Podcasts about Goldfrapp

In the Fifteenth episode There Is No Planet Earth Stories, I sit down with legendary DJ, producer, and remixer Justin Strauss for a wide-ranging conversation about his remarkable journey through music and nightlife culture.We explore Justin's early music experiences—from seeing The Beatles live to attending iconic shows at Electric Circus. He shares stories from his time as the frontman of the glam-punk band Milk n' Cookies, and his transition into DJing, including his first gig and influential residency at the legendary Mudd Club.Justin also reflects on his pivotal roles as resident DJ at iconic 80's NYC venues like Area, and The Ritz. Additionally,  our conversation explores the origins and evolution of his prolific remix and production career, which continues to inspire across generations.“Few DJs could adequately represent the last three decades of New York nightclub history - no less do so with such iconic credentials as Justin Strauss. Since he was 17, when his first band was signed to Island Records, Justin has had a career that reads like a Who's-Who of the music scene, spinning at nearly every dance club that you'd ever want to go to. Starting as DJ at New York's legendary Mudd Club, he spun his way through The Ritz, Limelight, Area, Tunnel, M.K., Life, Centro Fly and more, pioneering his own distinctive sound, and becoming one of the most sought-after remixers and producers not just in New York, but in the world. He has worked with the gamut of artists - Depeche Mode, Hot Chip, Sergio Mendez, Tina Turner, Jimmy Cliff, B-52s, Luther Vandross, 808 State, Malcolm McClaren, Skinny Puppy, Goldfrapp, LCD Soundsystem to name a few and on over 300 records!  Much of the new dance crowd that goes to hear Justin DJ today, doesn't necessarily know his history; they simply love his spinning because he always keeps them dancing and surprised, seamlessly mixing between choice classics, delectable rarities and innovative beats. For Justin, no genre or style is off-limits – he can and will mix anything, so long as he can keep the crowd enthralled. His self-proclaimed mission is “connecting the dots” between what might otherwise seem disparate musical periods and styles, while introducing exciting new sounds. He does so with infectious passion, subverting preconceptions about what's old and new, and inspiring young DJs with his masterful skill and ever-youthful spirit. But Justin Strauss doesn't stop there. As half of the production duos, Whatever/Whatever and A/JUS/TED, he continued to produce and mix records, working on remixes for the likes of Hot Chip, William Onyeabor,LCD Soundsystem, Blood Orange, Holy Ghost!, Franz Ferdinand, Beyonce. Working on new projects Extra Credit with Joe Goddard of Hot Chip & Marcus Marr, and with Max Pask under their Each Other moniker, whose debut E.P.'s were mixed by Soulwax and released on their Deewee label, with new releases coming soon. Touring the world Dj'ing at Panorama Bar in Berlin, Robert Johnson in Frankfurt, Zunkunft in Zurich to name a few.  In fact, he doesn't stop at all.”Support the show

Jenn is back this week with another WAYLT Time Capsule.  This time it's pairs of songs that are very different but have the same title.  Check out her list but we know there are plenty of others so make sure you let her know @SuperAwesomeMixhttps://open.spotify.com/playlist/6TrAuIWBxSgfB5yxmebBPW?si=865d4ba06f7349e91. Abracadabra by Lady Gaga 2. Abracadabra by Steve Miller Band3. Ooh La La by Goldfrapp 4. Ohh La La by Faces.

Jóhann Alfreð og Sandra Barilli sögðu frá næsta þætti af söng-leiknum Í góðu lagi og Margrét fékk óvænta heimsókn. Plata vikunnar er Scream með Sycamore Tree. DAÐI FREYR & GAGNAMAGNIÐ - Hvað með það?. OF MONSTERS & MEN - King and Lionheart. GEORGE HARRISON - Got My Mind Set on You. Salka Sól Eyfeld - Sólin og ég. Stuðmenn - Franskar (sósog salat?). Jóhanna Guðrún Jónsdóttir Söngkona - Þú ert nú meiri. The Last Shadow Puppets - The Age of the Understatement. JET BLACK JOE - You Can Have It All. JET BLACK JOE - Falling. JET BLACK JOE - I, You, We. JET BLACK JOE - Higher And Higher. M83 - Midnight City. Sycamore tree - Wild for Fun - Kynning plata vikunnar 2025 20. vika. Sycamore tree - Wild for Fun. ALANIS MORISSETTE - 21 Things I Want In A Lover. Páll Óskar Hjálmtýsson, Benni Hemm Hemm - Allt í lagi. STJÓRNIN - Láttu Þér Líða Vel. Sigríður Beinteinsdóttir, Celebs - Þokan. NEIL DIAMOND - Sweet Caroline. Chappell Roan - Pink Pony Club. EDIE BRICKELL & THE NEW BOHEMIANS - What I Am. NÝDÖNSK - Alelda. Hjálmar - Morgunóður. Empire of the sun - Walking On A Dream. Goldfrapp, Alison, Purple Disco Machine - Dream Machine. Ásdís, Purple Disco Machine - Beat Of Your Heart [Edit]. HLH & SIGRÍÐUR BEINTEINSDÓTTIR - Vertu Ekki Að Plata Mig. Sigríður Beinteinsdóttir - Nætur. TLC - No scrubs. Koppafeiti - Halló. Snorri Helgason - Ein alveg. Lizzo - Still Bad. EARTH WIND & FIRE - September. Gossip - Heavy Cross. AMPOP - My Delusions. Marvin Gaye - Sexual Healing. SÁLIN HANS JÓNS MÍNS - Þig Bara Þig. Bogomil Font, Greiningardeildin, Greiningardeildin, Bogomil Font - Þú trumpar ekki ástina. SCISSOR SISTERS - I Don't Feel Like Dancin'. Birnir - Far. ERASURE - Always. Sycamore tree - You - Kynning plata vikunnar 2025 20. vika. Sycamore tree - You. FLEETWOOD MAC - Dreams. JET BLACK JOE - Falling. JET BLACK JOE - I, You, We. JET BLACK JOE - You Can Have It All. 10 SPEED - Space Queen. Bjarni Arason - Geri það með þér. THE MAVERICKS - Dance The Night Away. Lana Del Rey - Video Games.

Comentamos la canción «Lovely Head» de Goldfrapp, con Mariona Aupí (cantante y compositora) como invitada. 'Cancionero' es una serie de miniepisodios que recupera los mejores momentos de 'Disco prestado' destacando alguna de las canciones que hemos tratado en el pódcast. Escucha el comentario completo del disco 'Felt Mountain' en cualquier plataforma de audio, o mediante estos enlaces: SPOTIFY: https://open.spotify.com/episode/6oWroOZhJkF6iQzp8WW7hT?si=6f1df3afcecc4a91 IVOOX: https://go.ivoox.com/rf/105876048 APPLE PODCASTS: https://podcasts.apple.com/us/podcast/1-3-felt-mountain-de-goldfrapp-con-mariona-aup%C3%AD/id1672847595?i=1000607648563 WEB: https://marcaliana.com/goldfrapp-felt-mountain-enlaces ¡Salud y buena música! Marc Aliana http://marcaliana.com

For this episode of Free With This Month's Issue we're joined by Bill Cummings from God Is In The TV Zine & the Show Me Magic podcast to discuss Q Magazine's Essential Chill out from November 2000.  The cd's tracklisting is1 - Moby - Novio2 - Groove Armada - At The River (Radio Edit)3 - Kinobe Ft Ben & Jason - Slip Into Something... (Radio Edit)4 - Fairport Convention - Who Knows Where The Time Goes?5 - John Martyn - Solid Air6 - Underworld - Push Downstairs7 - Moloko - Sing It Back (Album Version)8 - Oasis - Half The World Away9 - Nick Drake - River Man10 - Grandaddy - Underneath The Weeping Willow11 - Garbage - Milk (The Classic Mix by Massive Attack)12 - Goldfrapp - Utopia13 - Talk Talk - Inheritance 14 - Depeche Mode - Useless (The Kruder & Dorfmeister Session Edit)15 - David Bowie - Art Decade16 - Mercury Rev - Holes You can find Bill's webzine here - https://www.godisinthetvzine.co.uk/ & his podcast Show Me Magic here - https://pod.link/1522302142Listen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/140416-Various-Essential-Chill-Out?srsltid=AfmBOopNZo8qjh-bm7-kZiFy35B1q0g44Kn84pgFDNQrdRGhEmOqumsRHosts - Ian Clarke & Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsBluesky - https://bsky.app/profile/thismonthsissue.bsky.socialTikTok - https://www.tiktok.com/@freewiththismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes, plus We Dig Music & Pick A Disc at www.wedigpodcasts.com

durée : 00:05:11 - C'est une chanson - par : Frédéric Pommier - Elle est à l'affiche de la nouvelle saison de la série "Bref" qui débarquera le 14 février sur Disney+. Au micro de Frédéric Pommier, Alice David évoque le titre "Deer Stop" du duo anglais électro Goldfrapp, un morceau électro qu'elle associe à son année de terminale et à sa découverte du théâtre.

