Podcast appearances and mentions of Owen Hatherley

InterCities is a six-part podcast series from Open City. In it, we travel to a number of cities and boroughs around the world that have transformed over time to discover what we can learn from these places' achievements, struggles, successes and mistakes.In this episode, our host Owen Hatherley is joined by the Ukranian architect and urban historian Ievgeniia Gubkina. Gubkina was born in the northeastern Ukranian city of Kharkiv and lived there until the Russian invasion of Ukraine in February 2022, after which she fled with her teenage daughter and now lives in London in exile. Today, she talks to us about her upcoming publication “Kharkiv Architectural Guide” and we use it as a lens through which to explore the city's changing architectural iterations. From a university hub to the capital of Soviet Ukraine​, the avant-garde scene in the 1920s to the Stalinist-era "reconstruction" of Kharkiv's modernist buildings, we get a deep insight into the city's past and a sober reminder of its present.TW: The content of this episode can be distressing for some people as it mentions suicide. If this affects you, contact the Samaritans, a free and confidential service available 24 hours a day. https://www.samaritans.org/how-we-can-help/contact-samaritan/Subscribe to the Open City Podcast on Spotify, Soundcloud or iTunesThe Open City Podcast is supported by Bloomberg Connects, the free arts and culture app and produced in association with the Architects' Journal, London Society, C20 Society and Save Britain's Heritage.The Open City Podcast is recorded and produced at the Open City offices located in Bureau. Bureau is a co-working space for creatives offering a new approach to membership workspace. Bureau prioritises not just room to think and do, but also shared resources and space to collaborate.To help support excellent and accessible, independent journalism about the buildings and the urban environment, please become an Open City Friend.Photo credit: Owen Hatherley portrait © Antonio Olmos Hosted on Acast. See acast.com/privacy for more information.

InterCities is a brand new podcast from the team at Open City. In this six-part series, we travel to a number of cities and boroughs around the world that have transformed over time to discover what we can learn from these places' achievements, struggles, successes and mistakes.In this episode, our host Owen Hatherley is joined by the author and academic Dubravka Sekulić. Sekulić was born in one of Serbia's lesser-known cities Niš but today, she's walking us through the capital of the former Socialist Federal Republic of Yugoslavia and current capital of Serbia, Belgrade. As we find out, the history of Belgrade's built-environment is influenced not only by attempts at constructing a socialist state, but also by its notable role in the Non-Aligned Movement, a forum of 120 countries not formally aligned with or against any major power bloc that sprung up after the Second World War. It's also been shaped by Energoprojekt, an engineering firm which built an enormous number of projects across Serbia and other non-aligned countries in Africa and Asia in the latter half of the 20th century. Ultimately, we learn it's the city's historical and political status as a regional outlier that makes it the complex, yet often overlooked, place it is today. Subscribe to the Open City Podcast on Spotify, Soundcloud or iTunesThe Open City Podcast is supported by Bloomberg Connects, the free arts and culture app and produced in association with the Architects' Journal, London Society, C20 Society and Save Britain's Heritage.The Open City Podcast is recorded and produced at the Open City offices located in Bureau. Bureau is a co-working space for creatives offering a new approach to membership workspace. Bureau prioritises not just room to think and do, but also shared resources and space to collaborate.To help support excellent and accessible, independent journalism about the buildings and the urban environment, please become an Open City Friend.Photo credit: Owen Hatherley portrait © Antonio Olmos Hosted on Acast. See acast.com/privacy for more information.

Auf den Sozialismus sind die meisten Menschen in Polen nicht gut zu sprechen. Doch die Milchbars, die im Realsozialismus entstanden, um Frauen von der »Küchensklaverei« zu befreien, sind bis heute bei der breiten Bevölkerung beliebt. Artikel vom 24. März 2025: https://jacobin.de/artikel/milchbar-polen-realsozialismus Seit 2011 veröffentlicht JACOBIN täglich Kommentare und Analysen zu Politik und Gesellschaft, seit 2020 auch in deutscher Sprache. Die besten Beiträge gibt es als Audioformat zum Nachhören. Nur dank der Unterstützung von Magazin-Abonnentinnen und Abonnenten können wir unsere Arbeit machen, mehr Menschen erreichen und kostenlose Audio-Inhalte wie diesen produzieren. Und wenn Du schon ein Abo hast und mehr tun möchtest, kannst Du gerne auch etwas regelmäßig an uns spenden via www.jacobin.de/podcast. Zu unseren anderen Kanälen: Instagram: www.instagram.com/jacobinmag_de X: www.twitter.com/jacobinmag_de YouTube: www.youtube.com/c/JacobinMagazin Webseite: www.jacobin.de

InterCities is a brand new podcast from the team at Open City. In this six-part series, we travel to a number of cities and boroughs around the world that have transformed over time to discover what we can learn from these places' achievements, struggles, successes and mistakes.In our second episode, our host Owen Hatherley is joined by the broadcaster, writer and photographer Johny Pitts. Johny is a Sheffield-native and has witnessed first-hand the huge social and architectural change the city has undergone since the early 1990s. Today, we use photographs from "After the End of History: British Working Class Photography 1989 – 2024" a roving exhibition Johny has curated, to track the cities shifting identity from the so-called Socialist Republic of South Yorkshire to a city where leisure and comfort are the new guiding principles. Subscribe to the Open City Podcast on Spotify, Soundcloud or iTunesThe Open City Podcast is supported by Bloomberg Connects, the free arts and culture app and produced in association with the Architects' Journal, London Society, C20 Society and Save Britain's Heritage.The Open City Podcast is recorded and produced at the Open City offices located in Bureau. Bureau is a co-working space for creatives offering a new approach to membership workspace. Bureau prioritises not just room to think and do, but also shared resources and space to collaborate.To help support excellent and accessible, independent journalism about the buildings and the urban environment, please become an Open City Friend.Photo credit: Owen Hatherley portrait © Antonio Olmos Hosted on Acast. See acast.com/privacy for more information.

InterCities is a brand new podcast from the team at Open City. In this six-part series, we travel to a number of cities and boroughs around the world that have transformed over time to discover what we can learn from these places' achievements, struggles, successes and mistakes.In our first episode, our host Owen Hatherly is joined by the architect Ana Francisco Sutherland, the director of Francisco Sutherland Architects. Through the lens of Ana's latest book Modern Buildings in Blackheath and Greenwich, the pair discuss the changing face of the London borough of Greenwich. In a place where architects often designed for themselves they analyse different models of public space, the Blackheath style wars of the 1950s and 1960s and the vision of modernist property development company Span.Subscribe to the Open City Podcast on Spotify, Soundcloud or iTunesThe Open City Podcast is supported by Bloomberg Connects, the free arts and culture app and produced in association with the Architects' Journal, London Society, C20 Society and Save Britain's Heritage.The Open City Podcast is recorded and produced at the Open City offices located in Bureau. Bureau is a co-working space for creatives offering a new approach to membership workspace. Bureau prioritises not just room to think and do, but also shared resources and space to collaborate.To help support excellent and accessible, independent journalism about the buildings and the urban environment, please become an Open City Friend.Photo credit: Owen Hatherley portrait © Antonio Olmos Hosted on Acast. See acast.com/privacy for more information.

Owen Hatherley conta-nos a história do estúdio de onde saíram algumas das mais famosas obras de animação japonesas. Um artigo lido por Carlos Carujo. /sites/default/files/2024-09/altavoz257.jpg

Studio Ghibli ist nicht das japanische Pendant zu Disney – sondern eher ein Anti-Disney. Die Filme der visionären Animatoren, die in der kommunistischen Bewegung Japans politisiert wurden, zelebrieren die Errungenschaften menschlicher Arbeit und die Solidarität gegen Krieg und Kapitalismus. Artikel vom 18. September 2024: https://jacobin.de/artikel/studio-ghibli-hayao-miyazaki Seit 2011 veröffentlicht JACOBIN täglich Kommentare und Analysen zu Politik und Gesellschaft, seit 2020 auch in deutscher Sprache. Ab sofort gibt es die besten Beiträge als Audioformat zum Nachhören. Nur dank der Unterstützung von Magazin-Abonnentinnen und Abonnenten können wir unsere Arbeit machen, mehr Menschen erreichen und kostenlose Audio-Inhalte wie diesen produzieren. Und wenn Du schon ein Abo hast und mehr tun möchtest, kannst Du gerne auch etwas regelmäßig an uns spenden via www.jacobin.de/podcast. Zu unseren anderen Kanälen: Instagram: www.instagram.com/jacobinmag_de X: www.twitter.com/jacobinmag_de YouTube: www.youtube.com/c/JacobinMagazin Webseite: www.jacobin.de

Born in the pandemic lockdown of 2020, when Britain's restaurants had closed their doors, Jonathan Nunn founded the online newsletter Vittles, which rapidly established itself as the premier platform for exploring food cultures in Britain and around the world. Out of Vittles was born London Feeds Itself, a fascinating collection of essays written at the intersections of food, architecture, history, and demography. First published by Open City in 2022, London Feeds Itself now appears in a new edition in association with Fitzcarraldo.In this episode, Jonathan Nunn speaks about the project with architectural historian Owen Hatherley, whose essay ‘The Housing Estate' from the book serves as a springboard for the discussion.Get the book: https://londonreviewbookshop.co.uk/stock/london-feeds-itself-jonathan-nunnFind more events at the Bookshop: https://lrb.me/eventspod Hosted on Acast. See acast.com/privacy for more information.

