Podcasts about mccartney ii

Album de la semaine: "Somewhere in England" (George Harrison 1981) G.Harrison-Blood from a clone-Somewhere in England (81)J.Lennon-I found out-Plastic Ono Band (70)P.McCartney-Dear boy-Ram (71)R.Starr-Beaucoups of blues-Beaucoups of blues (70)Beatles-Tell me why-A hard day's night (64)G.Harrison-Unconsciouness rules-Somewhere in England (81)Beatles-What goes on-Rubber Soul (65)Beatles-Eleanor Rigby-Revolver (66)P.McCartney-One of these days-McCartney II (80)Beatles-A beginning (take 4)/Don't pass me by (take 7)-White album (Super Deluxe Edition) (18-68)G.Harrison-Life itself-Somewhere in England (81)R.Starr-Photograph-Ringo (73)J.Lennon-Out the blue-Mind games (73)J.Lennon-Going down on love-Walls and bridges (74)P.McCartney-Band on the run-Band on the run (73)G.Harrison-All those years ago-Somewhere in England (81)Robert Cassard-Across the universe (cover)-Single (24)Rutles-Love life (almost "all you need is love")-All you need is cash (78)P.McCartney-Wanderlust-Tug of war (82)Beatles-Blue Jay Way-Magical Mystery Tour (67)G.Harrison-Writing's on the wall-Somewhere in England (81)Beatles-Strawberry fields forever (2015 mix)-"Penny Lane" double side A single (67)P.McCartney-The other me-Pipes of peace (83)R.Starr-What goes around-Time takes time (92)Beatles-I've got a feeling-Let it be (Super Deluxe) (21-70)G.Harrison-Baltimore Oriole-Somewhere in England (81)

Sam Whiles joins for some chat about "Back To The Egg", but primarily one of the few interviews Paul did for "Back to the Egg".   James McCartney was not quite two years old, Wings was settling into the outfit that would become the final iteration, and Paul was toying around with tunes that would become "McCartney II".    Also found in this episode is news that is slightly out of date (will that matter in a year, month or even a week?)

This intensely creative time in McCartney's life saw him writing and recording four studio albums with Wings (Venus and Mars, Wings at the Speed of Sound, London Town and Back to the Egg), the biggest selling British single of the 1970s, 'Mull of Kintyre,' and a solo album packed with electronic experimentalism, McCartney II. During a period of diverse musical evolution, McCartney melded his own melody-driven approach with in-vogue styles like disco, punk and new wave.Away from Wings, McCartney dabbled in music publishing, science fiction writing, semi-autobiographical filmmaking, animation, viral marketing, journalist boycotting, and smuggling cannabis past authority figures with mixed success. McGear, an album Paul co-wrote with his brother, Mike, tops a long list of lesser known projects and collaborations - some of which never saw the light of day - that kept McCartney busy between hit records.For the second half of this decade, John Lennon, George Harrison, and Ringo Starr remained ever present in McCartney's life. Collaborations were mooted, and multi-million dollar offers for one-off reunion concerts were plentiful, but the scars of the Beatles' bitter separation, and their complex, hard to untangle business ties complicated their private and public relationships.THE McCARTNEY LEGACY series is the first truly comprehensive biography, and the most finely detailed exploration of McCartney's creative life beyond the Beatles, ever undertaken. As well as thousands of never-before-seen documents, this volume is informed by hundreds of interviews, including exclusive, in-depth discussions with all four surviving members of Wings Mk. II and Mk. III - Geoff Britton, Joe English, Steve Holley and Laurence Juber - plus countless producers, musicians, recording engineers, designers, and touring staff who worked with McCartney between 1974-80.THE McCARTNEY LEGACY, VOLUME 2 is an in-depth exploration of McCartney's creative and personal life during a period that saw him composing constantly, and recording in Nashville, New Orleans and a boat moored off the Virgin Islands, as well as at Abbey Road in London, a 13th century British castle and his home studios in Scotland and Sussex.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Robbie Williams envisage de retourner à l'école et de reprendre des études. 6 millions de fans ont vu Rammstein sur scène lors de leur dernière tournée et le groupe allemand sort un documentaire d'une heure avec des images prises lors de ces 135 shows. Paul McCartney a déjà pris une bonne résolution pour l'année 2025 : il s'est promis de terminer son prochain album solo. Mots-clés : chanteur, Take That, enseignement, diplôme, université, échec, dyslexie, dyscalculie, TDAH, groupe, youtube, scène, design, éclairage, pyrotechnie, logistique, échange, site web, fan, Got Back Tour, Londres, Ringo Starr, Ronnie Wood, Beatles, McCartney III, McCartney 1970, McCartney II, box, Egypt Station. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Manuel Comesaña sigue analizando al que es posiblemente el mejor músico pop de la historia, nuestro querido Paul McCartney. ¡No te lo pierdas!

Album de la semaine: "Abbey Road" (Beatles 1969) Beatles-Something-Abbey Road (69)P.McCartney-Oh woman, oh why-B side "Another day" single (71)J.Lennon-Cold turkey-Single (69)G.Harrison-Isn't it a pity (2020 mix)-All things must pass (50th anniversary) (21-70)R.Starr-Beaucoups of blues-Beaucoups of blues (70)Beatles-Oh ! Darling-Abbey Road (69)Beatles-Come and get it (demo)-Abbey Road (Super Deluxe Edition) (19-69)P.McCartney-After the ball/Million miles-Back to the egg (79)P.McCartney-Winter rose/Love awake-Back to the egg (79)G.Harrison-The answer's at the end-Extra texture (read all about it) (75)Beatles-Octopus's garden-Abbey Road (69)R.Starr-Here's to the night (feat. P.McCartney)-Zoom in (21)J.Lennon-(Just like) Starting over-Double fantasy (80)G.Harrison-Your love is forever-George Harrison (79)Beatles-Here comes the sun (take 9)-Abbey Road (Super Deluxe Edition) (19-69)Beatles-Come together-Abbey Road (69)Eric Clapton-Run so far-Journeyman (89)P.McCartney-Girl's school-From "London town" sessions/Single (78)G.Harrison-Run so far-Brainwashed (02)Beatles-I want you (she's so heavy)-Abbey Road (69)P.McCartney-Coming up-McCartney II (80)Beatles-Medley: You never give me your Money…The end-Abbey Road (69)

Album de la semaine: "Abbey Road" (Beatles 1969) Beatles-Something-Abbey Road (69)P.McCartney-Oh woman, oh why-B side "Another day" single (71)J.Lennon-Cold turkey-Single (69)G.Harrison-Isn't it a pity (2020 mix)-All things must pass (50th anniversary) (21-70)R.Starr-Beaucoups of blues-Beaucoups of blues (70)Beatles-Oh ! Darling-Abbey Road (69)Beatles-Come and get it (demo)-Abbey Road (Super Deluxe Edition) (19-69)P.McCartney-After the ball/Million miles-Back to the egg (79)P.McCartney-Winter rose/Love awake-Back to the egg (79)G.Harrison-The answer's at the end-Extra texture (read all about it) (75)Beatles-Octopus's garden-Abbey Road (69)R.Starr-Here's to the night (feat. P.McCartney)-Zoom in (21)J.Lennon-(Just like) Starting over-Double fantasy (80)G.Harrison-Your love is forever-George Harrison (79)Beatles-Here comes the sun (take 9)-Abbey Road (Super Deluxe Edition) (19-69)Beatles-Come together-Abbey Road (69)Eric Clapton-Run so far-Journeyman (89)P.McCartney-Girl's school-From "London town" sessions/Single (78)G.Harrison-Run so far-Brainwashed (02)Beatles-I want you (she's so heavy)-Abbey Road (69)P.McCartney-Coming up-McCartney II (80)Beatles-Medley: You never give me your Money…The end-Abbey Road (69)

Fan-favorite guests Elliot Roberts and Rob Sheffield return to the "Here, There, and Everywhere" podcast and join host Jack Lawless in a nearly 5 hour epic conversation about Paul McCartney's life, music, and career after The Beatles.    Welcome to Part 4 of our conversation about one of the most successful musicians in history, Paul McCartney. In this episode, we talk about some of Paul's albums, "Run, Devil, Run", "Venus & Mars", "McCartney II", The Fireman records, and discuss random songs in a lighting round...   Do we discuss your favorite Paul McCartney album? Tune in to find out! -- Rob Sheffield is a contributing editor at Rolling Stone and has been covering music, TV, and pop culture since 1997. He is the New York Times best-selling author of five books, including 'Love Is A Mix Tape,' 'Talking To Girls About Duran Duran,' 'Turn Around Bright Eyes,' 'On Bowie' and 'Dreaming The Beatles.'    Check out Rob Sheffield's book 'Dreaming The Beatles' Follow Rob on Twitter: @robsheff   Elliot is a YouTuber who creates videos about The Beatles and their legacy. His YouTube videos have become quite popular, averaging close to a million views each, since his channel launched in late 2020. He's ranked every single Paul McCartney and John Lennon album - and has ranked every single Beatles biopic as well. His videos are some of the best Beatles content out there and are absolutely worth watching - you can subscribe to his channel, ElliotRobertsVideos.    Follow Elliot on Twitter: @ElliotRoberts5   If you like this episode, be sure to subscribe to this podcast! Follow us on Twitter and Instagram. Or click here for more information: Linktr.ee/BeatlesEarth   --- The Beatles were an English rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the most influential band of all timeand were integral to the development of 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat and 1950s rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band later explored music styles ranging from ballads and Indian music to psychedelia and hard rock. As pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's youth and sociocultural movements. Led by primary songwriters Lennon and McCartney, the Beatles evolved from Lennon's previous group, the Quarrymen, and built their reputation playing clubs in Liverpool and Hamburg over three years from 1960, initially with Stuart Sutcliffe playing bass. The core trio of Lennon, McCartney and Harrison, together since 1958, went through a succession of drummers, including Pete Best, before asking Starr to join them in 1962. Manager Brian Epstein moulded them into a professional act, and producer George Martin guided and developed their recordings, greatly expanding their domestic success after signing to EMI Records and achieving their first hit, "Love Me Do", in late 1962.   Lennon, McCartney, Harrison and Starr all released solo albums in 1970. Their solo records sometimes involved one or more of the others; Starr's Ringo (1973) was the only album to include compositions and performances by all four ex-Beatles, albeit on separate songs. With Starr's participation, Harrison staged the Concert for Bangladesh in New York City in August 1971. Other than an unreleased jam session in 1974, later bootlegged as A Toot and a Snore in '74, Lennon and McCartney never recorded together again. Two double-LP sets of the Beatles' greatest hits, compiled by Klein, 1962–1966 and 1967–1970, were released in 1973, at first under the Apple Records imprint. Commonly known as the "Red Album" and "Blue Album", respectively, each has earned a Multi-Platinum certification in the US and a Platinum certification in the UK. Between 1976 and 1982, EMI/Capitol released a wave of compilation albums without input from the ex-Beatles, starting with the double-disc compilation Rock 'n' Roll Music. The only one to feature previously unreleased material was The Beatles at the Hollywood Bowl (1977); the first officially issued concert recordings by the group, it contained selections from two shows they played during their 1964 and 1965 US tours. The music and enduring fame of the Beatles were commercially exploited in various other ways, again often outside their creative control. In April 1974, the musical John, Paul, George, Ringo ... and Bert, written by Willy Russell and featuring singer Barbara Dickson, opened in London. It included, with permission from Northern Songs, eleven Lennon-McCartney compositions and one by Harrison, "Here Comes the Sun". Displeased with the production's use of his song, Harrison withdrew his permission to use it.Later that year, the off-Broadway musical Sgt. Pepper's Lonely Hearts Club Band on the Road opened. All This and World War II (1976) was an unorthodox nonfiction film that combined newsreel footage with covers of Beatles songs by performers ranging from Elton John and Keith Moon to the London Symphony Orchestra. The Broadway musical Beatlemania, an unauthorised nostalgia revue, opened in early 1977 and proved popular, spinning off five separate touring productions. In 1979, the band sued the producers, settling for several million dollars in damages. Sgt. Pepper's Lonely Hearts Club Band (1978), a musical film starring the Bee Gees and Peter Frampton, was a commercial failure and an "artistic fiasco", according to Ingham. Accompanying the wave of Beatles nostalgia and persistent reunion rumours in the US during the 1970s, several entrepreneurs made public offers to the Beatles for a reunion concert.Promoter Bill Sargent first offered the Beatles $10 million for a reunion concert in 1974. He raised his offer to $30 million in January 1976 and then to $50 million the following month. On 24 April 1976, during a broadcast of Saturday Night Live, producer Lorne Michaels jokingly offered the Beatles $3,000 to reunite on the show. Lennon and McCartney were watching the live broadcast at Lennon's apartment at the Dakota in New York, which was within driving distance of the NBC studio where the show was being broadcast. The former bandmates briefly entertained the idea of going to the studio and surprising Michaels by accepting his offer, but decided not to.

