Podcasts about Fairport Convention

Generations of singers have sung, played and loved the folk music found in the United Kingdom, and this week's podcast features some examples. Collectors A.L. Lloyd and Ralph Vaughn Williams transcribed and recorded traditional music and made it available to all through the English Folk Dance and Song Society. We'll listen to revivalist groups like The Watersons and the Copper Family, and then examine the electric side of the style with Steeleye Span and Fairport Convention. We will conclude with some of the bright lights on today's scene including Eliza Carthy and The Furrow Collective. A taste of old and new from the U.K. … this week on The Sing Out! Radio Magazine.Pete Seeger / If I Had A Hammer (excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysBert Jansch / M'Lady Fancy / Rosemary Lane / CastleA.L. Lloyd / Creeping Jane / Bold Sportsmen All / TopicJinky Wells / The Flowers of Edinburgh-Morris Dance Tunes-Bobbing Around-Morris Dance Tunes / Rig a Jig Jig / TopicThe Copper Family / Spencer the Rover/ The Copper Family of Rottingdean / TopicGargone's Athlone Accordion Band / Soldier's Joy & Reel/ Troubles They Are But Few / TopicIan Campbell Folk Group / Johnny Ladd/ This is the Ian Campbell Folk Group / TransatlanticShirley Collins & Davy Graham / Nottamun Town/ Folk Routes / TopicThe Watersons / Country Life / For Pence and Spicy Ale / ShanachieAnne Briggs / She Moves Through the Fair / A Collection / TopicBert Jansch / Sarabanda / Rosemary Lane / CastleThe Young Tradition / The Banks of the Nile/ Galleries / BGOFairport Convention / Genesis Hall / Unhalfbricking / IslandSteeleye Span / Skewball / Ten Man Mop / ShanachieThe Incredible String Band / Way Back in the 1960s / The 500 Spirits or The Layers of the Onion / ElektraEliza Carthy & the Wayward Band / Great Grey Buck / Big Machine / TopicThe Furrow Collective / King Henry / At Our Next Meeting / FurrowPete Seeger / If I Had A Hammer (excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the first part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-seven-minute bonus episode available, on “Baby It’s You” by Smith. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ (more…)

Dave Pegg joined Fairport Convention 56 years ago and fully deserves some sort of medal. They're playing their 49th Cropredy in August and touring the UK later in the year. He talks to us here about the first gigs he ever saw and played which, delightfully, involves … … the night Hank Marvin took him to see Bjork. … an all-nighter in Birmingham with John Mayall, Eric Clapton, Chris Farlowe and Spencer Davis.   … memories of his “school hero” Denny Laine. … the fine art of getting it together in the country: life at the Angel pub in Little Hadham – “flea-bitten, enough hot water for one person and a lorry crashed through the wall into Dave Swarbrick's bedroom”. … the link between ticket sales and high blood pressure. … what not to do when you meet McCartney. … a night on the whisky with Rick Danko that ended in hospital. … how a band lasts 58 years without falling out. … the Island albums that made their reputation but never earned them any money. … unsung Birmingham acts: Denny Laine & the Diplomats (Bev Bevan on drums), Steve Gibbons in the Uglys, Jeff Lynne in the Idle Race. … narrowboats, pewter ale jugs, outdoor settees, Matty Groves, Meet On The Ledge and other cornerstones of the Cropredy experience.… Dave Swarbrick's “small holding” and further assorted knob gags. Fairport Convention tickets here: https://www.davepegg.co.uk/gigs/fairportgigs/ Cropredy tickets here: https://www.fairportconvention.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Dave Pegg joined Fairport Convention 56 years ago and fully deserves some sort of medal. They're playing their 49th Cropredy in August and touring the UK later in the year. He talks to us here about the first gigs he ever saw and played which, delightfully, involves … … the night Hank Marvin took him to see Bjork. … an all-nighter in Birmingham with John Mayall, Eric Clapton, Chris Farlowe and Spencer Davis.   … memories of his “school hero” Denny Laine. … the fine art of getting it together in the country: life at the Angel pub in Little Hadham – “flea-bitten, enough hot water for one person and a lorry crashed through the wall into Dave Swarbrick's bedroom”. … the link between ticket sales and high blood pressure. … what not to do when you meet McCartney. … a night on the whisky with Rick Danko that ended in hospital. … how a band lasts 58 years without falling out. … the Island albums that made their reputation but never earned them any money. … unsung Birmingham acts: Denny Laine & the Diplomats (Bev Bevan on drums), Steve Gibbons in the Uglys, Jeff Lynne in the Idle Race. … narrowboats, pewter ale jugs, outdoor settees, Matty Groves, Meet On The Ledge and other cornerstones of the Cropredy experience.… Dave Swarbrick's “small holding” and further assorted knob gags. Fairport Convention tickets here: https://www.davepegg.co.uk/gigs/fairportgigs/ Cropredy tickets here: https://www.fairportconvention.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Dave Pegg joined Fairport Convention 56 years ago and fully deserves some sort of medal. They're playing their 49th Cropredy in August and touring the UK later in the year. He talks to us here about the first gigs he ever saw and played which, delightfully, involves … … the night Hank Marvin took him to see Bjork. … an all-nighter in Birmingham with John Mayall, Eric Clapton, Chris Farlowe and Spencer Davis.   … memories of his “school hero” Denny Laine. … the fine art of getting it together in the country: life at the Angel pub in Little Hadham – “flea-bitten, enough hot water for one person and a lorry crashed through the wall into Dave Swarbrick's bedroom”. … the link between ticket sales and high blood pressure. … what not to do when you meet McCartney. … a night on the whisky with Rick Danko that ended in hospital. … how a band lasts 58 years without falling out. … the Island albums that made their reputation but never earned them any money. … unsung Birmingham acts: Denny Laine & the Diplomats (Bev Bevan on drums), Steve Gibbons in the Uglys, Jeff Lynne in the Idle Race. … narrowboats, pewter ale jugs, outdoor settees, Matty Groves, Meet On The Ledge and other cornerstones of the Cropredy experience.… Dave Swarbrick's “small holding” and further assorted knob gags. Fairport Convention tickets here: https://www.davepegg.co.uk/gigs/fairportgigs/ Cropredy tickets here: https://www.fairportconvention.com/Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Canciones que cumplen medio siglo. La confirmación del country rock y del rock sureño que avanza hacia el género “americana” y de la hornada de cantantes compositores; la explosión global del rock progresivo o sinfónico; el brote imparable del funk que devendrá en música disco y del mismo modo la fusión del jazz, el rock y la electrónica; el año dorado de la música popular española. Séptimo capítulo de la serie de disco magistrales publicados en el Reino Unido y Australia. ¿Os suenan “Love Is The Drug” de Roxy Music, “Evil Woman” de ELO, “I’m Not In Love” de 10cc o “Baby I Love Your Way” de Peter Frampton?.. Y ¿quién representó a los británicos en Eurovisión?DISCO 1 MIKE OLDFIELD In Dulce JubiloDISCO 2 ROXY MUSIC Love is The DrugDISCO 3 PAUL McCARTNEY/WINGS Listen To What The Man SaidDISCO 4 ELECTRIC LIGHT ORCHESTRA Evil WomanDIDISC 5 DAVE MASON All Along The WatchtowerDISCO 6 PETER FRAMPTON y Dolly Parton??? Baby I Love Your WayDISCO 7 FAIRPORT CONVENTION Rising for the moonDISCO 8 10CC I’m Not In LoveDISCO 9 THE WHO Squeeze BoxDISOC 10 JEFF BECK Cause We Ended As LoversDISCO 11 ERIC CLAPTON HighDISCO 12 THE SHADOWS Let Me Be The OneEscuchar audio

