Podcasts about Sydow

On this week's episode of Unclear and Present Danger, Jamelle and John watched The Assignment, a 1997 political thriller directed by Christian Duguay and starring Aidan Quinn, Donald Sutherland and Ben Kingsley.In The Assignment, Aidan Quinn plays Annibal Ramirez, a U.S. naval officer recruited by CIA agent Jack Shaw — played by Sutherland — for a special operation to capture the elusive terrorist Carlos the Jackal. Shaw, with the help of Mossad agent Amos, played by Kingsley, trains Ramirez to impersonate the terrorist so convincingly that he can infiltrate Carlos's network and destroy it from within. As Ramirez dives deeper into his double life, the lines between his identity and that of Carlos begin to blur, testing his sanity, loyalty, and sense of self. The tension escalates as the mission nears its climax, forcing Ramirez to confront not only Carlos but the cost of becoming the enemy in order to defeat him.The tagline for The Assignment was “You can find The Assignment to rent or stream on Apple TV and Amazon Prime.Episodes come out roughly every two weeks, and we will see you then with an episode on the 1997 made-for-TV submarine movie Hostile Waters, directed by David Drury and starring Rutger Hauer, Martin Sheen and Max von Sydow. And don't forget our Patreon, where we cover the movies of the Cold War. Our most recent episode is on the Gene Hackman neo-noir Night Moves. For just $5 a month, you get two episodes a month, plus our Unclearpod community chat on Patreon. Come join us!

Handelskriget har väckt frågan om Europa borde omvärdera relationen till Kina. Under våren har Kina gått på charmoffensiven och i sommar ska EU:kommissionens ordförande Ursula von der Leyen besöka Peking. Kan det leda till en ny fas i relationen mellan Europa och Kina? Och vilken roll återstår för Europa i en ny världsordning?Medverkande: Björn Fägersten, senioranalytiker på UI:s Europaprogram.Alexis von Sydow, analytiker vid Nationellt kunskapscentrum om Kina, UI.Programledare och redaktör: Annica Ögren. Hosted on Acast. See acast.com/privacy for more information.

Vilka bolag är vinnare och förlorare på valutavindarna inför sommarens kvartalsrapporter? Hur är utsikterna för fler börsnoteringar efter sommaren? Och vilken är den vanligaste frågan från privata börsplacerare just nu? Karl Hedberg, aktiechef på DNB Carnegies Private Banking, gästar podcasten i en uppdatering tillsammans med Henrik von Sydow. Denna podcast är utgiven av DNB Carnegie Private Banking inom DNB Carnegie Investment Bank AB (publ). Risker Investeringar i finansiella instrument är förknippade med risk och en investering kan både öka och minska i värde eller komma att bli värdelös. Historisk avkastning är ingen garanti för framtida avkastning. Ingen del av podcasten skall uppfattas som en uppmaning eller rekommendation att utföra eller disponera över någon typ av investering eller att ingå några andra transaktioner. De uppfattningar som redogjorts för i podcasten återspeglar de medverkandes uppfattning för tillfället och kan således komma att ändras. Informationen i podcasten tar inte hänsyn till någon specifik mottagares särskilda investeringsmål, ekonomiska situation eller behov. Informationen är inte att betrakta som en personlig rekommendation eller ett investeringsråd. Adekvat och professionell rådgivning skall alltid inhämtas innan några investeringsbeslut fattas och varje sådant investeringsbeslut fattas självständigt av kunden och på dennes eget ansvar. DNB Carnegie frånsäger sig allt ansvar för direkt eller indirekt förlust eller skada som grundar sig på användandet av information i podcasten.

Här kommer första akten av våren 2025:s sista livepod: Elinor berättar om den tragiska skandalen som var de von Sydowska morden. 1932 mördas tre personer i von Sydows enorma lägenhet. De bakomliggande visar sig snabbt vara sonen Fredrik von Sydow och hans fru Ingun Sundén-Cullberg. tw: “utökat självmord”, i övrigt det vanligaVarje torsdag släpper vi ett Bonusavsnitt på Supercast.Klicka här för att prenumerera.Besök www.vadblirdetformord.se för mer info. Hosted on Acast. See acast.com/privacy for more information.

Allt om STORA sommarbråket. Sommarens maskerad på Gotland! Vi drar en lans för det efterlängtade nonsenspratet om ABSOLUT ingenting! Klacksommaren - Johanna Swanberg är på! Ebba Kleberg von Sydow är Falsterbos (enda?!) rebell och Cecilia Blankens kämpar med skärmtid på landet.Livsreglerna, den enda podden du behöver i sommar - basta! Klippare: Christoffer Örtegren. Hosted on Acast. See acast.com/privacy for more information.

A devilish shopkeeper arrives in a small Maine town, his suitcase packed with wonders and his ledger full of names. In "Needful Things," we witness the unraveling of Castle Rock through the machinations of one Leland Gaunt, a stranger with uncanny insight into the deepest desires of everyone he meets.Max von Sydow masterfully portrays Gaunt, the charismatic proprietor offering townsfolk exactly what they want most—a rare baseball card, a carnival glass lampshade, Elvis Presley's sunglasses—items that speak to profound yearning far beyond their material worth. But these treasures come with a hidden cost. Each customer must perform a seemingly harmless prank on another resident, tricks that Gaunt orchestrates to prey on existing tensions within the community.What makes this Stephen King adaptation so compelling isn't the supernatural elements but its exploration of human psychology. As Sheriff Alan Pangborn (Ed Harris) watches his peaceful town descend into chaos, we witness how easily social bonds fray when neighbors suspect each other of increasingly malicious acts. The film excels at demonstrating the domino effect of Gaunt's manipulations—how small slights escalate to violence, how petty rivalries bloom into murderous rage.The film poses an uncomfortable question that resonates beyond its 1993 release: What would you sacrifice for your heart's desire? As we watch characters commit increasingly terrible acts to obtain or keep seemingly trivial objects, we're forced to examine our own attachments and what price we might pay for them. When the shop stands empty for those who want nothing, we're left wondering—is contentment our strongest defense against temptation? And in a world constantly selling us solutions to problems we didn't know we had, perhaps this cautionary tale about the cost of getting exactly what you want strikes deeper now than ever before. Head to www.screamsandstreams.com for more information related to our episode.

