Podcast appearances and mentions of seja vogel

Some wacky audio that gets better as we go along! Unfortunately the desk recording didn't work so we had to use the camera sound. Guests: Tim Rogers, Lyle Forever (Therapy Gecko), Hayley Mary, John Collins (Powderfinger), Seja Vogel, Sarah McLeod (The Superjesus). Hosted and Written by Aimon Clark @aimonclark NOYR Team: Patience Hodgson, Jeremy Neale & Simi Lacroix

Aimon Clark, Ian 'Dicko' Dickson and Sellma Soul are joined by music and podcast legend Seja Vogel (Seja, Hearsej, Regurgitator) and massive music industry personality Dom Miller (Bigsound, Sunroom) for a bit of a quiz! Can you spot the mole? This was a difficult one!

Seja Live at Netherworld, Fortitude Valley, 20 February 2020 This episode of Live Delay features German-Australian musician and synthesiser enthusiast Seja Vogel, an artist previously featured in Live Delay episode #235. Seja has recorded and toured on and off with Brisbane rock icons Regurgitator, supported the likes of Sarah Blasko, Goldfrapp and Warpaint, creates and sells miniature felt musical instruments, hosts the music-focussed podcast HearSej, she's released two solo albums and has a third completed and due for release any day now. Recorded by Scott Mercer Mixed by Jonathan Virgona Special thanks to Ben Gibson

Welcome to episode #55 with our guest, Seja Vogel.Seja is a fellow podcaster, which is where we came across her work. She makes the excellent HearSej podcast, which comes with a strong recommendation!Seja is an accomplished and highly experienced musician who has a deep love for all things synth, as this episode will attest to. She was a wonderful guest with a cool enthusiasm for her work, her music, her friendships and connections. That and nifty line in felt keyboards!Our sincere thanks to Seja for coming on the show. This is a really good one!Check out Seja's work below and don't forget to help us spread the work about the podcast if you can.Love and thanksSteve and Ben xxSeja's websiteHearSej PodcastPul(sew)idth - Felt Keyboards

We started the year of with one of our best nights! What a vibe. Featuring Winter Olympian Steven Bradbury, comedians Gen Fricker and Aaron Gocs plus musicians Hatchie, Seja Vogel, Patience Hodgson and Simi Lacroix. Written and hosted by Aimon Clark. notonyourrider.com

Today we go behind the scenes and pull back the curtain on the making of the show, as guest host Seja Vogel interviews host Jeremy Dylan and producer Georgia Mooney about how the sausage/podcast is made. From the inception of the show, how the guests are chosen, the research process, the use of music, favorite episodes, dream guests, how to deal with awkward interviews and more, we try to answer all the questions you might have about how we put this thing together.

As Australia heads back into lockdown, friends of the show Seja Vogel and Davey Lane join me and our respective bottles of whiskey for a truly epic deep dive into Paul McCartney's ‘rockdown' LP McCartney III. Starting with an overview of Sir Paul's 21st century output so far, we dig into the record track by track and discuss, dissect, argue, sing and do some truly diabolical impressions along the way as we work our way through the latest work by the greatest pop artist of all time. This is a vast and by the end, totally unhinged, conversation between three confirmed Beatles tragics about not just this album, but what Paul McCartney's legacy means and what it's like to operate as an artist with literally no peers long after your heyday. Topics discussed include: - Pandemic pop songs - The differences in approach from McCartney to McCartney II and McCartney III - McCartney's drumming style and how ‘non-drummers' play drums - McCartney's lyric writing process and if that has changed since the 60s - Jeff Lynne's influence on the drum sounds - How McCartney's parental instincts inform his songwriting - How letting himself sound ‘old' on songs like Pretty Boys enhances their meaning - How the Josh Homme and Dominic Fike ‘reimagined' versions of songs from this record top the originals - Davey and Seja's recent experiences recording albums by themselves during lockdown - The challenge of collaborating when you have no peers - The best and worst of the McCartney Three-imagined album - How McCartney deals emotionally with the pandemic without ever mentioning it explicitly - Constructing the ultimate McCartney-centric supergroup - Who is the male Helen Mirren? - Should McCartney be singing about sex at 78? - Our picks for McCartney's best lyrics.

