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Revelation 5.1-14—The Gospel in Three Songs by Lettered Streets Covenant
In this instalment we each chose a song inspired by a true crime story, this one is a doozy, so buckle-up. Warning: this episode contains a lot of topics that some listeners may be sensitive to including; mental and physical abuse, substance-abuse and various deaths, please, proceed with this in mind. As always, thank you for listening -The 3SD Team If you or someone you know needs to talk, please, text or call 988. Someone is always listening...
Excerpt of the 06 Jan 1949 Kraft Music Hall starring Al Jolson. Larry Parks was the guest on this week's program, but this podcast is from the middle part of the show, and features Jolson, Oscar Levant, Ken Carpenter, and Lou Bring. Enjoy the scripted comedy, which refers to the cast's expenses with the show broadcasting remotely from Palm Springs, and Jolson's renditions of "I Want A Girl Just Like The Girl That Married Dear Old Dad," "Don't Let It Get You Down," and "Ma Blushin' Rosie, Ma Posie Sweet." The complete broadcast circulates with other Jolson radio shows on the Official Al Jolson Website at www.jolson.org.
After the intense lament prayer of Psalm 22, the compilers of the Psalter provide us with a beautiful and stirring trio of songs that are all about trusting God. Let's learn from David why God is worthy of our trust.----------------------------Please follow us on these platforms:Youtube: https://www.youtube.com/@JointhesearchTikTok: https://www.tiktok.com/@jointhesearchInstagram: https://www.instagram.com/jointhesearchtodayFacebook: https://www.facebook.com/jointhesearchtoday
What should the righteous do when God has heard their cries for help and rescued them? They should celebrate with joy, thanksgiving, and praise! ----------------------------Please follow us on these platforms:Youtube: https://www.youtube.com/@JointhesearchTikTok: https://www.tiktok.com/@jointhesearchInstagram: https://www.instagram.com/jointhesearchtodayFacebook: https://www.facebook.com/jointhesearchtoday
What's the craic players... Welcome back to another episode of Conversations with Cornelius. This week I sit down with one of the most interesting intelligent and wildly stylish human beings I have ever encountered. Harry Hussey. It was a ten out of ten podcast for me. Enjoy with a Latte and cream bun. Below is a link to my patreon guys its a great way to support my work and there are loads and loads of exclusive episodes to catch up on. / conversationswithcornelius You can find me on Instagram @Corneliusthecomic Twitter @ComedianConn Facebook @CorneliusPatrickOSullivan or up a mountain or in a pub watching a match.
The Youth Ministry Sherpas are back for the fall, kicking things off with a crazy new series, the Sherpa Triple Play! For 21 straight days, Steve, Brock and Shannon will take turns giving their answer to a Top 3 question in these short and fun episodes. It's a burst of llama love for youth pastors, youth leaders, volunteers, and anyone who works with teens in the church!
While many of us can easily picture Mount Rushmore in our heads, few of us know much about it beyond the heads. Even if you CAN name all four presidents featured (and only 30% of Americans can) the story of how and why this enormous feat of engineering - and total fuck-job on the Native Americans - came to pass.Guest, Christine Blackburn, is a comedian and story-teller located in LA, and the host of several wildly successful shows. Story Worthy is an epic podcast now in it's 14th seasonStory Smash is a live story-telling gameshow featuring an all-star celebrity panel of judges. My Life in Three Songs is her latest podcast where comedians, including Patton Oswald and Margaret Cho, sit down with her and discuss their lives through their favorite music.SILF's (Sources I'd Like to F*ck)VIDEO: Mount Rushmore & The Black Hills (YA/Tourism Video via Hoopla) PODCAST: American History Tellers (Podcast: Season 30, Episode 3) PODCAST: The Sculptor's Funeral. (Two parter: #73 and #74)Crazy Horse Memorial --- LILF's (Link's I'd Like to F*ck) See Dawn on THE HISTORY CHANNEL!Crazy Rich AncientsHistories Greatest Mysteries (multiple seasons)HILF is now on Patreon!Buy Me a Coffee---NEXT NEW EPISODE: Lemuria with Justin McHenry, Wednesday, Sept 4th, 2024---WANNA TALK? Find us on Instagram or email us hilfpodcast@gmail.comTheme song: Composed and performed by Kat Perkins.
Read by Juliet Prew Production and Sound Design by Kevin Seaman
Welcome to the Jew and Gentile Podcast. Text the Jew and Gentile your comments, questions, concerns (OY!), and news at: 424-444-1948 MUG-ON-A-MUG With your gift of $10 or more to FOI Equip, you to can have your very own Mug-on-a-Mug. Your generous donation helps to expand the important work of teaching the Bible from a Jewish perspective while raising up new FOI volunteers and representatives serving Jewish communities all around the world. Visit gofoi.org/mug to make your gift today and receive your own Jew and Gentile Podcast Mug-on-a-Mug. Oy, look at Steve's punim! FROM THE SCRIPTURES The Common Thread: The Apostles https://www.foi.org/the-common-thread/ FOI Equip Classes: Will the Real Messiah Please Stand Up? DR. WILL VARNER JULY 18, 25 For thousands of years, Israel has been eagerly awaiting the Messiah. Throughout this period of anticipation, numerous individuals have emerged, falsely claiming the mantle of the Christ—the Messiah. As a result, some of the Jewish community has been led astray, causing significant harm to both their lives and faith. Join us for two informative classes as we unravel the history of Israel's false Messiahs. In these sessions, we will highlight the distinctions between these deceptive figures and the one true Messiah, Jesus Christ. Register: foiequip.org In the Life of a Torah Scribe RABBI SHMUEL BOWMAN SEPTEMBER 5 Have you ever wondered if Jewish scribes are a relic of the past? Discover the vibrant and essential role they still play today! Join Rabbi Shmuel Bowman as he shares his journey and calling as a Jewish scribe. In this class, you'll delve into his daily routines, the meticulous methods he employs, and the profound significance of his work in preserving the Torah. Don't miss this unique opportunity to gain insight into a living tradition! Register: foiequip.org FOI Resources Get a free one-year trial subscription to Israel My Glory https://israelmyglory.org/subscribe/ Get Involved with Friends of Israel Gospel Ministry https://www.foi.org/outreach Chris Katulka's book: Israel Always foi.org/israelalways Steve Herzig's book: Jewish Culture & Customs foi.org/jcc From the news surrounding Israel and the Jewish People: IDF Recovers Bodies of 5 Israelis, Including Hostage, from Gaza https://www.breitbart.com/middle-east/2024/07/24/idf-recovers-bodies-of-4-israelis-including-hostage-from-gaza/ Haredim unwilling to draft are the new Zealots in Israel - opinion https://www.jpost.com/opinion/article-810968?utm_source=jpost.app.apple&utm_medium=share#google_vignette Musk activates internet service in Gaza hospital with help of UAE, Israel https://www.jpost.com/breaking-news/article-811619?utm_source=jpost.app.apple&utm_medium=share Yiddish Word(s) of the Day Meshummad - Yiddish from the Hebrew - Meshumed is the term applied to one who has renounced his faith and accepted another one . The word comes from a term meaning to destroy , in the sense that his relationship with his origin has been destroyed . Some claim that the term means one who is ex-communicated — because of his renunciation of the faith . Some writers claim that the term relates to a word meaning to be baptized into another faith .