Guests: Joe Boyd, Record Producer & Author of And the Roots of Rhythm Remain Joe Boyd is a legend in music. He was the soundman when Dylan went electric at Newport, the founder of the legendary UFO club in London, and the producer of seminal works by Nick Drake, Pink Floyd, John Martyn, Fairport Convention, R.E.M., and many more. In the 1980s, Boyd pioneered global music through his label Hannibal Records, which brought the world everything from the greatest in Cuban music to Bulgarian throat singing and Afropop. Joe's experience in the 1960s was profiled in his 2007 memoir, White Bicycles: Making Music in the 1960s. Now, Joe has created a comprehensive history of world music in his new book, And the Roots of Rhythm Remain. Boyd explores centuries of fascinating backstories to these sounds in this sweeping 900-page history, compiled from more than a decade of travel, research, interviews, and deep listening. He shows how personalities, events, and politics in places such as Havana, Lagos, Budapest, Kingston, and Rio are as colorful and momentous as anything in New Orleans, Harlem, Laurel Canyon, or Liverpool. Moreover, jazz, rhythm and blues, and rock 'n' roll would never have happened if it weren't for the notes and rhythms emanating from over the horizon. "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

Hosts Nate Wilcox and Dave Thompson continue their mini-series discussing Dave's book An Evolving Tradition: The Child Ballads in Modern Folk and Rock Music -- buy the book to support the show. This episode covers the emergence of UK folk-rock out of the hippie, psychedelic ballroom scene in the late 1960s. Dave and Nate discuss the formation of Pentangle a sort of super group comprised of Jacqui McShee (vocals); John Renbourn (vocals and guitar); Bert Jansch (vocals and guitar); Danny Thompson (double bass); and Terry Cox (drums). They also discuss the formation and evolution of Fairport Convention from a band modeled on the Jefferson Airplane to the greatest and most influential of the UK folk-rock groups. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please sign up for the email list on the site and get music essays from Nate as well as (eventually) transcriptions of every episode. Also if you can afford it please consider becoming a paid subscriber to support the show. Thanks! Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.com Follow us on Twitter. Follow us on Facebook. Let It Roll is proud to be part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

We offer some final thoughts on how much we loved this album @fecklessmomes @progfrogpod helloprogfrog@gmail.com

We finish the second half Fairport Convention's 1969 Album Liege and Lief @fecklessmomes @progfrogpod helloprogfrog@gmail.com

We talk about the music, the myths and the talents behind Fairport Convention's 1969 Album Liege and Lief @fecklessmomes @progfrogpod helloprogfrog@gmail.com

It began with the recording of a Great Album. But some things that should not have been forgotten were lost. History became legend. Legend became myth. And for most of the 80s, the Album passed out of all knowledge. Until, when chance came, it ensnared a new bearer. The Album came to the creature, Ed, who took it deep into the tunnels of the Misty Mountains. And there it consumed him. And in the gloom of Ed's cave, it waited. Darkness crept back into the forests of the world. And the Album perceived its time had now come. It abandoned Ed. But something happened then the Album did not intend. It was picked up by the most unlikely creatures imaginable. Two Momes, Omegrine and Nikwise of the Shire.     On  a very special episode, we reckoned we'd welcome back the Feckless Momes, hosts of the epic Talk Tull to Me podcast, to discuss Fairport Convention's perfect album, 1969's Liege and Lief The only thing we didn't reckon on is that it would take 4 hours It was worth all of it @progfrogpod helloprogfrog@gmail.com

Music from the Martin Harley Band, Hamish Napier, Fairport Convention and JB also features a Bungee Jumper . . .

