Podcasts about Riviera

Join us athe the guys discuss Bryan's recent trip to WDW with his stay at the Riviera - JIn this episode the discuss his Pilot program, the Riviera and his dining - Stay tuned for Part 2 next week  Do you have an upcoming trip???  ------------------------------------------------------ If you want to join us and discuss your trip or any of the topics we chat about, provide a trip report or even just ask questions, please reach out to us on our Facebook page, Spoonie Nation, Instagram or Twitter all episodes, show notes, and everything about our podcast here

We're stepping into the lap of Disney luxury for another epic round of Resort Wars — and this time, it's an all-out battle between elegance and refinement as Disney's Riviera Resort goes head-to-head with Disney's Grand Floridian Resort & Spa. From European artistry to Victorian grandeur, we're diving deep into what makes each of these Deluxe destinations truly magical in its own right.We'll explore every corner and category, starting with theming and atmosphere — is it Riviera's intimate boutique charm or Grand Floridian's timeless opulence that captures the crown? Next, we'll unpack the rooms, from Riviera's clever Tower Studios and sprawling villas to Grand Floridian's newly refreshed spaces inspired by Mary Poppins Returns. Both deliver comfort and class, but in very different ways.Then it's on to dining — and let's be honest, this round alone could fill an entire podcast. We're comparing Topolino's Terrace and Primo Piatto to Victoria & Albert's, Citrico's, Narcoossee's, and more. From rooftop character breakfasts to Michelin-worthy cuisine, the food fight is fierce. We'll also talk transportation, where the Skyliner's breezy charm goes up against the monorail's Magic Kingdom convenience, and recreation, where Riviera's quiet sophistication faces Grand Floridian's live music, fireworks, and full-service spa.Finally, we'll weigh in on value. Whether you're planning a romantic couples' getaway or a bucket-list family stay, this showdown helps you figure out which resort best matches your Disney style, budget, and vibe.So grab your latte from Le Petit Café or a cocktail from Enchanted Rose, and join us as we debate, laugh, and share insider stories from two of Walt Disney World's most stunning resorts. It's Riviera versus Grand Floridian — modern European charm versus classic Disney royalty — and the results just might surprise you.

Join Amy, Kathleen, Scott, and Phil, as they try to determine who kidnapped and brainwashed Scott, inexplicably returning him as....a Riviera fan? Follow our pages at: YouTube - https://www.youtube.com/@DVCClubhouse Facebook - https://www.facebook.com/groups/dvcclubhouse/ Instagram - https://www.instagram.com/dvcclubhouse?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== TikTok - https://www.tiktok.com/discover/dvc-clubhouse?is_from_webapp=1&sender_device=pc

At hyre en lejemorder er bestemt ikke hverdagskost her i Danmark. Men i 1982 foregår der en sag, hvor en mand fra Haderslev bliver hyret til at slå en rig kvinde ihjel på Den franske Riviera. Det er en meget spektakulær sag, som involverer et alsidigt persongalleri bestående af en maskinmester fra Haderslev, en ung konstabel fra Ålborg, en smuk kvinde der ejer en af succesfuld restaurant og en stenrig forretningsmand og advokat fra Sydfrankrig. Dette bliver krydret med våben, militærfascination, sprut, penge og et lejemord. Opskriften til noget der kunne minde om en god og medrivende kriminalroman.    Prøv Podimo:30 dages prøveperiode for KUN 9 kr. (kan kun benyttes af nye Podimo-kunder): https://go.podimo.com/dk/truestoryexclusive3 mdr. med 50% rabat (til nye eller tidligere kunder): https://go.podimo.com/dk/truestoryexclusivetilbud Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Are you ready for the holidays? Tips in Ten is here to help! Where will Tammy chose to stay during the holidays? Has Ana had a deluxe stay during the holiday season? Is Alex always going to chose the Riviera? Find out in Tips in Ten!!Thank you for listening!Spend your Wednesdays with Tammy, Ana, and Alex as they spill the tea over planning elevated Walt Disney World, Disneyland, Disney Cruise Line, or Adventures by Disney vacations. We are concierge travel agents with Fantastical Vacations. For help with your next Disney vacation, as well as Universal, cruise lines, all-inclusive resorts and more, you can email us at theteaatthed@gmail.com Follow us on Instagram at https://www.instagram.com/theteaatthed/As well as: Alex: https://www.instagram.com/happilyeverafteralexandra/Ana: https://www.instagram.com/twinmomonmainstreet/Tammy: https://www.instagram.com/howfarillgotravel/For suggestions for future episodes, comments, or questions, you can email us at Theteaatthed@gmail.com

We're diving into the incredible lineup of recreation and activities offered across Disney resorts — many of them free!From campfire sing-alongs and “Movies Under the Stars” to painting classes and fireworks cruises, the resorts are bursting with entertainment that keeps the magic alive long after we've left the parks. We'll share cozy ways to wind down, like roasting marshmallows at Fort Wilderness or catching a movie poolside, and fun experiences that get the whole family moving — think poolside trivia, live music, and surrey bike rides along the Sassagoula River.We'll also talk about some of Disney's most memorable paid experiences, including horse-drawn carriage rides through the pines, pontoon boat rentals on Bay Lake, fishing excursions, and creative workshops at resorts like the Riviera and Coronado Springs. Whether we're traveling as a couple, a family, or with friends, there's something magical waiting beyond the parks — from Yeeha Bob's legendary show at Port Orleans Riverside to peaceful jogging trails around Crescent Lake.So grab your refillable mug, pull up a hammock, and join us as we explore all the fun that doesn't require a park ticket — because sometimes, the best Disney memories happen right at your resort.

Hallo Freunde, in dieser Folge treffe ich Paul Frege und Aditotoro an der kölschen Riviera. Sie verraten uns unter anderem, wie sie es in den Fernsehgarten geschafft haben, wieso sie nicht zum ESC durften, warum Skifahren so geil ist und droppen einige nice Storys. Viel Spaß!

Cada primer domingo del mes, el Café du Village, en el distrito 13 de París, se llena del ritmo afro-uruguayo del candombe. Una rueda de candombe, inspirada en "La Rueda de Candombe" de Montevideo, reúne a músicos latinoamericanos y franceses que, entre tambores y guitarras, recrean una tradición que es al mismo tiempo celebración, memoria y resistencia. Reportaje de Mariana Rivera Ramírez para RFI. Es común en las familias candomberas de Uruguay que, después de un asado, la sobremesa termine entre guitarras y tambores. Esa atmósfera musical es la que se recrea en el Café du Village, en París, el primer domingo de cada mes desde mayo pasado. Situado en el distrito 13 de París, muy cerca de la Place d'Italie, un grupo de músicos hace los últimos ajustes en ese café, antes de iniciar la rueda de candombe uruguaya. Es el momento de acomodar cables, hacer las pruebas de sonido y todo ello, por supuesto, compartiendo el mate. Cuatro de ellos son uruguayos, hay dos franceses y una argentina. Cada quien tiene su propio proyecto musical o se dedica a otros oficios, pero el denominador común es el candombe. Joaquín Fernández es un músico itinerante que viaja con su proyecto solista de canciones, en cuyo repertorio el candombe ocupa un lugar central. Está de paso por París y, como acostumbra en cada ciudad que visita, se reúne con otros músicos para tocar. Allí organizó una rueda de candombe, inspirada por el éxito del formato de La Rueda de Candombe en Montevideo. "Me fascina la estructura del candombe, la forma que adquiere (...) El formato del círculo, el canto en círculo, se ve en varias culturas afro-indígenas de Latinoamérica. Ver ese elemento incorporado al candombe me pareció algo muy bueno y muy efectivo, muy práctico de trabajar", expresa Fernández. La Rueda de Candombe en la capital uruguaya, a la que alude Joaquín, fue la primera que se organizó y se convirtió en un verdadero boom que estalló a fines de 2024. Todo comenzó en un bar, luego de que dos amigos —Caleb Amado y Rodrigo Fernández, alias Rolo— regresaran de un viaje a Río de Janeiro. Inspirados en las fervientes "rodas de samba" brasileñas, "se nos empezó a cruzar por la cabeza la idea de intentar hacer algo parecido con nuestra música", recuerda Rolo. Así decidieron adaptar ese formato y crear su propia rueda con el candombe, ahora llamada oficialmente "La Rueda de Candombe". "Teníamos más preguntas que certezas sobre si iba a funcionar. Por ejemplo, si habría repertorio suficiente. En las rodas de samba cariocas las canciones se encadenan durante mucho rato: hay un repertorio gigantesco. Por suerte, esa fue una de las dudas que tuvo una respuesta muy feliz. Se generó un fenómeno muy lindo", cuenta. Ese éxito los llevó a cruzar el Atlántico con su proyecto. Rolo Fernández habló con RFI durante una parada en París, tras la presentación de La Rueda de Candombe en el Festival de Cannes 2025. Allí animaron la fiesta charrúa de la delegación uruguaya participante en el certamen. La convocatoria fue tal que muchas personas de la comunidad uruguaya viajaron desde otras ciudades, como París o Barcelona, para unirse a La Rueda de Candombe en Niza, al pie de un yate en la Riviera francesa. Para Fernández, conceder una entrevista sobre el candombe en esa ciudad, tan lejos de Uruguay, "para cualquier uruguayo es una manera de llevarlo a casa". Esa sensación de hogar de la que habla Rolo es quizás lo que hace que los tambores del candombe retumben también, a casi once mil kilómetros de Montevideo, en tierras francesas. "Lo amo desde lo más profundo de mi ser"   El fenómeno de las ruedas candomberas resuena desde hace un tiempo en París, en el Café du Village, punto de encuentro musical el primer domingo de cada mes. RFI estuvo en la segunda rueda, en junio. Ese día, Joaquín y su grupo de amigos preparaban el espacio para el cierre de la tarde: una mesa central, los tambores, dos guitarras y un par de micrófonos. Jimena Laje dejó Buenos Aires hace más de veinte años huyendo de la crisis económica del Corralito. En París formó el grupo "La Milongón", con el que interpreta milongas, tangos y candombe. Gracias al ritmo de su país vecino, se reencontró con la música y hoy integra las ruedas de candombe que se hacen en París. . Laje era mesera en un restaurante cuando conoció a Léo Melo, cantante de Los Maniseros: "Vivía enfrente mío, realmente enfrente. Fue una casualidad (...) Y empecé a aprender de a poquito el chico, el tambor. También sigo aprendiendo otros tambores, piano y repique. Pero el instrumento que prefiero es el tambor. Lo amo desde lo más profundo de mi ser". Enganchado al candombe desde los 15 años  Emmanuel Brun, alias Manu, es otro de los integrantes. Francés, creció en una zona multicultural de París. "Era 'Le Tour du Monde'. Una especie de vuelta al mundo en 80 edificios, porque en cada uno vivía gente de distintos lugares", bromea. Gracias a ese entorno, Manu asumió una identidad plural. Se impregnó de la cultura uruguaya desde joven: "Me conecté con el candombe cuando tenía 15 años. Fui a la casa de un amigo uruguayo del liceo a comer tortas fritas. Puso un casete con música uruguaya y candombe. Desde ese día me volví loco con esa música". Esa pasión lo llevó a dejar el bajo y empezar a tocar tambor. Su historia remite a las décadas de 1970 y 1980, cuando la dictadura uruguaya forzó al exilio a unas 380 mil personas. La ciudad donde creció, Fontenay-sous-Bois, en el Val-de-Marne, acogió a muchas familias que huían de las dictaduras de Chile y Uruguay. El candombe, medio de expresión y resistencia de los esclavizados, sigue siendo un vínculo con la memoria para la comunidad uruguaya exiliada en Francia. Así lo expresa Manu: "Mi camino en este género tiene que ver con la militancia. El candombe es una herramienta política y cultural, ligada a formas de resistencia. Me acerqué a activistas afrouruguayos y trabajé con ellos para reescribir la historia del país, para visibilizar los aportes de las poblaciones africanas, afrodescendientes y afroamericanas en la identidad uruguaya. Es una militancia cultural, una lucha "pacífica, pero no pasiva", como me dijo un amigo". Sonidos de resistencia y herencia afrouruguaya Apostar por el formato circular aportó una novedad que generó el boom, pero el candombe se remonta al siglo XVIII, cuando Montevideo fue designada por la corona española como puerto de introducción de esclavos en el sur del Virreinato del Río de la Plata. A fines de ese siglo, un tercio de la población de la ciudad era afrodescendiente. Para sobrellevar la represión, las comunidades se reunían alrededor de los tambores, en las llamadas Salas de Nación, donde recreaban los rituales de sus tierras con música y danza. Con el tiempo, y debido a la estigmatización de la cultura negra, el valor ritual se fue perdiendo. El candombe quedó restringido a los antiguos conventillos, viviendas colectivas de inquilinato. Más adelante, las comparsas de candombe se integraron al carnaval nacional. Hoy los tambores alegran las angostas calles de los barrios Sur y Palermo. El candombe, con sus variaciones rítmicas, es la columna vertebral de muchas canciones uruguayas. Y la Rueda de Candombe es hoy otra plataforma para difundir ese cancionero. "Hace quizás 70 u 80 años, los compositores montevideanos comenzaron a crear canciones con este ritmo. En La Rueda de Candombe tocamos de corrido unas diez o doce canciones por vuelta, todas enlazadas mientras los tambores son el hilo conductor", explica Rolo. Para quienes nacieron en Uruguay, escuchar su música en el extranjero aporta un fuerte sentido de identidad y pertenencia. "La escuela del candombe es la calle" Vicente Pérez, conocido como "Vicho", vive en Francia desde hace más de cinco años. Para él, las nuevas ruedas de candombe en París lo reconectan con su impulso natural de tocar y cantar en comunidad: "En Uruguay, en mi tiempo libre, salía a la calle a tocar el tambor y a bailar con mis amigos. Eso en Francia es difícil de encontrar. Desde que llegué sentí que algo me faltaba. Con las ruedas de candombe encontré eso que me faltaba. También lo había sentido con las ruedas de samba, aunque no es lo mismo. Ambas crean un espacio de libertad, de música y de disfrute", comenta. En el agitado ritmo de París, la convocatoria a la segunda rueda de candombe, en junio, fue un éxito. Pasadas las siete de la tarde, la comunidad uruguaya y latina empezó a ocupar todas las sillas del colorido Café du Village. Esa convivencia musical rompe la famosa cuarta pared del escenario, un objetivo de los candomberos que idearon La Rueda de Candombe en Montevideo. Rolo se muestra complacido de que el fenómeno latinoamericano genere eco en París: "Me parece maravilloso y también necesario. Empezamos con la misión de mostrar nuestra música, pero con el tiempo entendimos que había otra misión: la del punto de encuentro", dice Rolo. Para Vicho, el candombe mantiene su esencia popular: "La escuela del candombe es la calle. Uno aprende porque tiene un amigo que toca, o porque en su familia hay tambores, o porque alguien le prestó uno. No es algo que se estudie en la facultad, aunque ojalá algún día sí. Se necesita la transmisión oral, compartir entre amigos y familia para que el conocimiento no se pierda", subraya. Comunión alrededor de los tambores  En medio de la rueda de candombe en París, ahora bautizada "Antología", Manu explica al público, en francés, la función de los tres tambores que crean la polirritmia: "Hay tres tambores de tamaños distintos. El más grande, el más grave, se llama tambor piano y lleva la base. El del medio, el repique, es con el que más se improvisa. Y el más agudo, el chico, marca el tiempo y el norte. Eso es candombe". Los primeros tambores, construidos por los esclavos africanos, eran de troncos ahuecados o maderas recicladas de barriles, con un cuero clavado en la boca superior. Vicho explica que ese tambor tradicional sigue vivo y que el calor es esencial para su afinación: "El fuego tiene un lugar muy importante. Antes de tocar, hacemos un fuego y ponemos los tambores alrededor. El fuego sirve también para afinar el tambor". "Hoy tenemos tambores de todos los materiales, con parches y sonidos diversos. Pero hay algo que permanece. No sé si es la relación con el ritmo del cuerpo o algo del espíritu de los pueblos africanos que viajó por el mundo con esos tambores", agrega Vicho. Esa reflexión se hace palpable cuando los tambores inundan el local parisino y se forma un espacio de complicidad. El público, que al principio se mostraba tímido, terminó apartando las sillas para formar un trencito humano alrededor de los músicos. Tres amigas colombianas compartieron la sorpresa de asistir por primera vez a una rueda de candombe. "No me lo esperaba para nada", dijo una. "Estas son las fiestas a las que me tienen que invitar siempre", agregó otra. Un músico francés comentó que comprendió mejor la herencia afrouruguaya del ritmo gracias a las explicaciones. Para muchos —argentinos, mexicanos o costarricenses— fue su primer encuentro con el candombe; para la comunidad uruguaya, una cita con su patria. "El candombe me sana"  Aquella noche fue la segunda rueda de candombe en París. Más que un concierto, se sintió como un espacio de comunión, de unión y de pertenencia, en palabras de Joaquín: "Yo creo que la salud puede venir un poco desde ese lado: tocar, bailar, cantar y formar parte de un grupo". Para Jimena Laje, las ruedas son un punto de encuentro sanador: "A mí lo que me pasa es que me cura; pase lo que pase, cualquier dolor o problema. Cuando toco el tambor me siento regenerada, como nueva". "La música es un impulso vital muy primitivo, algo que está muy dentro de uno", reflexiona Rolo. "El corazón está todo el tiempo percutiendo y marcando el ritmo de nuestras vidas. Lo que sucede en la rueda es casi mántrico: uno se deja llevar por ese maravilloso ritmo y trasciende, por un rato, este plano de lo real”. Cada rueda de candombe en París suena a Montevideo. La comunidad uruguaya en el exilio espera ya la próxima fecha. Mientras tanto, en la Plaza España de la Ciudad Vieja, en la capital uruguaya, el fenómeno de la Rueda de Candombe sigue efervescente: donde haya un uruguayo, seguirán sonando los tambores y las canciones de Rubén Rada, Chabela Ramírez, Eduardo Da Luz o Jaime Roos.