For the Record is a conversation series where we speak with all manner of music heads — DJs, music journos, indie label captains, record shop owners, listening bar kingpins, et al — about their stories + the music that makes them.Join the Crate Coalition: https://discord.gg/sAaG6a7bv4Few DJs could adequately represent the last three decades of New York nightclub history - no less do so with such iconic credentials as Justin Strauss. Since he was 17, when his first band was signed to Island Records, Justin has had a career that reads like a Who's-Who of the music scene, spinning at nearly every dance club that you'd ever want to go to.Starting as DJ at New York's legendary Mudd Club, he spun his way through The Ritz, Limelight, Area, Tunnel, M.K., Life, Centro Fly and more, pioneering his own distinctive sound, and becoming one of the most sought-after remixers and producers not just in New York, but in the world. He has worked with the gamut of artists - Depeche Mode, Hot Chip, Sergio Mendez, Tina Turner, Jimmy Cliff, B-52s, Luther Vandross, 808 State, Malcolm McClaren, Skinny Puppy, Goldfrapp, LCD Soundsystem to name a few and on over 300 records!MUSIC MENTIONSEarly years, from being in a band to becoming a DJ:- The Beatles- The Rolling Stones- The Kinks- The Who- James Brown- Chuck Berry- David Bowie- Milk 'N' Cookies- Island Records- Roxy Music- Sparks- Robert Palmer- Top of the Pops- New York Dolls- CBGB- Sex Pistols- The Mudd Club (NYC)- Studio 54- Max's Kansas City (NYC)- Paradise Garage (NYC)- François Kevorkian- The Limelight (NYC)- Aria (NYC)- Tunnel (NYC)- Danceteria (NYC)- Hurrah (NYC)- Palladium (NYC)- The Ritz (NYC)- Webster Hall (NYC)- Prince- Kraftwerk- Human League- Depeche Mode- Gang of Four- Tina Turner- Afrika Bambaataa- Liquid Liquid- ESG- SpotifyQ&A- Vinylmania (NYC)- Optimo- James Murphy- The Dare- Deewee- Soulwax- Fat White Family- Paranoid London- “Brat” by Charli XCX- “B2B” by Charli XCX- Hot Chip- Joe Goddard- Marcus Marr- Max Park- Prince LanguageDiscovering music today (30:42):- Clubs, DJ's & Friends- Bandcamp- BeatportFavorite clubs in NYC right now (38:52):- Gabriela (NYC)- Good Room (NYC)- Night Moves (NYC)- Public Records (NYC)- Nowadays (NYC)- Outer Heaven (NYC)- Jean's (NYC)- Baby's All Right (NYC)First album ever purchased (45:01):- “Meet The Beatles” by The BeatlesMost recent album purchased (45:45):- “Decius Vol. II (Splendour & Obedience)” by DeciusArtists discovered in the past year (46:48):- Decius- Otha- Charli XCX- Sleaford ModsDesert island discs (49:44):- “Computer World” by Kraftwerk- “Revolve” by The Beatles- “In the Jungle Groove” by James BrownCurrent and upcoming collab projects:- Each Other- Extra Credit

Comentamos la canción «Utopia» de Goldfrapp, con Mariona Aupí como invitada. 'Cancionero' es una serie de miniepisodios que recupera los mejores momentos de 'Disco prestado' destacando alguna de las canciones que hemos tratado en el pódcast. Escucha el comentario completo del disco 'Felt Mountain' en cualquier plataforma de audio, o mediante estos enlaces: SPOTIFY: https://open.spotify.com/episode/6oWroOZhJkF6iQzp8WW7hT?si=6f1df3afcecc4a91 IVOOX: https://go.ivoox.com/rf/105876048 APPLE PODCASTS: https://podcasts.apple.com/us/podcast/1-3-felt-mountain-de-goldfrapp-con-mariona-aup%C3%AD/id1672847595?i=1000607648563 WEB: https://marcaliana.com/goldfrapp-felt-mountain-enlaces ¡Salud y buena música! Marc Aliana http://marcaliana.com

Ralphi Rosario has been an electronic/dance/house music veteran & Icon since the early 80's. His DJ history has earned him legendary status. His involvement in the world renowned 'Hot Mix Five', introduced the world of his legendary status. Rosario is one of the founding fathers & pioneers, introducing house music to the world. His international Hit 'You used to hold me' paved the way for his authentic musical production talents. He later continued to produce his own hits like 'Brinca' & the international hit 'Take Me Up' with long time friend Donna Blakely. His production & remix status has not only earned him a Grammy Nomination for Rihanna's "Only Girl in the world" in 2011, But his remix work & involvement in the dance music/electronic industry comes with great history & impact. His roster of remix work & super talents include; Katy Perry, U2, Rihanna, Beyoncé, Madonna, The Pussycat Dolls, Goldfrapp, Depeche Mode, Jennifer Lopez, Ricky Martin, Cher, & The Pet Shop Boys; Donna Summer; Mariah Carey & Taio Cruz; just to name a few. He continues to inject high quality dance music, still playing for the masses all over the world. These include the US; Ibiza; London; Brazil & Canada just to name a few. Last full Length LP produced; "Two sides to the story” on Carillo Music. Website https://www.RalphiRosario.com Social Media: https://www.Instagram.com/Ralphi_Rosario  Spotify: https://open.spotify.com/artist/0c5584rnmlOvkMpJtpBLTh?si=GjlhTag3RVKqTqVakty4CQ Music Matters podcast is hosted by pro musician, producer, and Sports Illustrated photographer Darrell Craig Harris who is based in Las Vegas, Nevada. The series has reached over 400,000 streams in 40 countries. MMP receives gear support from Shure Microphones,.Focusrite, and others. Intro and outro voice overs provided by Nigel John Farmer from www.VoiceWrapStudio.com in France. Our thanks to Rodney Hall FAME Recording Studios in Muscle Shoals, Alabama for our intro and outro backing music clip.    Contact us at inquiry@darrellcraigharris.com Social: www.Instagram.com/musicmatterspodcastofficial www.Facebook.com/musicmatterspodcastofficial https://www.Youtube.com/@musicmatterspodcast https://www.Twitter.com/musicmattersdh  Website www.MusicMattersPodcast.com  support our mission by joining us on Patreon! https://www.Patreon.com/MusicMattersPodcast        

Ce 3 décembre, Marjorie Hache propose deux heures mêlant rock et pop alternative sur RTL2 Pop-Rock Station. Parmi les classiques, on retrouve les Rolling Stones, Goldfrapp et The Byrds. Les nouveautés sont assurées par Fontaines D.C. avec "In the Modern World" et The Horrors qui dévoilent "Trial By Fire", extrait de leur album à venir en mars 2025. L'album de la semaine est signé Kim Deal, figure emblématique des Pixies et des Breeders, qui sort son premier album solo "Nobody Loves You More" à 63 ans. Le live du jour est offert par Black Rebel Motorcycle Club avec une performance enregistrée en 2014 à Las Vegas. La reprise de la soirée est "Please, Please, Please Let Me Get What I Want" des Smiths, revisitée par Deftones. Enfin, le long format met en avant les punks de Bristol, Idles, avec "Gift Horse". La playlist de l'émission : Linkin Park - Two Faced Kasabian - Shoot The Runner The Who - The Good's One Goldfrapp - Ooh Lala The Horrors - Trial By Fire Luke - Soledad Dead Kennedys - Holiday In Cambodia Kim Deal - Disobedience The Rolling Stones - Under My Thumb Tamino - Babylon Aretha Franklin - I Say A Little Prayer Fontaines D.C. - In The Modern World Deftones - Please Please Please Let Me Get What I Want Klaxons - Golden Skans Staind - It's Been Awhile Songhoy Blues - Gara Peter Frampton - Show Me The Way Savages - Evil Black Rebel Motorcycle Club - Ain't Easy Way (Live) The Cure - Let's Go To Bed Idles - Gift Horse English Teacher - R&B The Byrds - Mr Tambourine Man Low - No Comprende The Ting Tings - That's Not My Name Tunde Adebimpe - Magnetic David Bowie - Station To Station

Sten Sejr er tilbage med en ny episode af Sejrstimen, og denne gang stiller han skarpt på temaet "det menneskelige" gennem sange, der alle bærer titlen "Human". Med sin karakteristiske dybde og refleksion udforsker Sejr, hvad det vil sige at være menneske og hvilke lag, drømme og skyggesider der gemmer sig under hudens overflade. Musikken, en af menneskets ældste og mest vedvarende udtryksformer, fungerer her som et spejl for vores fælles erfaringer og længsler. Episoden præsenterer numre fra en række kunstnere, der hver især fortolker menneskets natur og sindelag: Aquilo, Goldfrapp, Rupert Hine & Thinkman, Joe Jackson, Howard Jones, Nik Kershaw, The Killers, Kimbra, Lonely Robot, Marina, Muse, Of Monsters & Men, Emeli Sandé, Seal, Sia & Labrinth, Sparks, XTC + Carpark N og Fallulah. Denne musikalske rejse giver lytteren en særlig mulighed for at overveje, hvad det egentlig vil sige at være "Human". Med en blanding af reflekterende tekster og rige musikalske landskaber skaber Sejrstimen en stemning, hvor kunst og selvrefleksion går hånd i hånd.