For this episode of Free With This Month's Issue we're joined by Bill Cummings from God Is In The TV Zine & the Show Me Magic podcast to discuss Q Magazine's Essential Chill out from November 2000.  The cd's tracklisting is1 - Moby - Novio2 - Groove Armada - At The River (Radio Edit)3 - Kinobe Ft Ben & Jason - Slip Into Something... (Radio Edit)4 - Fairport Convention - Who Knows Where The Time Goes?5 - John Martyn - Solid Air6 - Underworld - Push Downstairs7 - Moloko - Sing It Back (Album Version)8 - Oasis - Half The World Away9 - Nick Drake - River Man10 - Grandaddy - Underneath The Weeping Willow11 - Garbage - Milk (The Classic Mix by Massive Attack)12 - Goldfrapp - Utopia13 - Talk Talk - Inheritance 14 - Depeche Mode - Useless (The Kruder & Dorfmeister Session Edit)15 - David Bowie - Art Decade16 - Mercury Rev - Holes You can find Bill's webzine here - https://www.godisinthetvzine.co.uk/ & his podcast Show Me Magic here - https://pod.link/1522302142Listen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/140416-Various-Essential-Chill-Out?srsltid=AfmBOopNZo8qjh-bm7-kZiFy35B1q0g44Kn84pgFDNQrdRGhEmOqumsRHosts - Ian Clarke & Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsBluesky - https://bsky.app/profile/thismonthsissue.bsky.socialTikTok - https://www.tiktok.com/@freewiththismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes, plus We Dig Music & Pick A Disc at www.wedigpodcasts.com

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Dave Mattacks reflects on his remarkable career in music, highlighting his time in Fairport Convention and work with The post Dave Mattacks appeared first on The Strange Brew .

Iain started in Britain's Fairport Convention in the late '60s, but quickly left that band to start a couple more and then move to the US for a lengthy solo career. He has in total released close to 50 albums, including many collaborations. We discus the title track from How Much Is Enough (2024), the title track from God Looked Down (1996), and "Road to Ronderlin" by Matthews Southern Comfort from Later That Same Year (1970). End song: "St. Theresa's Ghost" by Ian Matthews and the Searing Quartet, from Joy Mining (2008). Intro: "Book Song" by Fairport Convention from What We Did on Our Holidays (1969). Learn more at iainmatthews.nl. Hear more Nakedly Examined Music. Support us on Patreon.

Joe Boyd's revered productions of artists ranging from Pink Floyd, The Incredible String Band and Nick Drake had been widely-circulated and universally-acclaimed. He had worked with Stanley Kubrick at Warner Bros to assemble the soundtrack to A Clockwork Orange. He founded the UFO Club which featured avant-garde artists like Soft Machine — which became his house band — and Yoko Ono. Productions of R.E.M., Billy Bragg, 10,000 Maniacs, Fairport Convention and Richard and Linda Thompson followed. He directed Jimi Hendrix, the eponymous documentary. But if you were paying attention, you would have made note of the through-line running through Joe's prolific output — World Music. His productions of artists such as Dagmar Krause, Nazakat & Salamat Ali, the Trio Bulgarka, ¡Cubanismo!, Virginia Rodrigues, Damir Imamović and several others demonstrated his versatility to trancend not only genre, but also language and culture. Joe's vibrant musical output eclipsed what we thought was possible in the art and science of music. His latest book, And the Roots of Rhythm Remain, examines the origins, impact and cultural undertones which define world music through his lens. In our conversation, we discussed the roots of his latest masterpiece; political-songwriting through shifting of culture; categorization as a benefit toward creativity; and musical and storytelling experiences with Brian Eno, David Bryne, Bob Dylan, Mike Heron and others.Opening Credits: 1st Contact - Just Quickly I CC BY-SA; Ahmadreza Safarian - Forgotten Corpses I CC BY-NC-SA. Closing Credits: Till Paradiso - Here the Stars for You (TP 063) - CC BY-NC-SA.

Esta semana, en Islas de Robinson, Americana cósmica entre 1969 y 1971. Suenan: POCO - "JUST IN CASE IT HAPPENS, YES INDEED" ("PICKIN' UP THE PIECES", 1969) / FLYING BURRITO BROTHERS - "WHEELS" ("GILDED PALACE OF SIN", 1969) / MICHAEL NESMITH & THE FIRST NATIONAL BAND - "THE CRIPPLED LION" ("MAGNETIC SOUTH", 1970) / JERRY JEFF WALKER - "SHELL GAME" ("DRIFTIN' WAY OF LIFE", 1969) / DILLARD & CLARK - "POLLY" ("THROUGH THE MORNING, THROUGH THE NIGHT", 1969) / THE DILLARDS - "PICTURES" ("COPPERFIELDS", 1970) / THE YOUNGBLOODS - "CIRCUS FACE" ("GOOD AND DUSTY", 1971) / LITTLE FEAT - "I'VE BEEN THE ONE" ("LITTLE FEAT", 1971) / WILLIAM TRUCKAWAY - "BREAKWAY" ("BREAKWAY", 1971) / THE BYRDS - "YESTERDAY'S TRAIN" ("UNTITLED", 1970) / NEW RIDERS OF THE PURPLE SAGE - "ALL I'VE EVER WANTED" ("N.R.P.S.", 1971) / GRATEFUL DEAD - "RIPPLE" ("AMERICAN BEAUTY", 1970) / MATTHEWS' SOUTHERN COMFORT - "WHAT WE SAY" ("MATTHEWS' SOUTHERN COMFORT", 1970) / FAIRPORT CONVENTION - "THE DESERTER" ("LIEGE & LIEFE", 1969) /Escuchar audio

