully it's an interesting conversation for you as well. We then end the show telling you what's for dinner, because it was dinner time and we were needing brain fuel. Be sure to like, share, and subscribe! Game: 9:54 Topic: 26:12 Question: 48:45 Game Mentions: Mombasa, Settlers of Catan, John Company, Spirit Island, Civilization, Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volume

In this special episode, I share my recent appearance on the LCR Media Podcast, hosted by the one and only LCR himself, Naylor Taliaferro. We dive deep into the realities of running a lawn care business, the grind of side hustling, and what it really takes to grow in this industry. Important Links: https://www.instagram.com/sidehustlesquadpodcast/ https://www.instagram.com/coastalfertilization/ Branded Bull Website Design: https://www.brandedbull.com/ https://go.getjobber.com/sidehustlesquad (Get 20% off for 6 months) EQUIP Exposition (Save 50% with code: SIDEHUSTLE) Lawn & Landscape Technology Conference Save 10% on KUJO Yardwear: https://www.kujo.com/?utm_source=sidehustlesquadpodcast&promotion=10sidehustle Lawntrapreneur Academy Live Nov. 8, 2026 Novi, MI PostcardMania LCR Summit Oct. 20-21 Louisville, KY

Ep.196 is here! Come listen as we talk about another trick taking game by Taiki Shinzawa; No Loose Ends. We tell you all about the game before diving into a topic about how small changes make new games. We end the show by telling you two movies that didn't hold up! It's a fun episode, so be sure to like, share, and subscribe! Game: 12:23 Topic: 27:22 Question: 39:25 Game Mentions: Sail!, Ghosts of Christmas, 9Lives, Charms, Inflation, Tower Chess, Cinderella's Dance, Pin Combi Trio, Planet Etuc Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volume

HGR 457 - Guns, Money & Probably Lawyers!   Hello and welcome to Handgun Radio! I'm your host Ryan Michad, Weerd Beard & Co from the wild woods of Central Maine and this is your home for all the news, information and discussion in the handgunning world!   This week, we talk more Lottery Listener Emails & More!   Please check out the Patriot Patch Company for their awesome patches and other high quality  items! Visit www.patriotpatch.co for more information! Cool artist “proof” rendition come along with the latest patch of the month patches!    We are proudly sponsored by VZ Grips! Please go check out all their fantastic products at their website! VZ Grips!  -KFrame Magna Grips   Thank you to all our patreons! Visit us at https://www.patreon.com/handgunradio    Week In Review:    Ryan:-Replaced batteries & mounted Red dot on the Mossberg Shockwave & Volquartsen .22   David: I hate Ryan Weer'd   Xander: Farm maintenance in 90 degree weather   Oddball: Libertycon (see ACP for more on that) and new video card   Drink Segment:  Ryan's favorites: Balconis Blue Corn Whiskey and Bourbon Paper Plane Cocktail   Main Topic: Guns, Money & Probably Lawyers!   Listener Chuck: Episode 455, just some thoughts "J-frame good" -- that it is, though I'm pretty much stuck on the 6 round Taurus 856 now.  If I have to go small, I'll run with a snub as long as I can, probably an LCR. The LCP I find to be a miserable thing to shoot.  Don't like it.  Specialized for when anything else is too big. In years past I picked up both a Kahr CM40 and CM9.  The .40 is, surprisingly, not horrible to shoot.  Handgunhero shows them as almost exactly the same size (in profile, I know they're thicker) as the LCP. —-------------------------------------------------- Listener G: Howdy, I've been a listener for a while and have participated in a few of these in the past and I really enjoy when yall do them.  What follows is my list of 4 pistols (yes I followed the rules, unlike some of the hosts….). My first is a beautiful Italian race gun that I found out about from LifeSizePotato (praise be upon him). 6” 45acp Pardini GT The next two are from C&Rsenal. And I can't wait till they get fully switched to the new format and resume releasing episodes again. I currently have an Othais and Mae sized hole in my heart. Lancaster 4 barrel  This one is just neat, a neat mechanism and a neat form factor. Frommer Stop in 32acp(frommer) This one is one of favorite guns of all time. Who wouldn't love a small, long recoil pistol. Calico M100 pistol. Lastly is  ‘Space Balls: The gun'  Honestly I want this because I love Mel Brooks movies and  also because I want to have something terrible to point at whenever someone asks me what I spent my winnings on. Just for the sheer pleasure that I would get from the other person's confusion.   P.S. thank yall, I really enjoy y'all's podcast. Also Mr. Beard should probably get some sleep from time to time.    Springfield Armory NHS is high on my list but it may be a bit far for a day trip. Thank yall. —--------------------------------------- Listener Myles: Hi Ryan,   I am glad you did this view feed back subject. So my picks for this might not be outrageous but would require me to move.   1) AMT Automag in 44 magnum. Just because.   2) a custom Magnum Research BFR with 3” barrel in 30 carbine. I cast fireball.   3) for my one none handgun the dainty little Lady's Home Companion. Nothing say stay off my lawn like 12 round of 45-70.   —------------------------   Listener David:   If I had unlimited money, here are the guns I would get. I have two rifles. They are kinda cheats I suppose, but I don't care. First, I would go to London and get custom fitted for a Holland & Holland double rifle in 700 Nitro Express.