Artist Song Time Album Year Paul McCartney One Of Those Days 3:32 McCartney II 1980 Paul McCartney Maybe I'm Amazed 3:43 McCartney 1970 Paul McCartney Too Much Rain 3:19 Chaos and Creation in the Backyard 2005 Paul McCartney Magic 3:59 Driving Rain 2001 Paul McCartney Keep Under Cover 3:02 Pipes of Peace 1983 Paul McCartney […]

En el programa de esta tarde nos hacemos eco de los dos conciertos que Paul McCartney va a dar en España y lo hacemos con uno de los mayores Beatlemaniacos de España, el zaragozano Juan Agüeras, que tuvo la oportunidad de conocerlo en persona hace unos años. Saludamos también a Raul Gran, uno de los propietarios de SYRQ, una empresa ubicada en Jarque de Moncayo y que apostó en su momento por la elaboración de alpargatas tradicionales aragonesas adaptadas a las nuevas tendencias de moda, lo que les ha convertido en un referente internacional en el sector. En nuestros planes de verano hablamos de las colonias urbanas en el Acuario de Zaragoza y Daniel Yranzo se pasa por nuestros micrófonos en “la Prepera” para adelantarnos los ingredientes de la receta que hará mañana en Aragón TV.

Album de la semaine: "Cloud nine" (George Harrison 1987) G.Harrison-Cloud nine-Cloud nine (87)J.Lennon-Gimme some truth-Imagine (71)P.McCartney-You gave me the answer-Venus and Mars (75)R.Starr-Let the rest of the world go by-Sentimental journey (70)Beatles-Lovely Rita-Sgt Pepper's Lonely Hearts Club Band (67)G.Harrison-That's what it takes-Cloud nine (87)P.McCartney-One of these days-McCartney II (80)Beatles-For no one-Revolver (66)Beatles-Here, there and everywhere -Revolver (66)Beatles-Birthday-White album (68)G.Harrison-This is love-Cloud nine (87)R.Starr-Sunshine life for me (sail away Raymond)-Ringo (73)Beatles-Hello, goodbye-Magical Mystery Tour (67)Beatles-For you blue-Let it be (70)J.Lennon-Nobody loves you (when you're down and out)-Walls and bridges (74)G.Harrison-When we was Fab-Cloud nine (87)Beyoncé-Blackbird (cover)-Cowboy Carter (24)Julian Lennon-Saltwater-Help yourself (91)P.McCartney-What's that you're doing ? (feat. S.Wonder)-Tug of war (82)Beatles-The ballad of John and Yoko-Single (69)G.Harrison-Devil's radio-Cloud nine (87)Beatles-I am the walrus-Magical Mystery Tour (67)Beatles-Here comes the sun-Abbey road (69)P.McCartney-The man (feat. M.Jackson)-Pipes of peace (83)P.McCartney-Girlfriend-London town (78)G.Harrison-Wreck of Hesperus-Cloud nine (87)R.Starr-I've changed my mind (rare)-USB (87)J.Lennon-What you got (extrait)/What you got (acoustic version)-Walls and bridges (74)/ Wonsaponatime (98)Beatles-Blackbird-White album (68)Beatles-Everybody's got something to hide except me and my monkey-White album (68)G.Harrison-Got my mind set on you-Cloud nine (87)P.McCartney-We all stand together-Single (84)P.McCartney-Tropic island hum (recorded in 1987)-Single (04)R.Starr-Coochy coochy-Beaucoups of blues (71)P.McCartney-Rockestra theme-Back to the egg (79)-GénériqueP.McCartney-Opening station/Come on to me-Egypt Station (18)-Bonus

Hello 2Legs Faithful! This week we chose to analyse (in real time) another vintage Paul interview. As we have done in the past, (1986's Paul McCartney Special) etc. This time around we opted to view the rare 1980 Interview conducted by Tim Rice of all people which was recorded in May 1980 and later released that August. This was a promotional piece to promote McCartney II which had just been released. We like to focus on interviews pre-1989/90 when Paul's interviews became more formulaic with his answers. And certainly any interview pre-December 1980 are valuable. We find that to be the case with this one. And would a video interview about a new solo album in 1980 have happened without the events that happened in January of that year? We discuss all this and more. How do you feel about Paul's interviews over the years? Let us know in the comments! See ya next time  Andy & Tom

Nos Visita un amigo de la casa Julio Martínez de "Calico Skies Radio puro McCartney" para debatir sobre dos discos muy parecidos o no tanto The Beach Boys Love You y McCartney II

Spécial Paul McCartney 1970-1980 avec "Back to the Egg" en album de la semaine P.McCartney-Reception/Getting closer/We're open tonight-Back to the egg (79)P.McCartney-The lovely Linda-McCartney (70)P.McCartney-Every night-McCartney (70)P.McCartney-That would be something-McCartney (70)P.McCartney-Maybe I'm amazed-McCartney (70)P.McCartney-Again and again and again (feat. D.Laine)-Back to the egg (79)P.McCartney-Dear boy-Ram (71)P.McCartney-The back seat of my car-Ram (71)P.McCartney-Heart of the country-Ram (71)P.McCartney-Heart of the country (remake 2012)-USB (12)P.McCartney-Old Siam Sir-Back to the egg (79)P.McCartney-So glad to see you here-Back to the egg (79)P.McCartney-Tomorrow-Wild life (71)P.McCartney-Hands of love (take 2)-Red rose speedway (special edition) (73)P.McCartney-My love-Red rose speedway (73)P.McCartney-Arrow through me-Back to the egg (79)P.McCartney-Mrs Vandebilt-Band on the run (73)P.McCartney-Bluebird-Band on the run (73)P.McCartney-Band on the run (underdubbed mix)-From the forthcoming album "Band on the run-50 years")P.McCartney-After the ball/Million miles-Back to the egg (79)P.McCartney-Magneto and Titanium man-Venus and Mars (75)P.McCartney-Sally G -B side "Junior's farm" single (74)P.McCartney-Winter rose/Love awake-Back to the egg (79)P.McCartney-Cage #1-"Back to the egg" sessions (79)P.McCartney-Silly love songs-At the speed of sound (76)P.McCartney-Warm and beautiful-At the speed of sound (76)P.McCartney-Baby's request-Back to the egg (79)P.McCartney-London town-London town (78)P.McCartney-Name and address-London town (78)P.McCartney-One of these days-McCartney II (80)P.McCartney-Goodnight tonight (alternate version)-Back to the egg (79) Bonus track

Finally! After a few years and many requests we finally take a deep dive into the 3rd Fireman album, 2008's Electric Arguments'. Arguably what could be considered another solo album like McCartney II or III, this album 15 years on has been lost a bit with the embarrassment of studio albums released between 2005 and now. Tom could not make this week's show, so joining Andy is original 2Legs Co-Founder David Gargalino. We talk Beatles/Now & Then and also dive into a little bit of prog rock with YES/King Crimson talk towards the end! Does this album still resonate for you? It does for us (maybe even more now). Let us know!