Hon säger sig vara en stolt duktig flicka, men försöker undvika att föra över samma krav till sina egna barn. Hur går det ihop? Lyssna på alla avsnitt i Sveriges Radio Play. Ebba Kleberg von Sydow kom fram som rekordung chef på Expressen Fredag och Vecko-Revyn i början av 2000-talet, och beskrevs överallt som ett medialt fenomen. Hon förändrade nöjesjournalistiken, tog yta på allvar. Och hon var något då så ovanligt som ett levande varumärke. Nån som kunde få folk att vallfärda till butikerna, för att köpa samma jeans som Ebba.”Jag är en prestationsprinsessa”I dag finns det fler som har det inflytandet, och Ebba Kleberg von Sydow har adderat hovexpertis, entreprenörsskap och frågeprogramsvinnare till cv:t. Men nedlåtande kommentarer och hat har förföljt henne genom det offentliga livet. Vad har det lämnat för spår? Och ser hon sig själv som en duktig flicka? Programledare: Martin WicklinProducent: Filip BohmKontakt: sondagsintervjun@sr.se

I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later.   Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio.   He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator.   Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts.   I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell.       About the Guest:   Carl Amari has been licensing classic radio shows from the owners and estates since 1990.  He has amassed a library of 100,000+ master recordings.  Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week.  Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club.  Each month Amari selects the best-of-the-best from his classic radio library to send to members.   Amari is also a published author.  In 1996, he began writing a series of books about classic radio for The Smithsonian Institute.  More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon).  Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine.   In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series.  Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role.  The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM.  The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations.    In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc.  The New Testament won 2008's highest Evangelical award, The Christian Book of the Year.  The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament.  In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards.  The Word of Promise has become the #1 selling audio Bible of all time.  In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities.  It was released by Zondervan Corporation, the largest religious publisher in the world.  Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world.  In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House.  Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu.  Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast.    In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp.  In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival.  Madison was later released worldwide by MGM.  Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures.  Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis.  Both films will be released in 2025.   Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies.  He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl:   https://www.hollywood360radio.com/   https://classicradioclub.com/   https://ultimateclassicradio.com/   You can also provide my email address: Carl@ClassicRadioClub.com   About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael,   Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much.   Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh,   Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth.   Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun.   Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh,   Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah.   Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast.   Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure,   Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And   Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun.   Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best.   Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right,   Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure.   Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right,   Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right?   Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah,   Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which   Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well,   Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired   Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah,   Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah,   Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah,   Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way.   Michael Hingson ** 16:46 Typically, what are the discs made of? So   Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass,   Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah,   Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites   Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right?   Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One   Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out.   Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah,   Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow,   Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro,   Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah,   Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston.   Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole   Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll   Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing.   Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which,   Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out.   Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this.   Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research,   Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well,   Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes.   Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country.   Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah?   Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes.   Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that?   Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002   Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you   Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've   Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice,   Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes.   Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when   Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals,   Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never   Carl Amari ** 33:18 did. He was gone before I got into this. Yeah,   Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure,   Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them.   Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I   Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah,   Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones.   Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites.   Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock,   Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out.   Michael Hingson ** 37:59 I think it's pretty,   Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But   Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael,   Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So   Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh,   Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was   Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I   Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday.   Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV.   Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I   Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah,   Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors.   Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do.   Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah,   Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's   Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go   Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never   Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No.   Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so   Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah,   Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees,   Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway,   Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah,   Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah.   Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah?   Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years.   Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I   Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus,   Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow,   Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it   Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble.   Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun.   Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York,   Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing.   Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No,   Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's   Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out?   Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah,   Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast,   Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to,   Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog,   Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog   Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do.   Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would   Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world?   Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get   Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that,   Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you   Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's   Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking   Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me   Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well,   Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u

Stå för dina laster! Det bästa OCH smartaste (jo, du vill testa denna livsregel genast) kärleksspråket! Smågodis vs snus?!Opokua Britton Cavaco livsregler om födelse och död - och ett tänkvärt livsråd om kroppen. Livsreglerna med Cecilia Blankens, Johanna Swanberg och Ebba Kleberg von Sydow. Podden du vill lyssna på, varje söndag. Klippning av Christoffer Örtegren. Hosted on Acast. See acast.com/privacy for more information.

Börsen är upp på besked om uppskjutna tullar, men det är inte läge att vara optimist. Det menar DNB Carnegies omvärldsstrateg Henrik von Sydow. Volvo Cars varslar 3.000 anställda. Di:s Karin Olander kommenterar sparpaket. Börskoll följer med bakom kulisserna med Di:s Ida Hansson Brusewitz efter Nvidia-besöket i helgen.Programledare: Fredrik Lennander och Andreas Johansson

Celie Sparres livsregler! Hetsig stämning i studion?! Nattjobb - så gör du (inte?) och en rockstjärna bjuder på en VIKTIG livsregel, om att konsten att vara halvbra - så länge du inte tummar på DETTA. Dessutom: Ebbas SLARVIGA middag, Johannas nya tips och Cissans lärdom i veckan…Livsreglerna - varje söndag - med Cecilia Blankens, Johanna Swanberg och Ebba Kleberg von Sydow. Ditt sällskap, direkt från en källare på Nybrogatan, tack för att du lyssnar! Klippare: Christoffer Örtegren. Hosted on Acast. See acast.com/privacy for more information.

Rozuzlenie príbehu o nešťastnej bohatej rodine von Sydow, ktorý sa stal námetom pre filmy, divadelné hry aj knihy. Prípad dodnes vo Švédsku patrí k zlým príkladom toho, kam až môže viesť necitlivá prísna výchova, pokrytectvo a honba za peniazmi. Rodina von Sydow je vo Švédsku aj naďalej vážená a jeden z jej potomkov je aj slávny švédsky herec Max von Sydow, ktorý hral v mnohých významných európskych a holyvúdskych filmoch. Vnučka Adolfa von Sydow napísala o príbehu rodiny knihu, ktorá získala významné literárne ocenenia.CREDITS: Námet a dramaturgia: Diana KacarováHlas: Martin KaprálikZvuková produkcia: Miroslav BaričičPodcast produkcia: Simona MičováPodcast Kriminálne spisy obsahuje násilné a sexuálne scény. Preto nie je vhodný pre poslucháčov mladších ako 18 rokov, ani pre citlivé povahy.*Nasledujúci príbeh vychádza z verejne dostupných informácií a oficiálnych zdrojov, ktoré sú spracované do beletrizovanej podoby, a preto okrem faktických informácií obsahuje aj tvorivé prvky dotvárajúce celkový príbeh.

Tillfällig vapenvila råder i handelskriget och sannolikheten för vild eskalering har minskat. Hur påverkar det makroscenarierna som styr marknaderna? Och blir det en lång, het och nyhetsintensiv sommar med fokus på USA:s budgetunderskott och statsskuld? Helena Haraldsson och Henrik von Sydow uppdaterar kring marknadsläget och resonerar kring hur privata investerare kan agera i portföljen. Denna podcast är utgiven av DNB Carnegie Private Banking inom DNB Carnegie Investment Bank AB (publ). Risker Investeringar i finansiella instrument är förknippade med risk och en investering kan både öka och minska i värde eller komma att bli värdelös. Historisk avkastning är ingen garanti för framtida avkastning. Ingen del av podcasten skall uppfattas som en uppmaning eller rekommendation att utföra eller disponera över någon typ av investering eller att ingå några andra transaktioner. De uppfattningar som redogjorts för i podcasten återspeglar de medverkandes uppfattning för tillfället och kan således komma att ändras. Informationen i podcasten tar inte hänsyn till någon specifik mottagares särskilda investeringsmål, ekonomiska situation eller behov. Informationen är inte att betrakta som en personlig rekommendation eller ett investeringsråd. Adekvat och professionell rådgivning skall alltid inhämtas innan några investeringsbeslut fattas och varje sådant investeringsbeslut fattas självständigt av kunden och på dennes eget ansvar. DNB Carnegie frånsäger sig allt ansvar för direkt eller indirekt förlust eller skada som grundar sig på användandet av information i podcasten.

Björn Hedensjö (jo, ”Dumma människor”!) bjuder på livsregler - om din NYA ålder, dejtdödaren nummer ett, slottsfestens oväntade utgång och livet 2.0! Dessutom: Johannas tv-tips, Ebbas smärta och konsten att vara medioker (viktig livsregel).Livsreglerna, ditt sällskap varje söndag med Cecilia Blankens, Johanna Swanberg och Ebba Kleberg von Sydow. Hosted on Acast. See acast.com/privacy for more information.

Studsen på börsen i april blev en stabil återhämtning – närmast ett rally. Samtidigt fortsätter amerikanska långräntor uppåt och negativa nyheter om tullpåverkan kan lura runt hörnet. Har börsen gått från översåld till överköpt? Vad ska börsfokuserade privata investerare tro och hur bör de agera? DNB Carnegies aktiechef Karl Hedberg reder ut i samtal med Henrik von Sydow. Denna podcast är utgiven av DNB Carnegie Private Banking inom DNB Carnegie Investment Bank AB (publ). Risker Investeringar i finansiella instrument är förknippade med risk och en investering kan både öka och minska i värde eller komma att bli värdelös. Historisk avkastning är ingen garanti för framtida avkastning. Ingen del av podcasten skall uppfattas som en uppmaning eller rekommendation att utföra eller disponera över någon typ av investering eller att ingå några andra transaktioner. De uppfattningar som redogjorts för i podcasten återspeglar de medverkandes uppfattning för tillfället och kan således komma att ändras. Informationen i podcasten tar inte hänsyn till någon specifik mottagares särskilda investeringsmål, ekonomiska situation eller behov. Informationen är inte att betrakta som en personlig rekommendation eller ett investeringsråd. Adekvat och professionell rådgivning skall alltid inhämtas innan några investeringsbeslut fattas och varje sådant investeringsbeslut fattas självständigt av kunden och på dennes eget ansvar. DNB Carnegie frånsäger sig allt ansvar för direkt eller indirekt förlust eller skada som grundar sig på användandet av information i podcasten.

Johanna tipsar! Ebbas kärleksförklaring! Cissans nya äventyr! Dessutom ett opassande långt TJÖTANDE om Meghan (men det behövde uppenbarligen komma ut). Livsregler med Johanna Swanberg, Ebba Kleberg von Sydow och Cecilia Blankens - ditt sällskap, varje söndag! Hosted on Acast. See acast.com/privacy for more information.

Nasledujúcim príbehom sa prenesieme do 30. rokov minulého storočia, do noblesného príbytku švédskej aristokratickej rodiny von Sydow. Na prvý pohľad idylická rodina ukrývala bolestivé traumy, toxické vzťahy a udalosti, ktorých vyvrcholením bol brutálny zločin, ktorý otriasol Štokholmom. Akú rolu v celej dráme zohrali jednotliví členovia rodiny? Prečo sa z príbytku noblesy a poriadku stal domov hrôzy? Násilný zločin v dome von Sydow šokoval nielen vyšetrovateľov, ale aj tých, čo túto rodinu poznali z verejných vystúpení a spoločenských večierkov. Preniknite do sveta, kde vzhľad znamenal všetko a reputácia mala cenu života. Tento dramatický príbeh nám pripomína, že pod povrchom dokonalosti sa často skrýva chaos a nešťastie.CREDITS: Námet a dramaturgia: Diana KacarováHlas: Martin KaprálikZvuková produkcia: Miroslav BaričičPodcast produkcia: Simona MičováPodcast Kriminálne spisy obsahuje násilné a sexuálne scény. Preto nie je vhodný pre poslucháčov mladších ako 18 rokov, ani pre citlivé povahy.*Nasledujúci príbeh vychádza z verejne dostupných informácií a oficiálnych zdrojov, ktoré sú spracované do beletrizovanej podoby, a preto okrem faktických informácií obsahuje aj tvorivé prvky dotvárajúce celkový príbeh.

What do the jungles of Brazil, a popcorn popper, maritime law and the United Nations have in common? They're all part of Sylvia's incredible (and funny) journey.In this episode, you'll hear how Sylvia started as a shy, small-town kid and eventually made her mark in the energy industry, from serving as general counsel to being an international traveler and even spending time at the U.N. Along the way, she shares how Tri Delta helped her find her voice, build lifelong friendships and gain the confidence to chase her big goals.She's warm, witty and full of stories you won't want to miss. You'll laugh, get inspired and pick up a few gems of wisdom about careers, confidence and giving back.

Tv-tipsen du MÅSTE ha! Ett nytt sätt att hantera motgång (vi tackar för denna livsregel, Ebba vill testa den direkt). Cissans kris (när världen brinner) hanteras med en helt annan livsregel. Johanna kyler istället champagne - och Ebba tar gärna både kontanter och champagne.Livsreglerna, ditt sällskap - varje söndag! Med Johanna Swanberg, Cecilia Blankens och Ebba Kleberg von Sydow. Hosted on Acast. See acast.com/privacy for more information.

Om landet med den viktiga kanalen som hamnat mitt i skärselden mellan USA och Kina. Panama tvingas välja mellan stormakternas intressen. Lyssna på alla avsnitt i Sveriges Radio Play. Donald Trump varnar för att Kina har tagit över Panamakanalen. Det finns ingen klar grund för det påståendet men det kan få allvarliga konsekvenser - för Panama. USA:s intresse för Panama går långt tillbaka i tiden och utan USA hade Panama troligen aldrig blivit ett eget land. Kanalen är en genväg mellan Stilla havet och Atlanten. Här passerar amerikanska fartyg och kinesiska på väg med varor till hela världen. Nu står den mitt i blickfånget för det ekonomiska krig som snabbt eskalerat mellan de två jättarna som tävlar om att kalla sig världens ledande ekonomi.Panama tvingas nu välja mellan Trumps USA som hotar med en invasion - och Kina - som vill stärka sin makt över viktiga handelsvägar.Medverkande: Boris Moreno, chef vid Cocoli-slussarna i Panama-kanalen, Ricarute Vazquez, Panama-kanalens högste chef, Julio Yao Villalaz, akademiker och författare i Panama med nära band till Kinas ambassad, Graciela Dixon, jurist och före detta domare i Panamas högsta domstol, Alexis von Sydow, Kina-analytiker på Nationellt kunskapscentrum om Kina i Stockholm, Jorge Heine, tidigare diplomat i Kina och professor vid Perdee Center school of global studies vid Boston University.Reporter på plats i Panama: Lotten Collin, Latinamerikakorrespondentlotten.collin@sr.seProgramledare: Fernando Ariasfernando.arias@sr.seProducent: Ulrika Bergqvistulrika.bergqvist@sr.seTekniker: Jakob Lalér

Vid påve Franciskus begravning möttes Trump och Zelenskyj. Vad händer nu med fredssamtalen mellan Ryssland och Ukraina, och vilken roll spelar Europa? Lyssna på alla avsnitt i Sveriges Radio Play. Många av världens ledare närvarade vid påve Franciskus begravning. Det som skulle bli en religiös sorgehögtid blev också en uppvisning i storpolitik och högoktaniga möten. Öppnade helgens samtal mellan presidenterna Volodymyr Zelenskyj och Donald Trump någon viktig dörr, vilken roll spelar Frankrike och Storbritannien och passade Italiens premiärminister Giorgia Meloni på att ta åt sig äran?Medverkande: Andreas Liljeheden, Brysselkorrespondent. Göran von Sydow, chef för Svenska Institutet för Europapolitiska Studier (Sieps) och Cecilia Blomberg, Sydeuropakorrespondent.Programledare: Parisa HöglundProducent: Mattias Dellert

Vi har en tydlig rekyl bakom oss på de globala marknaderna när vi är mitt i en intensiv veckan där väntan på besked om handel, möjlig vapenvila i Europa och tekniktunga rapporter präglar börsen. Är det en falsk trygghet? Vad ska vi titta på i den statistisk och rapporttunga veckan? Och varför är infrastruktursinvesteringar en bra exponering givet långa makro och marknadstrender? Våra experter Helena Haraldsson och Henrik von Sydow guidar, resonerar och diskuterar. Denna podcast är utgiven av Carnegie Private Banking inom Carnegie Investment Bank AB (publ). Risker Investeringar i finansiella instrument är förknippade med risk och en investering kan både öka och minska i värde eller komma att bli värdelös. Historisk avkastning är ingen garanti för framtida avkastning. Ingen del av podcasten skall uppfattas som en uppmaning eller rekommendation att utföra eller disponera över någon typ av investering eller att ingå några andra transaktioner. De uppfattningar som redogjorts för i podcasten återspeglar de medverkandes uppfattning för tillfället och kan således komma att ändras. Informationen i podcasten tar inte hänsyn till någon specifik mottagares särskilda investeringsmål, ekonomiska situation eller behov. Informationen är inte att betrakta som en personlig rekommendation eller ett investeringsråd. Adekvat och professionell rådgivning skall alltid inhämtas innan några investeringsbeslut fattas och varje sådant investeringsbeslut fattas självständigt av kunden och på dennes eget ansvar. Carnegie frånsäger sig allt ansvar för direkt eller indirekt förlust eller skada som grundar sig på användandet av information i podcasten.

In bed with...Titti Schultz - en av Sveriges mest välbekanta röster. Hon är journalist, programledare för P4 Extra och driver podden Monarkerna tillsammans med Ebba Kleberg von Sydow.Vi pratar om kärlek i olika former: hennes egen kärlekshistoria, den djupa kärleken till hennes pappa, och om de två ord som genomsyrar hela hennes liv – lojalitet och trygghet.

Aprilväder råder på globala aktiemarknader samtidigt som amerikanska långräntor rör sig uppåt. Därmed skickar räntemarknaden nya varningssignaler om en uppseglande förtroendekris för amerikanska institutioner och USA:s systemstabilitet. Hur oroliga ska privata investerare vara? Vilka besked ska man titta efter? Och hur agera i tillgångsportföljen efter påsk? Hör uppdateringen med Henrik von Sydow och Helena Haraldsson. Denna podcast är utgiven av Carnegie Private Banking inom Carnegie Investment Bank AB (publ). Risker Investeringar i finansiella instrument är förknippade med risk och en investering kan både öka och minska i värde eller komma att bli värdelös. Historisk avkastning är ingen garanti för framtida avkastning. Ingen del av podcasten skall uppfattas som en uppmaning eller rekommendation att utföra eller disponera över någon typ av investering eller att ingå några andra transaktioner. De uppfattningar som redogjorts för i podcasten återspeglar de medverkandes uppfattning för tillfället och kan således komma att ändras. Informationen i podcasten tar inte hänsyn till någon specifik mottagares särskilda investeringsmål, ekonomiska situation eller behov. Informationen är inte att betrakta som en personlig rekommendation eller ett investeringsråd. Adekvat och professionell rådgivning skall alltid inhämtas innan några investeringsbeslut fattas och varje sådant investeringsbeslut fattas självständigt av kunden och på dennes eget ansvar. Carnegie frånsäger sig allt ansvar för direkt eller indirekt förlust eller skada som grundar sig på användandet av information i podcasten.

Jenny Strömstedts LIVSREGLER! Östrogen och optimism! Ja till: tech samt tomater. Cissans planerar! Johanna tipsar! Ebba avviker oväntat…Livsreglerna - ditt sällskap, varje söndag, med Cecilia Blankens, Ebba Kleberg von Sydow och Johanna Swanberg. Hosted on Acast. See acast.com/privacy for more information.

As Pat says in today's episode, it's not a Good Friday, it's a Great Friday--which is fitting, as the guys review The Greatest Story Ever Told!George Stevens' epic adaptation of the life of Christ turns 60 this year, and it holds up as one of the most sprawling and "cinematic" tellings ever committed to film!In the latest installment of "There's No Stalgia Like Nostalgia", Ian and Pat talk about the film's spotty Biblical accuracy and undeniable visual poetry; the wild cast of characters (including Max von Sydow as Jesus, Telly Savalas as Pontius Pilate, and John Wayne's infamous quarter-million-dollar cameo as a Roman soldier); and Hollywood's "Jesus curse"!You'll also learn about the film's different versions--and which one to seek out for the best possible viewing experience!Subscribe, like, and comment on Kicking the Seat here on YouTube, and check us out at:kickseat.comXLetterboxdBlueSkyInstagramFacebookShow LinksWatch the Greatest Story Ever Told trailer.Keep up with Pat at HollywoodChicago.com.Listen to Pat's movie reviews on the radio at STAR 96.7.

Med Donald Trumps tullar har kraftmätningen mellan stormakterna USA och Kina ökat. Kina har svarat med egna höga tullar och verkar fast besluten om att ta strid mot USA i tullkriget. Men vad betyder handelskriget egentligen för Taiwans självständighet? Det senaste året har Kina ökat trycket mot Taipei där en stor del av världens halvledare produceras. En konflikt om Taiwan skulle inte bara sätta ännu mer press på den globala handeln utan också få konsekvenser för hela världen.Medverkande:Alexis von Sydow, analytiker vid Utrikespolitiska institutets Nationellt kunskapscentrum om Kina.Redaktör och programledare: Annica Ögren. Hosted on Acast. See acast.com/privacy for more information.

Vilka är de vanligaste frågorna till Carnegies aktiemäkleri? Och vilka är våra bästa svar? Dessutom – hur kan privata investerare använda den ökade volatiliteten på börsen till sin fördel? Carnegies omvärldsstrateg Henrik von Sydow och aktiechefen Karl Hedberg uppdaterar inför påsk och inför rapportperiodens mest intensiva veckor. Denna podcast är utgiven av Carnegie Private Banking inom Carnegie Investment Bank AB (publ). Risker Investeringar i finansiella instrument är förknippade med risk och en investering kan både öka och minska i värde eller komma att bli värdelös. Historisk avkastning är ingen garanti för framtida avkastning. Ingen del av podcasten skall uppfattas som en uppmaning eller rekommendation att utföra eller disponera över någon typ av investering eller att ingå några andra transaktioner. De uppfattningar som redogjorts för i podcasten återspeglar de medverkandes uppfattning för tillfället och kan således komma att ändras. Informationen i podcasten tar inte hänsyn till någon specifik mottagares särskilda investeringsmål, ekonomiska situation eller behov. Informationen är inte att betrakta som en personlig rekommendation eller ett investeringsråd. Adekvat och professionell rådgivning skall alltid inhämtas innan några investeringsbeslut fattas och varje sådant investeringsbeslut fattas självständigt av kunden och på dennes eget ansvar. Carnegie frånsäger sig allt ansvar för direkt eller indirekt förlust eller skada som grundar sig på användandet av information i podcasten.

Fokus är fortsatt på böljande besked om tullar, där oförutsägbart beslutsfattande i USA skapar en svår miljö för investerare. Vilka effekter i den reala ekonomin och hos företagen ska vi titta efter? Hur agerar vi i våra portföljer? Och vilka råd ger vi när utfallsområdet är extremt brett? Henrik von Sydow och Helena Haraldsson uppdaterar. Denna podcast är utgiven av Carnegie Private Banking inom Carnegie Investment Bank AB (publ). Risker Investeringar i finansiella instrument är förknippade med risk och en investering kan både öka och minska i värde eller komma att bli värdelös. Historisk avkastning är ingen garanti för framtida avkastning. Ingen del av podcasten skall uppfattas som en uppmaning eller rekommendation att utföra eller disponera över någon typ av investering eller att ingå några andra transaktioner. De uppfattningar som redogjorts för i podcasten återspeglar de medverkandes uppfattning för tillfället och kan således komma att ändras. Informationen i podcasten tar inte hänsyn till någon specifik mottagares särskilda investeringsmål, ekonomiska situation eller behov. Informationen är inte att betrakta som en personlig rekommendation eller ett investeringsråd. Adekvat och professionell rådgivning skall alltid inhämtas innan några investeringsbeslut fattas och varje sådant investeringsbeslut fattas självständigt av kunden och på dennes eget ansvar. Carnegie frånsäger sig allt ansvar för direkt eller indirekt förlust eller skada som grundar sig på användandet av information i podcasten.

Låt dem VETA! Cissans tre livsregler för ett stressfritt (nåja, nästan) liv och Johannas smink-uppenbarelse (nåja, nästan). Ebba vänder sig mot en trendande livsregel - eller missförstår hon (nu igen)? Livsreglerna med Johanna Swanberg, Ebba Kleberg von Sydow och Cecilia Blankens! Hosted on Acast. See acast.com/privacy for more information.

Charles Skaggs and Xan Sprouse watch Strange Brew, the 1983 comedy directed by and starring Rick Moranis and Dave Thomas as Bob and Doug McKenzie, featuring Max von Sydow as Brewmeister Smith, Paul Dooley as Uncle Claude, and Angus MacInnes as Jean "Rosie" LaRose! Find us here:X/Twitter:  @DrunkCinemaCast, @CharlesSkaggs, @udanax19 Facebook:  @DrunkCinema Bluesky:  @charlesskaggs.bsky.social, @udanax19.bsky.social Email:  DrunkCinemaPodcast@gmail.com Listen and subscribe to us on Apple Podcasts and leave us a review!

Livsregler som förändrar ditt (digitala) liv, gästen Louise Lundberg om smarta listan, kalender-hacks, bildrensning i mobilen och knepet som gör dig mer effektiv! Dessutom: Cissans nya persona, en raspig och mystisk sådan…Livsreglerna Podcast med Cecilia Blankens, Ebba Kleberg von Sydow och Johanna Swanberg - ditt sällskap, varje söndag. Hosted on Acast. See acast.com/privacy for more information.

I veckans avsnitt av Magasinet möter Sofi Fahrman och Tove Norström modejournalisten Ebba Kleberg von Sydow. Hon pratar om kungligheter, vardagslivet och sin modekarriär. Hosted on Acast. See acast.com/privacy for more information.

Grisarnas huvudroll. Veckans bästa tv-tips! Karriärkvinnornas klena män (som inte klarar en kvinna med karriär)! Ebba anlitade en effektivitetskonsult! Livsreglerna med Cecilia Blankens, Johanna Swanberg och Ebba Kleberg von Sydow. Hosted on Acast. See acast.com/privacy for more information.

Kvällens bästa looks, känslosamma ögonblick och modevärldens stora farväl - Du lyssnar på Säker stil-podden med Emilia de Poret & Ebba Kleberg von Sydow. Hosted on Acast. See acast.com/privacy for more information.

Denise Rudbergs livsregler, en fasansfull tid, tre ingredienser ALLAS liv behöver - och hennes LIVS värsta misstag. Cissans och Denises liv korsades dramatiskt - och den enes (nästan) död blev den andres bröd?! Lyssna, så förstår du…Dessutom: Dumpa dumma snubbar. Jobba hårt! Ebbas bindvävs-livsregel. En festkväll med Carolina Gynning och Hannah Graafs bortklippta sammanbrott i rutan. Dessutom GER Johanna livsregler till Meghan Markle. Livsreglerna (tidigare podden ”Sällskapet”!) med Cecilia Blankens, Ebba Kleberg von Sydow och Johanna Swanberg. Hosted on Acast. See acast.com/privacy for more information.

Du frågar, vi svarar! Säker stil svarar, med Emilia de Poret och Ebba Kleberg von Sydow - varje måndag! Hosted on Acast. See acast.com/privacy for more information.

Vem ger troslinjen ett ansikte och vem vill ge upp en konstig vana? Kamelopard, tack (Ebba), de kroniskt fula (Johanna) och nyjapanska (Cissan) - ja, ALLA bidrar vi till veckans livsregler. Dessutom: Böset hör ju till! Cecilia Blankens, Johanna Swanberg och Ebba Kleberg von Sydow, ditt trogna sällskap, varje söndag. Hosted on Acast. See acast.com/privacy for more information.

Ebbas lillebror August bjuder på livsregler - och vi diskuterar skitsnackets stora dilemma! Cissan har dessutom ”Hotel Romantik”-livsregler! Podden Livsreglerna, med Cecilia Blankens, Ebba Kleberg von Sydow och Johanna Swanberg - ditt sällskap, varje söndag! Hosted on Acast. See acast.com/privacy for more information.

Welcome to another episode of Death Don't Do Fiction, the AIPT Movies podcast! The podcast about the enduring legacy of our favorite movies! This February we're celebrating “Dreddruary,” where we cover movies based on the British comic book character, Judge Dredd! In this week's episode, Alex, Tim, and Matt discuss Sylvester Stallone's misguided 1995 schlockfest, Judge Dredd!Recycled food! Bedazzled codpieces! Distracting lifts! A cool, creepy cyborg! A shockingly sneaky, giant robot! Lethal holograms! Futuristic court drama! Stylish garbs of justice designed by Gianni Versace! A strong score by Predator's Alan Silvestri and cinematography by Aliens' Adrian Biddle! An original song from The Cure! A surprisingly faithful comic adaptation in every way except for the lead character! A visual treat with incredible production design, animatronics, and visual effects, including one of the greatest fictional mega cities in cinema! A solid cast that includes James Remar (briefly), Armand Assante, Max von Sydow, Diane Lane, Rob Schneider unfortunately, and Sylvester Stallone's ego derailing the movie! Dark themes of police corruption and eugenics in this silly movie that maybe works better as a disappointing sequel to Demolition Man, from a frustrated director who loved both the source material and apparently Blade Runner! In addition, Alex shares his spoiler-free thoughts on Captain America: Brave New World, Oz Perkins' new horror comedy, The Monkey, and the final nail in the Sonyverse coffin, Kraven the Hunter!You can find Death Don't Do Fiction on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The Death Don't Do Fiction podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris, Tim Gardiner, and Matt Paul, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Twitter, Bluesky, or Letterboxd @actionharris. Matt is a terrific artist that you can find on Instagram @no_wheres_ville. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the Death Don't Do Fiction crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter or Instagram @aiptmoviespod.Theme song is “We Got it Goin On” by Cobra Man.

Du frågar, vi svarar! Ebbas har dessutom ett TV-tips du MÅSTE se… Säker stil svarar, med Emilia de Poret och Ebba Kleberg von Sydow, varje måndag! Hosted on Acast. See acast.com/privacy for more information.

Welcome to Cyberpunk Cinema – the Definitive Dive into the Dark Future of Science Fiction. I am your host, Anthony La Pira, and I will be taking you on a cinematic journey through the sprawling cityscapes, the crippling datastorms, and the cybernetic implants that encompass all things Cyberpunk.In this week's episode, I will be breaking-down the 2002 dystopian cyberpunk action thriller MINORITY REPORT – directed by Steven Spielberg; written by Scott Frank & Jon Cohen; based on the short-story by Philip K. Dick; starring Tom Cruise, Colin Farrell, Samantha Morton, Max von Sydow, and Neal McDonough.John works with the PreCrime police which stop crimes before they take place, with the help of three “PreCogs” who can foresee crimes. Events ensue when John finds himself framed for a future murder.Minority Report was a sci-fi action thriller that paired the biggest star in Hollywood (Tom Cruise) versus the newly anointed next biggest star (Colin Farrell) in a future dystopian world in which murders can be stopped before they happen. It was the rare Summer blockbuster tentpole cyberpunk movie. The film is one of Spielberg's best and darkest entries, as it explores identity politics, ethical quandaries, and the limits of humanity's grasp on reality. So, do me a favor – it's time to access your cranial jacks, boot up your Ono-Sendai Cyberspace 7, and slap on your damn mirror-shades. You know what time it is! Cyberpunk Cinema starts…now!Anthony's IG - https://www.instagram.com/stormgiantproductionsCyberpunk Cinema IG - https://www.instagram.com/cyberpunk.cinemaSignal Fragment SoundCloud - https://soundcloud.com/signalfragmentSend us a text

This week on the show, we welcome back our music sponsor and artist in residence, DASEIN, to discuss Ingmar Bergman's time-tested masterpiece, “The Seventh Seal”: Films of 1957. While our audio is kooky today, our conversation is fun and moving! Dasein gives a mini-review of Steven Soderbergh's new film, “Presence,” and then John revisits Jeff's “A Real Pain” mini-review from last week before we get into our featured conversation. Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 8:59 “Presence” mini-review”; 15:06 “A Real Pain” mini-review pt. II; 20:40 Gripes; 34:04 1957 Year in Review; 57:54 Films of 1957: “The Seventh Seal”; 1:48:04 What You Been Watching?; 1:58:38 Next Week's Movie Announcement Additional Cast/Crew:  Max von Sydow, Gunnar Björnstrand, Bengt Ekerotm Nils Poppe, Bibi AnderssonErik Strandmark, Inga Landrgré, Lucy Liu, Chris Sullivan, Callina Liang, Eddy Maday, Jesse Eisenberg, Kieran Culkin.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: The Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir.   

Frågespecial! Vad hände efter Viktor Orbáns fredsresa? Hur hårt biter EU:s sanktioner och hur lyckas EU-parlamentariker rösta fel? Dessutom tysk maktdelning och EU:s eviga flyttkarusell. Lyssna på alla avsnitt i Sveriges Radio Play. Medverkande: Andreas Liljeheden, Brysselkorrespondent. Daniel Alling, Tysklandskorrespondent. Göran von Sydow, chef för Sieps (Svenska institutet för europapolitiska studier). Maria Persson Löfgren, Rysslandskorrespondent. Programledare: Parisa HöglundProducent: Therese Rosenvinge

Trender, plagg och kulörer vi ser framför oss - i livet, stilen och garderoben! Ebba Kleberg von Sydow och Emilia de Poret guidar dig till årets viktigaste - och härligaste… Hosted on Acast. See acast.com/privacy for more information.

* Det här är ett gammalt avsnitt från Podme. För att få tillgång till Podmes alla premiumpoddar samt fler avsnitt från den här podden, helt utan reklam, prova Podme Premium kostnadsfritt. * Mars 1932. 15-åriga Marianne von Sydow har precis kommit hem från skolan till den väldiga våningen på Norr Mälarstrand på Kungsholmen i Stockholm. Ganska direkt märker hon att något inte står helt rätt till. Flera dörrar som brukar vara öppna är nu låsta. Och hon tycker sig höra märkliga ljud och sparkar. Det den 15-åriga flickan inte vet är att just i den stunden ligger tre personer döende eller döda i lägenheten hon befinner sig i. Programledare är Christopher Holmberg. Manusförfattare är Axel Rosenberg och producent är Oscar Wendel. Originalmusik av Tor Wilén. Källor: Dagens Nyheter, Svenska Dagbladet, Aftonbladet, Sölvesborgs-Tidningen, Arbetaren, Göteborgs Handels- och Sjöfartstidning, polisrapport, boken “Von Sydowska mordens gåta” av Anders Frigell.

EPISODE 59 - "POLITICS: THROUGH THE LENS OF CLASSIC CINEMA" - 10/28/2024 As we all get ready to go to the polls and vote in what might be the most important election of our lives, we wanted to take a look at politics in the films of old Hollywood. This week, we explore the movies that reflected the politics and the issues of the day and left an indelible mark on cinema. From labor wars in New Mexico to a mayor's race in New England to the early years of Abraham Lincoln, join us as we take a look at some great political movies.  SHOW NOTES:  Sources: Hearst Over Hollywood (2002), by Louis Pizzitola; Pictures at A Revolution: Five Movies and the Birth of a New Hollywood (2008), by Mark Harris;  Hollywood's White House (2010), by Peter C. Rollins and John E. O'Connor; The Great Depression on Film (2022), by David Luhrssen;   “The Best Man Took On Cutthroat Campaigning,” August 21, 2024, The Hollywood Reporter; “How Blacklisted Hollywood Artists Joined Forces to Make a Truly Subversive film,” June 6, 2024, forward.com; “Subversives: Salt of the Earth,” UCTV TCM.com; IMDBPro.com; IBDB.com; Wikipedia.com; Movies Mentioned:  Gabriel Over the White House (1933), starring Walter Huston, Karen Morely, Franchot Tone, Dickie Moore, David Landau, Arthur Byron, Jean Parker, and C. Henry Gordon; Salt of the Earth (1954), starring Juan Chacón, Rosaura Revueltas, Mervin Williams, Henrietta Williams, and Virginia Jencks; The Great McGinty (1940), starring Brian Donlevy, Muriel Angelus, Akim Tamiroff, William Demarest, Allyn Joslyn, Louis Jean Heydt, Thurston Hall, Jimmy Conlin, and Arthur Hoyt; The Best Man (1964), starring Henry Fonda, Cliff Robertson, Edie Adams, Margaret Leighton, Ann Sothern, Lee Tracy, Shelley Berman, Kevin McCarthy, and Gene Raymond; The Last Hurrah (1958), starring Spencer Tracy, Jeffery Hunter, Dianne Foster, Pat O'Brien, Basil Rathbone, Donald Crisp, James Gleason, John Carradine, Willis Bouchey, Ricardo Cortez, Ken Curtis, Frank Albertson, Anna Lee, and Jane Darwell; The Parallax View (1974), starring Warren Beatty, Paula Prentiss, William Daniels, Walter McGinn, and Hume Cronyn; Three Days of the Condor (1975), starring Robert Redford, Faye Dunaway, Cliff Robertson, Max von Sydow, John Houseman, Addison Powell, Tina Chen, Walter McGinn, Michael Kane, Carlin Glynn, and Hank Garrett; Abe Lincoln in Illinois (1940), starring Raymond Massey, Ruth Gordon, Gene Lockhart, Mary Howard, Minor Watson, Howard Da Silva, and Alan Baxter; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Agents Scott and Cam attempt to crack a safe with their feet while tackling John Huston's 1970 espionage thriller The Kremlin Letter.   Directed by John Huston. Starring Bibi Andersson, Richard Boone, Nigel Green, Dean Jagger, Patrick O'Neal, George Sanders, Max von Sydow, Barbara Parkins, Lila Kedrova and Orson Welles.  Become a SpyHards Patron and gain access to top secret "Agents in the Field" bonus episodes, movie commentaries and more! Purchase the latest exclusive SpyHards merch at Redbubble. Social media: @spyhards View the NOC List and the Disavowed List at Letterboxd.com/spyhards Podcast artwork by Hannah Hughes. Theme music by Doug Astley.

Andy Sydow is a Nashville, TN based  musician and singer songwriter. I chatted with Andy about how his songwriting and lyrics have evolved over the last 12 years of making records, the opportunity he had to record a new collection of tunes with one of his hero's, Anders Osborne, how his ideals around success have changed, what has contributed to his sustainability in pursuing music as a career, and more.  To keep up with Andy Sydow, Distrokid, and the Dan Cable Presents Podcast, please check out the links below!  --------------------------------------------------- Thank you to DistroKid for sponsoring this episode of the podcast. Use the link below to receive 30% off your first year of DistroKid services. https://distrokid.com/?c=cable https://andysydow.com --------------------------------------------------- INSTAGRAM: @andysydowband @dancablepresents @distrokid Email: dancablepresents@gmail.com Spotify Playlists: https://open.spotify.com/user/54u8tkp1mevtd0i3cz79qbp8l?si=-4NT4PWPSlSowoXQkJhlkA Apple Playlists: https://music.apple.com/us/playlist/dcp-april-2022/pl.u-EdAVRqdsXqWdRJ Venmo: Dan-Cable-Presents

Actor Paul Dooley joins Matt to talk about his roles as Wimpy in the 1980 film Popeye, as Jim Baker in the 1984 film Sixteen Candles, and a whole lot more. First, Paul discusses his approach to adapting the character of Wimpy, working alongside Robert Altman and Harry Nilsson, and improvising with his colleagues in their downtime. Then, we'll find out which line from Sixteen Candles was changed by Paul for the better before getting stories about everything from partnering with a very serious Max von Sydow in Strange Brew to Paul's voice work within the Cars franchise.This episode is sponsored by Netflix's You Can't Make This Up Podcast. Hosted on Acast. See acast.com/privacy for more information.