Podcast appearances and mentions of Kyle Dixon

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Kicking off 2026 with a bang Congrats to my Emmy winning guests Kyle Dixon & Michael Stein for their epic work as the band Survive and notable of late for making the many hours of music that score the rather popular show Stranger Things which just wrapped for the last time with its season finale. Great to peek behind the curtain as it were as we get into the pure substance of their process. Unlock the clues in this episode and you too will certainly be up for an Emmy if you're as tireless and talented as them ! Thanks to Ableton for sponsoring this episode I get into the MOVE in a rare nitty. I took the box the climbing gym to do a little against the clock action  here's a link to the move. I can really recommend it  https://www.ableton.com/en/move/ Oh and  HAPPY new Year !! Let's get on with the show :)

Have questions, feedback, or thoughts on the show? We want to hear from you! Click on this link to send us a text message. In this episode of the Whole Grain Podcast, host Jim Lenz, Director of Global Education and Training at GEAPS, talks with Kyle Dixon, Vice President of Sales at IBT Industrial Solutions, about how grain facilities can do more with less—while improving reliability, uptime, and long-term value.Kyle brings a rare perspective, having served as an IBT sales rep, regional manager, and now VP of Sales. He shares practical insights on proactive maintenance, simplifying storerooms, using technology wisely, and supporting a changing workforce. The focus is on real-world solutions grain professionals can apply immediately.Key Takeaways (Condensed)Doing more with less means maximizing capability—not cutting cornersProactive maintenance reduces downtime and riskSimple changes can deliver big operational winsTechnology works best alongside hands-on observationEducation and supplier partnerships strengthen today's workforceSuppliers can act as an extension of customer teamsFeatured PartnerIBT Industrial Solutions is a GEAPS Premier Partner supporting grain operations with engineering expertise and responsive MRO solutions.IBT Industrial Solutions: https://www.ibtinc.com/IBT Grain Industry Solutions: https://www.ibtinc.com/industries/grain/Past Whole Grain Podcast Episodes Featuring IBT GuestsKeeping Grain Moving: Preventative Maintenance and Supplier Tipshttps://www.geaps.com/news-publications/whole-grain-podcast/keeping-grain-moving-preventative-maintenance-and-supplier-tips/Everything from Conveyor Belting to Buckets with a 30-Year Grain Pro https://www.geaps.com/news-publications/whole-grain-podcast/everything-from-conveyor-belting-to-buckets-with-a-30-year-grain-pro/Pillars of the Grain Industryhttps://www.geaps.com/news-publications/whole-grain-podcast/pillars-of-the-grain-industry/GEAPS Education & EventsGEAPS Conveyor Training (Hands-On Programs): https://www.geaps.com/events-meetings/conveyor-training/GEAPS Online Learning: https://www.geaps.com/training-education/online-learning/GEAPS Exchange: https://www.geaps.com/exchange/Grain Elevator and Processing Society champions, connects and serves the global grain industry and its members. Be sure to visit GEAPS' website to learn how you can grow your network, support your personal professional development, and advance your career. Thank you for listening to another episode of GEAPS' Whole Grain podcast.

Conductor Ben Gernon and Music Director Katy Richardson join Jeffrey Boakye and Anna Phoebe as they add another five tracks, taking us from the Mongolian landscape to a sunrise in Lesbos, a famous TV theme, and some seriously wronged wives.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Wolf Totem by The HU  Daybreak (Lever du jour) by Maurice Ravel Stranger Things Theme by Kyle Dixon and Michael Stein Madeline by Lily Allen Ex-Wives from SIX: The MusicalOther music in this episode:Music for 18 Musicians by Philip Glass Creep by Radiohead The Lonely Goatherd by Julie Andrews Morgul by Ay-Kherel Dancing On My Own by Robyn Sweet Dreams by Eurythmics I Feel Love by Donna Summer Running Up That Hill (Deal With God) by Kate Bush

Here is the playlist for the 12/01 episode of the Seventh House. Enjoy!Kyle Dixon and Michael Stein- Stranger ThingsDevin Townsend- Let it RollDevin Townsend- HypergeekDevin Townsend- TriumphAirbag- RedemptionRedemption- WallsUltravox- RiseSoulshine- Rise UpTodd Rundgren- RiseSnarky Puppy w/Metropole Orkest- As You Are But Not As You WereSnow Patrol- Take Back the CityThe Pineapple Thief- SnowdropsRoland Orzabal- SnowdropCyan- SnowboundDonald Fagen- SnowboundGenesis- SnowboundMoron Police- The Apathy of KingsThe Imperfectionist Collective- I Lost the MoonFish on Friday- Snowed InEmerson, Lake and Palmer- Footprints in the SnowSqueeze- FootprintsKate Bush- 50 Words for SnowFrost*- SnowmanCamel- RhayaderBruce Hornsby- Lost in the SnowJon Anderson and the Band Geeks- Heart of the Sunrise

Our latest guests on Soundtracking are Matt and Ross Duffer, creators of the epic Netflix sensation, Stranger Things, which has just entered in its fifth and final season. To summarise very briefly, Stranger Things tells the story of a group of young friends in In 1980s Indiana, who encounter  supernatural forces and expose secret government exploits. As they search for answers, the children unravel a series of extraordinary mysteries. Not only does it feature an iconic synth score from Michael Stein & Kyle Dixon, but it is also famous for its exemplary use of needle-drops.