Version XXL (3h30), best of Paul McCartney P.McCartney-Every night-McCartney (70)P.McCartney-That would be something-McCartney (70)P.McCartney-Bip bop-Wild life (71)P.McCartney-Another day-Single (71)P.McCartney-Uncle Albert/Admiral Halsey-Ram (71)P.McCartney-Dear boy-Ram (71)P.McCartney-Live and let die-B.O. "Live and let die" (73)P.McCartney-Band on the run-Band on the run (73)P.McCartney-Jet-Band on the run (73)P.McCartney-Let me roll it-Band on the run (73)P.McCartney-Bluebird-Band on the run (73)P.McCartney-Nineteen hundred and eighty five-Band on the run (73)P.McCartney-Junior's farm-Single (73)P.McCartney-Helen wheels-Single (73)P.McCartney-Listen to what the man said-Venus and Mars (75)P.McCartney-Silly love song -At the speed of sound (76)P.McCartney-With a little luck-London town (78)P.McCartney-Wonderful Christmastime-Single (79)P.McCartney-Coming up-McCartney II (80)P.McCartney-Temporary secretary-McCartney II (80)P.McCartney-Take it away-Tug of war (82)P.McCartney-Ebony and ivory (feat. S.Wonder)-Pipes of peace (83)P.McCartney-Say say say (feat. M.Jackson)-Give my regards to Broadstreet (84)P.McCartney-No more lonely nights-Give my regards to Broadstreet (84)P.McCartney-My brave face-Flowers in the dirt (89)P.McCartney-You want her too (feat. E.Costello)-Flowers in the dirt (89)P.McCartney-That day is done-Flowers in the dirt (89)P.McCartney-This one-Flowers in the dirt (89)P.McCartney-Flying to my home-B side "My brave face" single (89)P.McCartney-Twenty flight rock-USBP.McCartney-I lost my little girl (live)-Unplugged (the official bootleg) (91)P.McCartney-Calico skies-Flaming pie (97)P.McCartney-Try not to cry-Run Devil run (99)P.McCartney-Brown eyed handsome man-Run Devil run (99)P.McCartney-Lonely road-Driving rain (01)P.McCartney-Vanilla sky-B.O. "Vanilla sky" (01)P.McCartney-Fine line-Chaos and creation in the backyard (05)P.McCartney-Jenny Wren-Chaos and creation in the backyard (05)P.McCartney-Summer of '59-Single (05)G.Michael-Heal the pain (feat. P.McCartney)-G.Michael's "Twenty five" LP (06)P.McCartney-Dance tonight-Memory almost full (07)P.McCartney-Ever present past-Memory almost full (07)P.McCartney-Nothing too much just out of sight-Electric arguments (08)P.McCartney-Cut me some slack (feat. D.Grohl)-Sound city: Reel to reel (13)P.McCartney-My very good friend the milkman-Kisses on the bottom (12)P.McCartney-Queenie eye-New (13)P.McCartney-Fuh you-Egypt station (18)P.McCartney-Come on to me-Egypt station (18)P.McCartney-Home tonight-Single (19)P.McCartney-Winter bird/When winter comes/Winter sun-III (20)P.McCartney-Seize the day-III (20)P.McCartney-Rockestra theme-Back to the egg (79)-GénériqueP.McCartney-Baby's request-Back to the egg (79)-(bonus)

Shinypodden Special är tillbaka. Henke och Niklas rankar de bästa tio albumen från 1973. Följ med på en resa femtio år tillbaka i tiden. Till en spännande musikalisk era då "dinosaurien" symfonisk rock samexisterade med glamrock och en gryende hårdrock bland andra musikaliska genrer.  Vilka album valde vi att ta med? Hade vi några överlapp? Och vilka var musikårets tre bästa album egentligen? Errata från programmet: Henke säger McCartney II (1980) men menade Flowers in the Dirt (1989) Henke pratar om en ranking av Willie Nelsons albums, det var top 150, icke top 250 Klipparna valde att byta ut sistalåten i programmet... sånt händer! Spellista med låtar som omnämns i programmet hittas här på Spotify. Kommentera avsnittet på Fripps Filmrevyer!

Album de la semaine: "Red Rose Speedway" (Paul McCartney 1973) P.McCartney-Ram on (reprise)/Big barn bed-Ram (71)/Red rose speedway (73)J.Lennon-Give peace a chance-Plactic Ono Band (Ultimate collection) (70)G.Harrison-If not for you (2020 mix)-All things must pass (70-20)R.Starr-Love is a many splendoured thing-Sentimental journey (70)Beatles-If I fell-A hard day's night (64)P.McCartney-My love-Red rose speedway (73)Traveling Wilburys-Last night-Traveling Wilburys, vol. 1 (88)Traveling Wilburys-You took my breath away-Traveling Wilburys, vol. 3 (90)J.Lennon-Old dirt road-Walls and bridges (74)Beatles-I call your name-25 Chansons d'albums 1963-1964 (20)P.McCartney-One more kiss-Red rose speedway (73)Beatles-Long tall Sally-Slow down: 21 reprises de chansons 1963-1964 (23)Beatles-Kansas city/Hey, hey, hey, hey-Slow down: 21 reprises de chansons 1963-1964 (23)Beatles-Slow down-Slow down: 21 reprises de chansons 1963-1964 (23)G.Harrison-Circles-Gone troppo (82)P.McCartney-Little Lamb Dragonfly-Red rose speedway (73)Phil Collins-Golden slumbers/Carry that weight/The end-George Martin's In my life (98)Julian Lennon-Saltwater-Help yourself (91)J.Lennon-Watching the wheels-Double fantasy (80)Beatles-Baby's in black-25 Chansons d'albums 1963-1964 (20)P.McCartney-Medley: Hold me tight/Lazy Dynamite/Hands of love/Power cut-Red rose speedway (73)R.Starr-Here's to the night (feat. P.McCartney)-Zoom in EP (21)Beatles-I'll be back-25 Chansons d'albums 1963-1964 (20)Beatles-I wanna be your man-25 Chansons d'albums 1963-1964 (20)Beatles-Things we said today-25 Chansons d'albums 1963-1964 (20)P.McCartney-C moon-Red rose speedway (73)P.McCartney-Blue sway-McCartney II (80)Beatles-Do you want to know a secret-25 Chansons d'albums 1963-1964 (20)R.Starr-Rock Island line-Ringo 2012 (12)R.Starr-Everyone and everything-EP3 (22)

Album de la semaine: "New" (Paul McCartney 2013) P.McCartney-New-New (13)J.Lennon-Old dirt road-Walls and bridges (74)G.Harrison-Miss O'Dell-B side of "Give me love (give me peace on Earth)" (73)R.Starr-I've changed my mind-USB (87)P.McCartney-Good day sunshine/Corridor music-Give my regards to Broadstreet (84)P.McCartney-Alligator-New (13)P.McCartney-Yesterday-Give my regards to Broadstreet (84)P.McCartney-Here, there and everywhere-Give my regards to Broadstreet (84)J.Lennon-Ain't that a shame-Rock'n'roll (75)R.Starr-Don't go where the road don't go-Time takes time (92)P.McCartney-Early days-New (13)Beatles-For no one-Give my regards to Broadstreet (84)Beatles-The long and winding road-Give my regards to Broadstreet (84)G.Harrison-Abandoned love (demo)-USB (80)J.Lennon-New York City Some time in New York City (72)P.McCartney-Queenie eye-New (13)Fats Domino-Ain't that a shame-Rock'n'rolling (55)P.McCartney-Eleanor Rigby/Eleanor's dream-Give my regards to Broadstreet (84)P.McCartney-Temporary secretary-McCartney II (80)R.Starr-You belong to me -Stop and smell the roses (81)P.McCartney-Everybody out there-New (13)G.Harrison-Cockamamie business-Best of Dark Horse (76-89) (89)P.McCartney-Twenty flight rock-Choba b CCCP (88-91)P.McCartney-Lawdy Miss Clawdy-Choba b CCCP (88-91)J.Lennon-Gimme some truth-Imagine (70)P.McCartney-I can bet-New (13)P.McCartney-Appreciate-New (13)G.Harrison-Got my mind set on you-Cloud nine (87)P.McCartney-Kansas city-Choba b CCCP (88-91)R.Starr-What's my name-What's my name (19)

Album de la semaine: "McCartney II" (Paul McCartney 1980) P.McCartney-Coming up-McCartney II (80)J.Lennon-Remember-Plastic Ono Band (70)G.Harrison-If not for you-All things must pass (70)R.Starr-Snookeroo-Goodnight Vienna (74)Beatles-Magical Mystery Tour-Film version (67)P.McCartney-Nobody knows-McCartney II (80)Beatles-Get back-Love (06)Beatles-Come together/Dear Prudence/Cry baby cry-Love (06)G.Harrison-Don't let me wait too long-Living in the Material World (73)Beatles-I am the walrus-Magical Mystery Tour (67)P.McCartney-Waterfalls-McCartney II (80)J.Lennon-It's so hard (Ultimate mix)-Imagine (71-18)Beatles-Rocky Raccoon (2018 mix)-White album (68-18)Beatles-The continuing story of Bungalow Bill (2018 mix)-White album (68-18)G.Harrison-Hari's on tour (express)-Dark horse (74)P.McCartney-Summer's day song-McCartney II (80)J.Holland-Ac-cent-tchu-ate the positive (feat. Rumer)-The golden age of song (12)Julian Lennon-Because-From the musical "Time" (86)R.Starr-I am the greatest-Ringo (73)J.Lennon-Bring on the Lucie (freda people)-Mind games (73)P.McCartney-Bogey music-McCartney II (80)G.Harrison-Tired of midnight blue-Extra texture (read all about it) (75)Beatles-Maxwell's silver hammer (2019 mix)-Abbey Road (69-19)Beatles-Because (2019 mix)-Abbey Road (69-19)P.McCartney-One of these days-McCartney II (80)P.McCartney-Seize the day-McCartney III (20)J.Lennon-Steel and glass-Walls and bridges (74)R.Starr-Postcards from Paradise-Postcards from Paradise (15)R.Starr-What's my name-What's my name (19)

Y vamos finalizando temporada. Última entrega de "Los '80 de Paul" y como los primeros serán los últimos, presentamos "McCartney II" el ingreso de Paul a la década. Otro final: La Portuaria despide el año en el Abecedario del rock argentino de los '80. Nuevos e inéditos Bonus Tracks de Los Beatles en el Star Club de Hamburgo y una despedida: Originales Vs. Covers. Ah, y homenajeamos a Irene Cara. Revista Beatles. Este sábado a las 16.00 por FM Galena 94.5. www.radiogalena.com.ar. App https://bit.ly/2GBP0ST.

En Revista Beatles vamos finalizando temporada. Última entrega de "Los '80 de Paul" y como los primeros serán los últimos, presentamos "McCartney II" el ingreso de Paul a la década. Otro final: La Portuaria despide el año en el Abecedario del rock argentino de los '80. Nuevos e inéditos Bonus Tracks de Los Beatles en el Star Club de Hamburgo y una despedida: Originales Vs. Covers. Ah, y homenajeamos a Irene Cara. Revista Beatles. Este sábado a las 16.00 por FM Galena 94.5. www.radiogalena.com.ar. App https://bit.ly/2GBP0ST.

