Change the Story / Change the World

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Poets, dancers, and painters at war with white supremacy, COVID, criminal militias, and Milosevic? Muralists, musicians, and actors, making a difference in homeless shelters, planning departments, emergency rooms, and death row? Sound delusional? Yea, sure, but also true! And when creativity confronts destruction, and imagination faces fear, in places like Ferguson, Johannesburg, Belfast and San Quentin surprising things happen. Our stories help shape and sustain our beliefs and actions. Bill Cleveland believes that meeting the challenges of the 21st century will require a revolution of thought and deed— in essence, a new set of stories powerful enough to change beliefs and behaviors. Change the Story/ Change the World is a chronicle of art and community transformation across the globe. In each episode, Bill will introduce listeners to creative change agents working to re-imagine and recreate the social, political, and cultural narratives that define their communities. Join us

Bill Cleveland


    • May 28, 2025 LATEST EPISODE
    • every other week NEW EPISODES
    • 41m AVG DURATION
    • 128 EPISODES
    • 4 SEASONS


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    Latest episodes from Change the Story / Change the World

    Why Arts Activism & Cultural Organizing are a Pro Democracy Imperative

    Play Episode Listen Later May 28, 2025 42:14 Transcription Available


    How can the transformative power of art and culture serve as the connective tissue in movements for democracy, justice, and deep societal change?In our divided world , building genuine, arts animated cross-sector collaboration is more than a goal—it's a necessity. This episode dives into how activist artists and cultural organizers can forge meaningful connections with their community social change partners and why our current systems often fail to support that.Discover the innovative approach of the Horizons Project and how it's redefining movement-building through authentic relationship weaving.Learn why sharing stories and cultural engagement are crucial in combating authoritarianism and fostering a thriving democracy.Understand how vulnerability, play, and arts are not just tools, but essential strategies for social transformation and collective sense-making.Tune in now to explore how Julia Roig and the Horizons Project are laying the groundwork for a new, interconnected way of organizing for democracy and justice.Notable Mentions:Here is a categorized list of all mentioned individuals, events, organizations, and publications, each accompanied by a brief description and a hyperlink for more in-depth information: PeopleJulia Roig – Founder and Chief Network Weaver at The Horizons Project, focusing on bridging peacebuilding, social justice, and democracy. Cristine Michie – Host of the PlayFull Podcast, where she discusses the role of play in social change. Jarvis Williams – Pastor and speaker who discusses the paradoxes within institutions and the importance of authentic belonging.Míriam Juan-Torres González – Moderator at the Othering & Belonging Institute, facilitating discussions on inclusive democracy.

    The CETA Arts Revolution Part 2: What Can Today's Activist Artists Learn From It?

    Play Episode Listen Later May 21, 2025 33:30 Transcription Available


    What if the secret to revitalizing today's creative workforce lies in a forgotten 1970s government program?In a time when society urgently seeks sustainable ways to support artists and strengthen communities, in this episode, the second of two, we revisit the CETA Arts Program—a bold experiment that transformed artists into public servants. You'll hear how this unexpected initiative is influencing today's creative policy landscape and how its legacy is being reimagined in pandemic-era artist relief efforts.Learn how CETA's community-centered structure inspired programs like Creatives Rebuild New York, blending public service with creative employment.Discover the crucial real-world skills—like negotiation, humility, and adaptability—that artists must master but never learn in art school.Hear compelling personal stories of missteps, breakthroughs, and the often invisible work of artists who repair, reimagine, and rebuild community infrastructure.Tune in to uncover timeless lessons and practical tools from an unsung chapter in U.S. history that's helping shape the future of art and civic engagement today.Notable Mentions:Here's alist of People, Events, Organizations, and Publications mentioned in the episode, each with a brief description and clickable links to learn more. P1. PeopleVirginia Maksymowicz – Sculptor, longtime CETA artist (1978–1979), and co-director of the CETA Arts Legacy Project based in Philadelphia Blaise Tobia – Photographer, CETA participant documenting the NYC project, professor at Drexel, and co-director of the CETA Arts Legacy Project Ted Berger – Arts advocate, former Executive Director of NYFA, and early leader in NYC's CETA program John Kreidler – Architect of San Francisco's first CETA Artists program in 1974, helped shape putting federal funds into art Ruth Asawa – Renowned sculptor and educator who helped launch the first CETA Arts experiment in San Francisco Sarah Calderón – Director of Creatives Rebuild New York who consulted with Virginia and Blaise on CETA models Molly Garfinkel – City Lore archivist who has supported the CETA Arts Legacy Project since 2017 2. Events / ProgramsCETA Artists Project (1978–1979) – Part of the federal Comprehensive Employment and Training Act, this was the largest artist employment initiative since the WPA. Artists served in community centers, schools, prisons—and shaped public life through art CETA Arts Legacy Project – An initiative by former CETA artists (Virginia, Blaise, and others) to document and preserve the

    THE CETA ARTS REVOLUTION: What Can Today's Activist Artists & Organizers Learn from It?

    Play Episode Listen Later May 14, 2025 38:28 Transcription Available


    Did you know the U.S. once launched a massive jobs program that empowered over 11,000 artists—and then let it vanish from collective memory?For artists, educators, and community leaders seeking sustainable support for creative work, the forgotten story of the CETA Arts Program offers a powerful historical lesson. In a time of economic uncertainty, this 1970s initiative not only employed artists—it embedded them into the heart of local communities to spark cultural and social change.Discover how two artists-turned-historians uncovered the lost legacy of a program that transformed the lives of thousands of creativesLearn how government-backed art initiatives planted the seeds for enduring institutions like Brooklyn's BACA Downtown and Philadelphia's Painted Bride.Hear powerful stories of artists bridging divides, inspiring youth, and reshaping neighborhoods—lessons that resonate powerfully today.Tune in to uncover the hidden history of America's largest investment in artists and why it still matters for the future of creative community work.Notable MentionsThis is a list of the key figures, events, organizations, and publications discussed in the podcast episode, offering pathways for further exploration into the legacy of the CETA Arts Program.PeopleVirginia Maksymowicz: An American sculptor known for installations that explore social issues, often incorporating the female form. She was a participant in the NYC CETA Artists Project and co-leads the CETA Arts Legacy Project.Blaise Tobia: A contemporary photographer and professor emeritus at Drexel University. Tobia documented the NYC CETA Artists Project and collaborates with Maksymowicz on the CETA Arts Legacy Project.Bill Cleveland: Host of the podcast “Change the Story / Change the World” and director of the Center for the Study of Art & Community.Richard Nixon: The 37th President of the United States, who signed the Comprehensive Employment and Training Act (CETA) into law in 1973.Abe Beame: Mayor of New York City from 1974 to 1977, during the implementation of the CETA program.Ernie Green: Assistant Secretary of Labor who announced CETA funding allocations to New York City.Alan Lomax: Renowned folklorist and ethnomusicologist, referenced in the podcast for his approach to cultural documentation.Jane Goldberg: A tap dancer and historian who collaborated with fellow CETA artist Charles “Cookie” Cook.Charles “Cookie” Cook: A legendary tap dancer who partnered with Jane Goldberg during the CETA program.Ellsworth Ausby: An artist known for integrating sculpture with performance, who initiated collaborative projects during the CETA...

    New Rules: 11 Unlikely Lessons for Activist Artists Navigating MAGA.

    Play Episode Listen Later May 7, 2025 22:51 Transcription Available


    What can we learn from artists who survived the chaos of 1980s prisons—and how can their lessons help us resist authoritarianism today?From the Center for the Study of Art & Community, this is Change the Story / Change the World: A chronicle of art and social change, where artivists share and learn the skills and strategies they need to thrive as creative community leaders. My name is Bill Cleveland. As censorship and threats escalate for activist artists and community leaders, navigating today's polarized world demands more than passion. This episode draws powerful insights from prison arts programs to help creatives and organizers thrive amid rising societal conflict and control.Discover 11 practical rules for building credibility, resilience, and respect in high-stakes, divided environments.Learn why sustained relationships and long-term commitment are the foundation for real, transformative change.Gain essential strategies for navigating us-versus-them traps, telling bold yet responsible stories, and protecting mental health in toxic climates.Listen now to unlock time-tested survival strategies that can empower your activism, deepen your community work, and sustain your creative mission.Notable Mentions1. PeopleBill Cleveland: Host of Change the Story, Change the World. Director of the Center for the Study of Art and Community, he draws on decades of experience working with artists in prisons and conflict zones.Jim Reeves: Author featured in previous episodes, discussed teaching and writing inside prisons.Noel Raymond: Theater director and cultural leader, spoke about operating arts organizations under political duress.Vern McKee: Incarcerated artist, president of Vacaville Prison's Art and Musicians Guilds, who developed the core “Verne's Rules” that guide arts engagement in high-stakes environments .2. EventsCalifornia's Arts-in-Corrections Program (1980-90's): A transformative initiative bringing arts education into state prisons during the 1980s, led by Bill Cleveland. A current program under the same name is being operated by the California Arts Council and the California Department of Corrections and Rehabilitation is carrying on the program The Troubles (Northern Ireland): A period of political and sectarian conflict (late 1960s–1998) cited for comparison with the U.S. authoritarian climate.Khmer Rouge Regime (Cambodia): Post-genocide rebuilding efforts included cultural recovery, referenced here as a parallel to U.S. challenges.Serbia under Slobodan Milošević: Cited as a reference...

    How are Artists and Organizers Creating a Better World Together? Reprise

    Play Episode Listen Later Apr 30, 2025 60:10 Transcription Available


    Can the right song, painting, or museum exhibit spark real political change? What if culture is the missing strategy in today's social movements?From the Center for the Study of Art & Community, this is Change the Story / Change the World: A chronicle of art and social change, where activist artists and cultural organizers share and learn what they need to thrive as creative change agents. My name is Bill Cleveland.If you've ever felt like your efforts for justice aren't hitting deep enough, it might be because the culture hasn't caught up with your message. In this episode, labor organizer and social change strategist Ken Grossinger shares how his journey from labor organizing to cultural advocacy revealed a truth many overlook: policy changes fade, but stories—and the art that tells them—have staying power. In this episode:Discover how blending power analysis with artistic expression can amplify grassroots campaigns and drive long-term social change.Hear powerful case studies—from a revolutionary museum exhibit in Louisville to a musical uprising in Alaska—that reveal how art can expose injustice and build movements.Learn from real-world collaborations between artists and organizers that shift narratives, challenge power, and activate communities in ways no policy paper ever could.Tune in now to hear how Ken Grossinger's book ART WORKS and his work in communities across the U.S. show us why art isn't just a reflection of justice—it's how we get there.BIOKen Grossinger, has been a leading strategist in movements for social and economic justice for thirty-five years, in unions, philanthropic and community organizations.For two decades, Ken was one of the labor movement's leading strategists. He represented workers in the Service Employees International Union and then directed legislative field operations for the AFL-CIO, running large-scale issue campaigns including against the privatization of Social Security and for health care reform, economic and civil rights. Grossinger is widely regarded as an expert in pioneering national field strategies for labor and community organizations and is well known for building long-enduring alliances between the two.Formerly a community organizer, Grossinger co-launched the Human SERVE Fund, a national advocate organization that initiated and led the successful decade-long fight for passage of the National Voter Registration Act, commonly known as Motor Voter.Grossinger is active on several boards including the University of the District of Columbia (Trustee), Hirshhorn Museum (Trustee), People's Action Institute (Director), Skylight Pictures (Director), and the CrossCurrents Foundation, (Chair).Among other cultural projects, he co-executive produced the award-winning Netflix documentaries Social Dilemma and Bleeding Edge and served as Executive Producer of Boycott and the forthcoming film Borderland.Ken is the author of ART WORKS: How Organizers and Artists are Creating a Better World Together, published by the New Press in July 2023. He lives part-time in Washington, DC., and Telluride, Colorado.Change the Story / Change the World is a podcast that chronicles the power of art and community transformation, providing a platform for activist artists to share their experiences and

    Change the Story Weather Report: A Neighborhood Cultural Center Navigates the MAGA Storm

    Play Episode Listen Later Apr 23, 2025 24:31 Transcription Available


    The MAGA storm system continues to exert a profound influence on community members, activist artists and cultural organizers living and working in Minneapolis' Powderhorn Central Community. Bill Cleveland's dialogue with Noel Raymond reveals the complexities of navigating activism amidst the destabilizing forces fast moving Trumpian juggernaut. Raymond describes the fraught material emotional landscape faced by artists and cultural organizers, characterized by feelings of fear, rage, and disorientation. Takeaways:Understand why the disorientation that we're all experiencing is used as a tactic to prevent resistance, and that recognizing this helps us stay grounded.Find out how an organization like Pillsbury House, uses the practice of sanctuary is a means of both safety and. And strategy.Learn how creating spaces of safety and joy and cultural expression can be a powerful form of defiance and that the communities stories, whether they're in small circles or on stage, are a lifeline.Other Key Points:And when people tell their truths without mediation, they build solidarity and power and the possibility of change.The discussion emphasizes the critical need for community support and the importance of creating safe spaces for artistic expression. Through the lens of Pillsbury House's mission, the conversation underscores the power of storytelling as a tool for resistance and empowerment. Raymond's insights into the organization's efforts to center marginalized voices, particularly during moments of heightened tension, illuminate the intersection of art and activism. As the episode unfolds, listeners are encouraged to reflect on their roles within their communities and the ways in which they can contribute to building solidarity and resilience in the face of adversity. Ultimately, this episode serves as both a poignant commentary on the challenges of the present and an inspiring call to action for those seeking to effect meaningful change.Change the Story GoFundMe CampaignNotable MentionsIn this episode, host Bill Cleveland sits down with Noel Raymond of Pillsbury House + Theatre to explore how artists and cultural organizers are navigating political backlash, erasure, and community survival in the heart of Minneapolis. Below is a curated list of the people, organizations, events, and references that came up during their powerful conversation. People Bill Cleveland: Host of Change the Story / Change the World and Director of the Center for the Study of Art and Community.Noel Raymond: Senior Director of Narrative Arts and Culture at Pillsbury House + Theatre, leading narrative strategy and performance-based organizing.Mike Hoyt: Artist and cultural organizer at Pillsbury House + Theatre, noted for his community work and collaboration with Noel.Judy Munsen: Composer of the podcast's original theme and soundscape.Events & Social MovementsTrans Day of Visibility: Annual event on March 31 to honor and raise awareness for the transgender community.