Get the book: https://repeaterbooks.com/product/walking-the-streets-walking-the-projects-adventures-in-social-democracy-in-nyc-and-dc/A walk through the remnants of a social democratic America, and an argument about its future.In the 1960s, a novel ideology about cities, and what was best for them, emerged in New York. Pushing against the state planning of the time, it held that cities were at their best when they were driven from the bottom-up and when organic, unplanned processes were allowed to run their course, in a spontaneous “ballet of the street”. Cities were at their worst, however, when the state stepped in, demolishing lively old neighbourhoods and erecting giant, sterile, empty “projects”. This book uses the method of this ideology — walking — to test how true it actually is about the “capital of the twentieth century”, New York City, with a brief interlude in the capital, Washington DC.The “projects” that are walked in this book range from cultural complexes in Manhattan to New Deal-era public housing developments in Brooklyn, Harlem and Queens, from the social experiment of Roosevelt Island to Communist housing co-operatives in the Bronx, from the union-driven rebuilding of the Lower East Side to DC's magnificent Metro. For all their many flaws, they prove that Americans could, in fact, plan and build fragments of a better society, which survive and sometimes thrive today in one of the unequal places on earth. Walking the Streets/Walking the Projects takes a hard look at these enclaves, and asks what a new generation of American socialists might be able to learn from them.Support Zer0 Books and Repeater Media on Patreon: https://www.patreon.com/zer0repeaterSubscribe: https://www.patreon.com/zer0repeaterFacebook: https://www.facebook.com/ZeroBooks/Twitter: https://twitter.com/zer0books, https://twitter.com/RepeaterBooks

Wie Städte in Zukunft aussehen könnten – und welche Fehler wir besser nicht wiederholen sollten. Artikel vom 15. Juni 2020: https://www.jacobin.de/artikel/sozialismus-stadt-architektur-stadtplanung-wien-arts-and-crafts Seit 2011 veröffentlicht JACOBIN täglich Kommentare und Analysen zu Politik und Gesellschaft, seit 2020 auch in deutscher Sprache. Ab sofort gibt es die besten Beiträge als Audioformat zum Nachhören. Nur dank der Unterstützung von Magazin-Abonnentinnen und Abonnenten können wir unsere Arbeit machen, mehr Menschen erreichen und kostenlose Audio-Inhalte wie diesen produzieren. Und wenn Du schon ein Abo hast und mehr tun möchtest, kannst Du gerne auch etwas regelmäßig an uns spenden via www.jacobin.de/podcast. Zu unseren anderen Kanälen: Instagram: www.instagram.com/jacobinmag_de X: www.twitter.com/jacobinmag_de YouTube: www.youtube.com/c/JacobinMagazin Webseite: www.jacobin.de

Um die Wohnungskrise zu lösen, müssen wir zurück in die Zukunft reisen. Artikel vom 08. März 2021: https://www.jacobin.de/artikel/wohnungsbau-wien-seoul-london-lewisham-sozialwohnung-wohnsiedlung-peter-barber Seit 2011 veröffentlicht JACOBIN täglich Kommentare und Analysen zu Politik und Gesellschaft, seit 2020 auch in deutscher Sprache. Ab sofort gibt es die besten Beiträge als Audioformat zum Nachhören. Nur dank der Unterstützung von Magazin-Abonnentinnen und Abonnenten können wir unsere Arbeit machen, mehr Menschen erreichen und kostenlose Audio-Inhalte wie diesen produzieren. Und wenn Du schon ein Abo hast und mehr tun möchtest, kannst Du gerne auch etwas regelmäßig an uns spenden via www.jacobin.de/podcast. Zu unseren anderen Kanälen: Instagram: www.instagram.com/jacobinmag_de X: www.twitter.com/jacobinmag_de YouTube: www.youtube.com/c/JacobinMagazin Webseite: www.jacobin.de

The 2000s in Britain was a decade of education, regeneration, falling inequality and Dizzee Rascal. But beneath the fleeting prosperity lurked a culture of cruelty. It was palpable in politicians' disdain for single mothers, in the media's vilification of chavs, and in TV producers' obsession with pointing and laughing at just about everyone – but don't […]

Architecture critic, Owen Hatherley, discusses his book, Artificial Islands - Adventures in the Dominions which explores the legacy of British-designed cities - some of the most purely artificial landscapes in the world - and the ways in which cities like Melbourne and Auckland are today reimagining their own history.

Around 2010 I became somewhat obsessed with Japanese pop and ambient music of the 1980s - in particular the Yellow Magic Orchestra, the solo records of the members of the group: Ryuichi Sakamoto, Haruomi Hosono and Yukihiro Takahashi and music by Akiko Yano, Yasuaki Shimizu and Hiroshi Yoshimura amongst many others. Last year I discovered that this was an enthusiasm shared with architectural historian, and very occasional pop music writer, Owen Hartherley who has since written an article partially on the topic: https://www.jencksfoundation.org/explore/text/japan-at-number-one-ryuichi-sakamoto-s-riot-in-lagos Although much of the episode is on the music itself, we also touch on the politics - particularly how these artists were influenced by and reacting to the culture of the 1960s New Left, during the extraordinary economic boom of the 1980s, and how some of these musicians reintegrated the memory of 20th century Japanese imperialism in Asia into their music. If you'd like to explore some of the music we discuss in the episode you can find an accompanying playlist on Spotify: https://open.spotify.com/playlist/1eM8f2mq7vJYtYuTDq2EKW?si=7dd8d970fb8d4ad2 As well as tracks from the 80s, the playlist also includes some records from the folk rock era of the 1970s, as well as from Vaporwave and Future Funk genres - both of which were influenced by much of the 1980s work that Owen and I discuss. Unfortunately, there are plenty of fantastic records from this era that aren't currently available on the streaming services - including Akiko Yano's best work (especially the album Tadaima) Paradise of Replica by After Dinner, Ichiko Hashimoto's Beauty album, Miho Fujiwara's Heartbeat, Untotooku by Chiemi Manabe and the soundtracks to the animated films Akira and the Wings of Honnêamise amongst others. Do check those out too if you can - many of them are available on YouTube or to purchase from Bandcamp and other such outlets. Owen's article, 1980 in Parallax: Japan at Number One, Ryuichi Sakamoto's ‘Riot in Lagos': https://www.jencksfoundation.org/explore/text/japan-at-number-one-ryuichi-sakamoto-s-riot-in-lagos Spotify playlist: https://open.spotify.com/playlist/1eM8f2mq7vJYtYuTDq2EKW?si=7dd8d970fb8d4ad2

Owen Hatherley joins the show to discuss his love of 1980s Japanese pop and ambient. Although much of the episode is on the music itself, we do touch on the politics - particularly how these artists were influenced by and reacting to the culture of the 1960s New Left, during the extraordinary economic boom of the 1980s, and how some of these musicians reintegrated the memory of 20th century Japanese imperialism in Asia into their music. Become a £5 PTO supporter to get access to this and all other episodes of PTO Extra! - https://www.patreon.com/poltheoryother

Architecture critic, Owen Hatherley, discusses his book, Artificial Islands - Adventures in the Dominions which explores the legacy of British-designed cities - some of the most purely artificial landscapes in the world - and the ways in which cities like Melbourne and Auckland are today reimagining their own history.

This week architecture critic Phin Harper steps in for Rachel Copel as host, and speaks to the author and journalist Owen Hatherley.They discuss the 11th hour attempt by Greenwich councillors to block the Silvertown tunnel development, three cases of systemic racism misogyny and discrimination which have appeared in the news this week, the East London pools struggling to stay afloat as demolition and closures loom, and finally Owen's new book 'Modern Buildings in Britain, a new Gazeteer'. See acast.com/privacy for privacy and opt-out information.

A retrospective of the life and work of Sylvère Lotringer.Owen Hatherley on Zero: https://www.johnhuntpublishing.com/ze...Owen's other recent work:https://www.versobooks.com/books/3789...https://repeaterbooks.com/product/red...Support Zer0 Books on Patreon: https://www.patreon.com/zerobooksSubscribe: http://bit.ly/SubZeroBooksFacebook: https://www.facebook.com/ZeroBooks/Twitter: https://twitter.com/zer0booksOther links:Check out the projects of some of the new contributors to Zer0 Books:Acid HorizonPatreon: https://www.patreon.com/acidhorizonpodcastYouTube: https://www.youtube.com/c/acidhorizonMerch: crit-drip.comProfane IlluminationsTwitter: https://twitter.com/profaneshowThe Horror VanguardPatreon: https://www.patreon.com/horrorvanguardBuddies Without OrgansWebsite: https://buddieswithout.org/Xenogothic: https://xenogothic.com/

A "house on chicken legs” in Moscow designed by Viktor Andreyev, Virginia Woolf's novel Jacob's Room first published on 26 October 1922, Coal Cart Blues sung by Louis Armstrong drawing on his own experiences of pulling one round the streets of New Orleans where he started his teenage years living in a Home for Waifs; Duchamp's 1912 painting Nude Descending a Staircase, No 2 are picked out as novelist Will Self, art historian and literary critic Alexandra Harris, jazz and music expert Kevin Le Gendre and architecture writer Owen Hatherley try to nail down the elements that make something modernist; looking at the importance of rhythm, the depiction of everyday life and new inventions, psychology and how you describe the self and utopian ideas about communal living. The presenter is New Generation Thinker and essayist Laurence Scott. Producer: Luke Mulhall Image: Will Self in BBC Broadcasting House, London Part of the modernism season running across BBC Radio 3 and 4 with programmes marking the publication in 1922 of Ulysses by James Joyce, a reading of Mrs Dalloway by Virginia Woolf, a Words and Music playlist of readings from key works published in 1922 and a Sunday Feature on Radio 3 looking at the "all in a day" artwork.