Send us a text Independent Artist: Susie Blue - Get Back.Links: https://linktr.ee/Susieblue?utm_source=linktree_profile_share<sid=ee63a74c-07e3-4cfa-80db-b7ccca879121SocialsHosts: Peter Cabral: www.instagram.com/cabralphotography/?hl=enNick Cabral: www.instagram.com/nickcabral37/Producer: Darryn Arndt: www.instagram.com/darrynarndt/Theme song: Braden Mutch: www.instagram.com/braden_mutch/Instagram: www.instagram.com/justhitplaypodcast/Facebook: www.facebook.com/JusthitplaypodcastEmail: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcast

Will Gregory of Goldfrapp chats with JoE Silva about the Will Gregory Moog Ensemble debut album "Heat Ray: The Archimedes Project ." Plus new music from WUT, Pop Filter and Australian post-punk phenoms Delivery

Today's show features two amazing mixes by the incredible Ashley Beedle, indie trance funk, early New York analogue hip hop, leftfield wonky beats, abstract drum & bass and beautiful Ambient. Plus loads more. Just some of the featured artists - Ashley Beedle, DJ Rashad, Spinn, Felix Laband, The Rolling Stones, Bent, Evans Pyramid, Lara Sarkissian, Goldfrapp, Calibre, Singing Fats…For more info and tracklisting, visit: https://thefaceradio.com/category/golazo/Tune into new broadcasts of ¡Golazo! with Matt Pape LIVE, Thursdays from 12 - 2 PM  EST /  5-7 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Ever wondered how an award-winning musician navigates an entire orchestra of analog synthesizers? Join us on this week's Lost in Sound as Paul sits down with Will Gregory, one half of Goldfrapp and head honcho of the Will Gregory Moog Ensemble. You'll hear about his journey from playing saxophone with Tears for Fears in the '80s to collaborating with industry giants like Peter Gabriel, The Cure, and Portishead in the '90s. Discover the inspiration behind the Moog Ensemble's latest album, ignited by Wendy Carlos's "Switched-On Bach." Gregory sheds light on the unique challenges and nostalgic appeal of using vintage synthesizers, the logistics of live performances, and the thematic choice of making an album about Archimedes, connecting mathematics with music in unexpected ways. The pandemic reshaped his creative process, resulting in compositions that blend literal and abstract interpretations, akin to a film score for an imaginary biopic about the ancient mathematician. Explore the ever-evolving landscape of music consumption with us, as we discuss the shift from detailed jazz albums to the instant gratification of digital platforms like TikTok. Gregory reflects on the impact of these changes on listening habits and the importance of live performances in sustaining the music industry. We also delve into the cultural and artistic shifts of the early '70s, highlighting the necessity of artistic growth and the continuous battle with creative uncertainty. This episode offers an intimate look at the artistic journey and evolution of an innovative musician who has consistently pushed musical boundaries. Will Gregory Moog Ensemble - a Digital Deluxe edition of their debut album, Heat Ray: The Archimedes Project, set for release on Mute on 27 September 2024. Follow Paul Hanford on InstagramLost and Sound is sponsored by Audio-TechnicaPaul's BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.Paul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Subscribe to the Lost and Sound Substack for fresh updates and writing.Lost and Sound title music by Thomas Giddins

Tomorrow's episode of Electronically Yours features an alumni of the podcast, Will Gregory. In this second episode, Will discusses his first ever Moog Ensemble album, and his love of electronic music in general. Those who have never witnessed a Moog Ensemble live concert are really missing out – they are unique… He is of course most famous for being half of electronic pop band Goldfrapp, and for his collaborations with Adrian Utley from Portishead. Ladies and gentlemen – one of the great champions of electronic pop music, Will Gregory... If you can, please support the Electronically Yours podcast via my Patreon: patreon.com/electronicallyours

On this week's episode we're joined by Will Gregory to discuss the debut album from his Moog Ensemble: Heat Ray. Will takes us track by track through the collection that tells the story of Archimedes' life, and of course there's some Goldfrapp chat too. Let us know what you think to the episode and the album on the socials @trackbytrackuk

Todays fascinating episode of Synthetic Dreams features Ivor Novello winning musician, producer and co-creator of popular electronic act, Goldfrapp. In 2005, Will formed The Will Gregory Moog Ensemble  - a group of talented musicians, who all perform with analogue synthesisers.  We discuss the formation of the Moog Ensemble and  recording of their excellent debut album, ‘Heat Ray' which is out on June 14th via Mute Records. Will also talks about his vast collection of analogue synths, his earliest musical passions and love of Wendy Carlos and her album, ‘Switched-On-Bach'. A hugely influential electronic album, which was truly groundbreaking at the time of its release back in 1968.  The Moog Ensemble are playing a few live dates later in the year, including a headline slot at the Hidden Notes Festival on 21st September. For more information about the Will Gregory Moog Ensemble and the players involved visit: https://www.willgregorymoogensemble.co.uk/  To pre-order the album visit: https://mutebank.co.uk/collections/will-gregory-moog-ensemble Moog Ensemble - Young Archimedes (Official Visualiser) Synthetic Dreams is presented and produced by Scott Zverblis Synthetic Dreams on ⁠⁠Instagram⁠⁠ Synthetic Dreams title music by Chris Ibbott

Unlock the full episode at https://www.patreon.com/coldpod Owen Pallett is a Toronto-based musician and composer who's scored films such as 'Her' and 'Dream Scenario'. He's also arranged strings for artists such as Taylor Swift, Ed Sheeran and Lana Del Rey. Owen sat down with us to discuss memory loss, moving to the east end, collection agencies, Leslieville feeling like Los Angeles, seeing shows at History, smoking sections, learning to read music before learning English, Eurythmics, Jean Michel Jarre, scoring a video games as a teenager, Les Mouches, Free Times Cafe, live sampling a blender, naming his project 'Final Fantasy', Ezra Koenig's early noise band 'Total War', signing with Domino, Square Enix's legal team, working with Taylor Swift, Ed Sheeran's brand of looping pedals, recording at home vs recording an orchestra, getting left off of 'Taylor's Version', Goldfrapp, getting ripped off by Coldplay, pissing off Spike Jonze, 'Dream Scenario', his next album and more! Owen Pallett Josh McIntyre Austin Hutchings ---- COLD POD SUPPORT THIS PODCAST https://www.patreon.com/coldpod