Cada primer domingo del mes, el Café du Village, en el distrito 13 de París, se llena del ritmo afro-uruguayo del candombe. "La Rueda de Candombe", inspirada en el fenómeno montevideano, reúne a músicos latinoamericanos y franceses que, entre tambores y guitarras, recrean una tradición que es al mismo tiempo celebración, memoria y resistencia. Reportaje de Mariana Rivera Ramírez para RFI. Es común en las familias candomberas de Uruguay que, después de un asado, la sobremesa termine entre guitarras y tambores. Esa atmósfera musical es la que se recrea en el Café du Village, en París, el primer domingo de cada mes desde mayo pasado. Situado en el distrito 13 de París, muy cerca de la Place d'Italie, un grupo de músicos hace los últimos ajustes en ese café, antes de iniciar la Rueda de Candombe uruguaya. Es el momento de acomodar cables, hacer las pruebas de sonido y todo ello, por supuesto, compartiendo el mate. Cuatro de ellos son uruguayos, hay dos franceses y una argentina. Cada quien tiene su propio proyecto musical o se dedica a otros oficios, pero el denominador común es el candombe. Joaquín Fernández es un músico itinerante que viaja con su proyecto solista de canciones, en cuyo repertorio el candombe ocupa un lugar central. Está de paso por París y, como acostumbra en cada ciudad que visita, se reúne con otros músicos para tocar. Allí organizó la Rueda de Candombe, inspirado por el éxito del formato en Montevideo. "Me fascina la estructura del candombe, la forma que adquiere (...) El formato del círculo, el canto en círculo, se ve en varias culturas afro-indígenas de Latinoamérica. Ver ese elemento incorporado al candombe me pareció algo muy bueno y muy efectivo, muy práctico de trabajar", expresa Fernández. La Rueda de Candombe en la capital uruguaya, a la que alude Joaquín, fue un verdadero fenómeno que estalló a fines de 2024. Todo comenzó en un bar, luego de que dos amigos —Caleb Amado y Rolando Fernández, alias Rolo— regresaran de un viaje a Río de Janeiro. Inspirados en las fervientes "Rodas de Samba" brasileñas, "se nos empezó a cruzar por la cabeza la idea de intentar hacer algo parecido con nuestra música", recuerda Rolo. Así decidieron adaptar ese formato y crear su propia Rueda de Candombe. "Teníamos más preguntas que certezas sobre si iba a funcionar. Por ejemplo, si habría repertorio suficiente. En las rodas de samba cariocas las canciones se encadenan durante mucho rato: hay un repertorio gigantesco. Por suerte, esa fue una de las dudas que tuvo una respuesta muy feliz. Se generó un fenómeno muy lindo", cuenta. Ese éxito los llevó a cruzar el Atlántico con su proyecto. Rolo Fernández habló con RFI durante una parada en París, tras la presentación de la Rueda de Candombe en el Festival de Cannes 2025. Allí animaron la fiesta charrúa de la delegación uruguaya participante en el certamen. La convocatoria fue tal que muchas personas de la comunidad uruguaya viajaron desde otras ciudades, como París o Barcelona, para unirse a la Rueda de Candombe en Niza, al pie de un yate en la Riviera francesa. Para Fernández, conceder una entrevista sobre el candombe en esa ciudad, tan lejos de Uruguay, “para cualquier uruguayo es una manera de llevarlo a casa”. Esa sensación de hogar de la que habla Rolo es quizás lo que hace que los tambores del candombe retumben también, a casi once mil kilómetros de Montevideo, en tierras francesas. "Lo amo desde lo más profundo de mi ser"   El fenómeno de las Ruedas Candomberas resuena desde hace un tiempo en París, en el Café du Village, punto de encuentro musical el primer domingo de cada mes. RFI estuvo en la segunda rueda, en junio. Ese día, Joaquín y su grupo de amigos preparaban el espacio para el cierre de la tarde: una mesa central, los tambores, dos guitarras y un par de micrófonos. Jimena Laje dejó Buenos Aires hace más de veinte años huyendo de la crisis económica del Corralito. En París formó el grupo "La Milongón", con el que interpreta milongas, tangos y candombe. Gracias al ritmo de su país vecino, se reencontró con la música y hoy integra la Rueda de Candombe. Laje era mesera en un restaurante cuando conoció a Léo Melo, cantante de Los Maniseros: "Vivía enfrente mío, realmente enfrente. Fue una casualidad (...) Y empecé a aprender de a poquito el chico, el tambor. También sigo aprendiendo otros tambores, piano y repique. Pero el instrumento que prefiero es el tambor. Lo sigo eligiendo y lo amo desde lo más profundo de mi ser". Emmanuel Brun, alias Manu, es otro de los integrantes. Francés, creció en una zona multicultural de París. "Era 'Le Tour du Monde'. Una especie de vuelta al mundo en 80 edificios, porque en cada uno vivía gente de distintos lugares", bromea. Este francés se enganchó al candombe a los 15 años  Gracias a ese entorno, Manu asumió una identidad plural. Se impregnó de la cultura uruguaya desde joven: "Me conecté con el candombe cuando tenía 15 años. Fui a la casa de un amigo uruguayo del liceo a comer tortas fritas. Puso un casete con música uruguaya y candombe. Desde ese día me volví loco con esa música". Esa pasión lo llevó a dejar el bajo y empezar a tocar tambor. Su historia remite a las décadas de 1970 y 1980, cuando la dictadura uruguaya forzó al exilio a unas 380 mil personas. La ciudad donde creció, Fontenay-sous-Bois, en el Val-de-Marne, acogió a muchas familias que huían de las dictaduras de Chile y Uruguay. El candombe, medio de expresión y resistencia de los esclavizados, sigue siendo un vínculo con la memoria para la comunidad uruguaya exiliada en Francia. Así lo expresa Manu: "Mi camino en este género tiene que ver con la militancia. El candombe es una herramienta política y cultural, ligada a formas de resistencia. Me acerqué a activistas afrouruguayos y trabajé con ellos para reescribir la historia del país, para visibilizar los aportes de las poblaciones africanas, afrodescendientes y afroamericanas en la identidad uruguaya. Es una militancia cultural, una lucha pacífica pero no pasiva". Sonidos de resistencia y herencia afrouruguaya Apostar por el formato circular aportó una novedad que generó el boom, pero el candombe se remonta al siglo XVIII, cuando Montevideo fue designada por la corona española como puerto de introducción de esclavos en el sur del Virreinato del Río de la Plata. A fines de ese siglo, un tercio de la población de la ciudad era afrodescendiente. Para sobrellevar la represión, las comunidades se reunían alrededor de los tambores, en las llamadas Salas de Nación, donde recreaban los rituales de sus tierras con música y danza. Con el tiempo, y debido a la estigmatización de la cultura negra, el valor ritual se fue perdiendo. El candombe quedó restringido a los antiguos conventillos, viviendas colectivas de inquilinato. Más adelante, las comparsas de candombe se integraron al carnaval nacional. Hoy los tambores alegran las angostas calles de los barrios Sur y Palermo. El candombe, con sus variaciones rítmicas, es la columna vertebral de muchas canciones uruguayas. Y la Rueda de Candombe es hoy otra plataforma para difundir ese cancionero. "Hace quizás 70 u 80 años, los compositores montevideanos comenzaron a crear canciones con este ritmo. En la Rueda de Candombe tocamos de corrido unas diez o doce canciones por vuelta, todas enlazadas mientras los tambores son el hilo conductor", explica Rolo. Para quienes nacieron en Uruguay, escuchar su música en el extranjero aporta un fuerte sentido de identidad y pertenencia. El candombe es de la calle, no de la universidad  Vicente Pérez, conocido como "Vicho", vive en Francia desde hace más de cinco años. Para él, las nuevas Ruedas de Candombe en París lo reconectan con su impulso natural de tocar y cantar en comunidad: "En Uruguay, en mi tiempo libre, salía a la calle a tocar el tambor y a bailar con mis amigos. Eso en Francia es difícil de encontrar. Desde que llegué sentí que algo me faltaba. Con las Ruedas de Candombe encontré eso que me faltaba. También lo había sentido con las Ruedas de Samba, aunque no es lo mismo. Ambas crean un espacio de libertad, de música y de disfrute", comenta. En el agitado ritmo de París, la convocatoria a la segunda Rueda de Candombe, en junio, fue un éxito. Pasadas las siete de la tarde, la comunidad uruguaya y latina empezó a ocupar todas las sillas del colorido Café du Village. Esa convivencia musical rompe la famosa cuarta pared del escenario, un objetivo de los candomberos que idearon la rueda de Montevideo. Rolo se muestra complacido de que el fenómeno latinoamericano genere eco en París: "Me parece maravilloso y también necesario. Empezamos con la misión de mostrar nuestra música, pero con el tiempo entendimos que había otra misión: la del punto de encuentro", dice Rolo. Para Vicho, el candombe mantiene su esencia popular: "La escuela del candombe es la calle. Uno aprende porque tiene un amigo que toca, o porque en su familia hay tambores, o porque alguien le prestó uno. No es algo que se estudie en la facultad, aunque ojalá algún día sí. Se necesita la transmisión oral, compartir entre amigos y familia para que el conocimiento no se pierda", subraya. Comunión alrededor de los tambores  En medio de la Rueda de Candombe en París, Manu explica al público, en francés, la función de los tres tambores que crean la polirritmia: "Hay tres tambores de tamaños distintos. El más grande, el más grave, se llama tambor piano y lleva la base. El del medio, el repique, es con el que más se improvisa. Y el más agudo, el chico, marca el tiempo y el norte. Eso es candombe". Los primeros tambores, construidos por los esclavos africanos, eran de troncos ahuecados o maderas recicladas de barriles, con un cuero clavado en la boca superior. Vicho explica que ese tambor tradicional sigue vivo y que el calor es esencial para su afinación: "El fuego tiene un lugar muy importante. Antes de tocar, hacemos un fuego y ponemos los tambores alrededor. El fuego sirve también para afinar el tambor". "Hoy tenemos tambores de todos los materiales, con parches y sonidos diversos. Pero hay algo que permanece. No sé si es la relación con el ritmo del cuerpo o algo del espíritu de los pueblos africanos que viajó por el mundo con esos tambores", agrega Vicho. Esa reflexión se hace palpable cuando los tambores inundan el local parisino y se forma un espacio de complicidad. El público, que al principio se mostraba tímido, terminó apartando las sillas para formar un trencito humano alrededor de los músicos. Tres amigas colombianas compartieron la sorpresa de asistir por primera vez a una rueda de candombe. "No me lo esperaba para nada", dijo una. "Estas son las fiestas a las que me tienen que invitar siempre", agregó otra. Un músico francés comentó que comprendió mejor la herencia afrouruguaya del ritmo gracias a las explicaciones. Para muchos —argentinos, mexicanos o costarricenses— fue su primer encuentro con el candombe; para la comunidad uruguaya, una cita con su patria. El candombe es bueno para la salud  Aquella noche fue la segunda Rueda de Candombe en París. Más que un concierto, se sintió como un espacio de comunión, de unión y de pertenencia, en palabras de Joaquín: "Yo creo que la salud puede venir un poco desde ese lado: tocar, bailar, cantar y formar parte de un grupo”. Para Jimena Laje, las ruedas son un punto de encuentro sanador: "A mí lo que me pasa es que me cura; pase lo que pase, cualquier dolor o problema. Cuando toco el tambor me siento regenerada, como nueva". "La música es un impulso vital muy primitivo, algo que está muy dentro de uno", reflexiona Rolo. "El corazón está todo el tiempo percutiendo y marcando el ritmo de nuestras vidas. Lo que sucede en la rueda es casi mántrico: uno se deja llevar por ese maravilloso ritmo y trasciende, por un rato, este plano de lo real”. Cada Rueda de Candombe en París suena a Montevideo. La comunidad uruguaya en el exilio espera ya la próxima fecha. Mientras tanto, en la Plaza España de la Ciudad Vieja de Montevideo, el fenómeno sigue efervescente: donde haya un uruguayo, seguirán sonando los tambores y las canciones de Rubén Rada, Chabela Ramírez, Eduardo Da Luz o Jaime Roos.