It's Spring 1982, and a flurry of activity abounds in the world of the former Beatles. Ringo Starr - determined to rebound from his string of musical misses - is back in the studio with producer Joe Walsh to record what he hoped would be a consistent-sounding hit record. Ringo's sessions rolled on as Capitol's The Beatles Movie Medley climbed the charts in the US...but the most exciting release of Spring 1982? A new solo LP from Paul McCartney. Tug Of War saw Macca reunited with producer George Martin for an album determined to recapture the greatest corners of McCartney's genius. Gone were the experimental noodlings of McCartney II - this collection swung for the commercial fences...and succeeded. With the monster hit Ebony and Ivory leading the charge, this collection of power pop earworms and tender emotional ballads struck a chord with the record-buying public, providing some much-needed validation for the non-martyred half of the century's most successful songwriting team... Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Take a break from this awful state of affairs with Part 2 of my ongoing series In Defense of the Monkees!! I originally planned this episode to cover two of their albums, but I love Pisces, Aquarius, Capricorn, and Jones Ltd so much that I devoted the full episode to it. Davy subverts his image, Mike makes his presence known despite only writing two songs, and Micky goes all proto-McCartney II with the Moog. Enjoy! --- Support this podcast: https://anchor.fm/musicismyradar/support

3 heures de Paul McCartney pour fêter ses 80 ans P.McCartney-So glad to see you here-Back to the egg (79)P.McCartney-However absurd-Press to play (86)P.McCartney-One of these days-McCartney II (80)P.McCartney-Maybe baby-B.O. "Maybe baby" (00)Beatles-Birthday-White album (68)P.McCartney-Through our love-Pipes of peace (83)P.McCartney-The long and winding road-Give my regards to Broadstreet (84)P.McCartney-I can bet-New (13)P.McCartney-Not such a bad boy-Give my regards to Broadstreet (84)P.McCartney-Ever present past-Memory almost full (07)P.McCartney-Little willow-Flaming pie (97)P.McCartney-Silly love songs-At the speed of sound (76)P.McCartney-Everybody out there-New (13)P.McCartney-Too much rain-Chaos and creation in the backyard (05)P.McCartney-Rough ride-Flowers in the dirt (89)P.McCartney-Coming up-McCartney II (80)P.McCartney-Light from your lighthouse-Electric arguments (08)P.McCartney-Dear friend-Wild life (71)P.McCartney-She said yeah-Run Devil run (99)P.McCartney-Seize the day-McCartney III (20)P.McCartney-Wanderlust-Tug of war (82)P.McCartney-Take it away-Tug of war (82)P.McCartney-Maybe I'm amazed-McCartney (70)P.McCartney-Sing the changes-Electric arguments (08)P.McCartney-Jenny Wren-Chaos and creation in the backyard (05)P.McCartney-Lavatory Lil-McCartney III (20)P.McCartney-Magic-Driving rain (01)P.McCartney-Little lamb dragonfly-Red Rose Speedway (73)P.McCartney-After the ball/Million miles-Back to the egg (79)P.McCartney-This one-Flowers in the dirt (89)P.McCartney-Junk-McCartney (70)P.McCartney-The other me-Pipes of peace (83)P.McCartney-Station II/Hunt you down/Naked/C link-Egypt station (18)P.McCartney-Old Siam Sir-Back to the egg (79)P.McCartney-Let me roll it-Band on the run (73)P.McCartney-Listen to what the man said-Venus and Mars (75)P.McCartney-Dance tonight-Memory almost full (07)P.McCartney-Heart of the country-Ram (71)P.McCartney-Warm and beautiful-At the speed of sound (76)P.McCartney-You gave me the answer-Venus and Mars (75)Beatles-Here, there and everywhere-Single "Real love" (96)Beatles-For no one-Revolver (66)Beatles-Lady Madonna-Hey Jude (69)Beatles-Let it be (single version)-Let it be (Super Deluxe) (70)

Once again it is time for me to potentially incur the wrath of the copyright algorithms as we return to McCartney II for another bout of "Listen With Sam". Please enjoy. Peace and love,    Sam If you want to support the show, check out our Patreon page at www.patreon.com/mccartneypodcast To get in contact with the show, drop us an email at paulmccartneypod@gmail.com Follow us on Twitter for all Macca updates by searching @mccartneypod.  Check out our YouTube page at https://www.youtube.com/channel/UCXcuhC1jm1wqhUTWhVS-r6A  If you haven't seen the blog, check it out at www.paulmccartneypod.wordpress.com where you can see loads of episodes start out life as a random blog post, before being resculpted into the quality content you are here for today!  Hosted by Sam Whiles.

Toppermost-serien er tilbage. Denne gang med et grundigt lyt på Paul McCartneys "Tug Of War" fra 1982.   Albummet fylder 40 år på udgivelsesdagen, og det markeres sammen med McCartney-elsker og ekspert Andreas Smedegaard, der tager os gennem pladens tumultariske historie.   Fra de sidste dage med Wings, til cellen i et Tokyo-fængsel, over den eksperimenterende McCartney II plade til John Lennons frygtelige død. Alt sammen faktorer i skabelsen den LP, der blandt mange rangerer som en af de største i Pauls solo-katalog.   Hvordan var det at indspille på solbeskinnede Montserrat? Hvor stammer lydende af tovtrækning fra? Hvor længe talte Andreas med legenden Steve Gadd? Hvad med Denny Laine?  Og hvad mener Stevie Wonder når han udbryder at McCartney ikke er "in the pocket"?   George Martin producerede Tug Of War-pladen, der blev "castet" som en film, og i denne første del af to bevæger vi os gennem hele forhistorien og pladens side 1.   Anden del af episoden er i dit podcast feed den 10/5.   Find Andreas Smedegaard her: https://www.facebook.com/andreas.smedegaard

Album de la semaine: "McCartney II" (Paul McCartney 1980) P.McCartney-Coming up-McCartney II (80)J.Lennon-Oh my love-Imagine (71)G.Harrison-Sue me, sue you blues-Living in the Material World (73)R.Starr-Beaucoups of blues-Beaucoups of blues (70)Beatles-Here, there and everywhere-Revolver (66)P.McCartney-Waterfalls-McCartney II (80)Beatles-The fool on the hill-Magical Mystery Tour (67)Beatles-Within you, without you-Sgt Pepper's Lonely Hearts Club Band (67)Beatles-When I'm sixty-four-Sgt Pepper's Lonely Hearts Club Band (67)J.Lennon-Only you-Wonsaponatime (98)P.McCartney-Bogey music-McCartney II (80)R.Starr-Only you (and you alone)-Goodnight Vienna (74)G.Harrison-Wah wah-All things must pass (70)Beatles-Free as a bird-Single (95)Beatles-Honey pie-White album (68)P.McCartney-Temporary secretary-McCartney II (80)Eric Clapton-Run so far-Journeyman (89)Julian Lennon-Stick around-The secret value of daydreaming (86)J.Lennon-#9 dream-Walls and bridges (74)Beatles-Maxwell's silver hammer-Abbey Road (69)P.McCartney-One of these days-McCartney II (80)R.Starr-You don't know me at all-Rotogravure (76)J.Lennon-Cleanup time-Double fantasy (80)G.Harrison-Run so far-Brainwashed (02)Beatles-Birthday-White album (68)P.McCartney-Nobody knows-McCartney II (80)G.Harrison-I live for you-All things must pass (70)Beatles-Real love-Single (96)R.Starr-After all these years-"Weight of the World" single (92)

OK WE'RE FINALLY HERE!! Let's get down to it. During the creation of the White Album as tensions built among the ranks of the Beatles, the members often found themselves working on their own tracks in different studios, sometimes bringing in other members as needed, or working by themselves. While John and Ringo tended to a mix session for Revolution 9, which Paul hadn't been a part of, Paul was in another studio overseeing overdubs on his own "Mother Nature's Son." Following work on that tune, and feeling a creative streak, Paul demoed a (still) unheard song, "Etcetera," and then began building a track based on a guitar riff he came up with in Rishikesh. Adding additional guitars, percussion, and wild vocal acrobatics, Paul and the staff of Abbey Road finish the evening by mixing this weird track, and using their hand against the tape machine to manipulate the speed of the song, giving it it's even weirder sonic warble. In about an hour "Wild Honey Pie" was born, a track that had no real precedent in 1968, as far as it it's experimental nature and sound. It's weird, disjointed, grooves, and works within itself in ways that don't always make sense in passing listens. In headphones, it reveals how dual guitars weave together to form this strange, almost atonal melody, while the man who, at the time, had arguably the greatest voice in popular music throws his voice around in ways others wish they could. It's Paul at his experimental best, giving you just enough to do be different and not overstay its' welcome, and it's the beginning of a through-line that appears throughout his career, whether in his early home solo works, the synthy-strangeness of McCartney II, his collabs with producer Youth as The Fireman, all the way up to his tape loops and sounds he created for his Rockdown album, McCartney III. As Julia puts it, "Wild Honey Pie" walked so "Temporary Secretary" could run. But fear not, listener, Julia's just as perplexed at this ranking as you might be. Joining us this week to talk about this track is the fantastic Phoebe Lorde, one of the hosts of Another Kind of Mind, which, in our humble opinion, is one of the best Beatle-pods around. Challenging well-worn tropes and narratives about the band, and examining their history with more nuance and deeper, more candid discussion, AKOM is part of a rejuvenation of the discussion of the legacy of the Beatles, refreshing the story and opening it up to new light after all these years. We're big, big fans. With Phoebe along for the ride, we touch on all kinds of points, like trying to break through historical biases in the Beatles' story, finding the space to be creative, defining "experimentation," the weirdness of 1964 Beatles songs on an album called "Beatles 65," and much more! Be sure to listen and subscribe to Another Kind of Mind anywhere you get podcasts, and follow along on their socials on Twitter @akompodcast and on Facebook https://www.facebook.com/anotherkindofmindpod. What do you think? Too high? Too low? Just right? Let us know in the comments on Facebook https://www.facebook.com/rankingthebeatles, Instagram @rankingthebeatles, or Twitter @rankingbeatles! Be sure to check out RTB's official website, www.rankingthebeatles.com! Enjoying the show, and wanna show your support? Buy Us A Coffee! --- Send in a voice message: https://anchor.fm/rankingthebeatles/message Support this podcast: https://anchor.fm/rankingthebeatles/support

In the wake of Paul's "Japanese Holiday", big changes were abound in the life of the McCartney family - both personal and professional. A smattering of recordings captured at Hog Hill from the year prior were about to see the light of day in the form of the second solo release from Paul McCartney since the dissolution of the Beatles: a new LP titled McCARTNEY II. This bizarre collection of electronic sounds and melodies were -- in retrospect -- a forerunner of much of the styles that would become so prominent in popular music over the decades to come. At the time, however, reviews were mixed. Regardless of the critical reception, tracks such as Temporary Secretary, Waterfalls, Nobody Knows and Coming Up proved that once again Macca was on the precipice of the bleeding edge of musical innovation -- even over 18 years into his recording career. While Paul's latest solo release was gracing store shelves, Ringo Starr was graced with the presence of one Miss Barbara Bach, who -- on the set of their new film Caveman -- quickly turned from professional to intimate... See acast.com/privacy for privacy and opt-out information.