Ep.195 is live! Come listen to our in-flight announcement as well tell you all about Sky Team! We then go radio silent as we discuss games that function without traditional communication. Finally, we nail the landing by telling you what songs we want to play on the theremin. Be sure to like, share, and subscribe! Game: 14:13 Topic: 28:54 Question: 48:40 Game Mentions: Sail! Escape: Curse of the Temple, Magic Maze Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volume

Double Tap Episode 415 This episode of Double Tap is brought to you by: Gideon Optics, Mitchell Defense, RMA Defense, Bowers Group, Medical Gear Outfitters, and Matador Arms   Welcome to Double Tap, episode 415! Your hosts tonight are Jeremy Pozderac, Aaron Krieger, Nick Lynch, and me Shawn Herrin, welcome to the show! GunCon PUBLIC EVENT - June 28th Location - Cleveland, Ohio at the Twist Drill Building (1242 E 49th St) Industry/Media Events - June 25-28 (Mixed locations around Cleveland area) https://guncon.net/event/guncon-2025/ use code wlsislife for $5 off   GOALS August 9th and 10th in Knoxville, Tennessee. https://events.goa.org/goals/   - Dear WLS Chris L - Hey Fellas, I'm looking for a company that can convert my Sandman S to a HUB mount. This thing has been back to Dead Air twice for warranty after launching from various hosts, although they clean it up really well and claim to EDM the adapter, the problem persists. Ecco Machine offered this service but has recently stopped since they are busy manufacturing their own cans. Thanks.Notes- Pick one.A - Hope to run into you guys at GOALS this year.B - Nice meeting everyone except Aaron at GOALS! Are his hands always that sweaty?   Beau M - As I'm sure you know, we have different tools for different things. Drills, saws, screwdrivers, etc. I'm curious which of you view your guns as specific tools for different purposes? Such as a Tavor for home or urban defense, AR for Antifa crowd control, SBR for a car, etc. Or do you tend to specifically lean towards using one tool to cover all the jobs? Oh and Jeremy, regarding your comment a few weeks ago about “anyone that goes to therapy is either a pussy or a woman.” Fuck you and any other fucking fuck that fucking repeats that fucking lie you fucking fuck faced fuck. Yours Truly, Beau Pho Kyu - What locking piece do I need to run an mp5 Clone suppressed? Totally not Rodin. Seriously, this isn't Rodin - Hey guys. First time listener, long time caller here. If you could full-auto just one single platform, which would it be and why?   Myles Long-Johnson - Esteemed gentlemans, Medical question for Shawn. Sir, can you speak your personal words of smartness on when wound packing of an extremity is appropriate versus applying a tourniquet or a pressure dressing? Are wound packing and applying a tourniquet either/or choices or are there wound packing + tourniquet scenarios? I understand that junctional wounds present a special set of considerations. I'm looking more for insight on limbs from shoulder and hip down. Yours in ignorance, Myles Long-Johnson Zachary V - Hey cunts, looking to buy a j frame for pocket carry. Would like something that I can just stick in my pocket when I need to run down the street or out to the pole barn. I know smith and Ruger have their options with the LCR and 642 but what are the pros and cons of each brand? I am not a revolver guy so I don't know what to look for. Side note based on small revolver recommendations what would be the bigger revolver recommendations so I can get more antiquated with the platform? Nick - What effect does bullet weight have on recoil for a 9mm? More specifically would a heavier bullet i.e., a 147 grain or heavier reduce recoil as opposed to a standard 115 grain?   The winner of this week's swag pack is Pho Kyu! To win your own, go to welikeshooting.com/dashboard and submit a question!   Gun Industry News Nighthawk Custom Double Agent: A Special Look Nighthawk Custom released the Double Agent, a new double-stack 9mm 1911 designed for concealed carry. It features a unique knurling pattern, a nitride finish, and comes with a hand fit frame and slide. The pistol includes two 16-round magazines and has a price of $5,899. It's currently available. 10mm Auto Now Available for Rhino Revolvers