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie à Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 18:“Pump Up the Volume” (Allan Moyle, 1990)“Stranger Things” (The Duffer Brothers, 2016-2025)“The Breakfast Club” (John Hughes, 1985)“Weird Science” (John Hughes, 1985)“Fast Times at Ridgemont High” (Amy Heckerling, 1982)“Superbad” (Greg Mottola, 2007)“Dirty Harry” (Don Siegel, 1971)“Donnie Darko” (Richard Kelly, 2001)“Say Anything” (Cameron Crowe, 1989)“The Wizard of Oz” (Victor Fleming, 1939)“Mr. Robot” (Sam Esmail, 2015-2019)Audio quotation in GATEWAY CINEMA, Episode 18:“Heathers” (Michael Lehmann, 1988), including the songs “Strip Croquet”, “Into the Cafeteria”, and “J.D.'s Bomb” by David Newman; and “Teenage Suicide (Don't Do It)” by Don Dixon and performed by “Big Fun”, https://www.youtube.com/playlist?list=PLCCB7F248CFECFA43“Pump Up the Volume” (Allan Moyle, 1990), including the song “Everybody Knows” (1988) by Leonard Cohen and performed by Concrete Blonde“Stranger Things” (The Duffer Brothers, 2016-2025), including the song “Stranger Things | Title Sequence” (2016) by Micheal Stein and Kyle Dixon, https://www.youtube.com/watch?v=-RcPZdihrp4“VHS insert/eject sound” by Crazyjedi5, https://www.youtube.com/watch?v=NeW2zunE4gw“Say Anything” (Cameron Crowe, 1989), including the song “In Your Eyes” (1986) by Peter Gabriel“Mr. Robot” (Sam Esmail, 2015-2019), including the song “Mr. Robot Theme” (2015) by Mac Quayle, https://www.youtube.com/watch?v=rfAnT0eaCt0&list=RDrfAnT0eaCt0&start_radio=1 

加更如约而至～我们真的很喜欢万圣节。不过这个片单其实都过时啦！我们又看了很多新的哈哈哈，明年再和大家说吧～大家万圣节快乐～主播：拉帝｜奇妙导演，小红薯：拉帝Alice｜听友群笑领导Timeline：00:36 寻味万圣节02:36 选片思路08:39 S Tier：08:45 《逃出绝命镇》14:50 《罪人》22:40 A Tier：22:43 《鬼作秀》29:27 《招魂》33:39 《死寂》36:43 《向饭沼一家谢罪》40:19 《鬼影实录》41:17 B Tier：41:19 《恐惧拉斯维加斯》45:19 《童子军手册之僵尸启示录》49:57 《鬼影》52:48 《降妖别动队》53:57 C Tier：54:02 《科学怪人》系列55:03 还想看啥？本期背景音乐：Ray Parker, Jr. - Ghostbusters Kyle Dixon & Michael Stein - Hawkins Kyle Dixon & Michael Stein - Stranger Things Nintendo Sound Team - E. Gadd's Lab Nintendo Sound Team - E.Gadd Selection Track 17 Nintendo Sound Team - Master Suite Track 1 Angelo Badalamenti - Twin Peaks Theme 山岡晃 - Overdose Delusion Bruno Coulais - Head End Bruno Coulais - The Cat Dave Edmunds - The Creature from the Black Lagoon John Carpenter - Halloween Theme - Main Title James Horner - Main Title Deep Purple - The Purple People Eater Yung DiCaprio - Santa Clarita Diet 无水醋酸铜 - 空中摇篮曲-Skyride 无水醋酸铜 - 妙法莲华-Lotus Theme 无水醋酸铜 - 生死一线-Holding up Kyle Dixon & Michael Stein - Stranger Things Kyle Dixon & Michael Stein - Hawkins Walk The Moon - Ghostbusters

Disney Chorus and Orchestra [00:20] "Little April Shower" Walter Disney's Story of Bambi Disneyland ST 3903 1960 Plip plop plip. You may recall from the last episode we heard a track from Stay Awake. On that album, "Little April Shower" is performed by Natalie Merchant, Michael Stipe, and the Roches (https://youtu.be/7ObPekx0h0M?si=BWAulm8X4hnsji14). Thelonius Monk [03:35] "Between the Devil and the Deep Blue Sea" Straight No Chaser Columbia CS 2651 1967 Monk takes a fine run at this standard originally recorded by Cab Calloway. Helped out here by Charlie Rouse on tenor sax, Larry Gales on bass, and Ben Riley on drums. Kyle Dixon and Michael Stein [11:14] "The Upside Down" Stranger Things - Volume One (A Netflix Series) Lakeshore Records 2016 Ah, the first season (https://youtu.be/b9EkMc79ZSU?si=8SqvgKenleN2NEJ0) was pretty near perfect. Had to go with the iconic title track. Frank Sinatra with the Nelson Riddle Orchestra [12:21] "Call Me" Strangers in the Night Reprise Records FS 1017 1966 Oddly enough, Frank has not one but two (2!) Petula Clark covers on this album including this one. I much prefer the brassy sassy production of Petula's version (https://youtu.be/M_mkSWxN2xk?si=gya-HwLlYCWK093i). Less Art [16:22] "Diana the Huntress" Strangled Light Gilead Media RELIC88 2017 Featuring members of Kowloon Walled City and Thrice. Igor Stravinsky and the Columbia Symphony Orchestra [19:34] "Firebird Ballet Suite (1945): Introduction - Prelude and Dance of the Firebird - Variations" Stravinsky Conducts Firebird Suite/Petrushka Suite Columbia Masterworks MS 7011 1967 This is the 1945 arrangement of The Firebird Suite. Roxy Music [22:44] "Over You" Street Life - 20 Great Hits EG EGTV 1 1986 A single orignally from Roxy Music's Flesh and Blood (https://youtu.be/3TL-Bc1giO8?si=FaZvmtDfdg2K-5uF). Evidently recorded as a way to tes tout Phil Manzanera's recently constructed studio. Made it as high as number 80 on the Hot 100. Death Valley Girls [26:07] "Electric High" Street Venom Suicide Squeeze SSQ181 2021 (originally recorded and released in 2014) Closing track to Death Valley Girl's debut studio album. Psych rock excellence (https://youtu.be/AO8z3AwIIaw?si=JCyzx7zyGK17UD5K). Salem 66 [31:08] "Seven Steps Down" 1984 Great Plains [mm:ss] "When Do You Say Hello" 1983 Strum and Thrum: The American Jangle Underground 1983-1987 Captured Tracks CT-302 2020 If you love jangle, you'll love Strum and Thrum. 28 tracks of jingle jangle goodness. An exceptional compilation that includes a 80 page booklet that dives into the scene. Yo La Tengo [36:39] "My Heart's Not In It" Stuff Like That There Matador OLE-1079-1 2015 It's hard to choose just once song from this album, but the opening track does a great job getting the listener in the mood for the album. It's a lovely rendition of the Gerry Goffin/Russ Titelman single recorded by Darlene McCrea (https://youtu.be/CuetP9wAHnY?si=o9YtuELwMU3C6S0v). New Order [39:25] "Sub-Culture" Sub-Culture Factory fac 133 1985 A remix by John Robie of the band's third single from Low-life (https://youtu.be/Uetuplhan_U?si=Or8I0F30teDUWLOh). The flip side is, of course, Dub-Culture. Ahmed Ben Ali [47:53] "Subhana" Subhana Habibi Funk HABIBI022 2023 That's right... reggae by way of Libya. Evidently reggae arrived right around peak Bob Marley and the Wailers and it took off from there. Barren Harvest [52:46] "Claw and Feather" Subtle Cruelties Handmade Birds HB-071 2014 Some dark and lovely ambient folk metal from Portland featuring Jessica Way of Worm Ourobouros. Nancy Sinatra [58:33] "Sugar Town" Sugar Reprise Records RS-6239 1967 A Lee Hazlewood number (naturally) that he says is an allusion to LSD sugar cubes. Featuring Wrecking Crew members including the great Carol Kaye, Glen Campbell, and Hal Blaine. Music behind the DJ: "These Boots Were Made for Walking" by Les Brown and his Orchestra