Dramatist, author and playwright Dan Rebellato discusses Paul McCartney's 1980 album McCartney II, with Chris Shaw.

It's Twosday! And to celebrate, Jay and Shua are taking a look at sequels. Not just movies, but TV, video games, music and more! Come have fun with us and Enjoy Stuff 2: Electric Boogaloo!   Today is February 22, 2022. Why is that important you ask? Well, if you are a numerophile then you might be really interested in the date 2-22-22. Especially at 2:22:22. For us, it means today is all about the number two! Specifically, sequels. Join us as we look into the the history and thought process behind making a continuation of a story.   News A Futurama revival has been ordered for Hulu RIP Ghostbusters director Ivan Reitman Are you ready for a new Chip ‘n Dale Rescue Rangers movie? It's coming to Disney+ Soon we will get to see how Ralphie raised his kids in a Christmas Story sequel John Cena will be co-starring with the legendary stunt performer, Wile E. Coyote in Coyote vs Acme What we're Enjoying Shua Received a very special retro gift from his lovely wife for Valentine's Day. Two peanuts collections in paperback form from the 60s helped to spark tons of childhood memories. She used to read them endlessly and his drawing career began when he would copy the pictures from Books. Jay started a new series on Amazon Prime. Reacher tells the story of a muscular Stranger who wanders into town and gets accused of murder. Trust us, it's better than we are making it sound.   Enjoy Movies! (and TV, Games, Music, and more!) Sequels have been around almost as long as movies. But when did they start adding numbers to a title to indicate that it was a continuation of the plot? We found the first evidence of a Roman numeral in a title back in 1957 with a movie from England called Quatermass II. Roman numerals became really popular after 1974's The Godfather part II. We got a plethora of sequels with those parallel little numbering systems with Superman II, Star Trek two, Rambo II, and of course the iconic weekend at Bernie's II. They don't all have Roman numerals but a sequel really means that someone liked the first story and wanted it to continue. Why do we like sequels? Is it just a cash grab from the studios? Or is it because we just don't want the characters and story to end?   Sequels aren't unique to movies either. Television shows sometimes have sequels, but usually they're called spinoffs. The Jeffersons was a spinoff to All in the Family. Laverne and Shirley was a spinoff for Happy Days, as was Mork and Mindy. The title numbering may be different, but they are still sequels.   Video games jumped into the sequel world. Sometimes they would differentiate from the original by giving it a similar title like Donkey Kong Jr. or Ms. Pac-Man. Or sometimes they maintained their cinematic quality by giving them numbers like Streetfighter II or Mortal Kombat II.   Even the music industry got into the sequel numbering game. Some iconic albums were numbered with Roman numerals like Led Zeppelin II, McCartney II, Queen II, and Van Halen II. Plus tons of Greatest Hits compilations will throw numbers on their titles to let everyone know you need to collect the whole set. Now that's what I call music! Do you like sequels? Or do they annoy you that they may not be an original idea? Which one stands out to you?Let us know. Come talk to us in the Discord channel or send us an email to podcast@enjoystuff.com  

