Podcast appearances and mentions of tony oxley

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Esta semana, en una nueva sesión de Rebelión Sónica, tributamos al recientemente fallecido percusionista inglés, Tony Oxley. Figura fundamental del jazz y la música improvisada, Oxley murió a los 85 años el 26 de diciembre de 2023, luego de una larga enfermedad. Baterista que creó su propio lenguaje, su vasta obra quedó registrada en discos solistas y en múltiples colaboraciones y bandas que lideró o en las que participó. Entre ellas, Joseph Holbrooke Trio, junto al bajista Gavin Bryars y el guitarrista Derek Bailey, además de su trabajo con John McLaughlin, Evan Parker, Kenny Wheeler, Bill Dixon, John Surman y el pianista estadounidense Cecil Taylor, solo por nombrar algunos. Justamente, escucharemos material del álbum en vivo “Conversations with Tony Oxley” de Taylor. Grabado en la sala de Música de Cámara de la Filarmónica de Berlín en febrero de 2008, fue editado años más tarde, en 2018, por el sello Jazzwerkstatt. En él se puede apreciar de manera cristalina, el complejo y único vocabulario percusional de Oxley.

En este episodio, Wolfgang Muthspiel. Brendan Keller-Tuberg. Recuerdo a Tony Oxley. John Scofield. Novas Trio. Jean-Michel Pilc.

Abrimos 2024 con el brillante nuevo trabajo del guitarrista Wolfgang Muthspiel, Dance Of The Elders, publicado en 2023 para ECM. Descubriremos la música del contrabajista y compositor australiano Brendan Keller-Tuberg, del que escuchamos su álbum del 2021, In Spite Of It All. Nuestro Clásico de la Semana fue el recuerdo al batería Tony Oxley, quien nos ha dejado recientemente. Figura clave junto a otros del Free y Avantgarde británico, lo escucharemos en su debut del año 1969, The Baptised Traveller, junto a Kenny Wheeler, Evan Parker, Derek Bailey y Jeff Clyne. Seguir leyendo La Montaña Rusa 01.2024. Wolfgang Muthspiel. Brendan Keller-Tuberg. Recuerdo a Tony Oxley. John Scofield. Novas Trio. Jean-Michel Pilc. en La Montaña Rusa Radio Jazz.

This week on the podcast is part 1 of our interview with Dave Hassell, acclaimed British drummer and Latin percussionist.  Dave has been performing for 50 years as a studio session player, live performer, and band leader, performing with musical greats such as Dr. John, Clarke Terry, Art Farmer, and more. He is also an author, maintains a robust teaching studio, and has taught at many of the leading music institutions in the UK. We hope you join us for an entertaining and informative discussion on what it takes to be a professional musician!In this episode:Dave opens up about his creative process and sheds light on the importance of authenticity in music writing. He astounds us with his unconventional approach to finding the right tools for music creation, sometimes as unassuming as a house brick! His learning experiences under venerable mentors like Brazilian percussionist Airto Moreira and British drummer Tony Oxley serve as potent reminders of the power of learning from the best.We also delve into the fascinating yet unpredictable world of performance schedules. Dave's account provides an honest and enlightening perspective on the hectic life of a musician. His advice for fellow musicians? Versatility and a willingness to absorb different cultures are key. So strap in for an unforgettable journey into the rhythm-filled world of Dave Hassell, a drummer who truly marches to the beat of his own drum.Show Notes: https://www.artsentrepreneurshippodcast.com/episodes/230-dave-hassell-drummer-and-latin-percussionist-pt-1-of-2

THIS WEEK's BIRDS: Shirley Scott; Amir el Saffar & Rivers of Sound; Elis Regina welcomes Spring; Amazigh poetry/music from Rkia Talbensirt; Farida Khanum sings Bengali music; Tanya St. Val (vintage Zouk!); new music from Rajna Swaminathan; Jose Mauro; Abel Lima; new salsa from La Pambelé; Eric Vloeimans & Will Holzhäuser (trumpet/accordian duo); Orchestre Regional de Mopti; Kébendo Jazz; The Feel Trio (Cecil Taylor, William Parker, Tony Oxley); Carlo Actis Date; twaarab from Rajab Suleiman & Kithara; David Harvey; Lady Issa; Empopo Loway Deyesse; Don Pullen; RSS Boy 1 w. Waclaw Zimpel;  and much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. WRFI/WINO has improved and expanded its signal, and can now be heard on one of our frequencies from Northern Pennsylvania to Lake Ontario!!! Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLISTS at SPINITRON: https://spinitron.com/WRFI/pl/17105721/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Tony Oxley is a Crossfit coach at Crossfit Haakapeliitta. He has been passionately engaged in Crossfit for many years. Formally an engineer, he has transitioned out of that role into a full time Crossfit role.

In this June 2015 conversation, Paul Lytton discusses his musical origins in 1960s London, experiences playing with Evan Parker, Derek Bailey, Tony Oxley, and Barry Guy, and his recent foray into painting. This episode is sponsored by Astral Spirits Records: “The New Wave of Heavy Free Jazz since September 2014.” (astralspirits.bandcamp.com)

American jazz drummer Nasheet Waits joins Andrew on this episode of Constant Constance. Friends and colleagues for many years, from touring with guitarist Kurt Rosenwinkel to Andrew's trio, the two have worked tirelessly together in many different contexts. Performing several times on tour together in Europe to playing in Philadelphia, DC and residencies at the Village Vanguard in NYC. Today, they discuss their endeavors as touring musicians, the ups and downs of that life, how it is to be basically live-performance free for a year due to COVID and what this means for the future of live music. In a review of his 2016 album "Between Nothingness and Infinity," one listener describes, “I put Naheet Waits in the Cosmic Pantheon of All Time Jazz Drumming Brilliance. Up there with Jack DeJohnette, Famoudou Don Moye, Andrew Cyrille, Tony Williams, Tony Oxley, Billy Higgins, Paul Motian, Billy Hart, Jon Christensen, Antonio Sanchez, Adam Rudolph, and dare I say, even the Legends' Legend .... ELVIN JONES, there is Nasheet Waits.” Andrew wholeheartedly agrees. --- Send in a voice message: https://podcasters.spotify.com/pod/show/andrew-norman-dangelo/message Support this podcast: https://podcasters.spotify.com/pod/show/andrew-norman-dangelo/support

L'improvvisazione radicale europea emerge con una fisionomia distinta rispetto a quella del free jazz d'oltre Atlantico nel corso degli anni sessanta. Nel 1970 tre capiscuola di questo filone, il sassofonista Evan Parker, il chitarrista Derek Bailey, entrambi britannici, e il batterista Han Bennink, olandese, incidono The Topography of the Lungs: prima uscita della Incus, etichetta fondata - in un'ottica di autogestione - proprio da Parker e Bailey assieme al batterista britannico Tony Oxley, The Topography of the Lungs viene subito riconosciuto come una pietra miliare dell'improvvisazione europea. E tuttavia The Topography of the Lungs, primo album del trio, rimane anche l'ultimo: negli anni successivi in effetti Bailey, Bennink e Parker hanno occasione di suonare assieme in contesti più ampi, ma raramente si producono invece come trio, e non registrano mai un altro album. E' in particolare Bailey, con la sua concezione rigorista dell'improvvisazione, che tende a sfuggire a gruppi con una configurazione fissa. Questo spiega l'importanza di Topographie Parisienne, pubblicato nel 2019 dalla francese Fou Records, un cofanetto di quattro cd, che documentano una serata dell'aprile 1981 al Dunois, glorioso locale parigino: ben tre ore e mezzo di musica, con due solo di Evan Parker, diversi duo nelle tre combinazioni possibili, e soprattutto due brani in trio di oltre quaranta minuti ciascuno, che rappresentano l'unica altra consistente testimonianza, oltre a The Topography of the Lungs, del trio di questi tre maestri.

L'improvvisazione radicale europea emerge con una fisionomia distinta rispetto a quella del free jazz d'oltre Atlantico nel corso degli anni sessanta. Nel 1970 tre capiscuola di questo filone, il sassofonista Evan Parker, il chitarrista Derek Bailey, entrambi britannici, e il batterista Han Bennink, olandese, incidono The Topography of the Lungs: prima uscita della Incus, etichetta fondata - in un'ottica di autogestione - proprio da Parker e Bailey assieme al batterista britannico Tony Oxley, The Topography of the Lungs viene subito riconosciuto come una pietra miliare dell'improvvisazione europea. E tuttavia The Topography of the Lungs, primo album del trio, rimane anche l'ultimo: negli anni successivi in effetti Bailey, Bennink e Parker hanno occasione di suonare assieme in contesti più ampi, ma raramente si producono invece come trio, e non registrano mai un altro album. E' in particolare Bailey, con la sua concezione rigorista dell'improvvisazione, che tende a sfuggire a gruppi con una configurazione fissa. Questo spiega l'importanza di Topographie Parisienne, pubblicato nel 2019 dalla francese Fou Records, un cofanetto di quattro cd, che documentano una serata dell'aprile 1981 al Dunois, glorioso locale parigino: ben tre ore e mezzo di musica, con due solo di Evan Parker, diversi duo nelle tre combinazioni possibili, e soprattutto due brani in trio di oltre quaranta minuti ciascuno, che rappresentano l'unica altra consistente testimonianza, oltre a The Topography of the Lungs, del trio di questi tre maestri.

A cura di Gigi Longo. Brani di Fairuz, Miles Davis and Marcus Miller. Jim Hall, Cecil Taylor and Tony Oxley, Tony Oxley, Martin Pyne, MONRHEA and Ejuku, 33EMYBW, Max Roach M'Boom, Belbury Poly, Broadcast and The Focus Group, Vanishing Twin, Mario Swagga and DJ Silila.

A cura di Gigi Longo. Brani di Fairuz, Miles Davis and Marcus Miller. Jim Hall, Cecil Taylor and Tony Oxley, Tony Oxley, Martin Pyne, MONRHEA and Ejuku, 33EMYBW, Max Roach M’Boom, Belbury Poly, Broadcast and The Focus Group, Vanishing Twin, Mario Swagga and DJ Silila.

8e émission de la 48e session... Cette semaine, post-bop, jazz modal et free! En musique: Doxas Brothers sur l'album The Circle  (Justin Time, 2020); Tyrone Washington sur l'album Natural Essence  (Blue Note, 1967); John Coltrane Quartet ‎sur l'album My Favorite Things: Graz 1962  (ezz-thetics, 2020); Luke Stewart sur l'album Exposure Quintet  (Astral Spirits, 2020); Matthew Evan Taylor sur l'album Say Their Name  (Indépendant, 2020); Cecil Taylor and Tony Oxley ‎sur l'album Birdland, Neuburg 2011  (Fundacja Słuchaj!, 2020)...

8e émission de la 48e session... Cette semaine, post-bop, jazz modal et free! En musique: Doxas Brothers sur l'album The Circle  (Justin Time, 2020); Tyrone Washington sur l'album Natural Essence  (Blue Note, 1967); John Coltrane Quartet ‎sur l'album My Favorite Things: Graz 1962  (ezz-thetics, 2020); Luke Stewart sur l'album Exposure Quintet  (Astral Spirits, 2020); Matthew Evan Taylor sur l'album Say Their Name  (Indépendant, 2020); Cecil Taylor and Tony Oxley ‎sur l'album Birdland, Neuburg 2011  (Fundacja Słuchaj!, 2020)...

a cura di Alessandro Achilli. Musiche di Agnes Obel, Residents, Stockhausen, Kevin Ayers, Die Antwoord, Šostakovič, Cecil Taylor, Leila Adu, Tony Oxley, Shelagh McDonald, Belleruche, Corrie en de Brokken, Ursus Minor, Petrina, Martin Pyne

a cura di Alessandro Achilli. Musiche di Agnes Obel, Residents, Stockhausen, Kevin Ayers, Die Antwoord, Šostakovič, Cecil Taylor, Leila Adu, Tony Oxley, Shelagh McDonald, Belleruche, Corrie en de Brokken, Ursus Minor, Petrina, Martin Pyne

a cura di Alessandro Achilli. Musiche di Agnes Obel, Residents, Stockhausen, Kevin Ayers, Die Antwoord, Šostakovič, Cecil Taylor, Leila Adu, Tony Oxley, Shelagh McDonald, Belleruche, Corrie en de Brokken, Ursus Minor, Petrina, Martin Pyne

Enrico Rava turned 80 this year and has had a five-decade long artistic path that paralleled and often intersected that of the label founded by Manfred Eicher. To mark this double anniversary this week we focus on his work as leader looking at his collaborations with many masters of this art form, from John Abercrombie to Paul Motian and Joe Lovano, the sources of his inspiration ranging from Miles Davis to Chet Baker and Don Cherry, as well the countless young talents he has nurtured in his bands, from Stefano Bollani to Gianluca Petrella and Giovanni Guidi. This playlist features his work with the likes of Roswell Rudd, Franco D'Andrea, John Abercrombie, Gianluigi Trovesi, Aldo Romano, Javier Girotto, Richard Galliano, Tony Oxley, Marcello Melis, Nana Vasconcelos, Stefano Battaglia and many more. Detailed playlists at https://spinitron.com/RFB/pl/9699344/Mondo-Jazz Photo credit: Andrea Rotili.

a cura di Alessandro Achilli. Musiche dei Fairport Convention, John McLaughlin, Joe Byrd and The Field Hippies, Willem Breuker, Popol Vuh, Soft Machine, Jimi Tenor & KabuKabu (seconda parte)

a cura di Alessandro Achilli. Musiche dei Fairport Convention, John McLaughlin, Joe Byrd and The Field Hippies, Willem Breuker, Popol Vuh, Soft Machine, Jimi Tenor & KabuKabu (seconda parte)

El sello MPS continúa con la reedición sistemática de su catálogo. En noviembre de 2017 es el turno de tres grabaciones del violinista Don “Sugarcane” Harris, muy prolífico y activo en formaciones y grabaciones de rock y blues, pero con no demasiadas obras publicadas a su nombre. En Keep On Driving (MPS, 1971) el violinista también toca el bajo eléctrico. Le acompañan John Taylor (a los teclados), Tony Oxley a la batería y el guitarrista alemán Volker Kriegel. I’m On Your Case (1974, MPS) es una obra cercana por momentos al soul, el rock, el blues y el jazz, en la que el violinista también demostró sus dotes como cantante. En Keyzop (1975, MPS) Don “Sugarcane” Harris se centra exclusivamente en el violín, acompañado por Günter Lenz (contrabajo), Todd Canedy (batería), Volker Kriegel (guitarra), y Dewey Terry (piano). Tomajazz: © Pachi Tapiz, 2017 HDO es un podcast editado, presentado y producido por Pachi Tapiz.

"Canto negro" es un tributo del contrabajista Henri Texier a la latinidad y africanismo de la música que ofrece junto a su Nord-Sud Quintet. Lo escuchamos en la edición de "Club de Jazz" del 12 de octubre de 2011 en la que además nos deleitamos con las "Songs of mirth and melancholy" del dúo Branford Marsalis (sx) y Joey Calderazzo (p). Jesús Moreno continúa "desde mi cadiera" serie de trompetistas con Bill Dixon y su "Vade mecum" de 1993 junto a Barry Guy (cb), William Parker (cb) y Tony Oxley (bt). Alberto Varela nos trae en el "Jazz Porteño" al dúo de Marcelo Katz (p) y Marcelo Moguilevsky (cl, sx y fl) en un proyecto inédito discográficamente. En los "Ritmos Latinos" de Anxo los texanos Sol y el grupo Sapo en un repaso a grupos setenteros de la latinidad USAmericana. En Madrid nos encontramos con Roberto Barahona en una sesión de "PuroJazz" con el baterista Roy Haynes como protagonista con "Roy-alty". Toda la información y derechos: http://www.elclubdejazz.com

"Canto negro" es un tributo del contrabajista Henri Texier a la latinidad y africanismo de la música que ofrece junto a su Nord-Sud Quintet. Lo escuchamos en la edición de "Club de Jazz" del 12 de octubre de 2011 en la que además nos deleitamos con las "Songs of mirth and melancholy" del dúo Branford Marsalis (sx) y Joey Calderazzo (p). Jesús Moreno continúa "desde mi cadiera" serie de trompetistas con Bill Dixon y su "Vade mecum" de 1993 junto a Barry Guy (cb), William Parker (cb) y Tony Oxley (bt). Alberto Varela nos trae en el "Jazz Porteño" al dúo de Marcelo Katz (p) y Marcelo Moguilevsky (cl, sx y fl) en un proyecto inédito discográficamente. En los "Ritmos Latinos" de Anxo los texanos Sol y el grupo Sapo en un repaso a grupos setenteros de la latinidad USAmericana. En Madrid nos encontramos con Roberto Barahona en una sesión de "PuroJazz" con el baterista Roy Haynes como protagonista con "Roy-alty". Toda la información y derechos: http://www.elclubdejazz.com