It’s finally time for Episode 33, and Art of the Score’s analysis of one of the landmark composers of the last decade: Jóhann Jóhannsson. We sit down with special guest, synth (and tape loop) expert Seja Vogel, and Jóhannsson’s soundtrack for Denis Villeneuve’s masterpiece sci fi film, Arrival. Join us for heptapods, looping seals (?), and the only true universal language: film music. Episode notes: 4:41 – Arrival arrives, and Jóhannsson thrives 12:47 – Around the Clock News 15:43 – Arriving in Montana 21:49 – Seja breaks down the Arrival sound 30:05 – Looping with Seja 34:45 – First Encounter 39:12 – Sapir-Whorf 43:00 – Hazmat 49:42 – Heptapod B 58:56 – Non-Zero-Sum Game 1:02:21 – Deciphering 1:06:26 – One of Twelve 1:12:22 – Rise, and Max Richter’s On The Nature of Daylight We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.

Normally on this show we venerate musicians, today we’re mocking them as we present a little compilation of music jokes guests have told me this year, never before heard until now. Listen to gags from Georgia Mooney, Fred Armisen, Stella Mozgawa, Edith Bowman, Seja Vogel, Dan Wilson and even your host.

Beatles nerds rejoice again, as synth queen Seja Vogel joins me to delve into the album that brought Paul McCartney back to the toppermost of the poppermost in 1973, 'Band on the Run'. We talk about Paul’s uneven solo trajectory after the Beatles breakup, the volatile story of how the album was made in Lagos (band members quitting, stolen demo tapes, Fela Kuti, etc), Paul’s drumming, the use of synths on the record, covering Let Me Roll It, how McCartney has become the ambassador to Beatledom, our experiences seeing Paul live, our love for Nineteen Hundred and Eight-Five and Mrs Vanderbilt and the song we think should’ve been left off the album.

We're joined once again by Seja Vogel who goes to bat for new-wave stylemakers Devo. Will Liam, George and Grant think it's flawless? As well as rocking the synths, Seja hosts an awesome music podcast, where she interviews musicians about their experiences recording and playing live. Check out the HearSej Facebook page to listen and subscribe. All music samples used in this episode are copyright Warner Brothers/Virgin Records. Flawless is hosted by Liam McGinniss, George Mannion and Grant Parkin, and produced by Liam McGinniss. Follow us on: Facebook: https://www.facebook.com/flawlessamp/ Twitter: https://twitter.com/flawlessamp Instagram: https://www.instagram.com/flawlessamp/ You can also back us on Patreon: https://www.patreon.com/flawlessamp

Scott talks to musician and podcaster Seja Vogel (Sekiden, Regurgitator) about moving from Germany to Australia as a child, working at Megamart with her rock band, making a cottage industry out of miniature felt synthesisers and how a nightmare gig supporting Goldfrapp sparked the idea for her podcast, HearSej.

In the time of chimpanzees, weren't we all monkeys?

 Seja Vogel joins us to discuss her love of Beck's genre-hopping, lyric bomb dropping breakthrough album Mellow Gold. As well as rocking the synths, Seja hosts an awesome music podcast, where she interviews musicians about their experiences recording and playing live. Check out the HearSej Facebook page to listen and subscribe. All music samples used in this episode are copyright DGC Records. Flawless is hosted by Liam McGinniss, George Mannion and Grant Parkin, and produced by Liam McGinniss. Follow us on: Facebook: https://www.facebook.com/flawlessamp/ Twitter: https://twitter.com/flawlessamp Instagram: https://www.instagram.com/flawlessamp/ You can also back us on Patreon: https://www.patreon.com/flawlessamp

In Episode 26, we return to the world of Blade Runner for the 1982 film’s long-belated sequel. Directed by Denis Villeneuve, and with a soundtrack by Benjamin Wallfisch and Hans Zimmer, Blade Runner 2049 has a different sound and a different set of thematic ideas. But how does the music work, and what is all this interlinked stuff about, anyway? To help us answer those questions – and more – we’re once again joined by the brilliant synth expert Seja Vogel (whose fantastic podcast, where she interviews musicians, you should check out here: http://sejamusic.com). Episode notes: 5:01 – How the sequel came to be 8:06 – Jóhann Jóhannsson, and what could’ve been 12:43 – Benjamin Wallfisch and Hans Zimmer 16:52 – The opening title card (the Memory theme) 19:25 – Or is it the Puzzle theme? 21:24 – The 2049 Melody (the Soul theme) 27:36 – Sapper Morton’s musical secret 35:08 – Voices in the furnace 38:30 – Sound design 40:48 – The rebel’s fan fair 45:44 – The return of the opening chords 49:18 – Synth talk with Seja 52:32 – Seja talks us through her reconstruction of 2049’s opening cue 1:03:11 – The final product 1:08:26 – Joi’s theme 1:12:56 – Wallace’s throat singing 1:25:05 – Flight to the LAPD 1:29:03 – Sea Wall 1:36:18 – Tears In (The) Rain 1:41:15 – The Mesa Melody 1:46:09 – The scoreless moments 1:49:10 – D for Diegetic 1:52:44 – Punching with Presley 1:55:48 – One For My Baby, and One For The Replicant 2:02:40 – Peter and the Wallace 2:11:13 – Final thoughts We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.