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⚡️ Spezial-Folge | 2026 wird (hoffentlich) ein Reisejahr der Extraklasse: Von den Winterspielen über die Fußball-WM bis hin zur großen Sonnenfinsternis. Wir verraten euch die spannendsten Reisetrends, ob Mega-Events, neue Kulturdestinationen wie in Finnland oder der Slowakei, die Renaissance der Biennale in Venedig, der Formel-1-Kick in Madrid oder die unentdeckte albanische Riviera. Außerdem gibt's Tipps, wie ihr Multistop-Urlaube clever plant und wo ihr die besten Geheimspots findet.Über "Welttournee - Der Reisepodcast"Zwei Jugendfreunde. 30 Urlaubstage. Über 120 Länder. Adrian Klie und Christoph Streicher entdecken die Welt. Nicht als Aussteiger, sondern neben dem Bürojob. Unterhaltsam, ehrlich, mehrfach ausgezeichnet.Alle Links auf einen Blick

This is the Live Call-in Show from this past Sunday night, October 19, 2025!  Mike and Scott were together for the hour with some fun Disney talk!  The callers were on-file tonight as we heard about a great trip from Charles from Louisiana who stayed at the Riviera, attended Mickey's Not So Scary Halloween Party, had some great meals, and more!  Justin also called in to share his tips on staying at Port Orleans French Quarter, talked about great dining and drinks at The Boathouse, Jock Lindsay's, and more!  Listener Shelly from Rhode Island also called in to ask about her very first runDisney experience, which will happen this weekend at the Wine & Dine 5K!  This and more on today's show!  Come join us in the BOGP Clubhouse this week at www.beourguestpodcast.com/discord.  Please visit our website at www.beourguestpodcast.com.  Thank you so much for your support of our podcast! Also, please follow the show on Twitter @BeOurGuestMike and on Facebook at www.facebook.com/beourguestpodcast.  Become a patron of the Be Our Guest Podcast over at www.patreon.com/BeOurGuestPodcast.  Thanks to our friends at The Magic For Less Travel for sponsoring today's podcast!