February 2nd, 2005
Check out this weeks KICK ASS PODCAST wit ya boy QPC and special guest Holly Mack ... It's more fun than Corvette Guy, I PROMISE !!! LOL !!! Topics discussed: Hunter Biden conviction, Unsealed Epstein documents and Trump, Ticket Master, Sci Fi vs Fantasy, Name three Misfits songs and sooooooo much more ... You're gonna LOVE THIS SHOW !!! CHECK IT !!!
Support Breaking Form!Review the show on Apple Podcasts here.Buy our books: Aaron's STOP LYING is available from the Pitt Poetry Series. James's ROMANTIC COMEDY is available from Four Way Books.Please consider supporting the poets we mention in today's show! If you need a good indie bookstore, we recommend Loyalty Bookstores, a DC-area Black-owned bookshop.Read Rick Hilles's "A Visionary's Company"Listen to Seduction's hit song "Two To Make It Right." Of the six songs on the 13-track Bodyguard soundtrack, Whitney Houston sings 6. Michelle Visage's group The S.O.U.L.S.Y.S.T.E.M. performs "It's Going to Be a Lovely Day" on the album.Read Linda Bierds's poem "Ghost Trio"Watch a live performance of Tori Amos's "Putting the Damage On." Check out the Tori-licious website Toriphoria, containing all things Amos. Rita Dove's poem "Soup" is from her latest collection, Playlist for the Apocalypse and you can listen to her reading it here.Read Jane Kenyon's poem "Three Songs at the End of Summer"Read Robert Penn Warren's poem "Tell Me a Story." Watch Natasha Trethewey's final lecture in her 2-term Poet Laureateship, "The World of Action and Liability: On Saying What Happens," in which she contends with Penn Warren, violent and racist histories, and the role of poetry in social justice. (1 hour). Trethewey later published the text of the lecture under the title "The Quarrel With Ourselves."Listen/watch Ani DiFranco's fabulous "Untouchable Face"Watch Sandra Cisneros read her poem "After a Quote from My Father."Read Darnell Arnoult's "Outrageous Love." Check out the fabulous Brenda Shaughnessy's poem "Card 19: The Sun."
Merry Christmas! Three Christmas themed songs from Britney Spears, NSYNC and the Backstreet Boys. Iconography unpackages music with artists, songwriters and producers as well as helping those in need. On the show James read “letters of love” from worldwide fans to the guests. The show exists to let the creatives know that their music still has an impact on many. From worldwide smash hits to album cuts, bonus tracks and B-sides. The show unpackages it all! Audio ripping, stealing, and leaking is prohibited in every country in the world. 0:00 - 0:18 intro 0:19 - 10:00 NSYNC 10:01 - 11:40 BSB 11:41 - 14:23 NSYNC 14:24 -Britney Spears www.Instagram.com/The.Original.Doll www.TheOriginalDoll.com www.Twitter.com/JamesRodriguez www.Patreon.com/TheOriginalDoll www.TikTok.com/@TheJamesRodriguez
Dave Davis is joined by David Jaggs from The Ragamuffins to chat: - The History Of The Song and Debates - The Pre-Match Element and Why It Means So Much To Some - Memories and Musicality Learn more about your ad choices. Visit megaphone.fm/adchoices
Every once in a while, JF and Phil like to do a “song swap.” Each picks a song, and the ensuing conversation locates linkages and correspondences where none was previously thought to exist. In this episode, they are joined by the music scholar Meredith Michael – Weird Studies assistant, and co-host of Cosmophonia, a podcast about music and outer space – to discuss songs by Lili Boulanger, Vienna Teng, and Iron & Wine. Before long, this disparate assortment personal favourites occasions a weirdly focused dialogue on time, impermanence, control, (mis)recognition, and the affinity of art and synchronicity. Support us on Patreon (https://www.patreon.com/weirdstudies). Buy the Weird Studies sountrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page. Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/). Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! REFERENCES Iron and Wine, “Passing Afternoon” (https://www.youtube.com/watch?v=q0dP7iZv9K0&ab_channel=PsyPars) Vienna Teng, “The Hymn of Acxiom” (https://www.youtube.com/watch?v=QF-7WiLykGM&ab_channel=ViennaTeng-Topic), (and here is the live version (https://www.youtube.com/watch?v=tJyheSPtjoU&ab_channel=ViennaTeng)) Lili Boulanger, [Vieille Priére Bouddhique](https://www.youtube.com/watch?v=evn3bkK2W3o&abchannel=CHORWERKRUHR)_ Star Trek: Deep Space Nine (https://www.imdb.com/title/tt0106145/) Karol Berger, Bach's Cycle Mozart's Arrow (https://bookshop.org/a/18799/9780520257979) William Shakespeare, Hamlet (https://bookshop.org/a/18799/9780743477123) Charles Darwin, The Origin of Species (https://bookshop.org/a/18799/9780451529060) Immanuel Kant, Critique of Pure Reason (https://bookshop.org/a/18799/9780140447477) Vladimir Jankelevitch, Music and the Ineffable (https://bookshop.org/a/18799/9780691090474) Hector Berlioz, Fugue on “amen” from La Damnation du Faust (https://www.youtube.com/watch?v=ChgJsOdNYSo&ab_channel=JulesBastin-Topic) Slavoj Zizek, A Pervert's Guide to Idiology (https://www.imdb.com/title/tt2152198/) Federico Campagna, Technic and Magic (https://bookshop.org/a/18799/9781350044029) Shepard Tone (https://www.youtube.com/watch?v=BzNzgsAE4F0&ab_channel=J_II) Rudolf Steiner, The Influces of Lucifer and Ahriman (https://bookshop.org/a/18799/9780880103756) Special Guest: Meredith Michael.
The boys, Chris and Brendan, have finally kicked off the pod. In this episode they recap Sober October, current headlines, and address: Robert Plant singing Stairway, Slipknot not making a lot of money, Gen Z requesting numetal at parties, the upcoming Spiritbox EP, CREED, and much more.
Qais Essar is a contemporary Afghan composer, instrumentalist, and producer who channels his melodic designs through the rabab, a 2,500 year old instrument from Afghanistan. He has toured extensively, sharing his new genre of music nationally and internationally. He has contributed original music to feature film and television also, composing for 2021's Oscar-nominated film, Three Songs for Benazir. In 2017, Qais was recruited by director Nora Twomey to compose an original song for her Oscar-nominated film, The Breadwinner (produced by Angelina Jolie). He earned a Canadian Screen Award for “Best Original Song” for his piece, The Crown Sleeps. In this episode, Qais shares his deep connections to this ancient instrument and how the rebab has become an extension of his own voice. Following our theme of Art & Identity, this conversation offers a beautiful perspective on how culture, tradition and innovation shape the people we become. Hear Qais Essar's latest release “My Whole Heart.”Join the Makers & Mystics creative CollectiveStephen's Songs of Water music
Dorothea Lasky joins Kevin Young to read “Three Songs,” by Louise Bogan, and her own poem “The Green Lake.” Lasky is the author of several books of poetry and prose, including her forthcoming collection “The Shining.” She's the co-creator, with Alex Dimitrov, of Astro Poets, and she teaches poetry at Columbia University.
Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multivetrse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! YOu can't sell kandi, youre supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theater in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Conscious and Unconscious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradise and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … Ted, Ted, and Ted's accidental initiation into The Psychonauts began as a result of the friends, originally three Fraternity Brothers and Recent Graduates of UCLA attending festivals consistently together, each using various Mind-Altering substances to attract (“preferably female”) partygoers. Over the course of the series in short (often light and comedic) scenes, where the trio often stumble into reality-shattering situations by sheer coincidence or seemingly random occurrences. But as we later learn about the multilayered world of interdimensional existence, Everything happens for a reason; Nothing is Impossible, Never Say Never, Be Careful what You Wish For-- and, of course-- there are no coincidences. These three seemingly simple-minded creatures begin as “wooks”, Shirtless Party Boys eager to rave. Often [irresponsibly] experimenting with copious amounts of psychedelics, the boys often find themselves unknowingly transported through various wormholes, teleportals, time warps, and Voids created through the music at each festival they attend, sometimes confusedly landing them in alternate parallels and altered dimensions of reality, sometimes even spiraling into three separate dimensions at once, thus creating new points along The Grid, from which the parallels and dimensions are woven together and interconnected through, time, space, circumstance, and choice in any conscious--ultimately (though, most often by dumb luck or happy accidents) expanding the universe, prompting the Ascended Masters to scout Ted, Ted, and Ted as a unified team to be inducted into The Psyconauts, eventually becoming an integral and important Dillon (Theodore) Francis, while working towards an Alliance between the Bampheramphs and Psychonauts uses his bewittingly bestowed middle name to act as an Alternate ‘Ted', or sometimes work jointly as The QuadraSquad, a “pop-up” rave squad which acts as a recruitment team, and on emergency search-and-rescue missions, collecting key components along the collapse and collision of worlds and within the fabric of space, time, and reality. Chak Chel and Dillon Francis put the Teds through a rigorous (and extremely senseless) crash-course in DJing, forming a popular Trio, whose name varies depending on the dimensions in which they will preform, secretly setting tactical bassdrops, emitting coded frequencies to communicate covertly with other entities, opening intentional time warps, portals, and wormholes through their DJ sets. Time holes where the Trio are in two (or sometimes, more, and alternately infinite) places at once are placed as easter eggs throughout the series; In some cases, The Three Teds are even festival attendees at the festivals which in a neighboring reality they are also headlining, even at points transporting their own selves through timespace--whether intentionally, or coincidentally. As the Teds reach the high ranks of The Psychonauts, even eventually (and unwillingly) becoming separated by the obligation of duty, being assigned to separate sanctions of Leadership by skillset as a “draft” is enacted to strengthen their forces, as they prepare for The FInal Battle (actually multiple (infinite) battles occurring concurrently throughout the expanse of reality, even stretching into the outer realms of ‘inexistence' as the collective consciousness grows, reaching Ascension, and allowing certain realities to reach the New Paradigm. Though evolved over time as the series progresses, The Teds maintain their quirky wookness, questionable (sometimes inappropriate) sense of fashion, and hilariously signature fratboy attitudes and antics, reunifying as a powerful Trio once more towards the conclusion of the series, appearing elementally in various ways at most crucial plot points, revealing the creation through all of their endeavors and shenanigans, a brand new universe within The Infinite Multiverse. (“TED”, where everything/everyone is “Ted”, This universe collides with “Everyone's A DJ”, and, as an infinitely expanding and integral part of the universe, appears optically as “TBD” (To Be Determined, Where Cliffhangers, Plot Holes, Continuity Errors and other traditional elements of Theatrical Film are represented throughout the SUPA Saga and overall festival project.) During the Wookness: Ted: Yo, how much for this? (Points To Kandi Cuff) ...How much-what? Ted: How much is it? Like what, $50 bucks? 50 bucks?! Ted: Oh shit, my bad--festival prices, huh? Sorry yo, I got a $50, the rest is big bills. Doyou have an online shop? Are you trying to buy my kandi? You can't *buy* kandi! Ted: Pssshhh! Ted: All I buy is Kandi! You can't sell kandi, you're supposed to trade it.. That's why you make it. Ted: Yeah bro, I've done trades. (Flashback) Raver Girl: Wanna Trade Kandi? Ted: Show Us your Titties! The girl looks to her friend, as if to say “should I?” her friend, wearing dark Ray Bans, and sternly nods her head in approval, her friend shrugs drunkenly as if to say“fuck it, why not?” While the friend swiftly pulls out her iPhone, the other lifts her shirt, flashing the happy Teds, dancing in Fratboy Delight; Ted, standing adjacent to the straight-faced girl in Sunglasses, sneakily scrunches down to get a good picture; their [Tri-Lens] iPhone cameras now directly aligned. face to face, (or rather, eye-to-eye) ((Or, eye-to-eye, rather,)) (((Rather, eye-to-eye,))). snapping his picture, as the flash from her camera blinds him Ted:UH, Yeah you can..They sell it online. Online? Whats--what? SELL? Ted: Fuck yeah dude. Ted: YEEE, KANDI KID 4 LIFE YOU ARE NOT A KANDI--Ki--YOU CAn'T SELL KANDI. Woah, chill. No “chill” no selling Kandi! NO! NO! What Chak Chel's Bedtime Stories Chak Chel, the GOOGLE kids' favorite babysitter, tells stories of infinitely expanding adventures of the multidimensions of timespace -Honey, I Killed Myself. -Honey, I Shrunk The Skrillex -Who Killed Sunni Blu? -Who Killed SupaCree? -The Curious Case of SupaCree -DILLONCEPTION Trapped in an intensely infinite and ever-expanding and/or consistently densening Vividly Lucid Multidimensionally (And Musically) Interconnected Omni-Galactic Eternal Space-Time “Loop”, [DJ] Dillon Francis must frustratingly attempt to multitask through an “apparently unlimited”[ (I TOLD YOU, IN-FIN-ITE. INFINITY.)] battle his Masked nemesis, Key: Brackets [] Director's Notes, Production Details, typically indicating a tie-in with other entries, or crossovers from other consecutively (or, sometimes, alternately) running series in the saga, more frequently as the “Multiverse” expands, or as the (Technical Omniverse, Eventually) in which the series' specific “(U)niverse” ‘collapsing', being progressively stated repeatedly throughout the series to be both compressing, and expanding respectively; However, as the Bill and Ted's Excellent Adventure... Dill and Ted's Excellent Adventure (They cross paths with Bill and Ted, in their search for Two of the missing Teds; Alternately Ted and Ted discover how ‘Three's a Crowd” makes sense, as they happily gallavant frat-tastically through the galaxy, in search of a Sexy Space-Alien Rave Bae (The Amazonian Women from futurama, live action, Saved by the Heroes from futurama) (on) Having ascended into the dimension after her most recent death, SupaCree (not yet known as SupaCree), lands “God”, an Ascended Dimension where she can actually communicate clearly with the Ascended Masters, being closer to ‘God' (her)self, but not directly being able to interact with her; conversely, she can scan the plains of reality from “above”, though later we learn there is no “up” or “down” in “Total Omnipotence”, the post-conscience Infinite Existence Experienced in the Limitless (INFINITE) Energy of Being Everything, Everyone, and Everywhere at once; Simultaneously Nonexistant, Being “Nothing”, “Nobody” and “Nowhere” at once, all represented variously through the concept of infinite multidimentionality, in our “3” dimensional “Uni-Multi-Omni-Versal” (apparently, I've just been told) SupaCree exists in a Tri-Verse, unbeknownst to even God (her)self to its true Origins, the “final(e)” (but not, ever) (e) In a random and nearly collapsed alternate fabric of timespace, where the spelling of the name “Cree” is pronounced the same, but spelled simply “Cre”, (though, specifically equally--”by the exact number of times, actually”--mispronounced”, One of the only similarities between the two, sharing the same planetary alignments and cosmic significance and the same parents--however having been conceived with completely different genetic markers: As a result, this alternate version of herself is physically not “opposite”, but differs in physical appearance drastically--at least, for the most part--as more ideally attractive which to The Original's mind-blowing dissatisfaction, (and, also stagnantly egotistical “Very Satisfied” Satisfaction), But the feeling soon fades when she learns that this reality is on the verge of imminent collapse after the discovery that one subtle, singular synchronicity shared in her actual reality(s)(realities) (which one?) ((Multiple “actual-realities, actually”)) (((Multiple Synchronized Individual Existence Theory, one of the multiple Theories (I) Use to Conceive the (Law) of Evolutionary Infinite Omnipotence, (Everything is Everything/Nothing is Nothing/ God is, as I am/ I am U/All Are One) the aforementioned suggesting the absolute possibility of any circumstance which allows a singular subject with (apparently) “limited” existence, total and complete synchronization at “exact” moment of “Creation”, or “Origin”, and any circumstantially coinciding consecutive synchronizations beyond the limitations eo each respective individual's actual existence or reality.)(Satisfaction, Benny Benassi) (And Apparently, The Biz--because, literally, writing in real-time (What is time) with google. (What's The Biz???) Travelling to 2003, where the event which ties this frail and “practically non-existent” fabric of reality to her own, she eagerly races against the clock (in real time?) ((maybe, unreal time)) (((I am time.))) “I don't believe in time”, later corrected, after being stuck in a Godless world to “The human concept of “time”,/God's not real, or opting to state the phrase more subjectively, “I don't [really}/I kinda don't believe in time,” though as she evolves more rapidly through her progressive Ascension and Elemental Mastery, quickly Surpassing Ascended Mastery as a skilled sorcerer,Visionary Seer, helping her rapidly strengthen the art of Cosmic Alchemy, mastery of (eventually, instant, and respectively infinite manifestation, and matter/antimatter movement and/or manipulation;i.e. The art of Creation. I.E., Do you even know what “i.e' stands for? I'll look it up later, I know what its used for. Look it up. [Googles i.e, clicks on top most commonly searched] I.e. and e.g. are both Latin abbreviations. E.g. stands for exempli gratia and means “for example.” I.e. is the abbreviation for id est and means “in other words.” Remember that E is for example (e.g.) and that I and E are the first letters of in essence, an alternative English translation of i.e. The Original Cree sits perched behind a red (Ugh, red…) ...A red laptop computer; the love light lost from her dark eyes, through the clear lenses of her cheap, brandless (Medicaid.) ...brandless black glasses, narrow framed and unbecoming over the shape of her face, the Album ‘Who Killed Matt Maeson” softly plays a somber song, to which she'd normally--at least, if left alone or rarely, in “comfortable company” (That's, someone you don't necessarily “like”, but still feel comfortable enough to sing around.) The Scientist, in a higher realm, peaking down through her microscope, watches contently, curiously, and concisely, dialing its lens by a couple turns, as she ponders aloud, Hm. Wonder what makes that happen, exactly? That's...huh...Hm. [Her project, a mystery hidden from the audience. She pushes herself back from the desk, reaching for her notebook and jotting quickly her findings, stopping only turn on some [] Music, which blends seamlessly as we fade back into the scene of the drab and unflattering, somewhat “sickeningly” lit, reminiscent of the stagnancy most often observed in a petri dish.] As the song ‘Cringe' begins to play in the background, the clear picture of the laptop screen fades into a blurred obscurity, as her focus shifts sharply to the warm glowing array of colors of her speaker light her otherwise nearly lifeless eyes, as she is Slightly and softly hypnotized into a series of several simultaneous vivid memories; separate and specifically assorted scenes form, as she remembers “everything” quite at once, A vision weaved into her conscious memories, just as seamlessly; A Web Wrapped with the Fragile Fabric of “Time”, the invisible energy of musical frequencies awaken ones senses and sensibilities--invisible, for some...at least. The light on the speaker, a golden tone, as we cascade into the eye mind; A flash to a blurry memory, 2017; A slender and handsome longhaired surfer, resurfaces from submersion under the waves, flipping his long hair back with the graceful and slowmotionly seductive snap of the neck, as the sunlight gleaming a golden glow, in the eye of his admirer. A Flash Of: The Golden Light of the Shining Sun over Santa Monica A Flash, As she Gently Weeps, as the tears leaving her eyes leave (in a flash of scenes) drops onto her jeans, the sidewalk--all the while, A tiny ant carries a giant leaf, as the spider weaves beneath the tree whose leaves leak streams of pretty streaking and speckled, and leaves glassy droplets stuck in the strings of the spider, still weaving; the rain floods the streams into rivers, which bleed, eventually in the ocean, fanning out into the Seven Seas. (pacifically, eventually) Are we reading this, or is this stage direction--production notes? What is this? Who is “we”? WE AVE A whole flashback unfolds: A steamy shower, thick with the smell sweet candles, leaving steam-less spots of mirror in the flickering heat; A seamless and synchronized transition, as the More Cheery and Upbeat Strings, Beat and melody in the previously playing version, fades seemingly into the steam, as ‘Cringe, Stripped” leads us into the memory, where she sings with the heartbreakingly haunting and soulful sadness, the harmony, her voice blending perfectly over the recording as if it were meant to be; The Duality of Grief. Not quite flashing back, but seen as a translucent overlay, another flash; The Seats of a theatre, the scene in black and white, as the stage lights washout, the flickering dremlike scene, the steam so thick we barely see the details of the singing, with the passion that seems to bleed out the ache of her broken, barely beating heart. The song rings out, evolving into what just may be, the beginnings of a remix, as more quick flashes slam back-to-back A flash of: The Scene In The Mercedes A flash of an ambulance, sirens blaring! A flash as the scene of A spider sleeping peacefully beneath a leaf, shielded from the rain, which leaves droplets on the strings, on the opposite side of the same tree; Blissfully unaware of the bird, perched just above lurking or something to eat. Neither the spider, nor the other, or the bird or ant are aware of any one-another, or any other world other besides the tree, the flash of a longshot which we see, is unassumingly and unimpressively, “just a tree” a grey and stormy day; A plane takes off up into the heavy rain, droplets changing shape through the window, looking out as the plane lifts off the ground. The next layer of memories unfold as voiceovers from various quotes, accompanying the song still playing, now beginning to blend with first the stripped version, then the album/studio version, which for a moment, is singularly heard, as the flash of a scene from a more recent memory flashes: The Digital Clock in the Car Reads, 88.1 in red, The volume is low, almost so low that it can't be heard: she stares out the window on a grey and overcast day, eyes lost and pondering--though they light when her finely tuned ears catch the pitch of the song ‘Cringe', as she excitedly turns the volume up eagerly, listening for a moment--a range of joyful surprise in her expressions, happily pushing up the Translucent Pink Frames, sighing with a smile, as she exclaims, “WHAT? THIS SONG IS ON THE RADIO NOW?!” The driver, taken aback but having caught her contagious beam of “happy” I almost forgot about this song. That was a long time ago... “Oh...do you know this song?” I haven't heard it in forever...I forgot it existed. [pause] I can't believe it took that long… “yeah , it's pretty popular. It's like always on.” ...I can't believe this song...daaaaamn...her excitement settles, as she looks back out of the window, at the grey and rainy day. So, that's how long it takes… The blending and fading of the song creates an array of rapidly changing scenes faded, flashing, cut and becoming somehow closer, yet further away at the same time. Colors and shapes, as the sounds that the songs all being played which remain the same, but change, as they create new sound waves; The Three Songs are arranged and rearranged, as are the scenes, pictures, videos, of entertainment stages through the ages, The Festival Culture highlighted in the Inception since The Dawn of Rave, to present day. [Each quote, a voiceover played by an ensemble cast, each made to read any/every line specifically, if unaccompanied by a name.] The Clips and Sound Combine with Colorful Psychedelic and neon in some scenes even in 3D, (ideally, actually, up to 9D) as music, theatre, television, and flashes of memories and scenes of everything, as the shifting screen changes slightly and steadily with the music, now something of an electronic-meets-acoustic symphony (:UNPLUGGED), still cleanly and seamless in the colorful chaos that is everything, though visually intensely overwhelming, a sensory-stimulating synthesis of “Sound That You Can See”[ *go back for quote from song] The Sountrack now taking us on a Journey through sound, (ideally surround sound, even having speakers and subs somehow mounted from the ceiling, pointing down, pointing up from the ground. With Live Theatre Production Experiences combine more elements representative of the 9 Dimensions, by arranging speakers set outside of the theatre itself--perhaps, if in a Live Theatre setting, where the movie is projected onto a screen or skrim on stage, additional screens canbe projected onto the walls of the theatre, creating potential to use the audience interactively, perhaps arranging for actors seated amongst the audience members, interjecting at the intersections of crossing dimensions with both improvised and rehearsed actions, and or carrying out specific tasks as it related to the plot, the audience, even becoming the stage, as the stage is re-arranged; even becoming a mirror image of the theatre, filling with patrons and gazing into the audience, where cast members reflect a multidimensional portrayal, an interpretive alternate reality of what is happening on stage, unseen off stage, while the film still plays somewhere (or even sometimes, nowhere) as light and sound design give the viewer an experience of senselessness and sensory stimulus, Explaining through experience, representations of conditions; Much like a masterful DJ mixes musical elements in a live setting by reading the crowd, The Ideal Live Production of this Film has the ability to Unify the audience through various interactive activities; an energy-based planned, or even sporadic--based on the audience itself, monitored by The Ringmaster, an unseen (cast) Omnipitence, or ‘The Universe” itself, , as we apply the Values of Peace, Love, Unity, and Respect as the Ultra-Fine Line between “Everything” and “Nothing”, in simpler terms: Light and Dark, and finding the balance which allows us, in the “present” to explore and experience The Voids, shattering reality as the Linear plot unravels into a non-linar Uncontrolled Experiement, Allowing for Manuverability within the variables and simulating a Synesthesia-Inspired Simulation of Multidimensional Time and Space Travel, using music as the constant connection; as the finale transforms the theatre in entirety into both a theatrical interpretation of a full-scale music festival--and a real-life miniature dance scene, inviting real-life ravers to fill the space to capacity, as the final scenes of the film unfold as the our present reality Expanding, Ascending, Compressing, and Collapsing All at Once, Explosions and Implosions as Concious and Unconcious Collide in the Cosmos; Darkness having never known Light, and Life is the balance we find as they collide, tied in tightly by Time through the rhymes and iambic pentameters, patterns, passion, perception; we find the Power of the Divine is the awareness of one's existence as Everything and/or Nothing at once, As the Reflection of both the inward and outward selves must balance, and harmonize in time, to realize The Difference between Paradice and The Prison of Purgatory, is the illusion of Division between the two Divine Eyes; The strength behind them lights the … I'm tired. Something about a third eye, right? I don't know. I think they closed mine. Who's “they” I am. “I prefer the gloominess to the sun. I don't know why.” (From, The Beatles, Love: Sun, Sun, Sun…) “‘I told the spider i'd write it!” (A quick clip of spiderman) ‘'Ohh, she spida” Okay, literally what the FUCK is my life. Are you alive? Not even. This doesn't make sense. How much sense is it supposed to make. It is making sense. It's making 6th sense. How did he DO that? Just him? THEY. Oh, shit. I know you're workin for it. Nah, I don't even think that's right? What's right? Something Doesn't Feel Right, I've had enough for one night. Yo, how is this happening? I don't know. They said it was a 9-Dimensional Song. WHAT even IS the 9th Dimension? What are any of the DImensions? I don't know. Google it. I did. And? And I have ADD. I dont know. So, go! GOH.. Aw, FUCK. This is getting weird. It's been weird. How is it, I can quit Skrillex, but Skrillex can't quit me. What? It was just a coincidence. There are no coincidences. How is that song even on the radio. Look what money can do! Money can do anything! I guess taht explains why you can't. it DOES. Do they want me to kill myself? Do you want you to kill yourself? Not really. I'd rather just die of natural causes, so I don'thave to be punished. Are you being punished. I commit suicide, and-- I already told this story. I'm not telling it again. How many times have you really told it. I've been telling it. I've been living it. I'm over it. Youre not over it. You're panicking. I'm writing. Youre fasting. I'm hungry. Why are you fasting? Because nothing makes sense. I have no money, I have no music-- You have music. I have nothing. I'm fucked. There are no coincidences. Don't you think I know? I quit listening to Skrillex, all of a sudden he's on the radio?! Yes. Is he even aware of my existence?! Is he? What the fuck is happening right now. Where's Scary Monsters? In my head. What's the plot? It's...somewhere. You've got to clean up these documents somehow. I don't have the focus. Try crystal meth. No. Try adderall. ...I don't have any money. Try a doctor. I did. I tried over and over and over. For depression. For Anxiety. For ADD. Everything they give me just makes me WORSE. That's hy you NEVER say you're runnin for President. I'm NOT. But you said it. Now you're really fucked. I am. So that's it. That has to be it. They want me dead so I can't run. That's the only way it's going to happen. What's going to happen. Either thing. I'm not running for President. You're not killing yourself. Psh. Watch me. We have been. Who is we. We-YOU. IT doesn't matter. nobody would believe any of it. the whole story sounds made up. How is this supposed to work out? They used Skrillex to get me to kill myself? That's...that's deep. Or…? Or...they used Skrillex to get me to... Get you to…? I don't know. I'm pretty worthless. All I do is...this. And what's this? And who is THIS? That was Chak Chel, I guess. What the fuck did getter DO? What did Getter do? What are they doing? I think the better question is: Why? WHY In-- Who's name? I'm not God. Until you are. And then I'm Avicii. Or Skrillex. Skrillex isn't dead yet. Yet. What the fuck. Don't . I didn't. But you did. Fuck this. Fuck That. Fuck that, too. Wait, does the Roomba say “fuck that” or “fuck you?” It says “Fuck you-fuck you-fuck you-fuck you-” Because it's a vacuum, so it's literally ‘eating shit'. See. Classic. Occult Classic. It is, all in my head. Until it isn't. I already fucked up. I sent a fucking suicide letter to-- A suicide letter. One of hundreds. Yeah. So they know i'm fucked up. Because they didn't know already? How would they know? How would they NOT KNOW? They've been with you all year. That's all in my head. Is it? I mean--Is it? Seems like it. Look at the evidence. I am the evidence. Look at last year--everywhere you went in the rave world, something happened. Lots of somethings happened. Eventually culminating in-- In? Tents. So what the FUCK am I supposed to do. Well, not kill yourself. Then what? Not starve yourself. I'm too fat. But you can lose weight. You can do anything, I can't do anything. You can. Then, I already have. Right. What am I supposed to do? What is this supposed to mean? Maybe it's time for a jump start. I was saving that. You were supposed to blast off at the STRAT and had McDonalds instead. I ordered a Muder-Suicide, with the intention of finishing in Suicide. But? But I went into a food coma. So maybe rather than the enemy, McDonalds is a friend. McDonalds is a friend to no one. Saved your life. Prolonged my life. As it always seems to. Think to the last few times you've ordered the Suicide Meal. It's only been twice. And? Both times I fell asleep before I could do it. So. So there's something in McDonalds that...I don't know. Takes away the ache. It is an ache, isn't it. It is. Now think--you're not the only suicidal person on the planet. No, I'm not. Think harder. I just did. And where did you go? To The Mountain. Where--? Where Tim said-- And how is it that you're on a first name basis with someone you've never met? I'm pretty sure i'm just crazy. Avicii came to you how? Through the music. And Sonny came to you how? ... How? Through the music. What did his mother say? Can I write this? Either someone's reading it, or they aren't. And if they are? Then, what does that make you? Crazy. But they're reading your words. They're just words. What did she say? I know what she said. I don't think I can write it. This is why The Untold Prophecy Remains Untold. This is all ridiculous. Isn't it. Whose birthday is it? Mine. Happy Birthday. Thanks. How old are you? I remember someone asked that... Who? What did Getter Do? Just Getter? What...does Pasqualle Do? Just Pasqualle? ...What do I... What are you? I don't know. Did you ever? Would You Ever? I can't help it. What can you help? I don't know. Why me? Y-U, Y-U, Y-U-- What was that, anyway? {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2023 ALL RIGHTS RESERVED. © -U.
On this episode of the Music For Kiddos Podcast, Stephanie Leavell taks about music and transitions and shares three early childhood songs that work well for this to happen smoothly with kids! Songs in this episode: Stand Up Brush Your Teeth by Stephanie Leavell Walk, Walk, Walk by Stephanie Leavell Our membership, the Music For Kiddos Community is now OPEN and accepting new members! Join the Music For Kiddos Community here: www.musicforkiddos.com/community We have partnered with West Music. Check out their incredible instruments and their incredible offerings at WestMusic.com or you can place your order at their customer service hotline at (800) 397-9378. Use code KIDDOS23 for free shipping on orders over $59.95. THANKS FOR TUNING IN TO THE MUSIC FOR KIDDOS PODCAST! Thanks for joining us on the Music for Kiddos podcast! If you enjoyed this episode, please tell us what you think by leaving a review! Don't forget to sign up for the Song-of-the-Month-Club to receive a free, high-quality original song every month, or hang out with us on Instagram to stay connected.
In this episode we discuss the British rock group The Smiths... an English rock band formed in Manchester in 1982 who's melancholy frontman Morrissey, along with guitarist Johnny Marr, bassist Andy Rourke, and drummer Mike Joyce, had a slew of hits across a relatively short-lived career..enjoy
Stephanie shares 3 songs for sensory regulation that can be used during music therapy sessions and music classes with kids! Our membership, the Music For Kiddos Community is now OPEN and accepting new members! Join the Music For Kiddos Community here: www.musicforkiddos.com/community We have partnered with West Music. Check out their incredible instruments and their incredible offerings at WestMusic.com or you can place your order at their customer service hotline at (800) 397-9378. Use code KIDDOS23 for free shipping on orders over $59.95. THANKS FOR TUNING IN TO THE MUSIC FOR KIDDOS PODCAST! Thanks for joining us on the Music for Kiddos podcast! If you enjoyed this episode, please tell us what you think by leaving a review! Don't forget to sign up for the Song-of-the-Month-Club to receive a free, high-quality original song every month, or hang out with us on Instagram to stay connected.
I hear it a lot on our Discord, from composer and artists making music, and generally from every student and artist I have ever met: Why isn't my music moving the needle? Why can't the library recognize my genius? I submitted by 5 best songs to Motion Array or three songs to Crucial, or an album to a sync library, and I heard nothing, or got rejected. I guess I'm not good enough, or they are crazy, or this is just a waste of my time. Oh, don't GET ME STARTED! With Special Guest Co-Host DAVE KROPF of 52Cues.com -- Watch Eric "Make Music Income Daily"! JOIN and SUPPORT the channel and get exclusive daily updates from Eric every weekday on what he is doing to Make Music Income THAT DAY. Click HERE to Join: https://www.youtube.com/channel/UCQELt_ElRr3qdiTBwym9QaA/join NEW FREE EBOOK!: TOOLS YOUR NEED TO MAKE MUSIC INCOME Links to all the DAWs and the FREE versions to get started making music now no matter what your computer is. Also free and cheap sounds to get started making music that will make you music income. https://makemusicincome.com/tools-to-make-music-income/ NEW! GETTING IN SYNC EBOOK: How I got into sync licensing libraries with a focused approach, including preparing the right QUALITY music, signing with my first libraries, getting placements, and eventually making music income! And how YOU can too! Get the newest eBook here, as well as a new Bundle that has both the “Getting in Sync” eBook and the updated V3 of “The Stock Market” eBook, as well as ALL our other content. http://makemusicincome.com/gettinginsync STOCK MUSIC LICENSING EBOOK: "The Stock Market. Where, Why, and How to Submit Your Music to Stock Music Licensing." This resource is a comprehensive look at over 30 stock music licensing libraries, my experience with each of them – especially the ones I have been accepted to, and some thoughts about each. I talk about all of them whether I was accepted or not and the give you the direct link to submit YOUR music to them. https://makemusicincome.com/stockmarket/ HELLO COMPOSERS! Join our sister channel Hello Composers! where we talk ONLY about composing. Subscribe to the YouTube channel at http://HelloComposers.com, AND make sure to join the mailing list at http://eepurl.com/hSLgr9 FREE EBOOK: THE DO-EVERYTHING CHECKLIST FOR YOUR SONGS https://makemusicincome.com/checklist FREE COURSE: HOW TO UPLOAD TO POND5 https://makemusicincome.com/pond5 FREE EBOOK: 50 WAYS TO MAKE MUSIC INCOME https://makemusicincome.com/50ways FREE STOCK MUSIC RESEARCH PAPER: "The Ubiquitous Style, Form, and Instrumentation of Corporate Stock Music" https://makemusicincome.com/ubiquitous ONE-ON-ONE COACHING FOR COMPOSERS AND PRODUCERS: Eric has been helping artists and songwriters for over 20 years build lasting music careers, and now is working via one-on-one coaching with composers and producers to help build strong catalogs, get into stock and sync libraries, and of course: Make Music Income. Find more info here: https://makemusicincome.com/coaching/ JOIN OUR EMAIL LIST (Get an email when we release new videos!) http://eepurl.com/hF8ihr THE OFFICIAL WEB SITE: https://makemusicincome.com/ EMAIL ME: MakeMusicIncome@gmail.com OUR WEEKLY PODCAST: https://anchor.fm/makemusicincome JOIN OUR COMMUNITY ON DISCORD: https://bit.ly/3fYDSVd FOLLOW US: Instagram: https://www.instagram.com/makemusicincome/ Facebook: https://www.facebook.com/makemusicincome --- Support this podcast: https://podcasters.spotify.com/pod/show/makemusicincome/support
Welcome back to purgatory!!! This week the boys talk about three songs that make them feel good as the title explained. Thanks for checkin us out and you can find our back catalog on podbean.com Outro track "Jennifer's Friend" By Goblin https://youtu.be/B6lIexGK-tU
In this episode we discuss the soulful, jazzy, and R&B legend Bobby Caldwell. Known Best for his hit song "what you won't do for love" we discuss his hits and his under-the-radar songs that you should know. Sadly, we lost Bobby recently but his music lives on. enjoy !
List - Songs about Sunshine//The News Wheel//Agree/Disagree Part 2.See omnystudio.com/listener for privacy information.
it’s almost porch stoop sidewalk season again. i remember sometimes i would walk down the sidewalk in isla vista and run into someone i know and stop to talk for 15 minutes and then you cross the street and run into someone else and you talk and that happens over and over again on the nice days. you could never really get to where you’re going. and i loved it. there are some spots around davis that also feel like that. and now that i know more people here i look forward to never getting to where i’m going.DOWNLOAD/STREAM RECORDING00:00 (intro by omar)00:20 Jeffrey Lewis & The Voltage “Except For The Fact That It Isn’t” Bad Wiring03:00 Emily Beanblossom “Long Descent” Various / Found / Recorded05:15 Lake Ruth “Extended Leave” Extended Leave / Strange Interiors08:49 New Balance “Red Apples” Red Apples / Gift Shop (Duo Version)12:23 Echo People “Melancholy and Cinnamon” E.P. III14:57 Spielbergs “This Is Not The End” Running All The Way Home EP17:53 Wished Bone “Trees We Couldn’t Tell The Size Of” Sap Season21:17 Babe Corner “Alone At The Party” Alone At The Party25:32 Katie Mullins “What’s The Sense” Three Songs27:10 Carinae “Blue House” Carinae31:57 Sammi Lanzetta “Toothbrush Song” Ceiling Mirror34:05 Failed Flowers “Faces” Faces36:17 Rata Negra “Problemas, No” La Hija Del Sepulturero E.P.39:18 WHOOP-Szo “Gerry” Warrior Down43:41 Sea Moss “Mammals in Paradise” Bidet Dreaming46:05 Tyson Bellew “Note To Self” Inaccessible Island47:29 Ahem “Canopy” Try Again50:08 Jupie “Brine” Deep in the Seat51:30 bedside drama “in all honestly tho” nothing is permanent if everything is situational53:26 Itasca “Voice of the Beloved” Spring
This week on the show, Chris and Ethan take a look at three songs from three different Nirvana albums, 'Blew,' 'On A Plain,' and 'All Apologies,' sharing thoughts on each and discussing how one can hear the band's progression through these three windows into the studio albums. If you are enjoying the show, becoming a Patron is the most helpful way to support us. If you have gotten more than $2 of satisfaction from this show, click the link here :) https://www.patreon.com/grunge_bible Support the show, buy some merch! https://grungebible.creator-spring.com/
815 Star Report 9-6
It's always fun to get to a new band in the Dischord roster. Today we talk about Autoclave's first record, a split with K. Unfortunately no guests this episode, but me and Jeff find plenty to say (surprise, surprise) about the second all woman band to release a record on Dischord.
Saluton, estas mi Tyson Saner welcoming you to Epi319 of Succotash. And thank you for making us your destination for this period of listening that you are currently embarking upon. This show started 11+ years ago as a way to feature comedy people and their podcasts, which we here at Succotash have been calling "soundcasts" as a way to attempt to separate the medium from the dead format known as the iPod that it is named for. As time went on, the soundcast proliferated in a way that is still quite surprising at times. More's the merrier, more for show creator and executive producer Marc Hershon and myself to choose to listen to, take snippets from, and ultimately present a few of them to you, the listener. If this is the first soundcast that you've ever listened to I'd like to thank you from the bottom of my heart for choosing us. I've got 3 clips to share with you, but first: I'd like to point out that last week in Episode #318 of Succotash, Mr. Hershon brought you a quadrilogy of clips from soundcasts that contain comedy AND sports, namely Hotboxin' with Mike Tyson, Sportsfeld, The Grade Cricketer (that included guest commentary from our friend Jason "Jabs" McNamara (The DHead Factor, Boganwood) from Canberra, Australia), and View from the Cheap Seats. It is the first time in this show's history that it has featured an all-sports-related soundcast lineup, and I found it to be actually quite an interesting listen. You can find that episode in our show archive at www.succotashshow.com or pretty much wherever you might listen to soundcasts in your own personal future. The clips I will be sharing with you this week are from the soundcasts called Jake Yapp presents: Not Today, Thank You, Strong Songs, and Trashy Trashy. I feel like this episode is loaded with feminine energy, but I'm not sure that I am the best person to evaluate that. I will let the listener decide. This episode is sponsored by Henderson's Pants new Pushover Pants, the perfect trouser for those who feel a mite unbalanced. CLIPS Jake Yapp Presents: Not Today, Thank YouA once-daily-now-occasional podcast featuring Jake Yapp, as seen and heard on Charlie Brooker's Weekly Wipe, Radio 4 and 6Music. Our clip hails from the episode that dropped on October 7th, 2020, with guest Ellen Rose entitled "Game Saves". Interestingly, there is no mention of Ms. Rose in the show description, nor is there any additional information about her…so I looked her up! According to a page on youtube.fandom.com/wiki/Icklenellierose she is listed as an "English YouTuber best known for being a host of Outside Xtra, as well as being a former host of Xbox On." Strong Songs Music: it's good. On each episode of Strong Songs, host Kirk Hamilton takes listeners inside a piece of music, breaking it down and figuring out what makes it work. This soundcast features the type of granular approach to music analysis that, as a lifelong music nerd, I appreciate a great deal. I took a clip from the August 11th, 2022, show entitled, "Help Me" by Joni Mitchell. (Host's note: I have listened to a few episodes of Strong Songs" and had been looking for an excuse to clip the show for our show. Thankfully, this episode I have clipped for you happened, and I could not resist the urge to clip this show any longer, as this is one of my all-time favorite songs!) Trashy Trashy I first featured a clip of Trashy Trashy's 3rd episode way back in August of 2020 and now, they have reached their 100th episode, and are steadily sailing ahead to their 200th, one would presume. Over the last 2 years, this soundcast has become one of my weekly regular listens that I try to make a point of getting to when it drops, usually on Monday of every week. For those who have never heard it before, the description says: "A podcast for garbage people by garbage people. We cover trashy news stories. Hosted by Cassandra Cardenes and Erika Curry. This clip, featuring dog parks and their people, is from their episode 101, from August 8th of 2022, titled #NOTALLDRESSING - In which, its episode description is a repeat of the previously mentioned SHOW description. It also includes their social media links, and a series of links to all of the news stories they are sourcing for this particular episode, including the weekly inclusion of a "Dumpster Fire of the Week" story. And that completes your journey through the selected bits of audio that other people took the time to commit to a more-or-less permanent format, that I have taken the time to commit to an additional more-or-less permanent format, that you have taken some of your time to listen to, and I am very grateful for that. I am grateful for a great many things of late. I am grateful for the friends and family that I both have had and, through the recent nuptials of my brother, I now have. Or…I also have…now… Something like that. It was an amazing time seeing many people I had not for 20-30 years perhaps. It was amazing food and the ceremony was both very moving and succinct. I'm grateful that my parents were able to attend a marriage of their child, in their lifetime. I'm grateful for the furiously expanding amount of perspective that time and life has brung, and is bringing to me. I can even say that I am grateful for the soundcast as a format. I don't know if any of my assorted audio content post-2002 would have even existed as it does had it not been for the soundcast. Much of it does directly because of the soundcast and because of other soundcasters sharing it with their listeners over the last significant portion of my life so far. So, I can only close by saying "Thank you" to all involved, and to remind you that next week there will be something else for you to listen to: Epi320. It will most likely be hosted by Marc Hershon and will feature his interview with Christine Blackburn, friend of Succotash and host of the longer-running-than-our-show, Story Worthy, as well as the Story Smash soundcast game show, AND the brand new soundcast My Life in Three Songs! So…if you enjoyed this, and somewhere out there in "The rest of YOUR life" - land someone should happen to ask you if you heard anything interesting or good lately, and we spring to mind…by all means tell them so. It's what we mean when we ask you to please pass the Succotash? — Tyson Saner
Season 8, Episode 2 follows last week's guest-host format with our friend Kass taking the reins in conversation with Lilly. They find quick connections in their respective Tourette experiences. Great discussions here about self evaluation and self care, imposter syndrome and dealing with later-onset tics. https://twitter.com/TicsnTatts https://www.instagram.com/ticsntatts/ https://www.tiktok.com/@ticsntatts
There are songs you want to groove to, and songs you want to pump up to. But sometimes, you just want something for the come down at the end of a long day. If you're having trouble sleeping in silence, or are just looking for some new songs to throw into your bedtime rotation, we've got you covered.
In this episode I have three songs for you. I thought it might be nice to change things up and have no talking. That way if you listen more than once, you can dive straight in. Here are the songs: 1. Your Glory - written by Leslie Jordan 2. Broken Vessels - written by Joel Houston and Jonas Myrin 3. The Light of Your Face - written by Sherri something-or-other If you would like to support this podcast with a monthly or one-time donation, thank you! I am dreaming up extra goodies for those of you who are able to help out. Take a look. http://www.sherriyoungward.com/donate To find out about upcoming gatherings and new projects, please join my email list at www.sherriyoungward.com
Born and raised in Los Angeles, Billie Eilish grew up in a household of actors and musicians and was home-schooled along with her brother and music collaborator Finneas. We discuss the vocal styling of this recent new-styled pop icon, her recent successes, and much much more. Enjoy
Welcome to "My Life in Three Songs." This episode is part of a ten-week series where our host, Riley Breier, talks to someone in the UO community about three songs that have greatly impacted their life. In this episode, Riley talks with honor's college professor Anita Chari. You can find a playlist with all of the song choices here: open.spotify.com/playlist/4Wy9J41…6f33c334681e4580 Intro and outro music: Mellow Lo-Fi by Scott Holmes Music: freemusicarchive.org/music/Scott_Holmes This podcast was produced and edited by Riley Breier.
Welcome to "My Life in Three Songs." This episode is part of a ten-week series where our host, Riley Breier, talks to someone in the UO community about three songs that have greatly impacted their life. In this episode, Riley talks with vocal director Karen Esquivel. You can find a playlist with all of the song choices here: open.spotify.com/playlist/4Wy9J41…6f33c334681e4580 Intro and outro music: Mellow Lo-Fi by Scott Holmes Music: freemusicarchive.org/music/Scott_Holmes This podcast was produced and edited by Riley Breier.
BONUS Track- 3 SONGS ***Get Inspired These Three Songs Always Get Me by Kate Dalley
Ever been a female wearing a band t-shirt and been challenged on your knowledge? This episode is about those sorts of weird and unnecessary interactions.Support the show
Welcome to "My Life in Three Songs." This episode is part of a ten-week series where our host, Riley Breier, talks to someone in the UO community about three songs that have greatly impacted their life. In this episode, Riley talks with music producer Lance Miller. You can find a playlist with all of the song choices here: open.spotify.com/playlist/4Wy9J41…6f33c334681e4580 Intro and outro music: Mellow Lo-Fi by Scott Holmes Music: freemusicarchive.org/music/Scott_Holmes This podcast was produced and edited by Riley Breier.
Melanie's feature film credits include: I Met A Girl, Waiting For The Miracle To Come, and the documentary, Despite The Gods. Melanie's television credits include: High Life, Cancelled and Re-Cancelled, and Iggy and Ace. More recently, Melanie edited the Oscar-nominated documentary short film, Three Songs For Benazir.
Welcome to "My Life in Three Songs." This episode is part of a ten-week series where our host, Riley Breier, talks to someone in the UO community about three songs that have greatly impacted their life. In this episode, Riley talks with Professor Vivian Ewing. You can find a playlist with all of the song choices here: open.spotify.com/playlist/4Wy9J41…6f33c334681e4580 Intro and outro music: Mellow Lo-Fi by Scott Holmes Music: freemusicarchive.org/music/Scott_Holmes This podcast was produced and edited by Riley Breier.
President Biden says Vladimir Putin could use a cyberattack in response to sanctions after his country invaded Ukraine, but has no specificity about which U.S. sectors might be targeted. COVID-19 cases may be ticking up in some places abroad, but travelers are itching to get away. Those returning to the U.S. must show a negative COVID test. Through a series of vignettes about daily life in China, Academy Award-nominated documentary “Ascension” reveals what capitalism looks like in Xi Jinping's country. KCRW looks into the five nominees for Best Documentary Feature at this year's Oscars: “Audible,” “When We Were Bullies,” “The Queen of Basketball,” “Lead Me Home,” and “Three Songs for Benazir.”
Welcome to "My Life in Three Songs." This episode is part of a ten-week series where our host, Riley Breier, talks to someone in the UO community about three songs that have greatly impacted their life. In this episode, Riley talks with Career instructor and Meme Lord, Ty Warren. You can find a playlist with all of the song choices here: open.spotify.com/playlist/4Wy9J41…6f33c334681e4580 Intro and outro music: Mellow Lo-Fi by Scott Holmes Music: freemusicarchive.org/music/Scott_Holmes This podcast was produced and edited by Riley Breier.
On this episode of the Worst Best Friends podcast, Hadley and Hayden question whether or not snow will continue falling this season in the great state of Utah, talk about Hayden's OCD about keeping his car clean and his life changing LaFerrari sighting, present their new uncut JAMS(aka "songs of the week"™️), introduce a new segment called "Fictional Car Scenarios"(title is still in progress), kick it off with Hayden's 50 year old dream four car garage, and complain about Hadley's struggle with perioral dermatitis. PICTURES: Ferrari LaFerrari Ford Raptor Jeep Wrangler Tesla Model S / BMW M3 Porsche 911 GT3 LINKS: Apple Music SOTW Spotify SOTW -------------------------------------- Worst Best Friends with Hadley (@hadley.dension) and Hayden (@haydenbschnell) Follow @worst.bestfriends on instagram for the latest WBF content and updates! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
In this poetical portrait that transcends the standard documentary treatment of war and refugees, filmmakers Gulistan and Elizabeth Mirzaei explore the dreams, frustrations and love experienced by Shaista and Benazir, a young Afghan couple living in a Kabul displacement camp. Ken sat down with Gulistan, Elizabeth, and producer Omar Mullick (“These Birds Walk”) to discuss their creative approach and learn more about the interior and exterior lives of these two remarkable people. Premiering on Netflix on January 24th, “Three Songs for Benazir” is one of 15 shorts named to the Oscar Shortlist.
Renee Paquette is super awesome and she joins us to talk about her cook book and past at WWE! Check out here book here: https://www.amazon.com/Messy-Kitchen-Deliciously-Fabulously-Copiously/dp/1682619389/ref=sr_1_1?dchild=1&keywords=renee+paquette&qid=1622073751&sr=8-1 Time Stamps - 00:00:00 - Start 00:03:00 - Headaches and Diet Cokes 00:05:00 - Renee Paquette! 00:21:46 - Improvising while cooking 00:35:30 - Three Songs that represent your life 00:42:02 - The Score 00:45:45 - ADS 00:47:30 - A crows week 00:53:20 - Racism and the bachelor 01:00:00 - Army of the dead
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