Meet the people and dogs whose stories feature in the first season of the show. This trailer also premieres the theme song by series composer, Seja Vogel, sung by Seja with Ben Corbett.

In Season 3 Episode 9 we decide to go overboard and explore the exciting world of excess. Everything in this episode is excessive: new bumpers, new segments and excessive show length. Well, actually, the length is on the money for PGP, but perhaps we have been excessive since Episode 1? Featuring live performances of More Than This and The Love of Three Men along with much MUCH more. Episode Notes: 00:00 - We start today's episode in Poggo's new offices. 06:25 - Poggo makes Gatesy say THE WORDS 09:30 - We kick things off with Gatesy's Merch Corner 12:15 - It's a new segment: Gatesy's Side Hustles 14:28 - Another new segment? It's Gatesy's $20 Gamer... not sure it got off the ground 16:45 - We talk erotic thrillers, so some reason 23:00 - We move to Scod: Flick Licker... but Poggo can't find the bumper. So Tripod "attempt" to recreate it live. They fail. 24:13 - OK, Poggo found the bumper 35:20 - Check out Secret Cinema - AMAZING: https://www.youtube.com/watch?v=rYRFFE-wsus 40:40 - We develop the new bumper for NEW SEGMENT 'Castin' Around. 48:15 - Gatesy telegraphs his ding 53:08 - Check out Seja Vogel's podcast HearSej 59:10 - Live performance of More Than This by Roxy Music 1:14:50 - Live performance of The Love of Three Men from The Sideshow We love to hear from you! Get in touch on Twitter and Facebook, request a song, request a theme or submit your ideas for a bumper. Or, subscribe, rate and comment, we appreciate it greatly! And finally, support us on Patreon if you love to support things you love.

Seja: Brisbane via Germany musician Seja Vogel, has had a prolific career since starting her first band Sekiden in 1998. Once signed to Modular they released 2 albums and 2 EP’s, touring extensively throughout Australia, Canada, Japan and the USA. She was also a touring member of Brisbane favourites Regurgitator, joining in 2007 and also contributed to the Love and Paranoia album which was released in the same year. Seja has also lent her keyboarding and singing skills to touring buddies such as SPOD, David McCormack and Ben Salter. In 2010 Seja began releasing under her own name with her debut solo album We Have Secrets But Nobody Cares via Rice Is Nice. Working with Robert Forster, Cut Copy’s Tim Hoey, Regurgitator’s Ben Ely and Wally De Backer, Seja wrote and recorded a second volume of sweetly synthesised soundscapes entitled All Our Wires in 2013. Recorded at Sonic Masala Festival in Brisbane on the 19th of August 2017. Recorded and mixed by Reuben Aptroot. McKisko: McKisko is Helen Franzmann, a Brisbane-based musician who began her musical career writing and performing in the band Redbreast. After winning the Grant McLennan Fellowship in 2009, she recorded and released her debut under the McKisko moniker entitled Glorio, and then toured the country non-stop supporting the likes of Bon Iver and Jose Gonzales. She then followed up with 2013’s Eximo, which was released through El Nino records. Her songs are built using inventive instrumentation, an intimate honesty, and a lyricism that journeys through abstract landscapes imbued with emotion. Recorded at Sonic Masala Festival in Brisbane on the 19th of August 2017. Recorded and mixed by Branko Cosic. Airing details: Originally via Zed Digital, 7-8pm, Sunday 4th of February 2018. Show production and engineering: Reuben Aptroot.