Ep.194 is here! Come listen as we try out our first go at an 18XX game. The genre all about trains and stock markets. We dive into our experience playing Shikoku 1889 before discussing the topic of economy manipulation. We end telling you what's coming up for Delton's birthday. Be sure to like, share, and subscribe! Game: 8:16 Topic: 34:03 Question: 48:16 Game Mentions: Pipeline Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volume

Ep.193 is live! Come listen as we tell you all about Yokohama and the interesting playstyle it brings. We then tell you about reactivity in games and how we feel about games that need reactions during play. We end the episode telling you about the summer movie releases that we are most excited for. Be sure to like, share, and subscribe! Game: 7:12 Topic: 20:22 Question: 34:02 Game Mentions: Gugong, Magic: The Gathering, Netrunner, Support: If you would like to help us improve our product, here's where you can do that! www.patreon.com/MalthausGames podpledge.com?p=3D8L1M1V4S7F8... ko-fi.com/malthausgames Sound Attributions: Something Elated by Broke For Free, Downloaded from freemusicarchive.org/music/Bro... Edits: Cut to length and Faded in. Heavy Happy With Drums by Ryan Cullinane, Downloaded from freemusicarchive.org/music/Ryan Cullinane/Heavy Happy With Drums – Beat Driven Productions – Heavy Happy With Drums Edits: Cut to length and faded out. Crowd in a bar (LCR recording) by Leandros.Ntounis, downloaded from freesound.org/people/Leandros... Edits: Cut to length, added vocals and own recorded drink making sounds. Vinyl_record_needle_static_01.wav by joedeshon, downloaded from freesound.org/people/joedesho... Edits: Cut to length, added to music and raised volume level. Hidden Wall Opening by ertfelda, downloaded from freesound.org/people/ertfelda... Edits: Adjust volume and cut to length added jungle sound and voice. Yucatan jungle.mp3 by folkart films, downloaded from freesound.org/people/folkart%... Edits: Adjust volume, cut to length, added door sound and voice. Footsteps, Concretem A.wav by InspectorJ, downloaded from freesound.org/people/Inspecto... Edits: Cut to length, adjusted volume, added jungle sounds and voice. Fantasy Sounds Effects Library, Ambience_Cave_00.wav by LittleRobotSoundFactory, downloaded from freesound.org/people/LittleRo... Edits: Cut to length, faded in, adjusted volume and added footsteps, jungle sounds, stone door, and voice. Game Show Theme Tune by FoolBoyMedia, downloaded from freesound.org/people/FoolBoyM... Edits: Cut to length, added vocals, adjusted volume. Audience, Theatre Applause.wav by makosan, downloaded from freesound.org/people/makosan/... Edits: Added music, added voice, cut to length and adjusted volume