Two more hours of Andy's eclectic mix of tunes that have been poured from his music bottle as it's once more been Uncorked. 2003 is a big favourite this week as no fewer than 8 tracks come from albums released that year. The three back to back tracks are all from 1978 and we celebrate the birthdays Roxy Music's Paul Thompson and Goldfrapp's Alison Goldfrapp. Grab a glass and step in to the Uncorked office!Tune into new broadcasts of Uncorked LIVE, Mondays from 8-10 AM EST / 1 - 3 PM GMTFor more info visit: https://thefaceradio.com/uncorked//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Du Sahel à l'île-de-France, de la musique tamashek du Niger à un afrobassband francilien, tout est dans la #SessionLive ! (Rediffusion) Notre 1er invité est Omara « Bombino » Moctar, un surdoué de la guitare et héros folk touareg, connaît bien la vie nomade. Être constamment sur la route pour sa musique tout en se déplaçant perpétuellement dans la région du Sahel en Afrique fait partie de son ADN. Aussi, lorsque la pandémie a bouleversé le monde, Bombino s'est retrouvé dans une zone inhabituelle : rester au même endroit. « J'ai l'habitude de voyager pratiquement toutes les semaines et j'ai été confiné pendant deux ans », explique-t-il depuis sa maison de Niamey, la capitale du Niger. « Le côté positif, c'est que j'ai repris contact avec mon pays et que j'ai passé du temps avec ma famille pour la première fois depuis longtemps. » C'est ainsi que nous arrive la suite de Deran, paru en 2018, un disque qui a fait de Bombino le tout premier artiste nigérien nommé aux Grammy Awards. Intitulée Sahel en référence à la région qui traverse l'Afrique d'Ouest en Est, de l'océan Atlantique à la mer Rouge, cette nouvelle collection de chansons est l'œuvre la plus personnelle, la plus puissante et la plus manifestement politique de Bombino. C'est aussi son album le plus divers sur le plan sonore, une qualité qu'il s'est efforcé d'atteindre dès le départ et qui est censée refléter directement l'entrelacs complexe de cultures et de peuples qui composent la région du Sahel elle-même. « Je pense tout le temps à la situation difficile des Touaregs, confie l'artiste, et bien que je l'aie toujours abordée dans ma musique, j'ai voulu lui donner une importance particulière dans cet album. » Pour donner vie aux chansons, Bombino a travaillé en étroite collaboration avec le producteur et mixeur gallois David Wrench (David Byrne, Frank Ocean, Caribou, Goldfrapp, Erasure ,The xx, Sampha), et s'est installé avec son groupe dans un studio à Casablanca pendant dix jours pour enregistrer l'album. « Bombino est un musicien incroyable, un des meilleurs avec lesquels j'ai travaillé », confie Wrench avec émotion au sujet du guitariste touareg. « Ce qu'il fait semble facile, mais c'est tellement complexe. C'est un style si raffiné, c'est tellement lui, c'est unique. Il y a toute cette histoire dedans, c'est dingue. » L'admiration est réciproque. Alors que Bombino a eu la chance d'avoir des guitaristes tels que Dan Auerbach et David Longstreth comme producteurs à ses côtés dans le passé, Wrench a apporté un nouveau  degré d'expertise. « Ce que j'aime dans le fait de travailler avec David, c'est l'incroyable finesse de son oreille, l'immense concentration dont il fait preuve en studio, explique Bombino. Rien ne lui échappe. Même les plus petites choses attirent son attention et il se concentre sur les moindres détails du son. » À maintes reprises, Wrench a vu Bombino réaliser une prise étonnante en studio, puis y revenir « et la doubler pour qu'elle soit parfaite. Il opère à un autre niveau. »Les dix chansons qui composent Sahel abordent des thèmes aussi variés que le sort des Touaregs, la douleur d'un amour perdu ou les folies de la jeunesse. Le premier morceau, « Tazidert », prêche la patience alors que la musique elle-même incite à se lever et à bouger. L'entraînant morceau « Aitma » fait la part belle à la guitare pyrotechnique de Bombino. C'est un appel aux armes lancé dans sa langue maternelle, le tamasheq. « Défendons notre peuple, car nous sommes les mêmes, d'où que nous soyons »,dit-il en s'adressant aux Touaregs de toute la région. « Quand on regarde la situation dans chacun des cinq pays qui composent le Sahel (la Libye, l'Algérie, la Mauritanie, le Mali et une partie du Burkina Faso), le peuple touareg n'est pas représenté au sein des gouvernements. » Et ce n'est que tout récemment que la situation a changé au Niger. Sahel est tourné vers l'avenir et le passé, il s'agit d'un mélange de chansons nouvelles et anciennes, et chacune a trouvé un écho chez Bombino pour une raison ou pour une autre. « Beaucoup de groupes entrent en studio avec une série de morceaux qu'ils ont répétés, mais ce n'est pas comme ça que Bombino travaille, raconte Wrench. Il arrive avec ses sensations du moment, c'est une façon beaucoup plus instinctive d'enregistrer. Il puise dans la mémoire de ces centaines de chansons qu'il a écrites. Il s'abreuve au puits de son propre travail et à celui de sa culture, et en tire ce qui lui semble juste. »« Si Chilan » (« Deux jours ») est l'une des plus anciennes chansons du vaste répertoire de Bombino, écrite pour la première fois dans les années 1980. « J'aime mettre en avant les chansons qui font partie de mon répertoire depuis très longtemps, mais qui ne sont pas encore apparues sur un album, explique-t-il. Lorsqu'on vit avec une chanson depuis si longtemps, on lui trouve toujours de nouvelles facettes, de nouvelles façons de l'exprimer. C'est en ce sens que la chanson est dynamique, – elle continuera d'évoluer, du moins dans la manière dont je m'identifie à elle et dont je l'interprète. Je la compare à du miel, une bonne vieille chanson est comme le miel, elle se bonifie avec l'âge. De même, « Nik Sant Awanha » (« Mes frères, je connais notre situation ») date de la fin des années 90 et constitue l'un des pamphlets politiques les plus incisifs de Bombino, qui y déplore les divisions au sein du peuple touareg, les risques de l'exil et une menace existentielle plus grande encore, la perte de la culture touareg. « Même si, géographiquement, le désert du Sahara est notre patrie, tant de Touaregs se voient refuser ou priver de certaines nécessités de base dans toute la région, explique-t-il. C'est ce qui m'a très largement motivé, le type de chansons que je chante et pourquoi. Je veux que les gens pensent aux Touaregs, et représenter ceux qui ne l'ont pas été. Ils ont vraiment besoin d'une voix. » Outre la perte de représentation au sein des gouvernements de ces pays et l'absence des Touaregs dans la culture dominante, Bombino estime que, même avec l'interconnexion instantanée que les smartphones apportent, « la plus grande menace est celle de la technologie et de la modernisation. Une culture marginalisée comme celle des Touaregs risque de se perdre dans l'homogénéisation culturelle. »En ce qui concerne les thèmes plus généraux abordés par Bombino tout au long de l'album, le morceau acoustique « Mes Amis », qui clôt l'album en douceur, parle de la jeunesse et de l'amour à sens unique. « Il est important d'évoquer les choses personnelles, de se connecter avec les gens de cette façon, en leur apportant des histoires et des thèmes auxquels ils peuvent s'identifier », explique Bombino, ajoutant que le temps supplémentaire passé chez lui, avec ses enfants, l'a aidé à clarifier son objectif. « Tout ce que je fais est au service de ma famille, pour leur donner, et améliorer leur situation. »Le rôle de Wrench a été de mettre en valeur Bombino et son groupe de manière à capter le son touareg (qui s'étend sur des siècles) tout en le reliant à notre présent immédiat. Il ne s'agit pas d'une pièce de musée, mais d'un « maintenant » vivant. Si Wrench s'est fait un nom en mixant et en enregistrant du rock psychédélique et de la musique électronique, il considère Bombino comme partie intégrante de ce spectre. « Pour moi, il n'est pas très éloigné de ces domaines. Les rythmes sont tous en 3 au lieu de 4, mais l'effet est similaire : la répétition, l'intensité et le sentiment procurés ne sont pas si éloignés de la techno. À l'écoute, sa musique provoque un effet similaire : elle peut clairement nous emporter dans un ailleurs très différent. » Titres interprétés au Grand studio- Tazidert Live RFI - Mes Amis, extrait de l'album- Ayes Sachen Live RFI Line Up : Bombino: chant et guitare, Dia : basse, Nabil Othmani : guitare, et Corey Wilhelm : batterie.Son : Mathias Taylor & Benoît Letirant.► Album Sahel (Partisan Rd 2023).Puis Balaphonics & Mary May s'installent dans la #SessionLive pour présenter l'album éponyme.Cet afrobrassband sillonne la France depuis 12 ans en mettant le balafon au centre de sa musique. La rencontre avec la chanteuse Mary May s'est imposée au groupe, fasciné par sa facilité à passer de la soul au rap tout en saisissant le public sur le vif. Dix âmes sur scène qui bouleverseront votre cheminement intérieur et attiseront votre soif de communion.Après un an de travail avec Mary May, Balaphonics a enregistré un album, en janvier 2023, au Studio La Frette pour immortaliser cette galvanisante collaboration. Un titre aurait pu être apposé sur la future pochette du disque, mais pourtant, la seule histoire que raconte cet album, c'est celle d'une rencontre : celle de Balaphonics & Mary May. De deux mondes qui se sont côtoyés sur les scènes et jam parisiennes, pendant des années, avant de coaguler tout au long de l'année 2022. Toujours marqués par la musique partagée avec le griot Moriba Diabaté au Mali, Balaphonics a toujours eu à cœur d'approfondir une relation à la voix sans pour autant franchir le pas. Avec Mary May, voici chose faite.Titres interprétés au Grand studio- True Self Live RFI voir le clip - Soleil Noir, extrait de l'album.- In My Head Live RFI voir le clip. Line Up : Mary May : Chant & Choeurs, Ben Moroy : balafon, guitar, Brice Perda : soubassophone, Florent Berteau : batterie, Julien Cordin : percussions & choeurs, Nicolas Bongrand : trombone, Aristide Gonçalves : trompette & choeurs, Guillaume Grosso : sax baryton flûte traversière & choeurs, Michaël Havard : sax ténor & choeurs et Jean-Christophe Decourrière : guitare.Son : Benoit Letirant, Mathias Taylor.► Album Balaphonics & Mary May (Vlad Productions 2023).

Du Sahel à l'île-de-France, de la musique tamashek du Niger à un afrobassband francilien, tout est dans la #SessionLive ! (Rediffusion) Notre 1er invité est Omara « Bombino » Moctar, un surdoué de la guitare et héros folk touareg, connaît bien la vie nomade. Être constamment sur la route pour sa musique tout en se déplaçant perpétuellement dans la région du Sahel en Afrique fait partie de son ADN. Aussi, lorsque la pandémie a bouleversé le monde, Bombino s'est retrouvé dans une zone inhabituelle : rester au même endroit. « J'ai l'habitude de voyager pratiquement toutes les semaines et j'ai été confiné pendant deux ans », explique-t-il depuis sa maison de Niamey, la capitale du Niger. « Le côté positif, c'est que j'ai repris contact avec mon pays et que j'ai passé du temps avec ma famille pour la première fois depuis longtemps. » C'est ainsi que nous arrive la suite de Deran, paru en 2018, un disque qui a fait de Bombino le tout premier artiste nigérien nommé aux Grammy Awards. Intitulée Sahel en référence à la région qui traverse l'Afrique d'Ouest en Est, de l'océan Atlantique à la mer Rouge, cette nouvelle collection de chansons est l'œuvre la plus personnelle, la plus puissante et la plus manifestement politique de Bombino. C'est aussi son album le plus divers sur le plan sonore, une qualité qu'il s'est efforcé d'atteindre dès le départ et qui est censée refléter directement l'entrelacs complexe de cultures et de peuples qui composent la région du Sahel elle-même. « Je pense tout le temps à la situation difficile des Touaregs, confie l'artiste, et bien que je l'aie toujours abordée dans ma musique, j'ai voulu lui donner une importance particulière dans cet album. » Pour donner vie aux chansons, Bombino a travaillé en étroite collaboration avec le producteur et mixeur gallois David Wrench (David Byrne, Frank Ocean, Caribou, Goldfrapp, Erasure ,The xx, Sampha), et s'est installé avec son groupe dans un studio à Casablanca pendant dix jours pour enregistrer l'album. « Bombino est un musicien incroyable, un des meilleurs avec lesquels j'ai travaillé », confie Wrench avec émotion au sujet du guitariste touareg. « Ce qu'il fait semble facile, mais c'est tellement complexe. C'est un style si raffiné, c'est tellement lui, c'est unique. Il y a toute cette histoire dedans, c'est dingue. » L'admiration est réciproque. Alors que Bombino a eu la chance d'avoir des guitaristes tels que Dan Auerbach et David Longstreth comme producteurs à ses côtés dans le passé, Wrench a apporté un nouveau  degré d'expertise. « Ce que j'aime dans le fait de travailler avec David, c'est l'incroyable finesse de son oreille, l'immense concentration dont il fait preuve en studio, explique Bombino. Rien ne lui échappe. Même les plus petites choses attirent son attention et il se concentre sur les moindres détails du son. » À maintes reprises, Wrench a vu Bombino réaliser une prise étonnante en studio, puis y revenir « et la doubler pour qu'elle soit parfaite. Il opère à un autre niveau. »Les dix chansons qui composent Sahel abordent des thèmes aussi variés que le sort des Touaregs, la douleur d'un amour perdu ou les folies de la jeunesse. Le premier morceau, « Tazidert », prêche la patience alors que la musique elle-même incite à se lever et à bouger. L'entraînant morceau « Aitma » fait la part belle à la guitare pyrotechnique de Bombino. C'est un appel aux armes lancé dans sa langue maternelle, le tamasheq. « Défendons notre peuple, car nous sommes les mêmes, d'où que nous soyons »,dit-il en s'adressant aux Touaregs de toute la région. « Quand on regarde la situation dans chacun des cinq pays qui composent le Sahel (la Libye, l'Algérie, la Mauritanie, le Mali et une partie du Burkina Faso), le peuple touareg n'est pas représenté au sein des gouvernements. » Et ce n'est que tout récemment que la situation a changé au Niger. Sahel est tourné vers l'avenir et le passé, il s'agit d'un mélange de chansons nouvelles et anciennes, et chacune a trouvé un écho chez Bombino pour une raison ou pour une autre. « Beaucoup de groupes entrent en studio avec une série de morceaux qu'ils ont répétés, mais ce n'est pas comme ça que Bombino travaille, raconte Wrench. Il arrive avec ses sensations du moment, c'est une façon beaucoup plus instinctive d'enregistrer. Il puise dans la mémoire de ces centaines de chansons qu'il a écrites. Il s'abreuve au puits de son propre travail et à celui de sa culture, et en tire ce qui lui semble juste. »« Si Chilan » (« Deux jours ») est l'une des plus anciennes chansons du vaste répertoire de Bombino, écrite pour la première fois dans les années 1980. « J'aime mettre en avant les chansons qui font partie de mon répertoire depuis très longtemps, mais qui ne sont pas encore apparues sur un album, explique-t-il. Lorsqu'on vit avec une chanson depuis si longtemps, on lui trouve toujours de nouvelles facettes, de nouvelles façons de l'exprimer. C'est en ce sens que la chanson est dynamique, – elle continuera d'évoluer, du moins dans la manière dont je m'identifie à elle et dont je l'interprète. Je la compare à du miel, une bonne vieille chanson est comme le miel, elle se bonifie avec l'âge. De même, « Nik Sant Awanha » (« Mes frères, je connais notre situation ») date de la fin des années 90 et constitue l'un des pamphlets politiques les plus incisifs de Bombino, qui y déplore les divisions au sein du peuple touareg, les risques de l'exil et une menace existentielle plus grande encore, la perte de la culture touareg. « Même si, géographiquement, le désert du Sahara est notre patrie, tant de Touaregs se voient refuser ou priver de certaines nécessités de base dans toute la région, explique-t-il. C'est ce qui m'a très largement motivé, le type de chansons que je chante et pourquoi. Je veux que les gens pensent aux Touaregs, et représenter ceux qui ne l'ont pas été. Ils ont vraiment besoin d'une voix. » Outre la perte de représentation au sein des gouvernements de ces pays et l'absence des Touaregs dans la culture dominante, Bombino estime que, même avec l'interconnexion instantanée que les smartphones apportent, « la plus grande menace est celle de la technologie et de la modernisation. Une culture marginalisée comme celle des Touaregs risque de se perdre dans l'homogénéisation culturelle. »En ce qui concerne les thèmes plus généraux abordés par Bombino tout au long de l'album, le morceau acoustique « Mes Amis », qui clôt l'album en douceur, parle de la jeunesse et de l'amour à sens unique. « Il est important d'évoquer les choses personnelles, de se connecter avec les gens de cette façon, en leur apportant des histoires et des thèmes auxquels ils peuvent s'identifier », explique Bombino, ajoutant que le temps supplémentaire passé chez lui, avec ses enfants, l'a aidé à clarifier son objectif. « Tout ce que je fais est au service de ma famille, pour leur donner, et améliorer leur situation. »Le rôle de Wrench a été de mettre en valeur Bombino et son groupe de manière à capter le son touareg (qui s'étend sur des siècles) tout en le reliant à notre présent immédiat. Il ne s'agit pas d'une pièce de musée, mais d'un « maintenant » vivant. Si Wrench s'est fait un nom en mixant et en enregistrant du rock psychédélique et de la musique électronique, il considère Bombino comme partie intégrante de ce spectre. « Pour moi, il n'est pas très éloigné de ces domaines. Les rythmes sont tous en 3 au lieu de 4, mais l'effet est similaire : la répétition, l'intensité et le sentiment procurés ne sont pas si éloignés de la techno. À l'écoute, sa musique provoque un effet similaire : elle peut clairement nous emporter dans un ailleurs très différent. » Titres interprétés au Grand studio- Tazidert Live RFI - Mes Amis, extrait de l'album- Ayes Sachen Live RFI Line Up : Bombino: chant et guitare, Dia : basse, Nabil Othmani : guitare, et Corey Wilhelm : batterie.Son : Mathias Taylor & Benoît Letirant.► Album Sahel (Partisan Rd 2023).Puis Balaphonics & Mary May s'installent dans la #SessionLive pour présenter l'album éponyme.Cet afrobrassband sillonne la France depuis 12 ans en mettant le balafon au centre de sa musique. La rencontre avec la chanteuse Mary May s'est imposée au groupe, fasciné par sa facilité à passer de la soul au rap tout en saisissant le public sur le vif. Dix âmes sur scène qui bouleverseront votre cheminement intérieur et attiseront votre soif de communion.Après un an de travail avec Mary May, Balaphonics a enregistré un album, en janvier 2023, au Studio La Frette pour immortaliser cette galvanisante collaboration. Un titre aurait pu être apposé sur la future pochette du disque, mais pourtant, la seule histoire que raconte cet album, c'est celle d'une rencontre : celle de Balaphonics & Mary May. De deux mondes qui se sont côtoyés sur les scènes et jam parisiennes, pendant des années, avant de coaguler tout au long de l'année 2022. Toujours marqués par la musique partagée avec le griot Moriba Diabaté au Mali, Balaphonics a toujours eu à cœur d'approfondir une relation à la voix sans pour autant franchir le pas. Avec Mary May, voici chose faite.Titres interprétés au Grand studio- True Self Live RFI voir le clip - Soleil Noir, extrait de l'album.- In My Head Live RFI voir le clip. Line Up : Mary May : Chant & Choeurs, Ben Moroy : balafon, guitar, Brice Perda : soubassophone, Florent Berteau : batterie, Julien Cordin : percussions & choeurs, Nicolas Bongrand : trombone, Aristide Gonçalves : trompette & choeurs, Guillaume Grosso : sax baryton flûte traversière & choeurs, Michaël Havard : sax ténor & choeurs et Jean-Christophe Decourrière : guitare.Son : Benoit Letirant, Mathias Taylor.► Album Balaphonics & Mary May (Vlad Productions 2023).

If you’re a fan of that synth pop section of indie electronica in the ilk of Goldfrapp, Grimes, and CHVRCHES…there’s a relatively recent artist right here in town that’ll absolutely scratch that itch. And that’s Steel Gemini, the Austin-based project of singer-songwriter-producer Joy Baldwin. Ever since her December 2022 debut, Baldwin’s been a real joy […] The post Steel Gemini: “Only Freak” appeared first on KUT & KUTX Studios -- Podcasts.

Jess Gillam swaps music with pianist James Baillieu, including works by Mozart, Bach, and Ella Fitzgerald.Pianist James Baillieu has worked with musicians including Lise Davidsen, Timothy Ridout and Pretty Yende, and has performed everywhere from Carnegie Hall to Vienna Musikverein. He is also Senior Professor of Ensemble Piano and a Fellow at the Royal Academy of Music in London. He's brought Martha Argerich playing Schumann and a classic Bob Dylan song, while Jess's choices include Mahler and Goldfrapp.PLAYLIST: WOLFGANG AMADEUS MOZART – “Signori, di fuori” (Le nozze de Figaro: Act 2, Scene 9) [Lorenzo Regazzo (bass), Simon Keenlyside (baritone), Patrizia Ciofi (sop), Véronique Gens (sop), Concerto Köln, René Jacobs (cond)] JOHN ADAMS – Hallelujah Junction (1st mvt) [Nicolas Hodges (piano), Rolf Hind (piano)] BOB DYLAN – Blowin' in the Wind GUSTAV MAHLER – Symphony No 5 in C sharp minor (4th mvt, Adagietto) [Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel (cond)] JUAN TIZOL/DUKE ELLINGTON/IRVING MILLS – Caravan [Ella Fitzgerald (singer), Duke Ellington and his Orchestra] JOHANN SEBASTIAN BACH – Cello Suite No 2 in D minor, BWV 1008 (4th mvt, Sarabande) [Yo-Yo Ma (cello)] ROBERT SCHUMANN - Von fremden Ländern und Menschen (Kinderszenen, Op 15: No 1) [Martha Argerich (piano)] GOLDFRAPP – Lovely HeadProduced by Rachel Gill.

195 Mid Day Mix Fix is a Deep House Inspired mix featuring tracks and remixes by Luca Debonaire, Jonas Blue, Jax Jones, DCW, Goldfrapp, Martin Jensen, and more. The post 195 MIDDAY MIX FIX on Mix93FM appeared first on Ed Unger Music.

Andy's Monday mix reaches Show 5 - Uncork Vampire Weekend, The Doors, Lucinda Williams, Macy Gray, The Clash, Leonard Cohen, Coldplay, Goldfrapp and a whole host of others - "yeah, I saw sparks!"Tune into new broadcasts of Uncorked LIVE, Monday from 8-10 AM EST / 1 - 3 PM GMTFor more info visit: https://thefaceradio.com/uncorked//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Episode 41 of This is Not Happening. An Album of the Month Podcast where in Part 1 we deep dive into an Album that one of us has chosen and in Part 2 we play 'Spin it or Bin it'.  This is where we pick a theme and each select a song that represents that theme. We judge each others selections by asking the question 'Spin It or Bin It'?This month, in Part 1, we go deep with Lana Del Ray for the first time on TINH. LDR is one of the industry major players: few move units or split opinions like her. Find out what we think. In Part 2, the Spin it or Bin it theme is 'A Song for January' where we all chose a track that we think fits the theme and ask the others 'Spin It or Bin It'.Part 1 | Lana Del Rey | Did you know there's a tunnel under Ocean Blvd.This is album no.9 for LDR and its a whopper. It's got a lot to say and says it across 16 tracks. There are common LDR tropes and new twists on what you might expect. We think it contains some of the best music released in 2023 but is it all good? Can a 78 minute be brilliant from start to finish?Listen to the album here.Watch some videos here.Buy some stuff here.A really interesting interview on Billboard can be found here.Part 2 | Spin It or Bin It | 'A song for January'Well, that was an odd Episode of Spin It or Bin It! The usual structure goes to the wall this month and it all gets a bit loose. Nolan get's the hump, Joey gets all serious but thankfully David and Guy clean up the mess and no blood was spilled.Nolan chose - 'Let me calm down'by Nicki Manaj (Feat. J Cole).Joey chose - 'Vamos A Andar' by Silvio RodriguezGuy chose - 'Cocktail Chez Madmoiselle (remix)' by Laurent Voulzy, YuksekDavid chose - 'Utopia' by Goldfrapp*** Enjoy the Episode ***We've been writing the blog for years come and have a look - https://thisisnothappening.net/

Welcome to BM Episode 101 - We start the first episode of the New Year off with some fun surprises, new drops, a celebrity appearance, the rock report, a gift exchange and some Pee-Wee Trading cards! This weeks activity is the 2023 Year In Review. We all break down our two favorite and least favorite things that happened over the last year. What are the worst global things that you can think of that happened in 2023? Do your picks line up with ours? Do they involve war, death, robots and animals on the S-Curve? How about your best ones - do they happen to be about Goldfrapp & Orchestral Manoeuvres in the Dark, CD's, Short Round and a Subaru? Email and let us know your top picks at bubbmush@gmail.com and follow us on Instagram @bubbmush - Thanks for listening and tell your best friends about our stupid show.

Percussion Discussion - Episode 129 - Rob BrianJoining me today is English drummer Rob BrianRob has carved out an incredible career for himself so far, having wonderful names on his CV such as Miles Kane, Siouxsie Sioux, Peter Gabriel, Hugh Cornwell, Simple Minds, Clara Ponty, Modern English and many more.Join Rob and myself for a fascinating and free flowing chat about his amazing career, we talk about Robs obvious passion for education, he tells us how important it is to pass on and share information and that how the drumming community thankfully thrives on doing this.Rob and I also talk in-depth about his gig with Siouxsie Sioux, a gig he has held since 2006, and the challenge of playing some of the unique and tricky parts of the original Banshees drummer and former guest on this podcast Budgie.We had to chat about Rob's involvement in the upcoming tour with Gary Astridge in February 2024 - The Legendary Drums and Drumming of a Starr, a tribute to the Genius of Ringo Starr, Gary Astridge (Ringo's curator of all the Beatles era drum kits, historian and friend of Ringo) will be hosting the evening featuring some incredible Ringo facts, storied and a multimedia presentation along with Rob demonstrating some of Ringos grooves and rather unique traits behind a drum kit!Thanks to Rob for a totally fascinating chat - checkout his website www.robertbrian.co.uk

     Tune into Episode 83 of "Air Tight" for a rollercoaster ride through groundbreaking global news and pressing local issues, all woven together with an eclectic soundtrack.  We delve into South Africa's landmark decision to decriminalize cannabis for personal use, marking a significant shift in global cannabis policy. Then, we switch gears to the State of Maine, exploring the complex web of responsibility surrounding illegal grows and the challenges they pose to the community. Musically, we're keeping the vibe high and diverse.  Get ready to nod your head to the timeless hip-hop beats of A Tribe Called Quest, the electric pulses of Goldfrapp, and the soulful rhythms of Leon Bridges, along with a host of other dynamic artists. Playlist The Insects - Never Met a Girl Like you before A Tribe Called Quest - Excursion Baxter Dury - Miami BORNS - 10,000 Emerald Pools Curtis Harding - Need Your Love Durand Jones & The Indications - Witchoo GoldFrap - Strict Machine Leon Bridges - Smooth Sailing Lyn Collins - Think Stray Cats - Stray Cat Strut The Chantays - Pipeline The Liminanas - Mingas 2000 The Movement - Break in the Glass The Poets of Rhythm - more Mess on My Thing Tito & Tarantula - After Dark Tony Joe White -  Polk Salad Annie Rage Against the Machine - Calm like a Bomb   #AirTight83 #SouthAfricaCannabisShift #MaineCannabisControversy #ATribeCalledQuestOnAir #GoldfrappGrooves #LeonBridgesSoul #GlobalCannabisNews #LocalGrowDebate #EclecticMusicMix #TuneIntoAirTight

I spoke with Vaat Dafuq, lead vocalist of the British / North American post-punk band Tantrum Zentrum. Released on Teknostan Records, their single "Don't Be A Fascist," along with a new video offers both clever animation, lyrics and flashes of despots, such as Mussolini, Nigel Farage and Vladimir Putin.Based in London, Tantrum Zentrum's members draw from the Canada, the UK and the USA, music having brought them together like a magnet while living in London. The band is made up of Vaat Dafuq (vocals, guitar), Sabine de Rousseau (guitar, vocals), Valhalla Schimmer (bass guitar) and Kur Putchnik (drums). This is the second in a series of songs the band recorded with renowned producer Steve Evans (Robert Plant, Siousxie Sioux, Goldfrapp), following up the first single – "Der Leiermann," which is performed in German. And while the new single is performed in English, it contains a few Bosnian and corrupted German words for emphasis."Don't Be A Fascist" is a wartime love story. Inspired by the 80s Yugoslavian pop hit 'Fa Fa Fašista' (performed by Sarajevo's Plavi Orkestar), the song tells a story as old as time itself: boy meets girl, and they fall in love. Then their country gets occupied by the German forces of the Third Reich, and the girl falls for the tall, handsome enemy soldier in a magnificent uniform. Needless to say, the boy is furious!" says Vaat Dafuq.http://tantrumzentrum.comhttps://tantrumzentrum.bandcamp.comPlaylist and podcast:  https://djnocturna.com YouTube:  https://www.youtube.com/c/DJNocturna Listen : http://modsnapradio.comQUEEN OF WANDS with DJ Nocturna Every Saturday on ModSnap Radio KMOD: San Antonio 2pm (HST), 5pm (PST), 6pm (MST), 7pm (CST), 8pm (EST)

Bristol-based musician and songwriter Hazel Mills talks us through her impressive career, from working as a touring session musician, being a member of the Will Gregory Moog Ensemble, working with UDO Audio and releasing her debut solo E.P.Chapters00:00 - Introduction01:30 - Working As A Keyboardist 03:12 - MIDI Controller Of Choice04:04 - Live Arrangements And Sounds 09:36 - Working With A Musical Director10:56 - Collection Of Synths12:04 - Getting Onto This Path16:22 - Synth Secrets Series18:23 - Will Gregory Moog Ensemble24:28 - Releasing A Solo E.P.31:55 - Working With UDO Audio34:42 - Future ProjectsHazel Mills BiogHazel Mills is a Bristol-based musician/songwriter who has toured the globe across multiple genres, with artists including Florence + The Machine, Dave Rowntree (Blur), Goldfrapp, Birdy, Hannah Peel and The Will Gregory Moog Ensemble. Her Classical background, pop sensibilities and passion for 1960s American minimalism and analog synths feed into both her performance and her writing. Alongside her touring commitments, Hazel has been writing material for her own forthcoming project, Violaine, with long-term collaborator and producer/musician TJ Allen (Bat For Lashes, Portishead, Anna Calvi). The music of Violaine evolved from her former post-punk band, Adding Machine and also draws influence from Musique Concrete, 80s pop and the music of Japanese pianist Ryuichi Sakamoto.https://www.hazelmills.com/https://www.willgregorymoogensemble.co.uk/Instagram: @hazelmillsX: @hazelmillsTikTok: @hazelmillsmusicYouTube: @hazelmillsmusicFB: @hazelmillsmusicCaro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/

Today's episode of Electronically Yours features maverick songwriter & producer Pascal Gabriel. His career has spanned 30 years so far, from S-Express's number 1 hit ‘Theme from S-Express', Bomb The Bass's landmark album ‘Beat Dis', EMF's multi-platinum ‘Schubert Dip', Dido's ‘Here With Me' and ‘No Angel', to later hits with Kylie, Ladyhawke, Will Young, Goldfrapp, Marina and the Diamonds, Miss Kittin, Little Boots, Emma Louise, The Temper Trap, as well as his solo project Stubbleman. Ladies and gentlemen - meet the great talent of Pascal Gabriel... If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours

166 Mid Day Mix Fix is a House inspired mix featuring tracks and remixes by Goldfrapp, Martin Jensen, Luca Debonaire, Jonas Blue, Jax Jones, DCW, and more. The post 166 MIDDAY MIX FIX on Mix93FM appeared first on Ed Unger Music.