After a short break, Art of the Score enters the new year with a trip to the Upside Down to take a close listen to Stranger Things. With the help of synth expert, musician, and podcaster Seja Vogel, we pull apart this wonderfully analogue score, its influences, and how it all works over the course of Season One of the Netflix hit. Episode notes: 2:35 – Welcome to special guest Seja Vogel. Find Seja’s podcast, ‘Hear Sej’ here (https://itunes.apple.com/bw/podcast/hearsej/id1168366353?mt=2), and her amazing Etsy store for felt synth models here (https://www.etsy.com/shop/pulsewidth). 5:20 – Into the nostalgic world of Stranger Things 8:41 – The ‘nostalgia film’ and Fredric Jameson 10:30 – Michael Stein and Kyle Dixon and their analogue synth band S U R V I V E 13:24 – ‘Dirge’, the track that formed the Stranger Things sound 15:05 – The influences and musical tools of S U R V I V E 19:00 – How the music works in Stranger Things – a scene comparison with Williams’ E.T. 25:14 – The main title – is it E minor or C major? 28:51 – Seja breaks down the synths involved 31:47 – Seja’s meticulous reconstruction of the Main Title 34:00 – Square waves and pulse waves, filter sweeps and resonance 44:33 – ‘Kids’ and keying between worlds 51:55 – Nancy and Barb 55:06 – Eleven’s theme and its development throughout season one 1:05:45 – Lay-Z-Boy couch theme 1:10:20 – The Upside Down 1:13:55 – The Demogorgon 1:18:11 – Searching the woods 1:20:42 – The government evildoers in portamento bass 1:26:37 – ‘This isn’t you’ 1:32:01 – Linking sound with image – was Stranger Things written to footage? 1:35:45 – How each kiss is scored 1:40:04 – Pop music in Stranger Things: The Clash – Should I Stay or Should I Go? 1:44:02 – Stranger Things’ secret pop: We Can Be Heroes We love to hear from our listeners – get in touch via Twitter, Instagram, and Facebook, and if you like The Art of the Score, please take a moment to subscribe, rate and comment.

Are cheap laughs really that cheap? Well sure, they're free, but are they really? (Yes). In this episode we explore the world of cheap laughs... or do we? Featuring live performances of Carolina Street Stomp and ANOTHER Aquaman submission. Episode Notes: 00:00 - It's another Poggo's Theatre of the Mind. This episode we continue our adventure for another few seconds... 22:20 - Gatesy has an amazing skill 32:00 - Live performance of Carolina Street Stomp from How To Train An Attack Dog From Scratch 36:43 - The lads talk the ARIAs 40:40 - It's Poggin Hood's Mailbag! 41:48 - It's Seja Vogel from Hear Sej! 47:00 - Commence the Terminator talk. Gatesy has lost his mind. 48:30 - Rule and Make have announced a Terminator game. Check it out 1:02:40 - Live performance of Lingering Dad from Men of Substance 1:05:00 - And related to Lingering Dad is another Aquaman submission 1:17:30 - It's a Tally Hoes update. We have great things to tell you. 1:25:15 - Tripod try and sell you a game/experience 1:40:00 - Poggo makes a BIG mistake. We love to hear from you! Get in touch on Twitter and Facebook, request a song, request a theme or submit your ideas for a bumper. Or, subscribe, rate and comment, we appreciate it greatly!

Bob catches up with musician and podcaster Seja Vogel straight after recording an episode for Seja's podcast "Hearsej", (It kind of acts as a part 1 and this is part 2 so it's recommended listening). Anyway, they talk about Regurgitator, growing up, gender stuff and Bob's performance at the Shanghai Special Olympics aswell as music by Arcade Fire, Smog and Ben Salter.

Ben Salter: Known as a founding member of Giants of Science, The Gin Club, and The Wilson Pickers, Ben Salter is also an established solo musician in his own right. His debut album from 2012 The Cat received the award for album of the year at the Queensland Music Awards and has since been followed up with an EP, and most recently his second album The Stars My Destination. Working with everyone from Bernard Fanning of Powderfinger to Gareth Liddiard of the Drones, Ben Salter has well and truly earned his reputation as an iconic Australian artist. For this particular show, he put together a band of fellow musicians/friends to fill out the sounds of his recorded output. On the drums - Clint Hyndman from Something For Kate, on the keys - Seja Vogel from Sekiden, On lead guitar - Adrian Stoyles from The Gin Club and Arun Roberts from Dirt Hand on Bass. Recorded live at The Triffid on the 9th of April 2016. Recorded & mixed by Branko Cosic. Airing details: Originally via Zed Digital, 7-8pm, Sunday 12th June 2016. Show production and engineering: Branko Cosic.