140 - Iain Matthews In episode 140 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine host, James Patrick Regan speaks with singer/songwriter Iain Matthews. In their conversation Iain tells us about his home in the Netherlands. Iain takes us through his new solo album, he has over 40 solo albums. Iain talks about his guitars Harmony's and Cromwell's converted by Mark Swanson in Grand Rapids, Michigan (markswansonmusic.com). Iain tells us about his current tour schedule and how he manages to travel with his guitars… Iain talks about his musical upbringing with his mom's boogie woogie piano and tells us about how his early bandmate Richard Thompson (in their band Fairport Convention) bought him his first guitar. Iain tells us about growing up and playing in bands in Northern England and making the move to London and working on Carnaby street. Iain describes his time living in the U.S.: LA, Seattle and Austin which preceded his move to the Netherlands. To find out all you about Iain and listen to his music you can check out his website at: iainmatthews.nl Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #IainMatthews #FairportConvention #MarkSwansonGuitars #SwansonGuitars #Guitar #GuitarHero #theDeadlies #haveguitarwilltravelpodcast #guitarcollector #Travelwithguitars #hgwt #HGWT . . Please like, comment, and share this podcast! Download Link

Marjorie Hache navigue ce 9 décembre entre nouveautés, classiques et pépites indie. Linkin Park signe un retour percutant, Sharon Van Etten & The Attachment Theory, Daran, Villagers et Man Woman Chainsaw apportent leur fraîcheur. L'album de la semaine, "Mahash-Ma-Shana" de Father John Misty, nuance l'indie folk d'une pointe punk. Le live fait briller Interpol, capté dans les studios de Third Man. The Picturebooks offrent une reprise électrique de "I Feel You" de Depeche Mode. On revisite Cream, Fairport Convention, Blondie, System of a Down, Guns N' Roses, Devo, Garbage... tandis que Bonnie Prince Billy prépare un nouvel album pour mai. La playlist de l'émission : Linkin Park - Two Faced Arctic Monkeys - Why'd You Only Call Me When You're High Cream - Rollin' And Tumblin' Blondie - One Way Or Another Villagers - Mountain Out Of A Molehill Guns N' Roses - You Could Be Mine The Seeds - Can't Seem To Make You Mine Father John Misty - She Cleans Up Genesis - I Can't Dance Daran - Choisis James Brown - Living In America Sharon Van Etten & The Attachment Theory - Afterlife The Picturebooks - I Feel You System Of A Down - Aerials Man/Woman/Chainsaw - The Boss Fairpoint Convention - Who Knows Where The Time Goes ? Bruce Springsteen - Radio Nowhere Interpol - Narc (Live At Third Man Records) The Shoes - Time To Dance Devo - Girl U Want Bonnie Prince Billy - London May Otis Redding - My Girl Garbage - Cherry Lips Bring Me The Horizon - Throne Pulp - Disco 2000 Amyl And The Sniffers - Jerkin' Primal Scream - False Flags

This troubadour was a founding member of the legendary British folk group, Fairport Convention, and has gone on to have solo recording career that has spanned six decades.

Episode 302: Joe Boyd is one of the most accomplished and eclectic record producers in the story of popular music. As an American living in London, he helped break psychedelic folk rock pioneers The Incredible String Band and worked with Pink Floyd, Nick Drake, and Fairport Convention. He founded Hannibal Records, giving a home to the solo career of Richard Thompson. He's also worked with Kate and Anna McGarrigle, Toumani Diabate, Geoff and Maria Muldauer, and many more. He was also part of the small cadre of music marketers and labels that created the market category of World Music in the 1980s. Here, Boyd talks about his journey and his epic new book And The Roots of Rhythm Remain. 

Iain Matthews fronted the influential British band, Fairport Convention for their first three albums before embarking on a solo career that's lasted almost 60 years. With Matthews Southern Comfort he scored a hit cover version of Joni Mitchell's “Woodstock” in 1970, had a solo hit in 1979 with “Shake It,” and the Eagles' borrowed his arrangement of the Steve Young song, “Seven Bridges Road” for their live album. After saying he was done making solo albums, here he is with How Much is Enough, on Sunset Boulevard Records.  Whether this is his last, who knows?  But it's damn good to hear him again.

After many years of invisibility, Peter Perrett of the Only Ones is out, about and on tour again and talks to us here about the first gigs he ever saw and played, which involves … … what time he goes to bed. … “he writes better lyrics than Elvis Costello and is prettier than Billy Idol”: why Nick Kent's review was an insult. … seeing the Small Faces in 1966, the Floyd with Syd at Middle Earth, Dylan at the Isle of Wight, Fairport Convention, Geno Washington, Lou Reed in 1972 (“a hero”), Sex Pistols in 1975. … the Ally Pally Love-In in 1967 with Pink Floyd, the Animals, Julie Driscoll and Arthur Brown (“doing Alice Cooper five years before Alice Cooper”). … supporting Global Village Trucking Company at the Marquee in 1975 with Glenn Tilbrook and Jools Holland. … memories of Vivienne Westwood, the Bromley Contingent and leopardskin vinyl trousers. … the first gig he ever played, doing the Velvet Underground's What Goes On with a four-string guitar at a college dance. … the tangled tale of Another Girl Another Planet. … “I never thought I'd retire at 28 and come back as a septuagenarian'.   … the role reversal of being produced by your own son. … and how the Snow Station Vadsø festival in Norway – with Peter Buck, Lenny Kaye, Fritz Catlin and Mark Bedford – gave him the courage to go back on tour. Peter Perrett tour dates here:https://www.ticketmaster.co.uk/peter-perrett-tickets/artist/5238432 Order his new album The Cleansing here:https://www.amazon.co.uk/Cleansing-Peter-Perrett/dp/B0DB8VMBDLFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