    Talking Walls & Dancing Kites*: Powerful Lessons from a Prison Writing Classroom

    Play Episode Listen Later Apr 16, 2025 47:53 Transcription Available


    What happens when a writer steps into a prison and discovers more than just stories behind bars? In this episode author and educator Jim Reese shares vivid stories and hard lessons from more than a decade working with incarcerated men. In a world obsessed with punishment over understanding, this episode dives deep into the transformative power of writing in places most people never dare to go. If you've ever wondered whether creativity can truly change lives—on both sides of the prison walls—this conversation offers surprising answers.Discover how inmates find their voices and reconnect with family and humanity through storytelling.Hear how teaching in prisons reshaped Jim Reese's understanding of justice, redemption, and the role of an artist.Learn why authentic connection, vulnerability, and purpose can break barriers even in the most rigid environments.Tune in explore how the written word is transforming lives and shifting mindsets—inside and outside the prison system.* A "kite" In prison slang, a term for a written note or message. It's a way for inmates to communicate with each other or staff, especially when direct verbal communication is restricted. The term likely originated from the way inmates would attach folded notes to strings and "fly" them between cells, resembling a kite. Notable MentionsHere's a list of the people, events, organizations, and publications mentioned in the show with hyperlinks for more in-depth information:PeopleJim Reese: An American poet, professor, and advocate for arts in corrections. He is the Associate Professor of English at Mount Marty University and has taught creative writing at the Yankton Federal Prison Camp.David Sedaris: A renowned humorist and author known for his sardonic wit and incisive social critiques. Jim Reese had the opportunity to open for Sedaris during a live performance.Kyle Roberson: Supervisor of Education at Yankton Federal Prison Camp who collaborated with Jim Reese on the prison's creative writing program. Marquise Bowie: An inmate participant in the creative writing program at Yankton Federal Prison Camp who credited the program with aiding his healing process.2. EventsJim Reese Opening for David Sedaris: In October 2023, Jim Reese opened for David Sedaris at the Orpheum Theater Center in Sioux Falls, South Dakota. A Decade of Learning at Federal Prison Camp Yankton: Celebrating Jim Reese's ten years of teaching creative writing at the Yankton Federal Prison Camp, highlighting the impact of arts in corrections. 3. OrganizationsMount Marty University: A Catholic liberal arts university in Yankton, South Dakota, where Jim Reese serves as Associate...

    Change the Story Good Trouble Weather Report: Massachusetts

    Play Episode Listen Later Apr 9, 2025 14:35


    SummaryIn this Change the Story, Good Trouble “Weather Report” episode, Michael Bobbit, Executive Director of the Mass Cultural Council, joins host BC to examine the turbulent climate for arts and social change under the Trump regime. From the erosion of DEI policies to looming threats against public arts funding, Bobbit underscores the urgent need for advocacy and proactive engagement across the arts sector. This compelling conversation offers both a diagnosis of the current cultural storm and a call to action for artists, organizers, and institutions to reclaim their power in the public square.BioMichael J. Bobbitt is a distinguished theater artist. As the Executive Director of Mass Cultural Council, he is the highest- ranking public official in Massachusetts state government focused on arts and culture.Since 2021, he has led the Agency through several initiatives, including the development of its first Racial Equity Plan, d/Deaf & Disability Equity and Access Plan, and Native American & Indigenous Equity Plan; the launch of the nation's first statewide Social Prescribing Initiative; the securing and distribution of $60.1 million in pandemic relief funding; and the design and implementation of a strategic plan for fiscal years 2o24-2026. Recently, Michael was listed as one of the Boston Business Journal's Power 50 Movement Makers. He has been appointed by Governor Maura Healey to serve on both the Governor's Advisory Council on Black Empowerment and the newly established Massachusetts Cultural Policy Development Advisory Council, and he recently received an honorary Doctor of Fine Arts, honoris causa from Dean College. He is a proud alumnus of the University of Massachusetts Amherst. He previously served as Artistic Director of the New Repertory Theatre in Watertown, MA; immediately prior to this he held the same position at the Adventure Theatre-MTC in Maryland for 12 years. While in Maryland Michael led the organization to be a respected regional theatre training company, and a nationally influential professional Theatre for Young Audiences.Key Moments[00:01:00] – Michael outlines how DEI is central to Mass Cultural Council's mission—even if that means rejecting NEA funding.[00:02:00] – Discussion on government funding's symbolic and practical importance in ensuring access to the arts[00:03:00] – Michael warns of the sector's disorganization compared to housing and gun lobbyists, and calls for operationalizing advocacy.[00:06:00] – “If you're not at the table, you're on the menu”: why the arts sector must get political.[00:10:00] – Highlighting current efforts: Theater Offensive's legal action, Center Stage's resistance work.[00:11:00] – Summary of Trump-era policies affecting arts and culture—defunding, executive orders, and anti-DEI initiatives.[00:13:00] – Closing reflections and a call to action to remain engaged and support arts advocacy.TakeawaysAdvocacy is essential: Michael stresses that arts organizations must treat political engagement like fundraising or marketing.DEI is non-negotiable: The Mass Cultural Council will not compromise on DEI, even if it jeopardizes federal funding.Government funding sends a message: Beyond finances, it symbolizes societal support for the arts.The threat is real and accelerating: Ongoing executive actions threaten arts institutions, immigrants, and vulnerable communities.Artists must mobilize: This is a critical moment for the arts to reclaim...

    How do Arts Leaders Become Community Change Agents?

    Play Episode Listen Later Apr 2, 2025 46:21 Transcription Available


    SummaryIn this powerful and personal conversation, MASS Cultural Council Executive Director, Michael Bobbitt explores the life-saving role of the arts, how creative work is inherently political, and the deep importance of joy, community, and innovation in building a better future. Drawing on his personal story, leadership journey, and groundbreaking initiatives, Bobbitt challenges arts organizations to think boldly and cross-sectorally in their work for social change.

    CSCW's Art & Social Change Weather Report From Minneapolis

    Play Episode Listen Later Mar 19, 2025 19:23 Transcription Available


    SummaryWeather Report: The Art & Activism Forecast from MinneapolisIn this episode, we kick off a new Change the Story feature—The Weather Report—where we check in with creative change-makers across the country to get a pulse on how art and activism are faring in their communities.First stop: Minneapolis, Minnesota.Our guest is David O'Fallon, a longtime cultural leader with deep roots in the Twin Cities and beyond. From his early days with In the Heart of the Beast Theatre to leadership roles at the Kennedy Center, National Endowment for the Arts, and Minnesota Humanities Center, David brings a wide-angle lens to the intersection of arts, policy, and social change.Together, we dig into how Minneapolis artists, activists, and community groups are navigating the storm—from the unresolved tensions of George Floyd Square to the challenges of rebuilding trust in the face of political upheaval and media manipulation. We talk about the power of creative communities to imagine and build new futures, the rebirth of the beloved May Day Parade, and an emerging movement to reclaim America's story—on our terms.Along the way, we hit on big themes: resistance, reckoning, and resurgence. How do artists and organizers hold space for healing and action? How do we keep showing up when systems are designed to wear us down? And what does it mean to embrace practical, tactical, coalition-building work—without getting lost in ideological purity?David shares his work with a Black-led healing and writing group in George Floyd Square, his thoughts on the political climate's impact on the arts, and a vision for a People's Celebration of America in 2026, where all voices, all stories, and all struggles get their due.This is about more than survival—it's about finding the creative, collective courage to build what's next.

    How the Arts Can Thwart the Attention Bandits

    Play Episode Listen Later Mar 5, 2025 29:27 Transcription Available


    Change the Story GoFundME CampaignAlong with many of our guests, we believe we have come to a place in the American story that calls for both pushing back AND pushing forward. To do our part in this, we want to grow our audience, do more in-depth serial episodes, use our expanding archive to help artists learn about art and social change work. Up to now, Change the Story has been a sweat equity work of passion. That said, making these changes will require some added assistance. So, if you believe that meeting the challenges that face us calls for a new set of stories powerful enough to change how we treat each other and the planet—then please, join our community of supporters by helping us Tell the Stories that are Changing the World.Arts & the Attention Bandits: Summary/IntroThe central theme of this podcast episode revolves around the increasingly commodified nature of human attention, which has become a most valuable resource in contemporary society. I elucidate the profound implications of this phenomenon, particularly its impact on individual autonomy and decision-making. As we delve into the intricate dynamics of attention, we highlight the challenges faced by artists and other creative individuals in navigating an environment saturated with distractions and manipulations designed to capture their focus. Through a narrative that intertwines personal anecdotes with critical analysis, we explore the consequences of this attention economy, drawing parallels to historical shifts in labor dynamics. Ultimately, we advocate for a conscious engagement with our imaginative faculties as a means of reclaiming agency in a world that seeks to exploit our attention.The Story:In a profound examination of our times, the episode articulates the thesis that attention has transitioned from being merely a focus of interest to a precious resource subject to exploitation. Through a captivating storytelling approach, the episode unveils the complex relationship between attention and creativity in the modern era. It introduces Fletcher's story as a relatable lens through which to examine the incessant barrage of marketing tactics that aim to commandeer consumer attention. As Fletcher becomes ensnared in the frenzy of sales and promotions, he exemplifies the struggle many face in maintaining focus amid distractions. In our discussion we draw on the insights of Chris Hayes book, The Sirens Call: How Attention Became the World's Most Endangered Resource, highlighting that the relentless quest for attention has parallels with the historical commodification of labor. The narrative compels listeners to reflect on the subtle yet profound ways in which their attention is captured and redirected, ultimately calling for a greater awareness of how such dynamics affect the creative processes and imaginative capacities of individuals, particularly artists. The discourse broadens underscoring the necessity for individuals to nurture their imaginative capacities. By drawing attention to the importance of artistic expression as an antidote to the commodification of attention, the episode advocates for a renewed appreciation of creativity as a fundamental human trait that must be safeguarded. It posits that fostering imagination is not merely a personal endeavor but a collective necessity in reclaiming autonomy and shaping a more thoughtful engagement with the world.The episode concludes with a call to action, encouraging listeners to reclaim their attention and cultivate their imaginative faculties as a form of resistance against the commercial

    Henry Frank: Art & the 21st Century Man

    Play Episode Listen Later Feb 19, 2025 74:00 Transcription Available


    Thank You For Listening Its been 4 years and 116 episodes. Now, we're at a turning point. Our listeners are asking for more—more in-depth storytelling, more tools for teaching and advocacy, and a broader reach. To make that happen, we've launched a GoFundMe campaign to help sustain and expand the podcast.You know as well as anyone that the world needs these stories now more than ever. If you believe in the power of creative voices to shift narratives, spark action, and build a more just and humane world, we'd be honored if you'd consider supporting this effort—whether through a donation, spreading the word, or sharing the campaign with your networks.Every bit helps us continue lifting up the artists and culture-makers who are changing the world. Now on with the show!What is a 21st Century Man? There's is a story going around that a new model male has emerged- a domineering, manifest destiny, means justify the ends, sharp elbows kind of a guy who knows what he wants and takes it. But of course, this "fresh new shinny manly script", is a boring, rusty remake, of a remake with a plot line we all know to well. Mainly because we are all living with its consequences. But don't despair. There are other stories rising up of men who wield the power of compassion, forbearance, and humility. Men whose strength comes from knowing that there are no superhero's and that our true superpowers come from our collective toil and our imaginations. In this show we share the incredible story of Henry Frank, a returned citizen who has become a true 21st Century Man ---a man who has navigated the treacherous waters of incarceration and emerged as a celebrated artist and cultural leader. His journey from a life sentence in San Quentin to becoming an influential figure underscores the emergence of a new archetype of masculinity, characterized not by domination but by compassion, humility, and collective empowerment. Throughout our discussion, we explore the intersections of art, community, and personal evolution, emphasizing the importance of storytelling in reimagining identities and fostering healing. As we recount Henry's inspiring saga, we invite listeners to reflect on the broader implications of his experiences and the potential for change within both individuals and communities.Takeaways: The emergence of a new male archetype, characterized by compassion and humility, is essential for societal progress. Henry Frank's transformative journey from incarceration to becoming a cultural leader exemplifies the power of community and art. Artistic expression serves as a vital tool for healing and personal growth within incarcerated individuals. The role of educators and artists in prisons fosters hope and facilitates change in the lives of inmates. Henry's commitment to giving back to the community illustrates the importance of mentorship and support for those still incarcerated. The significance of storytelling in bridging gaps between different communities and fostering understanding is paramount.

    Lynne Elizabeth: Breaking Ground for The New Village

    Play Episode Listen Later Feb 6, 2025 51:59 Transcription Available


    SummaryCan somethings as mundane a publishing be a revolutionary act. This podcast episode delves into the profound significance of mission centered publishing as illuminated through the life and work of Lynne Elizabeth, the founding director of New Village Press. Our conversation underscores the notion that books serve as instruments for social change, bridging divides and igniting action within communities. Lynne, who affectionately refers to her role as a "book doula," passionately discusses the transformative power of literature and the imperative of publishing with purpose. Throughout the dialogue, we explore the intersection of creativity and social justice, emphasizing how authors who are deeply embedded in their communities can shape narratives that inspire resilience and hope. This episode ultimately celebrates the magic inherent in storytelling and its potential to foster understanding and collaboration in an increasingly complex world.The StoryThe dialogue between Bill Cleveland and Lynne Elizabeth unfolds as an exploration of the intricacies of mission-driven publishing. Elizabeth articulates the unique position of New Village Press within the broader publishing landscape, highlighting its commitment to elevating voices often marginalized in mainstream narratives. The conversation reveals the serendipitous connections among authors and the familial bonds that develop within the New Village community. Elizabeth's insights into the collaborative nature of book publishing provide a glimpse into how her organization curates works that resonate with contemporary social issues, thereby fostering a dialogue about community engagement and activism through literature. The episode underscores the notion that books are not merely products but rather vessels of change, encouraging listeners to reflect on the role of storytelling in shaping societal values and inspiring collective action.Notable MentionsPublications:1. Inspired and Outraged – By Alice Rothschild. A memoir of a physician's journey into feminism, activism, and social justice, written in free verse.2. Beginner's Guide to Community-Based Arts – By Mat Schwarzman and Keith Knight. A visually engaging book that introduces community-based arts as a tool for social change.3. Root Shock – By Mindy Fullilove. A powerful examination of how urban renewal policies have devastated African American communities.4. Urban Alchemy – By Mindy Fullilove. A guide on how cities can heal from the damage of urban renewal through community-driven design.5. The Women's Revolution – By Muriel Fox. A firsthand account of the fight for women's rights from one of the founders of the National Organization for Women (NOW).6. Place Making with Children and Youth – A book that highlights the importance of including young people in urban design and community planning.7. Awakening Creativity: The Dandelion School – By Lily Yeh. A story about transforming an...

    A Conversation With Lily Yeh

    Play Episode Listen Later Jan 22, 2025 48:46 Transcription Available


    Lily Yeh, a globally celebrated artist and community arts pioneer, shares her transformative journey of using art to foster healing, hope, and resilience in marginalized communities around the world. Drawing from her experiences in places like Philadelphia, Rwanda, and China, she emphasizes the power of collaboration and the importance of community engagement in creating meaningful public art. Yeh believes that true beauty and healing emerge not from imposing solutions, but from listening to and uplifting the voices of those directly affected by trauma. Her work illustrates how art can be a catalyst for change, enabling individuals to reclaim their narratives and build trust within their communities. Through heartfelt stories and profound insights, Yeh inspires listeners to embrace creativity as a means of collective healing and empowerment.The StoryLily Yeh's inspiring journey as a community-based artist reveals the profound impact of art on healing and social change. Through her reflections, it becomes evident that her life's work is dedicated to bringing hope and transformation to communities across the globe. Yeh's unique approach to art emphasizes collaboration and community engagement, where the process of creating is as significant as the final artistic outcome. This philosophy is rooted in her belief that art can be a powerful catalyst for compassion, justice, and personal growth, particularly in places that have been overlooked or marginalized.The conversation covers various aspects of Yeh's work, including her experiences in different countries—such as Rwanda, China, and her home city of Philadelphia—and how each community's stories shape the art she creates. Yeh highlights the importance of listening to local voices and incorporating their narratives into artistic projects, which fosters a sense of ownership and empowerment among participants. Her approach illustrates a deep understanding of the interconnectedness of human experiences, as she draws from her own ancestral heritage to connect with others on a fundamental level.Additionally, Yeh discusses the challenges and rewards of her work, particularly the emotional aspects of engaging with communities that have experienced trauma. She shares powerful stories about her projects, including the creation of a memorial in Rwanda, where community members were invited to participate in the artistic process as a means of healing and remembrance. Ultimately, Yeh's narrative serves as a reminder of the transformative power of art and its ability to unite people, foster resilience, and inspire hope in the face of adversity.Takeaways: Lily Yeh emphasizes the importance of community participation in art-making to foster trust and healing. Art should not be viewed as merely decorative; it plays a vital role in transforming lives and narratives. Lily's journey shows that the act of creating can be deeply empowering for marginalized communities. The Dandelion School illustrates how art can build identity and confidence in young people. Lily believes that wisdom comes from intuition and openness, rather than just accumulated knowledge. Creating beauty in broken places can spark collective healing and allow for renewed hope. Notable Mentions:PeopleLily Yeh: A globally celebrated artist and community leader, founder of the Village of Arts and Humanities in Philadelphia. Her work focuses on using art for community transformation. Learn more about Lily YehVerena Wheelock: A community member in Asheville, North Carolina, involved in rebuilding after severe flooding, inspired by the metaphor of creating...