Voted on by our Patreon, we look at the what, how, and for-gods-sake-why of some of those most hated holiday songs! 02:40 Banned songs 08:09 Wonderful Christmastime 10:45 Chipmunks Song 16:36 Little Drummer Boy (Peace on Earth) Like what you hear?  Become a patron of the arts for as little as $2 a month!   Or buy the book or some merch.  Hang out with your fellow Brainiacs.  Reach out and touch Moxie on Facebook, Twitter,  or Instagram. Music: Kevin MacLeod, David Fesliyan.   Reach out and touch Moxie on Facebook, Twitter, or Instagram. Links to all the research resources are on the website. In the early 80's, drought caused a famine that crippled the nation of Ethiopia.  It was a bad scene.  Half of the mortality rate is said to be attributable to “human rights violations.”  People around the world were moved, like Irish singer-songwriter Bob Geldof, who along with Midge Ure, wrote a fundraiser song.  Who could they get to sing it?  How about “everybody”?  The likes of Duran Duran, Spandau Ballet, Boy George, Bono, and Sting joined forces as Band Aid to record the fast-selling single in UK history, asking us the question “Do They Know It's Christmas?”  My name's… Some songs rub us the wrong way because they're sung by shrieking children on now-oudated equipment was was not kind to female and higher-pitched voices, songs like I'm Getting Nuthin for Christmas and All I Want for Christmas is my Two Front Teeth, standards which I think think would have died away if we weren't all made to sing them in elementary school.  Some are painfully goofy, like Grandma Got Run Over by a Reindeer, but you almost have to give them a pass since it seems they accomplished what they set out to do.  Some songs make us their enemy by borrowing into our brains and setting up shop for hours or days on end, the dreaded holiday earworm, like Jingle Bell Rock and Rockin' Around the Christmas Tree.  The mere mention of the title is enough to activate them like a sleeper cell of obnoxious holiday cheer.   Banned You might be able to forbid people in your own home from playing songs that irritate you –and I stress “might”-- but if you can find yourself with a bit of authority and a big enough humbug up your butt, you can try to make it so nobody has to hear the song either.  For instance, the 1952 classic “I Saw Mommy Kissing Santa Claus,” sung by 13-year-old Jimmy Boyd from Mississippi.  Did you realize the song was about the little boy not realizing that his Dad was dressed as Santa?  It had to be pointed out to me, and embarrassingly recently.  People were *scandalized by the musical marriage of sex and Christmas, with one churchgoer stating “mockery of decent family life as well as Christ's birthday.”  Many pearls were clutched.  They'd probably clutch them pearls twice as hard if I'd been there to tell them Jesus wasn't born on 12/25, but that's another show.  Boston's Catholic Archdiocese denounced it and the young Boyd had to meet with church leaders to explain that Mommy and Santa were properly, sanctily married.  A West Virginia broadcasting company prohibited its radio stations from playing this “insult to Santa Claus.”  The same thing happened to one of my husband's favorite songs, Lou Monte's “Dominick the Donkey,” but the people of WV went to bat for the little donkey who could take the Italian hills that were too much for the reindeer.  The public protested the ban so forcefully that it was repealed after less than two weeks; and this was in 1960, when 20% of homes in the US still didn't have a telephone.   For every time the hubs plays Dominick the Donkey, I play the Pogue's Fairytale of New York at least twice.  A lot of folks don't like, and I respect our difference of opinions, and think it's the farthest thing from a cheery Xmas song, and I agree with y'all there.  The 1987 duet with singer Kirsty MacColl, quickly became a UK holiday classic, famous then infamous in turn.  It tells the story of a toxic couple who seem to love each deep down, but should probably not be allowed within 200m of each other.  There's talk of drug use and insults, including a certain homophobic slur to rhyme with the word “maggot.”  In December 2019, BBC radio DJ Alex Dyke said he was cutting the song from his program.  The BBC had previously censored the song in 2007 with an unconvincing word-swap, but this brought more backlash than the original version had.  The BBC reversed course for a few years, then put the censored version back up.  What do you think?  soc med   Some songs we consider absolute standards, impeccable and indispensable, made people in their day as prickly as holl and less than jolly.  The BBC worried that “I'll Be Home for Christmas” could damage British morale during World War II, so no air-play for you!  In an amazingly blunt statement that would definitely trend on Twitter today:  “We have recently adopted a policy of excluding sickly sentimentality which, particularly when sung by certain vocalists, can become nauseating and not at all in keeping with what we feel to be the need of the public in this country.”   One of the most frequently cover and burlesqued-to songs, Santa Baby, wouldn't have become the classic it did if it had been sung by anyone other than the utterly incomparable Eartha Kitt.  Who doesn't love a Christmas song dripping in sexuality, sung by a loudly self-confident mixed race woman?  In 1953, a lot of people.   Radio stations refused to play it and political officials gnashed their teeth after Kitt performed Santa Baby at a dinner for the king and queen of Greece that November.  That was an unusual sentence and I'm stalling for time to let you process it.  However, Billboard magazine reported “Neither the King nor his Queen were one whit disturbed by the chantress's performance, nor by the song.”  Kitt was quoted as saying it was ‘inconceivable that anyone would question the ingenious poetry of the song.'”  I don't know about poetry, but I do know I don't want to hear any version other than hers.   Chipmunks My hatred for this next song cannot be overstated.  I almost hired an editor just for this section. It's shrill, it's pointless, and it's been playing for 63 freaking years.  It's the goddamn Chipmunks' song aka Christmas Don't Be Late.  I'm mad already.  Named after the president, chief engineer, and founder of Liberty Records, the furry little characters are the members of a “band”, called Alvin And The Chipmunks, while a “man” named David Seville functions as their human manager, catapulting them to super stardom.  The Chipmunks, three singing cartoon rodents in Victorian nightdresses apparently, or maybe ill-fitted sweater dresses, were the brainchild of a songwriter named Ross Bagdasarian, though he was better known by the pseudonym of David Seville, the name that would be immortalized as The Chipmunk's fictitious manager.  Bagdasarian was the son of Armenian immigrants to California, who served in the Army Air Force in WWII, which is how he came to find himself stationed in Seville, Spain.  He did a bit of acting, landing minor roles in Rear Window and Stalag 17.  Songwriting played out considerably better.  In 1951, he used the melody of an Armenian folk song to write Rosemary Clooney's hit, Come On-a My House. [sfx clip]    Bagdasarian-cum-Seville began toying around with voice distortion effects, speeding up and slowing down his voice to achieve the cute high pitched sound of the little animal's voices.  Consumer tape decks at the time had changeable speeds, but usually only in simple binary multiples, doubling or halving the speed, creating sounds an octave apart. Changing speeds of voices in these limited multiples creates extremely high or low pitches that sound too extreme for most purposes.  Disney used half-speed recording for his Chip ‘n Dale cartoon characters, making the extremely fast dialogue difficult to understand. As a result, dialog recorded at that speed had to consist of very short phrases.  Seville's chief innovation was to use tape machines that could vary speeds in between these extremes, creating more understandable and thus emotionally accessible voices that worked well for both singing and spoken dialogue.   The Chipmunk Song made its debut on Christmas 1958 and immediately became a smash hit, reaching No. 1 on the Billboard Hot 100 Pop Singles chart.  It would be the “band's” first and only #1 song, as well as Seville's second and final, No. 1 single.  The first was the song Witch Doctor, wanna hear it here it goes [sfx clip]  I guess when you have a hammer…    A write-up in Life magazine in 1959, noted that Bagdasarian/Seville was the first case in the "annals of popular music that one man has served as writer, composer, publisher, conductor and multiple vocalist of a hit record, thereby directing all possible revenues from the song back into his pocket."  That'd be impressive enough even if you didn't know that Seville couldn't read or write music, nor play any instruments, but now you do know that, so you should be quite impressed.   The Chipmunk Song earned them three Grammy Awards at the very first Grammy's the following May.  I'm going to say that again, because I don't think you heard me.  The Chipmunks song won three Grammy's.  In fairness, one is for best children's song.  A few years later, The Chipmunks landed their own television show as cartoon characters, but it did not command the same success their music career.  After Bagdasarian passed away unexpectedly in 1972, his son and daughter-in-law took over the voices of The Chipmunks, but it would take nearly ten years for The Chipmunks made it back to TV, with their 1981 Christmas special, the ingeniously named “A Chipmunk Christmas.”     Like a holiday Jason Vorhees, "The Chipmunk Song" re-entered the Billboard Hot 100 in 2007 with the CGI Alvin and Chipmunks movie.  As of December 25, 2011, Nielsen SoundScan estimated total sales of the digital track at 867,000 downloads, making it third on the list of all-time best-selling Christmas/holiday digital singles.  #3 was Christmas Eve/Sarajevo 12/24 from Trans-Siberian Orchestra, who I've had the mixed blessing to see live – the performance was great but the stage light swept over the audience constantly; it was like having a camera flash go off in your face several times a minute.  #1 is, to the surprise of no one, Mariah Carey's 1994 "All I Want for Christmas Is You" and that's all the more attention she's getting from me.  If you ever want a real smdh moment, Google Mariah Carey's requirements to appear on camera for interviews.  The word “diva” doesn't begin to describe it.  Wonderful Now this one depends on the day.  Some days, it's so bad it's good and some days, and for some people all days, it's the regular kind of bad.  [sfx clip] Say what you will about it, you can't say Paul McCartney didn't put in the work.  Wonderful Christmastime features McCartney on guitar, bass, keyboards, drums and vocals, even the creepy-sounding ‘choir of children.'  Makes one wonder why he even kept a band around.  You see the other members of Wings in the video, but the song was all McCartney.   Like a number of holiday classics that you heard about in the episode #92, The Jews Who Wrote Christmas, Wonderful Christmastime was written on a ‘boiling hot day in July', and recorded during sessions for the McCartney II album.  It apparently took the former Beatle just ten minutes to pen the song which – some of us find that more readily-believable than others.  One of the most memorable elements of the song is the odd synthesiser sound that punctuates it throughout.  That is, if you care to know, a Sequential Circuits Prophet-5, which was also used on the hit songs Bette Davis Eyes and What a Fool Believes.  Though I suppose it's still a Sequential Circuits Prophet-5 even if you don't care to know.   It peaked at number six on the UK Singles Chart and has since become of the most widely played Christmas songs on radio.   Bonus fact: The Beatles only really had one Christmas release – Christmas Time Is Here Again, which was distributed to their fan club in 1967.  I imagine that would fetch a pretty pence on the secondary market. [sfx typing] checking ebay…Oh, they're actually pretty cheap.     If you don't like the song, you're not alone.  McCartney himself isn't all that keen on it, but he has begun playing it on UK tours in recent years.  You gotta give the people what they want and clearly enough people want Wonderful Christmastime.  According to the Forbes website, McCartney earns over $400,000 royalties from the song every year, though other sources claim that figure is probably the cumulative total. Little Drummer Boy As time passes, tastes change, culture shifts, new things are created and old things fall away.  We rarely ride in one-horse open sleighs –I can't remember the last time I was even in a closed one-horse sleigh– and it seems really strange to us that people sat about telling ghost stories.  So maybe that's why I don't understand The Little Drummer Boy.  How is a drum solo an appropriate gift for a sleeping infant and the woman who just squoze him out in a cow-shed?  The ox and lamb kept time?  That's literally the drummer's only job.  Well, that and making the rest of the band's drinking problem look reasonable.  Hey, what's the difference between a drummer and a drum machine?  You only have to punch the info into the drum machine once.  [sfx rimshot] What do you call a drummer who broke up with his girlfriend?  Homeless.  [sfx rimshot]  Don't worry, drummers, this abuse isn't exclusive.  What do you call the pretty girl on a bassist's arm?  A tattoo.  That's my time, good night!   How old do you think this slow, plodding song is?  I couldn't have put a year to my guess, but for some reason it surprised me that it was written in 1941.  The composure was a teacher named Katherine Kennicott Davis.  Originally called "Carol of the Drum" –does what it says on the tin– was based on an unidentified Czech carol and intended for choirs.  One group of singers took a liking to it and propelled it to success in 1951 - The Trapp Family Singers.   As boring as it is, The Little Drummer Boy lets us draw a straight line between the Trapp Family and ‘the lad insane' David Bowie.  In 1977, Bowie was 'actively trying to normalize' his career.  Debilitating drug addiction and accusations of Nazi-sympathizing threatened to sink his earning potential, so it was a no-brainer for him to appear on Bing Crosby's Merrie Olde Christmas.  Crosby was a crooner and golden age Hollywood icon and seemed like a means to the end because, as Bowie said later, “my mom likes him.”  The promise by producers to promote the video for Bowie's single Heroes, fitting as poorly as it did in the middle of a holiday special, certainly didn't hurt either.  The special starred Crosby, his actual family, and stars of the day like the model Twiggy, who my mother has still not forgiven for coming along and making curvy, busty figures unpopular.     So Bing Crosby and David Bowie.  On paper, it made no sense.  But in reality…it made even less sense.  A negative amount of sense, if that's mathematically possible.  I mean, just look at this juxtaposition.  You can see the two together on the Vodacast app… Bowie arrived in a mink coat, an earring, and bright red lipstick….to appear alongside Bing Crosby.  Bowie agreed to producers' demands to tone his look down, but asked/begged the producers if there was anything else, anything at all, he could sing, letting them know in no uncertain terms that he hated the song.   "Ian Fraser, who co-wrote the 'Peace on Earth' portion, told The Washington Post in 2006. 'We didn't know quite what to do.' Instead of panicking, he and two other men working on the special — Buz Kohan and Larry Grossman — hunkered down at a piano in the studio basement and spent 75 minutes working up the tune.  Ever professionals, Bowie and Crosby perfected the new song in less than an hour."  It was that professionalism that actually brought the men together.  According to Crosby's daughter, Mary, who was 18 at the time and a big Bowie fan,  "Eventually, Dad realized David was this amazing musician, and David realized Dad was an amazing musician. You could see them both collectively relax and then magic was made."  Bonus fact: Mary went on to become an actress, starring in the hit TV show Dallas, but she isn't the only thespian the Crosby legacy produced.  Bing's granddaughter Denise will always have a place in my heart as Tasha Yar, first chief of security on the Enterprise D and if you don't know what I'm talking about, maybe *you're* not cool enough to sit with *us* at lunch.   The special was recorded in mid-September, but Crosby would not see it released.  He died of a massive heart attack after a day of golfing in mid-October, so the special was aired posthumously at the end of November in the U.S. and on Christmas Eve in England.  Bizarrely, The single proved to be one of Bowie's fastest-selling singles, selling over 250,000 copies within its first month and being certified silver by the British Phonographic Industry one month after its release.  And what does it say about me that I had to do a second take, beause I read it as British Pornographic Industry.  They certify very different records.  One thing that helped propel that success was the fledgeling Music Television network, which in its original primitive state actually played music videos.  When it launched in 1981, there weren't really enough videos to fill up an entire channel, so they played what they had, including the 'Peace on Earth/Little Drummer Boy' clip, a lot.  This prompted RCA to issue an official release in 1982 with the arbitrary single B-side of "Fantastic Voyage" from The Lodger album.  Bowie was annoyed with that move, contributing to his departure from the label soon after.  Still, it was a high-charting single for Bowie in the post-Scary Monsters era, at least until Let's Dance came out three months later.   And that's…So the question was “Do they know it's Christmas?”.  Since Ethiopia is ⅔ Christian, yes.  I'd go out on a limb and say even the ⅓ that's Muslim knows. But the important thing is that 100% of the royalties go to the cause, and that figure sits north of $250 million.  Among the luminary names involved was a pre-beard George Michaels.  This was in his Wham days when he also recorded the song you're hearing now.  Recognize it?  To anyone who just lost Whamageddon… [sfx laughter]  Worth it.  Just passing it on after Red from Overly Sarcastic took me out during a video last year.  For everyone else, as the nearest Gen-X'er.  Remember…Thanks..     And that's…So the question was “Do they know it's Christmas?”.  Since Ethiopia is ⅔ Christian, yes.  I'd go out on a limb and say even the ⅓ that's Muslim knows. But the important thing is that 100% of the royalties go to the cause, and that figure sits north of $250 million.  Among the luminary names involved was a pre-beard George Michaels.  This was in his Wham days when he also recorded the song you're hearing now.  Recognize it?  To anyone who just lost Whamageddon… [sfx laughter]  Worth it.  Just passing it on after Red from Overly Sarcastic took me out during a video last year.  For everyone else, as the nearest Gen-X'er.  Remember…Thanks..    Sources: https://www.cbc.ca/music/read/david-bowie-bing-crosby-and-the-story-of-the-strangest-christmas-duet-ever-1.5008343 https://theconversation.com/christmas-earworms-the-science-behind-our-love-hate-relationship-with-festive-songs-89268 https://www.slantmagazine.com/music/worst-christmas-songs-of-all-time/3/ https://www.sundaypost.com/fp/story-behind-the-christmas-song-paul-mccartneys-wonderful-christmastime/ https://www.songfacts.com/facts/paul-mccartney/wonderful-christmastime https://www.mentalfloss.com/article/637970/banned-christmas-songs-past https://en.wikipedia.org/wiki/The_Chipmunk_Song_(Christmas_Don%27t_Be_Late) http://www.christmassongs.net/chipmunks-christmas-song https://en.wikipedia.org/wiki/Ross_Bagdasarian https://nowweknowem.wordpress.com/2013/05/04/david-sevilles-the-chipmunk-song-won-three-grammy-awards-today-in-1959-the-top-winner-at-the-inaugural-grammy-awards-now-we-know-em/ https://holidappy.com/holidays/History-of-Christmas-Carols-Little-Drummer-Boy https://www.newsweek.com/story-behind-bowie-bings-unlikely-holiday-duet-sends-welcome-message-divided-times-opinion-1478295

As Noddy Holder keeps on reminding everybody, "It's Christmas!!!". So to celebrate instead of the usual format this episode finds us looking back, and discussing the general state of the physical album based music industry. To help us in this endeavour we are joined by special guest Paul Sinclair, the founder of influential music website SuperDeluxeEdition.com. We also hang our heads in shame at numerous schoolboy errors, answer a few listener's questions, and Tim once more tries to make a case for McCartney II as a masterpiece, but this time with Paul on his side. --- Send in a voice message: https://anchor.fm/the-album-years/message

Album de la semaine: "Double fantasy" (John Lennon 1980) J.Lennon-(Just like) Starting over-Double Fantasy (80)P.McCartney-Coming up-McCartney II (80)G.Harrison-All those years ago-Somewhere in England (81)R.Starr-Wrack my brain-Stop and smell the roses (81)Beatles-The long and winding road (2021 mix)-Let it be (Super Deluxe Edition) (70-21)J.Lennon-Cleanup time-Double Fantasy (80)P.McCartney-Write away-Press to play (86)P.McCartney-We got married-Flowers in the dirt (89)Beatles-Don't let me down (first rooftop performance)-Let it be (Super Deluxe Edition) (70-21)Beatles-Let it be (2021 mix)-Let it be (Super Deluxe Edition) (70-21)J.Lennon-I'm losing you-Double Fantasy (80)Beatles-Happiness is a warm gun (2018 mix)-White album (68-18)Beatles-Sexy Sadie (2018 mix)-White album (68-18)G.Harrison-Maya love-Dark horse (74)Beatles-All you need is love-Yellow submarine songtrack (99)J.Lennon-Woman-Double Fantasy (80)R.Starr & friends-Come together (cover)-Why hunger foundation (21)P.McCartney-Frank Sinatra's party-Egypt station (Explorer's edition) (19)G.Harrison-This guitar (can't keep from crying)-Extra texture (read all about it) (75)J.Lennon-Watching the wheels-Double Fantasy (80)R.Starr-Here's to the nights (feat. P.McCartney)-Zoom (21)R.Starr-Let's change the world-Change the world (21)Beatles-Strawberry fields forever-Magical Mystery Tour (67)P.McCartney-Seize the day-McCartney III (20)J.Lennon-Beautiful boy (darling boy)-Double Fantasy (80)Beatles-I want you (she's so heavy)-Abbey Road (69)Beatles-Being for the benefit of Mr Kite…Helter skelter-Love (11)R.Starr-Zoom in zoom out-Zoom (21)

Panne de micro pendant la 1ère heure, pardon pour la mauvaise qualité. Album de la semaine: "Brainwashed" (George Harrison 2002) G.Harrison-Any Road-Brainwashed (02)P.McCartney-Oo you-McCartney (70)J.Lennon-Crippled inside (take 6)-Imagine (The ultimate collection) (71-18)R.Starr-Six'o'clock-Ringo (73)Beatles-Goodbye (Home demo)-Abbey road (Super Deluxe edition) (69-19)G.Harrison-P2 Vatican blues (last Saturday night)-Brainwashed (02)Mary Hopkins-Goodbye-The best of Apple records (10)Beatles-I need you-Help! (65)Beatles-For no one-Revolver (66)P.McCartney-Let me roll it-Band on the run (73)J.Lennon-My life-Anthology 4: Dakota (98)G.Harrison-Pisces fish-Brainwashed (02)R.Starr-I don't believe you-Time takes time (92)Beatles-Ain't she sweet-Let it be sessions (69)Beatles-Don't let me down (first rooftop performance)-Let it be super Deluxe (21)J.Lennon-Cold turkey (live)-Live peace in Toronto (69)G.Harrison-Looking for my life-Brainwashed (02)Beatles-Hey bulldog-Tomorrow never knows (10)Julian Lennon-Say you're wrong-Valotte (84)P.McCartney-Warm and beautiful-At the speed of sound (76)Beatles-Misery-Please please me (63)G.Harrison-The rising sun-Brainwashed (02)P.McCartney-Twenty flight rock-Choba CCCP (88)P.McCartney-Summer's day song-McCartney II (80)Beatles-Roll over Beethoven-With the Beatles (63)Beatles-I'll follow the sun-For sale (64)G.Harrison-Between the Devil and the deep blue sea-Brainwashed (02)R.Starr-One-Vertical man (98)J.Lennon-Every man has a woman who loves him-Gimme some truth (Deluxe version) (20)P.McCartney-Return to Pepperland-USB (87)R.Starr-Peace dream-Y not (10)Beatles-The long One-Abbey road (Super Deluxe edition) (69-19)

Album de la semaine: "Rubber Soul" (Beatles 1965) Beatles-Drive my car-Rubber Soul (65)P.McCartney-3 legs-Ram (71)J.Lennon-It's so hard-Imagine (71)G.Harrison-Sour sea milk (demo-take 1)-All things must pass-Super Deluxe (21)R.Starr-It don't come easy-Single (71)Beatles-Norwegian wood (This bird has flown)-Rubber Soul (65)P.McCartney-Rainclouds-Tug of war (Deluxe version) (82-15)Beatles-Words of love-For sale (64)Beatles-Here, there and everywhere-Revolver (66)J.Lennon-Bring on the Lucie (freeda people)-Mind games (73)Beatles-Nowhere man-Rubber Soul (65)J.Lennon-#9 dream-Walls and bridges (74)Beatles-Let it be (2021 mix)-Let it be (Super Deluxe) (21)R.Starr-Vertical man-Vertical man (98)R.Starr-What love wants to be-Ringo Rama (03)Beatles-Michelle-Rubber Soul (65)Ray Charles-Eleanor Rigby-A portrait of Ray (68)Julian Lennon-Ok for you-Valotte (84)P.McCartney-Little lamb dragonfly-Red Rose speedway (73)G.Harrison-Living in the Material World-Living in the Material World (73)Beatles-Girl-Rubber Soul (65)J.Lennon-Cleanup time-Double fantasy stripped down (10)Beatles-Ob-la-di, ob-la-da-White album (68)Beatles-Blackbird-White album (68)P.McCartney-One of these days-McCartney II (80)Beatles-In my life-Rubber Soul (65)G.Harrison-Crackerbox Palace-Thirty three & 1/3 (76)G.Harrison-Gone troppo-Gone troppo (82)Beatles-Real love-Single (95)P.McCartney-Winter bird/When winter comes/Winter sun-McCartney III (20) (Clip version)P.McCartney-Nothing for free-Egypt station (18)R.Starr-Thank God for music-What's my name (19)

Tom, Andy and Special Guest Host Ethan Alexanian rank the tracks on McCartney II!   Originally streamed 1/27/21

This is it - the reason it all started and the standard by which we've measured everything thus far - Paul's wacky, experimental, fun yet occasionally extremely moving second solo album. We talk through how the album came to be after the demise of Wings, all that came after that took from McCartney II, the uncanny valley of remastering records years later, plus Cameron does some Korn impressions. We then, of course, have a go at our own version of 'Temporary Secretary'. We hope you rate it a tenporary secretary. If you enjoy the show, please leave us a review in-app, or consider becoming a patron on Patreon for as little as £2 a month: https://www.patreon.com/wedontbelieveinbeatles Want to keep up with our favourite songs on each album? Check the Spotify playlist here: https://open.spotify.com/playlist/3zmBrObBFl8FnwxUn77QAp?si=b0b2f29e20c14c62 Follow us on Instagram @wedontbelieveinbeatles and Twitter @postbeatlespod --- Send in a voice message: https://anchor.fm/postbeatlespod/message

As Australia heads back into lockdown, friends of the show Seja Vogel and Davey Lane join me and our respective bottles of whiskey for a truly epic deep dive into Paul McCartney's ‘rockdown' LP McCartney III. Starting with an overview of Sir Paul's 21st century output so far, we dig into the record track by track and discuss, dissect, argue, sing and do some truly diabolical impressions along the way as we work our way through the latest work by the greatest pop artist of all time. This is a vast and by the end, totally unhinged, conversation between three confirmed Beatles tragics about not just this album, but what Paul McCartney's legacy means and what it's like to operate as an artist with literally no peers long after your heyday. Topics discussed include: - Pandemic pop songs - The differences in approach from McCartney to McCartney II and McCartney III - McCartney's drumming style and how ‘non-drummers' play drums - McCartney's lyric writing process and if that has changed since the 60s - Jeff Lynne's influence on the drum sounds - How McCartney's parental instincts inform his songwriting - How letting himself sound ‘old' on songs like Pretty Boys enhances their meaning - How the Josh Homme and Dominic Fike ‘reimagined' versions of songs from this record top the originals - Davey and Seja's recent experiences recording albums by themselves during lockdown - The challenge of collaborating when you have no peers - The best and worst of the McCartney Three-imagined album - How McCartney deals emotionally with the pandemic without ever mentioning it explicitly - Constructing the ultimate McCartney-centric supergroup - Who is the male Helen Mirren? - Should McCartney be singing about sex at 78? - Our picks for McCartney's best lyrics.

The Yesterday & Today podcast is excited to welcome special guest Luther Russell to the show this week to analyze, review and ruminate on a trilogy of albums 50 years in the making! It's an episode we had to title McCartney: Anatomy of A Trilogy. In 1970 the world became aware of the breakup of the Beatles when Macca's first solo album, McCartney, hit shelves accompanied by a widely publicized and (arguably) misconstrued press release - one that seemed to indicate the demise of the fab four. Whatever the intentions of said press release, the very high profile of this interview and its corresponding homespun collection of tunes would spark the beginning of Paul's solo career and set into motion a series of one-man-show efforts on behalf of McCartney in the decades to come. In 1980 McCartney II was released, a sequel that proved to be a similar demarcation of the winding down of Paul's band Wings, and yet another exercise in isolated musical experimentation. 40 years later, in the thick of a global pandemic, McCartney III emerged to complete the trilogy and once more found McCartney's introspective craftsmanship at a peak. In this episode we'll examine all three releases and explore the possible connective tissue between each installment. Luther is on hand to lend his expert opinion as a singer, songwriter and musical craftsman of his own wide acclaim - and we'd like to thank Mr. Russell for the wonderful conversation! But that's not all - we also want to hear from YOU! Which of these three albums are your favorite? Do each live up to the name? See acast.com/privacy for privacy and opt-out information.