Ever wonder why Bob Hope still lands with new audiences today? I sit down with Bill Johnson, a gifted Bob Hope tribute artist who grew up in Wichita and found his way from dinner theater to USO stages around the world. We talk about radio roots, World War II entertainment, and how “history with humor” keeps veterans' stories alive. You'll hear how Bill built a respectful tribute, the line between tribute and impersonation, and why audience connection—timing, tone, and true care—matters more than perfect mimicry. I believe you'll enjoy this one; it's funny, warm, and full of the kind of details that make memories stick.   Highlights: 00:10 - Hear how a Bob Hope tribute artist frames humor to build instant rapport. 01:41 - Learn how Wichita roots, a theater scholarship, and early TV/radio love shaped a performer. 10:37 - See why acting in Los Angeles led to dinner theater, directing, and meeting his future wife. 15:39 - Discover the Vegas break that sparked a Bob Hope character and a first World War II reunion show. 18:27 - Catch how a custom character (the Stradivarius) evolved into a Hope-style stage persona. 21:16 - Understand the “retirement home test” and how honest rooms sharpen a tribute act. 25:42 - Learn how younger audiences still laugh at classic material when context is set well. 30:18 - Hear the “history with humor” method and why dates, places, and accuracy earn trust. 31:59 - Explore Hope's USO tradition and how Bill carries it forward for veterans and families. 36:27 - Get the difference between a tribute and an impersonation and what makes audiences accept it. 41:40 - Pick up joke-craft insights on setup, economy of words, and fast recoveries when lines miss. 46:53 - Hear travel stories from Tokyo to Fort Hood and why small moments backstage matter. 50:01 - Learn the basics of using Hope's material within IP and public domain boundaries. 51:28 - See the ethical close: making sure a “reasonable person” knows they saw a tribute.   About the Guest:   With a career spanning over thirty years, Bill has forged his niche on stage, screen, and television as a dependable character actor.   Bill's tribute to the late, great Bob Hope was showcased in New Orleans, LA at Experience the Victory, the grand opening of the National WWII Museum's first expansion project. In the ceremony, Bill introduced broadcaster Tom Brokaw, and performed a brief moment of comedy with Academy Award winning actor, Tom Hanks. Bill continues to appear regularly at the WWII Museum, most recently in On the Road with Bob Hope and Friends, which was under-written by the Bob & Dolores Hope Foundation.   Highlights from over the years has included the 70th Anniversary of the End of WWII Celebration aboard the USS Midway in San Diego, and the Welcome Home Vietnam Parade in Tennessee. Additionally, Bill has been honored to appear around the world as Mr. Hope for the USO in locations such as the Bob Hope USO centers in Southern California, the USO Cincinnati Tribute to Veterans (appearing with Miss America 2016-Betty Cantrell),  USO Ft. Hood (appearing with the legendary Wayne Newton), USO of Central and Southern Ohio, USO Puget Sound Area in Seattle, USO Guam, USO Tokyo, USO Holiday Shows in Virginia Beach for US Tours, and a Tribute to the USO on the island of  Maui with country music superstar Lee Greenwood.   Other notable appearances include Tribute Shows for Honor Flight chapters in Alabama, South Carolina, and Ohio, the Vietnam Helicopter Pilots Association, the US Army Ball, the annual 1940's Ball in Boulder, CO, “USO Cuties Show” at the Tropicana in Atlantic City, the Les Brown Jazz Festival in Tower City, PA, and Hosting “So Many Laughs: A Night of Comedy” at the National Veterans Memorial and Museum in Columbus, OH.   Through the years, Bill has been “murdered” on CSI, portrayed Michael Imperioli's banker in High Roller: The Stu Unger Story, as well as, roles in films such as Ocean's 11, Three Days to Vegas, TV's Scare Tactics, Trick Shot, an award winning short film for Canon cameras, and the series finale of Dice, where Bill appeared as John Quincy Adams opposite Andrew Dice Clay.     Bill is currently based out of Las Vegas, NV where he lives with his wife, author Rosemary Willhide, and rescue dog, Brownie.   Ways to connect with Bill:   http://www.billjohnsonentertainment.com http://www.GigSalad.com/williampatrickjohnson     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:23 This is your host, Mike hingson, and you are listening to unstoppable mindset. You know, we have a saying here, unstoppable mindset, where inclusion, diversity and the unexpected meet, and we're going to definitely have unexpected today. This is also going to be a very fun episode. By the time you hear this, you will have heard a couple of conversations that I had with Walden Hughes, who is the president of the radio enthusiast of Puget Sound. And he's also on the on other boards dealing with old radio show. And he introduced me to Bill Johnson, who is a person that is well known for taking on the role of Bob Hope, and I'm sure that we're going to hear a bunch about that as we go forward here. But Bill is our guest today, and I just played a little segment of something for Bill with Bob Hope and Bing Crosby, two characters by any standard. Well, anyway, we'll get to all that. Bill, I want to welcome you to unstoppable mindset, and I'm really honored that you're here with us today.   Bill Johnson ** 02:31 Oh, thanks a million. Michael, it's such a pleasure to be here. Well, this is going to be a fun discussion.   Michael Hingson ** 02:38 Oh, I think so. I think absolutely by any standard, it'll be fun. Well, why don't we start before it gets too fun with some of the early stories about Bill growing up and all that. Tell us about the early bill.   Bill Johnson ** 02:52 Okay, well, I was born and raised in Wichita, Kansas, of all places. And I used to say, I used to Marvel watching Hope's Christmas specials with my family that sort of spurred my interest. But grew up in Midwest, went to Wichita State University, and then after graduation, I had a job with an independent film company and a move to Los Angeles seeking my fortune. Well, the film company pulled it in three months, as those things do, and so I was left with my, I guess, my pursuit of the entertainment career from there.   Michael Hingson ** 03:42 So did you what you went to school and high school and all that stuff?   Bill Johnson ** 03:46 Yes, oh yes, I went to Wichita East High I didn't graduate with honors, but I graduated with a B,   Michael Hingson ** 03:56 that's fair B for Bob Hope, right? Yeah.   Bill Johnson ** 04:01 And then I actually went to college under a theater scholarship, wow. And so that, in those days, that would pay for everything, books, class, which delighted my parents, because we were a family of simple means. So that was the only way I was going to go to college was having a scholarship and but as it turns out, it was for the best years of my humble life, because I got a lot of hands on experience in a Wichita State medium sized College, yeah, but back then it was Much smaller, so I had a lot of opportunity.   Michael Hingson ** 04:43 I've actually been to Wichita State. I've been to Wichita and, oh, great, did some speaking back there. And we're probably going to be doing more in the future. But it's an it's a nice town. It's a great town to to be a part of. I think,   Bill Johnson ** 04:56 yes, people are so nice there. And what I. I've noticed living in other places and then going home to visit Wichitas are cleaned. Just something you noticed, the streets are usually pretty clean and foliage is well manicured. So hats off to the city for keeping the place up to date or keeping it clean   Michael Hingson ** 05:22 anyway. Well, yeah, you got to do what you got to do, and that's amazing. And in the winter, everything gets covered up by the snow.   Bill Johnson ** 05:30 Yes, you do get all four seasons in Wichita, whether you like it or not. See there, yeah, it's one of those places where they have that saying, If you don't like the weather, wait 10 minutes and it'll change.   Michael Hingson ** 05:43 Yeah. So, so, so there. So you majored in theater in college?   Bill Johnson ** 05:49 Yes, I did. Actually, the official designation at Wichita State was speech communication, ah, so that's what I got my Bachelor of Arts   Michael Hingson ** 06:02 degree in so what years? What years were you there?   Bill Johnson ** 06:05 I was there in the fall of 75 and graduated a semester late. So I graduated in December of 79 Okay,   Michael Hingson ** 06:17 yeah, but that was after basically the traditional golden days and golden age of radio, wasn't   Bill Johnson ** 06:24 it? Yes, it was still in the days of black and white television.   Michael Hingson ** 06:29 But yeah, there was a lot of black and white television, and there were some resurgence of radio, radio mystery theater CBS was on, and I think that was before, well, no, maybe later in 7879 I don't know when it was, but NPR did Star Wars. And so there were some radio, radio things, which was pretty good.   Bill Johnson ** 06:53 And I think our friends in Lake will be gone began.   Michael Hingson ** 06:56 Oh yeah, they were in, I think 71 garrison. Keillor, okay, it'll be quiet week in Lake will be gone my hometown. I know I listened every week. Oh, I   Bill Johnson ** 07:06 did too. So my interest in radio was, I think, started back then.   Michael Hingson ** 07:12 Yeah, I enjoyed him every week. As I love to describe him, he clearly was the modern Mark Twain of the United States and radio for that matter. Is that right?   Bill Johnson ** 07:26 Oh, gosh, well, I, I'm, I'm, I'm glad to agree with you. And a lot of that wasn't it improvised to his weekly monolog. He'd have, oh, sure, yeah,   Michael Hingson ** 07:39 he, had ideas. He may have had a couple notes, but primarily it was improvised. He just did it. He just did it.   Bill Johnson ** 07:47 I let some of the episodes you take a lot of find a lot of humor in the fact he's kind of pleased with himself. And he goes, Well, look what we just said, or something. He'll do.   Michael Hingson ** 07:57 Yeah, it was, it was fun. So what did you do after college? Well,   Bill Johnson ** 08:03 after college, when I had moved to Los Angeles, after that, did not work out. I pursued my living as a as an actor, which didn't last long. So I of course, had to get a secondary job, I guess. Let me back up. It did last long, although I didn't have enough to pay my bills. Oh, well, there you go. I had a secondary job as whatever I could find, bartending. Usually, I did a lot of work as a bartender and but you get at least doing something like that. You get the people watch, yeah, oh.   Michael Hingson ** 08:47 And, that's always entertaining, isn't   Bill Johnson ** 08:49 it? Well, it can be, yeah, that's true. Back in my that's where I kind of develop your little stick you do for customers to get them to laugh and maybe tip you. My big thing was that you'd always see a couple, say, making out at the bar because it was kind of dark in there. And I would always say, Hey fellas, you want to meet my wife, Carol? Oh, that's her boss. Don't worry about it. They're having a good time or something like that, just to try to get a few laughs.   Michael Hingson ** 09:23 I've done similar things at airports. I know that the TSA agents have a such a thankless job. And one of the things I decided fairly early on, after September 11, and you know, we got out, and most people, and most of the TSA people don't know it. But anyway, whenever I go through the airport, I love to try to make them laugh. So, you know, they'll say things like, oh, I need to see your ID, please. And, and I'll say things like, Well, why did you lose yours? Or, you know, or you why? I didn't want to see it. It's just a piece of paper, right? You know? But, and I get them to laugh. Mostly, there are few that don't, but mostly they they do. And then the other thing is, of course, going through with my guide dog. And we go through the portal. They have to search the dog because he's got the metal harness on that always sets off the detector. Oh my, yeah. And, and so they say, Well, we're going to have to pet your dog. I said, Well, just wait a minute. There's something you need to know. And I really sound very serious when I do this. You got to understand this before you do that. They go, oh yeah. And they back up, and I go, he only likes long searches. If you don't take a half hour, he's not happy because his tail is going 500 miles a second, you know? Oh, great coming. But it is fun, and we get him to laugh, which is, I think, important to do. We don't laugh at enough in life anyway.   Bill Johnson ** 10:57 Amen to that. It's That's my philosophy as well, my friend. And there's not a lot to laugh about these days. And hopefully we can find the humor, even if we create it ourselves.   Michael Hingson ** 11:11 Yeah, I think there's a lot to laugh at if we find it. You know, there are a lot of things that are not going very well right now, and there are way too many things that make it hard to laugh, but we can find things if we work at it. I wish more people would do that than than some of the things that they do. But what do you do?   Bill Johnson ** 11:31 Yes, yeah, from from your mouth to God's ears, that's a great plan for the future.   Michael Hingson ** 11:39 Well, we try so you you did some acting, and you had all sorts of other jobs. And then what happened?   Bill Johnson ** 11:47 Well, I finally got fed up with the whole bartending thing and the rat race of trying to make it in Los Angeles. I did some commercials. I had a couple of small roles in some independent movies, as they say. But on my first love being theater, I hit the road again doing some regional theater shows to where I finally ended up back in Kansas, once again, that the there was a dinner theater in my hometown of Wichita, and I got hired to do shows there. Oh, so eventually becoming a resident director so and my my family was going through some challenges at the time, so it was good to be home, so I hadn't really abandoned the dream. I just refocused it, and I got a lot of great experience in directing plays, appearing in plays, and I met my white wife there. So so that was a win win on all counts.   Michael Hingson ** 13:00 I first got exposed to dinner theater after college. I was in Iowa, in Des Moines, and the person who was reading the national magazine for the National Federation of the Blind, the magazine called the Braille monitor guy was Larry McKeever was, I think, owner of and very involved in a dinner theater called Charlie's show place, and I don't remember the history, but I went to several of the performances. And then he actually tried to create a serial to go on radio. And it didn't get very far, but it would have been fun if he had been able to do more with it, but he, he did do and there were people there who did the dinner theater, and that was a lot of fun.   Bill Johnson ** 13:45 Oh, gosh, yeah, although I must say that I was sort of the black sheep of the family being in the arts. My My mom and dad came from rural communities, and so they didn't really understand this entertainment business, so that was always a challenge. But there's one footnote that I'm kind of proud of. My grandfather, who was a farmer all his life. He lived on a farm. He was raised on a farm. Every year at the Fourth of July Co Op picnic. The Co Op was a place where they would take the crops and get paid and get supplies and so forth. They would have a picnic for all the people that were their customers every year he would supposedly play the unscrupulous egg buyer or the egg salesman. And so he'd go to the routine, was an old vaudeville routine. He'd go to this poor farmer and say, Here, let me pay you for those eggs. That's here. There's one two. Say, how many kids do you guys have now? For the No, five. 678, say, How long have you and your wife been married? What is it? Seven years, eight, they get the guy go, no, 1011, 12, so that was the bit, and he would do it every year, because I guess he did it   Michael Hingson ** 15:15 really well. Drove the farmers crazy.   Bill Johnson ** 15:18 Yeah, so, so humble beginnings in the lineage,   Michael Hingson ** 15:23 but on the other hand, once you started doing that, at least being in the theater was enough to pay the bills. Yes.   Bill Johnson ** 15:30 So my parents really couldn't complain about that.   Michael Hingson ** 15:34 Well, see, it worked   Bill Johnson ** 15:36 out, yes indeed. And I met my wife, so I'm not complaining   Michael Hingson ** 15:41 about any of it. Now, was she in the theater? Yes, she was a performer.   Bill Johnson ** 15:46 We met in a show called lend me a tenor, and she was the lead, and I was at this point doing my stage management duties. But suffice to say we have gone on and done many shows together since then, and even had been able to play opposite each other a couple of times. So that cool, yeah, that's, that's a you can't ask for better memories than   Michael Hingson ** 16:13 that. No, and you guys certainly knew each other and know each other well. So that works out really well.   Bill Johnson ** 16:20 Yeah, that works out pretty good, except, you know, you sometimes you have to have a conversation and say, Okay, we're just going to leave the theater on the stage and at home. We're at home. Yeah?   Michael Hingson ** 16:32 Well, yeah, there is that, but it's okay. So how did you get into the whole process of of portraying Bob Hope, for example, and did you do anything before Bob of the same sort of thing?   Bill Johnson ** 16:51 Well, interestingly enough, to complete the whole circle of my experience, when I was performing in Wichita, I got a job opportunity here in Lacher. I'm living in Las Vegas now, to move out here and audition, or come out and audition for a new dinner show that was opening at Caesar's Palace. It was called Caesar's magical Empire, and it was, it was in 1996 and during that time, there was this big magic craze in Las Vegas. Everybody was doing magic   Michael Hingson ** 17:27 shows. You had Siegfried and Roy and yeah.   Bill Johnson ** 17:30 So I came out, I auditioned and got hired. And so then it was like, Well, now you got to move. So we moved on a just on hope and a prayer. And luckily, they eventually hired my wife, and so we got to work together there, and I eventually went on to become the, what they called the show director. I didn't do the original show direction, but it was my job to maintain the integrity of the attraction. So during those years it was that was kind of difficult, because you have to listen to being on the administrative team. You've got to listen to all the conflict that's going on, as well as and try to keep the waters calm, keep peace. Yes. So anyway, doing my show and being interactive, you talk back and forth to the audience, and after it was over, you take them out to a next the next experience in their night, when they would go see magic in a big showroom. And a lady came up to me and and she said, say, I've got this world war two reunion coming up next month. I'd like you to come and be, pretend to be Bob Hope. Do you know who that is? And I was like, yes, he's one of my heroes. And so that was the first opportunity, suffice to say, I guess I did. Should have prefaced it by saying, when the magical Empire first opened, we were all playing these mystical wizards and dark characters. Well, that didn't fly. That wasn't any fun. So then the directors, the producers said, well, everybody, come up with your own character, and we'll go from there. And so I created this character named the Stradivarius, because I like to fiddle the room. I get it and   Michael Hingson ** 19:37 but I played it like Bobby and you like to stream people along. But anyway, hey, I wish I would have   Bill Johnson ** 19:42 thought of that. My approach was like Bob Hope in one of the road pictures. So the show would be sort of a fish out of water type thing. Come on, folks. You know, I laughed when you came in that type of thing. Yeah. So when this lady saw the show that. How she got that inspiration?   Michael Hingson ** 20:04 Well, your voice is close enough to his that I could, I could see that anyway.   Bill Johnson ** 20:09 Oh, well, thank you. Sometimes I'd say it drives my wife nuts, because I'll come across an old archival material and say, Hey, honey, how about this one? So she's got to be the first audience, yeah.   Michael Hingson ** 20:23 Well, I'm prejudiced, so you could tell her, I said, so okay,   Bill Johnson ** 20:27 that you would, you'd love to hear it, right? Yeah.   Michael Hingson ** 20:31 Well, absolutely. Well, so you went off and you did the the World War Two event.   Bill Johnson ** 20:38 Did the World War Two event shortly after that, the met this, well, I should tell you another story, that shortly after that, a young man came to my show, and during the show, he stopped me and said, say, You remind me of someone very dear to me. Have you ever heard of Bob Hope? And I said, yeah, he's again. I said, one of my heroes. The guy said, Well, you kind of remind me of him. Went on his merry way, and I didn't think much of it. Well, it just so happens. The next day, I was watching the biography documentary of Bob Hope, and all of a sudden this talking head comes up, and it's the same guy I was just talking to in my show the day, the day before, it turns out that was, that was Bob's adopted son, Tony Tony hope. So I took that as a positive sign that maybe I was doing something similar to Mr. Hope, anyway. But then, as I said, The show closed very soon after that, sadly, Mr. Hope passed away. And 2003 right, and so there was, there was no real demand for anything like that. But I didn't let the idea go. I wanted something to do creatively. I continued to work for the same company, but I went over and ran the 3d movie at Eminem's world in Las Vegas 20 years. So I had plenty of time to think about doing   Michael Hingson ** 22:26 something creative, and you got some Eminem's along the way.   Bill Johnson ** 22:30 They keep them in the break room for the employees. So it's like, here's all the different brand I mean, here's all the different flavors and styles. So to have a way and you can tell guests, oh yeah, that's delicious. It tastes like, just like almonds or   22:45 something. Yeah.   Bill Johnson ** 22:47 So based on that, I decided to pursue this, this tribute, and it, I'll tell you, it's difficult getting started at first, you got to practically pay people to let you come and do a show. I'd go to retirement homes and say, Hey, you want to show today. Sometimes they'd let me, sometimes they wouldn't. But the thing about doing a show at a retirement community is they will be very honest with you. If you ain't any good, they'll say, man, no, thanks. Oh, nice try. So know where my trouble spots were,   Michael Hingson ** 23:29 but, but audiences don't treat you as the enemy, and I know that one of the things I hear regularly is, well, how do you speak so much and so well. You know the one of the greatest fears that we all have as a public speaking, and one of the things that I constantly tell people is, think about the audiences. They want you to succeed. They came because they want to hear you succeed, and you need to learn how to relate to them. But they're not out to get you. They want you to be successful and and they love it when you are and I learned that very early on and speaking has never been something that I've been afraid of. And I think it's so important that people recognize that the audiences want you to succeed anyway.   Bill Johnson ** 24:17 That's so true. And you kind of touched on a quote I remember one of the books from Bob hopes. He said how he approaches it. He said, I consider the audience as my best friends, and who doesn't want to spend time with your best friend, right?   Michael Hingson ** 24:34 And I and I believe that when I speak, I don't talk to an audience. I talk with the audience, and I will try to do some things to get them to react, and a lot of it is when I'm telling a story. I've learned to know how well I'm connecting by how the audience reacts, whether there's intakes of breath or or they're just very silent or whatever. And I think that's so important, but he's. Absolutely right. Who wouldn't want to spend time with your best friend? Yes, amen. Did you ever get to meet Bob? Hope   Bill Johnson ** 25:07 you know I never did, although I at one point in my when I was living in Los Angeles, a friend of mine and I, we were in the over the San Fernando Valley, and they said, Hey, I think there's some stars homes near here. Let's see if we can find them. And we said, I think Bob Hope lives on this street. So we went down Moor Park Avenue in Toluca Lake, and we finally saw this home with a giant H on the gate. And it's like, Oh, I wonder. This has got to be it. Well, all of a sudden these gates began to open. And we, kind of, my friend and I were like, and here, here, Hope came driving home. He was, he arrived home in a very nicely appointed Chrysler Cordoba, remember those? And he had one, he just was just scowling at us, like, what are you doing in my life? You know, and they drove it. So that's as close as I got to the real guy. But I wish I could have had the pleasure of seeing him in person, but never, never was fortunate enough.   Michael Hingson ** 26:18 Well, one of the things that's interesting is like with the World Trade Center, and I've realized over the past few years, we're in a world with a whole generation that has absolutely no direct Memory of the World Trade Center because they weren't born or they were too young to remember. And that goes even further back for Bob Hope. How does that work? Do you find that you're able to connect with younger audiences? Do they talk with you know? Do they do they react? Do they love it? How   Bill Johnson ** 26:52 does that go? Well, interestingly enough, a lot of times, if there are younger people at shows, they're usually dragged there by their parents and I have found that they will start chuckling and giggling and laughing in spite of themselves, because that old humor of hopes that, granted, it is corny, but there's some great material there, if presented in the proper context. Yeah. I was funny story. I was doing a show at the National World War Two Museum in New Orleans. They were dedicating a new theater or something, and the color guard was a group of local leaf Marines that were serving in a local base, and they were standing there right before they went on, and this young man kept looking at me, and finally he said, very respectfully, says, I'm sorry, sir, but who are you? So I said, luckily, there was a picture of Bob Hope on the wall. And I said, Well, I'm trying to be that guy. And I said, Hang around a little bit. You'll hear some of the material so, but that's the thing I that you did bring up. An interesting point is how to keep your audience, I guess, interested, even though the humor is 4056, 70 years old, I call it like all my approach history with humor. The first time I did the Bob Hope, as in the national natural progression of things, I went to an open call, eventually here in Vegas to do they were looking for impersonators for an afternoon show at the Riviera in a place called Penny town. It was just a place for Penny slots. And they had, and they hired me. They said you can do your Bob Hope impression there. And so they had a stage that was on a one foot riser. You had a microphone and a speaker and a sound man, and you had to do a 10 Minute monolog six times a day every Yeah, do 10 minutes. You'd have about a 40 minute break. Do 10 more. And I didn't do it every day, but you would be scheduled. Maybe they'd have, you know, have a Reba McEntire one day. They'd have an Elvis one day. Well, so I would it was a great place to try your ad, because, and that's what turned me on to the whole idea of history with humor. Because when I started, I was just doing some of his material I'd found in a hope joke book that I thought were funny. Well, once in a while, people would be playing the slots. Granted, they were looking at the machines. Nobody was looking at me. And once, when I'd have somebody who. Ah, you know, crank the arm, one arm banded against and then, or I make the sound man laugh. And that was my goal. Well, there was a snack bar right in front of us with a rail that people. They weren't tables, but you could go, lean against the rail and eat your I think it was called Moon doggies hot dog stand so you could eat your hot dog and watch Bob. Hope so if I could make the moon doggy people hot dog folks choke on their hot dog while they were laughing. That was like a home run. Yeah. But to keep them interested, tell them something that they will know. For instance, Hope's first show for the troops was May 6, 1941 down in March field in Riverside California. And you start giving dates and specifics that i i can see the people in the audience go, oh yeah, in their mind's eye, they if they were around, then they will go back to that day. What was I doing then? Okay, and so you kind of make the world relevant for them. So that's how I approach World War Two, Korea and Vietnam. Is give dates and places, which you got to be accurate, because the veterans   Michael Hingson ** 31:27 will set you straight. Oh yeah, because they do remember. Oh yes, they were there.   