After many years of invisibility, Peter Perrett of the Only Ones is out, about and on tour again and talks to us here about the first gigs he ever saw and played, which involves … … what time he goes to bed. … “he writes better lyrics than Elvis Costello and is prettier than Billy Idol”: why Nick Kent's review was an insult. … seeing the Small Faces in 1966, the Floyd with Syd at Middle Earth, Dylan at the Isle of Wight, Fairport Convention, Geno Washington, Lou Reed in 1972 (“a hero”), Sex Pistols in 1975. … the Ally Pally Love-In in 1967 with Pink Floyd, the Animals, Julie Driscoll and Arthur Brown (“doing Alice Cooper five years before Alice Cooper”). … supporting Global Village Trucking Company at the Marquee in 1975 with Glenn Tilbrook and Jools Holland. … memories of Vivienne Westwood, the Bromley Contingent and leopardskin vinyl trousers. … the first gig he ever played, doing the Velvet Underground's What Goes On with a four-string guitar at a college dance. … the tangled tale of Another Girl Another Planet. … “I never thought I'd retire at 28 and come back as a septuagenarian'.   … the role reversal of being produced by your own son. … and how the Snow Station Vadsø festival in Norway – with Peter Buck, Lenny Kaye, Fritz Catlin and Mark Bedford – gave him the courage to go back on tour. Peter Perrett tour dates here:https://www.ticketmaster.co.uk/peter-perrett-tickets/artist/5238432 Order his new album The Cleansing here:https://www.amazon.co.uk/Cleansing-Peter-Perrett/dp/B0DB8VMBDLFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

After many years of invisibility, Peter Perrett of the Only Ones is out, about and on tour again and talks to us here about the first gigs he ever saw and played, which involves … … what time he goes to bed. … “he writes better lyrics than Elvis Costello and is prettier than Billy Idol”: why Nick Kent's review was an insult. … seeing the Small Faces in 1966, the Floyd with Syd at Middle Earth, Dylan at the Isle of Wight, Fairport Convention, Geno Washington, Lou Reed in 1972 (“a hero”), Sex Pistols in 1975. … the Ally Pally Love-In in 1967 with Pink Floyd, the Animals, Julie Driscoll and Arthur Brown (“doing Alice Cooper five years before Alice Cooper”). … supporting Global Village Trucking Company at the Marquee in 1975 with Glenn Tilbrook and Jools Holland. … memories of Vivienne Westwood, the Bromley Contingent and leopardskin vinyl trousers. … the first gig he ever played, doing the Velvet Underground's What Goes On with a four-string guitar at a college dance. … the tangled tale of Another Girl Another Planet. … “I never thought I'd retire at 28 and come back as a septuagenarian'.   … the role reversal of being produced by your own son. … and how the Snow Station Vadsø festival in Norway – with Peter Buck, Lenny Kaye, Fritz Catlin and Mark Bedford – gave him the courage to go back on tour. Peter Perrett tour dates here:https://www.ticketmaster.co.uk/peter-perrett-tickets/artist/5238432 Order his new album The Cleansing here:https://www.amazon.co.uk/Cleansing-Peter-Perrett/dp/B0DB8VMBDLFind out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Joe Boyd has had many job descriptions over the course of his nearly sixty-year career in music, and there was simply no way to cover everything in this conversation. That said, Paul and Joe focus on Boyd's important new book, And The Roots of Rhythm Remain: A Journey Through Global Music, and themes of cultural cross-pollination in music, the birth of hip hop and ska, the reason Hitler spared the life of virtuoso Roma guitarist Django Reinhardt, what happened with Nick Drake, and Boyd's phenomenal earlier book, the memoir, White Bicycles: Making Music in the 1960s.  As a music producer, Boyd has delivered records by Nick Drake, Pink Floyd, R.E.M., Taj Mahal, Fairport Convention, Richard and Linda Thompson, Sandy Denny. He tour-managed European dates for Muddy Waters, Sister Rosetta Tharpe, and was a production manager at the 1965 Newport Folk and Jazz Festivals, before flying off to open Elektra Records' UK office in London where he and John Hopkins opened the UFO club, giving a psychedelic home to Pink Floyd and others.  In 1971 he moved to Los Angeles to work for Warner Brothers Films (Deliverance, A Clockwork Orange, and the documentary Jimi Hendrix). In 1979, he worked for Lorne Michaels' film company, Broadway Pictures, and the following year, launched his own label, Hannibal Records, releasing works by John Cale, Richard Thompson and more, while bringing global artists such as ¡Cubanismo!, Toumani Diabaté, Ali Farka Touré, Trio Bulgarka, and Songhai, to western audiences. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.   Rest in Peace, Phil Lesh: "A box of rain will ease the pain / And love will see you through" 

Iain Matthews was an early member of the pioneering British folk-rock band Fairport Convention, singing on its first two albums and leaving during the recording of the third one, Unhalfbricking. Since then this singer-songwriter has formed other bands — Matthews Southern Comfort, Plainsong — and released much solo work, including the just-released How Much Is Enough. He has scored some hits — Southern Comfort's cover of Joni Mitchell's “Woodstock,” his 1979 solo song “Shake It”—and says he has recorded about 70 albums total, all projects included. So he has many tales to tell —about the Fairport years with Richard Thompson, Judy Dyble and Sandy Denny and his break from the group; the many places he has lived and whether they had an impact on his music; his years as an A&R rep; and that vocal arrangement of his that the Eagles borrowed without credit. (Photo by Lisa Margolis.)

