Podcast appearances and mentions of Christine Vachon

Before we get to the terrors of contemporary life, it's time for Kate and Brodie to chat about their holidays. Kate went to London, Cornwall, Paris, New York and LA, and Brodie went to Tokyo and Hanoi. They agree that Christine Vachon would've had a conniption at Pudong international airport in Shanghai, discuss the eras of Keira Knightley, rice porridge, Alexei Toliopoulos and Zachary Ruane's Refused Classification.There's a TV dispatch: on lying about owning Pioneertown in Selling Sunset, Perfect Couple and doing lots of Irish accents, lesbian witches in Agatha All Along and lesbian housewives in RHONY, (Ryan) Murphy's Law states we gotta talk about Monsters.Also: Alsos!Follow us at @seealsopodcast and join the Hogg Hive on Patreon to hear this week's bonus episode all about our holidays.Brodie is joining Lauren Taylor & Simon Winkler on Nov 16 at Hope Street for Good Question. See Also listeners can get 30% off their tickets for the Nov 16 workshop with the code SEEALSO. Get your ticket here.See AlsosBetween the Temples @ JIFFGuy Blackman's vinyl reissue of Adult BabyNew single from Harvey SutherlandAlso AlsosSoccer Mommy's new album EvergreenYou Beauty by Mish GrigorReal Housewives of Salt Lake City on HayuSabah Bolo slippersCabeau travel pillowMojave Ghost by Byredo Hosted on Acast. See acast.com/privacy for more information.

Vimos y celebramos El Escuerzo, película cordobesa, y hablamos con su director Augusto Sinay. El episodio nos quedó algo largo, puede ser, pasa que había varias cuestiones más para charlar, como el tema de Joaquin Phoenix dejando en banda a Todd Haynes y Christine Vachon, quién tiene la última palabra en una película cuando el director no es conocido y la protagonista es la que tracciona, George Clooney vs Tarantino y qué sé yo. Podés pasar por hoytrasnoche.com a suscribirte y te agradeceremos por siempre.

US producer Christine Vachon, back at the KVIFF for the second year in a row: "There are certain festivals that are just beloved by the people of their community, and this is absolutely one of them." The post An interview with producer Christine Vachon, member of the Crystal Globe Competition jury at the 58th Karlovy Vary IFF appeared first on Fred Film Radio.

US producer Christine Vachon, back at the KVIFF for the second year in a row: "There are certain festivals that are just beloved by the people of their community, and this is absolutely one of them." The post An interview with producer Christine Vachon, member of the Crystal Globe Competition jury at the 58th Karlovy Vary IFF appeared first on Fred Film Radio.

US producer Christine Vachon, back at the KVIFF for the second year in a row: "There are certain festivals that are just beloved by the people of their community, and this is absolutely one of them." The post An interview with producer Christine Vachon, member of the Crystal Globe Competition jury at the 58th Karlovy Vary IFF appeared first on Fred Film Radio.

US producer Christine Vachon, back at the KVIFF for the second year in a row: "There are certain festivals that are just beloved by the people of their community, and this is absolutely one of them." The post An interview with producer Christine Vachon, member of the Crystal Globe Competition jury at the 58th Karlovy Vary IFF appeared first on Fred Film Radio.

US producer Christine Vachon, back at the KVIFF for the second year in a row: "There are certain festivals that are just beloved by the people of their community, and this is absolutely one of them." The post An interview with producer Christine Vachon, member of the Crystal Globe Competition jury at the 58th Karlovy Vary IFF appeared first on Fred Film Radio.

US producer Christine Vachon, back at the KVIFF for the second year in a row: "There are certain festivals that are just beloved by the people of their community, and this is absolutely one of them." The post An interview with producer Christine Vachon, member of the Crystal Globe Competition jury at the 58th Karlovy Vary IFF appeared first on Fred Film Radio.

LGBTQ Filmmakers at the 26th annual Provincetown International Film Festival talk with Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ in this exclusive audio montage that took place at the Boatslip Resort & Beach Club in Provincetown, MA. First we talked to director Stephen Soucy about his documentary “Merchant Ivory” that pulls back the curtain on the fascinating lives of filmmakers Ismail Merchant and James Ivory. Their unique partnership on and off the camera produced 43 groundbreaking films over 4 decades that left an indelible mark on the LGBTQ and arthouse cinema. The documentary features interviews with Vanessa Redgrave, Emma Thompson, Hugh Grant, Helena Bonham Carter and many others who were lucky enough to move in the orbit of Merchant and Ivory's fabulous filmmaking. Next we chatted with director Fawzia Mirza and producer Andria Wilson Mirza about their feature film “The Queen of My Dreams”. The film is about a Pakistani Canadian woman who has had a strained relationship with her parents since coming out as lesbian and undergoes an emotional journey after the sudden unexpected death of her father. Her grief plunges her into a Bollywood-style examination of her family's past and present. Then we talked with director Taylor James, actor Kanoa Goo and producer Katie White about their short film “ILY, BYE” about when an unemployed, down on her luck woman (Megan Stalter) gets a life-changing job opportunity but she can't seem to get her foot out of her mouth long enough to get her foot in the door.    Next we talked to Tyler C. Peterson about his short film “Stan Behavior” about a drag queen (Ginger Minj) embarking on a quest for better workplace rights but finds herself in a dicey situation when her new lawyer (Yvonne Zima) a tone-deaf straight woman is revealed to be a drag super stan. Then we talked with director Sarah McCarron and music producer Rascal Miles about their short film “The Bend” about a trans man migrating from Tennessee to Minneapolis who gets stranded in rural Wisconsin and encounters a fisherman. We then chatted with director Marco Calvani about his feature film “High Tide” that was shot in Provincetown about an undocumented Brazilian immigrant searching for purpose when he encounters Maurice creating a memorable tribute to love and loss. We concluded our conversation with veteran producer Christine Vachon who produced the 2023 Oscar nominated film “Past Lives” about what films she has coming down the pike. We also talked with all the filmmakers about their spin on our LGBTQ issues as we approach the crucial 2024 presidential election.    The Provincetown Film Society, Inc. (PFS) is a non-profit year-round organization and home of the Provincetown International Film Festival. PIFF creates a unique international platform for the west and east coast entertainment industry to experience the diversity and community of Provincetown. PFS is also dedicated to showcasing the work of acclaimed and emerging directors, producers and actors.  For Info… LISTEN: 600+ LGBTQ Chats @OUTTAKE VOICES

This week we cover Todd Haynes' 1995 film, "Safe." We love this movie, and I think it shows in the discussion. We discuss the original conception of the idea and the development of the film with super producer, Christine Vachon. After a discussion of the themes and history of the film, we break down the plot. At the end of the episode, we offer a pair of double bills including Haynes' "Safe."Thank you so much for listening!Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

Jen and Tim contextualize the band that ruled Nixon's America, The Carpenters, for Todd Haynes's early dollhouse biopic, Superstar: The Karen Carpenter Story.Watch the film on the Internet Archive, but don't tell Richard Carpenter you did!Entertainment Weekly took a look back at the film in the aftermath of the unstoppable cultural juggernaut that was the Barbie movie.Friend of Todd Haynes and producer Christine Vachon spilled some info on the restoration of Superstar in 2023. Have You Seen This? BONUS episodes Hosted on Acast. See acast.com/privacy for more information.

Robert Winfree, Alexis Hejna and Mark Radulich present their 2024 Best Picture Contenders Survey!The 96th Academy Awards is an upcoming ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS), which will honor the best films of 2023, and is scheduled to take place at the Dolby Theatre in Hollywood, Los Angeles, California, on March 10, 2024.The ceremony, to be televised in the United States by ABC, will be produced by Raj Kapoor and Katy Mullan, with Hamish Hamilton serving as director. Comedian Jimmy Kimmel is scheduled to host the show for the fourth time, following the 2017, 2018 and 2023 ceremonies.The nominations were announced on January 23, 2024. Oppenheimer led with 13 nominations, followed by Poor Things and Killers of the Flower Moon with 11 and 10, respectively.The nominee for Best Picture 2024 are:American Fiction – Ben LeClair, Nikos Karamigios, Cord Jefferson, and Jermaine Johnson, producersAnatomy of a Fall – Marie-Ange Luciani and David Thion, producersBarbie – David Heyman, Margot Robbie, Tom Ackerley, and Robbie Brenner, producersThe Holdovers – Mark Johnson, producerKillers of the Flower Moon – Dan Friedkin, Bradley Thomas, Martin Scorsese, and Daniel Lupi, producersMaestro – Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning, and Kristie Macosko Krieger, producersOppenheimer – Emma Thomas, Charles Roven, and Christopher Nolan, producersPast Lives – David Hinojosa, Christine Vachon, and Pamela Koffler, producersPoor Things – Ed Guiney, Andrew Lowe, Yorgos Lanthimos, and Emma Stone, producersThe Zone of Interest – James Wilson, producerDisclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsoFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76

This week, Film Comment is reporting from Berlin, where the 2024 Berlinale kicked off on February 15. Throughout the festival, we'll be sharing daily podcasts, dispatches, and interviews covering all the highlights of this year's selection, including new films by Olivier Assayas, Mati Diop, Bruno Dumont, Hong Sangsoo, and many more. Subscribe to the Film Comment Letter here to stay up-to-date. On today's episode, our fourth from Berlin, FC Editor Devika Girish is joined by an international cadre of programmers and critics made up of Jonathan Ali, Frédéric Jaeger, and Antoine Thirion to talk about Nelson Carlos De Los Santos Arias's Pepe, Hong Sangsoo's A Traveler's Needs, Malaury Eloi Paisley's L'homme-vertige, Dag Johan Haugerud's Sex, Victor Kossakovsky's Architecton, and Guillaume Cailleau and Ben Russell's Direct Action. As if that weren't enough! This episode also features a special, short interview by FC Publisher (and President of Film at Lincoln Center) Lesli Klainberg with super-producer Christine Vachon of Killer Films, the production company behind two standout hits of 2023, Past Lives and May December. The two dig into the contemporary and historical importance of the Berlinale for American independent film and how Christine is able to adapt her business to ongoing changes in the industry. Stay up to date with all of our Berlinale 2024 coverage here: https://www.filmcomment.com/blog/category/festivals/berlin/berlin-2024/

Get ready for the glitz and glamour as "Everyone is a Critic Movie Review Podcast" dives into the highly anticipated 2023 Oscar Nominations! In Episode 607, our hosts meticulously dissect each category, celebrating the outstanding achievements in the world of cinema. Join us as we unveil the nominees and share our insights on who might take home the coveted golden statuettes. OSCAR NOMINATIONS 2024 BY CATEGORY - 96th AWARDS       Best Picture AMERICAN FICTION Ben LeClair, Nikos Karamigios, Cord Jefferson and Jermaine Johnson, Producers ANATOMY OF A FALL Marie-Ange Luciani and David Thion, Producers BARBIE David Heyman, Margot Robbie, Tom Ackerley and Robbie Brenner, Producers THE HOLDOVERS Mark Johnson, Producer KILLERS OF THE FLOWER MOON Dan Friedkin, Bradley Thomas, Martin Scorsese and Daniel Lupi, Producers MAESTRO Bradley Cooper, Steven Spielberg, Fred Berner, Amy Durning and Kristie Macosko Krieger, Producers OPPENHEIMER Emma Thomas, Charles Roven and Christopher Nolan, Producers PAST LIVES David Hinojosa, Christine Vachon and Pamela Koffler, Producers POOR THINGS Ed Guiney, Andrew Lowe, Yorgos Lanthimos and Emma Stone, Producers THE ZONE OF INTEREST James Wilson, Producer Actor in a Leading Role Bradley Cooper in MAESTRO Colman Domingo in RUSTIN Paul Giamatti in THE HOLDOVERS Cillian Murphy in OPPENHEIMER Jeffrey Wright in AMERICAN FICTION Actor in a Supporting Role Sterling K. Brown in AMERICAN FICTION Robert De Niro in KILLERS OF THE FLOWER MOON Robert Downey Jr. in OPPENHEIMER Ryan Gosling in BARBIE Mark Ruffalo in POOR THINGS Actress in a Leading Role Annette Bening in NYAD Lily Gladstone in KILLERS OF THE FLOWER MOON Sandra Hüller in ANATOMY OF A FALL Carey Mulligan in MAESTRO Emma Stone in POOR THINGS Actress in a Supporting Role Emily Blunt in OPPENHEIMER Danielle Brooks in THE COLOR PURPLE America Ferrera in BARBIE Jodie Foster in NYAD Da'Vine Joy Randolph in THE HOLDOVERS Animated Feature Film THE BOY AND THE HERON Hayao Miyazaki and Toshio Suzuki ELEMENTAL Peter Sohn and Denise Ream NIMONA Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary ROBOT DREAMS Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz SPIDER-MAN: ACROSS THE SPIDER-VERSE Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal Cinematography EL CONDE Edward Lachman KILLERS OF THE FLOWER MOON Rodrigo Prieto MAESTRO Matthew Libatique OPPENHEIMER Hoyte van Hoytema POOR THINGS Robbie Ryan Costume Design BARBIE Jacqueline Durran KILLERS OF THE FLOWER MOON Jacqueline West NAPOLEON Janty Yates and Dave Crossman OPPENHEIMER Ellen Mirojnick POOR THINGS Holly Waddington Directing ANATOMY OF A FALL Justine Triet KILLERS OF THE FLOWER MOON Martin Scorsese OPPENHEIMER Christopher Nolan POOR THINGS Yorgos Lanthimos THE ZONE OF INTEREST Jonathan Glazer Documentary Feature Film BOBI WINE: THE PEOPLE'S PRESIDENT Moses Bwayo, Christopher Sharp and John Battsek THE ETERNAL MEMORY Nominees to be determined FOUR DAUGHTERS Kaouther Ben Hania and Nadim Cheikhrouha TO KILL A TIGER Nisha Pahuja, Cornelia Principe and David Oppenheim 20 DAYS IN MARIUPOL Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath Documentary Short Film THE ABCS OF BOOK BANNING Sheila Nevins and Trish Adlesic THE BARBER OF LITTLE ROCK John Hoffman and Christine Turner ISLAND IN BETWEEN S. Leo Chiang and Jean Tsien THE LAST REPAIR SHOP Ben Proudfoot and Kris Bowers NǎI NAI & WàI Pó Sean Wang and Sam Davis Film Editing ANATOMY OF A FALL Laurent Sénéchal THE HOLDOVERS Kevin Tent KILLERS OF THE FLOWER MOON Thelma Schoonmaker OPPENHEIMER Jennifer Lame POOR THINGS Yorgos Mavropsaridis International Feature Film IO CAPITANO Italy PERFECT DAYS Japan SOCIETY OF THE SNOW Spain THE TEACHERS' LOUNGE Germany THE ZONE OF INTEREST United Kingdom Makeup and Hairstyling GOLDA Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue MAESTRO Kazu Hiro, Kay Georgiou and Lori McCoy-Bell OPPENHEIMER Luisa Abel POOR THINGS Nadia Stacey, Mark Coulier and Josh Weston SOCIETY OF THE SNOW Ana López-Puigcerver, David Martí and Montse Ribé Music (Original Score) AMERICAN FICTION Laura Karpman INDIANA JONES AND THE DIAL OF DESTINY John Williams KILLERS OF THE FLOWER MOON Robbie Robertson OPPENHEIMER Ludwig Göransson POOR THINGS Jerskin Fendrix Music (Original Song) "The Fire Inside" from FLAMIN' HOT Music and Lyric by Diane Warren "I'm Just Ken" from BARBIE Music and Lyric by Mark Ronson and Andrew Wyatt "It Never Went Away" from AMERICAN SYMPHONY Music and Lyric by Jon Batiste and Dan Wilson "Wahzhazhe (A Song For My People)" from KILLERS OF THE FLOWER MOON Music and Lyric by Scott George "What Was I Made For?" from BARBIE Music and Lyric by Billie Eilish and Finneas O'Connell Production Design BARBIE Production Design: Sarah Greenwood; Set Decoration: Katie Spencer KILLERS OF THE FLOWER MOON Production Design: Jack Fisk; Set Decoration: Adam Willis NAPOLEON Production Design: Arthur Max; Set Decoration: Elli Griff OPPENHEIMER Production Design: Ruth De Jong; Set Decoration: Claire Kaufman POOR THINGS Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek Short Film (Animated) LETTER TO A PIG Tal Kantor and Amit R. Gicelter NINETY-FIVE SENSES Jerusha Hess and Jared Hess OUR UNIFORM Yegane Moghaddam PACHYDERME Stéphanie Clément and Marc Rius WAR IS OVER! INSPIRED BY THE MUSIC OF JOHN & YOKO Dave Mullins and Brad Booker Short Film (Live Action) THE AFTER Misan Harriman and Nicky Bentham INVINCIBLE Vincent René-Lortie and Samuel Caron KNIGHT OF FORTUNE Lasse Lyskjær Noer and Christian Norlyk RED, WHITE AND BLUE Nazrin Choudhury and Sara McFarlane THE WONDERFUL STORY OF HENRY SUGAR Wes Anderson and Steven Rales Sound THE CREATOR Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic MAESTRO Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE Chris Munro, James H. Mather, Chris Burdon and Mark Taylor OPPENHEIMER Willie Burton, Richard King, Gary A. Rizzo and Kevin O'Connell THE ZONE OF INTEREST Tarn Willers and Johnnie Burn Visual Effects THE CREATOR Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould GODZILLA MINUS ONE Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima GUARDIANS OF THE GALAXY VOL. 3 Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek MISSION: IMPOSSIBLE - DEAD RECKONING PART ONE Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould NAPOLEON Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould Writing (Adapted Screenplay) AMERICAN FICTION Written for the screen by Cord Jefferson BARBIE Written by Greta Gerwig & Noah Baumbach OPPENHEIMER Written for the screen by Christopher Nolan POOR THINGS Screenplay by Tony McNamara THE ZONE OF INTEREST Written by Jonathan Glazer Writing (Original Screenplay) ANATOMY OF A FALL Screenplay - Justine Triet and Arthur Harari THE HOLDOVERS Written by David Hemingson MAESTRO Written by Bradley Cooper & Josh Singer MAY DECEMBER Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik PAST LIVES Written by Celine Song   Connect with Us: Website: www.ihatecritics.com Facebook: Everyone is a Critic Podcast Twitter: @criticspod Instagram: criticspod Patreon: patreon.com/criticspod Tee Public: CriticsPod Tee Public YouTube: CriticsPod YouTube Channel Featured Creators: Jeff's Art: Jeff Lassiter Art Sean's Reviews: Sean at the Movies Blog

Hello Therese, we're back for our annual holiday extravaganza. This year we're movie-clubbing Todd Haynes' very luscious and very gay Carol (2015), starring Cate Blanchett, Rooney Mara, and Sarah Paulson. We discuss the erotic imagery of merely a glove, lesbian sex scenes through the lens of a gay man, and the joy in watching flat male characters (what even IS Jake Lacy's character's name?). All that Carol talk for you plus our reactions to the Golden Globe nominations, our dream casting of Da'Vine Joy Randolph and Emma Stone as Pearl Bailey and Carol Channing in a future film, and some Muppet talk. And then…we give you a solid ten minutes on our theory that gay men hate all gay male things while lesbians are much more accepting, our trip down memory lane to remember “lesbian kiss episodes” during November sweeps, the legacy of Roseanne, and Natalie Zea hunting down Kimberly Pierce for the Boys Don't Cry short she starred in!  Anyway, happy holidays! Do you think Linda Perry and Sara Gilbert watched Carol together? Follow us on social media: @youmightknowherfrom || @damianbellino || @rodemanne Discussed this week: Golden Globe nominations came out HFPA dissolved last year Anne liked Priscilla Actors on Actors with Emma Stone and Bradley Cooper. Better or Actors on Actors with Hathaway and Blunt Da'Vine Joy Randolph getting Oscar buzz for The Holdovers and should definitely star as Pearl Bailey. We vote Emma Stone for Carol Channing Is Wonka good?! We love Pepe the Prawn now  Lonny Price is in Muppets Take Manhattan Austin Pendleton is in The Muppet Movie We love Ollie's on 42nd Street (sighted Lois Smith and Austin Pendleton)  Rooney Mara in The Social Network We love the movie Union Square and the Angelika Film Center Former guest, Vicki Lewis in Pushing Tin  “Do you want to fuck me, Barbara??” - Cate to Judi in Notes on a Scandal She has done lots of NYC theatre: Streetcar (2009), Hedda Gabler (2006), The Maids (2014) Damian always thinking of Playwright, Theresa Rebeck Jake Lacy looks good in a waistcoat Are the Maras billionaires? Their mom's family founded the Pittsburgh Steelers and dad's family founded the New York Giants.  We can't pronounce Joaquin Phoenix and Cillian Murphy Gay Christmas movies: Michael Urie in Single All the Way and Happiest Season (with Aubrey Plaza and Kristen Stewart)  BFI listed Carol as the best LGBTQ movie of all time  Anne hated Bros Remember that Muriel Heminway kissed Roseanne Barr?  Lucy Liu and Calista Flockheart kissed for sweeps on Ally McBeal Did Linda Perry and Sara Gilbert watched Carol together? Famous lesbian Christine Vachon produced Carol Kimberly Peirce was attached to Carol before it made its way to Todd Haynes  Former YMKHF guest, Natalie Zea was in the student film version of Boys Don't Cry and we talked to her about it on the pod Famous lesbian Kimberly Peirce directed episodes of P Valley and The L Word

Netflix released its first report revealing viewership patterns. Why does it matter? What does the data reveal — and what happens next? Then, Past Lives writer-director Celine Song and producer Christine Vachon discuss Song's foray into filmmaking, their partnership, and the journey of the awards circuit.

Over the past few months, Krista has sat down with many of the incredible creatives behind Todd Hanes' May December. The film follows Gracie and her husband Joe whose relationship began as a shocking underage affair. 20 years later, they lead a seemingly picturesque suburban life. But that's disrupted when Elizabeth, a famous actress, arrives in their tight-knit community to research her upcoming role as Gracie. In this episode, we'll dig into the making of the film by hearing from writer Samy Burch, director Todd Haynes, producer Christine Vachon, producer and actor Natalie Portman, and actors Julianne Moore and Charles Melton.

One of the all-time most distinguished producers of independent film — who has somehow never received a best picture Oscar nomination, despite credits including 'Boys Don't Cry,' 'Far from Heaven' and 'Carol' — reflects on meeting Todd Haynes and abandoning early ambitions to become a director, how 'New Queer Cinema' came to be and why she still bets on first-time filmmakers like Celine Song. Learn more about your ad choices. Visit megaphone.fm/adchoices

Todd Haynes joins the show to talk about his latest film, May December. In addition to continuing Todd's long-running creative relationships with Julianne Moore and independent film producer Christine Vachon, "May December" marks his first collaboration with Natalie Portman, who produced and stars in the film. "May December" follows Gracie (Julianne Moore) and her husband Joe (Charles Melton), whose notorious romance gripped the nation when it made tabloid news twenty years ago. When a Hollywood actress (Natalie Portman) meets them to do research for a film about their past, the couple buckles under the pressure. Haynes explains what struck him about the script after receiving it from Portman, digs into his rich history working with Moore, talks about the process of casting Melton, and breaks down one of the film's most intense scenes.  Listen to more from Netflix Podcasts.

In front of an audience at Hollywood's historic Grauman's Chinese Theater, for a panel convened as part of AFI FEST, Scott sits down with A. Scott Berg, Cameron Crowe, Nancy Griffin, Aljean Harmetz, Leonard Maltin, Kim Masters, Dennis McDougal, James Andrew Miller, Eddie Muller, John Pierson, George Stevens Jr., Michael Tolkin, Christine Vachon, Mark A. Vieira and Sam Wasson. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The B-Side from The Film Stage. Here we usually talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today, we talk to a music supervisor! And one of the great music supervisors! Randall Poster! We discuss his new film Priscilla, how working with Sofia Coppola compares to working with someone like Wes Anderson, and - most importantly - how they chose what music would be in the movie. There's also talk of Poster's early career. There's the film he co-wrote (A Matter of Degrees) in 1990 and the early indies he made with Christine Vachon (including Office Killer). There's also Maid in Manhattan, directed by past guest Wayne Wang. Finally, Poster worked on the criminally-underrated indie Diggers, which you should watch. This is a fun, special episode about the kind of crew member who rarely get the credit they deserve. Poster is at the top of his craft, with premier work in theaters now (Priscilla and also Killers of the Flower Moon). Be sure to give us a follow on Twitter and Facebook at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. Enjoy!

The 61st edition of the New York Film Festival kicked off on Friday, September 29 with the North American premiere of May December, directed by Todd Haynes. From the sensational premise born from first-time screenwriter Samy Burch's brilliant script, director Todd Haynes (Safe, Carol) has constructed an American tale of astonishing richness and depth, which touches the pressure and pleasure points of a culture obsessed equally with celebrity and trauma. Boasting a trio of bravura, mercurial performances by Julianne Moore, Natalie Portman, and Charles Melton, May December is a film about human exploitation, the elusive nature of performance, and the slipperiness of truth that confirms Todd Haynes's status as one of our consummate movie artists. A Netflix release. Opening Night of NYFF61 is presented by Campari. Listen to the press conference featuring Haynes, Burch, and producers Christine Vachon, Pamela Koffler, Jessica Elbaum, and Sophie Mas as they discuss May December. Don't forget to mark your calendars: May December opens at FLC on November 17 and on Netflix December 1. Tickets to the New York Film Festival are moving fast! Get up-to-date information on all available tickets on a daily basis by visiting filmlinc.org/tix.

Exclusive interview with Christine Vachon, producer of "May December" and "Past Lives", screening at San Sebastian Film Festival 2023. The post “May, December” and “Past Lives”, interview with producer Christine Vachon appeared first on Fred Film Radio.

Exclusive interview with Christine Vachon, producer of "May December" and "Past Lives", screening at San Sebastian Film Festival 2023. The post “May, December” and “Past Lives”, interview with producer Christine Vachon appeared first on Fred Film Radio.

Exclusive interview with Christine Vachon, producer of "May December" and "Past Lives", screening at San Sebastian Film Festival 2023. The post “May, December” and “Past Lives”, interview with producer Christine Vachon appeared first on Fred Film Radio.

Exclusive interview with Christine Vachon, producer of "May December" and "Past Lives", screening at San Sebastian Film Festival 2023. The post “May, December” and “Past Lives”, interview with producer Christine Vachon appeared first on Fred Film Radio.

Exclusive interview with Christine Vachon, producer of "May December" and "Past Lives", screening at San Sebastian Film Festival 2023. The post “May, December” and “Past Lives”, interview with producer Christine Vachon appeared first on Fred Film Radio.

Exclusive interview with Christine Vachon, producer of "May December" and "Past Lives", screening at San Sebastian Film Festival 2023. The post “May, December” and “Past Lives”, interview with producer Christine Vachon appeared first on Fred Film Radio.

Legendary New York producer Christine Vachon takes us on the journey of the controversial 1999 film Boys Don't Cry. At the time, films about trans people were rare and very few trans actors were comfortable being out, which led to the casting of Hillary Swank in an Oscar-winning performance. The film took seven years to come to fruition and that time was fraught with legal battles, lack of money, and competing projects from more established filmmakers, but Kimberly Pierce's exacting vision and Hillary's incredible performance led to a film that resonates to this day.

Live from the International Film Festival Rotterdam (IFFR), Anna Smith is joined on stage by an international panel of inspiring industry figures. Prolific power-house Christine Vachon chats about how it feels to have produced over 100 films, and the job of using “disruption for opportunity”. She also has valuable advice for would-be producers. Friend of Girls On Film Dutch film critic Dana Linssen co-curated the Critics' Choice selection at IFFR for the ninth year running. She joins Anna to speak about her love for this year's female-directed films in the strand, Charlotte Wells' Aftersun and Nafiss Nia's That Afternoon (or Die middag). In That Afternoon, which received its world premiere this year at the festival, director Nafiss Nia takes us with refugee Roya, played by Hoda Niku, as her life intersects with Nassim, played by Alin Wishka, one afternoon. Nafiss Nia joins Anna and Dana on-stage to give insight into her film, and the importance in her filmmaking of language in her “father tongue” Dutch, as a poet and native Persian speaker. Anna is also joined by Superposition director Karoline Lyngbye and one of the film's stars, Marie Bach Hansen, who plays Stine. Superposition follows writer Stine and her partner, podcaster Teit (Mikkel Boe Følsgaard) as they retreat off-grid for a year with their son Nemo to save their relationship, until … well, that's all we can say without spoilers! Karoline and Marie speak about their experience of working in Denmark in film, television and theatre and the discussions they had about gender while making the film. 2023 International Film Festival Rotterdam is taking place from the 25th January 2023 to the 5th February 2023. For all information go to: https://iffr.com/en Hear Vanja Kaludjercic, director of IFFR, talk more about the festival and programme on episode 137 of Girls On Film: https://pod.fo/e/15b92a Films mentioned in this episode include: The Woman King, Gina Prince-Bythewood, 2022 The Wonder, Sebastián Lelio, 2022 Good Luck to You, Leo Grande, Sophie Hyde, 2022 Aftersun, Charlotte Wells, 2022 That Afternoon (aka Die middag), Nafiss Nia, 2023 Past Lives, Celine Song, 2023 Zola, Janicza Bravo, 2020 Far From Heaven, Todd Haynes, 2022 The Notorious Bettie Page, Mary Harron, 2005 She Came to Me, Rebecca Miller, 2023 (Starring Anne Hathaway, Marisa Tomei, Peter Dinklage, Joanna Kulig, Brian d'Arcy James) The Blair Witch Project, Daniel Myrick and Eduardo Sánchez, 1999 Superposition, Karoline Lyngbye, 2023 The Lighthouse, Robert Eggers, 2019 Television mentioned in this episode include: Dansegarderoben, 2023 Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold Producer: Lydia Scott Audio Producer: Emma Butt Intern: Eleanor Hardy House band: MX Tyrants Principal Partners: Vanessa Smith and Peter Brewer. This episode is in partnership with International Film Festival Rotterdam Credit: Sony Pictures for Zola clip.

Ellen and Mark take a turn into the exclusive gated community of housewives in cinema and television, ahead of the release of new film Don't Worry Darling. Ellen investigates why we're so drawn to housewives on screen, from original housewife satire The Stepford Wives to global reality TV phenomenon The Real Housewives, with the help of critic Anna Bogutskaya and Real Housewives exec producer Andy Cohen. And Mark celebrates director Todd Haynes' cult 1995 film Safe, starring Julianne Moore in her first lead role, as a housewife suffering from a mysterious ailment. He speaks to pioneering independent film producer and long-time Haynes collaborator Christine Vachon about the making of Safe, and hears from composer Gazelle Twin and director Desiree Akhavan about the personal and emotional responses both had to the film. This week's Viewing Note is courtesy of Olivier-nominated Home, I'm Darling star Katherine Parkinson. Producer: Jane Long A Prospect Street production for BBC Radio 4

This week on Saturday School, we continue our season on Asian American sci-fi with the 1988 film "The Laser Man." What happens when an immigrant actor/director (Peter Wang) who's been one of the faces of burgeoning Asian American cinema in the 1980s (with the seminal indie "Chan is Missing" and "A Great Wall," the first US feature to be shot in China) just wants to make a zany, nonsensical detective parody about killer lasers? And he brings together Asian American actors like Marc Hayashi (also of "Chan is Missing"), some famous connections in Hong Kong cinema (Tsui Hark, Tony Leung Ka-fai, Sally Yeh) and up-and-coming American filmmakers like Ernest Dickerson and Christine Vachon)? The result is something probably too strange and cringe-y for 1988, but arguably hilarious for 2021. Full of illogical hijinks and (we think) made-up Confucius sayings, this is another episode where we tell you about a movie you can't really watch because we want you to know that this happened. In 1988. With much more brazen confidence (to be weird) that we even get to see now in Asian America.

Rock Docs: A Podcast About Movies About Music Bonus Episode: Interview with Christine Vachon, producer of "The Velvet Underground" documentary on Apple TV+. Christine Vachon is the Emmy-winning producer behind many of the most beloved indie films of the last 30 years. How did she and director Todd Haynes come onboard for The Velvet Underground? What's the process behind making such an unusual and engaging documentary?  Hosted by David Lizerbram & Andrew Keatts Twitter: @RockDocsPod Instagram: @RockDocsPod Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt

This week on the show we are joined by a legend of the indie scene, the one and only Christine Vachon.  She is an independent Spirit Award and Gotham Award winner.  In 1995, she co-founded the indie powerhouse Killer Films with partner Pamela Koffler. Those of us who have been curious about producing most certainly have seen or read her books ‘Shooting to Kill' and ‘A Killer Life' Killer Films has produced over 100 films, including some of the most celebrated American indie features such as:   Carol (nominated for six Academy Awards) Far from Heaven (nominated for four Academy Awards) Still Alice (Academy Award winner) Boys Don't Cry (Academy Award winner) One Hour Photo KIDS Hedwig and the Angry Inch Velvet Goldmine I'm Not There (Academy Award nominee) Her highly lauded career spans thirty+ years and she continues to churn out zeitgeist shifting films at every turn, such A24's summer release ZOLA.  Directed by Janicza Bravo, the film follows a stripper named Zola (played by Taylour Paige) as she embarks on a wild road trip to Florida.  A self-proclaimed pragmatist, opportunist, and hustler, Christine possesses the special alchemy of an inherent producer.  In this very special episode we discuss:  -Her enduring relationships with partner Pamela Koffler and director Todd Haynes.  -How to sustain a life as an independent producer. -The importance of not dwelling on the “what could have beens” but to look to the “what could be's.”

Q&A with Christine Vachon, Producer & CEO of Killer Films. Moderated by Eugene Hernandez, Deputy Executive Director of Film at Lincoln Center. This event was taped in front of a live audience in conjunction with the Bushwick Film Festival.

B. Monét is a writer/director who graduated from Spelman College with a B.A. in English. She hails from Silver Spring, Maryland and holds an MFA from New York University in Film and Television with a concentration in writing and directing. In her films, she poses questions about identity, society, race, and culture. It is vital to her that under-represented people are shown in film, media, and television. Her award-winning short film Q.U.E.E.N. has screened at over a dozen festivals including Cannes Short Film Corner and premiered on Magic Johnson's channel ASPiRE. Additionally, B. Monét was a runner-up in the First Time Female Filmmakers Contest with Women and Hollywood. She was also named the 2017 Horizon Award Winner through Cassian Elwes, Christine Vachon and Lynette Howell - Taylor at the Sundance Film Festival. As well as a recipient of the Adrienne Shelly Foundation grant and a directing fellow for Film Independent's residency program Project Involve. Additionally, she is one of the winners for the #NewView Film Competition with Glamour and Girlgaze which champions the voices of female filmmakers. She is also one of the filmmakers in the Tisch Other Showcase that focuses on diverse artists whose voices are underrepresented in the television industry. Last year, she directed a branded short film entitled She's Revolutionary on the #MeToo founder Tarana Burke for Levi's and Girlgaze. She's been fortunate to work with Reese Witherspoon, Janet Jackson, Rosario Dawson, Chika, Rapsody and Shangela for brands like Crate and Barrel, Estee Lauder, Uber, OkayAfrica, OkayPlayer, and Hyundai. B. Monét won the 2018 Best Graduate Feature Screenplay for her feature film Q.U.E.E.N. She is a recipient of the Will & Jada Smith Family Foundation grant at Fusion Film Festival, a finalist in the Women in Film Mini Upfronts Program and a Sundance Women's Financing Intensive Project Fellow for her first feature film Q.U.E.E.N. She was selected as one of the filmmakers in the New York Stage and Film Filmmakers' Workshop at Vassar College for her Q.U.E.E.N in July 2019. Additionally, B. Monét was selected as one of the participants in the Artist Academy with the New York Film Festival and Lincoln Center. Most recently, she was selected as one of the winners for the Queen Collective in partnership with Queen Latifah, Tribeca and P&G. Her short film Ballet After Dark is exclusively streaming on BET. - Thank you so much for listening to the show! Please remember to SUBSCRIBE, RATE, + REVIEW the show- I would really appreciate it. It helps other screenwriters who are interested in this story to find the show a little easier. If you are interested in becoming a guest, sponsoring the show, or have any other inquiries, please send an email to hi@thebeatsheet.co! Need to read more scripts? Join my club- we read scripts together every week! My profile name is @aquilliam and the club is called Beat Sheet Pod.  You can listen to every episode of The Beat Sheet on Apple Podcasts, Spotify, Soundcloud, and Stitcher! You can click here to subscribe to the podcast everywhere via this RSS feed! The official hashtag for the podcast is #beatsheetpod

In celebration of Pride Month, we take a look at LGBTQ history throughout the decades with the help of an FX and Hulu documentary series. Christine Vachon, an executive producer of the six-part series “Pride,” joins us to discuss. We will also speak with Tom Kalin, who directed one of the episodes in the series. “Pride” is available to stream now on Hulu.

Lisa Viola, Artistic Director for the Provincetown International Film Festival talks to Emmy Winner Charlotte Robinson host of OUTTAKE VOICES™ about the 23rd PIFF that takes place June 16th to 25th both virtually and in Provincetown, Massachusetts. The newly re-envisioned hybrid festival came together with the ingenuity and sheer determination of a world-class team of programmers including Andrew Peterson, Heidi Zwicker and Valérie Déus. Celebrating its 23rd year Richard Linklater will be this year's Filmmaker on the Edge recipient in conversation with resident artist John Waters. Riz Ahmed, Academy Award Best Actor nominee for “Sound Of Metal” will receive this year's Excellence in Acting Award in conversation with Vanity Fair Chief Critic Richard Lawson and queer actor/filmmaker Natalie Morales PIFF will receive the Next Wave Award in conversation with musician Holly Miranda. The hybrid festival will open with Jon M. Chu's “In The Heights” at the Wellfleet Drive-In on June 16th and the festival will close with Emily Branham's BeBe Zahara Benet documentary “Being BeBe” with guests of honor including director Emily Branham, producer Marc Smolowitz and the film's subject and star BeBe Zahara Benet, the winner of the very first RuPaul's Drag Race. Some other highlights will include a Filmmaker Celebration at Truro Vineyards with Christine Vachon who co-founded the impactful independent film and television production company Killer Films joined by director and writer Daniel Minahan on June 19th from 6P to 7:30. We talked to Lisa about what she hopes to accomplish at this year's Provincetown International Film Festival and her spin on our LGBTQ issues.  Lisa Viola is the Artistic Director for the Provincetown International Film Festival and has been affiliated with the festival since its inception in 1999. Lisa also serves as the Director of Programming for the GlobeDocs Film Festival produced by The Boston Globe. Through January 2020 she was a Programming Associate for the Sundance Film Festival and has been programming there since 1992. Lisa graduated from the University of Wisconsin-Madison with a degree in Communication Arts and has consulted for other film festivals including the Nantucket Film Festival, True/False and served as a documentary juror at SXSW. The Provincetown Film Society (PFS) is an advocate for diverse representation in film, providing year-round programming and platforms that allow voices of all kinds to be heard via film. Through PFS's work they have an ability to better understand and appreciate human struggles and triumphs by showcasing our similarities and differences in today's diverse culture. Provincetown International Film Festival will be closely monitoring federal, state and local COVID-19 safety guidelines and will continue to adjust safety policies accordingly throughout the festival. For Info & Tix: ptownfilmfest.org LISTEN: 500+ LGBTQ Chats @OUTTAKE VOICES 

On April 24th, the fashion designer, Alber Elbaz, died in Paris. He was 59 and the cause was Covid-19. This episode is a tribute to the women’s fashion designer who rose to fame when - after a stint designing ready-to-wear at Guy Laroche - Pierre Bergé appointed him to be a creative director at the House of Saint Laurent. Following his short tenure at Saint Laurent, Alber Elbaz went on to resurrect the house of Lanvin. He reigned there as creative director for 14 years and the fashion world fell in love with the modern femininity he channeled into the long dormant brand.  Special people talk about Alber Elbaz including the award-winning independent film producer, Christine Vachon. She worked with Alber Elbaz when he was Senior Designer at Geoffrey Beene in New York and Mr. Beene asked him to supervise the making of Tom Kalin’s short film, Geoffrey Beene 30. Christine produced the film with her partner at Killer Films, Pam Koffler. Christopher Petkanas - the author of Loulou & Yves: The Untold Story of Loulou de la Falaise and the House of Saint Laurent - weighs in on how Alber Elbaz made the leap from Guy Laroche to Saint Laurent where he was charged with rejuvenating Rive Gauche women’s wear. The author Dana Thomas assesses Alber’s contribution to fashion and - how just prior to his passing he had launched A-Z Factory. This was his own fashion house that was size-inclusive, seasonless and technically innovative.

Why isn’t Queer Netflix a thing? What was it like working with Harvey Weinstein? As it’s finally Oscar season, we are joined by the incredible woman behind your favourite movies like Carol, Boys Don’t Cry, Hedwig & The Angry Inch - the Christine Vachon! Plus Alan’s got a shocking take on Chitty Chitty Bang Bang, and Chris’s husband is doing some very strange acrobatics. Be sure to subscribe so you never miss an episode.

Why isn’t Queer Netflix a thing? What was it like working with Harvey Weinstein? As it’s finally Oscar season, we are joined by the incredible woman behind your favourite movies like Carol, Boys Don’t Cry, Hedwig & The Angry Inch - the Christine Vachon! Plus Alan’s got a shocking take on Chitty Chitty Bang Bang, and Chris’s husband is doing some very strange acrobatics. Be sure to subscribe so you never miss an episode.

PRODUCER Christine Vachon talks about making a movie with JOE PESCI ALL ACCESS https://linktr.ee/thepodmatrix YOUTUBE: https://tinyurl.com/vrtzr64 SPOTIFY: https://tinyurl.com/wvjfav4 APPLE PODCASTS: https://tinyurl.com/w7n8br2 WEBSITE: www.thepodmatrix.com Support this podcast

"Live With Ted Hope and Christine Vachon" (Episode 307) by Indiewire: Screen Talk

We're going back to our indie film roots this week on The OutCast Presented By Outfest, when host David Kittredge talks with one of the most acclaimed producers of the past few decades, Christine Vachon. From her start working on the set of PARTING GLANCES to shepherding iconic movies of the New Queer Cinema, to founding her company Killer Films and its celebrated films including POISON, BOYS DON'T CRY, VELVET GOLDMINE and HEDWIG AND THE ANGRY INCH, Christine talks about the radical shifts how content is created, how living through the AIDS crisis inspired her and other artists to get their stories heard, what she looks for in a project, and her unashamed love of THE POSEIDON ADVENTURE. Support this podcast

This week's episode of Let's Care: The 180º of Impact Podcast features writer, director, filmmaker B. Monét. Scroll to see her bio and learn more about her story or, better yet... listen to this episode! For more on Let's Care, parent company of 180º of Impact and the social change docuseries for underrepresented changemakers 20s & Change, visit www.lets.care or email us at hello@lets.care. My name is Matt Scott (connect with me on LinkedIn) and I'm your host. Thanks for listening! For more, visit www.lets.care. Your host, Matt Scott: Twitter: @MattScottGW Instagram: @MattScottGW LinkedIn: linkedin.com/in/MattScottGW *** Brittany “B.Monét” Fennell is a writer/director who graduated from Spelman College with a B.A. in English. She hails from Silver Spring, Maryland and holds an MFA from New York University in Film and Television with a concentration in writing and directing. In her films, she poses questions about identity, society, race, and culture. It is vital to her that under-represented people are shown in film, media, and television. Her award-winning short film Q.U.E.E.N. has screened at over a dozen of festivals including Cannes Short Film Corner and premiered on Magic Johnson's channel ASPiRE. Additionally, she was a runner-up in the First Time Female Filmmakers Contest with Women and Hollywood. She was also named the 2017 Horizon Award Winner through Cassian Elwes, Christine Vachon and Lynette Howell – Taylor at the Sundance Film Festival. As well as a recipient of the Adrienne Shelly Foundation grant and a directing fellow for Film Independent's residency program Project Involve. Additionally, she is one of the winners for the #NewView Film Competition with Glamour and Girlgaze which champions the voices of female filmmakers. She is also one of the filmmakers in the Tisch Other Showcase that focuses on diverse artists whose voices are underrepresented in the television industry. She directed a branded short film entitled She's Revolutionary on the #MeToo founder Tarana Burke for Levi's and Girlgaze. B.Monét won the 2018 Best Graduate Feature Screenplay for her feature film Q.U.E.E.N. She is a recipient of the Will & Jada Smith Family Foundation grant at Fusion Film Festival as well as a finalist in the Women in Film Mini Upfronts Program and a Sundance Women's Financing Intensive Project Fellow for her first feature film Q.U.E.E.N. Most recently, she was selected as one of the winners for the Queen Collective in partnership with Queen Latifah, Tribeca and P&G. --- Send in a voice message: https://anchor.fm/letsyoucare/message

Each week on THE SNEIDER CUT, Collider's senior film reporter Jeff Sneider pulls back the curtain on the business of Hollywood. For his 34th episode, he weighs in on The Snyder Cut, which will debut on HBO Max in 2021 now that Warner Bros. has decided to give Zack Snyder tens of millions of dollars to finish his vision for Justice League, placating thousands of DC fans in the process. Jeff also discusses Sony's Marvel moves this week with Madame Web and Jackpot movies reportedly moving forward, as well as a pair of new projects from producer Michael Bay, and Mike De Luca's aggressive revamp of MGM, which hopped into business with Lord and Miller this week along with director David Robert Mitchell and producer Christine Vachon. Finally, Jeff talks about Adam Sandler's latest Netflix movie, Variety's report that the Academy is considering delaying the Oscars, John Krasinski's sellout move regarding Some Good News, and the new trailer for Christopher Nolan's Tenet, which is still slated for July 17. You can follow Jeff on Twitter, Instagram and Cameo at @TheInSneider.

Christine Vachon  produced  (https://en.wikipedia.org/wiki/Mildred_Pierce) . CONVERSATIONS WITH CHARLIE YOUTUBE: https://tinyurl.com/vrtzr64 SPOTIFY: https://tinyurl.com/wvjfav4 APPLE PODCASTS: https://tinyurl.com/w7n8br2 WEBSITE: www.conversationswithcharlie.com

A Beautiful Day in the NeighborhoodA journalist's life is enriched by friendship when he takes on an assignment profiling Fred Rogers. Based on the real-life friendship between journalist Tom Junod and television star Fred Rogers.Director: Marielle HellerProduced by: Youree Henley, Marc Turtletaub, Peter Saraf, Leah HolzerCast: Tom Hanks, Matthew Rhys, Chris CooperDistributor: Sony Pictures ReleasingRelease Date: November 22, 2019Runtime: 1 hour 48 minutesGenre: Biography, DramaRated: PGDark WatersA tenacious attorney uncovers a dark secret that connects a growing number of unexplained deaths to one of the world's largest corporations. While trying to expose the truth, he soon finds himself risking his future, his family and his own life.Director: Todd HaynesProduced by: Mark Ruffalo, Christine Vachon, Pamela KofflerCast: Anne Hathaway, Mark Ruffalo, Tim RobbinsDistributor: Focus FeaturesRelease Date: November 22, 2019Runtime: 2 hour 06 minutesGenre: Biography, Drama, HistoryRated: PG-13 See acast.com/privacy for privacy and opt-out information.

Christine Vachon is one of the most celebrated producers in the world of film and if I told you some of the movies she's made, your head would spin: Carol, Still Alice, Far From Heaven, Happiness, Velvet Goldmine, Kids, Boys Don't Cry, I Shot Andy Warhol, Craig's favorite movie ("Safe" by Todd Haynes) and one of my favorite movies ("Hedwig and the Angry Inch" by John Cameron Mitchell). On today's podcast, find out what she eats for lunch, what she considers the cinematic equivalent of a chicken Caesar salad, what she cooks for her family, and how she deals with the food Nazis at her daughter's school. We also cover her favorite food films (not what you'd guess!), her favorite food city in the world (spoiler: it's San Sebastian), and why one of the worst nights of her life was dinner at Blue Hill Stone Barns. See acast.com/privacy for privacy and opt-out information.

The producer who brought so many classics of queer cinema to life is coming to BendFilm Festival this fall. We talk with Christine Vachon about working with Todd Haynes and other breakout '90s auteurs. Also, Christopher Marley talks about creating astonishing compositions using preserved insect specimens. And we get a PDX Book Fest preview: Mitchell Jackson and Karen Russell on their critically-acclaimed books.

On this week's Thanksgiving episode we take a look at Peter Farrelley's Green Book and discuss our #CedarLee3 picks for filmmakers we are thankful for. New Film: Green Book (dir. Peter Farrelley) #CedarLee3: This weeks list is a Thanksgiving themed one...and since Thanksgiving is a holiday unique to the United States, we list our top American filmmakers we are thankful for.  John Waters, Justin Chon, Robert Altman, Debra Granik, David Lynch and Christine Vachon. Tell us about the filmmakers you are thankful for @CedarLeeTheatre using #CedarLee3.   Tickets and more information HERE.

Matt and Dave are live from the Provincetown Film Festival with iconic film producer Christine Vachon (Carol, Hedwig and the Angry Inch, Far From Heaven, Still Alice)! They get into her long experience in filmmaking, the looseness of identity back in the day, and moving in with her partner after 3 or 4 dates. Plus, an audience q+a, Hereditary heat and Matt and Dave get into what happened after the recording.  This episode is sponsored by Mack Weldon (www.mackweldon.com code: HOMO), Gunpowder & Sky, Dollar Shave Club (www.dollarshaveclub.com/HOMO) and Phlur (www.phlur.com code: HOMO).

This week's episode features acclaimed American film producer and Co-Founder of Killer Films, Christine Vachon. Christine and I discussed her trajectory from New York's experimental film scene to the Oscars, and the big risks she took along the way. Definitely an inspiring story for any entrepreneur looking to take on a fresh perspective on how to conquer their corner of the market. Music edited from 'Something Elated' by Broke For Free. freemusicarchive.org/music/Broke_Fo…mething_Elated From the Free Music Archive. CC Attribution 3.0 Produced by Rachel James. Positively Gotham Gal is proud to be made in NYC.

This week we welcome legendary indie film producer Christine Vachon of Killer Films. Vachon has produced such works as Far From Heaven (nominated for four academy awards), Boys Don’t Cry (Academy Award winner), Hedwig and the Angry Inch, One Hour Photo, Velvet Goldmine, I Shot Andy Warhol, Read More

Long-time independent film producer Christine Vachon of Killer Films sits down with Brian Koppelman to discuss her career as a producer in the industry. They talk about what it was like getting started in the early years of her career, about some of her early work, about what it looks like for women in the industry now and about how she stays engaged and inspired.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Long-time independent film producer Christine Vachon of Killer Films sits down with Brian Koppelman to discuss her career as a producer in the industry. They talk about what it was like getting started in the early years of her career, about some of her early work, about what it looks like for women in the industry now and about how she stays engaged and inspired. 

Long-time independent film producer Christine Vachon of Killer Films sits down with Brian Koppelman to discuss her career as a producer in the industry. They talk about what it was like getting started in the early years of her career, about some of her early work, about what it looks like for women in the industry now and about how she stays engaged and inspired.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Christine Vachon. A film lover and a producer. The post Christine Vachon, producer and co-founder of Killer Films #Berlinale2016 appeared first on Fred Film Radio.

Christine Vachon. A film lover and a producer. The post Christine Vachon, producer and co-founder of Killer Films #Berlinale2016 appeared first on Fred Film Radio.

Christine Vachon. A film lover and a producer. The post Christine Vachon, producer and co-founder of Killer Films #Berlinale2016 appeared first on Fred Film Radio.

Christine Vachon. A film lover and a producer. The post Christine Vachon, producer and co-founder of Killer Films #Berlinale2016 appeared first on Fred Film Radio.

Christine Vachon. A film lover and a producer. The post Christine Vachon, producer and co-founder of Killer Films #Berlinale2016 appeared first on Fred Film Radio.

Christine Vachon. A film lover and a producer. The post Christine Vachon, producer and co-founder of Killer Films #Berlinale2016 appeared first on Fred Film Radio.

Director Todd Haynes and producer Christine Vachon trace tell us about the long journey to make their newest movie, Carol. Despite their past success, they say they still face resistance in the industry whenever they pitch a movie about women without any male leads.  

This week's Kodakery episode is a discussion with Christine Vachon, producer of the movie Carol. Christine is an award winning producer and co-owner of Killer Films. Christine has produced incredible films like Boys Don't Cry, One Hour Photo, and Still Alice. We discuss the role of the producer, her recent film, and more. Join us for a great conversation!

På årets filmfestival i Cannes navigerar Kinoredaktionen mellan filmgiganter, svettiga journalister, uppblåsbara japanskor och blodsugande präster. Filmfestivalen är en stor chokladask full av sjärnregissörspraliner. Färdiga att smakas av, en efter en. Bland storheter som Pedro Almodovar, Quentin Tarantino, Jane Campion och Francis Ford Coppola minglar Kinos Roger Wilson och Lisa Bergström och letar efter trender och filmiska mirakel. I Kinos första Cannesspecial av två handlar det om spelet bakom kulisserna. Den svenske kortfilmaren Johannes Nyholm berättar om sina nära döden-upplevelser vid förra Cannesfestival. Mästerproducenten Christine Vachon reder ut vad det egentligen betyder när en filmstudioboss sneglar på sin mobiltelefon. Och så reder vi ut exakt vad man egentligen gör i en festivaljury, med årets två svenska juryarbetare Marit Kapla och Emma Gray Munthe. Programledare: Roger Wilson.

A major studio is getting out of the indie business and one stalwart indie distributor is rumored to be having serious money problems. The two indie film TV channels may roll into one. Is Hollywood going to give indie the bum's Rushmore? We talk to esteemed indie producer Christine Vachon and uber-salesman John Sloss. Plus, 'Hollywood on the Couch,' Part II, with writer-turned-therapist Dennis Palumbo.

Christine Vachon, one of most prolific forces in independent films, has opened the door for some of the most singular talent in movies.