As an active recording and touring musician for over thirty years, Brad cut his teeth as the guitarist and vocalist in From Ashes Rise, making music in a scene fraught with challenges to sound quality. He was raised in the North Mississippi Hill Country, surrounded by a rich and historic music scene, and, after studying Recording Industry Technology at Middle Tennessee State University in the late 1990s, Brad armed himself with a healthy obsession with records, sound, and music. He's always aimed to overcome the challenges independent artists face while helping them realize their vision of sonic perfection. Since founding Audiosiege in 2010, Brad, a self-described "musician's engineer", has mastered many notable albums, including Michael Stein and Kyle Dixon's opening sequence and Grammy-nominated official soundtrack for Netflix's "Stranger Things" series, the reissue of Sleep's monumental "Dopesmoker" LP, as well as records from Corrosion of Conformity, Nails, Samiam, Obituary, Yob, Twitching Tongues, and more. IN THIS EPISODE, YOU'LL LEARN ABOUT: Analog vs. digital mastering How file names can tell you a lot about a project Using meters to guide your decisions Having consistency in your levels and workflow Mastering albums made of previously mastered songs Using Metric AB for troubleshooting gear issues Getting client feedback Making sure your gear is calibrated properly Working on the Stranger Things soundtrack To learn more about Brad Boatright, visit: https://audiosiege.com/ For tips on how to improve your mixes, visit https://masteryourmix.com/ Notable gear mentioned in this episode: Manley Massive Passive: https://sweetwater.sjv.io/g1070g Brainworks AMEK EQ 250 Plugin: https://sweetwater.sjv.io/XYkR73 iZotope RX: https://sweetwater.sjv.io/xkyR2x Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of my Amazon #1 bestselling books: The Recording Mindset: A Step-By-Step Guide to Creating Pro Recordings From Your Home Studio: https://therecordingmindset.com The Mixing Mindset: The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

The childhood adventure of Goonies, ET, or even Stand By Me. The horror of the Halloween movie series, or a Stephen King novel. The mystery of The X-Files, and the humor of Fast Times at Ridgemont High, nostalgically wrapped perfected together. Today we're talking about Stranger Things and is The Furious Curious. SOURCES:  ⁠https://www.seventeen.com/celebrity/movies-tv/a40229569/stranger-things-season-5/⁠ ⁠https://screenrant.com/stranger-things-reasons-show-is-so-popular/⁠ ⁠https://variety.com/2022/tv/news/stranger-things-nielsen-streaming-top-10-ratings-1235301882/⁠ ⁠https://news.northeastern.edu/2022/07/06/netflix-stranger-things-popularity/⁠ ⁠https://www.gamesradar.com/stranger-things-season-5-release-date-netflix-plot/⁠ ⁠https://en.wikipedia.org/wiki/Stranger_Things⁠ MUSIC: "Stranger Things: Opening Theme" (Kyle Dixon, Michael Stein), "Running Up that Hill" (Kate Bush), "Desire" (18 Carat Affair).  ©2022 Britton Rice, Chase Domergue, The Furious Curious podcast

In this episode, Dr. Walter speaks to educator, entrepreneur, producer and podcaster, Kyle Dixon! We discuss growing up in Tennessee, youth, education, Hip-Hop, Black consciousness and much more!