What happens when two experimental music veterans go full Smashmouth? Callahan and Witscher's new album Think Differently answers just that-full of wry introspection on the conditions of music, it's value, and despite misreads by music journalists as being "irony poisoned"-comes across as uniquely sincere in a way most things don't. We talk about the album, what is the value of a critique? flexing on critics with pure musical chops, nu-fluxus, low-brow messaging, the rise of "tastecels", the value of humor, sleeping on floors and slogging it out on the road, why you can't stop creating, destroying your life, going to shows you don't want to, Fairport Convention, and attempt to answer the question: "What is the value of music?" Buy think differently from Post Present Medium Here 

Iain Matthews contemplates retirement and, instead, writes a song about it, adding to his discography of nearly 60 albums. Denny, who's been a fan since the beginning of Matthews' career, from Fairport Convention to solo to Matthews Southern Comfort, gets Iain talking about Joni Mitchell, Robert Plant, and in a totally unplanned moment, Amelia Earhart. Learn more about your ad choices. Visit megaphone.fm/adchoices

Terminators, thank you for your patience. After a couple weeks' delay, for which TDMG has a good excuse (two fucking hurricanes) and I have none, we're back! Or rather, I'm back, with a big interview. A couple weeks ago, I had the pleasure of speaking with Chris Naughton, frontman of Winterfylleth and pioneer of modern pagan black metal. I asked him to draw up a list of five quintessentially English bands/scenes that fed into the Winterfylleth sound. These serve as touchstones for a conversation ranging from details of guitar technique to lyrical source texts to obscure distro history. On the show, we've often characterized Winterfylleth as a kind of tricky folk-cultural transplant project, “English Slavblack.” Talking with Chris led me to revise this portrait: Much of what I attributed to the influence of Ukrainian bands has older roots in Chris's native soil, in styles I hadn't necessarily expected. As for the question of English black metal, Chris has a thoughtful answer, a robust rebuttal to the old saw that “there's no such thing as 'English' culture." 00:00 - Intro 3:08 - Peaceville death-doom, songwriting for Winterfylleth 33:22 - Bolt Thrower, Carcass 52:45 - Is there an “English Sound” in black metal? (YES, but it's not what you think) 1:01:09 - Deep Purple 1:06:40 - Interlude - Iron Maiden - “Blood Brothers” fr. Brave New World (EMI, 2000) 1:13:54 - Fairport Convention, folk ballads, and pastoral poetry 1:30:21 - Primordial, the turn towards pagan black metal 1:43:22 - Drudkh / Hate Forest vs. other Slavic black metal 2:14:00 - Outro - Winterfylleth - “The Insurrection,” fr. The Imperious Horizon (Candlelight, 2024) Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

This week's show, after a 1968 Kinks croon: brand new Chameleons, John Davis, Dummy, Linda Lindas, Franz Ferdinand, Sansyou, and Green Pajamas, plus The Beatles, The Creation, Chan Romero, Gregory Isaacs, Fairport Convention, Solomon Burke, and Lorne G...

The folk music players in the UK have a much more liberal outlook on arrangements than we've had in the US. They enjoy shaking things up a bit while we tend to view traditional music with more reverance, staying close to the original renditions. On Pt.1 this week, we'll hear arrangements of folk music from the UK, some of which have been radically rearranged to more modern tastes. We'll hear The Young Tradition, The Furrow Collective, Fairport Convention and others. Listen for some of your favorites … this week on The Sing Out Radio Magazine.Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian FolkwaysThe Ashley Hutchings Big Beat Combo / “Spinnin' Jenny-Soldier's Spree” / Twangin' “N” A-Traddin' Revisited / Talking ElephantThe Young Tradition / “Knight William and the Shepherd's Daughter” / Oberlin 1968 / Wing & A PrayerMartin Carthy & Dave Swarbrick / “Byker Hill” / Life & Limb / TopicWalter Bulwer et. al. / “Jenny Lind-The Girl I Left Behind Me” / English Country Music / TopicAlasdair Roberts / “Sweet William's Ghost” / Strange Folk / AlbionDavy Graham / “Anji” / The Guitar Player / SanctuaryThe Ashley Hutchings Big Beat Combo / “The Sherwood Hand-Jive” / Twangin' “N” A-Traddin' Revisited / Talking ElephantThe Furrow Collective / “The Cruel Grave” / Fathoms / HudsonFairport Convention / “A Sailor's Life” / Unhalfbricking / CarthageOffa Rex / “The Blackleg Miner” / The Queen of Hearts / NonesuchLankum / “Salonika” / Cold Old Fire / Self-producedPete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

Iain Matthews has been in the music industry for over five decades. From his start with The Fairporrt Convention in the late '60s to Matthews Southern Comfort and Plainsong to his amazing solo career, he continues to write and record excellent music. We talk about his musical journey and his latest album, How Much Is Enough, which will be released on October 25th of this year.

“There was no Command-Zed back then!” John Wood engineered or produced some of the most magical, timeless and affecting records ever made - by Nick Drake, John Martyn, the McGarrigles, Fairport Convention, Sandy Denny, John Cale, Squeeze and many more. He's 85 now and looks back here at a luminous career that started with mastering singles at Decca and transferred to Sound Techniques, the mecca he co-founded in an old cowshed in Chelsea when takes were spontaneous and even the tape-op was part of the performance. He misses those days, when albums were organic and the labels had less control, and talks here about … … “the age when sound had perspective and seemed three-dimensional”. … Nick Drake's confidence and his guiding lights - eg the Beach Boys and Randy Newman (“who I'd never heard of”). And his final nighttime sessions. … the way Fairport recorded – “We're only going to do it once” – and why they could make three albums a year. …managing the girls in the Incredible String Band, “especially when Licorice played drums”. … John Cale in “maniac mode” and his sudden and unexpected friendship with Nick Drake. … Cale and Nico at the Chelsea Hotel. … and why ‘Geoff Muldaur Is Having A Wonderful Time' was the job he remembers the fondest. Also mentioned: the Downliners Sect, Judy Collins, The Marmalade, Graham Gouldman and Squeeze. John's got nothing to plug and just wanted to talk to us. Thanks, John, and bless your cotton socks.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

You may know Iain Matthews from his time with Fairport Convention. Or, you may know him from all his other groups, projects and solo records. And he's about to add another one to the list. How Much is Enough is his newest. We talked with Iain in what turned out to be a master class on songwriting.How Much is Enough is out on October 25th via Sunset Blvd records. For more information, check out Iain's website.

“There was no Command-Zed back then!” John Wood engineered or produced some of the most magical, timeless and affecting records ever made - by Nick Drake, John Martyn, the McGarrigles, Fairport Convention, Sandy Denny, John Cale, Squeeze and many more. He's 85 now and looks back here at a luminous career that started with mastering singles at Decca and transferred to Sound Techniques, the mecca he co-founded in an old cowshed in Chelsea when takes were spontaneous and even the tape-op was part of the performance. He misses those days, when albums were organic and the labels had less control, and talks here about … … “the age when sound had perspective and seemed three-dimensional”. … Nick Drake's confidence and his guiding lights - eg the Beach Boys and Randy Newman (“who I'd never heard of”). And his final nighttime sessions. … the way Fairport recorded – “We're only going to do it once” – and why they could make three albums a year. …managing the girls in the Incredible String Band, “especially when Licorice played drums”. … John Cale in “maniac mode” and his sudden and unexpected friendship with Nick Drake. … Cale and Nico at the Chelsea Hotel. … and why ‘Geoff Muldaur Is Having A Wonderful Time' was the job he remembers the fondest. Also mentioned: the Downliners Sect, Judy Collins, The Marmalade, Graham Gouldman and Squeeze. John's got nothing to plug and just wanted to talk to us. Thanks, John, and bless your cotton socks.Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Chris Leslie shares a selection of his favourite songs with Fairport Convention and reflects on his highlights with The post Chris Leslie – Fairport Convention appeared first on The Strange Brew .

This week on Transmissions, we're sitting down with a genuine legend: Joe Boyd, author of And The Roots of Rhythm Remain: A Journey Through Global Music, out September 24 from ZE Books. On the front cover of the book Brian Eno—a venerated saint in the Aquarium Drunkard canon—declares: “I doubt I'll ever read a better account of the history and sociology of popular music than this one.”  Joe Boyd's career is the stuff of myth. As a producer, he's worked with a murder's row of collaborators, including Pink Floyd, Nick Drake, Fairport Convention, R.E.M., Richard and Linda Thompson, Incredible String Band, Vashti Bunyan, 10,00 Maniacs, and many more. In 2006, Boyd released a memoir, White Bicycles – Making Music in the 1960s, which documented his time in the studio during that decade, but And the Roots of Rhythm Remain casts an even wider net, exploring the overlap of musical cultures and the complicated, human negotiations that undergird creative synthesis.  As you'll hear in the early part of our talk, Joe played a pivotal role Transmissions host Jason P. Woodbury's music writing journey. In 2008, Woodbury reviewed a Nick Drake box set for the sorely missed Tiny Mix Tapes. The piece also included an email interview with Boyd, whose responses were insightful and in-depth—an experience that inspired Woodbury to chase after interviews. So this conversation picks up the thread some decade and a half later, detailing not only Boyd's new book, but also his experiences with Nick Drake, Fairport Convention, Richard Thompson, Sandy Denny, Vashti Bunyan, and many more adventures. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Joe Boyd produced Fairport Convention, Nick Drake and many others, released acts from all over the globe on his Hannibal label and has just written a mighty and definitive account of the history of popular music, And The Roots Of Rhythm Remain, tracing the way different sounds from different countries became interwoven. Nobody is better qualified to write this book as you'll discover from this enthralling conversation. Among the highlights … … “if Mick and Keith had had Spotify there'd have been no Rolling Stones.” … the African roots of Little Richard's horn section. … how a Zulu folk tune from 1939 ended up on the Lion King soundtrack. … “Western musicians are governed by keys, valves and frets but what matters is the notes in between”. … the evolution of ska as rock and roll was too exhausting in the heat of Jamaican dancehalls. … Alan Freed, the “Pied Piper” that led white American teenagers into black music. … Duke Ellington and music “too complicated for white audiences to follow”. … the bossa nova in Nick Drake's River Man. … Paul Simon's Graceland and the meaning of authenticity. … world music's problem with drum machines. .. the attraction of music whose origin you can hear before the vocal comes in. Order Joe's highly recommended book here:https://www.amazon.co.uk/Roots-Rhythm-Remain-Journey-Through/dp/0571360009Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Send us a textPart 2 of TrackTalk with legendary drummer, Dave Mattacks! In Part 2, we do a deep-dive into more of Dave's iconic tracks from XTC, Paul McCartney, Jethro Tull and more! Come along for ride for Part 2, thanks for watching and listening! Please subscribe! Be sure to check out Part 1! https://youtu.be/pDT7hrn0k1k?si=Acyd2jlMNC0O0845 Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!Exciting news! 100% of the proceeds from Live From My Drum Room T-shirts goes toward a newly created Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL. $25 includes shipping in the contiguous US. Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt to help support this endeavor!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Joe Boyd produced Fairport Convention, Nick Drake and many others, released acts from all over the globe on his Hannibal label and has just written a mighty and definitive account of the history of popular music, And The Roots Of Rhythm Remain, tracing the way different sounds from different countries became interwoven. Nobody is better qualified to write this book as you'll discover from this enthralling conversation. Among the highlights … … “if Mick and Keith had had Spotify there'd have been no Rolling Stones.” … the African roots of Little Richard's horn section. … how a Zulu folk tune from 1939 ended up on the Lion King soundtrack. … “Western musicians are governed by keys, valves and frets but what matters is the notes in between”. … the evolution of ska as rock and roll was too exhausting in the heat of Jamaican dancehalls. … Alan Freed, the “Pied Piper” that led white American teenagers into black music. … Duke Ellington and music “too complicated for white audiences to follow”. … the bossa nova in Nick Drake's River Man. … Paul Simon's Graceland and the meaning of authenticity. … world music's problem with drum machines. .. the attraction of music whose origin you can hear before the vocal comes in. Order Joe's highly recommended book here:https://www.amazon.co.uk/Roots-Rhythm-Remain-Journey-Through/dp/0571360009Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Send us a textMy guest is returning champion, legendary drummer, Dave Mattacks for a special episode of TrackTalk! In Part 1, we do a deep-dive into some iconic tracks from Fairport Convention , Joan Armatrading and XTC, with Dave giving us incredible insights into how the songs were created. The show aired LIVE on Facebook for over two hours, so I split this into two episodes. So come along for ride for Part 1, thanks for watching and listening and stay tuned for Part 2! Please subscribe!Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

No punches pulled this week. At the bell, a brand new spin from the Afro Celt Sound System due later this month. St. John's songsmith Len O'Neill share his tale of Rebels In The Rubble. More cool celtic from The Go Set who always bring the Opportunities. And, at high tide we float a cool classic from Fairport Convention. Come out swingin' with Celt In A Twist! Afro Celt Sound System - The Lockdown Reel  Iain Copeland - Ailidh Dall of Lairg  Enter The Haggis - Lancaster Gate CANCON Yann Falquet - Le Deux Noyes De L'ile Aux Basques CANCON George Duff - Rattlin' Roarin' Willie  Harv - Saivo  Len O'Neill - Rebels In The Rubble CANCON GiveWay - The Poaching Song The Go Set - Opportunities Jansberg - Korncirkler Fairport Convention - Wait For The Tide To Come In  Jim Moray - Edward Of The Lowlands Open The Door For Three - The Fairy Jig Set   Ashley MacIsaac - Belle Cote CANCON 59:54

Sorry for this episode being a little late….I'd meant to get it out earlier, but who knows where the time goes????? If you've not deserted me…..Welcome to episode 177 of Love That Album. Carrying on with the Fairport Convention connection of episode 176, I welcome three wonderful guests to the podcast this time around – all connected to the great Sandy Denny. Firstly, there's a return visit from John Penhallow, the first manager of Fairport. He's done a lot of archival work in relation to Sandy's music over the years, and we discuss that. Then, there's Sandy's daughter, Georgia Rose Lucas and musician / composer Carla Fuchs. The two of them are behind an album released in 2023 called Songbird. Carla composed new music to lyrics written by Sandy in her journals that were never previously recorded. The two of them collaborated to make this project come to existence. Not on the show, but huge thanks as well go to Elizabeth Hurtt, wife of the late Trevor Lucas, who took the time to tell me about the journey of these lyrics in Sandy's journals. There had been a plan many years ago for many artists to utilise her words for new songs….that didn't happen, but we explain what DID in the show's discussion. Huge thanks to Elizabeth for filling me in. My gratitude to all these wonderful folk for taking the time to talk about the Songbird project, the Attic Tracks songs put out on cassette and then CD by John on Raven Records years ago, Redgum, and Sandy's life and music. If you wish to search out a copy of Carla's album, it's available on Bandcamp at: https://talkingelephantrecords.bandcamp.com/album/songbird Download this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows. You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Proudly Pantheon. Learn more about your ad choices. Visit megaphone.fm/adchoices

British singer/guitarist Richard Thompson spoke to Fresh Air in 1994 and 2022 about about his formative years and about pioneering a new musical genre that blended rock with traditional music of the British isles. He has a new album called Ship to Shore. Justin Chang reviews the new film Janet Planet, the first feature from the Pulitzer Prize-winning playwright Annie Baker.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Folk hero Richard Thompson joins Sodajerker to discuss the artistic process behind his excellent new record Ship to Shore. In this in-depth conversation, the guitar slinging virtuoso talks about making efficient creative decisions, reliving the old songs on stage, and sharing his musical knowledge through his songwriting camp.

Richard started as guitarist in the folk-rock staple Fairport Convention in 1967 but left in 1970 after five albums. He then recorded his debut solo album, six as Richard and Linda Thompson, and has since recorded 20 more solo albums of lyrically inventive, stylistically varied tunes that nearly always feature very skilled guitar work. We discuss "Freeze," the first single from his new album Ship to Shore, "The Ghost of You Walks" from You? Me? Us? (1996), and "Don't Take It Lying Down" from Still/Variations EP (2015). End song: "When I Get to the Border" by Richard and Linda Thompson from I Want to See the Bright Lights Tonight (1974). Intro: "1952 Vincent Black Lightning" from Rumor and Sigh (1991). More at richardthompson-music.com. Hear more Nakedly Examined Music. Support us on Patreon.

Richard Thompson began his music career as the guitarist for the English folk rock band Fairport Convention. Following his time with the group, he began performing as part of a duo with his then wife, Linda. Then, after the couple split, as a solo artist. Thompson has recorded over two dozen albums. His latest record is called Ship to Shore and it's out now! He talks with us about the new record, his time with Fairport Convention and even performs a few songs alongside his wife, Zara Phillips.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy