Podcast appearances and mentions of Sergei M Eisenstein

Antonio Somaini"Frontiere della percezione"Festival Filosofiawww.festivalfilosofia.itFestival Filosofia, SassuoloDomenica 15 settembre 2024, ore 16:30"Frontiere della percezione"Intelligenza artificiale e cultura visualeQuale rapporto sussiste fra creatività e sviluppo tecnologico? In che modo l'intelligenza artificiale ha modificato il valore creativo di un'azione, soprattutto nel campo visuale, artistico e cinematografico, e a quale nuovo tipo di fruizione è chiamato l'osservatore? Antonio Somaini  è professore di Teoria del cinema, dei media e della cultura visiva presso l'Università Paris III - Sorbonne Nouvelle. È membro senior dell'Institut Universitaire de France (IUF). Ha insegnato in diverse università e centri di ricerca a Milano, Venezia, Parma, Berlino, Weimar, Parigi. Si occupa delle teorie degli anni Venti e Trenta in relazione con le questioni che attraversano la teoria contemporanea del cinema, dei media e della cultura visiva; lavora sulla cultura visiva contemporanea, e in particolare studia l'impatto delle tecnologie di intelligenza artificiale sul campo delle immagini fisse e in movimento. Ha curato edizioni in inglese, francese, italiano, tedesco e portoghese di testi di Walter Benjamin, Sergei M. Eisenstein, László Moholy-Nagy e DzigaVertov. Nel 2020 è stato il curatore principale della mostra “Time Machine: Cinematic Temporalities”. Tra i suoi libri in italiano: Ejzenštejn. Il cinema, le arti, il montaggio (Torino 2011); Estetica dei media e della comunicazione (con Roberto Diodato, Bologna 2011); Cultura visuale. Immagini, sguardi, media, dispositivi (con Andrea Pinotti, Torino 2016).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

El motín del Acorazado Potemkin, de Sergei M Eisenstein, permanece como una de las cotas más altas de la historia del cine. Fue dirigida ocho años después de las Revolución de Octubre, con la idea de glorificar los valores del levantamiento bolchevique, y está inspirada en unos hechos que tuvieron lugar en la fallida revolución de1905. Eisenstein revolucionó la técnica del montaje, siguiendo las teorías de Lev Kuleshov. El director y su cámara Eduard Tissé se planteaban crear las más profundas emociones en el espectador mediante la yuxtaposición de las tomas elegidas. Tras la rebelión de los marineros contra las condiciones malsanas que tienen que aguantar, tendrá lugar la exaltación del líder. La muerte de Vakulenchuk, el cabecilla, y su velatorio público. Es el mártir, un detonante más del levantamiento de las masas. Esas gentes son los protagonistas de la secuencia más memorable y reconocida del film. En la escalinata de Odessa la guardia de cosacos dispara a los manifestantes Impresionante la madre con el niño en brazos, se enfrenta a las fuerzas del orden que acaban de quitarle la vida a su hijo. Después el carrito sin control cayendo escalones abajo, el montaje rítmico de Eisenstein alterna diferentes planos, los rostros del horror, los planos detalle, los cosacos filmados desde atrás y sus botas avanzando, como asesinos autómatas, los planos generales de la escalera, y una cámara transversal que va filmando el movimiento de los que huyen. Esta noche izamos la bandera roja en el Acorazado Potemkin… Raúl Gallego, Chari Medina, David Velázquez y Zacarías Cotán

In our second episode featuring Jeremy Kagan, we discuss the matter of trust in social impact art-making, and in the community writ large, particularly these days. We also talk about these issues as they relate to Jeremy's film Crown Heights, which deals with the violence and hatred that erupted between the black and the Orthodox Jewish Hasidic communities in Brooklyn in 1991. BIOJeremy Kagan is a director/writer/producer of feature films and television. His credits include the box-office hits https://www.imdb.com/title/tt0076138?ref_=nmbio_mbio (Heroes) (1977), https://www.imdb.com/title/tt0077233?ref_=nmbio_mbio (The Big Fix) (1978) and https://www.imdb.com/title/tt0082175?ref_=nmbio_mbio (The Chosen) (1981). His https://www.imdb.com/title/tt0089385?ref_=nmbio_mbio (The Journey of Natty Gann) (1985) was the first US film to win a Gold Prize at the Moscow Film Festival. Other directing credits include https://www.imdb.com/title/tt0092780?ref_=nmbio_mbio (Conspiracy: The Trial of the Chicago 8) (1987) (winning the ACE Award for Best Dramatic Special) and https://www.imdb.com/title/tt0111021?ref_=nmbio_mbio (Roswell) (1994), which he produced and directed and which was nominated for a Golden Globe. In 1996, his episode of https://www.imdb.com/title/tt0108724?ref_=nmbio_mbio (Chicago Hope) (1994) won him an Emmy for Outstanding Direction of a Dramatic Series. One of his segments of https://www.imdb.com/title/tt0103512?ref_=nmbio_mbio (Picket Fences) (1992) was listed by TV critics among the top 100 television episodes. His recent work includes en episode of https://www.imdb.com/name/nm0000229?ref_=nmbio_mbio (Steven Spielberg)'s Emmy-winning anthology _"Taken" (2002/I) (mini)_ and numerous episodes of such hit series as https://www.imdb.com/title/tt0200276?ref_=nmbio_mbio (The West Wing) (1999) and https://www.imdb.com/title/tt0285370?ref_=nmbio_mbio (The Guardian) (2001).  His https://www.imdb.com/title/tt0317179?ref_=nmbio_mbio (Bobbie's Girl) (2002) was the highest rated film on Showtime 2003 and his movie https://www.imdb.com/title/tt0387955?ref_=nmbio_mbio (Crown Heights) (2004), which he produced and directed, won the Humanitas Award for "affirming the dignity" of every person and was nominated for a Directors Guild Award in 2004. Mr. Kagan is a graduate of Harvard University, where he wrote his thesis on https://www.imdb.com/name/nm0001178?ref_=nmbio_mbio (Sergei M. Eisenstein), has a Masters from NYU and was in the first group of Fellows at the American Film Institute. He is a tenured full professor at USC, where he is in charge of the directing track, and has served as the Artistic Director of https://www.imdb.com/name/nm0000602?ref_=nmbio_mbio (Robert Redford)'s Sundance Institute. He is on the National Board of the Directors Guild and is Chairperson of its Special Projects Committee and author of the book "Directors Close Up" and was presented the 2004 https://www.imdb.com/name/nm0000736?ref_=nmbio_mbio (Robert Aldrich) Award for "extraordinary service to the guild.” Notable Mentions: https://www.imdb.com/title/tt0387955/ (Crown Heights, Movie):  (Story) After the Crown Heights riots, an orthodox Rabbi and a community activist help two youths--one a Hasidic Jew, the other African-American--form a hip-hop group to heal their neighborhood.  https://en.wikipedia.org/wiki/Crown_Heights_riot#Death_of_Gavin_Cato (Gavin Cato): Riots between Crown Heights' Jewish and black communities erupted on Aug. 19, 1991 after two black children were hit by a station wagon that was part of a motorcade for a Jewish rabbi. Gavin Cato, 7, died instantly, and his 7-year-old cousin, Angela Cato, was severely injured.  https://www.aaronzigman.com/ (Aaron Zigman): is an award-winning composer who has scored more than 60 major Hollywood films and influenced...

In this episode we visit with storied Hollywood director Jeremy Kagan, whose career has proved that yes, the power of story on the big screen, the small screen, and the community screen can be both entertaining and help change hearts and minds for the better. BIOJeremy Kagan is a director/writer/producer of feature films and television. His credits include the box-office hits https://www.imdb.com/title/tt0076138?ref_=nmbio_mbio (Heroes) (1977), https://www.imdb.com/title/tt0077233?ref_=nmbio_mbio (The Big Fix) (1978) and https://www.imdb.com/title/tt0082175?ref_=nmbio_mbio (The Chosen) (1981). His https://www.imdb.com/title/tt0089385?ref_=nmbio_mbio (The Journey of Natty Gann) (1985) was the first US film to win a Gold Prize at the Moscow Film Festival. Other directing credits include https://www.imdb.com/title/tt0092780?ref_=nmbio_mbio (Conspiracy: The Trial of the Chicago 8) (1987) (winning the ACE Award for Best Dramatic Special) and https://www.imdb.com/title/tt0111021?ref_=nmbio_mbio (Roswell) (1994), which he produced and directed and which was nominated for a Golden Globe. In 1996, his episode of https://www.imdb.com/title/tt0108724?ref_=nmbio_mbio (Chicago Hope) (1994) won him an Emmy for Outstanding Direction of a Dramatic Series. One of his segments of https://www.imdb.com/title/tt0103512?ref_=nmbio_mbio (Picket Fences) (1992) was listed by TV critics among the top 100 television episodes. His recent work includes en episode of https://www.imdb.com/name/nm0000229?ref_=nmbio_mbio (Steven Spielberg)'s Emmy-winning anthology _"Taken" (2002/I) (mini)_ and numerous episodes of such hit series as https://www.imdb.com/title/tt0200276?ref_=nmbio_mbio (The West Wing) (1999) and https://www.imdb.com/title/tt0285370?ref_=nmbio_mbio (The Guardian) (2001).  His https://www.imdb.com/title/tt0317179?ref_=nmbio_mbio (Bobbie's Girl) (2002) was the highest rated film on Showtime 2003 and his movie https://www.imdb.com/title/tt0387955?ref_=nmbio_mbio (Crown Heights) (2004), which he produced and directed, won the Humanitas Award for "affirming the dignity" of every person and was nominated for a Directors Guild Award in 2004. Mr. Kagan is a graduate of Harvard University, where he wrote his thesis on https://www.imdb.com/name/nm0001178?ref_=nmbio_mbio (Sergei M. Eisenstein), has a Masters from NYU and was in the first group of Fellows at the American Film Institute. He is a tenured full professor at USC, where he is in charge of the directing track, and has served as the Artistic Director of https://www.imdb.com/name/nm0000602?ref_=nmbio_mbio (Robert Redford)'s Sundance Institute. He is on the National Board of the Directors Guild and is Chairperson of its Special Projects Committee and author of the book "Directors Close Up" and was presented the 2004 https://www.imdb.com/name/nm0000736?ref_=nmbio_mbio (Robert Aldrich) Award for "extraordinary service to the guild.” NOTABLE MENTIONShttps://en.wikipedia.org/wiki/Motion_Picture_Production_Code (The Hays Code): The Motion Picture Production Code was a set of industry guidelines for the https://en.wikipedia.org/wiki/Self-censorship (self-censorship) of content that was applied to most motion pictures released by major studios in the https://en.wikipedia.org/wiki/Cinema_of_the_United_States (United States) from 1934 to 1968. It is also popularly known as the Hays Code, after https://en.wikipedia.org/wiki/Will_H._Hays (Will H. Hays), president of the Motion Picture Producers and Distributors of America (MPPDA) from 1922 to 1945.  https://www.aclu.org/other/freedom-files (ACLU Freedom Files): The Freedom Files, Directed by Jeremy Kagan that premiered in 2005 with a 10-part television series featuring real clients and the attorneys who represent them, as well as well-known...

O PFC volta com Alexandre, Fred e o músico Willian de Andrade para fechar a filmografia de Sergei Eisenstein, nesta segunda e última parte sobre a carreira do diretor. Nesta fase de sua reduzida obra cinematográfica, o cineasta soviético passou por uma série de problemas para concluir seus projetos e o primeiro filme que abordamos neste áudio é o maior exemplo disto: só foi montado muito depois da morte de Eisenstein, por um de seus colaboradores frequentes. Começamos com “Que Viva, México!” (¡Que Viva Mexico!, 1932/1979) , depois seguimos com “Cavaleiros de Ferro” (Aleksandr Nevskiy, 1938) e concluímos o episódio com filmes que comporiam uma trilogia, mas acabou que só duas partes foram produzidas e distribuídas: “Ivan, O Terrível” (Ivan Groznyy, 1944) e “Ivan, O Terrível – Parte II” (Ivan Groznyy. Skaz vtoroy: Boyarskiy zagovor, 1958), este último lançado dez anos após a morte de Sergei M. Eisenstein. Descubra um pouco mais sobre a vida e obra de um dos cineastas mais influentes do cinema e um dos pais da montagem moderna.

One hundred years after the Russian Revolution, the intellectual and ideological nature of the art and culture produced between October 1917 and the collapse of the Soviet Union in 1991 remained hotly debated and, at times, poorly understood. Here, Juliet Jacques welcomes writer/critics Maria Chehonadskih, Owen Hatherley (author of Militant Modernism (2009), Landscapes of Communism (2015) and The Chaplin Machine (2016)) and Ilia Rogatchevski to discuss the cultural legacy of the Soviet period and challenge Western preconceptions about the relationship between art and politics in the former USSR, from the Constructivist energy of the 1920s and imposition of Socialist Realism under Stalin, all the way through to the underground art movements of the 1980s. WORKS REFERENCED: Maria Chehonadskih on Pussy Riot – https://www.radicalphilosophy.com/commentary/what-is-pussy-riots-idea Adam Curtis on Vladislav Surkov - https://www.youtube.com/watch?v=Od4MWs7qTr8 SERGEI M. EISENSTEIN, Aleksandr Nevsky (1938) SERGEI M. EISENSTEIN, Ivan the Terrible (Parts I & II) (1944-1958) SERGEI M. EISENSTEIN, October (Ten Days That Shook the World) (1928) EVALD ILYENKOV (Soviet theorist) - https://www.marxists.org/archive/ilyenkov/ ILYA & EMILIA KABAKOV (Moscow Conceptual School) - https://ilya-emilia-kabakov.com/ VITALI KOMAR (Sots Art founder) - http://www.komarandmelamid.org/ MIKHAIL LIFSHITZ(Soviet philosopher) - https://thecharnelhouse.org/2014/12/15/art-is-dead-long-live-art-mikhail-lifshitz-on-karl-marxs-philosophy-of-art/ EDUARD LIMONOV (National Bolshevik Party) CHRIS MARKER, The Last Bolshevik (1993) - https://www.independent.co.uk/arts-entertainment/film-happiness-is-making-a-bolshevik-laugh-1459870.html VLADIMIR MAYAKOVSKY, '150,000,000' (1919-1920) - https://en.wikipedia.org/wiki/150_000_000 VLADIMIR MAYAKOVSKY, The Bathhouse (1929) - https://en.wikipedia.org/wiki/The_Bathhouse VLADIMIR MAYAKOVSKY, The Bedbug (1928) - http://snoowilson.co.uk/The%20Bedbug.pdf ALEKSANDR MEDVEDKIN (Soviet filmmaker) - https://en.wikipedia.org/wiki/Aleksandr_Medvedkin Deimantas Narkevičius (Lithuanian filmmaker/artist) YURI OLESHA, Envy (1927) - https://godsavethetsar.wordpress.com/2015/08/04/dont-laugh-andrei-petrovich-yuri-oleshas-envy/ VIKTOR PELEVIN (Russian author) BORIS PILNYAK, The Naked Year (1928) - http://www.overlookpress.com/ardis/naked-year-1.html ANDREI PLATONOV, The Foundation Pit (1930) - https://en.wikipedia.org/wiki/The_Foundation_Pit ABRAM ROOM, Bed and Sofa (1927) - http://www.calvertjournal.com/articles/show/1339/film-club-sofa-and-bed-abram-room VLADIMIR SOROKIN (Russian author) VLADIMIR TATLIN, Letatlin – http://www.atlasobscura.com/articles/the-birdlike-soviet-flying-machine-that-never-quite-took-off VLADIMIR TATLIN, 'Monument to the Third International' (1919-1920, unbuilt) DZIGA VERTOV, The Eleventh Year (1928) - https://www.youtube.com/watch?v=SSve8HNjZ4Y DZIGA VERTOV, Enthusiasm: Symphony of the Donbass (1930) - https://www.youtube.com/watch?v=vUInm2dC6Ug DZIGA VERTOV, Kino-Pravda (1920s) - https://www.youtube.com/watch?v=J0SJyLX9MgQ DZIGA VERTOV, Man with a Movie Camera (1929) DZIGA VERTOV, Stride, Soviet! (1926) - https://www.youtube.com/watch?v=ILG1_ceQCzE DZIGA VERTOV, Three Songs of Lenin (1934) - https://www.youtube.com/watch?v=x66SYdygrpE VOINA, phallus on Liteiny Bridge, St. Petersburg - https://www.theguardian.com/artanddesign/2011/apr/12/voina-art-terrorism

A dramatized account of a great Russian naval mutiny and a resulting street demonstration which brought on a police massacre.Director: Sergei M. Eisenstein (as S.M. Eisenstein)Writer: Nina Agadzhanova (script)Stars: Aleksandr Antonov, Vladimir Barsky, Grigori Aleksandrov -via IMDBhttps://archive.org/details/ApskaftPresentsTheBattleshipPotemkin

Bericht vom zweiten Tag der Berlinale mit den Filmen „Aujourd'hui“ mit Saul Williams und Aïssa Maïga, „Extrem laut und unglaublich nah“ mit Thomas Horn und Max von Sydow, „A moi seule“ sowie dem Stummfilmklassiker „Oktober“ von Sergei M. Eisenstein.

Bericht vom zweiten Tag der Berlinale mit den Filmen „Aujourd'hui“ mit Saul Williams und Aïssa Maïga, „Extrem laut und unglaublich nah“ mit Thomas Horn und Max von Sydow, „A moi seule“ sowie dem Stummfilmklassiker „Oktober“ von Sergei M. Eisenstein.