Con el cambio de milenio la electrónica siguió expandiéndose, sonando constantemente en las radios a través del Pop, Rock, Indie, etc. A comienzo de década en la escena underground de New York surgió como un virus pandémico el Electroclash, una suerte de New Wave, Synth Pop, Techno, Disco, etc. Como cruzar a Devo con The B-52's después de una noche salvaje. De esta escena surgieron varios grupos que lograron trascender y ser reconocidos mundialmente, como el caso de Scissor Sisters (aquí escuchamos su particular versión Disco-Bee Gees del clásico de Pink Floyd “Comfortably Numb”), Fischerspooner, Golden Boy with Miss Kittin, Tiga. Luego nos encontramos con la electrónica escandinava, con ejemplos como Royksopp, Robyn, The Knife, Jay-Jay Johanson. Con unos sonidos más cercanos al SynthPop. La ex cantante de Moloko, Roisin Murphy, comenzó su carrera en solitario en el 2005 combinando varios sonidos electrónicos más vanguardistas con el Pop. Electronica procedente del Reino Unido con Hot Chip (con un comienzo entre el New Wave y el electroclash), Ladytron, Little Boots, La Roux, Goldfrapp (cuyo cambios de estilo entre un disco y otro maravillaba a sus seguidores). En 2003 el DJ y productor Benny Benassi revoluciono la electrónica con el maravilloso single “Satisfaction”. Techno matizado con Pop, Big Beat y Tech House. Una canción brutal. De Alemania llegaron por un lado los Infernal, duo Danes de un Euro House actualizado. Y por el otro la cantante Rollergirl, una lolita en patines que lanzo un auténtico hitazo en el año 2000 “Superstar”. De Australía tenemos a The Presets, combinando New Wave, SynthPop, Disco y Pop. Aquí escuchamos el temazo “This Boys's in Love” publicado en 2008. TRACKLIST: 01 - Little Boots - New In Town 02 - Fischerspooner - Never win (Radio Edit) 03 - Jay-Jay Johanson - On the Radio (Radio Edit) 04 - Roisin Murphy - Overpowered (Radio Edit) 05 - Scissor Sisters - Comfortably Numb 06 - Ladytron - Discotraxx 07 - The Knife - Heartbeats (Rex The Dog Remix) 08 - Royksopp ft. Robyn - The Girl And The Robot (Radio Edit) 09 - Hot Chip - Over and Over (Radio Edit) 10 - La Roux - In For The Kill 11 - The Presets - This Boy's In Love 12 - Golden Boy with Miss Kittin - Rippin Kittin (Glove Tension Dub) 13 - Tiga ft. Jake Shears - You Gonna Want Me (Radio Edit) 14 - Infernal - From Paris To Berlin 15 - Benny Benassi presents The Biz - Satisfaction 16 - Rollergirl - Superstar (7' Mix) 17 - Robyn ft. Kleerup - With Every Heartbeat (Voodoo & Serano Remix) 18 - Goldfrapp - Rocket (Richard X Eight Four Remix)

Con el cambio de milenio la electrónica siguió expandiéndose, sonando constantemente en las radios a través del Pop, Rock, Indie, etc. A comienzo de década en la escena underground de New York surgió como un virus pandémico el Electroclash, una suerte de New Wave, Synth Pop, Techno, Disco, etc. Como cruzar a Devo con The B-52’s después de una noche salvaje. De esta escena surgieron varios grupos que lograron trascender y ser reconocidos mundialmente, como el caso de Scissor Sisters (aquí escuchamos su particular versión Disco-Bee Gees del clásico de Pink Floyd “Comfortably Numb”), Fischerspooner, Golden Boy with Miss Kittin, Tiga. Luego nos encontramos con la electrónica escandinava, con ejemplos como Royksopp, Robyn, The Knife, Jay-Jay Johanson. Con unos sonidos más cercanos al SynthPop. La ex cantante de Moloko, Roisin Murphy, comenzó su carrera en solitario en el 2005 combinando varios sonidos electrónicos más vanguardistas con el Pop. Electronica procedente del Reino Unido con Hot Chip (con un comienzo entre el New Wave y el electroclash), Ladytron, Little Boots, La Roux, Goldfrapp (cuyo cambios de estilo entre un disco y otro maravillaba a sus seguidores). En 2003 el DJ y productor Benny Benassi revoluciono la electrónica con el maravilloso single “Satisfaction”. Techno matizado con Pop, Big Beat y Tech House. Una canción brutal. De Alemania llegaron por un lado los Infernal, duo Danes de un Euro House actualizado. Y por el otro la cantante Rollergirl, una lolita en patines que lanzo un auténtico hitazo en el año 2000 “Superstar”. De Australía tenemos a The Presets, combinando New Wave, SynthPop, Disco y Pop. Aquí escuchamos el temazo “This Boys’s in Love” publicado en 2008. TRACKLIST: 01 - Little Boots - New In Town 02 - Fischerspooner - Never win (Radio Edit) 03 - Jay-Jay Johanson - On the Radio (Radio Edit) 04 - Roisin Murphy - Overpowered (Radio Edit) 05 - Scissor Sisters - Comfortably Numb 06 - Ladytron - Discotraxx 07 - The Knife - Heartbeats (Rex The Dog Remix) 08 - Royksopp ft. Robyn - The Girl And The Robot (Radio Edit) 09 - Hot Chip - Over and Over (Radio Edit) 10 - La Roux - In For The Kill 11 - The Presets - This Boy's In Love 12 - Golden Boy with Miss Kittin - Rippin Kittin (Glove Tension Dub) 13 - Tiga ft. Jake Shears - You Gonna Want Me (Radio Edit) 14 - Infernal - From Paris To Berlin 15 - Benny Benassi presents The Biz - Satisfaction 16 - Rollergirl - Superstar (7' Mix) 17 - Robyn ft. Kleerup - With Every Heartbeat (Voodoo & Serano Remix) 18 - Goldfrapp - Rocket (Richard X Eight Four Remix)

Based in London, Tantrum Zentrum's members draw from the UK, Canada and the USA, music having brought them together like a magnet while living in the megapolis. Inspired by early 70s krautrock and late 70s New York no-wave bands, they deliver sonic dissonance and poppy hooks with great energy and style... imagine Killing Joke on happy pills. This is the second of three songs recently recorded with renowned producer Steve Evans (Robert Plant, Siousxie Sioux, Goldfrapp). The earlier-released single 'Der Leiermann' is performed in German. And while the new single is performed in English, it contains a few Bosnian and corrupted German words for emphasis. Made up of Vaat Dafuq (vocals, guitar), Sabine de Rousseau (guitar, vocals), Valhalla Schimmer (bass guitar) and Kur Putchnik (drums). Tantrum Zentrum makes hi-energy post punk interlaced with funk, goth and krautrock influences. "'Don't Be A Fascist' is a wartime love story. Inspired by the 80s Yugoslavian pop hit 'Fa Fa Fašista' (performed by Sarajevo's Plavi Orkestar), the song tells a story as old as time itself: boy meets girl, and they fall in love. Then their country gets occupied by the German forces of the Third Reich, and the girl falls for the tall, handsome enemy soldier in a magnificent uniform. Needless to say, the boy is furious!" says Vaat Dafuq. "We chose a bombastic title that may resonate with many even now. The release is accompanied by a humorous ‘explainer'-style video that shouldn't be taken too seriously." With analogue synths, distortion and hypnotic drums played with Devo-esque precision, the band's music shares elements of Krautrock pioneers Neu! and Faust, along with goth and no-wave experimentalists such as Sonic Youth, Glenn Branca and Theoretical Girls.

Six ingredients can make a masterpiece or a bowl of dog food! Kevin talked about mixing in mono, stereo or Atmos, how to set up a home studio and get a pro sound using headphones and a bucket for monitors, when your mix is done, and how to backup! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Kevin Paul an audio engineer, mixer, and mastering engineer who worked with the Kinks at their studio before moving to Mute records to become head engineer. While there worked with pretty much every artist on the label including Depeche Mode, Goldfrapp, Erasure, Nick Cave and the Bad Seeds, Luke Slater and many many more.  He also worked with David Bowie and recorded his album Hours and after leaving Mute records began working for Apple and iTunes in their festival season where they recorded and mixed Bruno Mars, Adele, Ed Sherran, and Fleet Foxes among many many others. Kevin recorded and worked with Nick Cave for over 10 years and run his own online mixing mastering service.  He is also the host of the podcast “Mixbus with Kevin Paul” and has lectured for over 15 years on surround sound mixing and now atmos/immersive.  Thank you to Simon Taylor for the introduction!  THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://lewitt.link/rockstars https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com/Rockstars use code ROCK10 to get 10% off any individual plugin https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/3mT9a3T8i6IpJ5Vwfkaz2Z?si=bb614c1aab284288 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/413

Sonic TALK interview special: Youtube video version: https://youtu.be/yUc3XQSUZu   Hazel's Title Track The Embrace: https://youtu.be/yUc3XQSUZuY Hazel Mills is a quietly successful musician, with her work with Goldfrapp, Florence and The Machine, the Moog Ensemble, she's toured the world as a keyboard player, synthesis and vocalist.  You may remember our chat with her at the Goldfrapp gig in Bath where we got a look at the rig and how she performed with cutting edge live tech. This Spring, Hazel released a new EP titled "The Embrace" with four excellent tracks made together with long-time collaborator TJ Allen.   We had a chat with her a couple of weeks back, just after she landed from a gig with the Moog Ensemble in Australia. More information: HazelMills.com