This week Camden is crowned the start up capital, heritage battles rage across the city, HS2 is part-dumped and TfL faces dire financial woes - yet three big names in the London architecture scene make it to the top of the rich list.... Owen Hatherley - the architecture writer, journalist and author of Red Metropolis; a polemical history of municipal socialism in London - joins Merlin in the studio.The Londown is produced in association with the Architects' Journal. If you enjoyed the show, we recommend you subscribe to the AJ for all the latest news, building studies, expert opinion, cultural analysis, and business intelligence from the UK architecture industry. Listeners can save 15% on a subscription using this link. See acast.com/privacy for privacy and opt-out information.

From the grandiose histories of grand state building projects to the minutiae of street signs and corner pubs, from the rebuilding of capital cities to the provision of the humble public toilet, Owen Hatherley's Clean Living Under Difficult Circumstances (Verso) argues for the city as a socialist project. Hatherley was in conversation with Juliet Jacques. See acast.com/privacy for privacy and opt-out information.

Owen joins PTO to respond to listener questions on our recent discussion on Clean Living Under Difficult Circumstances, a career spanning new collection of his writings. Become a £5 PTO supporter on patreon to get access to all episodes of PTO Extra! https://www.patreon.com/poltheoryother

This week, Riley, Milo, and Alice join special guest Owen Hatherley (@owenhatherley) of Tribune Magazine to discuss Barratt Homes: what is the deal with new-build housing in the UK? Why is it of such uniformly bad quality? And why has this become pretty much the only real new construction of homes in this country? Also in this episode: another re-discovered song from Johannes Vonk and the Clogheads. Owen's new collection Clean Living Under Difficult Circumstances: Finding a Home in the Ruins of Modernism is available from Verso Books here: https://www.versobooks.com/books/3789-clean-living-under-difficult-circumstances If you want access to our Patreon bonus episodes, early releases of free episodes, and powerful Discord server, sign up here: https://www.patreon.com/trashfuture Please consider donating to charities helping Palestinian people here: https://www.islamic-relief.org.uk/palestine-emergency-appeal/?gclid=EAIaIQobChMI3oja5NbR8AIVSOmyCh2LdQ9rEAAYAiAAEgKM9PD_BwE and here: https://www.grassrootsalquds.net/ *WEB DESIGN ALERT* Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ Trashfuture are: Riley (@raaleh), Milo (@Milo_Edwards), Hussein (@HKesvani), Nate (@inthesedeserts), and Alice (@AliceAvizandum)

From the Great Exhibition of 1851 to Shanghai 2010, Owen Hatherley, Emily MacGregor and Paul Greenhalgh explore visions of the future offered by world's fairs and expos with Matthew Sweet. Emily MacGregor describes the row which blew up over music commissioned by William Grant Still for the 1939/40 New York World's Fair. Paul Greenhalgh tells us about world's fairs from London and Paris to Shanghai. Owen Hatherley describes visiting an expo in Kazakhstan. Owen Hatherley's new book is called Clean Living Under Difficult Circumstances: Finding a Home in the Ruins of Modernism. He has made a film about the modernism represented in the buildings which house the London Czech and Slovak embassies as part of the London Festival of Architecture https://www.londonfestivalofarchitecture.org/ Paul Greenhalgh is the author of Fair World: A History of World's Fairs and Expositions from London to Shanghai 1851-2010. His latest book is Ceramic, Art & Civilisation. He is Director of the Sainsbury Centre for Visual Arts in Norwich and a Professor of Art History. Dr Emily MacGregor is a British Academy Postdoctoral Fellow in the Music Department at King's College, London and is currently working on a project exploring The Symphony in 1933. You can hear more about the composer William Grant Still if you look up Composer of the Week Producer: Torquil MacLeod You can find other programmes hearing from architects and exploring architecture on BBC Radio 3 this week including Words and Music and a Music Matters report on Bold Tendencies, who host concerts in a former car park in Peckham.

On the fourth anniversary of Grenfell, we're joined by Owen Hatherley, author and culture editor of Tribune magazine, to talk about the preventability of the tragedy, the deliberate machinations that obfuscate the fight for justice, and the lack of reckoning of the broader issues in the aftermath. Stay tuned for a condensed history of British social housing, the disaster of Right to Buy, an ongoing mess of local authorities and their various delegated bodies and contractors, and what the future might hold. /// SHOW NOTES /// /// CREDITS /// Hosts: Aarjan /// Nikita Guests: Owen Hatherley Production: Sarah Sahim Music: Cardio /// Christian Loeffler - Mosaics

Owen Hatherley joins PTO to discuss a new career spanning collection of his writings, Clean Living Under Difficult Circumstances. We talked about the early 2000s blogging scene as a reaction to New Labour, Owen's writings on music and how Black Box Recorder's work seemed to anticipate the world of Nigel Farage and Boris Johnson. And finally, we talked about Owen's review of K-Punk - the collected writings of Mark Fisher - and the strange phenomenon of American leftists seeing Fisher as a "class first" social democrat, shorn of his theoretical touchstones.

Owen Hatherley joins PTO to discuss a new career spanning collection of his writings, Clean Living Under Difficult Circumstances. We talked about the early 2000s blogging scene as a reaction to New Labour, Owen's writings on music and how Black Box Recorder's work seemed to anticipate the world of Nigel Farage and Boris Johnson. And finally, we talked about Owen's review of K-Punk - the collected writings of Mark Fisher - and the strange phenomenon of American leftists seeing Fisher as a "class first" social democrat, shorn of his theoretical touchstones.

In this final episode of our series on leisure we look at holidays. During the pandemic, we've seen campaigners arguing for the “right to holiday”; now, as we finally begin to open up, we see the complications of permitting limited international travel as the pandemic continues to devastate other countries. Meanwhile, the hospitality industry within the UK braces itself for what could be its busiest ever season. All this gave us at TWT cause to reflect on the psychic and political framing of holidaying. The aesthetics of holidays are bound by class; from the gentrification and dispossession that tourism and holiday home ownership can engender, to the extreme indulgences of luxury travel. Rethinking the conditions and implications of holidaying is part of a wider socialist project. TWT FM is a podcast from The World Transformed. This episode was produced by Sarah Vowden, Matt Huxley, Aron Keller, Oli Cox and Charlie Clarke, with contributions from Stephanie Sherman from Autonomy, Owen Hatherley, Mark Jenkin, Ben Norris and Martha Dillon from Its Freezing in LA.

In 2020, writer Owen Hatherley published two books about London. One, Red Metropolis was a polemical history of municipal socialism in Britain's capital. The other, was an alternative guide to London's boroughs featuring 33 activists, historians, architects and politicians exploring stories and neighbourhoods from across each of the city's 33 boroughs. The alternative guide, which was commissioned by Open City, a charity best known for its London-wide festival of remarkable architecture Open House, attempts to unpick the social and political dimensions of London's built fabric while taking the reader on an adventurous journey encompassing everything from Brutalist Polish community centres to suburban garden cities, from pioneering modernist estates to ornate Victorian greenhouses. In this special event, Owen is joined by Guardian columnist Aditya Chakrabortty, who wrote the alternative guide's chapter on the London borough of Haringey, and graphic designer Rosa Nussbaum to discuss contemporary London following the mayoral election, property development in Haringey and beyond, and wider themes of both books. The Alternative Guide to the London Boroughs is available from the Open City online shop. Anyone who would like to get hold of a copy before this event can use the one-off discount code THEWORLDTRANSFORMED to get 40% off the cover price. The event will be introduced by Phineas Harper, architecture writer and director of Open City who commissioned the Alternative Guide to the London Boroughs and compered by Sam Swann from The World Transformed.

Sadiq Khan set for landslide victory winning a second term as London mayor, Open City trustees win job to design 8 billion pound Thamesmead redevelopment, Serpentine Pavilion criticised over un-sustainable concrete foundations, and NEO Bankside residents take Tate Modern to the Supreme Court. Join Zoe Cave and writer, journalist, and author Owen Hatherley as they dissect this week's top architecture news. See acast.com/privacy for privacy and opt-out information.

Public fruit orchards in the Royal Parks. A ban on politicians standing for mayor of London. Libraries to serve pints of beer and the decriminalisation of soft drugs. This is the mayoral manifesto of the late musician, artist and manager of the Sex Pistols, Malcolm McLaren who stood for mayor at the turn of the millennium with a truly remarkable campaign.Rather than talk more about this year's election, today we're dedicating the whole show to the story of Malcolm's bid to be mayor. As he said at the time, "It's the biggest job in London, don't give it to a politician". Zoë Cave speaks to McLaren's biographer, Paul Gorman, artist and designer, Scott King and campaign manager, Peter Culshaw.Listen out for our Thursday morning news show, The Londown, where we will be discussing the 2021 Mayoral Election with Owen Hatherley.You can support Open City and keep this podcast free and accessible for others to listen to by donating and supporting us, go to open-city.org.uk/support See acast.com/privacy for privacy and opt-out information.

From this 2018 event: In Municipal Dreams (Verso), John Boughton charts the often surprising story of council housing in Britain, from the slum clearances of the Victorian age through to the Grenfell Tower disaster. It’s a history packed with incident – with utopians, visionaries and charlatans, with visionary planners and corrupt officials – and Boughton combines it with an architectural tour of some of the best remaining examples, as well as some of the more ordinary places that millions of people have come to call home. He's in conversation about his book with Owen Hatherley, architectural historian and author of, most recently, The Ministry of Nostalgia. See acast.com/privacy for privacy and opt-out information.

Owen Hatherley, Juliet Jacques, and Alberto Toscano join PTO to talk about Adam Curtis's new BBC series Can't Get You Out of My Head. We chatted about Curtis' politics, the changes in his documentary style since the early 1990s, and why he avoids talking about neoliberalism.

Owen Hatherley, Juliet Jacques, and Alberto Toscano join PTO to talk about Adam Curtis's new BBC series Can't Get You Out of My Head. We chatted about Curtis' politics, the changes in his documentary style since the early 1990s, and why he avoids talking about neoliberalism.

Bonus episode AJ Climate Champions hosted by Hattie Hartman. Author and critic Owen Hatherley describes approaches to the retrofit of Modernist buildings, lessons learned from post-Soviet housing and why he thinks White Design’s straw bale Lilac Cohousing in Leeds could be a replicable new build approach. The AJ's Will Hurst explains the tactics and ambitions of the RetroFirst campaign, from engaging with MPs to raising public awareness, as well as the policy levers necessary to prioritise retrofit.    In a quick news roundup, hosts Hattie Hartman and George Morgan share their views on Zaha Hadid Architects’ Forest Green Rovers timber stadium proposal and round up other sustainability news, including ACAN’s Carbon Footprint of Construction report.     For show notes to this episode and to listen to all AJ podcasts, visit architectsjournal.co.uk/podcasts

Delighted to be joined by Owen Hatherley for this historic look at the governance of the capital. Owen has recently authored Red Metropolis, and we took the opportunity to discuss with him the roles of the LCC and LCA, the impact of their architecture practice and house building programmes. And of course the creation of London Transport. You can get Red Metropolis at – https://repeaterbooks.com/product/red-metropolis-socialism-and-the-government-of-london/ The films we discussed are: London – https://www.amazon.co.uk/gp/video/detail/amzn1.dv.gti.d0aa77e3-8837-b21c-6258-3cfb61ef418e?autoplay=1&ref_=atv_cf_strg_wb Utopia London – http://www.utopialondon.com/  Finally, Owen's discussion with Kate Macintosh is available here - https://www.youtube.com/watch?v=MrOSqHBhedo&t=777s 

This week Grace Blakeley talks to Owen Hatherley, Tribune's culture editor and author of many books, including his most recent, Red Metropolis: Socialism and the Government of London. Grace and Owen discuss municipal socialism, regional and class inequality in the UK, and the future of the Labour Party under Keir Starmer. Remember that you can support our work on the show by becoming a Patron. Thanks to our producer Conor Gillies and the Lipman-Miliband Trust for making this episode possible.

This week Grace Blakeley talks to Owen Hatherley, Tribune‘s culture editor and author of many books, including his most recent, Red Metropolis: Socialism and the Government of London. Grace and Owen discuss municipal socialism, regional and class inequality in the UK, and the future of the Labour Party under Keir Starmer. Remember that you can support our work on the show by becoming a Patron. Thanks to our producer Conor Gillies and the Lipman-Miliband Trust for making this episode possible.

This week Grace Blakeley talks to Owen Hatherley, Tribune's culture editor and author of many books, including his most recent, Red Metropolis: Socialism and the Government of London. Grace and Owen discuss municipal socialism, regional and class inequality in the UK, and the future of the Labour Party under Keir Starmer. Remember that you can support our work on the show by becoming a Patron. Thanks to our producer Conor Gillies and the Lipman-Miliband Trust for making this episode possible.

This week, Grace talks to Owen Hatherley, Tribune's culture editor and author of many books, including his most recent Red Metropolis: Socialism and the government of London. We discuss municipal socialism, regional and class inequality in the UK, and the future of the Labour Party under Keir Starmer. Remember to support us on Patreon for the full hour-long episode at https://patreon.com/aworldtowinpod

London, the Capital of world capitalism, a centre of global finance and a place of immense wealth and privilege, has an often unacknowledged red underbelly, stretching from Herbert Morrison in the 1930s to Sadiq Khan in the 2020s. In Red Metropolis (Repeater), Tribune culture editor and historian Owen Hatherley looks back at that tradition, and argues that a socialist, democratic, pluralist city could become a beacon of hope for the whole country and beyond. Hatherley is in conversation with Novara Media’s senior editor Ash Sarkar.Buy the book from us here: londonreviewbookbox.co.uk/collections/owen-hatherley See acast.com/privacy for privacy and opt-out information.

Established in 1965, the Greater London Council hosted one of the United Kingdom’s most radical experiments in cultural policy after Ken Livingstone and the Labour left took control of it in 1981. This month, Juliet talks to academic Hazel Atashroo and Red Metropolis author Owen Hatherley about the entrance of the “post-1968 generation” into the GLC, and their approach to the arts: their interest in cultural democracy and challenging the Arts Council’s model of centralised funding; the Ethnic Arts and Community Arts sub-committees, and their critics; their use of post-punk aesthetics and their hip hop festival; their engagement with the Campaign for Nuclear Disarmament and other radical movements. They discuss the reasons for the GLC’s abolition in 1986, the media campaign against “the Loony Left” and Thatcher’s assault on local authorities; its influence on New Labour’s cultural policies and foundation of the Greater London Assembly in 2000; and what can be learned from the GLC’s approach to the arts in the 21st century.

Bonus Episode. The podcast is taken from a live event we ran entitled 'Broken Cities: the Global Housing Crisis In Focus' in which Dr Deborah Potts and Prof Phil Hubbard spoke with Owen Hatherley, Editor at Tribune Magazine about the global housing crisis. Hosted on Acast. See acast.com/privacy for more information.

Owen Hatherley and Kojo Koram join PTO to talk about Owen's essay, 'A Study in the Politics and Aesthetics of English Misery'. In the essay Owen reflects on the generational divides that have emerged over the course of the last two UK general elections by charting the musical evolution of The Smiths. Comparing Morrissey’s political trajectory to those of many voters throughout the North of England, Owen investigates the roots of the North’s departure from anti-Thatcherite collectivism to nationalist reaction. You can find the essay in 'Futures of Socialism: The Pandemic and the Post-Corbyn Era', edited by Grace Blakeley.

Owen Hatherley and Kojo Koram join PTO to talk about Owen's essay, 'A Study in the Politics and Aesthetics of English Misery'. In the essay Owen reflects on the generational divides that have emerged over the course of the last two UK general elections by charting the musical evolution of The Smiths. Comparing Morrissey’s political trajectory to those of many voters throughout the North of England, Owen investigates the roots of the North’s departure from anti-Thatcherite collectivism to nationalist reaction. You can find the essay in 'Futures of Socialism: The Pandemic and the Post-Corbyn Era', edited by Grace Blakeley.

For this episode of the Open City podcast, we speak to the guest-editor of the book, critic and author, Owen Hatherley, who talks about why this guide and its focus on the extraordinariness of the more ordinary parts of London, is a rare find when talking about the capital's architecture. We discuss pertinent topics such as London before, during and after lockdown; the disparity between how London is imagined and viewed, compared to how it is lived and experienced across the boroughs; and the unique spatial configurations of this city that shapes the lives of Londoners.The episode is a refreshing and optimistic take on London and Londoners, why so many people build a life here and the architecture that supports and enriches this.To find out more: https://open-city.org.uk/podcast See acast.com/privacy for privacy and opt-out information.

This week: Neelay Patel on how Digital Theatre is transforming young people's lives and revitalising the theatre world, Phil Edgar-Jones on how and why we're all going to be watching Sky Arts for free and Hafsa Adan on exploring hidden, uncelebrated parts of London at this weekend's Open House Festival. We're tuning into Sky Arts for free on Freeview from midday Thursday 17th September We're logging onto Digital Theatre at https://www.digitaltheatre.com subscribe for £9.99 per month or rent productions for £7.99 Teachers, libraries and all educational institutions can subscribe to Digital Theatre + at https://www.digitaltheatreplus.com/education We're exploring London this weekend with the Open House Festival from Saturday 19th September. For details of what to see and now to book go to https://openhouselondon.open-city.org.uk We're pre-ordering Open House's Alternative Guide to the London Boroughs, £14.99, edited by Owen Hatherley from https://shop.openhouselondon.org.uk/products/pre-order-open-house-london-guide-2020 Produced and Edited by Alex Graham Music: Wholesome by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/5050-wholesome License: http://creativecommons.org/licenses/by/4.0/

In the third chapter of the AR Bookshelf, Owen Hatherley reveals Southampton's secrets, how to solve the housing crisis and why Brutalism mania has gone too far. Join us on a journey from Southampton to Moscow, via Los Angeles, London and Warsaw, all without leaving home.   The AR Bookshelf, a podcast by The Architectural Review, invites the most interesting and influential names in architecture to put books on an imaginary bookshelf and tell us their story.