    Jack Bowers -A Do-gooder Opportunist in the Joint : A Jazz Improvisation in 4 Parts

    Play Episode Listen Later Jan 8, 2025 55:25 Transcription Available


    SummaryThis podcast episode features a compelling conversation between Bill Cleveland and Jack Bowers, highlighting the transformative power of arts programs within the prison system. Bowers shares his experiences as a musician and educator at Soledad Prison, emphasizing how curiosity and opportunism led him to create profound connections and foster a vibrant creative community among incarcerated individuals. The discussion reveals the significant impact of art in mitigating the harsh realities of prison life, allowing participants to explore their identities and express themselves in ways that transcend their circumstances. Cleveland and Bowers reflect on the challenges and triumphs of building an arts program in a structured and often oppressive environment, illustrating the necessity of respect and collaboration among diverse groups. Ultimately, the episode serves as a testament to the resilience of the human spirit and the vital role of creativity in healing and transformation.The StoryBill Cleveland's conversation with Jack Bowers offers a unique glimpse into the world of Arts and Corrections, a movement that has redefined the relationship between art and incarceration. Through their discussion, Jack recounts his journey from a working musician to a significant figure in the California prison arts scene, highlighting how he embraced opportunities that led him to teach music and songwriting to inmates. This exploration is not just about the act of teaching; it delves deep into the emotional and psychological landscapes of both the artists and the incarcerated individuals they serve. Jack paints a vivid picture of how creativity became a crucial lifeline for inmates, providing them with a means of expression, connection, and ultimately, a path to personal transformation.At the core of their dialogue is the profound impact that art can have in a prison setting. Jack reflects on the challenges he faced in establishing trust and building a community among inmates and staff, emphasizing the necessity of fostering a safe and supportive environment for creative exploration. This episode highlights the complex relationships that develop within such institutions, where art becomes a bridge between disparate worlds. Jack's stories reveal the intricacies of navigating the prison system, where respect and permission from inmates and staff alike were essential for the arts program to thrive. The discussion also touches on the broader implications of what it means to be an artist in such a challenging environment, exploring themes of resilience, hope, and the importance of community.As Jack shares his experiences, listeners are treated to an authentic performance of his song, “Soledad Morning,” which encapsulates the struggles and aspirations of those living in a correctional facility. The song serves as a poignant reminder of the realities faced by inmates, capturing the essence of longing and the fleeting nature of connection in a world defined by confinement. This episode not only celebrates the transformative power of art but also challenges listeners to reconsider their perceptions of prisons and the individuals within them. It is a powerful testament to the idea that creativity can flourish even in the most restrictive environments, offering hope and healing to those who need it most.Takeaways: Jack Bowers describes his journey as an opportunistic musician, highlighting the unexpected paths that led him to work in prisons. The Arts and Corrections program created a unique environment where creativity thrived despite the challenges of prison life. Building a sense of community and connection is essential for artists working in correctional settings. Jack emphasizes the transformative power of art, illustrating how it can help mitigate the harsh realities of incarceration. The complexities of prison life...

    Is Democracy a Creative Practice? 2

    Play Episode Listen Later Dec 11, 2024 41:44 Transcription Available


    Episode SummaryIn this second of two episodes exploring democracy as a creative practice Bill Cleveland leads a rich discussion with theater workers Arnaldo Lopez, Ben Fink, and Scott Rankin, and labor organizer Ken Grossinger, who share how artistic endeavors can bridge differences, foster justice, and inspire community engagement. The conversation delves into the transformative power of storytelling and the role of cultural democracy in redefining citizenship and identity. As the guests recount their experiences, they highlight the importance of trust and cooperation in collaborative projects that address social issues. Ultimately, this episode underscores the vital relationship between art and democracy, encouraging listeners to consider how creative practices can drive meaningful change in society.Key Moments00:11 - Exploring Democracy as a Creative Practice01:08 - Exploring Art and Democracy16:20 - The Role of Art in Organizing28:05 - The Power of Cultural Change33:01 - The Flow of Change and LearningThe StoryThe exploration of democracy as a creative practice takes center stage in this engaging podcast episode led by Bill Cleveland. The conversation invites listeners to consider the intricate relationship between art and democratic engagement, showcasing how creative expression can serve as a powerful tool for fostering community, dialogue, and social change. Throughout the episode, Cleveland draws on insights from a diverse range of guests—artists, theater practitioners, and labor organizers—who share their personal experiences and the transformative impact of art in their respective fields. This multifaceted dialogue not only highlights the challenges faced by contemporary democracies but also illuminates the potential for creative practices to bridge divides and cultivate understanding among disparate communities.Guests such as Arnaldo Lopez and Ken Grossinger articulate the importance of storytelling in reclaiming democratic spaces and asserting the narratives of marginalized groups. Their contributions underscore the essential role that art plays in illuminating social injustices and inspiring collective action. The podcast does not shy away from addressing the complexities of cultural democracy, emphasizing the necessity for inclusive practices that honor and celebrate cultural differences. Cleveland thoughtfully weaves these narratives together, painting a rich tapestry of insights that challenge listeners to reflect on their own roles within the democratic process.As the episode unfolds, it becomes clear that the journey towards a creative democracy is ongoing and requires active participation from all individuals. The discussions culminate in a compelling call to action, urging listeners to embrace their creative potential and engage in the collaborative efforts necessary for meaningful change. By fostering a deeper understanding of the interplay between art and democracy, the podcast presents a hopeful vision for the future—one where creative practices not only enrich our understanding of ourselves but also empower us to collectively shape the world around us. In this light, the episode serves as an inspiring reminder of the enduring power of art to catalyze social transformation and reinforce the fundamental ideals of democracy.Takeaways The podcast explores the role of art in fostering democracy and collaboration. Art can serve as a powerful tool for reclaiming democratic spaces and identities. Collaborative art-making helps bridge cultural differences and create common ground among communities. Effective organizing requires integrating artistic practices to shift narratives and foster engagement. Trust and cooperation are essential for successful collaborative artistic endeavors...

    Is Democracy a Creative Practice?

    Play Episode Listen Later Nov 27, 2024 51:20 Transcription Available


    DEMOCRACY is a practice that we haven't been practicing. The gap between the story we've been telling ourselves about our participatory democracy and our actual experience leaves us unprepared for the Resistance and Reclamation project that we're about to undertake. To get better at Democracy, we need to treat it as a creative practice!This is the first of two episodes that explore the intricate relationship between art and democracy. This episode delves into the idea that democracy is not merely a system of voting, but a dynamic practice that requires active participation and creativity from its citizens. In his conversation with past guests, Bill Cleveland posits that our understanding of democracy is flawed, as too many citizens view it solely as a transactional process rather than a communal endeavor. Through insights gathered from creative change agents who have engaged deeply with the intersections of art and democratic practices, the episode illustrates how creative expression can act as a catalyst for civic engagement. The narrative reveals a pressing concern about the current state of American democracy, where apathy and division threaten the very fabric of communal life. Cleveland advocates for a renewed commitment to practicing democracy as a form of art, where citizens actively contribute to shaping their society, thereby enriching not only their own lives but also the collective experience of democracy itself.Takeaways: Democracy is a practice that requires active participation, not just voting in elections. The fragility of American democracy stems from a lack of understanding of its true nature. Creative practices in democracy can help bridge divides and foster community engagement. Sharing personal stories can play a crucial role in understanding and practicing democracy. The connection between art and democracy emphasizes the importance of collective storytelling. Democracy thrives when citizens engage in meaningful dialogues and collaborative efforts together. Chapters:00:11 - A New Direction in Storytelling00:41 - Democracy as a Creative Practice09:33 - The Role of Stories in Democracy16:18 - The Legacy of Lydia Hamilton Smith22:30 - Animating Democracy: The Role of Arts in Community Engagement25:47 - The Power of Creative Engagement in Social Issues32:29 - The Role of Arts in Cultural Democracy37:08 - The Role of the Culture Bearer46:31 - The Connection Between Civic Engagement and Creative Practice47:52 - The Impact of Citizenship Schools on DemocracyNotable MentionsIndividuals:Bill Cleveland – Center for the Study of Art and CommunityLeni Sloan – Leni Sloan bioPam Korza – Animating DemocracyBarbara Schaefer Bacon – Animating DemocracyHarry Boyte – Humphrey InstituteCarlton Turner – Mississippi Center for Cultural ProductionLori Poirier –

    Jeff Mather: Art, Community, & the Materialized Imagination

    Play Episode Listen Later Nov 13, 2024 47:45 Transcription Available


    Explore creative community transformation with teaching artist Jeff Mather as he shares stories of art, collaboration, and social change in education.Jeff Mather's work as a teaching artist and public art digital storytelling alchemist underscores the vital role of art in fostering community resilience and engagement. The conversation with Bill Cleveland reveals how, despite the challenges posed by recent global events, Mather remains optimistic about the transformative potential of creative collaborations. By reflecting on his experiences in various educational and community settings, he illustrates how art can bridge divides, empower youth, and reinvigorate spaces that have been overlooked or abandoned. His dedication to involving students in the artistic process not only cultivates their creativity but also instills a sense of agency and responsibility for their environment.The episode captures the essence of Mather's philosophy: art is not merely an aesthetic endeavor but a powerful tool for social change. Mather recounts the impactful project in West Baltimore, where he worked with local youth to design and install an environmental sculpture in a park that had long been neglected. This initiative not only beautified the area but also engaged the community in a dialogue about safety, ownership, and the importance of reclaiming shared spaces. Mather's insights into the dynamics of teaching and collaboration highlight the necessity of recognizing and valuing each participant's unique contributions, which ultimately enriches the artistic outcome.Furthermore, the discussion delves into the challenges and rewards of community-based art practices, particularly in relation to trust-building and navigating complex social landscapes. Mather emphasizes the importance of entering communities with humility and a willingness to learn, rather than imposing external solutions. His experiences with Alternate Roots showcase the power of grassroots movements in advocating for social and economic justice through art. As the episode unfolds, it becomes evident that Mather's work embodies a vision of art as a communal endeavor—one that celebrates diversity, fosters connection, and cultivates a shared sense of purpose in navigating the challenges of our times.Key Moments00:18 The Turning Point: Reflections on Change and Future Challenges00:35 Reflections on Creative Change Agents13:59 Alternate ROOTS and Community Engagement22:55 The Impact of Community Engagement in Public Art31:14 Engaging with Community Through Art40:03 The Impact of Art and CommunityBIOJeff is a community-based public artist and teaching artist in Georgia, (and South Carolina and Massachusetts and Utah), for over 30 years. He is the STEAM artist-in-residence at Drew Charter School 45 days each semester/90 days each year and has presented on his partnership work there at national and international conferences. He was a delegate and presenter at the 1st International Teaching Artist Conference in Olso in 2012 and at the ITAC3 in Edinburgh and at ITAC6 in Oslo. He is an ITAC Innovator, leading Think Tank webinars. He has been on the Georgia Council for the Arts registry of visiting artists since 1992. He has a BA degree in Proxemics from Hobart College. He served as president of the Atlanta Partnership for Arts in Learning, an arts infusion non-profit that he helped to co-found in 2001. He toured a program for nine years with a choreographer - and also a storytelling program with a master storyteller. Jeff has facilitated Learning Exchanges for teaching artists for Alternate ROOTS and for the Community Built Association. Jeff is also the lead artist for the Beverley Taylor Sorenson Arts Access Program in northern Utah and runs interdisciplinary residencies there twice a year. He directed several experimental theater productions at the Center for

    Rebecca Rice: Giving Voice to the Invisible

    Play Episode Listen Later Oct 30, 2024 45:59 Transcription Available


    An extraordinary dramatic recreation of an interview with legendary actress, director, educator and anti-racism activist Rebecca Rice. Rebecca Rice, who passed in 2002, was a pioneering community artist, transformed her personal experiences into a powerful advocacy for marginalized voices through art. Her journey began in a challenging neighborhood in Chicago, where she discovered her passion for performance and community engagement. This podcast explores her belief that every individual, regardless of their visibility, contributes to the intricate tapestry of human existence. Throughout her career, Rice emphasized the importance of creative collaboration, using theater as a means to address social issues such as domestic violence and racial justice. As she reflects on her work, listeners are invited to consider the profound impact of art in fostering understanding and change within communities.Rebecca Rice's profound journey as a community artist is explored through her reflections on art's power to transform lives, especially within marginalized communities. She perceives herself as an 'artist communicator,' emphasizing the importance of every individual's story in shaping the broader human experience. Through her work, she sought to give voice to those often overlooked—prisoners, youth, and the disabled—highlighting the reciprocal nature of her partnerships where the shared experiences of both artist and collaborators create a deeper understanding and artistic expression. This rich dialogue not only honors Rebecca's legacy but also underscores the relevance of her insights on community arts and racial justice in today's societal landscape.The episode also delves into Rebecca's early influences and formative experiences that shaped her artistic philosophy. Growing up in a challenging environment on Chicago's West Side, she was introduced to community arts through Johnny Houston's Newer Still program, which instilled in her a sense of capability and belonging. This program acted as a catalyst for her development as an artist, fostering her talent while teaching her the importance of dedication, hard work, and the value of creative expression irrespective of societal limitations. As Rebecca transitioned into the realm of political street theater and later into her tenure at Living Stage Theater, she began to intertwine her artistic endeavors with social activism, using theater as a vehicle for change and a platform for the stories of the oppressed. This evolution highlights the dynamic interplay between art and activism, showcasing how Rebecca's work was not just about performance but about empowering individuals and communities through creativity.Moreover, the discussion touches on the concept of 'creative trust' and how it serves as a foundation for successful artistic collaboration, especially within vulnerable populations. Rebecca articulates the necessity of creating a safe space where individuals can explore their creativity without the fear of judgment. This sanctuary-like environment allows participants to confront their internalized negativity and engage with their artistic voices authentically. The conversation also critiques the superficiality of multiculturalism in arts funding, advocating for deeper, more genuine engagement with communities rather than tokenistic approaches. Rebecca's insights push for a re-examination of the roles artists play within their communities, advocating for a shift in focus from individual acclaim to collective empowerment, ultimately striving to make art a fundamental and essential aspect of societal healing and growth.Key Moments02:56 The Impact of Community Arts04:37 Rebecca's Journey Begins07:48 Finding Voice Through Art11:14 The Living Stage Experience24:48 Art and Domestic Violence Advocacy33:29 Multiculturalism and Community...

    Billy Yalowitz: Art & Trust in Treacherous Times

    Play Episode Listen Later Oct 16, 2024 54:47 Transcription Available


    Given the differences in power, and definitions of success, how can arts and change collaborations between institutions of higher learning and their local communities be equitable and accountable? And how can change oriented artists practice effectively and ethically with a foot in each camp? Billy Yalowitz has had a career as a theater director and choreographer that I think provides provocative answers to both questions and more.This podcast features a rich conversation between Bill Cleveland and Billy Yalowitz, focusing on the intersection of community arts and social justice. At the heart of their discussion is the importance of facilitating equitable collaborations between artists and their communities, particularly in the context of higher education. Yalowitz shares insights from his diverse career as a theater director and choreographer, emphasizing the necessity of understanding one's own heritage and community narratives before engaging with others. The dialogue also explores the significance of storytelling as a means of empowerment and healing, particularly in marginalized communities. Ultimately, the episode highlights the transformative power of art in bridging divides and fostering mutual understanding across different cultural backgrounds.A key highlight of the episode is the Black Bottom Performance Project, where Yalowitz worked to amplify the voices of a community displaced by urban renewal. This project not only sought to reclaim lost stories but also fostered a sense of belonging among participants. Yalowitz emphasizes the importance of creating spaces for collective memory and narrative sharing, illustrating how art can bridge divides and facilitate healing. The project serves as a testament to the potential of community arts to address historical injustices and promote social cohesion, prompting listeners to consider the power of storytelling in their own lives.As the episode progresses, the discussion evolves into pressing contemporary issues, particularly climate justice and the disconnection from land that many communities experience. Yalowitz shares his ongoing work in the Hudson Valley, where he seeks to reconnect with his cultural roots while collaborating with indigenous peoples. This aspect of the conversation underscores the interconnectedness of social justice and environmental stewardship.Key Moments03:47 The Keys to the Kingdom: Billy's Building Project05:29 Exploring Identity and Community08:48 Golden's Bridge: A Cultural Sanctuary15:22 The Tradition of Community Arts21:40 The Legacy of Folk and Modern Dance26:05 The Black Bottom Performance Project27:23 Community Stories and Reparations32:15 Migrations and Hyphenations: An Israeli/Palestinian Sago36:25 The Birth Narrative and Twin, Twin Transfusion Syndrome41:54 Challenges and Breakthroughs in Rehearsal47:06 Land Amnesia and Climate Justice51:40 Reflections and InspirationsBIOBilly Yalowitz is a writer, director and community arts practitioner whose writings and interdisciplinary performance works draw from public history and chronicle grassroots movements for self-determination.Yalowitz's interdisciplinary performance works have been presented off-Broadway and internationally. He has directed critically acclaimed and nationally profiled community-based performance-installations in Philadelphia neighborhoods since 1991. Yalowitz has been named “Best Unclassifiable Theater Artist” by Philadelphia's City Paper, Best Choreographer by the Philadelphia Inquirer, and was nominated for a Barrymore Award for his work at People's Light & Theater Company. He was commissioned by the Philadelphia Museum of Art to create a performance-festival, The Fathering Circle.Yalowitz's work has been featured in the New York Times

    Laurie Meadoff: What Happens When Art & Humanity Pull Up A Chair?

    Play Episode Listen Later Oct 2, 2024 48:11 Transcription Available


    How do you describe a Laurie Meadoff? Start off with a big heart, add a piercing intellect, an insatiable curiosity, and a gargantuan exploding fireworks extravaganza of an imagination. Then add that she's a can't-sit-still, serial do-gooder problem solver who translates the word "NO" in any language, as the starting gun for the next story in the million chapter book she's been living, entitled There's no Such Thing as an Impossible Dream!In this episode of 'Change the Story, Change the World,' host Bill Cleveland introduces Laurie Meadoff, a transformative entrepreneurial force in community arts, youth development, and social change. Laurie reflects on her life's work, including founding the internationally recognized CityKids Foundation, producing Emmy-nominated series, and engaging in art-based change initiatives across the globe. The conversation explores her unique approach to social justice, cultural democracy, and health equity through creative endeavors. Meadoff shares stories of impactful moments, like connecting youth worldwide and encouraging new generations to channel their creativity for activism, ultimately underlining the importance of listening, community empowerment, and sustained social impact.00:00 Meet Laurie Meadoff: A Force of Nature03:59 Laurie's Journey and Impact06:16 Community Empowerment and Creativity08:42 The Power of Listening and Adaptability09:55 Art and Social Justice11:00 Personal Reflections and Global Impact18:25 Lean on Me: A Musical Interlude22:05 Chat the Planet: Bridging Global Youth28:53 Keith Haring's Legacy and City Kids30:11 Artivism in Chicago31:44 Take Back the Mic Africa35:16 The Role of Artists in Society39:06 Innovations in Health and Artivism41:02 The Power of Observation and Witness42:15 What You Going to Do About Hate?48:52 Reflections and Future Aspirations51:41 Closing Remarks and ResourcesBIOLaurie Meadoff is a leader, an innovator, and a change maker. Through artistic and expert use of her wide array of talents, Laurie has been able to make monumental strides toward a more tolerant and compassionate world through her media and community engagement strategies. Internationally acclaimed for her more than forty-five years of work and accomplishments, Laurie Inc. & Team's current clients list include:Take Back The Media /Amp.it, a digital media platform that helps content owners know ‘Who's Watching and Why'. Creator of double Emmy nominated "Take Back the Mic: Africa”. We are now building a state of the art film and television studio in Africa.Geoversity, Nature's University in Panama, focusing on biocultural and indigenous leadership and environmental action.The UN Global Mental Health Task Force, alongside The CityKids Foundation, Deepak Chopra's Chopra Foundation and Social Architects. We are committed to a world where mental health is universally recognized as a fundamental human right.Bodimetrics - the newest technology, addressing healthcare inequities by offering continuous blood oxygen and pressure with FDA-cleared medical devices.Rozana Health Diplomacy, an international organization promoting access to quality healthcare in Palestine and Israel, through joint initiatives between communities in conflict. Laurie is committed to moving disruptive groundbreaking companies forward while networking with her social impact investors. Laurie has always had her pulse on youth culture. Laurie launched Authentik Inc. with partners Tony Krantz, Derrick Ashong and Siobhan Kavanagh. Authentik Inc is an innovation firm based out of NY and LA. Authentik Inc helps top brands stay culturally and socially...

    From Ignorance to Knowing: A Journey of Art, Science & Healing

    Play Episode Listen Later Sep 18, 2024 28:01 Transcription Available


    Dr. Banerji: In this episode of 'Change the Story, Change the World,' Bill Cleveland explores the inspiring journey of Dr. Subhasis Banerji, a bioengineer from Singapore. Dr. Banerji shares how he utilized the interplay between art, science, and the human mind to help brain-injured and stroke patients recover. After suffering severe injuries himself, Dr. Banerji's personal tale of recovery through a combination of physical therapy, yoga, and martial arts led him to develop SynPhne—a groundbreaking therapeutic device integrating real-time brain and muscle feedback for accelerated healing. The discussion also parallels the transformative power of creative practices in prison arts programs, highlighting the human capacity for self-recovery and growth. This episode sheds light on the significant overlap between artistic creativity and medical innovation, offering profound insights into the potential of the mind-body connection. 00:00 Introduction to Change the Story, Change the World 00:46 Meeting Dr. Banerji 02:36 From Ignorance to Wisdom 04:54 The Journey of Self-Healing 08:31 Creating Synphne 11:02 A Moment to Remember 19:30 Common Ground 24:51 Final Thoughts and AcknowledgementsBIO Dr. Subhasis Banerji: Founder, Inventor Director of SynPhNe. Subhasis has over 20 years of experience in developing cutting-edge technology, 5 years of practicing therapy and10 years in clinical research. His diverse background led him to invent and commercialize the world's first fully wearable and connected brain plasticity training tool that trains Brain and Body as parts of ONE system. SynPhNe™ is the outcome of his PhD (Biomechatronics) study. He is involved in research in biomechanics, neuroplasticity, movement analysis, learning mechanisms and ageing. He has been a yoga and martial arts practitioner for the past 25 years.Notable MentionsAfter four years of study, collaborative research, prototype building and testing Dr. Banerji and his partners at Singapore's Nanyang Technological University ultimately produced the therapy that he described to me when we met in Washington D.C.Put simply, SynPhNe accelerates Dr. Banerji's painstaking visioning and learning process by reading brain and muscle signals, representing them graphically, and then teaching the patient how to self-correct the signals through their thought processes.The early 1980's was a building period for the Arts-in-Corrections program. At each of our six pilot sites we had been scrambling to secure the spaces we needed to establish the stable and sustained learning environments that we knew would have the most positive and persistent impact on the prisoners who were flocking to the program. Our guide, so to speak in this was the visionary poet and potter M. C. Richards who, in her book, Centering, articulated the transformative power embodied in the simple act of throwing a pot on a spinning wheel.These breakthroughs, the state Psychologist

    BIGhART BIGsTORY REDUX 2

    Play Episode Listen Later Sep 3, 2024 31:00 Transcription Available


    This is the second episode of a two part show we are rebroadcasting called BIGhART, BIGsTORY which tell the saga of a creative synergistic Australian force of nature called, of course BIGhART. BIGhART is Australia's leading arts and social change organization.We make art, we build communities, we drive change. 30 years in operation, 62 communities engaged, 47 awards won, 550 artists contributed, 9, 500 people participated, 2. 6 million audience members. BIOScott Rankin co-founded Big hART with friend John Bakes in 1992. As CEO and Creative Director, Scott leads the overarching vision for all Big hART projects – from pilot through to legacy. A leader and teacher in the field of social and cultural innovation, Scott provides daily mentorship and knowledge transfer to all Big hART staff so that they can in turn lead our projects with confidence.An award winning writer and director in his own right, Scott's works have been included many times in major arts festivals. His reputation is built on a quarter of a century of work, creating, funding and directing large-scale projects in diverse communities with high needs, in isolated settings.Big hART is Scott's passionate contribution to the arts and society.Notable Mentions: BIGhART: Ngapartji Ngapartji: Big hART designed the Ngapartji Ngapartji project to raise awareness of Indigenous language loss, and the lack of an national Indigenous languages policy. Tasmania is an island state of Australia.[15] It is located 240 kilometres (150 miles) to the south of the Australian mainland, separated from it by the Bass Strait, with the archipelago containing the southernmost point of the country.Vaslav Nijinsky was a Russian[4] ballet dancer and choreographer of Polish ancestry.[5] He is regarded as the greatest male dancer of the early 20th century.[3]

    BIGhART BIGsTORY REDUX

    Play Episode Listen Later Sep 3, 2024 50:20 Transcription Available


    When I describe BIGhART to folks in the US they accuse me of making it up. In this episode re-broadcast Scott Rankin, BIGhART's founder, describes how this expansive, constantly morphing, multi-disciplinary, thirty-year long enterprise became one of the world's leading arts and social change organizations.This is first of two episodes featuring Scott. You can listen to Chapter 2 HEREBIOScott co-founded Big hART with friend John Bakes in 1992. As CEO and Creative Director, Scott leads the overarching vision for all Big hART projects – from pilot through to legacy. A leader and teacher in the field of social and cultural innovation, Scott provides daily mentorship and knowledge transfer to all Big hART staff so that they can in turn lead our projects with confidence.An award winning writer and director in his own right, Scott's works have been included many times in major arts festivals. His reputation is built on a quarter of a century of work, creating, funding and directing large-scale projects in diverse communities with high needs, in isolated settings.Big hART is Scott's passionate contribution to the arts and society.Notable MentionsBIGhART: Authentic, high-quality art made with communities.Big hART brings virtuosic artists into communities to collaborate and create authentic stories which illuminate local injustice. We present these stories to mainstream audiences to help raise awareness. This builds public support for change and helps to protect vulnerable people.Everyone, everywhere has the right to thrive.Big hART works with communities experiencing high levels of need. Rather than focusing on the problem, our unique non-welfare projects build on community assets, strengthening vulnerable individuals, and creating long term attitudinal shifts. Our hope is for all communities to flourish.Positive, generational change begins as a cultural shift.Big hART designs and delivers transformative projects to address complex social issues. Our cultural approaches are evaluated and acknowledged as best practice. Decision makers seeking better solutions can use our award winning projects to help develop new and better policy. We aim to drive generational change.Ngapartji Ngapartji: Big hART designed the Ngapartji Ngapartji project to raise awareness of Indigenous language loss, and the lack of an national Indigenous languages policy. In order to create visibility around these issues, we launched a language and culture teaching portal, offered audiences the chance to learn Pitjantjatjara through a small teaching show, created short teaching films, as well as music and CDs with a Pitjantjatjara choir. We made a high profile documentary, and finally, a large award winning touring show for national festivals. By creating this range of art products, we attracted exceptional media and gained high level political interest in the issue. This assisted in driving a new Indigenous language policy and increased funding to help prevent language loss.Trevor Jamieson is a veteran of stage and screen with over 25 years of experience in the entertainment industry, and a long time creative partner with BIGhART. He is known as an Actor, Dancer, Musician and Storyteller and his portrait, taken by Brett Canet-Gibson, took out the People's Choice award for the 2017 National Portrait gallery exhibition in Canberra.Trevor is not only an accomplished actor but is also known for...

    Cynthia Cohen: Conflict, Creation & Peacebuilding

    Play Episode Listen Later Aug 7, 2024 55:22 Transcription Available


    Join us in a deep dive into the transformative power of art and conflict resolution with Cynthia Cohen. From powerful personal stories to groundbreaking projects, this episode is a testament to the power of creative peacebuilding.In this episode we explore artmaking and peacemaking as mutually supporting, synergistic community assets. Our conversation, with activist, writer, educator, and filmmaker Cynthia Cohen delves into her extensive career in arts, culture, and conflict transformation, highlighting her collaborative projects like 'Acting Together' and 'A Passion for Life.' Various global artistic and peace-building efforts are examined for their impact on communities. Throughout, themes of creative engagement, humility, ethical practices, and the critical role of storytelling in peacebuilding are intricately explored.00:00 Introduction and Tribute to Bernice Johnson Reagon00:38 Creative Peace Builders: Voices from Around the World05:40 Cynthia Cohen's Work and Philosophy08:55 A Passion for Life: Personal and Professional Journey13:42 Challenges and Ethical Dilemmas in Peacebuilding15:39 The Role of Arts in Conflict Transformation22:11 Act Two: How Does Peacebuilding Work?37:45 Community Responsibility and Indigenous Involvement38:20 The Influence of Cultural Workers39:40 Mentorship and Personal Growth40:02 Artists as Community Members41:15 Core Principles for Community Impact43:13 Challenges in Human Communication50:20 The Role of Arts in Conflict Transformation53:48 Personal Reflections and Influences57:28 The Power of Storytelling and Listening01:07:48 Concluding Thoughts and RecommendationsAs director of the program in Peacebuilding and the Arts, Cynthia Cohen lead action and reflection research projects, and wrote and taught about work at the nexus of the arts, culture, justice and peace.BIOCynthia Cohen directed the Brandeis University/Theatre Without Borders collaboration "Acting Together on the World Stage," co-edited the Acting Together anthologies and co-created the project's documentary and toolkit. She is a senior fellow at IMPACT, Inc. [https://impactart.org] a global nonprofit organization responsible for the dissemination of Acting Together resources. Cohen has written extensively on the aesthetic and ethical dimensions of peacebuilding, including the chapters "Creative Approaches to Reconciliation" and "Engaging With the Arts to Promote Coexistence" and an online book, "Working With Integrity: A Guidebook for Peacebuilders Asking Ethical Questions."Prior to the Acting Together project, Cohen directed the international fellowship program Recasting Reconciliation Through Culture and the Arts, which produced an anthology by that name. In addition, Cohen has worked as a dialogue facilitator with communities in the Middle East, Sri Lanka, Central America and the United States. Before her tenure at Brandeis, she directed a community-based, anti-racist oral history center in the Boston area. Acknowledgements:The audio clips that open the episode are come from the Trailer for the documentary film Acting Together on the World Stage co-created by Cynthia Cohen and Allison Lund of Progressive Pictures.

    Alternate ROOTS

    Play Episode Listen Later Aug 6, 2024 39:10


    Join Bill Cleveland in a special bonus episode as we explore the incredible 50-year journey of Alternate Roots, a nonprofit arts organization dedicated to social and economic justice. Featuring insightful conversations with Roots staffers Amy McCoy and Clarissa Crawford, this episode delves into the diverse contributions of artists in tackling community issues, the importance of membership, and the upcoming 2024 Roots Week. Don't miss this in-depth look at one of America's most influential arts organizations and their vibrant community impact.00:00 Introduction to Change the Story, Change the World00:10 The Longevity of Nonprofits and Alternate Roots00:56 Mission and Impact of Alternate Roots02:04 Celebrating 50 Years of Alternate Roots03:00 Roots Week 2024: Southern Soil Sankofa Seeds03:19 Meet the Guests: Amy McCoy and Clarissa Crawford05:14 The Role of Membership at Alternate Roots09:30 Roots Members as Change Agents12:58 Roots Week: A Gathering of Creativity and Community18:59 Exploring Power and Agency at Roots24:11 Challenges and Growth in Membership33:11 Looking Forward: Hopes for Roots Week

    Further Adventures of L. O. Sloan

    Play Episode Listen Later Jul 10, 2024 37:04 Transcription Available


    Further Adventures of L. O. SloanIn this milestone 100th episode, Bill Cleveland engages in a deep, reflective, and often humorous conversation with his longtime friend and legendary activist, actor, dancer, playwright, impresario, and historian, Lenwood Sloan. The discussion spans many topics, including Sloan's incredible career in the arts, his reflections on social change, and the societal impacts of the COVID-19 pandemic. The episode also touches on the roles of art and artists in activism and democracy, shining a spotlight on historical figures like Lydia Hamilton Smith and their untold contributions. The conversation serves as both a celebration of Sloan's legacy and a poignant commentary on current social issues.00:00 Introduction to the Episode00:33 A Rambling Conversation with Lenwood Sloan03:16 Reflections on Pain and Perseverance06:07 The Impact of COVID on Social Interactions08:06 The Power of Decision Making and Imagination18:43 Lydia Hamilton Smith: An Unsung Hero27:27 The Role of Art in Social Change31:52 Call to Action for Citizen ArtistsBIOFor the past 40 years, Lenwood Sloan has provided inspiration, leadership and technical assistance both in the public and private sector.On October 7, 2013, Mr. Sloan received the Distinguished Service Humanitarian award from Pennsylvania Humanities Council for his outstanding work in community organizing.He is currently an International Consultant collaborating with the U.S. Embassy in Brussels and the multi nation “Liberation Route” on a new international WWII heritage trail. He is creative consultant for the Cameron Museum of Wilmington, N. C. USCT project, collaborator on the innovative “Two Roads “ series for the Irish Cultural Center of New York, Throughout 2011 Sloan served as Pennsylvania's film commissioner and was certified by the Association of Film commissioners international (AFCI). In that capacity, he directed the 60 million dollar film tax credit office.From 2005 to 2011, Mr. Sloan served as director of Pennsylvania's Cultural and Heritage Tourism Program His portfolio included the Pa festival initiative, the Appalachian Regional Commission's 13 state geo- tourism initiative, the artisans' craft trails , the PA Civil War trails Lenwood Sloan has served as Director of the National Endowment for the Arts' Presenting and Commissioning program , Deputy Director of Services to the field for the California Arts Council , Director of New Orleans Arts and Tourism partnership . He is recipient of the Louisiana Travel and Tourism leadership award for business innovations, His artistic credits include creating “art in the market place” programs for the Rouse Corporation in New Orleans, St. Louis, Boston, and Baltimore. In addition, he participated on the artistic team for five national public television documentaries, Treme- Untold Story, Emmy award winning Ethnic Notions, Stephen Foster, the internationally acclaimed Re-imaging Ireland, and the Emmy award winning Dance Black America.For the past 40 years, Lenwood Sloan has provided inspiration, leadership and technical assistance both in the public and private sector. On October 7, 2013, Mr. Sloan received the Distinguished Service Humanitarian award from Pennsylvania Humanities Council for his outstanding work in community organizing. He is currently an International Consultant collaborating with the U.S. Embassy in Brussels and the multi nation “Liberation Route” on a new international WWII heritage trail. He is creative consultant for the Cameron Museum of Wilmington, N. C. USCT project, collaborator on the innovative “Two Roads “ series for the Irish Cultural Center of New York, Throughout 2011 Sloan served as Pennsylvania's film commissioner and was certified by the Association of Film commissioners international (AFCI). In that capacity, he...

    Animating Democracy Chapter 2: Can the Arts Help Re-Build Democracy

    Play Episode Listen Later Jun 26, 2024 50:43 Transcription Available


    In this episode we continue our conversation with Barbara Schaffer Bacon and Pam Korza, co-directors of Animating Democracy. The discussion centers on the role of arts in fostering civic dialogue and community engagement, particularly around challenging social issues. We explore several case studies of arts-based community projects, including:1. The restoration of a King Kamehameha statue in Hawaii, which became a catalyst for broader community dialogue.2. The Shipyard Project in Portsmouth, New Hampshire by Liz Lerman Dance Exchange.3. A community dialogue project in Lima, Ohio by Sojourn Theater.4. Controversial exhibits at the Henry Gallery, Jewish Museum, and Andy Warhol Museum dealing with genomics, the Holocaust, and the terrible legacy of lynching. The conversation highlights how these projects built trust, facilitated difficult conversations, and led to long-term community impacts. We also discuss the evolution of this field over the past decades, current trends, and future prospects for arts-based civic engagement.Key moments:1. Discussion of the King Kamehameha statue restoration (00:02:14)2. Reflection on the Portsmouth shipyard project (00:18:27)3. Explanation of the framework for assessing project outcomes (00:24:46)4. Description of controversial museum exhibits (00:32:40)5. Exploration of current trends and changes in the field (00:42:51)BIO'sPam Korza co-directs Animating Democracy, a program of Americans for the Arts that inspires, informs, promotes, and connects arts and culture as potent contributors to community, civic, and social change. She is a co-author and editor of Aesthetic Perspectives: Attributes of Excellence in Arts for Change. She co-wrote Civic Dialogue, Arts & Culture, and the Arts & Civic Engagement Tool Kit and co-edited Critical Perspectives: Writings on Art & Civic Dialogue, as well as the five-book Case Studies from Animating Democracy. Pam is co-chair of the Assessing Practices in Public Scholarship research group for Imagining America (IA), a consortium of colleges and universities that advances public scholarship in the humanities, arts, and design and was a two-term member of IA's National Advisory Board. She began her career with the Arts Extension Service (AES)/UMass where she coordinated the National Public Art Policy Project and co-wrote and edited Going Public: A field guide to developments in art in public places. She also directed the New England Film & Video Festival.Barbara Schaffer Bacon's career launched in 1977 at the UMASS Arts Extension Service, a national leader in professional education for local arts managers, artists and civic leaders. Barbara served as director from 1984-90. She led Fundamentals and Advanced Local Arts Management seminars and contributed to the Fundamentals of Local Arts Management text book and The Cultural Planning Work Kit. In 1996 with Pam Korza, Barbara took a lead role to conduct research for and shape Animating Democracy, a program of Americans for the Arts. Animating Democracy shone an early and bright national light on arts and civic dialogue, built knowledge about quality practice, and created useful resources including Animating Democracy: The Artistic Imagination as a Force for Civic Dialogue; Civic Dialogue, Arts & Culture: Findings from Animating...

    Animating Democracy: Can The Arts Help Save It?

    Play Episode Listen Later Jun 12, 2024 51:02 Transcription Available


    Animating DemocracyCan the Arts Save Democracy? This episode explores how creative practices can reinvigorate American democracy by bridging societal divides. Featuring insights from Pam Korza and Barbara Schaefer Bacon, we delve into how Animating Democracy has supported arts-based civic dialogue and collective action in communities across the country. We highlight impactful projects such as Traces of the Trade, it underscores the transformative potential of engaging critical and often divisive community issues through the arts. This is a call to action for using creativity to address and heal deep-seated social issues.00:00 Introduction: American Democracy01:16 The Role of Art in Democracy03:24 Animating Democracy: An Arts Organization04:12 Exploring Belchertown and Personal Histories09:22 The Power of Community-Based Arts17:53 Iconic Projects: AIDS Memorial Quilt and Vagina Monologues22:08 The Laramie Project and Scaling Up25:20 Animating Democracy: Practical Implementation38:33 Traces of the Trade: A Risky but Impactful Project49:09 Conclusion and Call to ActionBIO'sPam Korza co-directs Animating Democracy, a program of Americans for the Arts that inspires, informs, promotes, and connects arts and culture as potent contributors to community, civic, and social change. She is a co-author and editor of Aesthetic Perspectives: Attributes of Excellence in Arts for Change. She co-wrote Civic Dialogue, Arts & Culture, and the Arts & Civic Engagement Tool Kit and co-edited Critical Perspectives: Writings on Art & Civic Dialogue, as well as the five-book Case Studies from Animating Democracy. Pam is co-chair of the Assessing Practices in Public Scholarship research group for Imagining America (IA), a consortium of colleges and universities that advances public scholarship in the humanities, arts, and design and was a two-term member of IA's National Advisory Board. She began her career with the Arts Extension Service (AES)/UMass where she coordinated the National Public Art Policy Project and co-wrote and edited Going Public: A field guide to developments in art in public places. She also directed the New England Film & Video Festival.Barbara Schaffer Bacon's career launched in 1977 at the UMASS Arts Extension Service, a national leader in professional education for local arts managers, artists and civic leaders. Barbara served as director from 1984-90. She led Fundamentals and Advanced Local Arts Management seminars and contributed to the Fundamentals of Local Arts Management text book and The Cultural Planning Work Kit. In 1996 with Pam Korza, Barbara took a lead role to conduct research for and shape Animating Democracy, a program of Americans for the Arts. Animating Democracy shone an early and bright national light on arts and civic dialogue, built knowledge about quality practice, and created useful resources including Animating Democracy: The Artistic Imagination as a Force for Civic Dialogue; Civic Dialogue, Arts & Culture: Findings from Animating Democracy; Continuum Of Arts Impact: A Guide for Defining Social & Civic Outcomes & Indicators; Aesthetic Perspectives: Attributes of Excellence in Arts for Change; and Trend or Tipping Point: Arts & Social Change Grantmaking. In 2022 Barbara stepped back from Animating Democracy leadership. She currently serves as a program consultant for the

    Judith Marcuse: Dancing Towards Change

    Play Episode Listen Later May 29, 2024 54:20 Transcription Available


    "I think unless we embody sensibilities, we connect the head, the heart and the body. We don't have a complete range of experience and expression are limited in what we think, feel and see, and so I have integrated the body into everything I've done. Judith MarcuseJudith Marcuse is one of Canada's senior artist/producers with a career that spans over 40 years of professional work as a dancer, choreographer, director, producer, teacher, writer and lecturer in Canada and abroad. She has created over 100 original works for live performance by dance, theatre and opera companies; many projects for film and television; and has produced seven large-scale arts festivals. Her repertory contemporary dance company toured nationally and internationally for more than 15 years, while also creating innovative community and youth programs.A pioneer in the field of arts for social change, her work is internationally-recognized. The youth-centred, issue-based ICE, FIRE and EARTH projects, each five years long, included workshops, live touring and film productions, and extensive community outreach work. In 2006, Judith Marcuse produced EARTH: The World Urban Festival during the U.N.'s World Urban Forum, hosting performances and exhibitions of socially-engaged artists from around the world and audiences of some 20,000 people.Marcuse teaches and presents in university and other settings in Canada and abroad. She has received many honours, including Canada's two major choreographic awards, the Chalmers and the Clifford E. Lee, and an honourary doctorate from Simon Fraser University.Judith Marcuse Dancing Towards Change: Art, Activism, and Social Transformation--------- EPISODE SUMMARY ---------“My earliest memories of dancing are intertwined with feelings of freedom and expression.”, a sentiment echoed by our esteemed guest, Judith Marcuse. As a pioneer in fusing art with social activism, Judith takes us on a captivating journey through her life, illustrating how the union of head, heart, and body can drive societal transformation. This episode sweeps across the vibrant dance scene of 1960s London, where Judith began her creative quest, and ventures into her profound work engaging communities through collective creativity. Her rich narrative serves as a testament to the influential role physical expression plays in advocacy and change, inspiring listeners to consider how their own passions might fuel meaningful action.Navigating the complexities of societal oppression and censorship, Judith opens up about her experiences touring globally and the innovative ways she's fostered dialogue and collaboration. She recounts captivating stories of running a dance company as a collective, highlighting the importance of safe spaces for conversation, especially when addressing life's most pressing challenges with the youth. This episode shares nsights into building partnerships that transcend cultural divides, using nonverbal communication to foster understanding, and the vital role of communal efforts in combating loneliness and igniting change.Rounding out our discussion, the transformative power of art in global collaborations takes center stage. Judith's experiences in Pakistan and South Africa, among other places, reveal art's profound impact on community change and personal growth. She shares the inspirational encounters that have shaped her perspective, stressing the importance of humility, active listening, and embracing diversity. The episode culminates with a look at the Tar Sands Songbook project and the International Center of Art for Social Change, championing the powerful potential of creativity when harnessed for the greater good.HIGHLIGHTS ---------0:03:03 - Life's Work (95 Seconds)0:09:56 - Artists Creating Change Through Collaboration (88 Seconds)0:18:06 - Youth-Led Initiatives on Tough Topics (102...

    Ken Grossinger: How are Artists and Organizers Creating a Better World Together?

    Play Episode Listen Later May 8, 2024 59:21 Transcription Available


    In this episode we will hear why Ken Grossinger believes that "organizers can't work effectively without culture, and that art is essential to creating the narrative shifts that make effective organizing possible. In our conversation we explore his new book , ART WORKS: How Organizers and Artists are Creating a Better World Together. BIOKen Grossinger, has been a leading strategist in movements for social and economic justice for thirty-five years, in unions, philanthropic and community organizations.For two decades, Ken was one of the labor movement's leading strategists. He represented workers in the Service Employees International Union and then directed legislative field operations for the AFL-CIO, running large-scale issue campaigns including against the privatization of Social Security and for health care reform, economic and civil rights. Grossinger is widely regarded as an expert in pioneering national field strategies for labor and community organizations and is well known for building long-enduring alliances between the two.Formerly a community organizer, Grossinger co-launched the Human SERVE Fund, a national advocate organization that initiated and led the successful decade-long fight for passage of the National Voter Registration Act, commonly known as Motor Voter.Grossinger is active on several boards including the University of the District of Columbia (Trustee), Hirshhorn Museum (Trustee), People's Action Institute (Director), Skylight Pictures (Director), and the CrossCurrents Foundation, (Chair).Among other cultural projects, he co-executive produced the award-winning Netflix documentaries Social Dilemma and Bleeding Edge and served as Executive Producer of Boycott and the forthcoming film Borderland.Ken is the author of ART WORKS: How Organizers and Artists are Creating a Better World Together, published by the New Press in July 2023. He lives part-time in Washington, DC., and Telluride, Colorado.How Are Artists & Organizers Creating a Better World Together?In this episode of 'Change the Story / Change the World,' host Bill Cleveland interviews Ken Grossinger, a labor movement strategist turned advocate for the significant role of arts in social and economic justice. Grosinger discusses his journey from traditional labor organizing to recognizing the vital contribution of arts to narrative shifts needed for effective change. Highlighted is his book, 'ART WORKS: How Organizers and Artists are Creating a Better World Together,' which underscores the power of collaborations between artists and organizers. The dialogue explores various case studies and personal anecdotes that demonstrate the intersection of art, activism, and community building, including impactful art-centric social movements, the strategic use of power analysis in organizing, and the role of museums and artists in fostering social change. Special attention is given to the unique capacity of music and art to drive narrative transformations and mobilize communities against injustice.00:00 Introduction to Change the Story / Change the World00:08 Ken Grosinger: From Labor Strategist to Arts Advocate01:09 The Power of Art in Social Change03:20 The Strategic Mind of a Social Change Leader08:01 Art and Organizing: A Synergistic Approach11:36 Exploring the Impact of Art and...

    Jose Antonio Aguirre: Adventures in Aztlan

    Play Episode Listen Later Apr 24, 2024 44:39 Transcription Available


    Born and raised in Mexico City Jose Antonio Aguirre has become internationally recognized for his venetian glass mosaic, and carved limestone murals many of which explore the people, places, and stories he has encountered as an artist who exists in two cultures bound by the Mexican and American bi-national spaces he has occupied for four decades. The Journey of Jose Antonio AguirreIn this episode of 'Change the Story, Change the World' we explore the life and works of Jose Antonio Aguirre, a Mexican-American artist renowned for his public art in the forms of murals and mosaics. Born in Mexico City and eventually making his way to the United States, Aguirre's multifaceted career spans roles as a muralist, teacher, journalist, and cultural ambassador. His work, deeply influenced by his bi-national experience, celebrates cultural heritage and challenges viewers to consider social issues and their own identities. Notably, Aguirre collaborated with significant cultural and community institutions such as Self Help Graphics and Art in East Los Angeles and participated in the creation of the Cesar Chavez Memorial. His journey underscores the power of art in community building, heritage preservation, and social commentary, all while navigating the complexities of his adventurous life in the U.S.00:00 Welcome to Change the Story, Change the World00:12 Journey to Knowledge: The Power of Public Art01:30 Jose Antonio Aguirre: A Life in Art and Cultural Diplomacy04:10 The Chicano Art Movement and Self Help Graphics08:39 A Serendipitous Journey from Music to Muralism20:57 From Chicago to California: A New Chapter in Art31:49 The Evolution and Impact of the Mural Movement41:10 Closing Thoughts: The Role of Art in SocietyBioAs a visual artist, I am dedicated to nurturing the development and production of an ongoing body of art that utilizes a variety of traditional mediums, materials, and techniques in combination with an experimental approach to contemporary technology and social issues. I seek to explore the application of space within an installation, painting, print or public environment that invites the interaction of the viewer with the elements of the composition; the spectator is to be engaged as an active participant and not a passive observer. The nature of my art is dependent upon the exploration and exportation of images, icons, symbols, and signs that have been contained within the continuity of creative expression in Mexican art from 3000 years ago until today. The essence of my iconography is traced from my personal pre-Columbian roots and it's mixing with religious symbols of Spanish colonization, and compounded by the contradictory reality of “modernism” in Mexico and the United States. The content is inspired by the duality of history and social experience; the color palette inspired by the richness of the folk artists hand and the local regions natural landscapes. Reflecting upon my place of origin (Mexico) and its impact on the recent history of my experience in the United States, I probe the aesthetics of an artist that exists in two cultures bound by bi-national implications. I create a visual imagery that provokes definitions and questions that attempt to integrate the tentative everyday experience of human nature and its social implications with the cultural diversity of living on the border of two worlds that exist in the time of expanding globalization.

    Ash Hanson: Exclamation Points

    Play Episode Listen Later Apr 10, 2024 51:26 Transcription Available


    Can community theater help mend our broken and conflicted communities? In this episode Ash Hanson shares the story of what she and her many citizen collaborators have learned about how our place stories can help our communities not only heal but find new resilience and common ground.BIOAsh Hanson (she/her) has two decades of experience working with rural communities to activate stories, connect neighbors, and exercise collective imagination. She is the Creative Executive Officer (CEO) of Department of Public Transformation (DoPT) -- a nonprofit organizations that works at the intersection of creativity and civic life in rural communities. She is a member of the Center for Performance and Civic Practice Leadership Circle and she was an Artist-in-Residence in both the Planning Department at the City of Minneapolis and with the Southwest Minnesota Housing Partnership, where she employed creative community engagement strategies for equitable participation in urban and rural planning and development processes. Previously, she was the Program Director for the Minnesota Theater Alliance—where she managed statewide regional networks and resource sharing—and the Program Director for Public Art Saint Paul—where she produced large-scale participatory public art events and projects, including the Saint Paul City Artist-in-Residence program. In addition to her work with DoPT, she is the founder of PlaceBase Productions, a theater company that creates original, site-specific musicals celebrating small-town life. She holds an MA in Applied Theater with a focus on Rural Community Development, and she was named an Obama Foundation Fellow and a Bush Fellow for her work with rural communities. She believes deeply in the power of play and exclamation points! To learn more about Department of Public Transformation visit www.publictransformation.org Notable MentionsDepartment of Public Transformation: We are an artist-led nonprofit organization that works to develop creative strategies for increased community connection, civic engagement, and equitable participation in rural places. We believe in the power of rural creativity in activating solutions to address community challenges.PlaceBase Productions: Some of America's most inspiring stories are nestled in the communities of rural towns. PlaceBase Productions is using community theatre to bring these stories to life—and shift the narrative about what it means to live and work outside of big cities.Ignite Rural: Ignite Rural is an “at-home” artist residency operated by the Department of Public Transformation focused on uplifting and supporting emerging rural artists that engage in social/civic work. To be considered for the Ignite Rural program, artists must reside in rural communities with a population of 20,000 or less within the colonial state borders of Minnesota, North Dakota, South Dakota, and the 23 Native Nations that share that geography with priority given to BIPOC (Black, Indigenous, People of Color) and Native artists and culture bearers.Partnership Art. In 2015, SWMHP was one of six organizations that received funding...

    Michael McCarty: Have Mouth Will Run It!

    Play Episode Listen Later Mar 27, 2024 54:43 Transcription Available


    Michael McCarty in my prison workshops, they say. “Storytelling, you're going to show us how to tell the Three Little Pigs?” I say, “Every living person has at least one story they need to tell. And (telling) that story will help them in their relationship with the people around them, and the world, and more importantly, with themselves.BIOMichael McCarty: Mother always told me stories. I began telling stories formally when I was in high school in Chicago (St. Ignatius) in the 60's, stories of Africa and the struggles of African-Americans for freedom. In 1992 I met Joel ben Izzy from Berkeley, CA who was introduced to me as a professional storyteller. “You mean to tell me that people pay you to tell stories!?” I asked. I picked his brain and vowed that I was going to become a professional teller too, and my motto would be “Have mouth. Will run it.” A week or so later I asked myself what would I do as a profession if I was independently wealthy. Tell stories, was my answer.So I went to my local library and began collecting folk tales from different countries and reading books about storytelling. One day the Young Adult Librarian asked me why I was getting so many books of folk tales and asked if I was writing a paper. When I told him that I was a storyteller he said that he had a group of teenagers that wanted to learn storytelling. Could I give them a workshop? I said sure. The workshop was a success. Thus began my career. And I've been running my mouth around the country and around the world ever since.In 1996 I initiated the GRIOT Workshop in Leimert Park in Los Angeles. This is a place where anyone can come and get assistance in developing their storytelling skills. From 2004 until 2008 I was the Pacific Region Representative for the National Storytelling Network (NSN) Board of Directories.My life has been one heaven of a story: Student activist, Black Panther, US Army martial arts instructor, acupuncturist, world traveler, spiritual seeker, construction worker, storyteller, husband, father, crazy friend. Never a dull moment! I LOVE my life;-)Notable MentionsHigh John the Conqueror: John the Conqueror, also known as High John de Conqueror, John, Jack, and many other folk variants, is a folk hero from African-American folklore. He is associated with the roots of Ipomoea purga, the John the Conqueror root or John the Conqueroo, to which magical powers are ascribed in African-American folklore, especially among the Hoodoo tradition of folk magic.[Have mouth will run it: Michael D. McCarty's web siteBlack Panther Party: Founded in 1966 in Oakland, California the Black Panther Party for Self Defense was the era's most influential militant black power...

    Tasha Golden & Jill Sonke: Arts on Prescription

    Play Episode Listen Later Jan 24, 2024 60:45 Transcription Available


    Arts On Prescription: What if your doctor prescribed an arts-based treatment for what ails you and your health insurance paid for it. YEAH RIGHT! Actually, Yeah, right, and REALLY! In this episode we learn all about it in Arts on Prescription: A Field Guide for U. S. CommunitiesBIO'sDr. Tasha Golden directs research for the International Arts + Mind Lab at Johns Hopkins Medicine. As a national leader in arts + public health, Dr. Golden studies the impacts of arts & culture, music, aesthetics, and social norms on well-being, health research, and professional practice. She has authored many publications related to arts and health, served as an advisor on several national health initiatives, and is adjunct faculty for the University of Florida's Center for Arts in Medicine.In addition to her research, Golden is a career artist and entrepreneur. As singer-songwriter for the critically acclaimed band Ellery, she toured full-time in the U.S. and abroad, and her songs appear in feature films and TV dramas (ABC, SHOWTIME, FOX, NETFLIX, etc). She is also a published poet and has taught university courses in public health as well as in writing, rhetoric, and literature. Holding a Ph.D. in Public Health Sciences, Dr. Golden draws on her diverse background to develop innovative, interdisciplinary presentations and partnerships that advance health, health equity, creativity, and well-being.Dr. Golden is also the founder of Project Uncaged: an arts-based health intervention for incarcerated teen women that amplifies their voices in community and policy discourses. These young folx are among her greatest teachers.Jill Sonke, PhD, is director of research initiatives in the Center for Arts in Medicine at the University of Florida (UF), director of national research and impact for the One Nation/One Project initiative, and co-director of the EpiArts Lab, a National Endowment for the Arts Research Lab. She is an affiliated faculty member in the UF School of Theatre & Dance, the Norman Fixel Institute for Neurological Diseases, the Center for African Studies, the STEM Translational Communication Center, and the One Health Center, and is an editorial board member for Health Promotion Practice journal. She served in the pandemic as a senior advisor to the US Centers for Disease Control and Prevention (CDC) Vaccine Confidence and Demand Team on the COVID-19 Vaccine Confidence Task Force and currently serves on the steering committee of the Jameel Arts & Health Lab, established by the World Health Organization (WHO), the Steinhardt School at New York University, Community Jameel, and CULTURUNNERS. With 28 years of experience and leadership in the field of arts in health and a PhD in arts in public health from Ulster University in Northern Ireland, Jill is active in research and policy advocacy nationally and internationally. She is an artist and a mixed methods researcher with a current focus on population-level health outcomes associated with arts and cultural participation, arts in public health, and the arts in health communication. Notable MentionsNotable MentionsArts On Prescription: A Field Guide for US Communities.: A roadmap for communities to develop programs that integrate arts, culture, and nature resources into local health and social care systems. prescription

    Scott Rankin: BIGhART - BIGsTORY Chapter 2

    Play Episode Listen Later Jan 10, 2024 30:13 Transcription Available


    BIGhART is Australia's leading arts and social change organization.We make art, we build communities, we drive change. 30 years in operation, 62 communities engaged, 47 awards won, 550 artists contributed, 9, 500 people participated, 2. 6 million audience members. BIOScott Rankin co-founded Big hART with friend John Bakes in 1992. As CEO and Creative Director, Scott leads the overarching vision for all Big hART projects – from pilot through to legacy. A leader and teacher in the field of social and cultural innovation, Scott provides daily mentorship and knowledge transfer to all Big hART staff so that they can in turn lead our projects with confidence.An award winning writer and director in his own right, Scott's works have been included many times in major arts festivals. His reputation is built on a quarter of a century of work, creating, funding and directing large-scale projects in diverse communities with high needs, in isolated settings.Big hART is Scott's passionate contribution to the arts and society.Notable Mentions: BIGhART: Ngapartji Ngapartji: Big hART designed the Ngapartji Ngapartji project to raise awareness of Indigenous language loss, and the lack of an national Indigenous languages policy. Tasmania is an island state of Australia.[15] It is located 240 kilometres (150 miles) to the south of the Australian mainland, separated from it by the Bass Strait, with the archipelago containing the southernmost point of the country.Vaslav Nijinsky was a Russian[4] ballet dancer and choreographer of Polish ancestry.[5] He is regarded as the greatest male dancer of the early 20th century.

    Scott Rankin: BIGhART - BIGsTORY

    Play Episode Listen Later Dec 13, 2023 46:45 Transcription Available


    Scott Rankin: When I describe BIGhART to folks in the US they accuse me of making it up. In this episode Scott Rankin, BIGhART's founder, describes how this expansive, constantly morphing, multi-disciplinary, thirty-year long enterprise became one of the world's leading arts and social change organizations.BIOScott co-founded Big hART with friend John Bakes in 1992. As CEO and Creative Director, Scott leads the overarching vision for all Big hART projects – from pilot through to legacy. A leader and teacher in the field of social and cultural innovation, Scott provides daily mentorship and knowledge transfer to all Big hART staff so that they can in turn lead our projects with confidence.An award winning writer and director in his own right, Scott's works have been included many times in major arts festivals. His reputation is built on a quarter of a century of work, creating, funding and directing large-scale projects in diverse communities with high needs, in isolated settings.Big hART is Scott's passionate contribution to the arts and society.Notable MentionsBIGhART: Authentic, high-quality art made with communities.Big hART brings virtuosic artists into communities to collaborate and create authentic stories which illuminate local injustice. We present these stories to mainstream audiences to help raise awareness. This builds public support for change and helps to protect vulnerable people.Everyone, everywhere has the right to thrive.Big hART works with communities experiencing high levels of need. Rather than focusing on the problem, our unique non-welfare projects build on community assets, strengthening vulnerable individuals, and creating long term attitudinal shifts. Our hope is for all communities to flourish.Positive, generational change begins as a cultural shift.Big hART designs and delivers transformative projects to address complex social issues. Our cultural approaches are evaluated and acknowledged as best practice. Decision makers seeking better solutions can use our award winning projects to help develop new and better policy. We aim to drive generational change.Ngapartji Ngapartji: Big hART designed the Ngapartji Ngapartji project to raise awareness of Indigenous language loss, and the lack of an national Indigenous languages policy. In order to create visibility around these issues, we launched a language and culture teaching portal, offered audiences the chance to learn Pitjantjatjara through a small teaching show, created short teaching films, as well as music and CDs with a Pitjantjatjara choir. We made a high profile documentary, and finally, a large award winning touring show for national festivals. By creating this range of art products, we attracted exceptional media and gained high level political interest in the issue. This assisted in driving a new Indigenous language policy and increased funding to help prevent language loss.Trevor Jamieson is a veteran of stage and screen with over 25 years of experience in the entertainment industry, and a long time creative partner with BIGhART. He is known as an Actor, Dancer, Musician and Storyteller and his portrait, taken by Brett Canet-Gibson, took out the People's Choice award for the 2017 National Portrait gallery exhibition in Canberra.Trevor is not only an accomplished actor but is also known for his ability on the guitar and didgeridoo. Trevor has also...

    Tisidra Jones: Strong and Starlike

    Play Episode Listen Later Nov 29, 2023 42:47 Transcription Available


    Tisidra Jones: is a poster child for cross-sector, hybrid creative community leadership. Trained in theater, and music, and as a lawyer, Tisidra has built a company that uses all of these assets in service to people and organizations working for change. BIOTisidra is a sought-after speaker, award-winning artist and lawyer who works at the intersection of inclusion, engagement and equal opportunity policies. Her methodology blends legal and policy research, sociological studies, and arts-based approaches to community and civic engagement. Tisidra's life, education, and professional experiences encompass rural communities, law, the arts, sociology, community engagement and multidisciplinary education. She has a B.A. in Music with a minor in the Sociology of Difference from George Mason University. She acquired her J.D. from the University of St. Thomas School of Law and is licensed to practice law in New York and Minnesota.Tisidra has worked with nonprofits in the arts or those serving communities of color primarily when new programs were being launched or designed. On the public-sector side, she has worked with local, state, federal and international government entities. She acquired expertise as it relates to small, minority-owned, and women-owned business inclusion policies and programs. Whether working for the government or a nonprofit, every position Tisidra has held required project management, program design, infrastructure creation and community engagement.Finding connections across sectors has been integral to the work that Tisidra has done. As a result, she has served on over 30 boards, advisory councils and community engagement committees across sectors. She has also curated cross-sector advisory committees for major initiatives. Notable MentionsStrong and Starlight Consulting:INNOVATION | We are a company of creative individuals. Innovative ideas are at the core of who we are. So, we love having the opportunity to work with you as thought partners and a sounding board as you generate ideas.INFRASTRUCTURE | To get from idea to implementation, you cannot get there without crossing the sturdy bridge of infrastructure. We help you design the infrastructure needed to ensure that your ideas, once implemented, have the support, tools, policies, procedures, and capacity to be sustained. IMPLEMENTATION | Once the infrastructure is completed, we leave you with the tools and recommendations to take you through a pilot period and beyond. We can also continue working with you through the pilot period and equipping the next team that will carry you beyond your launch.Creative Community Leadership Institute (CCLI) Established in 2002 CCLI was a community arts leadership development training program developed by Intermedia Arts in Minneapolis, MN. Over its 22 year history the program supported a network of creative change agents who continue to use arts and culture to help build caring, capable, and sustainable communities. When Intermedia closed its doors in 2017 the program was suspended. The program re-emerged in 2021 under the auspices of Springboard for the Arts in St. Paul Minnesota, and Racing Magpie in Rapid City, South Dakota. The program supports the development of strong leaders capable of challenging and disrupting oppressive systems in their communities by approaching their work with a critical lens and commitment to recognizing systems of oppression and normalizing conversations about race and colonialism. CCLI serves Minnesota, South Dakota and North Dakota artists.

    Henry Frank 2.0: Further Adventures of a Free Artist

    Play Episode Listen Later Nov 15, 2023 31:09 Transcription Available


    In Episode 34 Henry Frank shared the story of his long trek from San Quentin as a lifer, to finding both freedom and a community eager to learn from him as an artist, teacher, and healer. Here are three amazing new chapters that that Henry shared about his continuing journey.BioI am a descendant of the great nations of the Yurok and Pomo Tribes. I am a returning resident, former Arts In Corrections participant/clerk, and currently working for the William James Association as the Communications Administrator and Teaching Artist at California Medical Facility (CMF), High Desert State Prison (HDSP), and California Correctional Center (CCC). I use my art to amplify the voices of people of color (specifically Native Americans), people who are currently experiencing incarceration, and returning residents (aka formerly incarcerated) to expose the mistreatment, dehumanization, and desolation. These people have voices, my contribution is to make sure it is heard beyond the reservations and prison walls. My connection and coexistence within the natural world, my heritage, my culture, and incarceration experience inspire and shapes my artistic expression. I draw from my childhood, my spiritual practice, my memories/treatment from my incarceration and living as a Native American in a colonized based society. Art has freed and expanded my scope of humanity and myself, it has been a tool for introspection, connection, and expression. "Art has been a part of my life for as long as I can remember. It has let me express things within me that I could not ever put into words. It has given me healing, strength, insight, and patience. If it was not for artistic expression...I would not be the human being that I am today."Notable MentionsRed Tail Art: This is Henry Frank's artist website. Here is how he describes his practice: I enjoy bringing art into existence, I love the entire process, creating the backgrounds, finding the perfect image that fits the background, choosing the right colors to bring it to life, picking up the paintbrushes and mixing the colors and finally putting brush to canvas. It is very calming and relaxing, I go into a meditative state when I am the zone.The Museum of the American Indian: “Located in Marin County and situated on a site of an actual Miwok Village, the Museum is dedicated to providing the people of Northern California with programs and exhibits that deepen understanding and appreciation of Native American cultures.”Yurok People: “The mission of the Yurok Tribe is to exercise the aboriginal and sovereign rights of the Yurok People to continue forever our Tribal traditions of self-governance, cultural and spiritual preservation, stewardship of Yurok lands, waters and other natural endowments, balanced social and economic development, peace and reciprocity, and respect for the dignity and individual rights of all persons living within the jurisdiction of the Yurok Tribe, while honoring our Creator, our ancestors and our descendants.” Pomo People: “The Pomo are an indigenous people of California. The historical Pomo territory in Northern California was large, bordered by the

    Amoke Kubat: YO MAMA is in the House

    Play Episode Listen Later Nov 1, 2023 34:36


    Àmọ̀kẹ́ Kubat's work rises up in a dozen different overlapping directions. In North Minneapolis you'll likely hear her described as an organizer, a puppeteer, a healer, a priestess, a playwright, a counselor, a writer, a teacher, an actress, a curator, a storyteller, and more often than not, a provocateur. Bio: Amoke Kubat is an artist, weaver, sacred doll maker, and sometimes stand-up comedian, who uses her art to speak truth to power and hold a position of wellness in an America sick with inequality and inequity. In 2010, Amoke began developing her Art of Mothering workshops, which became the foundation of Yo Mama's House: a cooperative for women who are artists, mothers, activists, and healers in North Minneapolis. Amoke used her residency to support the development of Yo Mama's House by building relationships with researchers of African history, race studies, and other fields that might inform her work to reclaim Indigenous African sensibilities.Notable Mentions: Creative Community Leadership Institute (CCLI) Established in 2002 CCLI was a community arts leadership development training program developed by Intermedia Arts in Minneapolis, MN. Over its 22 year history the program supported a network of creative change agents who continue to use arts and culture to help build caring, capable, and sustainable communities. When Intermedia closed its doors in 2017 the program was suspended. The program re-emerged in 2021 under the auspices of Springboard for the Arts in St. Paul Minnesota, and Racing Magpie in Rapid City, South Dakota. The program supports the development of strong leaders capable of challenging and disrupting oppressive systems in their communities by approaching their work with a critical lens and commitment to recognizing systems of oppression and normalizing conversations about race and colonialism. CCLI serves Minnesota, South Dakota and North Dakota artists.North Minneapolis: Northside is one of Minneapolis' most diverse neighborhood areas. Prince spent a few important formative, guitar-strumming, piano-tapping years in the area. The local businesses, events and entrepreneurs are bringing a new life and energy to the area with a focus on community-led growth. These changes include a thriving cultural presence, often seen through food and artistic expression. Paul Wellstone: (July 21, 1944 – October 25, 2002) was an American academic, author, and politician who represented Minnesota in the United States Senate from 1991 until he was killed in a plane crash near Eveleth, Minnesota, in 2002. Over the years, Wellstone worked with senators whose views were much more conservative than his, but he consistently championed the interests of the poor, the farmers, and the union workers against large banks, agribusiness, and multinational corporations.Yo Mama's House: Mission: Our philosophy and practice is to empower mothers by disrupting the devaluation of women's invisible labor and increasing the recognition of the ART of Mothering. It is MOTHERS' collective legacies of maternal wisdom and...

    Barry Gillespie: Is There a Place for Joy and Compassion?

    Play Episode Listen Later Oct 18, 2023 50:32 Transcription Available


    BioBarry Gillespie was introduced to meditation practice in 1978, through the Sivananda Yoga Vedanta Ashram. In 2003 he began exploring Theravada Buddhist practice, sitting many long retreats at the Insight Meditation Society in Barre, MA and Spirit Rock in Woodacre, CA. His principal teacher is Guy Armstrong. Barry is an affiliated teacher with the Insight Meditation Community of Colorado (IMCC). He teaches mainly in Boulder and at the Rocky Mountain Ecodharma Retreat Center.Notable MentionsStoryStory: A book and a short movie by William Cleveland and Barry Marcus.Find the book @ https://issuu.com/williamcleveland/docs/story_story_full_issuu_pagesFind the movie @ https://youtu.be/pwI0GGW8zTs?si=qwfYhmJRET7-FGpsBuckhorn Center: An experimental therapeutic and cultural center, north of Toronto Canada that operated in the 1980's.Swami Vishnu Devananda: Vishnudevananda Saraswati was an Indian yoga guru known for his teaching of asanas, a disciple of Sivananda Saraswati, and founder of the International Sivananda Yoga Vedanta Centres and Ashrams. He established the Sivananda Yoga Teachers' Training Course, possibly the first yoga teacher training programs in the West. WikipediaThe Experience of Insight by Joseph Goldstein: a modern classic of unusually clear, practical instruction for the practice of Buddhist meditation: sitting and walking meditation, how one relates with the breath, feelings, thought, sense perceptions, consciousness, and everyday activities. Basic Buddhist topics such as the nature of karma, the four noble truths, the factors of enlightenment, dependent origination, and devotion are discussed.Pali Canon: The Pāli Canon is the standard collection of scriptures in the Theravada Buddhist tradition, as preserved in the Pāli language.[1] It is the most complete extant early Buddhist canon.[2][3] It derives mainly from the

    The Book of Judith: Prison Truth Through Fiction

    Play Episode Listen Later Sep 27, 2023 37:13 Transcription Available


    Prison Truth Through FictionHow do you prepare artists to teach in the foggy upside down netherworld of prison? This episode tells how California's Arts in Corrections program answered that question with a twist. Excerpted from the recently published, The Book of Judith (New Village Press) and tells the amazing story of how poet/teacher Judith Tannenbaum's crafted the story of a fictional prison to reveal the often confounding reality of prison life. The Book of Judith: Opening Hearts Through PoetryEdited by Spoon Jackson, Mark Foss, and Sara PressAn homage to the life of poet, writer, and teaching artist Judith Tannenbaum (b. 1947 – d. 2019) and her impact on incarcerated and marginalized students. The book presents different aspects of Judith through a collection of original poetry, prose, essays, illustrations, and fiction from 33 contributors who knew her. Each piece of writing spotlights a voice that Judith's teachings once touched, and these combined memories help form a clearer picture of her legacy.Five pencil drawings, inspired by those serving life sentences in prison without possibility of parole, separate the book into the following sections: Unfinished Conversations, After December, Looking and Listening, and Legacy. In Unfinished Conversations, contributors share their bond with Judith Tannenbaum through prose and excerpts from letters both real and imagined. In the second section, After December, poets reflect on the life, artistry, and legacy of Judith. The third section, Looking and Listening, focuses on the truth-seeking qualities that Judith brought to her work. The fourth section, Legacy, features work from winners of an award and a fellowship bestowed in her name.Click Here to Access 9 Stories Exploring the Work of Artists in Prison in our JUSTICE ARTS COLLECTION

    Alice Lovelace 2.0: This Poem IS Going Somewhere!

    Play Episode Listen Later Sep 13, 2023 35:08


    In our last conversation, (Episode 26) we shared Alice Lovelace's tumultuous history as a solo teaching artist and performer working with young writers all across the rural south. What follows is Alice's next chapter. In it she talks about building an extraordinary multi-disciplinary, cross-sector cultural institution that rises up from the funky detritus of the pandemic as a new beachhead of creative change in a small Georgia Community. BIOAlice Lovelace is a cultural worker, performance artist, teacher, poet, organizer, author, playwright, and arts administer. Since 1976 Atlanta has been her home of choice; a fertile ground for artistic growth and activism, and in 1978, she discovered the Neighborhood Arts Center and met Ebon Dooley (Leo Hale) and Toni Cade Bambara. Together, they organized poetry readings and classes while conducting meetings for the Southern Collective of African American Writers (SCAAW). In 1981, Ebon and Alice founded the nonprofit: Southeast Community Cultural Center located at the former Grant Park Elementary School and in 1984 opened the former school as The Arts Exchange – a studio space for artists, a theater, recording studio, two galleries, a dance studio, and home to the Atlanta Writers Resource Center. Between 1998 and 2000 Alice became executive director of Alternate ROOTS, an artists-led southern regional organization; and along with Dr. Lisa Delpit and actress Jane Fonda, she founded and stepped into the role of executive director of the Atlanta Partnership for Arts in Learning (APAL). Currently serving as the president of the board of ArtsXchange, Alice continues to serve the public need through programs implemented at the nonprofit's newly renovate facility in East Point, GA.

    Harry Boyte: Democracy & Imagination

    Play Episode Listen Later Aug 30, 2023 48:48 Transcription Available


    Throughout his career, activist, organizer, educator, and author Harry Boyte. has asked a simple, but obviously challenging question: How can we make democracy an everyday practice for everyone? Given the warnings about the end of democracy, our discussion about role of culture in the labor and civil rights movements, and the inseparable nature of imagination and democracy is timely, to say the least. BIOHarry C. Boyte is a co-founder with Marie Ström of the Public Work Academy and Senior Scholar of Public Work Philosophy, both at Augsburg University. He also founded the international youth civic education initiative Public Achievement and the Center for Democracy and Citizenship at the University of Minnesota, now merged into the Sabo Center for Democracy and Citizenship at Augsburg University. Boyte's forthcoming book, Awakening Democracy through Public Work, Vanderbilt University Press 2018, recounts lessons from more than 25 years of revitalizing the civic purposes of K-12, higher education, professions, and other settings. In the 1960s, Boyte was a Field Secretary for the Southern Christian Leadership Conference, the organization headed by Dr. Martin Luther King, Jr., and subsequently was a community and labor organizer in the South. Boyte has authored ten other books on democracy, citizenship, and community organizing and his articles and essays have appeared in more than 150 publications including The New York Times, Wall Street Journal, Political Theory, Chronicle of Higher Education, Policy Review, Dissent, and the Nation. Notable MentionsPart One: Free SpacesPublic AchievementSabo Center for Democracy and CitizenshipAwakening Democracy Through Public Work, Harry Boyte Southern Christian Leadership Conference (SCLC)Judge William HastieSCLC - Citizenship SchoolsBrown V. Board of Education The Big Tomorrow: Hollywood and The Politics of The American Way, Larry MayCultural Front, Michael DenningNixon/Khrushchev Kitchen DebateInstitute for Public Life and WorkThird Way Civics: A Cultural Pluralist view of American Democracy and History Trygve Throntveit,Creative Community Leadership, UMass AmherstPart Two:...

    Carlton Turner: SIPP Culture Rising -Reprise-

    Play Episode Listen Later Aug 16, 2023 64:59 Transcription Available


    Carlton Turner understands that when you can't feed yourself the imagination is the first thing to go And if you can't "see" a different future you can't make change. Sipp Culture is about feeding both the body and the mind's eye. BIOCarlton Turner is an artist, agriculturalist, researcher, and co-founder of the Mississippi Center for Cultural Production (Sipp Culture). Sipp Culture uses food and story to support rural community development in his hometown of Utica, Mississippi where his family has been for eight generations. He currently serves on the board of First Peoples Fund, Imagining America, Project South and the National Black Food and Justice Alliance. Carlton is a member of the We Shall Overcome Fund Advisory Committee at the Highlander Center for Research and Education and is the former Executive Director of Alternate ROOTS and is a founding partner of the Intercultural Leadership Institute.Carlton is a current Interdisciplinary Research Fellow with the Robert Woods Johnson Foundation and was named to the Yerba Buena Center for the Arts YBCA100. He is also a former Ford Foundation Art of Change Fellow and former Cultural Policy Fellow at the Creative Placemaking Institute at Arizona State University's Herberger Institute for Design in the Arts.Carlton Turner is also co-founder and co-artistic director, along with his brother Maurice Turner, of the group M.U.G.A.B.E.E. (Men Under Guidance Acting Before Early Extinction). M.U.G.A.B.E.E. is a Mississippi-based performing arts group that blends of jazz, hip-hop, spoken word poetry and soul music together with non-traditional storytelling. His current work is River Sols, a new play being developed in collaboration with Pangea World Theater that explores race, identity, class, faith, and difference across African American and South Asian communities through embodiment of a river.He is also a member of the Rural Wealth Lab at RUPRI (Rural Policy Research Institute) and an advisor to the Kresge Foundation's FreshLo Initiative. In 2018, Carlton was awarded the Sidney Yates Award for Advocacy in the Performing Arts by the Association of Performing Arts Professionals. Carlton has also received the M. Edgar Rosenblum award for outstanding contribution to Ensemble Theater (2011) and the Otto René Castillo Awards for Political Theatre (2015).Notable MentionsSIPP Culture: The Mississippi Center for Cultural Production is an approach and resource for cultivating thriving communities. Based in the rural South, “Sipp Culture” is honoring the history and building the future of our own community of Utica, MS. Sipp Culture supports community development from the ground up through cultural production focused on self-determination and agency designed by us and for us. We believe that history, culture, and food affirm our individual and collective humanity. So, we are strengthening our local food system, advancing health equity, and supporting rural artistic voices – while activating the power of story – all to promote the legacy and vision of our hometown.Octavia Butler: OCTAVIA E. BUTLER was a renowned African American author who received a MacArthur “Genius” Grant and PEN West Lifetime Achievement Award for her body of work. Born in Pasadena in 1947, she was raised by her mother and her grandmother. She was the author of several award-winning novels including PARABLE OF THE SOWER (1993), which was a New York Times Notable Book of the Year, and PARABLE OF THE TALENTS (1995) winner of the Nebula Award for the best science fiction novel published that year. She was acclaimed for her lean prose, strong protagonists, and social observations in stories that range from the distant past to the...

    Cynthia Winton-Henry: INTERPLAY - ART - BODY - SOUL

    Play Episode Listen Later Aug 2, 2023 55:26 Transcription Available


    Over the past four decades, this episode's guest, Cynthia Winton-Henry, and the worldwide community, she and her collaborator, Phil Porter, have helped to grow, have sparked a reconvening of the pre-historic circle of dance and song, and story that animated and nurtured the nascent human community. For more inspiring change maker stories also check out the Change the Story CollectionBIOCynthia Winton-Henry, M.Div, co-founded InterPlay (www.interplay.org) with Phil Porter in 1989. They mentor teachers around the world in best practices to build community and unlock the wisdom of the body using movement, story, stillness, and voice. Cynthia hosts weekly Online Dance Chapels at the Hidden Monastery at www.cynthiawinton-henry.com and teaches the initiations needed by gifted and sensitive bodies using her Self-Care Playbook in the Art of Ensoulment. She's taught at Holy Names University's Sophia Center and the University of Creation Spirituality in Oakland, and at Pacific School of Religion in Berkeley, where she received the Distinguished Alumni Award. Her books include Move: What the Body Wants by Woodlake Press, Chasing the Dance of Life published by Apocryphile Press and Dance: A Sacred Art by Skylight Press, and wrote the concluding essay "Grace Operatives: How Body Wisdom Changed the World" in Phenomonlogies of Grace edited by Marcus Bussey and Camilla Mozzini.Notable MentionsInterplay: InterPlay is an active, creative way to unlock the wisdom of the bodyPhil Porter: Phil is one of the founders of InterPlay. He is a teacher, performer, writer, and organizer. With Cynthia Winton-Henry he is the co-founder of WING IT! Performance Ensemble, and has written several books, some in collaboration with Cynthia, including Having It All: Body, Mind, Heart & Spirit Together Again at Last and The Slightly Mad Rantings of a Body Intellectual Part One. Phil is particularly interested in the use of InterPlay in organizational life and believes that InterPlay can be a powerful tool to create communities of diversity and peace.African Art in Motion: The exhibition was based on a concept of Robert Farris Thompson, associate professor of art history at Yale University, that African art can only be understood through a grasp of African dance and ritual and in the special language of body motion: implied, arrested, or expressed. TRuth St. Dennis: was an American pioneer of modern dance, introducing eastern ideas into the art and paving the way for other women in dance. She was inspired by the Delsarte advocate Genevieve Stebbins. St. Denis was the co-founder in 1915 of the American Denishawn...

    Alice Lovelace: How to thrive as a creative change agent.

    Play Episode Listen Later Jul 19, 2023 45:39 Transcription Available


    Episode 76: Alice Lovelace: How to Thrive as a Creative Change Agent (Reprise)Lately, we have heard from many artists and arts organizations who are joining the creative change movement. In response, we are revisiting Alice's story of creativity, chutzpah, and courage as a peaceful disrupter making serious change across the deep south under the most challenging conditions. For more inspiring change maker stories also check out the Change the Story Collection: Threshold Questions & Delicious QuotesWhat is "This Poem" really about?This poem is a cultural hybrid Travelin' everywhereBelongin' nowhereIrresponsible, Irreverent And totally irrelevantWhat do you mean by Peaceful Disrupter?I am never happy with the status quo. So, I'm always looking for ways to disrupt the status quo and to move it in a more progressive [way] or [by] empowering those who I see are being left behind.And that has to happen a lot, they have to be those who make other people uncomfortable, so that in their discomfort they actually deeply contemplate change. Because when we are comfortable, we don't contemplate change.... I'm a peaceful disruptor. I don't get loud. I don't, I definitely look for opportunities to shift power and to shift the conversation...What does "asking permission" mean in a classroom?When I walk into a classroom, the first thing I say to my class is I asked permission to be there. And often the teachers don't understand that, but I will say to the students, “this is your community, and I am an interloper, and other adults have made a decision that I should be here, but the rightful decision-makers are you because you were the one who had the power to make this a success or to make it a failure”. So, I always ask their permission.How can you fight the power of the false narrative?I've never forgot the lesson of. Standing up to bullies, not getting into the stories people are telling about you, ...the moment that you try to speak to that story, all it's going to do is keep that story spinning. So, I would never address it.Music AttributionVariations on a theme 1 » The Rush (w/ drum) - Variations 1 (c) by PodcastACThis work is licensed under aCreative Commons Attribution-ShareAlike 4.0 International License.You should have received a copy of the license along with thiswork. If not, see

    Brain Dance for Breaking Ice: Art, Neuroscience, & Racial Reckoning

    Play Episode Listen Later Jul 5, 2023 46:56 Transcription Available


    Spending time with the Breaking Ice theater based diversity, equity, and inclusion program gave rise to a question: How might new insights about how the brain works might help us better understand the how and why of our continuing struggle with difference? Here is what ensued. LISTEN TO Breaking Ice Chapter 1LISTEN TO Breaking Ice Chapter 2Change the Story / All Episodes Change the Story Collections - Our full catalogue of Episodes in 12 Collections: Justice Arts, Art & Healing, Cultural Organizing, Arts Ed./Children & Youth, Community Arts Training, Music for Change, Theater for Change, Change Making Media, Creative Climate Action, Art of the RuralNotable MentionsBreaking Ice is the award-winning program of Pillsbury House Theatre that for over 20 years has been “breaking the ice” for courageous and productive dialogue around issues of diversity, equity and inclusion in the workplace. A diverse company of professional actors portrays real-life situations that are customized to meet the goals, needs and culture of each unique organization we serve.Pillsbury House and Theater is a groundbreaking “new model for human service work that recognizes the power of the arts and culture to stimulate community participation, investment and ownership.” Mihaly Csikszentmihalyi: was a Hungarian-American psychologist. He recognized and named the psychological concept of "flow", a highly focused mental state conducive to productivity.[1][2] He was the Distinguished Professor of Psychology and Management at Claremont Graduate University. He was also the former head of the department of psychology at the University of Chicago and of the department of sociology and anthropology at Lake Forest College.[3]SourcesQuestion 2: How does our environment what we think and believe? 1.Lobel, T. (2014) Sensations: The New Science of Physical Intelligence, Simon & Schuster.2 Eagleman, David. The Brain: The Story of You. Pg., 105, Vintage Books, 2017Question 4: Why are stories...

    Breaking Ice is Changing DEI Work one Performance at a Time - Chapter 2

    Play Episode Listen Later Jun 21, 2023 41:33 Transcription Available


    Breaking Ice - Chapter 2Fear of judgement, the courage of sharing pain, or guilt, or confusion, owning that not knowing is not an excuse for hurting, that humility is hard, that learning hard things is harder, and accepting responsibility is a daily struggle. This is the rocky relational landscape being explored by five BreakIng Ice performers on a bare stage at Barnes Jewish Hospital in St. louis, Missouri in the winter of 2019.LISTEN TO Breaking Ice Chapter 1Change the Story / All Episodes Change the Story Collections - Our full catalogue of Episodes in 12 Collections: Justice Arts, Art & Healing, Cultural Organizing, Arts Ed./Children & Youth, Community Arts Training, Music for Change, Theater for Change, Change Making Media, Creative Climate Action, Art of the RuralBIO'sNoël Raymond holds an MFA in Acting from the University of Minnesota and a BFA from Ithaca College in New York. She currently serves on the Boards of Directors of the Multicultural Development Center and the Burning House Group Theatre Company which she co-founded in 1993. She is also a company member of Carlyle Brown and Company. She has taught acting classes and theatre movement in multiple settings to children, college students and adults with developmental disabilities. Noël is an Equity actor who has performed with Pillsbury House Theatre, the Burning House Group, the Guthrie Theater, Penumbra Theatre, Bryant Lake Bowl, and Minnesota Festival Theatres in Minnesota as well as the Hangar Theatre in New York. Noël's directing credits include Underneath the Lintel, An Almost Holy Picture, Far Away, Angels in America: Parts I and II, and [sic] at Pillsbury House Theatre, From Shadows to Light at Theatre Mu, The BI Show with MaMa mOsAiC, and multiple staged readings and workshops through the Playwrights' Center, among others. Noël has served on numerous panels including TCG/American Theatre, the Minnesota State Arts Board, the Playwright's Center and United Arts, to name a few.Kurt Kwan has been creating performances and facilitating dialogues around issues of Diversity and Inclusion with the Breaking Ice company since 2001. He also manages the Late Nite and Naked Stages programs. As an actor he has performed with Ten Thousand Things, The Walker, Childrens Theatre Company, Mu Performing Arts, New York Asian American Writers, The History Theatre, and Theatre La Homme Dieu.Notable MentionsDEI programs: Diversity, equity, and inclusion (usually abbreviated DEI) refers to organizational frameworks which seek to promote "the fair treatment and full participation of all people", particularly groups "who have historically been underrepresented or subject to discrimination" on the basis of

    Breaking Ice is Changing DEI One Performance at a Time: Chapter 1

    Play Episode Listen Later Jun 7, 2023 39:14 Transcription Available


    This episode and next will tell the story my time with Breaking Ice and share what I learned about the program's evolution and history, its impact, and its innovative approach helping workplaces large and small "cultivate courageous dialogue around issues of diversity, equity and inclusion. BIO'sNoël Raymond holds an MFA in Acting from the University of Minnesota and a BFA from Ithaca College in New York. She currently serves on the Boards of Directors of the Multicultural Development Center and the Burning House Group Theatre Company which she co-founded in 1993. She is also a company member of Carlyle Brown and Company. She has taught acting classes and theatre movement in multiple settings to children, college students and adults with developmental disabilities. Noël is an Equity actor who has performed with Pillsbury House Theatre, the Burning House Group, the Guthrie Theater, Penumbra Theatre, Bryant Lake Bowl, and Minnesota Festival Theatres in Minnesota as well as the Hangar Theatre in New York. Noël's directing credits include Underneath the Lintel, An Almost Holy Picture, Far Away, Angels in America: Parts I and II, and [sic] at Pillsbury House Theatre, From Shadows to Light at Theatre Mu, The BI Show with MaMa mOsAiC, and multiple staged readings and workshops through the Playwrights' Center, among others. Noël has served on numerous panels including TCG/American Theatre, the Minnesota State Arts Board, the Playwright's Center and United Arts, to name a few.Kurt Kwan has been creating performances and facilitating dialogues around issues of Diversity and Inclusion with the Breaking Ice company since 2001. He also manages the Late Nite and Naked Stages programs. As an actor he has performed with Ten Thousand Things, The Walker, Childrens Theatre Company, Mu Performing Arts, New York Asian American Writers, The History Theatre, and Theatre La Homme Dieu.Notable MentionsDEI programs: Diversity, equity, and inclusion (usually abbreviated DEI) refers to organizational frameworks which seek to promote "the fair treatment and full participation of all people", particularly groups "who have historically been underrepresented or subject to discrimination" on the basis of identity or disability.[1]Barnes Jewish Hospital is the largest hospital in the U.S. state of Missouri. Located in the Central West End neighborhood of St. Louis, it is the adult teaching hospital for the

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