INTRO 1 - BYOR & Yves V Feat. Kyle Reynolds - Joyride (Extended Mix) 2 - Boris Way - People Love (Extended Mix) 3 - Benny Benassi, The Biz - Satisfaction (Justus Extended Remix) 4 - Faithless vs. Mike Candy & Jack Holiday - Insomnia (DJ Carl James Ultimate Halloween Intro) 5 - Jay Hardway, Nadia Gattas - On Fire (Extended Mix) 6 - Lucas & Steve, Conor Byrne - What We Know (Club Mix) 7 - Afrojack x Kyle Dixon x Felix Cartal x Efim Kerbut - Stranger Things x Curare x No Beef (Pilmat 'Fuvi Clan Halloween 2023' Bootleg) 8 - Benny Benassi x Chunky Dip x Dr. Fresch - Cinema Take A Step Back (Pilmat 'Fuvi Clan' Edit) 9 - Geezuz - Salud (Extended Mix) 10 - Juicy M, Juliann James - All I Need (Extended Mix) 11 - Matisse & Sadko, James French - Pull Me Through The Fire (Extended Mix) 12 - PEACE MAKER! x Marc Benjamin & Ansun - Babylonia Thunderstorm (Ben Lemonz 'Fuvi Clan' Bootleg) 14 - Quintino, Mike Williams - Let Me Be Your Fantasy (Extended Mix) 15 - R4JAY - Intensity (Extended Mix) 16 - Super8 & Tab - Horizon (Leo Reyes Extended Remix) 17 - The Chainsmokers x Notalike - Turnin' Selfie (Pilmat 'Fuvi Clan' Edit 18 - Tiesto, Tears For Fears, NIIKO X SWAE, GUDFELLA - Rule The World (Extended Mix) 19 - Alesso, John Newman - Call Your Name (ESH Extended Remix) 20 - Simon Miles, Asish Nikhil, Natasha Samsara - Stuck On You (Extended Mix) 21 - Firebeatz x Gotye x Hypelezz - The Party x Somebody That I Used To Know (Pilmat 'Fuvi Clan' Edit) 22 - TV Noise x AD & BD - Badman Sound x Cerastes (Pilmat 'Fuvi Clan' Edit) 23 - Matisse Sadko James French Pull Me Through The Fire Extended Mix 24 - Nicky Romero, Linney, TELYKast - Desire (Extended Mix) 25 - Calvin Harris, Sam Smith - Desire (MEDUZA Extended Remix) 26 - Odd Mob OMNOM Losing Control Extended Mix (Classic of the Week) 27 - Alesso feat. Matthew Koma - Years (Vocal Extended Mix)

Die Erfolgsserie „Succession“ ist vorbei. Die Musik, die während des Intros läuft, hängt aber vielen noch im Ohr. Komponist Nicholas Britell erklärt im Popfilter, wie er den Titelsong komponiert hat. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-nicholas-britell-succession

Die Erfolgsserie „Succession“ ist vorbei. Die Musik, die während des Intros läuft, hängt aber vielen noch im Ohr. Komponist Nicholas Britell erklärt im Popfilter, wie er den Titelsong komponiert hat. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-nicholas-britell-succession

Die Erfolgsserie „Succession“ ist vorbei. Die Musik, die während des Intros läuft, hängt aber vielen noch im Ohr. Komponist Nicholas Britell erklärt im Popfilter, wie er den Titelsong komponiert hat. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-nicholas-britell-succession

Die Erfolgsserie „Succession“ ist vorbei. Die Musik, die während des Intros läuft, hängt aber vielen noch im Ohr. Komponist Nicholas Britell erklärt im Popfilter, wie er den Titelsong komponiert hat. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-nicholas-britell-succession

Die Erfolgsserie „Succession“ ist vorbei. Die Musik, die während des Intros läuft, hängt aber vielen noch im Ohr. Komponist Nicholas Britell erklärt im Popfilter, wie er den Titelsong komponiert hat. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-nicholas-britell-succession

The White Lotus – die bissige Satire auf das Leben der Reichen und Privilegierten – geht demnächst in die dritte Staffel. Im Soundtrack der Serie fängt Komponist Cristóbal Tapia de Veer den Schrecken im Tropen-Idyll ein. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-cristobal-tapia-de-veer-the-white-lotus

The White Lotus – die bissige Satire auf das Leben der Reichen und Privilegierten – geht demnächst in die dritte Staffel. Im Soundtrack der Serie fängt Komponist Cristóbal Tapia de Veer den Schrecken im Tropen-Idyll ein. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-cristobal-tapia-de-veer-the-white-lotus

The White Lotus – die bissige Satire auf das Leben der Reichen und Privilegierten – geht demnächst in die dritte Staffel. Im Soundtrack der Serie fängt Komponist Cristóbal Tapia de Veer den Schrecken im Tropen-Idyll ein. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-cristobal-tapia-de-veer-the-white-lotus

The White Lotus – die bissige Satire auf das Leben der Reichen und Privilegierten – geht demnächst in die dritte Staffel. Im Soundtrack der Serie fängt Komponist Cristóbal Tapia de Veer den Schrecken im Tropen-Idyll ein. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-cristobal-tapia-de-veer-the-white-lotus

Die Miniserie „Chernobyl“ erzählt die Geschichte des fatalen Reaktorunglücks und dessen Folgen. Der Soundtrack kommt von der isländischen Komponistin Hildur Guðnadótti. Wie es ihr gelingt, den Sound der Katastrophe einzufangen, erklärt sie im Popfilter. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-chernobyl-hildur-gudnadottir-the-door

Die Miniserie „Chernobyl“ erzählt die Geschichte des fatalen Reaktorunglücks und dessen Folgen. Der Soundtrack kommt von der isländischen Komponistin Hildur Guðnadótti. Wie es ihr gelingt, den Sound der Katastrophe einzufangen, erklärt sie im Popfilter. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-chernobyl-hildur-gudnadottir-the-door

Die 80er – aber in cool und mysteriös: Der Seriensmash-Hit „Stranger Things“ hat nicht nur Kate Bush zu einem Charterfolg verholfen. Auch die Komponisten der Titelmusik Kyle Dixon und Michael Stein konnten nach dem Erfolg ihre Tagesjobs kündigen. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-kyle-dixon-michael-stein-stranger-things

Die 80er – aber in cool und mysteriös: Der Seriensmash-Hit „Stranger Things“ hat nicht nur Kate Bush zu einem Charterfolg verholfen. Auch die Komponisten der Titelmusik Kyle Dixon und Michael Stein konnten nach dem Erfolg ihre Tagesjobs kündigen. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-kyle-dixon-michael-stein-stranger-things

Wie schreibt man den Soundtrack für eine Serie mit überproportional vielen Plot-Twists und Charakteren? Der gebürtige Duisburger Ramin Djawadi hat mit dem Soundtrack zur Serie „Game of Thrones“ eine Antwort gefunden und mit dem Titelsong eine unvergessliche Serienmelodie geschrieben. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-ramin-djawadi-game-of-thrones-main-title

Wie schreibt man den Soundtrack für eine Serie mit überproportional vielen Plot-Twists und Charakteren? Der gebürtige Duisburger Ramin Djawadi hat mit dem Soundtrack zur Serie „Game of Thrones“ eine Antwort gefunden und mit dem Titelsong eine unvergessliche Serienmelodie geschrieben. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-ramin-djawadi-game-of-thrones-main-title

Zwischen 1994 und 2004 legt die US-amerikanische Sitcom „Friends“ eine echte Erfolgsgeschichte hin. Der eingängige Titeltrack „I’ll Be There For You“ läuft auch heute noch auf Netflix hoch und runter. Dabei wollten The Rembrandts mit dem Titelsong zur Serie Anfangs nichts zu tun haben. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-the-rembrandts-ill-be-there-for-you

Zwischen 1994 und 2004 legt die US-amerikanische Sitcom „Friends“ eine echte Erfolgsgeschichte hin. Der eingängige Titeltrack „I’ll Be There For You“ läuft auch heute noch auf Netflix hoch und runter. Dabei wollten The Rembrandts mit dem Titelsong zur Serie Anfangs nichts zu tun haben. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 1: Angelo Badalamenti – Twin Peaks Theme Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-the-rembrandts-ill-be-there-for-you

„Twin Peaks“ von David Lynch gilt heute als absolute Kultserie. Zum Erfolg der Show beigetragen hat auch der atmosphärische Soundtrack von Angelo Badalamenti. Wie das ikonische Eröffnungs-Thema entstanden ist, erfahrt ihr im Popfilter. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-angelo-badalamenti-twin-peaks-theme

„Twin Peaks“ von David Lynch gilt heute als absolute Kultserie. Zum Erfolg der Show beigetragen hat auch der atmosphärische Soundtrack von Angelo Badalamenti. Wie das ikonische Eröffnungs-Thema entstanden ist, erfahrt ihr im Popfilter. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/popfilter Alle Folgen der Themenwoche „Serien-Soundtracks“ Folge 2: The Rembrandts – I’ll Be There For You Folge 3: Ramin Djawadi – Game of Thrones (Main Title) Folge 4: Kyle Dixon & Michael Stein – Stranger Things Folge 5: Hildur Guðnadóttir – The Door Folge 6: Cristóbal Tapia de Veer – The White Lotus Folge 7: Nicholas Britell – Succession (Main Title Theme) >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-angelo-badalamenti-twin-peaks-theme

On this episode of Vinyl Verdict, Bell, Jamie and Plouffe listen to Jamie's next pick, S U R V I V E's MNQ026 (HD015 for the vinyl release). S U R V I V E is a electronic band from Austin, Texas, formed in 2009. Two of their members, Michael Stein and Kyle Dixon went on to do the soundtrack score for the Netflix series Stranger Things. Completely instrumental, MNQ026 is made up of two parts spooky ambient sounds, one part space robot jams. Jamie has frequently teased the Vinyl Verdict crew about covering an album in the elusive Spacewave microgenre, but three questions remain about it. What is it? Who it is for? Is it any good? Come along as the boys hopefully provide at least one answer!

For this quickie review, Mike checks out festival hit, THE RETALIATORS, starring Michael Lombardi, music by STRANGER THINGS duo Kyle Dixon and Michael Stein, boasting a lauded script that made it to the Blacklist and out now on VOD. With a different and unique approach to the revenge film, is it worth following the hype train and checking out? Well, listen to Mike reveal all! Just with no spoilers because he's nice like that.Violently click this download now!Get 20% OFF @manscaped + Free Shipping with promo code BOXOFFICEPULP at MANSCAPED.com! Facebook: https://www.facebook.com/BoxOfficePulpPodcast/Twitter: https://twitter.com/BoxOfficePulpApple Podcasts: https://itunes.apple.com/us/podcast/box-office-pulp/id577338641Amazon Podcasts: https://music.amazon.com/podcasts/7c11ff8b-2875-454d-8770-8b1d36d04b52Spotify: https://open.spotify.com/show/534ZPRmDoZzNs5GtiAhOEcStitcher: http://www.stitcher.com/s?fid=37192&refid=stpr

This podcast at Bamboozled.boston  Features the amazing Netflix original TV series STRANGER THINGS, and its perfect ties to the 80's and the instrumentation used by Kyle Dixon and Michael Stein to set the mood.  We also (surprisingly) enjoy the classic SCHLITZ beer that's been featured by Chief Jim Hopper in the series as his favorite to drink "all the time"! So sit back and enjoy some "amazing" jokes, general BS, and have a drink with us here at bamboozled.boston! Click:http://www.tapbrewingcompany.comhttps://bamboozled.bostonBBB Support partners: RPM Dynamics   Mistress Carrie BBB YouTube: Bamboozled.boston Youtube Channel...Click and SUBSCRIBE!! Facebook: https://www.facebook.com/search/top?q=bamboozled.boston Instagram: https://www.instagram.com/bamboozled.boston/ Twitter: https://twitter.com/BamBoozledBost1

The E2 podcast is back with a new Open Format mix! Banging Dance Mixes of current Pop, Hip Hop & Latin hits plus House, EDM & Throwbacks. Warning, some explicit lyrics. Turn it up and enjoy.  Tracklisting1. DJ Eddie Edul-Intro2. Noise Ninjaz-DIVAS (E2 Edit) + DJ Eddie Edul-Jack That Body Loop 23. Beyonce-Break My Soul (Colini Club House Remix)4. Black Box-Everybody Everybody (E2 Edit)5. ACRAZE, Tiesto vs Cherish-Do It To It (Just Joeyz Vocal Edit)6. Shelco Garcia & Teenwolf-Making Me High (Collini Big Room Future House Mashup)7. Shouse x Meduza x Otto Knows x DJ Baur x Chachi-Love Tonight x Lose Control x Million Voices (Jason Bee Frankenstein Bootleg)8. SIDEPIECE-1, 2 Step (E2 Edit)9. Jack Harlow-First Class - KNOW GOOD Remix10. Drake ft. Future & Young Thug-Way 2 Sexy - Valentino Khan Remix11. ATC-Around The World12. IAmChino & Pitbull-Discoteca (Rob DVS 'EDM' Edit) Dirty13. Bad Bunny-Tití Me Preguntó - DJ Mag Guaracha Remix (Clean)14. Daddy Yankee & Pitbull-HOT (BPM Supreme Party Starter) (Dirty)15. Celia Cruz, Dario Valli-La Vida Es Un Carnaval (Dario Valli Remix) Clean CK Cut16. Federico Scavo VS C&C Music Factory-Balada Anthem (Eddie Edul Boriqua Bootleg)17. Farruko VS Sebastian Ingrosso & Tommy Trash-Pepas Reload (Starjack Toneplay Segue - E2 Edit)18. MAKJ-Club Sound19. Kid Cudi & Steve Aoki vs Henry Fong & Reid Stefan vs Knock 2-Pursuit of Happiness vs The Lion King (Rivas & RM Party Starter 2022 Edit)20. Eurotrash, Bassjackers-I Shake My Ass (Deville Big Room Party Starter) Intro - Dirty21. Fatman Scoop, DJ Rony & DJ Kazzanova-Touch Ya Toes22. R-MEAN & French Montana-YALLA HABIBI (Dainjazone House Remix)23. Darude vs Segan-Sandstorm (CRG 'Turn Up The Bass' Edit) Clean24. Showtek ft MC Ambush-Welcome Back Home (Original Mix)25. bbnoS & Diplo-pogo26. James Hype & Miggy Dela Rosa-Ferrari (E2 Edit)27. Lana Del Rey vs Martin Garrix & Mesto-Summertime Sadness (JD Live 2022 Bootleg)28. Kyle Dixon & Michael Stein-Stranger Things Theme - Felix Cartal Remix29. Kate Bush-Running Up That Hill - Kastra Remix (E2 Edit)

Jen and Kim had a great time talking with Dr. Tim Mounce and CJ Dearinger on their collaboration episode about summer teacher movies. Kim and Jen talk about Carrie and Heathers which may or may not be teacher movies but might be appropriate to compare to education right now. The All Things – Unexplained podcast covers mysterious topics from Bigfoot to UFOs to astrophysics. Join author/narrator/professor Dr. Mounce, CJ Dearinger, and Smitty Neaves as they blend mysteries with education, entertainment, and humor.**************************

Más huevos de pascua, referencias musicales, un homenaje a Derek Riggs (y su mítica creación, Eddie, en las portadas de Iron Maiden), y mucho más en nuestro análisis del Volumen 2 de la cuarta temporada de la serie. Únete a nosotros en Telegram: t.me/marcianosenuntren Con Jose Ceballos, David Martínez y XeviPanda Edición: Jose Ceballos Temas de Kyle Dixon and Michael Stein, Kate Bush, Metallica y sesión synthwave de Stranger Synths Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Aliens. UFOs. Bigfoot. Paranormal mysteries --- All Things - Unexplained.It's summertime so Kim and Jen from the Twisted Teachers podcast join us to discuss and analyze our favorite summer (teacher?) movies! It's a summer movie (and other screens) countdown (with analysis) --- aka, "Are These Really Teacher Movies?"**************************

We recently deconstructed how Kate Bush's 1985 song “Running Up That Hill” has found itself at the center of culture due to a placement in the Netflix, eighties, horror, sci-fi show, Stranger Things. For that episode we excerpted an interview with the composers of the show who shared great insights on how they created the iconic theme song and spooky soundscape for the most streamed show of 2022. But we want to share the full conversation with you because they have equally cheeky as well as valuable musical offerings to share. Surprisingly, this show steeped in 80s nostalgia, has a more contemporary soundtrack than you you might think.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The latest season of "Stranger Things" finally returned to Netflix on May 27th and we are so excited to sit down with the creators of the show, along with several key members of the post-production team, to discuss the sound, music, and editorial process behind this wildly successful series.  This is a supersized episode of the podcast with a TON of bonus guests. Joining us are the creators (as well as writers and directors) Matt and Ross Duffer; composers Kyle Dixon and Michael Stein; re-recording mixers Mark Paterson, Craig Henighan (also the sound supervisor), and Will Files (also the supervising sound editor); and the editor of the series, Dean Zimmerman. This conversation offers an incredible glimpse into the creative process of what makes "Stranger Things" work so well. And it's apparent from this conversation that it has a lot to do with how much this team trusts each other in order to work so seamlessly together. "Yeah, there's a lot of people who work on the show. But in terms of making big, big decisions, say in post-production, shaping the sound and the music of the show, it's a pretty, actually, tight knit group. And I think we've all gotten to the point where we really respect and trust each other. And then it's just a creative collaboration... It feels weirdly the same as it did season one." — Matt Duffer, Co-Creator, "Stranger Things" Be sure to https://www.netflix.com/title/80057281 (check out "Stranger Things," only on Netflix.) Please subscribe to Sound + Image Lab: The Dolby Institute Podcast https://linktr.ee/dolbyinstitute (wherever you get your podcasts). You can also check out the https://youtube.com/dolby (video) for this episode. Learn more about the https://www.dolby.com/institute/ (Dolby Institute) and check out https://www.dolby.com/ (Dolby.com). Connect with Dolby on https://www.instagram.com/dolbylabs/ (Instagram), https://twitter.com/Dolby (Twitter), https://www.facebook.com/Dolby/ (Facebook), or https://www.linkedin.com/company/6229/ (LinkedIn). 