Bill Johnson ** 31:33 So some of them and but it's, it's amazing, as you say, you can tell if the audience is engaged by if they inhale or if they make some complimentary noises during the show. Sometimes I'll get fellas who will sit there and ponder just looking at me, and then they'll come up afterwards and say, Man, I hadn't thought about that in years.   Michael Hingson ** 32:04 Yeah, thank you. And you know you're connecting, yeah, yeah.   Bill Johnson ** 32:09 And because hope represented, I think, a good memory in a kind of a rough time for a   Michael Hingson ** 32:16 lot of folks. Well, he did. He did so much for the troops with the military. And as you said, May 6, 1941, and it went from there. And of course, during the whole war, he was all over and entertaining people and and he was also very active in radio as part of all that.   Bill Johnson ** 32:38 Oh my goodness, I don't know how the man found time to sleep, because if he were alive today, he would love social media and podcasts and things, because he was always trying to get his name in the paper or get some publicity, but he never forgot about his audience. He would want to do a show for the troops, no matter where they were stationed or he said I couldn't look at myself in the mirror if I didn't try.   Michael Hingson ** 33:10 Yeah, well, you do a lot with veterans and so on. So you've kind of kept up that tradition, haven't you?   Bill Johnson ** 33:19 Yes, I have been fortunate enough to play a lot of reunions and some, maybe some uso themed shows, because that first show he did, hope did, in May of 1941 was they just was a radio show that his, one of his writers had a brother stationed it in Riverside, California, and the war hadn't started, so they had nothing to do, right? These guys were bored, and so he said, Let's take our show down there and hope. So hope didn't want to leave the comfort of his NBC studio. It's like, you know, what's the idea? And they said, how big is the crowd? And they said, Well, I don't know, maybe 1000 and of course, you know 1000 people. And you know, in Hope's mind, he says, I'd give my arm and a leg to hear 10 people laugh. 100 people is like a symphony, but 1000 people, yeah, sheer fantasy. So he said, Oh, wait a minute, are you 1000 people? Are you sure? And this guy, Al capstaff, said, Well, maybe two. So that was it. And they went down. And when the audience, of course, they were just hungry for anything, the response was just so great that hope said, well, where has this been? And he said, shortly after that, we teamed up with the USO and been going steady. Ever since, yeah,   Michael Hingson ** 35:02 and that's so cool. And again, you've, you've kept a lot of that going to now, we've talked on this show with Walden about reps and the showcase and so on. Are you going to be up at the recreation in Washington in September?   Bill Johnson ** 35:18 Yes, I am. I'll be there, and we're, I believe we're doing a one of the cavalcade of America shows that sort of incorporates a lot of his initial, well, one of his initial tours over in World War Two. But it's because a cavalcade is a recreation. A lot of it's drama, dramatized, but it's, it's and it's encapsulated you go bang, bang, bang across a big section of World War Two and Hope's experience in Europe. But it's, to me, as a fan of that genre, it's fascinating, so I just looking forward to it. I think it's going to be a lot of fun.   Michael Hingson ** 36:04 Well, we ought to, one of these days, we need to just do a Bob Hope radio show or something like that, and get you to come on and get an audience and and, and just do a show.   Bill Johnson ** 36:15 Oh, that would be great. I would love. That would be fun. That would be great, you know. And if there's any naysayers, you just say they said, Why do you want to do radio? Say, well, as hope would say, radio is just TV without the eye strain,   Michael Hingson ** 36:30 yeah, and the reality, you know, I'm one of my favorite characters, and one of my favorite shows is Richard diamond private detective, and I was originally going to actually be at the showcase doing Richard diamond, but I've got a speaking engagement, so I won't be able to be there this time, so we'll do it another time. But I remember, you know, at the beginning of every show, the first thing that would happen is that the phone would ring and he would answer it and say something cute, and it was usually his girlfriend, Helen Asher, who is played by Virginia, or who is, yeah, played by Virginia. Greg and one of his shows started. The phone rang. He picked it up. Diamond detective agency, we can solve any crime except television. That's great. I love that one. I love to use that.   Bill Johnson ** 37:20 I gotta remember that that's a great line, yeah,   Michael Hingson ** 37:24 but it's really fun. Well, so you classify yourself as a tribute artist. How do you really get started in doing that, and how do you keep that going?   Bill Johnson ** 37:38 Well, that's, that's a, that's the million dollar question. Basically, I I found all the archival material I could find, and there's a ton of information on Bob Hope on YouTube nowadays, and you need to decide, are you a tribute, or are you an impersonator? Because there is a slight difference.   Michael Hingson ** 38:04 What difference a tribute?   Bill Johnson ** 38:08 Well, first off, an impersonator is someone who resembles someone famous and dresses up in a manner as to portray them, and that can include a tribute artist who may not look identical to the person, but can capture a mannerism or a vocal vocal rhythm to suggest enough that the audience will accept it. I I do it. I am, I feel like I can capture a little bit of his face with some, you know, some of the expressions people have told me my eyes resemble his, as well as wear a hat or something from try to copy a costume from a picture that is very you feel like is iconic of this character. So if you can come out and present that, that's the battle hope would always he began his radio shows, as you recall, by saying where he was and like, how do you do ladies and gentlemen, this is Bob live from Santa Ana Air Base, hope and and then do a two, two line rhyme about his sponsor, usually Pepsodent, just to get on to start the show with a laugh like Pepsodent on your brush and use plenty of traction and none of Your teeth. They'll be missing in action.   39:39 Yeah.   Bill Johnson ** 39:42 Huge, but, but you to to pursue it. As I said, you've just got to, you've got to kind of forage out in the real world and see if see somebody's looking for a show, and hopefully get someone to take a chance. Okay? Give you an opportunity. That's why I went to that open call to do that show at the Riviera. It is difficult to tell jokes at people that are chewing at you, but it's a good learning ground, plus doing the shows at the retirement homes made you prepared for anything because, but I found that I got the strongest response from veteran mentioned some of those history moments, historical moments. And so I thought maybe I'll just focus on this, not to put together the other comedy. And the other experiences are very important too. But the things I have found people remember the most were those shows for the troops. Yeah, and basically, in a nutshell, and they don't remember what did he What did he say? Do you remember a joke? Sometimes they'll tell me a joke, but most, most times, they don't remember what he said, but they remember how he made them feel,   Michael Hingson ** 41:06 yeah, and the fact that he said it, yes, yeah,   Bill Johnson ** 41:10 there's a there's a common joke I'd heard for years, and a friend of mine told me he was a 10 year old kid at Fort Levin fort, Leonard Wood, Missouri. And hope came out and told the joke. The guy goes into a bar. Oh, no, excuse me. Let me back up. A grasshopper goes into a bar. The bartender says, Hey, we got a drink named after you. The grasshopper says, you got a drink named Irving cute. And I'd heard that. Yeah, I guess hope told it and so you never know what what inspires your comedy, but there's a lot of common things I heard growing up that I will find hope said. Hope said it at one point or another in his either his radio show or on one of his specials. So   Michael Hingson ** 41:58 do you think that a lot of what he did was ad lib, or do you think that it was mostly all written, and he just went from a script?   Bill Johnson ** 42:07 That's a good point. He was one of the first performers to use cue cards, okay? And a lot of it was was written, but from what I've read is that he was also very fast on his feet. That's what I thought. Because if something happened, he would come in with a bang, with with another line to top it, yeah. Well, you know, like we were talking about that command performance, where with Lana Turner that he said, she said, Well, they've been looking at ham all night, and you're still here. Ah, big laugh. Haha, yeah. And he said, Now I'm bacon with the double entendre, you know, like, yeah, you burn me, whatever. But that was, I thought that was   Michael Hingson ** 42:51 cute, yeah, and he, and he is, clearly there had to be a whole lot more to him than than writing. And so I absolutely am convinced that there was a lot of bad living. And there was just, he was fast, he was good at it and them, and the more he got comfortable, because of those big crowds that they got him started, the better he became   Bill Johnson ** 43:16 absolutely you can there's a great book by, I know, do you know Bob mills? He was one, was one of Bob Hope's writers wrote a right and he explains the formula behind a lot of their jokes situation, and then it would have a payoff, you know, like, I don't know what happened, but now that you know this is set up in a setup and then the joke. Hope supposedly liked an economy of dialog. He didn't like a lot of language going from point A to point B to tell his joke. That's why the rapid fire delivery. And he had a lot of jokes in his shows. The radio shows had, at least, was it something like 10 jokes a minute?   Michael Hingson ** 44:08 Well, they were, they were very fast. And there were, we've got a few rehearsals of Bob Hope shows. And clearly some of the things that he did, because at first he wasn't getting the reaction that he thought he was going to get, but he pulled it out. And again, it's all because he was fast. He was good.   Bill Johnson ** 44:29 Yeah, I've got some blooper reels from some of the Christmas specials, and he'll try and try and try. And then finally, he'll say, take that card and tear it up, throw it away. And that's funnier than the joke itself.   Michael Hingson ** 44:44 Yeah, than the joke itself. It's really cute. So you obviously like performing. Does that run in your family?   Bill Johnson ** 44:55 Well, not necessarily, as I said, I'm kind of the black sheep of the. Family, because I was in the arts, they would rather have a more what do I want to say? A more safe career, a career choice as a you know, because entertaining, you're always wondering, well, where's my next job? Yeah, as opposed to something else, where you might have a better idea of what are your next paychecks coming? But I do have always had a day job, and this is sort of like my way to flex those creative muscles.   Michael Hingson ** 45:33 So what's your day job today? My   Bill Johnson ** 45:35 day job is I still do technical support for the good folks at Eminem's world on the script. Only they after covid happened, they closed the 3d movie that I was overseeing. And another fellow, when I do tech support, we just basically make sure the lights come on. And as well as I have a job at the College of Southern Nevada, on the support staff, trying to help folks who have English as a Second Language get a job. So I find those are both rewarding challenges.   Michael Hingson ** 46:15 It's a good thing I don't go to Eminem's world because I don't really care if the lights are on or not.   Bill Johnson ** 46:20 Oh, well, there you go. We need somebody here doing rim shots.   Michael Hingson ** 46:26 Yeah, you like dependent people are all alike. You know, you got to have all those lights. Yes, I don't know that I've been to Eminem's world. I've been to the Eminem store in New York City, but I don't think I've been to the one in Las Vegas.   Bill Johnson ** 46:40 I was actually at the opening of that Eminem store in New York City. Funny story, they know they have people that put on the character suits, right? And when I was there to help them kind of get their get acclimated to wearing those suits and then peering in front of people. Well, the kids were doing around, say, two in the afternoon. Well, the New York Times showed up at noon, one pick they wanted a picture of and so I had to put on the I was yellow, the peanut, and this other person that was there put on the red suit, and we walked down on 46th Street and started walking on the street, wave and and carrying on. I thought, Here I am. I finally made it to Broadway. Yeah, and I'm and I'm dressed as a nut so,   Michael Hingson ** 47:30 and you had Hershey right across the street,   Bill Johnson ** 47:32 right across the street, so I don't know. I imagine her, she's still there, probably still going head to head, to this   Michael Hingson ** 47:40 day, the last time I heard they were so well, I don't know, I don't know whether anything really changed with covid, but the last I heard they were   Bill Johnson ** 47:49 well, more powerful, Yeah, funny story.   Michael Hingson ** 47:56 Well, so you will, you travel basically anywhere to do a show? Are there any limits?   Bill Johnson ** 48:03 Or no, I'll go anywhere. My this tribute has taken me as far as Tokyo, Japan for the USO there. I've done shows in the Pacific and Guam I'm not too sure I want to travel internationally these days, but if somebody has an opportunity, I'll think about it. Funny thing happened at that, that show I did in Tokyo, I was, it was, it was a gala for the local uso honor the the troops who were serving in that area. So they had that representative from each branch that was serving our Navy, Marines and the Japan, nation of Japan now has what they call, this, the Civil Defense Group. I believe that's what they call because after World War Two, they signed that document saying they would not have an organized military. But right, they have their civil defense, and so we were honoring them, that there was a group, an Andrew sisters trio, performing, singing and dancing and and I was standing off off stage, just waiting to go on and finish the show. And this, this has been 20 years ago. Let me preface that this older Japanese gentleman came up to me, and he said, I would like to make a toast. And there was a lady in charge who, you know this was. There was some, some admirals there, and leaders of the Seventh Fleet were, were there. So everything had to be approved. Everything went according to schedule. The military events are just boom, boom, boom. And so I said, Well, okay, I need to ask Judy, when this Judy was in charge, when we can do this? And he just said, I want to make a tow. Toast. And I said, okay, but I have to clear it with Judy. Well, I finally got Judy and said that older Japanese man would like to make a toast. And she said, Yes, let him do whatever he wants. Turns out, he was an admiral in the Japanese Navy during during World War Two, and he was attending the event here, although these many years later, just as you know, everyone else was sure. So to bail myself out of it, I went back on said stage and said, And now, ladies and gentlemen, our honored guest would like to make a toast. And he, of course, I can't remember the toast, but as I at the time, I thought that was very sweet and very eloquent. So it's just these incredible little snippets of life you you go through. It's like, how could I ever know, when I was a five year old kid in Kansas, that Monday I'd be chatting with a world war two Admiral from the Japanese Navy, right? Just, it's just mind boggling.   Michael Hingson ** 51:06 So I'm curious. Bob Hope copyrighted a lot of his jokes. Are you able to still use them? Well, that's a   Bill Johnson ** 51:13 good question. Yes, he did. He copyrighted his jokes and everything, however, and I have spoken to the lawyer for the hope estate. There are the, what do you call that? It just flew out of my head that the the laws surrounding   Michael Hingson ** 51:32 intellectual property, copyright laws and intellectual property and public domain, yeah, yeah.   Bill Johnson ** 51:38 The song, thanks for the memory is in public domain, and hope would always change the lyrics to where he went because he hated the song. Supposedly he had, how did I get hung with that old dog of a song?   Michael Hingson ** 51:52 Yeah, well, he kept using it every week, so I can't believe it was too anti song. Yeah,   Bill Johnson ** 51:57 that's true, but the hope is they did copyright his jokes, but as long as I don't write a book and try to sell them as my jokes, I should be fine as well as I am. Allow you the those laws allow you to present impersonate someone, no matter who it is. You could impersonate your next door neighbor, even though he's not famous, as long as you do not do something to harm them, yeah, or represent it in an unflattering way   Michael Hingson ** 52:28 well, and clearly, what you're doing is pretty obvious to anyone who knows at all that it's Bob Hope and that you're trying to do a tribute to him. So I would think it would make sense that that would work   Bill Johnson ** 52:39 well it should and but the final caveat is that a reasonable person must come away from the show knowing full well they did not see the original. You must tell them. And Bob Hope's been gone for   Michael Hingson ** 52:55 many years. Yeah, 22 years now.   Bill Johnson ** 52:59 So that's usually not a problem, but that's how I finished my tribute as vice is, I usually wear a hat to complete the illusion, with the bill flecked up. I'll take the hat off and say, now if I could break character and tell about how hope was named an honorary veteran, and at the age of 94 it was an amendment passed by Congress designated him as an honorary veteran, and it was received unanimous bipartisan support   Michael Hingson ** 53:30 as it should yes and   Bill Johnson ** 53:33 Hope went on to say, sort of all the awards I've received in my lifetime being now being listed among the men and women I admire the most. This is my greatest honor, so that's a good way for me to wrap up my tributes whenever possible.   Michael Hingson ** 53:54 Do you have, oh, go ahead, no,   Bill Johnson ** 53:56 I was gonna say there's another funny story. You know, hope lived to be 100 Yeah, and George Burns.   Michael Hingson ** 54:03 George Burns, lived to be 100   Bill Johnson ** 54:05 lived to be 100 Supposedly, the two of them had a bet as to who would live the longest. Now, the thing is, what were the stakes and how do you collect? Yeah, because some guy, you're not going to be there. But in any event, George Burns was born in the 1890s and so he was older than hope. Hope was born in 1903 George Burns lived to be 100 years and 10 days old. Bob Hope lived to be 100 years and 59 days   54:41 Oh,   Bill Johnson ** 54:42 so hope. Well, the story goes that in his final, final months, he was just he was pretty much bedridden and slept and slept a lot. His wife, Dolores went to his bedside. He had that 100 years 10 day mark, and she said. Well, Bob, you won the bet. You have now lived longer than George Burns. And supposedly, even though he was fat, he was like they thought he was asleep, this huge smile just curled up his lips so he heard, that's great.   Michael Hingson ** 55:18 That's great. Well, if, if you have, do you have something that you could do for us, or do you have something that you could play or something that would give us just a little flavor?   Bill Johnson ** 55:28 Um, yeah, I Well, if you, I would tell your listeners that they want to catch a little bit more. They can go to my website, Bill Johnson entertainment.com, and there's some video clips there, but I like to do is that hope would always, he would always joke about traveling to the event, and that's how I like to begin my shows with him arriving. Since I just flew in on a wing of prayer. I was on the wing because as a soldier, I wouldn't have a prayer nicely. My flight was very nice, but the plane was rather old. In fact, the pilot sat behind me wearing goggles and a scarf. This plane was so old that Lindbergh's lunch was still on the seat. The fasten seat belt sign was in Latin. To get to the washroom, you had to crawl out on the wing. But I come on, folks, I said, to get to the washroom, you had to crawl out of the wing. But hey, I don't know about you, but I have a fear of flying that dates back to my childhood. See, when I was a baby being delivered by the stork, that blasted bird dropped me from 400 feet. Yeah, he did that to stay out of the range my father's shotgun. See, Dad already had my brothers, Eenie, Meenie and Miney. When I came along, he didn't want   56:55 no moat. I get it just   Bill Johnson ** 57:00 it goes along in those words. Well, we are,   Michael Hingson ** 57:05 we are definitely going to have to just work out doing a radio show and getting you to to do a whole show, and we'll have to get some other people to go along with it. We'll figure it out. Oh, that sounds great. I would buy a lot of fun to do. Count me in. Well, I want to thank you for being here. This has been absolutely wonderful to be able to talk about Bob Hope and to talk about you. Even more important, I'm sure that Bob Hope is monitoring from somewhere, but by the same token, you're here and we're here, so we do get to talk about you, which is important to do as   Bill Johnson ** 57:41 well. Well, that's very kind, Michael. I was hopeful that you would be at the rips.   Michael Hingson ** 57:47 I was planning on it because I wanted to, I want to really do the Richard diamond show. I'll, I told you I'd send you the command performance that we talked about Dick Tracy and B flat, or, for goodness sakes, is he ever going to marry Tess true heart? Oh yes. And I'll also send you the Richard diamond that we're going to do the next time I'm able to be at the rep show. It's, it's   Bill Johnson ** 58:06 really hilarious. Oh, that sounds great.   Michael Hingson ** 58:09 But I want to thank you for being here once again. Tell us your website.   Bill Johnson ** 58:14 My website is, it's my name and followed by entertain Bill Johnson, entertainment.com there's there's some video clips there, and some great pictures of some of the folks I've had the pleasure of meeting and performing with. I don't want to name drop, but just to give the the act a little more credence, pictures with Les Brown Jr. Rest his soul. I did it floored. I was able to do a show with Lee Greenwood on the island of Maui Wow, as well as perform with Wayne Newton at Fort Hood, Texas. Wayne Newton actually took over for Bob Hope with the USO when Bob just got too old to travel. Yeah, so, so that's just for a humble, humble guy. It's some incredible stories   Michael Hingson ** 59:19 well, and you're keeping some wonderful memories alive, and we'll definitely have to do something with that. But I want to thank you for for being here and again. Bill Johnson, entertainment.com, so go check it out, folks and and there's a lot of old radio out there online. We've talked about yesterday usa.com or yesterday usa.net they're the same. You can listen. You can go to reps online, R, E, P, S online, and listen to a lot of radio programs there. There are a number of people we've had Carl Amari on who several years ago, did come. Complete redos of all of the Twilight zones, and he made them scripts for radio, which was a lot of fun. Have you ever heard any of those?   Bill Johnson ** 1:00:07 I've never heard. I was a big fan of the show when it was on TV, but I never heard any of the   Michael Hingson ** 1:00:12 radio. Stacy Keach Jr is is the Rod Serling character, but, oh yeah, Twilight radio,   Bill Johnson ** 1:00:19 that's great. I will check it out,   Michael Hingson ** 1:00:22 or we'll send you some that's even better. But I want to thank you for being here, and thank you all for being here with us. I hope you had fun today. It's a little bit different than some of the things that we've done on the podcast, but I think it makes it all the more fun. So thanks for being here. Please let us know what you think. Email me. I'd love to hear from you. Michael, H, I m, I C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, love to get your thoughts wherever you're listening. Please give us a five star review. We appreciate those a lot. Tell other people about the podcast. We really would like to get as many people listening as we can, and we want to be sure to do the kinds of things you want on the podcast. So if you know anyone else who ought to be on the podcast, Bill, that goes for you as well, please introduce us. We're always looking for more people to come on unstoppable mindset that we get a chance to chat with. So hope that you'll all do that and again. Bill, I want to thank you one more time for being here. This has been fun.   Bill Johnson ** 1:01:21 This has been a blast. Michael, thank you so much for having me. I really enjoyed it.   Michael Hingson ** 1:01:32 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