In this week's LIVE episode we delve into Brussels; the complex, cosmopolitan, interconnected city that's home to the EU.We look at the city's troubling history with colonialism, explore the impact of the European Union HQ on its inhabitants and architecture, and hear from artists living and creating change in the city.Hosted by our Artistic Director Josephine Burton, this episode features prominent academic and activist Eric Corijn, poet Elisabeth Severino Fernandes (aka Miss Elli) and writer and journalist Owen Hatherley.Make sure you like, subscribe, rate, review and share after listening to help boost us in the charts and get the podcast out to more people! See acast.com/privacy for privacy and opt-out information.

3.1 Things Can Only Get Better3.2 Goodbye, England’s Rose3.3 Different ClassIn this episode, Emma and Chloe cross the Atlantic, moving on from ‘New Democrats’ to talk about ‘New Labour’. The 90s in Britain were a time when politicians, princesses, and pop stars promised modernisation of tired, worn-out traditions. But looking back on Tony Blair’s rise and the tragic death of Princess Di suggests not all was well beneath the surface of ‘Cool Britannia’. Chloe then goes on to explain why, in her opinion, some of the best explanations of what was really happening in Britain in the 90s came, in fact, from culture.Links and sources‘Blair aide asked Keating for hate lessons’, SBS, 23 August 2013.Jonathan Davis, ‘History didn’t end with the fall of the Berlin Wall – but only now is the new battleground clear’, The Conversation, 7 November 2019.Noel Gallagher on *that* visit to Downing Street‘Tony Blair told Princess Diana her relationship with Dodi Fayed was a problem’, Guardian, 1 September 2010.Thomas Dixon, ‘History in British Tears’, The History of Emotions Blog, 10 September 2015.Hilary Mantel, ‘Royal Bodies’, London Review of Books, 21 February 2013.‘Greek finance minister responds to claim that wife was inspiration behind Pulp hit’, Guardian, 12 May 2015.Owen Hatherley, ‘Pulp matter more than ever in today’s cowed cultural landscape’, Guardian, 15 June 2011.Owen Hatherley, Uncommon: An Essay on Pulp, Zero Books, 2011.And one video on Princess Di conspiracy theoriesCommon People by PulpWritten by: Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey, Russell SeniorCocaine Socialism by PulpWritten by: Jarvis Cocker, Nick Banks, Candida Doyle, Steve Mackey, Russell Senior, Mark Webber and Antony GennTony Blair ‘Windfall Tax’ excerpt from UK ParliamentQueen Elizabeth II ‘Death of Princess Diana’ excerpt from AP ArchivesNoel Gallagher ‘Downing Street Part Invitation’ excerpt from kinoLibrary at www.knolibrary.com Clip Ref DW022092Tony Blair ‘Sinn Fein’ excerpt from UK ParliamentTony Blair ‘The People’s Princess’ excerpt from AP ArchivesQueen Elizabeth II ‘Annus Horribilis Speech’ from ITN Source

Twenty years ago, a 1939 poster printed by the British government with the words ‘Keep Calm and Carry On’ turned up in a second-hand bookshop in Northern England. And lo! A decor trend was born: teatowels, T-shirts, mugs, phone cases, condoms, and a zillion riffs on the phrase. Bookshop owner Stuart Manley talks about unearthing the poster that spawned countless imitations; author Owen Hatherley explains why the poster was NOT, in fact, an exemplar of Blitz Spirit and British bulldog courage and whatnot; and psychologist and therapist **Jane Gregory **considers whether being told to keep calm can keep us calm. Find out more about this episode, the subject matter and the interviewees, at theallusionist.org/keepcalm. The Allusionist is a proud member of Radiotopia from PRX, a collective of the finest independent podcasts. Find them all at radiotopia.fm. The Allusionist's online home is theallusionist.org. Stay in touch at twitter.com/allusionistshow, facebook.com/allusionistshow and instagram.com/allusionistshow. This month, the Allusionist is sponsored by: BetterHelp online licensed professional counselling. Get started today at http://betterhelp.com/allusionist and receive a 10% discount off your first month with the discount code allusionist. Mejuri, ethically sourced fine jewelry for everyday wear, without the markups. Visit mejuri.com/allusionist for 10% off your first order. Molekule, air purification reinvented. For 10% off your first air purifier order, visit molekule.com and at checkout enter the code allusionist10. Bombas socks, thoughtfully engineered for comfort and durability - and for every pair of socks you buy, Bombas donates a pair to someone in need. Get twenty percent off your first purchase at Bombas.com/allusionist. Squarespace, your one-stop shop for creating and running a good-looking and well-working website. Go to squarespace.com/allusion for a free trial, and use the code ALLUSION to get 10% off your first purchase of a website or domain. Progressive. See your insurance options and start a quote online at progressive.com.

‘We architects must be idealists’, wrote Minnette de Silva, Sri Lanka’s first female architect. Shiromi Pinto’s second novel, Plastic Emotions (Influx Press) is based on de Silva’s life, charting her affair with Le Corbusier and her attempt to rebuild Sri Lanka in the aftermath of independence. Pinto was in conversation with Owen Hatherley, whose most recent book is The Adventures of Owen Hatherley in the Post-Soviet Space, and Olivia Sudjic, the author of Exposure. See acast.com/privacy for privacy and opt-out information.

In the wake of the coronavirus epidemic and shutting down of much of the UK's cultural life, we have decided to bring you a series of interviews with contemporary artists, writers, filmmakers and other cultural figures, conducted via Skype (so apologies for the diminished audio quality), about their practices, the political issues that inspire them and the socio-economic conditions that have shaped their work. In the third of these Sessions, Juliet talks to London-based writer Owen Hatherley, editor of Tribune magazine’s culture section, about the blogging circle in which he began writing in the mid-2000s; his experiences of writing about politics and culture in broadsheet newspapers and magazines; the appalling state of the British media and the venal, unserious nature of many of its contributors; the relationship between arts and culture writing and the British left, including the Labour Party, and how culture can continue to be politically useful to a socialist project. A full list of references for the programme, with links, can be found via our Patreon at www.patreon.com/suite212, and are available to $3 subscribers.

Owen Hatherley joins me to discuss his recent article on Keir Starmer and the Labour leadership contest. You can read the piece here: https://medium.com/@owenhatherley/theres-a-starmer-waiting-in-the-sky-f2d26a9c4e97

James Butler is joined by Owen Hatherley, culture editor of Tribune Magazine and prolific author on housing, cities and architecture. We often talk about housing in the abstract – estates, regeneration, expenditure. But what about the kinds of houses people live in? Is there a politics of architecture? Plus, we ask: does culture matter to […]

How Britain Learned to Consume Austerity, with Owen Hatherley by The Corner Table Podcast Hosted on Acast. See acast.com/privacy for more information.

Tribune Culture Editor Owen Hatherley on the music and life of the late Scott Walker. We spoke about Walker's journey from teen heartthrob with the Walker Brothers, to the creator of some of the most challenging music in the history of pop. We discuss the big band, crooner tradition that Walker emerged from, the radical break in his work with 1978's Nite Flights and the political pessimism of his later records. To accompany the episode here is a playlist of Walker's work: https://open.spotify.com/playlist/1xEf8KGVxK6IRpKSLc6FOS

Owen Hatherley joins me to discuss the music and life of the late Scott Walker. We spoke about his journey from teen heartthrob with the Walker Brothers, to the creator of some of the most challenging music in the history of pop. We discuss the big band, crooner tradition that Walker emerged from, the radical break in his work with 1978's Nite Flights and the political pessimism of his later records. To accompany the episode here is a playlist of Walker's work: https://open.spotify.com/playlist/1xEf8KGVxK6IRpKSLc6FOS

Transforming Housing - The opening panel from Bristol Transformed held at Malcolm X Community Centre. Housing panel with Owen Hatherley, Sasha Sadjady, Oona Goldsworthy, Paul Smith, Ben Beach, chaired by Zoe Goodman.

In conversation with Owen Hatherley Writer and journalist Owen Hatherley joins TANK's Masoud Golsorkhi and Thomas Roueché to discuss his latest book, The Adventures of Owen Hatherley in the Post-Soviet Space. Published by Repeater, the book maps the complex legacy of the USSR almost 30 years after the end of history.

In conversation with Owen Hatherley Writer and journalist Owen Hatherley joins TANK's Masoud Golsorkhi and Thomas Roueché to discuss his latest book, The Adventures of Owen Hatherley in the Post-Soviet Space. Published by Repeater, the book maps the complex legacy of the USSR almost 30 years after the end of history.

We love Britain and British things. We’re a podcast suffused with the Blitz Spirit, the Dunkirk Spirit, the Dying of Black Lung Spirit, and in honour of that, we decided to take on the big issues of modern Britain, such as the following: some rich people tried to sue the Tate Modern because they didn’t want to buy curtains. This week, Riley (@raaleh), Milo (@Milo_Edwards), Hussein (@HKesvani), and Nate (@inthesedeserts) spoke with Tribune Magazine culture editor Owen Hatherley (@owenhatherley) about the Tate Modern viewing platform, architecture in London, Winston f**king Churchill, and much more. Please bear in mind that your favourite moron lads have a Patreon now. You too can support us here: https://www.patreon.com/trashfuture/overview — and if you do, you’ll gain access to our Discord server, where you can talk about soup with us all day. *LIVE SHOW ALERT* We have an upcoming live show in London on February 21st at the Star of Kings (126 York Way, Kings Cross, London N1 0AX) starting at 7.30 pm. You can buy tickets here: https://www.eventbrite.co.uk/e/trashfuture-live-ft-josie-long-tickets-54546538164 *COMEDY KLAXON* On 27th February at 8 pm, Elf Lyons and a number of other comics will perform at Smoke Comedy at the Sekforde (34 Sekforde Street London EC1R 0HA). Tickets are £5, and you can get them here: https://www.eventbrite.co.uk/e/smoke-comedy-with-elf-lyons-tickets-55825778406 Also: you can commodify your dissent with a t-shirt from http://www.lilcomrade.com/, and what’s more, it’s mandatory if you want to be taken seriously. Do you want a mug to hold your soup? Perhaps you want one with the Trashfuture logo, which is available here: https://teespring.com/what-if-phone-cops#pid=659&cid=102968&sid=front

Since his untimely death in January 1950, aged 46, George Orwell has been turned into a secular saint, with his Cold War-era novels Animal Farm and Nineteen Eighty-Four making Orwell - a democratic socialist - a hero to anti-communists across the world, but especially in England. This week, Juliet talks to critic Fatema Ahmed and writer Owen Hatherley about how and why Orwell became so revered, whether this reverence is useful, and how his writing might be reclaimed or reassessed by the contemporary British left. SELECTED REFERENCES WORKS BY GEORGE ORWELL Animal Farm (1945) Down and Out in Paris and London (1933) Homage to Catalonia (1938) ‘The Lion and the Unicorn: Socialism and the English Genius’ (1941) - https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/the-lion-and-the-unicorn-socialism-and-the-english-genius/ ‘My Country Right or Left’ (1940) - https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/my-country-right-or-left/ Nineteen Eighty-Four (1949) ‘Politics and the English Language’ (1946) - http://www.orwell.ru/library/essays/politics/english/e_polit The Road to Wigan Pier (1936) ‘Why I Write’ (1946) - https://en.wikipedia.org/wiki/Why_I_Write Theodor W. Adorno W. H. Auden Billy Bragg Russell Brand E. H. Carr Charlie Chaplin Cyril Connolly ROBERT CONQUEST, ‘George Orwell’ (1969) - http://misa-n-torpe.blogspot.com/2011/11/robert-conquest-on-george-orwell.html ISAAC DEUTSCHER, ‘1984 – The Mysticism of Cruelty’ - https://www.marxists.org/archive/deutscher/1955/1984.htm T. S. Eliot - https://www.theguardian.com/books/2016/may/26/ts-eliot-rejection-george-orwell-animal-farm-british-library-online Michael Foot - https://www.theguardian.com/commentisfree/2007/mar/21/past.comment Eric Gill FRIEDRICH A. HAYEK, The Road to Serfdom (1944) - https://en.wikipedia.org/wiki/The_Road_to_Serfdom RAYNER HEPPENSTALL, Four Absentees (1960) - http://malkintowersbookblog.blogspot.com/2014/03/four-absentees-rayner-heppenstall.html CHRISTOPHER HITCHENS, Why Orwell Matters (2002) - https://www.nytimes.com/2002/09/29/books/the-independent-of-london.html Christopher Isherwood Arthur Koestler Wyndham Lewis Hugh MacDiarmid Norman Ian MacKenzie Kingsley Martin - https://spartacus-educational.com/TUmartin.htm Malcolm Muggeridge @OrwellFan - https://twitter.com/Orwell_Fan Steven Poole - https://www.theguardian.com/books/2013/jan/17/my-problem-with-george-orwell Anthony Powell Paul Robeson Michael Sayers - https://www.independent.co.uk/news/obituaries/michael-sayers-writer-whose-career-never-recovered-from-being-blacklisted-in-the-united-states-2032080.html Stephen Spender Dylan Thomas Robert Webb - https://www.theguardian.com/culture/2013/nov/05/russell-brand-robert-webb-revolution RAYMOND WILLIAMS, Orwell (1971)

Joining Tom Jackson to discuss the postcards from their pasts are journalist, agony aunt, author and podcaster DAISY BUCHANAN (How To Be A Grown-Up, You're Booked, The Sisterhood, Guardian, Telegraph) and journalist and author OWEN HATHERLEY (The Ministry of Nostalgia, Militant Modernism, Landscapes of Communism, The Chaplin Machine). In this episode we bathe in colourful neon light in 1970s Poland, ride the gentler funfair rides at Margate Dreamland, get lost in Venice, learn the secrets of the Jilly Cooper Book Club, and sing a hymn to dusty postcard shops. Pack your bags and book your bed and breakfast - we're off for a relaxing fortnight of seaside jury duty. Wish you were here? See acast.com/privacy for privacy and opt-out information.

In ‘Trans-Europe Express’, Owen Hatherley sets out to explore the European city across the entire continent, to see what exactly makes it so different to the Anglo-Saxon norm - the unplanned, car-centred, developer-oriented spaces common to the US, Ireland, UK and Australia. Attempting to define the European city, Hatherley finds a continent divided both within the EU and outside it. Hatherley was at the Bookshop in conversation with Lynsey Hanley, author of ‘Estates: An Intimate History’ (Granta) and ‘Respectable: The Experience of Class’ (Penguin). See acast.com/privacy for privacy and opt-out information.

Mark Lilla could be called the conscience of liberal America. He talks to Anne McElvoy about life after identity politics. 2018 New Generation Thinker Gulzaar Barn discusses whether paying people for taking part in medical trials is different from other forms of "labour". Plus Owen Hatherley's latest book is called Trans-Europe Express: Tours of a Lost Continent. He discusses what makes a European city and who should take responsibility for shaping our urban environment whether its Hull or Thessaloniki with Deborah Saunt from DSDHA - who are working on new plans for the West End of London following the opening of Crossrail stations.Mark Lilla's new book, The Once and Future Liberal, is a ferocious analysis of the American left's abdication as well as a call to arms. The time for evangelism - of speaking truth to power is over, he says, now it's all about seizing power to defend truth. Gulzaar Barn lectures in philosophy at the University of Birmingham working on moral, political, and feminist philosophy. New Generation Thinkers is a scheme run by BBC Radio 3 with the Arts and Humanities Research Council to select ten academics at the start of their careers who can turn their research into radio. You can find a collection of short columns reflecting their research on bbc.co.uk/FreeThinking Producer: Zahid Warley

Writer and journalist Owen Hatherley discusses his new book ‘Trans-Europe Express’, we meet German artist Paloma Varga Weisz and folk-music legend Shirley Collins talks about her life in music and her new book, ‘All in the Downs’.

For this first episode, all about working in Editorial, I visited Penguin Random House offices in London to interview Simon Winder, Publishing Director at Penguin Press and Ellen Davies (on Twitter @ellenannedavies), Editorial Assistant.Update: blog post interview with Ellen in May 2020 - https://www.publishing-insight.com/post/2-years-later-ellen-johlSupport the podcast: https://ko-fi.com/publishinginsightGet in touch on Twitter @FlamFlam91 or write me an email at publishinginsight@gmail.comVisit my website: https://www.publishing-insight.com/Books mentioned: - Underground Asia by Tim Harper; - Kudos by Rachel Cusk; - Good Night stories for Rebel Girls by Elena Favilli and Francesca Cavallo; - 12 Rules for Life by Jordan Peterson; - Penguin Monarchs series; - The Penguin Book of the Contemporary British Short Story by Philip Hensher; - Trans-Europe Express by Owen Hatherley; - Vertigo by Joanna Walsh; - Swing Time by Zadie Smith; - First Love by Gwendoline Riley; - The Water Cure by Sophie Mackintosh; - The Mothers by Brit Bennett; - Conversations with Friends by Sally Rooney; - Familiar Stranger by Stuart Hall.Thank you so much for listening! If you have enjoyed this episode please subscribe and share it with other people who may find it interesting as well.Portrait illustration by Ellie Beadle. Music: Dig the Uke by Stefan Kartenberg (c) copyright 2016 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. https://bit.ly/1VLy3cJ Ft: Kara Square.Support the show (https://ko-fi.com/publishinginsight)

While modernist housing estates are still being despised and demolished, a renewed interest is nowadays making their commodified preservation possible.

Juliet talks to Owen Hatherley (author of 'Militant Modernism', 'A Guide to the New Ruins of Great Britain', 'Landscapes of Communism' and many other books) and David Stubbs (formerly of Melody Maker, and a writer on '1996 and the End of History' as well as Krautrock and electronic music) about the life and work of Mark E. Smith, who sadly died last month. They discuss The Fall in the context of post-industrial Manchester, the post-punk scene, a changing (and ever less intelligent) music press, modernist literature and pop culture, and think about the group's legacy. WORKS REFERENCED LoneLady - Hinterland (2015) - https://www.youtube.com/watch?v=6W6w8fQauwg Julie Campbell on Mark E. Smith - http://lonelady.co.uk/blog/rip-mark-e-smith-5th-march-1957-24th-january-2018/ The Fall discography: https://en.wikipedia.org/wiki/The_Fall_discography Mark E. Smith reads the football scores - https://www.youtube.com/watch?v=EBUiPs1PxKo 'I feel like Alan Minter' graffiti - https://rollerderbyonfilm.blogspot.co.uk/2012/02/i-feel-like-alan-minter.html 1970s graffiti - https://www.theguardian.com/artanddesign/2015/feb/03/the-writing-on-the-wall-1970s-pioneers-of-british-graffiti J. G. Ballard William Blake Thomas Carlyle - https://en.wikipedia.org/wiki/Thomas_Carlyle Michael Clark C86 (NME compilation tape, 1986) Philip K. Dick FRIEDRICH ENGELS, The Condition of the Working Class in England (1845) - https://www.marxists.org/archive/marx/works/download/pdf/condition-working-class-england.pdf Gang of Four, 'Entertainment!' (LP, 1979) Antonio Gramsci George Grosz Wyndham Lewis H. P. Lovecraft FILIPPO TOMMASO MARINETTI, 'The Founding and Manifesto of Futurism' (1909) The Passage, 'Troops Out' (7", 1981) - https://www.youtube.com/watch?v=wXBTFNE7qr0 Ezra Pound SIMON REYNOLDS, Rip it Up and Start Again: Postpunk 1978-84 (2005) Sex Pistols, 'God Save the Queen' (7", 1977) DAVE SIMPSON, The Fallen (2008) MARK E. SMITH, Renegade (2008) Talking Heads, Remain in Light (LP, 1980)

Marx’s Das Kapital, published in three volumes between 1867 and 1883, exercised a profound influence on the history and politics of the 20th century, and, despite the expectations of many, continues to resonate through the 21st. In Marx, Capital and the Madness of Economic Reason (Profile), David Harvey, Professor of Anthropology at the City University of New York Graduate School and the author of many highly acclaimed books on Marx and Marxism, explains in clear and concise language just what it is that makes Marx’s analysis so powerful, and what it still continues to offer us for the future. Harvey was in the bookshop in conversation with architectural critic and journalist Owen Hatherley, author of, most recently, The Ministry of Nostalgia and Landscapes of Communism. See acast.com/privacy for privacy and opt-out information.

One hundred years after the Russian Revolution, the intellectual and ideological nature of the art and culture produced between October 1917 and the collapse of the Soviet Union in 1991 remained hotly debated and, at times, poorly understood. Here, Juliet Jacques welcomes writer/critics Maria Chehonadskih, Owen Hatherley (author of Militant Modernism (2009), Landscapes of Communism (2015) and The Chaplin Machine (2016)) and Ilia Rogatchevski to discuss the cultural legacy of the Soviet period and challenge Western preconceptions about the relationship between art and politics in the former USSR, from the Constructivist energy of the 1920s and imposition of Socialist Realism under Stalin, all the way through to the underground art movements of the 1980s. WORKS REFERENCED: Maria Chehonadskih on Pussy Riot – https://www.radicalphilosophy.com/commentary/what-is-pussy-riots-idea Adam Curtis on Vladislav Surkov - https://www.youtube.com/watch?v=Od4MWs7qTr8 SERGEI M. EISENSTEIN, Aleksandr Nevsky (1938) SERGEI M. EISENSTEIN, Ivan the Terrible (Parts I & II) (1944-1958) SERGEI M. EISENSTEIN, October (Ten Days That Shook the World) (1928) EVALD ILYENKOV (Soviet theorist) - https://www.marxists.org/archive/ilyenkov/ ILYA & EMILIA KABAKOV (Moscow Conceptual School) - https://ilya-emilia-kabakov.com/ VITALI KOMAR (Sots Art founder) - http://www.komarandmelamid.org/ MIKHAIL LIFSHITZ(Soviet philosopher) - https://thecharnelhouse.org/2014/12/15/art-is-dead-long-live-art-mikhail-lifshitz-on-karl-marxs-philosophy-of-art/ EDUARD LIMONOV (National Bolshevik Party) CHRIS MARKER, The Last Bolshevik (1993) - https://www.independent.co.uk/arts-entertainment/film-happiness-is-making-a-bolshevik-laugh-1459870.html VLADIMIR MAYAKOVSKY, '150,000,000' (1919-1920) - https://en.wikipedia.org/wiki/150_000_000 VLADIMIR MAYAKOVSKY, The Bathhouse (1929) - https://en.wikipedia.org/wiki/The_Bathhouse VLADIMIR MAYAKOVSKY, The Bedbug (1928) - http://snoowilson.co.uk/The%20Bedbug.pdf ALEKSANDR MEDVEDKIN (Soviet filmmaker) - https://en.wikipedia.org/wiki/Aleksandr_Medvedkin Deimantas Narkevičius (Lithuanian filmmaker/artist) YURI OLESHA, Envy (1927) - https://godsavethetsar.wordpress.com/2015/08/04/dont-laugh-andrei-petrovich-yuri-oleshas-envy/ VIKTOR PELEVIN (Russian author) BORIS PILNYAK, The Naked Year (1928) - http://www.overlookpress.com/ardis/naked-year-1.html ANDREI PLATONOV, The Foundation Pit (1930) - https://en.wikipedia.org/wiki/The_Foundation_Pit ABRAM ROOM, Bed and Sofa (1927) - http://www.calvertjournal.com/articles/show/1339/film-club-sofa-and-bed-abram-room VLADIMIR SOROKIN (Russian author) VLADIMIR TATLIN, Letatlin – http://www.atlasobscura.com/articles/the-birdlike-soviet-flying-machine-that-never-quite-took-off VLADIMIR TATLIN, 'Monument to the Third International' (1919-1920, unbuilt) DZIGA VERTOV, The Eleventh Year (1928) - https://www.youtube.com/watch?v=SSve8HNjZ4Y DZIGA VERTOV, Enthusiasm: Symphony of the Donbass (1930) - https://www.youtube.com/watch?v=vUInm2dC6Ug DZIGA VERTOV, Kino-Pravda (1920s) - https://www.youtube.com/watch?v=J0SJyLX9MgQ DZIGA VERTOV, Man with a Movie Camera (1929) DZIGA VERTOV, Stride, Soviet! (1926) - https://www.youtube.com/watch?v=ILG1_ceQCzE DZIGA VERTOV, Three Songs of Lenin (1934) - https://www.youtube.com/watch?v=x66SYdygrpE VOINA, phallus on Liteiny Bridge, St. Petersburg - https://www.theguardian.com/artanddesign/2011/apr/12/voina-art-terrorism

Today, although its monuments are vanishing, Brutalism enjoys a ghostly afterlife. Following decades of official and public contempt, its rehabilitation began when concrete tower blocks featured prominently in 1990s music videos by Britpop groups such as Blur and Suede. This revival continued in mid-2000s blogs by writers such as Owen Hatherley, and today it flourishes in Instagram accounts, soft furnishings, art galleries and coffee-table books. Meanwhile the buildings themselves have become hot property, changing hands for sums that are far beyond the means of their intended inhabitants. What are the causes of this strange resurgence in Brutalism’s popularity? Is it simply nostalgia, or does it represent a form of opposition to the politics that caused the demolition of so many of its exemplars? Why does Brutalism seem so at home in new media that are the very opposite of its material ideals? Are its fans interested in the ethic or just the aesthetic, to appropriate the terms that Reyner Banham used to interrogate Brutalism in the 1950s? If it’s the latter, what does this fetishism tell us about our current situation?

In our new episode, Jack and Yair review films including The Fear of 13, the Number 23, Weiner, Anthropoid, Carol, the Spectre of Marxism, the Spirit of '45 and Tony Benn: Will and Testament, as well as Owen Hatherley's book The Ministry of Nostalgia. Also discussed is the recent revelation that noted fascist M*lo Yishjidnaofsfasff is a massive nonce, the libertarian-fash intersection that provided him with a ready-made fanbase of bitter, pubescent nerd men, and also two comedy sketches we wrote in 2015 are given an airing. These are our ways of keeping you under our control!

World Policy Institute — The U.K.'s Conservative government launched a plan to revitalize the northern industrial cities of Manchester, Sheffield, Liverpool, Hull, and Newcastle as a unified region to rival Greater London. On today’s episode of World Policy On Air, architectural critic and author Owen Hatherley surveys problems with creating the "Northern Powerhouse," even before Brexit raised new questions about the administration's political future.

Matthew Brannon (artist, New York); Owen Hatherley (writer, architecture critic, London); Joanna Mytkowska (Director, Museum of Modern Art, Warsaw); Chaired by Dan Fox (Senior Editor, frieze, London) at Frieze London in 2009

What happened to the future? Owen Hatherley and Douglas Murphy explode the distortions of history that obscure our present and future in their new respective books The Ministry of Nostalgia and Last Futures. Excavating the lost archeology of the present day, Douglas Murphy’s Last Futures is a fascinating, mind-bending cultural history of the last avant-garde. Through a cast of architects, dreamers, thinkers, hippies and designers, Murphy diagnoses the source of our current situation and steers us towards powerful alternative futures. In a sharp, witty polemic, Owen Hatherley skewers the contemporary nostalgia for a utopian past that never existed. Why, in an age of austerity, have we adopted the gospel of luxurious poverty, from ubiquitous 'Keep Calm and Carry On' posters to the ‘artisinal’? The Ministry of Nostalgia reaches across a depleted cultural landscape to demand more for our society—after all, Hatherley argues, why should we have to 'Keep Calm and Carry On'? Chaired by Shumi Bose, architectural writer, historian, editor and teacher at Central St Martins responsible for coordinating Contextual Studies for BA Architecture: Spaces and Objects, covering architectural history, theory and broader cultural issues.

Owen Hatherley writes regularly on architecture and cultural politics for Architects Journal, Architectural Review,Icon, The Guardian, The London Review of Books and New Humanist, and is the author of several books, including Militant Modernism, A Guide to the New Ruins of Great Britain and A New Kind of Bleak: Journeys through Urban Britain. His latest books are Landscapes of Communism, and The Ministry of Nostalgia. See acast.com/privacy for privacy and opt-out information.

What happened to the future? Verso authors Owen Hatherley and Douglas Murphy seek to explode the distortions of history that obscure our present and future in their new respective books 'The Ministry of Nostalgia' and 'Last Futures'. Excavating the lost archeology of the present day, Douglas Murphy’s 'Last Futures' is a fascinating, mind-bending cultural history of the last avant-garde. Through a cast of architects, dreamers, thinkers, hippies and designers, Murphy diagnoses the source of our current situation and steers us towards powerful alternative futures. In a sharp, witty polemic, Owen Hatherley skewers the contemporary nostalgia for a utopian past that never existed. Why, in an age of austerity, have we adopted the gospel of luxurious poverty, from ubiquitous 'Keep Calm and Carry On' posters to the ‘artisinal’? The Ministry of Nostalgia reaches across a depleted cultural landscape to demand more for our society—after all, Hatherley argues, why should we have to 'Keep Calm and Carry On'? Chaired by Shumi Bose, architectural writer, historian, editor and teacher at Central St Martins responsible for coordinating Contextual Studies for BA Architecture: Spaces and Objects, covering architectural history, theory and broader cultural issues. This event was organised in association with New Humanist.

Anne McElvoy looks at what happened to the Arab Spring five years on, talking to Egyptian novelist Alaa Al-Aswany - whose new novel is called The Automobile Club of Egypt - and to satirist and critic Karl Sharro. They will be joined by Lebanese actress Sahar Assaf talking about performing in Dario Fo and Franca Rame's monologue An Arab Woman Speaks. Also in the programme, Owen Hatherley discusses his latest book The Ministry of Nostalgia. And, lexicographer Tony Thorne and writer Hannah Jane Parkinson discuss how social media is affecting language. The English premiere of Dario Fo and Franca Rame's An Arab Woman Speaks is on at the New Diorama Theatre in London until 6th February. Producer: Luke Mulhall

On Start the Week Tom Sutcliffe looks at the landscapes of communism with the writer Owen Hatherley whose new book reflects how power transformed the cities of the twentieth century. Jacqueline Yallop looks back at one of the most enduring experiments of Victorian philanthropy - the utopian 'model' village. The architect Graham Morrison is involved in a model village of his own, the regeneration and development of the 67 acre site at Kings Cross, and the artist Doug Aitken, famous for his large scale outdoor film installations which he's called 'liquid architecture', is creating a 30-day happening, Station-to-Station. Producer: Katy Hickman.

Owen Hatherley är en brittisk arkitektur- och kulturjournalist som i flera böcker och artiklar har gått till angrepp mot den stadsbyggnadsregim som växt fram i Storbritannien under 1990- och... En podcast om städer.

Matthew Sweet discusses online identity theft and religious belief with American novelist Joshua Ferris, as he publishes his new novel To Rise Again at a Decent Hour. As the London Festival of Architecture opens with a debate on whether London needs more tall towers, Matthew talks to Sir Terry Farrell, Owen Hatherley, Nicholas Boys Smith, Angela Brady, about how London should look in the future. And we head to the Foundling Museum, whose latest exhibition marks the 250th anniversary of the death of William Hogarth to find out how artist Jessie Brennan has re-imagined ‘A Rake's Progress' without people, just a famous London tower block.

Colin Marshall sits down for bangers and mash in Woolwich, London, England, with writer on political aesthetics Owen Hatherley, author of the books Militant Modernism, A Guide to the New Ruins of Great Britain, A New Kind of Bleak, and Uncommon, on the pop group Pulp. They discuss the relevance of the combined sentiments of the Pet Shop Boys and the Human League to his critical mission; his sickness of "where's my jetpack"-type complaint; the new limits of the possible; whether one more easily sees politics expressed in architecture in England that elsewhere; the coincidental rises of the welfare state and modern architecture; the nature of England's north-south divide, one starker than that between the former East and West Germany, the unexpected tasteless drama of northern building, and the "ruin porn" richness of towns like Bradford and Liverpool; housing as the chief political issue of modern Britain; the shamefacedness of new English building, and the tendency of it to bear little relation to its own location; his view of buildings like the now-demolished Tricorn Centre in childhood, before he'd internalized "what architecture should look like"; how the still-standing Preston Bus Station demonstrated that a provincial city wasn't parochial; the long-gone heyday of the City Architect; his upcoming book on architecture and communism, and what he's discovered in his exploration of eastern Europe; why he might feel the need for a disclaimer stating that he already knows about the gulag; and how he found that the Soviet regime generated much more nostalgia, in its buildings and otherwise, than people think.

Gillian Darley and David McKie’s study of Nairn - Ian Nairn: Words in Place – published by Five Leaves, reintroduces to a new generation an architectural critic whose work has influenced writers and critics such as J.G. Ballard, Will Self, Iain Sinclair and Jonathan Meades, who once described Nairn as ‘a great poet of the metropolis’. Gillian Darley and David McKie discussed Ian Nairn’s life and work, and Owen Hatherley, author of A New Kind of Bleak and A Guide to the New Ruins of Great Britain chaired this discussion. See acast.com/privacy for privacy and opt-out information.

With John Wilson The Broadway hit musical The Book Of Mormon has opened in London. The show is a satirical tale of Mormon missionaries visiting a Ugandan village threatened by a brutal warlord. Book, lyrics and music are by Trey Parker and Matt Stone - creators of the animated comedy, South Park - and Robert Lopez, composer of Avenue Q. Grace Dent reviews. Comedian Lee Mack, writer and star of TV sitcom Not Going Out, talks about surviving the death of British sitcom, the perfect gag-rate and filming two alternative endings for the new series - depending on whether Lee and Lucy finally get together or not. ZSL London Zoo's new "tiger territory" was designed in collaboration with the zoo keepers, and the new enclosure aims to provide the tigers with the most suitable environment. The zoo is known for its famous buildings, and the Lubetkin penguin pool and Snowdon aviary are architectural icons. Michael Kozdon, the architect who designed the new tiger enclosure, zoo keeper Teague Stubbington and architecture critic Owen Hatherley discuss how zoo buildings have changed to accommodate the animals, rather than to make an architectural statement. Nigerian poet and novelist Ben Okri pays tribute to his celebrated countryman Chinua Achebe, who has died aged 82. A novelist, essayist and poet, Achebe is best-known for his novel, Things Fall Apart, which has become the most widely-read book in modern African literature. Producer Rebecca Nicholson.

Panel Debate with Owen Hatherley, architectural historian & journalist, author of Militant Modernism (2009); Prof Peter Mandler (Gonville & Caius), President of the Royal Historical Society & author of History and National Life (2001) Prof Andrew Saint, architectural historian & general editor of the Survey of London

Owen Hatherley is a writer and journalist based in London who writes primarily on architecture, politics and culture. Hatherley is a regular contributor to Building Design, New Statesman and New Humanist and has also written for The Guardian and Icon. His first book Militant Modernism was published by 0 Books in 2009 and was described by The Guardian as an "intelligent and passionately argued attempt to 'excavate utopia' from the ruins of modernism". Hatherley presents 'A New Kind of Bleak: Blair's Buildings, before and after the boom'. Unfortunately due to an error with the recording equipment Hatherley's talk is incomplete.

Owen Hatherley is a writer and journalist based in London who writes primarily on architecture, politics and culture. Hatherley is a regular contributor to Building Design, New Statesman and New Humanist and has also written for The Guardian and Icon. His first book Militant Modernism was published by 0 Books in 2009 and was described by The Guardian as an "intelligent and passionately argued attempt to 'excavate utopia' from the ruins of modernism". Hatherley presents 'A New Kind of Bleak: Blair's Buildings, before and after the boom'. Unfortunately due to an error with the recording equipment Hatherley's talk is incomplete.

Writer and cultural critic Owen Hatherley attacks the architectural results of recent "urban regeneration". He regrets the loss of confidence in a vision of how cities of the future should be. Defending the buildings of the 1960s, he says: "Even the most reviled of blocks contain spacious apartments," whereas "the new blocks you can see everywhere are designed from the outside in - irregular windows and brightly coloured cladding hides the tiny mean proportions and a total lack of planning for human use." Four Thought is a series of talks which combine thought provoking ideas and engaging storytelling. Recorded live in front of an audience at the RSA in London, speakers take to the stage to air their latest thinking on the trends, ideas, interests and passions that affect our culture and society. Producer: Sheila Cook.