Kate Bush's “running up that hill” has soared up the charts, performing better than its release in 1985. Heavily featured in Strangers Things Season 4, Netflix's most successful English language release to date by watch time, Kate Bush has found a new generation of fans via the show. The coming-of-age horror/sci-fi show has leaned heavily on 80s nostalgia since its premier in 2016. Its iconic theme song is reminiscent of John Carpenter horror b-movies, and according to Reverb.com, one of the biggest online retailers of used instruments, the theme helped rejuvenate interest in analog synthesizers from the 80s.  So when Kate Bush enters the show during a brooding high school hallway scene right out of the John Hughes playbook, it is a natural fit for the show. “Running Up That Hill” plays a pivotal, spoiler-ridden plot point in the show, requiring us to hear the hook multiple times throughout the season—a perfect ear worm ready to embed itself into TikTok memes. But its success is owed to more than just repetition. The song sounds like an extension of the sound track.  The show's composers, Kyle Dixon and Michael Stein, told Switched On Pop that like Kate Bush's song which waffles between major and minor, the Strange Things score “has moments of darkness and lightness in it, constantly trading places”.  And they compose from the same set of instruments: classic synthesizers and drum machines like the LinnDrum, which is  the heartbeat of Bush's song. Dixon and Stein even cite her as an essential influence saying that they “directly referenced very obviously Kate Bush—there's these little melodies that we always refer to as like and then the Kate Bush part comes in.”  Listen to Switched On Pop to hear how Kate Bush's “Running Up That Hill” is a exquisite song placement and hear how it blends seamlessly with the Stranger Things soundtrack. MORE Check out Reverb Machine's sounds of Kate Bush Reverb.com made a tutorial on the synth sounds of Stranger Things Songs Discussed Kyle Dixon & Michael Stein - Stranger Things Kate Bush - Running Up That Hill Dead Or Alive - You Spin Me Round Talking Heads - Psycho Killer Musical Youth - Pass the Dutchie  Carly Rae Jepsen - Cut To The Feeling The Weeknd - Blinding Lights  Prince - When Doves Cry Phil Collins - Sussudio Tangerine Dream - Sorcerer Theme Song John Carpenter - Night S U R V I V E - A.H.B. S U R V I V E - High Rise  Kyle Dixon & Michael Stein - Eggo in the Snow Kyle Dixon & Michael Stein - She Wants Me to Find Her Kyle Dixon & Michael Stein - Starcourt Kyle Dixon & Michael Stein - Eight Fifteen Kyle Dixon & Michael Stein - Boys and Girls Kyle Dixon & Michael Stein - The Ceiling is Beautiful Kate Bush - Waking the Witch Kate Bush - Hammer Horror Learn more about your ad choices. Visit podcastchoices.com/adchoices

El rol y el heavy como "pervertidores de jóvenes", las rollerdisco, las cintas VHS... Todas esas referencias ochenteras de Stranger Things que nos gustan, algunas mencionadas de pasada y otras con detalle, mas huevos de Pascua, críticas, alabanzas, triples sobre el futuro de la serie y mucho más en nuestro análisis de la primera tanda de episodios de la cuarta temporada. Únete a nosotros en Telegram: t.me/marcianosenuntren Con Jose Ceballos, David Martínez y Sergio Valencia Edición: Jose Ceballos Temas de Kyle Dixon and Michael Stein, Dio, Kate Bush y sesiones synthwave de Astral Throb Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Musique Mécanique par le Théâtre Électrique ::"Stranger Things" by Kyle Dixon and Michael Stein

Recorded 2022-03-20 01:09:49 DnB Radio Tracklisting: * Artist - Track Title - Label* External Subway - The Arrival - Fokuz Recordings* Hiddenwave - Noir (Original Mix) - Scientific* Leniz - Metanoia - Differential Recordings* IMANU - Noir (Bop Remix) - Vision Recordings* Rockwell - Noir (Ulterior Motive Remix) - Critical Music* Lemon D - This Is Los Angeles - Metalheadz* Edison & SMP - Ganglands - 0101 Music* Tweakz - Smooth Operator - Syncopix* Jam Thieves - Obey the Curfew - Playaz* Workforce - Attention To Suffering - Must Make Music* Shimon - Cold Killa - RAM Records* Kumarachi - Murderer - Audio Addict* Mefjus - The Sirens - Vision Recordings* IQ Collective - A.P.B. (2021 Remaster) - Trouble on Vinyl Music * Masami Ueda/Shusaku Uchiyama/Shun Nishigaki - The Basement Of Police Station - * Euphonique - Criminal - Born On Road* Break - Cold Sweat (Original Mix) - Critical Recordings* Ganja Kru - Computerised Cops (Pascals Remix) - True Playa'z* Kyle Dixon & Michael Stein - Cops Are Good at Finding - Lakeshore Records* Mampi Swift - Gangster - Charge* Total Science, S.P.Y - Gangsta V.I.P - Shogun Audio* Trakker - Neighbourhood Snitch - Natty Dub Recordings* S.P.Y - Alone in the Dark - Hospital Records* Loadstar - Don't Wanna Be Alone - RAM Records* Covert Garden - Fugitive - Fokuz Recordings* Ecliptix - Greyhound - Default Recordings* Photek - Modus Operandi - Science* Aphrodite & Mickey Finn - Drop Top Caddy - Urban Takeover* Bassline Generator - Sound Of Da Police (Mickey Finn Remix) - Chameleon Recordings* Bowsar - Modus Operandi - IN:DEEP Music* Harry Gregson-Williams - Underground Tunnel - * Origin Unknown - Valley Of The Shadows - RAM Records* TV Hits - America's most Wanted - * Angelo Badalamenti - Police - * Faysha - Hey Mr Policeman (Damageman Remix) - Dutty Bass Audio* Picota & Kumbh - Evil Crime - Citrus Recordings* Ahmad, Loxy & Gremlinz - Serial Killa - Renegade Hardware* Omina - Habitat - DarkMode* Andy Pain - Gas (Original Mix) - Vandal Records* Myth - Gunshotta - Computer Integrated Audio* Serum, Voltage, Inja - Gunfinger Fam (VIP) - Hospital Records* Ecliptix - Kyudo - Default Recordings* Ecliptix - Strokes - Default Recordings* Liquid Memoirs & Khromi - Static - Bay 6 Recordings* Leniz and Brainwork - Word For Word - Differential Recordings* Ecliptix - Flare - Default Recordings* Photek - The Fifth Column - Science* Leniz and Dustkey - Coming Home (feat. Dustkey) - Differential Recordings* External Subway featuring Oktae - The Last Night - Fokuz Recordings* Liquid Memoirs - Jaded - Bay 6 Recordings* Normand Corbeil - The Chase (Madison's Action Soundtrack) - Tracklisting:* Artist - Track Title - Label* External Subway - The Arrival - Fokuz Recordings* Hiddenwave - Noir (Original Mix) - Scientific* Leniz - Metanoia - Differential Recordings* IMANU - Noir (Bop Remix) - Vision Recordings* Rockwell - Noir (Ulterior Motive Remix) - Critical Music* Lemon D - This Is Los Angeles - Metalheadz* Edison & SMP - Ganglands - 0101 Music* Tweakz - Smooth Operator - Syncopix* Jam Thieves - Obey the Curfew - Playaz* Workforce - Attention To Suffering - Must Make Music* Shimon - Cold Killa - RAM Records* Kumarachi - Murderer - Audio Addict* Mefjus - The Sirens - Vision Recordings* IQ Collective - A.P.B. (2021 Remaster) - Trouble on Vinyl Music * Masami Ueda/Shusaku Uchiyama/Shun Nishigaki - The Basement Of Police Station - * Euphonique - Criminal - Born On Road* Break - Cold Sweat (Original Mix) - Critical Recordings* Ganja Kru - Computerised Cops (Pascals Remix) - True Playa'z* Kyle Dixon & Michael Stein - Cops Are Good at Finding - Lakeshore Records* Mampi Swift - Gangster - Charge* Total Science, S.P.Y - Gangsta V.I.P - Shogun Audio* Trakker - Neighbourhood Snitch - Natty Dub Recordings* S.P.Y - Alone in the Dark - Hospital Records* Loadstar - Don't Wanna Be Alone - RAM Records* Covert Garden - Fugitive - Fokuz Recordings* Ecliptix - Greyhound - Default Recordings* Photek - Modus Operandi - Science* Aphrodite & Mickey Finn - Drop Top Caddy - Urban Takeover* Bassline Generator - Sound Of Da Police (Mickey Finn Remix) - Chameleon Recordings* Bowsar - Modus Operandi - IN:DEEP Music* Harry Gregson-Williams - Underground Tunnel - * Origin Unknown - Valley Of The Shadows - RAM Records* TV Hits - America's most Wanted - * Angelo Badalamenti - Police - * Faysha - Hey Mr Policeman (Damageman Remix) - Dutty Bass Audio* Picota & Kumbh - Evil Crime - Citrus Recordings* Ahmad, Loxy & Gremlinz - Serial Killa - Renegade Hardware* Omina - Habitat - DarkMode* Andy Pain - Gas (Original Mix) - Vandal Records* Myth - Gunshotta - Computer Integrated Audio* Serum, Voltage, Inja - Gunfinger Fam (VIP) - Hospital Records* Ecliptix - Kyudo - Default Recordings* Ecliptix - Strokes - Default Recordings* Liquid Memoirs & Khromi - Static - Bay 6 Recordings* Leniz and Brainwork - Word For Word - Differential Recordings* Ecliptix - Flare - Default Recordings* Photek - The Fifth Column - Science* Leniz and Dustkey - Coming Home (feat. Dustkey) - Differential Recordings* External Subway featuring Oktae - The Last Night - Fokuz Recordings* Liquid Memoirs - Jaded - Bay 6 Recordings* Normand Corbeil - The Chase (Madison's Action Soundtrack) - Download, Distribute, and Donate!

As broadcast October 30, 2020.  We asked our listners for some Halloween favorites as part of our 2020 t-shirt promo giveaway going down on Monday, and as usual they did not disappoint.  Tunes from The Doors, Alice Cooper, Gnarls Barkley & more to keep your All Hallow's Eve entertaining and a bit weird for the full two hours.#feelthegravityTracklisting:Part I (00:00)Michael Jackson – Thriller (The Reflex Halloween Edit)Whodini – Freaks Come Out At NightTalking Heads – Psycho KillerHarvey Danger – Flagpole Sitta (Chris Bleeker)Echo & The Bunnymen – The Killing Moon (Aine Byrne)The Cure – Lullaby (Laura Pra)Part II (30:03)Dusty Springfield – Spooky (Aine Byrne)Donovan – Season of the WitchDr. Dog – VampireShivaree – Goodnight Moon (John Keaton Jackson)Alice Cooper – Welcome to My Nightmare (Kelly Palmer)Dr. Octagon – Blue FlowersTone Loc – Loc'ed After Dark Part III (60:39)Kyle Dixon & Michael Stein – Stranger ThingsNick Cave & The Bad Seeds – Red Right HandSantana – Black Magic WomanThe Rolling Stones – Sympathy for the DevilELO – Evil WomanJesse Jo Stark – Wish I Was DeadPart IV (90:42)Vincent Price - Thriller Rap (Live TV, 1987)The Doors – People Are StrangeJohnny Cash – (Ghost) Riders In The SkyGnarls Barkley – The Boogie MonsterMarlon Williams – Vampire AgainScreamin Jay Hawkins – I Put A Spell On YouThe Doors – The End

We hear from Stranger Things Composers' Kyle Dixon and Michael Stein on creating music for the hit show.

Yottalogical (aka Adam), and Bradley join Addi and Darrell to discuss the music in Stranger Things. They talk about the music created by Kyle Dixon and Michael Stein and also the pop music featured in both seasons of the show. They discuss different facts and topics related to the music of this Netflix series. They go into a discussion about season one and season two individually.