RIVIERA joined us for a chat and played 5 tracks live in our Radio Carrum studio. Enjoy!

On continue notre série niçoise pour promouvoir les acteurs du Festival ⁠Tribute to Riviera⁠, notre nouveau rendez-vous annuel lifestyle B to B to C

The Night Riviera is one of only two UK sleeper trains, and it might be the most relaxing way to wake up in Cornwall. UK Travel Planning's rail expert Doug Collins shares his first-hand ride and the small choices that make a big difference to comfort and views.In this episodeHow to book simply and avoid common pitfallsWhen to arrive and how lounge access can upgrade your nightWhat berths are really like and how sleep felt in practiceThe easy breakfast strategy for a picture-perfect arrivalExactly which side to sit for the best coastal viewsPlusWhat to do when plans change and seat reservations are not in placeHow the Night Riviera compares with the Caledonian Sleeper

Send us a textOn today's episode of the Well Hello Magic Podcast, we're talking all about one of the most popular Disney experiences for families — character dining at Walt Disney World Resort. ✨We'll go over every single character meal currently available, plus a few beloved experiences that are now part of Disney history (goodbye Bon Voyage Breakfast and Supercalifragilisticexpialidocious Breakfast). We'll also talk about what sets a true character meal apart from signature dining experiences like Be Our Guest Restaurant.Then we're ranking all 13 character dining experiences currently available at Walt Disney World:Chef Mickey's at Disney's Contemporary ResortCinderella's Royal Table at Magic Kingdom ParkThe Crystal Palace at Magic Kingdom ParkAkershus Royal Banquet Hall at EPCOTGarden Grill Restaurant at EPCOTHollywood & Vine at Disney's Hollywood StudiosTusker House Restaurant at Disney's Animal Kingdom Theme ParkTopolino's Terrace – Flavors of the Riviera at Disney's Riviera Resort‘Ohana at Disney's Polynesian Village ResortCape May Cafe at Disney's Beach Club ResortStory Book Dining at Artist Point with Snow White at Disney's Wilderness Lodge1900 Park Fare at Disney's Grand Floridian Resort & SpaGarden Grove at Walt Disney World Swan Hotel✨ Why Disney Character Dining Is So Special: Character dining lets families meet beloved Disney characters without waiting in long lines in the parks. You can enjoy a full meal, get magical photos, and create unforgettable moments with your favorite characters. It's perfect for toddlers, first-time visitors, and anyone who wants a little extra pixie dust with their pancakes.We'll also talk about:Which character meals offer the best value for familiesThe most magical experiences for kidsHow to book Advanced Dining Reservations (ADR) for the most popular locationsFor a full breakdown of each character meal, detailed dining tips, and updated reviews, visit the blog at www.wellhellomagic.com. You can also find more character dining guides and videos on my YouTube channel, Well Hello Magic.

What happens when you combine Disney Vacation Club ownership, the Princess Half Marathon, and traveling with two toddlers? Pure magic, with a healthy dash of organized chaos! In this captivating episode, we chat with Kallie, a dedicated listener who turned her runDisney passion into the perfect excuse for her family's "welcome home" trip as new DVC owners. With her husband, two young children (ages 2 and 4), and the grandparents in tow, she embarked on a whirlwind February weekend at Disney's Riviera Resort.Kallie takes us through her meticulous planning - from securing race registration to booking character dining for her daughter's birthday at Akershus Royal Banquet Hall. Her family's adventures span Magic Kingdom madness with little ones, navigating EPCOT's Festival of the Arts, and the surreal experience of waking at 2:45 AM for a half marathon while on vacation.What makes this story particularly special is how Kallie balances adult Disney dreams with creating magical moments for her children. Her "standard view" room overlooking EPCOT fireworks becomes the backdrop for nightly adult relaxation after putting the kids to bed. And of course the grandparents provide crucial support, allowing Kallie, her husband, and their older son to occasionally experience attractions not suitable for toddlers.The episode offers practical wisdom for any Disney traveler - from using backpacks instead of loose items when folding strollers for bus transportation to the unexpected delight of Riviera's signature cookies (complete with pistachios, walnuts, and dried cherries). Kallie's infectious enthusiasm for Disney, from her childhood visits to now creating memories with her own children, reminds us why these vacations hold such special places in our hearts.Whether you're considering DVC ownership, planning a runDisney event, or simply wondering how to survive Disney World with small children, this episode delivers inspiration, practical tips, and the reassurance that with proper planning (and perhaps a few grandparents), Disney magic is accessible at every stage of life.----Adventures & Mousecapades is a passion project from Alicea & Nathan Novak - two Seattleites addicted to The Mouse. We are not affiliated with Disney, nor are we travel agents. Opinions are our own.Instagram, Threads, Facebook, Twitter: @ourmousecapadesOurMousecapades.compodcast@ourmousecapades.com

Is a river cruise just a floating hotel, or can it be one of the most authentic ways to travel? In this episode, we explore the world of Riviera Travel river cruises with the brand's North American President, Stuart Milan. As the UK's #1 river cruise and tour operator makes its official entry into the US market, we uncover what "upper premium" travel really means and ask the crucial question: How can you find a genuine, meaningful cultural connection while traveling along Europe's most historic waterways?Stuart Milan reveals the secrets behind Riviera Travel's 40-year success and its expansion as Riviera Travel US. We dive deep into what sets their luxury ships and curated itineraries apart, from their intentionally smaller passenger capacity to their upcoming all-inclusive drinks package in 2026. Stuart explains the unique value proposition of an upper premium river cruise, which combines luxury hardware with incredible value, providing an experience that sits comfortably above standard premium lines without the formalities of ultra-luxury. Discover how these journeys offer an authentic European river cruise experience by docking directly in the heart of medieval cities and ancient towns along the Danube, Rhine, and Douro rivers. You'll learn how you can step off the ship and be immediately immersed in the local culture.Beyond the destinations, we unpack Riviera's specialized programs that cater to specific travel styles. Stuart gives us an inside look at their robust solo travel river cruises, which include entire sailings dedicated exclusively to solo travelers—not just a few single cabins on a regular cruise. He also highlights their comprehensive group travel offerings, confidently stating they have one of the best propositions in the market for groups. We also discuss Riviera's "Grand Tours," which combine their award-winning land tours with their signature Riviera Travel river cruises for a longer, more immersive European vacation. From Stuart's personal journey through the travel industry to the intricate details of what makes a thoughtful holiday, this conversation is your guide to a better way of river cruising.About Our Guest:Stuart Milan is the President of Riviera Travel North America. With a lifelong career in the travel industry, from starting in customer service to launching startup travel brands, Stuart brings a wealth of experience to his role. He is now spearheading the expansion of Riviera Travel, the UK's largest river cruise operator, into the United States, aiming to bring their award-winning "upper premium" European experiences to American travelers.Timestamps / Chapters:(00:00) Can River Cruising Be an Authentic Way to Travel?(03:20) Getting to Know Stuart Milan: His Personal Travel Rituals(08:55) Stuart's Journey: From Customer Service to Travel Company President(14:00) Introducing Riviera Travel: The UK's #1 River Cruise Line Comes to the US(21:00) Defining the "Upper Premium" River Cruise Experience(24:00) Beyond Europe: The Future of Riviera's Global Itineraries(25:10) Combining Land & River: An Inside Look at Riviera's "Grand Tours"(28:15) The "No Tourists Allowed" Debate: Is a River Cruise Truly Authentic?(38:00) Who Travels with Riviera? A Deep Dive into Solo and Group Cruises(45:00) Exciting Giveaway: How to Win a Luxury Princess Cruise to AlaskaEpisode ResourcesLearn more about Riviera TravelDiscover Riviera's Solo Traveler CruisesExplore the Grand ToursEnter the GiveawayInstagramYouTubeLinkedInProduced by Podcast Studio X.

Send us a textWe have a very candid interview with longtime Las Vegas headliner, Frank Marino. He just celebrated 40 years of entertainment in Las Vegas. That's rare! Frank is known for impersonating comedian Joan Rivers. You'll hear about the old days in Las Vegas, the time he was sued by Joan and served papers on stage, you'll also hear about what he does to keep up his "look" all these years. Frank has a show called "Frank Marino's Divas, Drag & Drinks" at Virgin Hotels now. We also rundown a bunch of new show announcements. Zayn from One Direction landed a new residency and Jelly Roll is coming in to ring in the new year. Nikki Glaser and David Spade also landed some shows at the Colosseum at Caesars Palace. We also discuss Taylor Swift's "The Life of a Showgirl" album release and how it could be helpful for Las Vegas. Monsoon damage? Insurance company low-balling you? Call Jonathan Wallner of Galindo Law for a FREE Claim Review at 800-251-1533. If your home was damaged in the California wildfires, Galindo Law may be able to help you get more compensation. Call 800-251-1533 or visit galindolaw.com VegasNearMe App If it's fun to do or see, it's on VegasNearMe. The only app you'll need to navigate Las Vegas. Support the showFollow us on Instagram: @vegas.revealedFollow us on Twitter: @vegasrevealedFollow us on TikTok: @vegas.revealedWebsite: Vegas-Revealed.com

On this episode, Jess spends a moment at Magic Kingdom and then heads to Universal for HHN!

Ready to start 2026 on your terms—with movement, magic, and a community that actually feels like you belong? We're hosting a curated Central Florida retreat built around three themes: epic adventure, extraordinary movement, and pure celebration with fellow Extraordinary Strides podcast listeners! Think flexible dates, thoughtful resort choices on the Skyliner, and a weekend you can shape to your energy: group yoga, a medal-earning 5K, Epic Universe thrills or relaxed resort time, and a flat, friendly race in the town of Celebration.We brought in Ashley from Mystical Dream Travel to make planning easy and personal. She walks through value, moderate, and deluxe resort options (Pop Century, Caribbean Beach, Riviera), organizes group transportation for our outings, and helps you customize park days without the guesswork. Deposits are straightforward, travel protection is available, and dietary or accessibility needs can be noted in advance. You can reach Ashley at ashleyl@mysticaldreamtravel.com for more information on how to secure your spot for this magical celebration. Whether you're a runner, walker, or elite cheer squad captain, we'll help you craft an itinerary that fits your budget, schedule, and vibe.The crowning event of the weekend is Sunday's Celebration Half/Full Marathon—a flat, PR-ready race that's welcoming for first-timers and back-of-the-pack legends alike. We share why this course is ideal if you're chasing a personal best or working on a new Proof of Time for better runDisney corral placement, plus a discount code (EXTRA2026) that saves $15 before tier pricing rises. After the finish, we reset at Epcot to toast milestones, maybe a champagne in France, maybe that famous moonshine sour in America, before Monday's mellow goodbyes. If you want a training plan that can deliver an extraordinary & celebratory experience, our 16-week half-marathon program starts October 6, with community support through the Extraordinary League. Fill out your training interest form here or reach out at christine@extraordinarystrides.com If your New Year's momentum needs warmth, guidance, and good company, this is your weekend. We can't wait to celebrate with you.Have questions or want to chat? Send me a text!Support the showJoin the newsletter list for updates, special offers, and exclusive behind-the-scenes content.Join fellow pod and running enthusiasts at The Stride Collective community on Facebook or follow us on Instagram.

Les journalistes et experts de RFI répondent également à vos questions sur un mandat d'arrêt international contre un patron de presse sénégalais et l'aide américaine à l'économie argentine. Gaza : Tony Blair à la tête du gouvernement provisoire ?  Le plan de paix de Donald Trump pour la bande de Gaza prévoit la création d'une autorité internationale de transition dans l'enclave palestinienne, composée de plusieurs membres dont Tony Blair. Pourquoi l'ancien Premier ministre britannique est-il sollicité ? Quel sera son rôle ? Cette autorité ne serait-elle pas une nouvelle forme de contrôle étranger sur Gaza ?   Gaza : le projet de « Riviera du Moyen-Orient » est-il abandonné ?   Donald Trump a présenté un plan en vingt points censé mettre fin au conflit à Gaza. Le projet « Riviera » imaginé, il y a quelques mois, par le président américain pour faire de Gaza « une station touristique de luxe » est-il, par conséquent, définitivement abandonné ? Gaza : quelle sera la réponse du Hamas  ?   Huit pays arabes et musulmans, dont l'Égypte, l'Arabie saoudite, la Turquie et le Pakistan ont salué les « efforts sincères » de Donald Trump pour « mettre fin à la guerre ». Les médiateurs égyptiens et le qatarien ont remis au Hamas la proposition du président américain. Comment ces pays arabes vont-ils convaincre le Hamas d'accepter le plan de Donald Trump ? Avec Frédérique Misslin, correspondante permanente de RFI à Jérusalem.    Sénégal : un patron de presse, l'homme le plus recherché du pays    Alors qu'il était convoqué pour s'expliquer sur des commissions occultes qu'il aurait perçues et qu'il avait interdiction de quitter le territoire, le patron de presse Madiambal Diagne a fui en France. Depuis son départ, il fait l'objet d'un mandat d'arrêt international. Pourquoi n'avait-il pas le droit de quitter le Sénégal ? Comment y est-il parvenu malgré tout ? Avec Léa-Lisa Westerhoff, correspondante permanente de RFI à Dakar.     Argentine : Trump vient au secours de l'économie de Milei   Face à une crise économique persistante en Argentine, le président américain Donald Trump a annoncé sa volonté de soutenir financièrement le gouvernement de Javier Milei. Que représente concrètement ce soutien annoncé par le président américain ? Comment expliquer une telle crise économique dans le pays ?  Avec Julien Clémençot, chef du service économie de RFI. 

Having a day. Got a lot of topics. Will see what we cover and do a leftover episode. I'll insert time stamps with topics here tomorrow. SPONSORS: yokratom.com sheath.com Polygraph.net

Having a day. Got a lot of topics. Will see what we cover and do a leftover episode. I'll insert time stamps with topics here tomorrow.SPONSORS:yokratom.comsheath.comPolygraph.net

Design DNA and Stewardship in Golf Architecture with Andy Staples Summary Golf course architect Andy Staples (Staples Golf Design) joins Tyler to trace his path from sketching a nine-tee, one-green “course” at age 12 to leading restorations and renovations across North America. They dig into classic influences (Langford & Moreau, Raynor, MacKenzie), why he prefers the word stewardship over sustainability, how member identity shapes renovation decisions, and why the superintendent–architect partnership is everything. Plus: lightning-round “Chip Shots” on dream foursomes, halfway-house orders, and the one hole he'd play forever. Visit Bloom Golf Partners here. What You'll Learn Start with identity and reality. Benchmark finances, demographics, and maintenance capacity before chasing ambition. Process wins. Member outreach, focus groups, and transparent master-planning build trust and consensus. Design for stewardship. Favor contours over sand, right-size bunker counts, and invest in efficient irrigation. Partner with your superintendent. Track labor hours pre-project and plan reallocations post-project. Flexibility is insurance. Build in mow-line options and treatments that can scale maintenance up or down. https://bloomgolfpartners.com/research/  Courses & Projects Mentioned West Bend CC (WI), Sand Hollow (UT), Meadowbrook CC (MI), Olympia Fields (IL), Garden City CC (NY), Arcola CC (NJ), Belle Meade CC (TN), Phoenix CC (AZ), Shoreacres, Shinnecock, Seminole, Riviera, Pine Valley. Links Instagram: @andystaplesgolf X (Twitter): @BuildSmarterGolf Website: Staples Golf Design: https://www.staplesgolfdesign.com/   

Want more MTM Vegas? Check out our Patreon for access to our exclusive weekly aftershow! patreon.com/mtmvegas Want to work with us? Reach out! inquiries at mtmvegas dot com Episode Description This week the LVCVA continued with their Welcome to Fabulous campaign by installing activations at the airport and promising even more to come. Next week the first Vegas citywide sale will happen. Will this be enough and what can we expect as Vegas continues its marketing push to draw in more people. In other news F1 is opening their arcade soon while they quietly extended part of their race until 2030. Do they even have approval to do that? We also discuss: Sphere's first Spanish act, blockbuster Oz sales, Circus Circus one month before opening, the big hole on the Strip, Peppermill's Roman suite the big rumored MGM shakeup and why even more screens are being installed on the Las Vegas Strip. Episode Guide 0:00 Circus Circus a month from opening 0:33 Vegas Is Fabulous - airport style? 2:05 Vegas citywide 5 day sale incoming 3:20 Vegas Matt's $200K Grand 4:37 The quirky Roman suite at Peppermill Reno 5:39 Fontainebleau's big end of year acts 6:56 Pedestrian bridge screens have arrived 8:45 F1 track construction is underway 9:20 F1 extends MGM sponsorship to 2030? 11:00 F1 arcade at Forum Shops opening date 11:52 The Riviera hole in the ground 12:48 Sphere's first Spanish act 14:25 Blockbuster Wizard of Oz ticket sales - $1 billion? 16:17 Rumored layoffs at MGM resorts & executive shakeup 17:42 Slow times = lost jobs 19:46 How the wealthy are propping up Las Vegas Each week tens of thousands of people tune into our MtM Vegas news shows at http://www.YouTube.com/milestomemories. We do two news shows weekly on YouTube with this being the audio version. Never miss out on the latest happenings in and around Las Vegas! Enjoying the podcast? Please consider leaving us a positive review on your favorite podcast platform! You can also connect with us anytime at podcast@milestomemories.com.  You can subscribe on Apple Podcasts, Google Podcasts, Spotify or by searching "MtM Vegas" or "Miles to Memories" in your favorite podcast app. Don't forget to check out our travel/miles/points podcast as well!

In this episode of The Brick Session, Mark and Caroline dive into a packed weekend of racing news, starting with the Ironman World Championships in Nice. With the legendary Kona course giving way to the French Riviera this year, the event sparked considerable debate. Mark and Caroline unpack the brutal bike course that left its mark on the field, reflected in a notably high DNF rate. They question whether Nice was given a fair chance to prove itself as a long-term alternative to Kona, or if the tradition of Hawaii will always overshadow any new host.The conversation naturally turns to the race dynamics, where the Norwegians once again proved their dominance, sweeping the podium with a remarkable top-three finish. Mark and Caroline explore what makes their approach so consistently successful, and what this says about the future of long-distance triathlon.Closer to home, Caroline shares her personal experience at the British Gravel Championships held in Dalby Forest, North Yorkshire. In a race that attracted some of the UK's best off-road talent, she put in a gritty performance to take 8th place overall — a standout achievement at 46 years old. Together, they reflect on the growth of gravel racing in the UK, the technical demands of the Dalby course, and what draws so many athletes to the discipline.It's an episode that balances the global stage of triathlon with the personal stories of racing at home — packed with insight, opinion, and the usual dose of Brick Session honesty.

Not even a power outage can stop us from sharing this week's magical adventures! Julie D. is back on the podcast with not one—but two Disney World trip reports, and she's got stories from Saratoga Springs, Caribbean Beach, and Riviera to share. ✨ Featuring in This Episode

Krystal and Ryan interview GHF spokesman Chapin Fay on Gaza aid sites, claims that the Gazan boy 'Amir' is alive, Anthony Aguilar responds to accusations against his credibility. Breaking Points has reached out to GHF for comment on Anthony Aguilar's claim that SRS receives funds from COGAT. The story is developing and will be updated as new information arrives. Fox News Article: https://www.foxnews.com/world/exclusive-video-reveals-gaza-boy-said-killed-idf-alive GHF Release Statement: https://ghf.org/press-briefing-ghf-addresses-personnel-matter/ To become a Breaking Points Premium Member and watch/listen to the show AD FREE, uncut and 1 hour early visit: www.breakingpoints.comMerch Store: https://shop.breakingpoints.com/See omnystudio.com/listener for privacy information.

(00:00:36) Riviera de Gaza: "au Moyen-Orient, le mot irréalisable devrait être banni" (00:08:21) L'arrivée au pouvoir divise les intellectuels du trumpisme

Here's a 300-word iTunes/Podcast Apps summary for Episode 562: What happens when your carefully planned vacation in France takes an unexpected turn? In Unexpected France: History, Nature, and a Bit of Chaos, host Annie Sargent talks with traveler Gregg Furey about a journey filled with breathtaking discoveries, surprising challenges, and a few classic French travel mishaps. Listen to this episode ad-free Gregg's trip took him to places most visitors overlook. He explored the prehistoric caves of Arcy-sur-Cure, where ancient paintings connect today's traveler with humanity's earliest stories. He visited the soaring cathedrals of Laon and Bourges, each one a masterpiece of Gothic architecture. At the battlefield of Alésia, Gregg learned how Julius Caesar defeated Vercingetorix and how that moment still shapes French identity. And in Colombey-les-Deux-Églises, he reflected on the life of General Charles de Gaulle at the Croix de Lorraine memorial and museum. But not everything went according to plan. Gregg ended up in a hospital in Sarlat after unexpected health issues. Instead of panic, he found efficient doctors, affordable treatment, and an eye-opening look at how the French healthcare system really works. This detour disrupted his schedule but turned into one of the most memorable parts of the trip. This conversation is about more than just sightseeing. It's about handling the unpredictable. It's about staying flexible, finding humor when things go wrong, and discovering that mishaps often make the best stories. Annie and Gregg remind us that France is more than Paris and the Riviera. Smaller towns, Roman ruins, and quiet villages hold just as much magic. Subscribe to the Join Us in France Travel Podcast to hear more stories like this one. Learn how to plan smarter, travel deeper, and embrace the unexpected side of France. Table of Contents for this Episode [00:00:31] Today's Episode [00:01:02] Support the Podcast [00:01:33] Strikes and Political Difficulties in France [00:01:55] Air Quality in Paris, ETIAS and EES requirements [00:02:40] Gregg and Annie [00:02:52] Greg's Unique Travel Experiences [00:03:39] Exploring Small Towns Near Paris [00:05:04] Visiting Melun [00:06:46] Hospitalization in France [00:13:07] Medical “Deserts” [00:15:28] Discovering Laon [00:17:09]  Disque de Stationnement [00:22:49] Exploring Vézelay and Nearby Caves [00:23:04] Exploring Neolithic Art in French Caves [00:26:50] The Historical Significance of Vézelay [00:30:25] The Battle of Alesia and Roman Conquest [00:35:31] Charles de Gaulle's Legacy in Colombey-les-Deux-Églises [00:40:13] Final Thoughts and Future Travels [00:41:50] Thank You Patrons! [00:42:49] Tour Review [00:43:25] Podcast Listeners Discounts [00:44:34] Strikes Coming Up [00:47:20] Political Uncertainty [00:48:44] Air Quality in Paris [00:50:33] EES and ETIAS [00:52:25] Next Week on the Podcast [00:52:47] Copyright More episodes about going off the beaten path in France

Can a Gaza reconstruction that excludes Palestinian heritage, silences their participation, and denies their suffering truly succeed? Journalist and analyst Sean Mathews argues the 'Gaza Riviera' is doomed to fail.

Subscribe now to skip the ads, get more content, and generally support us! Danny is in talks with the Kremlin to unfreeze his accounts, so Derek is joined instead by the Quincy Institute's Alex Jordan to bring you the news. This week: a new study warns that the Atlantic circulation system could collapse (2:32); Ukraine introduces AI-driven drone swarms, raising the prospect of autonomous killing machines (5:55); in Israel-Palestine, Israel declares Gaza City a “dangerous combat zone” (9:45), The Washington Post details the “Trump Riviera” plan (13:50), more European states move toward recognizing a Palestinian state (18:20), and Israel appears to be building a new nuclear reactor (24:44); the IDF assassinates the Houthi prime minister in Yemen (26:57); Indonesia sees mass protests over egregious political perks (30:25); Russia replaces the Wagner Group with the Africa Corps in the Central African Republic amid pushback (32:47); the Congo River Alliance/M23 accuses the DRC government of violating their ceasefire (36:57); lawyers sound the alarm about five men trafficked from the US to Eswatini (39:12); as Russia-Ukraine peace talks drag on, the focus shifts to “security guarantees,” with Moscow rejecting any foreign military presence in Ukraine (41:43); Donald Trump boasts about “obliterating” a Venezuelan boat that may have carried migrants instead of drugs (47:39); US appeals courts rule against Trump's tariffs and deportations (51:33); and in a New Cold War update, Xi Jinping makes a statement at the Shanghai Cooperation Organization summit and V-J Day military parade (54:33). Catch Alex and Courtney Rawlings on Quincy's “Always at War”!  Grab one of the last few “Robo Washington Crossing the Delaware” posters! Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny is in talks with the Kremlin to unfreeze his accounts, so Derek is joined instead by the Quincy Institute's Alex Jordan to bring you the news. This week: a new study warns that the Atlantic circulation system could collapse (2:32); Ukraine introduces AI-driven drone swarms, raising the prospect of autonomous killing machines (5:55); in Israel-Palestine, Israel declares Gaza City a “dangerous combat zone” (9:45), The Washington Post details the “Trump Riviera” plan (13:50), more European states move toward recognizing a Palestinian state (18:20), and Israel appears to be building a new nuclear reactor (24:44); the IDF assassinates the Houthi prime minister in Yemen (26:57); Indonesia sees mass protests over egregious political perks (30:25); Russia replaces the Wagner Group with the Africa Corps in the Central African Republic amid pushback (32:47); the Congo River Alliance/M23 accuses the DRC government of violating their ceasefire (36:57); lawyers sound the alarm about five men trafficked from the US to Eswatini (39:12); as Russia-Ukraine peace talks drag on, the focus shifts to “security guarantees,” with Moscow rejecting any foreign military presence in Ukraine (41:43); Donald Trump boasts about “obliterating” a Venezuelan boat that may have carried migrants instead of drugs (47:39); US appeals courts rule against Trump's tariffs and deportations (51:33); and in a New Cold War update, Xi Jinping makes a statement at the Shanghai Cooperation Organization summit and V-J Day military parade (54:33).Catch Alex and Courtney Rawlings on Quincy's “Always at War”! Grab one of the last few “Robo Washington Crossing the Delaware” posters!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Les journalistes et experts de RFI répondent également à vos questions sur le limogeage de la présidente de la Cour suprême du Ghana et sur l'opposition manifestée par les évêques au projet de code pastoral au Tchad. Gaza : que prévoit le plan « Riviera » de Donald Trump ?   Le Washington Post a dévoilé le projet de Donald Trump pour l'« après-guerre » dans la bande de Gaza. Baptisé « GREAT Trust », il prévoit le déplacement des habitants vers d'autres pays afin de transformer l'enclave palestinienne en zone touristique et économique. Que contient exactement ce plan ?  Avec Pierre Olivier, journaliste au service international de RFI.  Ghana : pourquoi la présidente de la Cour suprême a été limogée ? Au Ghana, c'est une décision inédite dans l'histoire de la IVe République. Le président John Dramani Mahama a évincé la présidente de la Cour suprême. Que lui reproche-t-on ? Pourquoi le principal parti d'opposition dénonce-t-il un abus de pouvoir ? Avec Victor Cariou, correspondant de RFI à Accra.  Tchad : pourquoi les évêques s'opposent au projet de code pastoral ? Au Tchad, les évêques catholiques dénoncent le projet de code pastoral. Ils affirment qu'il est injuste pour les agriculteurs et favorise les éleveurs. Pourquoi ce texte fait-il polémique ? Quels amendements pourraient garantir une meilleure protection des agriculteurs ?  Avec Yamingué Bétinbaye, analyste et directeur de recherche au Centre de recherche en anthropologie et sciences humaines (CRASH) à N'Djamena. Chronique « Un œil sur les réseaux » de Jessica Taieb Aujourd'hui, direction le Gabon où Brice Oligui Oligui Nguema s'affiche en papa président.

It's another wild week online including yet another internet meltdown involving a CEO. This episode begins with a new 'caught on camera' scandal at the US Open, where a paving CEO grabbed a signed cap meant for a child, sparking memes, fury, and tanked reviews for his company. Then the Trawl ladies head over to the White House Rose Garden, where Donald Trump raged about a scratch in his limestone path with more passion than he could muster for a tragic school shooting in Minneapolis. Marina and Jemma unpack the hypocrisy, America's gun crisis, and the empty ritual of 'thoughts and prayers.' And finally, there's the jaw-dropping plan to turn Gaza into a luxury resort — with Trump, Jared Kushner and yes, Tony Blair in the mix. The hosts trawl the takes, from biting satire to righteous outrage. The Under rated section is jam packed with people's takes on what Trump's brief break from Truth Social might have meant. From tennis courts to mass graves, the internet has feelings, and The Trawl is here to dredge them up.Thank you for sharing and do tweet us @MarinaPurkiss @jemmaforte @TheTrawlPodcast Patreonhttps://patreon.com/TheTrawlPodcast Youtubehttps://www.youtube.com/@TheTrawl Twitterhttps://twitter.com/TheTrawlPodcastIf you've even mildly enjoyed The Trawl, you'll love the unfiltered, no-holds-barred extras from Jemma & Marina over on Patreon, including:• Exclusive episodes of The Trawl Goss – where Jemma and Marina spill backstage gossip, dive into their personal lives, and often forget the mic is on• Early access to The Trawl Meets…• Glorious ad-free episodesPlus, there's a bell-free community of over 3,300 legends sparking brilliant chat.And it's your way to support the pod which the ladies pour their hearts, souls (and occasional anxiety) into. All for your listening pleasure and reassurance that through this geopolitical s**tstorm… you're not alone.Come join the fun:https://www.patreon.com/TheTrawlPodcast?utm_campaign=creatorshare_creator Hosted on Acast. See acast.com/privacy for more information.

Host Nancy Derringer talks with guests, public relations specialist Beverly Watts, automotive journalist Paul Eisenstein, editor-in-chief of Headlight News; attorneys Bill Seikaly and Joel Sklar, community and labor activist Barb Ingalls and Deadline Detroit co-founder Allan Lengel.They talk about: U.S. Navy attacks ship out of Venezuela, kills 11 Onboard; Detroit auto journalist Paul Eisenstein talks about Elon Musk's ridiculous compensation and why he's ethically challenged;  Trump mulls plan to pay Gazans $5,000 to leave for 10 years for his “Riviera” rebuild project;  Trump foreign policy humiliation as Russia, China and India come together at Tianjin summit; . Schmuck of the Week.

Today, we're joined by BBC International Editor Jeremy Bowen to explore oppositional visions for a post-war Gaza — one from the Americans and the other from the rest of the western world.There are two competing international visions for the future for Palestinians: much of the Western world will recognise Palestinian Statehood at this month's United Nations General Assembly in a push towards the two-state solution; whilst Donald Trump has touted plans for a US-controlled Gaza riviera. But how do these ideas line up with reality on the ground, as Netanyahu's government continues to bombard the Gaza Strip, approves plans for expanding settlements and expresses support for a ‘Greater Israel' that expands across the Middle East? We consider Gaza's future with BBC International Editor Jeremy Bowen.Producers: Samantha Chantarasak and Xandra Ellin Executive Producer: Annie Brown Mix: Travis Evans Senior News Editor: China CollinsImage: President Trump Meets With Visiting Israeli PM Netanyahu At The White House. Anna Moneymaker/Getty

Krystal and Saagar discuss Trump health rumors, Israel blocks US Senators from Gaza, leaked docs show Trump Gaza Riviera solution. To become a Breaking Points Premium Member and watch/listen to the show AD FREE, uncut and 1 hour early visit: www.breakingpoints.comMerch Store: https://shop.breakingpoints.com/See omnystudio.com/listener for privacy information.

Trump's Gaza plan is one of the most controversial proposals in recent memory: offering Palestinians $5,000 each to leave temporarily or permanently, while transforming Gaza into a tech-driven “Riviera of the Middle East," complete with AI-powered smart cities and global corporate partners.We break down the origins of the plan, who's behind it, the international reactions, and why critics are calling it “insane” and “ethnic cleansing in disguise.” We also look at the shocking details, from a U.S.-run trusteeship to IKEA being named as a possible partner.Full GREAT Trust Slide Deck (PDF): The Washington Post's published 38-page prospectus: https://www.washingtonpost.com/documents/f86dd56a-de7f-4943-af4a-84819111b727.pdf?utm_source=chatgpt.comReuters: Summary of post-war plan details and implications: https://www.reuters.com/world/middle-east/post-war-plan-sees-us-administering-gaza-least-decade-washington-post-2025-08-31/?utm_source=chatgpt.comWashington Post: Deep dive on the U.S.-administered trusteeship and “Riviera of the Middle East": https://www.washingtonpost.com/national-security/2025/08/31/trump-gaza-plan-riviera-relocation/?utm_source=chatgpt.comThe Guardian: Scathing critique calling the proposal an attempt to “mask ethnic cleansing.”: https://www.theguardian.com/world/2025/sep/01/leaked-gaza-riviera-plan-dismissed-as-insane-attempt-to-cover-ethnic-cleansing?utm_source=chatgpt.comSvenska Dagbladet (SvD): Reporting on IKEA being named and publicly denying involvement: https://www.svd.se/a/dRX2G1/ikea-namns-i-plan-om-nytt-gaza-ej-godkant?utm_source=chatgpt.com

Het is 38 pagina's dik en op de voorkant staat een titel die Trumpiaans in de oren klinkt: het 'Gaza Reconstitution, Economic Acceleration and Transformation'-plan, kortweg het GREAT Trust-plan. Een plan dat doet denken aan de AI-video die de Amerikaanse president eerder dit jaar verspreidde waarin een onherkenbaar Gaza te zien is met wolkenkrabbers en gouden Trump-standbeelden. Dit papieren document zou binnen de regering-Trump circuleren als naoorlogs scenario voor Gaza. The Washington Post kreeg het in handen en zette het online. Te lezen is hoe de Gazastrook tien jaar onder Amerikaans bestuur zou komen te staan om het gebied in een technologisch en toeristisch centrum te veranderen. En alle Gazanen moeten verhuizen. In deze podcast leest verslaggever in Israel Sander van Hoorn in het plan en voorziet het van de broodnodige context. 'Vorig jaar had ik je uitgelachen als je me had gevraagd om over dit plan een podcast te maken,' zegt hij. 'Maar in deze tijden is alles anders.'  Reageren? Mail dedag@nos.nl Presentatie en montage: Elisabeth Steinz Redactie: Rosanne Sies

In this episode of The PDB Afternoon Bulletin: A leaked Trump administration plan for post-war Gaza envisions a U.S.-run trusteeship, population relocation, and a transformation of the enclave into a “Riviera of the Middle East.” Across England, a wave of anti-immigrant protests is spreading as hotels housing asylum seekers become flashpoints for local anger. To listen to the show ad-free, become a premium member of The President's Daily Brief by visiting PDBPremium.com.Please remember to subscribe if you enjoyed this episode of The President's Daily Brief.YouTube: youtube.com/@presidentsdailybrief TriTails Premium Beef: Don't Settle for shrink-wrapped "steak" Visit https://trybeef.com/PDB to get the real stuff.Jacked Up Fitness: Get the all-new Shake Weight by Jacked Up Fitness at https://JackedUpShakeWeight.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are so excited to have our friend Ally from Pennsylvania (and The Clubhouse) join us to share her trip from just a couple of weeks ago! This was a special trip because she got engaged while staying at Disney's Riviera Resort! We talk about the planning of the trip, how Jacob popped the question, some great dining at places like the Edison, the Cake Bake Shop, and Cinderella's Royal Table, times in all four theme parks, building droids at Hollywood Studios and much more! We hope you can continue the conversation with us this week in the Be Our Guest Podcast Clubhouse at www.beourguestpodcast.com/clubhouse! Thank you so much for your support of our podcast! Become a Patron of the show at www.Patreon.com/BeOurGuestPodcast.  Also, please follow the show on Twitter @BeOurGuestMike and on Facebook at www.facebook.com/beourguestpodcast.   Thanks to our friends at The Magic For Less Travel for sponsoring today's podcast!

durée : 00:03:27 - Le monde à l'endroit - Le rêve de "Côte d'Azur du Moyen Orient" ébauché par Donald Trump en février dernier n'est pas mort. Et un revenant, le premier ministre britannique Tony Blair, participe à sa résurrection. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Spricka anas i Magarörelsen över Gazakriget. Lyssna på alla avsnitt i Sveriges Radio Play. Från spektakulära utspel om att USA ska ta över Gaza och bygga semesterparadis, till uttalanden om att ingen kan förneka svälten – var står Donald Trump egentligen i frågan om kriget i Gaza? Hur viktigt är det amerikanska stödet för Israels krig och hur påverkas Magarörelsen när republikaner som Marjorie Taylor Greene ny börjar prata om folkmord? Det borrar vi djupare i denna onsdag. Dessutom tittar vi närmare på den senaste tidens avpolletteringar – från ledamoten i USA:s riksbank och spionchefen i Pentagon som fick sparken, till FBI-räden mot den tidigare nationella säkerhetsrådgivaren John Bolton. Finns det någon kvar som vågar säga nej till Donald Trump?Sist men inte minst – Kilmar Abrego Garcia. Han utvisades till El Salvador av misstag, togs hem igen, greps, släpptes och är nu inlåst än en gång, med hot om att deporteras till – Uganda. Medverkande: USA-korrespondent Ginna Lindberg, Roger Wilson och Johan-Mathias Sommarström, internationell korrespondent.Programledare: Sara Stenholm.Producent: Anna Roxvall

We're breaking down this month's biggest Disney and DVC news on this week's episode of The DVC Show. From Riviera's first-ever ROFR buyback to D23's missing parks panel and Q3 Disney earnings, here's everything you need to know!Disney executes its FIRST‑EVER ROFR (Right‑of‑First‑Refusal) buyback on a Riviera Resort resale contract, and the numbers behind it are wild! Thoughts and guesses on Destination D23's missing Parks & Resorts panel, and what does that mean for us?Disney Q3 earnings are in, and it's all about record revenue, flat attendance, and major per‑capita spending, especially surprising with Epic Universe in the mix. Updates on Minnie Van Service to the airport, Beak and Barrel reservations, and more fun DVC highlights.Support our DVC Fan content by joining our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Visit our official sponsor, World of DVC, for all your DVC needs!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DVC Resale Market⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest broker of DVC resale contracts on the internet!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Monera Financial⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for an easy solution to financing your DVC contract!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DVC Rental Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is a fantastic resource for those looking to rent points or rent out points!Buy Discounted Disney World or Universal Tickets with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Unlocked Magic⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Book Your Next Disney Cruise with⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Be Our Guest Vacations!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DVC Fan Facebook Group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DVC Fan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for even more on Disney Vacation Club!

This amazing group tearing up the waves up and down the coast of California…. Thank you Isla, Kirra, Riviera & Camille.

La Suisse n'est pas qu'un repère de célébrités en retraite et de gauchistes en quête de tranquillité dans une Europe où ils sont pourchassés. Le 25 août 1944, Paris est libéré. Quatre jours plus tard, Gabrielle Chanel, très célèbre créatrice de mode, est arrêtée, interrogée et très rapidement relâchée grâce à l'appui d'un certain… Winston Churchill. En septembre de la même année, elle décide de quitter la France et se réfugie à Lausanne. Elle y retrouve son amant, un espion allemand, pour poursuivre quelques années encore une relation amoureuse qui lui a déjà valu des soupçons de collaboration avec le nazisme. Célèbre et riche, Coco Chanel passe huit ans en exil volontaire dans la capitale vaudoise. Entre les suites des palaces de la Riviera et une maison qu'elle loue à Lausanne, elle fréquente le petit cercle des collaborateurs en fuite. Un parcours que la journaliste Marie Fert a retracé dans son livre, Gabrielle Chanel, les années d'exil, paru aux Editions Slatkine en 2021. https://www.slatkine.com/fr/editions-slatkine/74905-book-07211030-9782832110300.html

A review of an Alaskan cruise on Oceania Riviera. This was an eight-night sailing from Whitter, Alaska to Vancouver, British Columbia. Staff writer Richard Simms has cruise news.