Episode 7 of This Is Not Happening returns to new albums, from one of music's demi-gods: Paul McCartney. For January, we dive into the ex-Beatles' unexpected McCartney III. Made in lockdown, its the third in his series of completely solo projects, following 1980's McCartney II. So how will it match up to its two legendary predecessors? Lifetime Macca acolyte David is at the controls. In the second part of the show, we'll also be submerging ourselves in a sea of covers, picking out one of our personal favourites from long, long lists and talking about why we chose it:Guy: Hot Chip - Dancing In The DarkNolan: Johnny Cash - HurtJoey: The Fugees - No Woman No CryDavid: Grace Jones - La Vie En RoseThis album of the month and all our music discussions over the last ten years can be found on our blog at www.thisisnothappening.net, which will run alongside the podcast choices and much, much more. So check them out so to see what we like and what we don't (!), and comment if something catches your eye. We'd love to hear what you think. Episode #8 will be heading to the dancefloor to review Bicep's new album, Isles. Coming to you before the end of February. This Is Not Happening:Created by Joey, Nolan, Guy and David.Produced and Edited by Guy and Nolan. Twitter: @thisisnothapngInstagram: @thisisnothappeningpodEmail: thisisnothappeningpodcast@gmail.comReviews: www.ratethispodcast.com/thisisnothappening

Mesta púðrið í Rokklandi vikunnar fer í Sir Paul McCartney - Paul úr Bítlunum sem er orðinn 78 ára gamall, en hann var að senda frá sér plötu sem heitir McCartney III - hún kom út núna 18. desember og er síðasti hlutinn í þríleik segir hann. Hinar plöturnar eru McCartney sem kom út 1970 þegar Bítlarnir voru að liðast í sundur og McCartney II sem kom út 1980 þegar hljómsveitin Wings var að syngja sitt síðasta. McCartney III er tekin upp í „rockdown“ eins og Paul kallar það, en hann spilar á öll hljóðfæri og gerir allt sjálfur eins og á hinum McCartney plötunum. McCartney III fór í fyrsta sæti breska vinsældalistans þegar hún kom út, en Paul hefur ekki átt plötu í efsta sæti breska listans síðan Flowers in the dirt kom út 1989. En þar fyrir utan heyrum við nýja músík með Taylor Swift, Phoebe Bridgers, Margréti Eir, Coldplay, Barry Gibb, Eivør ofl.

Mesta púðrið í Rokklandi vikunnar fer í Sir Paul McCartney - Paul úr Bítlunum sem er orðinn 78 ára gamall, en hann var að senda frá sér plötu sem heitir McCartney III - hún kom út núna 18. desember og er síðasti hlutinn í þríleik segir hann. Hinar plöturnar eru McCartney sem kom út 1970 þegar Bítlarnir voru að liðast í sundur og McCartney II sem kom út 1980 þegar hljómsveitin Wings var að syngja sitt síðasta. McCartney III er tekin upp í „rockdown“ eins og Paul kallar það, en hann spilar á öll hljóðfæri og gerir allt sjálfur eins og á hinum McCartney plötunum. McCartney III fór í fyrsta sæti breska vinsældalistans þegar hún kom út, en Paul hefur ekki átt plötu í efsta sæti breska listans síðan Flowers in the dirt kom út 1989. En þar fyrir utan heyrum við nýja músík með Taylor Swift, Phoebe Bridgers, Margréti Eir, Coldplay, Barry Gibb, Eivør ofl.

Greetings everyone! On this episode of the Stuff We Love Podcast Scott and Dan review Paul McCartney's newest album McCartney III! They talk about the tracks on the new album, chat about the albums McCartney and McCartney II, discuss how this new album ranks compared to those previous releases and there's even a whole bunch of additional discussion about Sir Paul. As always, the episode concludes with the stuff we love segment--but in this episode there is a Paul McCartney lightning round for Dan! This is the final podcast episode of 2020. Best wishes for the holidays and a Happy and Healthy New Year! Follow the Stuff We Love Podcast: Twitter: @stuffwelovepod Instagram: @stuffwelovepodcast Website: www.stuffwelovepodcast.podbean.com Email: stuffwelovepodcast@gmail.com

In this episode we welcome The Guardian's John Harris into RBP's virtual cupboard to reminisce about his career as a music journalist and author. Mark, Barney & Jasper look back with John at Britpop and at The Last Party, his definitive 2003 book about it; we also consider the crucial role in the Britpop story of Select magazine, which John edited between 1995 and 1997. Discussion of Britpop's more jingoistic aspects is accompanied by references to contemporary pieces on Blur, Oasis & co. by Jon Savage and Stuart Maconie — and followed by John's thoughts on morphing into one of the Grauniad's most respected political columnists. The week's theme leads neatly into clips from a 1980 audio interview with Britpop forefather Paul McCartney, heard talking to John Tobler about his McCartney II album. Seasoned Beatles freak Harris talks about Macca's solo oeuvre and McCartney II's just-released successor… McCartney III! The "team" and their guest then turn their attention to the passing of the remarkable Charley Pride, the Black southerner who — against considerable odds — became a country music superstar.Mark talks us through some notable new additions to the RBP library, including pieces about the Manson family, the Bee Gees, Kirsty MacColl, the Beastie Boys and Metallica. Barney welcomes California writer Deanne Stillman to the RBP fold with her 2004 piece on the trial of Phil Spector, while Jasper rounds matters off with reflections on Shakira and RBP's Paul Kelly's favourite band Coldplay.Pieces discussed: Britpop, Britpoper, Britpopest, Paul McCartney audio, Patti Smith, Ramones, Dis-Education of Rock 'n' Roll, Charley Pride, Charley Prider, Charley Pridest, Charles Manson, Ashford & Simpson, Kirsty MacColl, Soft Cell, Beastie Boys, John Lennon, Barry Gibb & the Bee Gees, Kevin Coyne, Human League, Jason & Kylie, Metallica, Phil Spector, Viv Albertine, Shakira and Coldplay.This show is a part of Pantheon Podcasts.

In this episode we welcome The Guardian's John Harris into RBP's virtual cupboard to reminisce about his career as a music journalist and author. Mark, Barney & Jasper look back with John at Britpop and at The Last Party, his definitive 2003 book about it; we also consider the crucial role in the Britpop story of Select magazine, which John edited between 1995 and 1997. Discussion of Britpop's more jingoistic aspects is accompanied by references to contemporary pieces on Blur, Oasis & co. by Jon Savage and Stuart Maconie — and followed by John's thoughts on morphing into one of the Grauniad's most respected political columnists. The week's theme leads neatly into clips from a 1980 audio interview with Britpop forefather Paul McCartney, heard talking to John Tobler about his McCartney II album. Seasoned Beatles freak Harris talks about Macca's solo oeuvre and McCartney II's just-released successor… McCartney III! The "team" and their guest then turn their attention to the passing of the remarkable Charley Pride, the Black southerner who — against considerable odds — became a country music superstar.Mark talks us through some notable new additions to the RBP library, including pieces about the Manson family, the Bee Gees, Kirsty MacColl, the Beastie Boys and Metallica. Barney welcomes California writer Deanne Stillman to the RBP fold with her 2004 piece on the trial of Phil Spector, while Jasper rounds matters off with reflections on Shakira and RBP's Paul Kelly's favourite band Coldplay.Many thanks to special guest John Harris; visit his website at johnharris.me.uk.Pieces discussed: Britpop, Britpoper, Britpopest, Paul McCartney audio, Patti Smith, Ramones, Dis-Education of Rock 'n' Roll, Charley Pride, Charley Prider, Charley Pridest, Charles Manson, Ashford & Simpson, Kirsty MacColl, Soft Cell, Beastie Boys, John Lennon, Barry Gibb & the Bee Gees, Kevin Coyne, Human League, Jason & Kylie, Metallica, Phil Spector, Viv Albertine, Shakira and Coldplay.This show is a part of Pantheon Podcasts.

You’d be hard pressed to find a Christmas song that’s been written about as much as this one, yet at the same time, little is actually known about it’s origins or how the artist even feels about it. We’re talking about Paul McCartney’s Wonderful Christmastime. #BehindTheChristmasHits is Presented by Pizza Pizza! Paul was the third Beatle to record a Holiday song. John Lennon was first with Happy X-Mas, George Harrison was second with his 1974 original Ding Dong Ding Dong. Recorded in August 1979 for his solo album McCartney II, it became Paul’s first solo single since his band Wings was formed. Wings hit the road for their final tour together that fall and even played Wonderful Christmastime during some of the later shows on that tour. None of the band members play on the recording of the song, but they are in the video that was filmed at the Fountain Inn in Ashurst, New Sussex. Over the years, people have tried to make the argument that it’s actually the worst Christmas song. In 2014, USA Today ran a piece saying McCartney’s efforts on the song were “akin to being the writer of an Adam Sandler movie.” Conversely, a quick Google search will yield you a bunch of results from people now writing defence pieces on the song. Paul wrote Wonderful Christmastime himself and played all the instruments on the recording. Keyboards, synthesizers, guitar, bass, drums, percussion…oh…and he produced it, too. As a result, he receives royalties as a performer and a songwriter…and doesn’t have to share them with anyone. Forbes estimates the song nets McCartney between four and five hundred thousand dollars every year. That plays into the speculation that McCartney was motivated to do the song all by himself because of his horrible financial experience with EMI Records. So…with all this talk…what does McCartney think? Did he write it in 10 minutes? What was he thinking at the time? How does he feel about it now? It’s hard to tell. There are old comments about how he’s embarrassed by the song, yet, he still plays it live. Harry Styles loves the song – he’s performed it live in concert numerous times including during an appearance on BBC1’s Live Lounge. So…is Paul truly embarrassed by it…or is it more rock and roll to say you are…but then laugh all the way to the bank every December? Thanks for Watching! Hit Subscribe for more stories Behind the Christmas Hits Presented by Pizza Pizza!

The world wasn't quite ready for McCartney II when Paul released it in 1980. It's cold and electronic sound is divisive among the hardcore fans. But for the very reasons that McCartney II was a tough sell when it was first released, it's influenced so many musical genres and artists. In this episode, Kyle and Louie analyze what happens when a Beatle goes New Wave. --- Send in a voice message: https://anchor.fm/kickthejukebox/message

Topics covered: True inspiration, Titus Andronicus, McCartney II, friendly folk duos, the danger of judging an entire state based on horrible senate bills, Old Paint, our hero Tom Scharpling, record shopping, burritos (of course), and the things we do for love.