After a week's break, Kelly-Anne is back with a ton of new releases from Janelle Monae, Roisin Murphy, Goldfrapp, Flying Mojito Brothers, Jessie Ware, The Allergies, Third Attempt, Yuksek, Bon Voyage and Nxworries. The show also features classics from The Pointer Sisters, Grace Jones, Donna Summer and Millie Jackson.Tune into new broadcasts of The Beat Goes On, LIVE, Friday from 2 - 4 PM EST 7 - 9 PM GMT.For more info visit: https://thefaceradio.com/the-beat-goes-on//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Comment le grand cinéaste britannique et le malicieux romancier ont-ils uni leurs efforts pour la série « State of the Union » ? Pourquoi Alison Goldfrapp, en solo, c'est encore mieux que son groupe « Goldfrapp » ? Comment le producteur de Depeche Mode et d'Arctic Monkeys, James Ellis Ford, crée-t-il la surprise ? Pourquoi la série australienne « The code » vaut-elle le coup d'œil ? Qui signe la B.0 de l'excellente romcom « Rye Lane » ? Féminisme et film d'action font-ils bon ménage dans « The mother » avec Jennifer Lopez ? Comment la savoureuse série « Daisy Jones and the six » a-t-elle généré un incroyable groupe à succès ? Enfin Eugénie, rescapée de l'émission « Pop star », va-t-elle avoir droit à une seconde chance ? Toutes les réponses sont dans « La semaine des 5 heures » de ce vendredi 19 mai

Alison Goldfrapp (née: Goldfrapp) is here with her debut album, The Love Invention! Well, it's kind of a debut - as a solo artist. Is this a grand reinvention, or more of the same? Whatever it is, we're throwing on the cans and talkin' about it!    @theehren @therealestsimon

Over the last two decades, Goldfrapp have delivered some of the coolest, smartest, and most exciting electro around. Out front, Alison Goldfrapp's voice has tread the tightrope. A multi-octave phenomenon which lends itself to dark bassy tones as well as it does to floaty ethereal sounds. But can you believe, she's never made a solo record? Until now. On the day Alison released her debut album under her own name, she joined me to Take 5. The record captures a club high, it reaches for love and bliss and so I gave her the theme “songs of euphoria”. I wanted to hear the music she'd been vibing off, or the songs that simple sent her into the clouds. From Italo-Disco to New York club classics, this is a blissful conversation about music's power to elevate. Alexander Robotnick – Problemes' D'Amour Tom Tom Club – Genius of Love Patrice Rushen – Haven't You Heard Kaytranada – Be Careful (ft Thundercat) Lindstrom – Closing Shot

Over the last two decades, Goldfrapp have delivered some of the coolest, smartest, and most exciting electro around. Out front, Alison Goldfrapp's voice has tread the tightrope. A multi-octave phenomenon which lends itself to dark bassy tones as well as it does to floaty ethereal sounds. But can you believe, she's never made a solo record? Until now. On the day Alison released her debut album under her own name, she joined me to Take 5. The record captures a club high, it reaches for love and bliss and so I gave her the theme “songs of euphoria”. I wanted to hear the music she'd been vibing off, or the songs that simple sent her into the clouds. From Italo-Disco to New York club classics, this is a blissful conversation about music's power to elevate. Alexander Robotnick – Problemes' D'Amour Tom Tom Club – Genius of Love Patrice Rushen – Haven't You Heard Kaytranada – Be Careful (ft Thundercat) Lindstrom – Closing Shot

durée : 00:54:29 - Very Good Trip - par : Michka Assayas - Very Good Trip vous embarque dans un voyage crépusculaire, pour vous apporter une sorte de sérénité alors que la nuit tombe.

This episodes special guest is Daniel Hunt of LadytronLadytron are an English electronic band formed in Liverpool in 1999. They have released seven studio albums: 604 (2001), Light & Magic (2002), Witching Hour (2005), Velocifero (2008), Gravity the Seducer (2011), Ladytron (2019) Time's Arrow (2023)They have produced remixes for artists such as Dave Gahan, Erasure, Goldfrapp, Apoptygma Berzerk, Placebo, Blondie, Gang of Four, Christina Aguilera, Nine Inch Nails, Bloc Party, Kings of Convenience, Soulwax and Róisín Murphy.I met with Daniel and we had a wonderful chat, talking about growing up, school, creativity, clubbing and so much moreHope you enjoy this chat and if you do please feel free to support the podcast herehttps://www.buymeacoffee.com/stuwhiffenorhttps://supporter.acast.com/offthebeatandtrack orwww.patreon.com/offthebeatandtrackOTBAT is proudly sponsored by www.hotelchocolat.com Please also subscribe and follow the podcast on the social media links belowOff The Beat & Trackwww.offthebeatandtrackpodcast.comhttps://twitter.com/beatandtrackpodhttps://www.facebook.com/offthebeatandtrackpodcast/Support this show http://supporter.acast.com/offthebeatandtrack. Become a member at https://plus.acast.com/s/offthebeatandtrack. Hosted on Acast. See acast.com/privacy for more information.

My guest is Producer/Mixing/Mastering Engineer Kevin Paul who has worked with Nick Cave and the Bad Seeds, David Bowie, Depeche Mode, Goldfrapp, and Paul Simon. In this episode, we discuss Growing up in London Pirate Radio Hip Hop Culture DJing Learning Signal Flow Working for a Sleaze Bag Konk Studios Lesson Learned Working Long Hours Cooking Analogies Mute Archiving Boy to Man Getting into the Chair Working with Nick Cave Working at Abbey Road Surround Mixing Working Remote Education Work Kevin's Podcast Mixing Challenging Tracks Knowing Your Value UK Studio Health Revamping Audio Education Matt's Rant: Freelance Challenges Links and Show Notes Kevin's Podcast Kevin's Website Kevin's School  Credits Guest: Kevin Paul Host: Matt Boudreau Engineer: Matt Boudreau Producer: Matt Boudreau Editing: Anne-Marie Pleau  WCA Theme Music: Cliff Truesdell  Announcer: Chuck Smith

It's our first episode of 2023! T. Kyle and Bradley are back, and catching up on everything that's gone down since New Year's Eve, including their personal New Year's resolutions, the announcement of Madonna's ‘Celebration Tour,' the premiere of ‘RuPaul's Drag Race' (and, unfortunately, ‘The Real Friends of WeHo'), High Fashion Editorial! featuring Madonna for ‘Vanity Fair Italia' and Rihanna's Fenty slay for Valentine's Day, M3GAN's chic coat, Nicole Scherzinger's bed and bath line NALU, the end of an era with Morphe Cosmetics, Ariana Grande's “Over the Rainbow,” TikTok Talk featuring “DUPE,” killing Victorian children and Evan Ross Katz on ‘Very Delta,' new music from Shakira and her Pique diss track, Goldfrapp gone solo, Ice Spice's ‘Like…?', Miley Cyrus making a huge return with “Flowers,” and Albanian bangers on the way. New year, same us. Happy January! Hosted on Acast. See acast.com/privacy for more information.

We had the pleasure of interviewing Alison Sudol over Zoom video! London-based, American singer-songwriter and actress Alison Sudol releases her autobiographical new album Still Come The Night via Kartel Music Group. Formerly known under the moniker A Fine Frenzy, this intimate album is an impassioned effort that signals the welcome return of a unique artist, a powerful voice armed with candid lyrics and authentic musicianship. Written and co-produced by Alison with London-based multi-instrumentalist, producer and composer Chris Hyson - half of adventurous collective Snowpoet - Still Come The Night owns its intimate sound to the backdrop at Giant Wafer studios, situated in an area of outstanding natural beauty, nestled between sheep fields in the Welsh countryside. Chris recruited Welsh twin brothers Lloyd and Alex Haines on drums and guitar and engineer Alex Killpatrick to join them at Wafer. There they worked together from morning until midnight, writing song after song, creating a hushed intimacy and sense of space among, even, the many layers of songs with their subtle harmonies and intricate instrumentation. While making the core of the album (those four songs were written by Alison while isolating at her friend's farm with her partner), she just found out she was pregnant when the world suddenly stopped, filming on Fantastic Beasts - the movie franchise in which Alison stars as Queenie Goldstein - had been indefinitely suspended, the tour with Goldfrapp postponed, and for some reason she couldn't taste or smell anything. The mood in London was strange, tense. No one knew how long this thing would last, and the risk for pregnant women. There, without any wifi, set with the changing seasons and the quiet solitude of their borrowed cottage as the backdrop, the first songs of her intimate and introspective yet powerful, poetic record came quickly and quietly. London went into lockdown. Days later, they lost the baby. When Alison began writing Still Come the Night, she knew that she wanted to make an album to process the different stages of grief that she and her partner experienced with the loss of their first baby in pregnancy. This new album spans the emotions of Alison's journey, from the exhilaration of early love into the tightrope walk of excitement and uncertainty of pregnancy and ultimately through the complex and mysterious landscape of grief. Now based in London, Alison Sudol is an American singer-songwriter, musician, actress and video director. Having released three critically acclaimed albums under the name A Fine Frenzy during which she toured with Rufus Wainwright and opened for The Stooges at SXSW. Making her comeback to music as Alison Sudol in 2018 she released two EPs, Moon and its follow-up, Moonlite both co-produced with Yard Act and Gruff Rhys' producer Ali Chant, and featuring Portishead's Clive Deamer and Adrian Utley and John Parish. Her acting credits include the Fantastic Beasts And Where To Find Them franchise and the critically acclaimed TV series Transparent and Dig. We want to hear from you! Please email Tera@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #AlisonSudol #StillComeTheNight #FantasticBeastsAndWhereToFindThem #NewMusic #zoomListen & Subscribe to BiB https://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod