POPULARITY
24 episodes with Village Vanguard
27 episodes with Village Vanguard
9 episodes with Village Vanguard
7 episodes with Village Vanguard
14 episodes with Village Vanguard
9 episodes with Village Vanguard
6 episodes with Village Vanguard
4 episodes with Village Vanguard
4 episodes with Village Vanguard
For the first time ever, we're digging into an album Peter actually played on. In this episode, we go deep on Spirit of the Moment, saxophonist Joshua Redman's 1995 double-CD live album, recorded at the legendary Village Vanguard, with Peter on piano, drummer Brian Blade, and bassist Chris Thomas. We explore how Redman rose to stardom in the '90s, stories from Peter's New Orleans trio days, and what it's like to be onstage for a now-classic recording. Plus: crowd gasps, Josh's nods to Sonny Rollins, Joe Henderson and his father Dewey Redman, the art of laying out, and why this record still inspires a specific crowd of 17-year old jazz pianists 30 years later.
"The connection between the bass and the drums is a deep one! In this episode we shine light on two of our favorite teams: Peter Washington/Kenny Washington and Robert Hurst/Jeff Tain Watts. Let's listen together and dig into what makes these teams so great..."Peter Washington/Kenny Washington:1) Bill Charlap Trio "While We're Young" (Live at the Village Vanguard)2) Grant Stewart "Koko" (Downton Sounds)Robert Hurst/Jeff 'Tain' Watts:1) Wynton Marsalis "Cherokee" (Standard Time Vol. 1)2) Branford Marsalis "Wolverine" (Crazy People Music)If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★
Un programa especial dedicado al recientemente fallecido Al Foster, uno de los baterías mas importantes de la historia del jazz. Sus participaciones en innumerables grabaciones hacen dificil una recopilación de sus mejores momentos, así que me he limitado a buscar en mi colección de discos aquellos en los que la participación de Foster ha sido decisiva. En primer lugar no podia faltar su primera sesión de grabación, realizada con el trompetista Blue Mitchell allá por 1964. A partir de ahí, la selección ha sido cronológica pero muy personal. El disco 'Biting The Apple' (1976) de Dexter Gordon, el 'So in love' (1979) de Art Pepper, una joya de Tete Montoliu llamada Wanna Talk About You (1980) o uno de los mejores discos a trio de la historia, el 'Giant Steps' (1982) de Tommy Flanagan. No podía faltar Miles Davis, con un tema extraido de 'Amandla' (1989) donde participó Al, así como el precioso disco de Joanne Brackeen 'Fi fi goes to heaven' (1987) o, para cerrar en alto, el homenaje a Coltrane de McCoy Tyner 'McCoy Tyner Plays John Coltrane - Live at the Village Vanguard' (2001). Todas estas grabaciones tienen un denominador común: la destreza y el swing a las baquetas del gran Al Foster.
This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 22nd May 2025 Artist - Track - Album - Year Jason Miles Cactus (Mikell's Mix) The Lisbon Electric 4-Tet 2025 Alyn Cosker Fool's Full Heart (Lullaby for Lewis) Onta 2025 Mike Prigodich The Spice of Life Stage Magic 2025 Charles Chen Zhang Fei, Fierce Warrior Building Characters 2025 Knats Rumba® Knats 2025 Eric Scott Reed All'umfrs Out Late 2025 Jed Levy Tererife Faces and Places 2025 Brad Turner Trio Plus One Wondertramp It's All So 2025 Doug Wyatt Return to the Sea Beyond Days of Gypsy Nights 2025 Butcher Brown Seagulls Letters from the Atlantic 2025 Adrian Younge Presents Venice Dawn Esperando Por Você Something About April III 2024 Butcher Brown Backline Letters from the Atlantic 2025 Chris Smith Sullen Girl Jazz Grunge 2025 Igmar Thomas' Big Band R&P Like a Tree it Grows 2024 The Ed Palermo Big Band Tarkus Prog vs Fusion: A War of Ages 2025 The Pete McGuinness Jazz Orchestra From This Moment On Mixed Bag 2025 Premazzi Nasser Quartet Intro to Stalking From What I Recall 2025 Premazzi Nasser Quartet Stalking From What I Recall 2025 Bill Stewart Turquoise Live at the Village Vanguard 2025 The Reid Hoyson Project Sammy's Hat In Your Dreams 2025 Atlantic Jazz Collective Always By Your Side Seascape 2025 Ines Velasco Cae la Nieve A Flash of Cobalt Blue 2025 Satoko Fujii This is It! Orange Flicker Message 2025 Ingrid Laubrock Koan 15, f. Fay Victor and Mariel Roberts Purposing the Air 2025 Joel Harrison Winter Solstice, f. Fareed Haque and Dan Lippel Guitar Talk, Vol. 2: Classical Duos 2025 Satoko Fujii Tokyo Trio Rain Drop Dream a Dream 2025 The post The Creative Source (#CreativeSource) – 22nd May 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.
durée : 00:25:02 - Rhoda Scott, organiste et chanteuse de jazz (4/5) - par : Alex Dutilh - Si elle affectionne les duos orgue – batterie (avec Daniel Humair ou Kenny Clarke, notamment), Rhoda Scott brille aussi en soliste du fameux Thad Jones-Mel Lewis Orchestra au Village Vanguard, comme au côté du saxophoniste de la Panthère rose ou de la voix de David Linx. - réalisé par : Gilles Blanchard
In this episode of Life Along the Streetcar, we sit down with Arthur Vint, drummer, visionary, and the creative force behind the Century Room, Tucson's very own slice of New York's jazz scene. Nestled inside Hotel Congress with its own discreet entrance off Congress & 5th, the Century Room blends NYC basement-club charm with a warm Sonoran welcome. Arthur shares how his years performing and working at the iconic Village Vanguard inspired the design, sound, and soul of this Downtown gem.
Con Carlos López I Continuamos durante un podcast más sintiendo la esencia sonora que llevan las grabaciones tomadas en el pequeño club neoyorkino: The Village Vanguard, un local que tras noventa años de actividad se ha convertido en “catedral” del género. Tras la escucha de una icónica banda y dos tríos que grabaron hace más de cinco décadas, ahora es turno de degustar grabaciones producidas en este primer cuarto de siglo. Su corta edad no está reñida con la posibilidad de trascendencia histórica, pues la calidad que atesoran está fuera de toda duda y el sello Village Vanguard ya queda en ellos para la posteridad.
Con Carlos López I Continuamos durante un podcast más sintiendo la esencia sonora que llevan las grabaciones tomadas en el pequeño club neoyorkino: The Village Vanguard, un local que tras noventa años de actividad se ha convertido en “catedral” del género. Tras la escucha de una icónica banda y dos tríos que grabaron hace más de cinco décadas, ahora es turno de degustar grabaciones producidas en este primer cuarto de siglo. Su corta edad no está reñida con la posibilidad de trascendencia histórica, pues la calidad que atesoran está fuera de toda duda y el sello Village Vanguard ya queda en ellos para la posteridad.
Con Carlos López I Este pequeño club ubicado en el corazón de Greenwich Village, no sólo es un bar con buena música, sino que es una auténtica catedral del jazz. En él, la historia del género se ha escrito noche tras noche desde 1935. En 1957 se produjo la primera grabación: A Night at the Village Vanguard con Sonny Rollins como líder. A partir de ahí, la sucesión de grabaciones en su mítico escenario no ha cesado, dejando a su paso icónicos e irrepetibles álbumes que evocan un lugar al que, al menos, un “peregrino del jazz”, tendría que acudir una vez en su vida.
Con Carlos López I Este pequeño club ubicado en el corazón de Greenwich Village, no sólo es un bar con buena música, sino que es una auténtica catedral del jazz. En él, la historia del género se ha escrito noche tras noche desde 1935. En 1957 se produjo la primera grabación: A Night at the Village Vanguard con Sonny Rollins como líder. A partir de ahí, la sucesión de grabaciones en su mítico escenario no ha cesado, dejando a su paso icónicos e irrepetibles álbumes que evocan un lugar al que, al menos, un “peregrino del jazz”, tendría que acudir una vez en su vida.
Can you believe the most celebrated Bill Evans Trio was only together for 18 months? In this episode, we're looking at early 60's Bill alongside Scott LaFaro and Paul Motian, and the four albums they recorded together before LaFaro's tragic death at just 25 years old. From Portrait in Jazz and its cross-over with Miles Davis' Kind of Blue through Sunday at the Village Vanguard and Waltz for Debbie – recorded live on the same day in June 1961. We break down their conversational approach to jazz standards like “Autumn Leaves,” geek out over Bill Evans music theory, and explore his distinct voicings and voice leading techniques. Whether you're a mid-century jazz aficionado or just looking for the perfect “sweater weather trio songs to somberly study to,” we've got just the playlist for you.ABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.Try OS Membership today! → https://osjazz.link/aboutAll about YHIhttps://lnk.to/youllhearitYB
(00:00:49) «Killing Me Softly With His Song» war einer ihrer ganz grossen Hits. (00:04:34) Ausstellung im Olympischen Museum in Lausanne zeigt: Sport und Mode haben viel miteinander zu tun. (00:09:06) Skandal in Bayern: Hielten Staatsgemäldesammlungen Verdacht auf NS-Raubkunst zurück? (00:13:13) Tanzpremiere «Beyond» am Konzert & Theater St. Gallen begeistert mit Werken von Yoann Bourgeois und Hofesh Shechter. (00:18:25) Verstörende Dystopien schildert Zach Williams in neuem Erzählband «Es werden schöne Tage kommen». (00:22:48) «Village Vanguard»: Ältester noch bestehender Jazzclub New Yorks feiert 90-jähriges Bestehen.
Larry Vuckovich is an acclaimed Yugoslavian-born, 89 years young, jazz pianist. He achieved fame after immigrating to the United States. He performed with all the jazz greats including Dexter Gordon, Philly Joe Jones, Jon Hendricks, Mel Torme, Tony Bennett, Bobby Hutcherson and Bobby McFerrin. He was the first one to fuse Balkan ethnic music with American jazz. Last year he received a Lifetime Achievement award from his former country which was given to him at the Nisville Jazz Festival in Serbia. And he's got his own YouTube channel too!My featured song is my version of Miles Davis's "All Blues" from the album Miles Behind. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“LOVELY GIRLIE” is Robert's new single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Waltz for Debby es un álbum en vivo delpianista y compositor de jazz Bill Evans y su trío formado por Evans, el bajista Scott LaFaro y el baterista Paul Motian . Fue lanzado en 1962. El álbum fue el cuarto y último trabajo de la unidad: LaFaro murió en un accidente automovilístico solo diez días después de la fecha en vivo en el Village Vanguard de la que se tomaron Waltz for Debby y su predecesor, Sunday at the Village Vanguard . La pérdida de LaFaro afectó duramente a Evans, y entró en una breve reclusión. Cuando Evans regresó al formato de trío más tarde en 1962, fue con Motian y el bajista Chuck Israels . [ 2 ] La canción principal, un retrato musical de la sobrina de Evans, se convirtió en un elemento básico de su repertorio en vivo en años posteriores. Originalmente apareció como una pieza para piano solo en el álbum debut de Evans, New Jazz Conceptions . Sigue siendo la que probablemente sea la canción más conocida de Evans, [ cita requerida ] una que tocaría a lo largo de su carrera. La reedición en CD del álbum contiene varias tomas descartadas. Las grabaciones de todo el día se publicaron en 2005 con el título The Complete Village Vanguard Recordings, 1961 . El álbum es ampliamente considerado como uno de los mejores del canon de Evans, y el tipo de interacción emotiva entre los músicos que en algunos puntos parecía casi deconstruida ha servido como modelo para la interpretación en trío con piano. [ 9 ] El crítico de AllMusic Thom Jurek escribió: "Mientras que el álbum Sunday at the Village Vanguard se centró en material donde LaFaro solos prominentemente, esto es mucho más un retrato del trío en esas fechas... De las muchas grabaciones que Evans publicó, las dos fechas de Vanguard y Explorations son las expresiones máximas de su legendario trío". [ 4 ] C. Michael Bailey de All About Jazz escribió: "Junto con el prodigio del bajista Scott LaFaro y el baterista Paul Motian, Evans perfeccionó su visión democrática de la cooperación del trío, donde todos los miembros actuaron con perfecta empatía y telepatía... Son estas actuaciones, actualmente disponibles como Sunday at The Village Vanguard y Waltz for Debby, las que comprenden la mejor grabación de jazz en vivo número uno en esta serie actual" El grupo Libérica, liderado por el contrabajista Manel Fortià, nos presenta su segundo disco, ‘ALÉ – Iberian Chants’, con una banda de lujo donde destaca la incorporación de Alba Careta y las colaboraciones estelares de Antonio Lizana y Carles Dénia. Tras el reconocimiento obtenido con el anterior disco, Libérica ha podido tocar con gran éxito de público en escenarios tan emblemáticos como el Bimhuis de Ámsterdam, Lantaren Venster de Rotterdam, Festival de Jazz de Vitoria, Castello Sforzzezzo de Milán, Budapest Music Center o en el Unterfahrt de Munich, entre otros. Ahora con un sonido más maduro nos presentan ‘ALÉ – Iberian Chants’, un homenaje a los cantos libres y a los cantos de trabajo tanto del norte como del sur y a las fuertes conexiones que existen en la Península Ibérica, siempre buscando puntos en común entre la canción tradicional catalana, valenciana y el flamenco. Las voces del cantaor catalán Pere Martínez, el valenciano Carles Dénia y el gaditano Antonio Lizana, representan estos mundos coexistentes dentro de la Península que se encuentran en Libérica de una forma orgánica y libre gracias al jazz. La trompeta y la voz de la maravillosa Alba Careta y el saxo de la joven y talentosa Aina López, aportan aire fresco y nueva energía. En la base rítmica encontramos al pianista Max Villavecchia, la batería de Raphael Pannier y Oriol Roca, y el propio Manel Fortià en el contrabajo que, desde la retaguardia, dirige el barco. Un recorrido musical por la Península de este a oeste y de norte a sur a través de sus cantos y siempre al servicio de la música. Paseamos por tierras valencianas y descubrimos las Malagueñas, las Granaínas, los Cants de Batre… mientras seguimos con un pie en Cataluña y el otro en Andalucía, fusionando canciones de cuna y otras músicas emblemáticas de estas culturas, muy bien interpretadas por la voz principal de Pere Martínez, que nos seduce demostrando una gran variedad de registros y una facilidad innata para adaptarlas a nuestros tiempos. ⭐⭐⭐⭐
Drummer and composer Allison Miller begins 2025 with several diverse and exciting projects. Big and Lovely, a recording of her original music with the University of North Texas One O'Clock Lab Band was released on January 10. On February 2 at 3pm at the 92nd Street Y in NYC Allison will present Rivers In Our Veins, an ambitious multi-media work featuring the award-winning dancer Michelle Dorrance as a special guest and features three additional dancers: Claudia Rahardjanoto, Maleek Washington and Luke Hickey, plus live video projections by Todd Winkler and an ensemble that features violinist Jenny Scheinman, pianist Carmen Staaf, trumpeter Jason Palmer, clarinetist Ben Goldberg and bassist Rashaan Carter. Lastly, Artemis, Downbeat magazine's group of the year, makes its debut at the Village Vanguard the week of March 4.
Today, the Spotlight shines On clarinetist Anat Cohen.Anat's been bringing her joyful spirit to jazz venues worldwide for two decades, blending swing, Brazilian rhythms, and melodies from her native Israel. Her 2024 album Bloom pairs her musical warmth with that of her quartet Quartetinho - Portuguese for "little quartet" - creating intimate conversations between clarinet, piano, bass, and percussion.Anat will mark her 50th birthday this spring with four special nights at Lincoln Center's Appel Room, sharing the stage with her equally talented brothers, Avishai and Yuval Cohen.Today, we'll hear about Anat's musical journey, from family jam sessions in Tel Aviv to becoming the first Israeli artist to headline the Village Vanguard and plenty of stories in between.(The musical excerpts heard in the interview are from Anat Cohen's album with Quartetinho, Bloom)–Dig DeeperVisit Anat Cohen at anatcohen.comPurchase Anat Cohen and Quartetinho's Bloom from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Anat Cohen on Instagram, Facebook, and YouTubeAnat Cohen: Journeys A 50th Birthday CelebrationAnat Cohen: 'Clarinetwork' At The VanguardAnat Cohen Quartetinho - Live from Jazz St. LouisDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On clarinetist Anat Cohen.Anat's been bringing her joyful spirit to jazz venues worldwide for two decades, blending swing, Brazilian rhythms, and melodies from her native Israel. Her 2024 album Bloom pairs her musical warmth with that of her quartet Quartetinho - Portuguese for "little quartet" - creating intimate conversations between clarinet, piano, bass, and percussion.Anat will mark her 50th birthday this spring with four special nights at Lincoln Center's Appel Room, sharing the stage with her equally talented brothers, Avishai and Yuval Cohen.Today, we'll hear about Anat's musical journey, from family jam sessions in Tel Aviv to becoming the first Israeli artist to headline the Village Vanguard and plenty of stories in between.(The musical excerpts heard in the interview are from Anat Cohen's album with Quartetinho, Bloom)–Dig DeeperVisit Anat Cohen at anatcohen.comPurchase Anat Cohen and Quartetinho's Bloom from Bandcamp or Qobuz and listen on your streaming platform of choiceFollow Anat Cohen on Instagram, Facebook, and YouTubeAnat Cohen: Journeys A 50th Birthday CelebrationAnat Cohen: 'Clarinetwork' At The VanguardAnat Cohen Quartetinho - Live from Jazz St. LouisDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
In this very special cross-over episode, Adam Maness and Bob DeBoo from Upright Citizens check out 12 of their favorite live albums recorded at the famous Village Vanguard. What's your favorite live album? link to our spotify playlisthttps://open.spotify.com/playlist/5fzI04bkuBXe0YQcfqJmkt?si=0dk9OWMZTVS6G7wdH93X-wWanna check out some Upright Citizens?https://www.openstudiojazz.com/upright-citizens/Looking to drop a question? Want to listen to the audio pod? Look no furtherhttps://youllhearit.com/Have a question for us? Leave us a SpeakPipeCheckout courses from Adam, Peter and more at Open Studio
We begin this show with a tribute to three jazz greats that passed away in recent days, Roy Haynes, Lou Donaldson and Quincy Jones. The show continues with other legends of this music, one still living and actively touring, Charles McPherson followed by Bird and Dexter. Playlist Artist ~ Name ~ Album Roy Haynes ~ Moose the Mooch ~ Birds of a Feather Lou Donaldson ~ Blues Walk ~ Blues Walk Quincy Jones ~ Walking In Space ~ Walking In Space Charles McPherson ~ Surge ~ Reverence Charlie Parker ~ Ornithology~ Ornithology: The Best Of Bird Charlie Parker ~ Just Friends ~ Charlie Parker With Strings Dexter Gordon ~ Round Midnight ~ Homecoming - Live At the Village Vanguard
Today, the Spotlight shines On Josh Johnson, the Los Angeles-based saxophonist, composer, multi-instrumentalist, and Grammy Award-winning producer.Josh joined me earlier this year to talk about his second solo album, Unusual Object, which came out this past April on Northern Spy Records. Equal parts futuristic jazz and modern composition, Josh uses processed saxophone and subtle samples in his unique compositions.In addition to examining Unusual Object, we discussed the relevance and impact of genre classifications in music, how Josh's Grammy has led to more opportunities and connections in various music communities, the impact of Chicago's artistic community on Josh's development as a musician, courage in the pursuit of creative avenues, and of course, it would not be an episode of Spotlight On if we did not dig into process. So we did.Josh will be at the Village Vanguard in New York from October 29 through November 3 with Vibraphonist Joel Ross's Good Vibes ensemble. It should be a good one.(The musical excerpts heard in the interview are from Josh Johnson's Unusual Object)–Dig DeeperVisit Josh Johnson at joshjohnsonmusic.comFollow Josh Johnson on InstagramPurchase Unusual Object at Northern Spy Records, Qobuz, or Bandcamp, and listen on your streaming platform of choiceMeshell Ndegeocello Wins Inaugural Best Alternative Jazz Album Award at 2024 GrammysThe lessons of Wayne Shorter, engine of imaginationJosh Johnson “Marvis” live performanceThe Conversations That Make a Voice // Josh JohnsonDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On Josh Johnson, the Los Angeles-based saxophonist, composer, multi-instrumentalist, and Grammy Award-winning producer.Josh joined me earlier this year to talk about his second solo album, Unusual Object, which came out this past April on Northern Spy Records. Equal parts futuristic jazz and modern composition, Josh uses processed saxophone and subtle samples in his unique compositions.In addition to examining Unusual Object, we discussed the relevance and impact of genre classifications in music, how Josh's Grammy has led to more opportunities and connections in various music communities, the impact of Chicago's artistic community on Josh's development as a musician, courage in the pursuit of creative avenues, and of course, it would not be an episode of Spotlight On if we did not dig into process. So we did.Josh will be at the Village Vanguard in New York from October 29 through November 3 with Vibraphonist Joel Ross's Good Vibes ensemble. It should be a good one.(The musical excerpts heard in the interview are from Josh Johnson's Unusual Object)–Dig DeeperVisit Josh Johnson at joshjohnsonmusic.comFollow Josh Johnson on InstagramPurchase Unusual Object at Northern Spy Records, Qobuz, or Bandcamp, and listen on your streaming platform of choiceMeshell Ndegeocello Wins Inaugural Best Alternative Jazz Album Award at 2024 GrammysThe lessons of Wayne Shorter, engine of imaginationJosh Johnson “Marvis” live performanceThe Conversations That Make a Voice // Josh JohnsonDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
Simon DeDeo's inquiry takes on the most immense topics: astrophysics, history, epistemology, culture. He brings the precision of a physicist, the capability of a data scientist, and the sensibility of a philosopher to thinking about how we live our lives; and his polymathic life might be the example we need to make sense of the world we are walking into, one requiring an evolution to our way of studying and understanding.Origins Podcast WebsiteFlourishing Commons NewsletterShow Notes:David Spergel (08:40)The Santa Fe Institute (14:10)The Village Vanguard in New York City (16:30)The Applicability of Mathematics as a Philosophical Problem by Mark Steiner (24:30)Murray Gell-Mann (25:00)"The Unreasonable Effectiveness of Mathematics in the Natural Sciences" by Eugene Wigner (26:00)"The civilizing process in London's Old Bailey" Klingenstein et al (27:30)Michael Tomasello (31:50)Michael Palmer "Lies of the Poem" (34:50)Phenomenology of Spirit by Hegel (37:20)Gregory Bateson "Where is the mind?" (40:20)The CANDOR corpus (42:50)Judith Donath on Origins (48:10)Marshall McLuhan (49:00)Science of Science (49:10)"New and atypical combinations: An assessment of novelty and interdisciplinarity" (49:10)Helen Vendler (51:20)The Anxiety of Influenceby Harold Bloom (53:00)C Thi Nguyen on Origins (57:00)The Scientific Landscape of Human Flourishing (58:00)eudaimonia (58:30)thumos (59:00)Lightning Round (01:04:50)Book: American Pastoral by Philip Roth Passion: exerciseHeart sing: narrativeScrewed up: teaching and mentoringFind Simon online:WebsiteLogo artwork by Cristina GonzalezMusic by swelo on all streaming platforms or @swelomusic on social media
El pianista danés Steen Rasmussen acaba de publicar 'Red bossa', grabado con el contrabajista Kaspar Vadsholt y el baterista Celso de Almeida, con piezas como la que le da título, 'Home' o 'Bossa para Joyce'. Del disco 'O tempo quer voar', de la octogenaria cantante brasileña Alaíde Costa, 'Foi só porque você não quis', 'Meus sapatos', 'Ata-me' y 'Moço'. Y el trío del pianista estadounidense Bill Charlap en el Village Vanguard de Nueva York tocando 'Sometimes I'm happy', 'All the things you are' y 'Round midnight'. Cierra el saxofonista brasileño Vinicius Mendes con 'Memorial dos sentimentos escuros'.Escuchar audio
BILLY BANG “THE FIRE FROM WITHIN” New York, September 19 & 29, 1984The glow of awareness, The nagual Julian (1), Petty tyrantsAhmed Abdullah (tp) Billy Bang (vln) Oscar Sanders (el-g) William Parker (b) John Betsch (d,cowbell) Thurman Barker (marimba) Charles “Bobo” Shaw (cowbell-1) PAUL MOTIAN “LOST IN A DREAM” Live, Village Vanguard, New York, February, 2009Lost in a dream, Blue midnight, TenChris Potter (ts) Jason Moran (p) Paul Motian (d) MAL WALDRON “THE GIT GO” New York, September 16, 1986Status seekingWoody Shaw (tp,flhrn) Charlie Rouse (ts,fl) Mal Waldron (p) Reggie Workman (b) Ed Blackwell (d) Continue reading Puro Jazz 11 de septiembre, 2024 at PuroJazz.
After seeing Grammy-winning pianist and composer Kris Davis, live at the Village Vanguard, I knew I wanted to sit down with her and dive into jazz. Here we discuss her philosophy of improvisation and her energy and passion for performing live. The Canadian-born artist fell in love with jazz at an early age, studied jazz piano at the University of Toronto, and cites the legendary Don Pullen as a major influence. Along the way, as she shares, she's played with innovative performers such as J.D. Allen, Dave Holland, Terri Lyne Carrington, Tyshawn Sorey, and John Zorn. Before our conversation winds down, we talk albums and which speak to her the most.
Send us a Text Message.Grammy award winning pianist Bill Charlap has performed with many of the leading artists of our time including Phil Woods, Tony Bennett, Gerry Mulligan, Wynton Marsalis, Freddy Cole and Houston Person. Born in New York City, Charlap began playing the piano at age three. His father was Broadway composer Moose Charlap, whose credits include Peter Pan, and his mother is singer Sandy Stewart, who toured with Benny Goodman, and was a regular on the Perry Como show. She earned a 1963 Grammy nomination for her recording of “My Coloring Book." In 2005, Charlap and Stewart released the acclaimed CD, Love Is Here To Stay (Blue Note).In 1997, Charlap formed his trio with bassist Peter Washington and drummer Kenny Washington, now recognized as one of the leading groups in jazz. In 2000, he was signed to Blue Note Records and received two Grammy Award nominations, for Somewhere: The Songs of Leonard Bernstein and The Bill Charlap Trio: Live at the Village Vanguard. He is known for his interpretations of American popular song.. Time magazine wrote, “Bill Charlap approaches a song the way a lover approaches his beloved…no matter how imaginative or surprising his take on a song is, he invariably zeroes in on its essence.” In 2016, Tony Bennett & Bill Charlap: The Silver Lining, The Songs of Jerome Kern, was awarded a Grammy for Best Traditional Pop Album. In April, the Bill Charlap Trio released, Notes from New York, their debut recording for the Impulse label. Alan Morrison's five-star review in Down Beat stated that the new recording is "a masterclass in class." In 2019, Charlap will be celebrating his 15th year as Artistic Director of New York City's Jazz in July Festival at 92Y. He has produced concerts for Jazz at Lincoln Center, New Jersey Performing Arts Center, Chicago Symphony Center and the Hollywood Bowl. Charlap is married to renowned jazz pianist and composer Renee Rosnes, and the two artists often collaborate in a duo piano setting. In 2010 Charlap and Rosnes released Double Portrait (Blue Note). Bill Charlap is currently the Director of Jazz Studies at William Paterson University in Wayne, New Jersey. https://www.billcharlap.com/ This Summer, Edna Golandsky, renowned pedagogue and leading expert on the Taubman Approach will release her first book with Amplify Publishing Group. Entitled ‘The Taubman Approach To Piano Technique: A Comprehensive Guide To Overcome Physical Limitations and Unlock Your Full Pianistic Potential.' Visit: www.ednagolandsky.com to learn more.The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.
"Sax Trios have long been an engaging and explorative vehicle for bassists. Think the freedom of Wilbur Ware on "A Night at the Village Vanguard", Oscar Pettiford on "Freedom Suite", or Ray Brown on "Way Out West"...yeah, we love Sonny Rollins! In this episode Bob and Reuben share and rap about some of their favorite Sax Trios 'situations'. Larry Grenadier, Henry Grimes, Pablo Menares, Dave Holland, and Kiyoshi Kitagawa are featured in this 1st of a 2-part series." Here's a bonus Spotify Playlist with some of our favorite Sax Trios. Let us know what YOU like!If you like Bass - you're in the right place! Interested in more music and practice advice? Check out Open Studio...where you'll find courses and much more by world-class bassists like Reuben Rogers, Ron Carter, Christian McBride, Bob DeBoo and more. Reach out to the Upright Citizens anytime at uprightcitizenspodcast@gmail.com ★ Support this podcast ★
Matt Rybicki has performed with renowned artists like Wynton Marsalis and played at esteemed venues from The Village Vanguard to international concert halls. He balances an active performance schedule with his roles as a faculty member at The Juilliard School and the University of North Carolina at Pembroke. Matt recently started a YouTube Channel titled Learn Jazz Bass with Matt Rybicki, which digs into all kinds of insights into jazz bass for players of all levels. We talk about the inspiration for starting this channel, what it has been like making weekly videos, and much more. Enjoy! Subscribe to the podcast to get these interviews delivered to you automatically! Connect with us: all things double bass double bass merch double bass sheet music Thank you to our sponsor! Dorico - This podcast episode is sponsored by Dorico: the next-generation music notation software from Steinberg, that's packed with smart, time-saving features to help you spend less time in front of your computer and more time doing what you love: making music. The latest version of Dorico 5, includes Iconica Sketch, a new orchestral sound library, bringing more expressive playback, and making it easy to produce more life-like performances with a dynamic stereo soundstage. Try Dorico Now For 60 Days For Free: visit dorico.com theme music by Eric Hochberg
Trumpeter, composer/arranger Thad Jones born March 28, 1923, was the middle son in a family that also produced younger brother Elvin Jones, perhaps best known as John Coltrane's longtime drummer, and pianist Hank Jones, who performed and recorded with almost everyone in his long career, as one of the first black musicians to have a long and fruitful career in the New York studios. Thad first made his mark on the national scene as a soloist and arranger/composer for the Basie band in 1954. When he moved to New York City in the 1960's, he founded a big band he co led with drummer Mel Lewis that still plays weekly at the Village Vanguard, still playing much of the music Thad wrote. In 1979 he moved to Copenhagen, Denmark where he lead the Danish Radio Big Band, and taught at the Royal Danish Conservatory. In 1985 he took over leadership of the Basie Band, but tragically passed way in 1986 of cancer.
The week of March 5 guitarist Peter Bernstein brings a quartet to the Village Vanguard in New York City that includes pianist Sullivan Fortner, bassist Doug Weiss, and the iconic drummer Al Foster. In this episode of LINER NOTES Peter expresses a genuine gratitude for being able to play music. He also offers insights on how he personally approaches this music as a guitarist, sharing valuable lessons learned from his legendary teachers Gene Bertoncini, Ted Dunbar, and Jim Hall.
Featuring Thelonious Monk's album In Person-live at Town Hall 1959 and live at Blackhawk 1960 and Bill EvansThe Complete Village Vanguard Recordings, 1961 with Scott LaFaro and Paul Motian. With readings from the Paul Motian Archive.Set List: https://jazzcloset.blogspot.com/2016/03/set-list-030416.htmlPhoto: Scott LaFaro, Bill Evans, Paul Motian at the Village Vanguard, NYC 1961 photo: ©Steve Schapiro
(Originally recorded in May 2022) There's always more to say about Sonny Rollins, so Kirk shares a few of his other favorite Sonny moments, along with some additional love for Max Roach's drumming on Saxophone Colossus.REFERENCED:"St. Thomas" and "Blue 7" by Sonny Rollins from Saxophone Colossus, 1956"St. Thomas" as performed by Joshua Redman on Spirit of the Moment: Live at the Village Vanguard, 1992"Four" by Miles Davis performed by Sonny Rollins on A Night at the Village Vanguard, 1957"Without a Song" by Vincent Youmans recorded by Sonny Rollins on The Bridge, 1962"I Know That You Know" also by Vincent Youmans from Sonny Side Up, 1959
Today, the Spotlight shines On Grammy-winning pianist and composer Kris Davis.Kris joined us in the wake of the September 2023 release of her album Live at the Village Vanguard, out on her own Pyroclastic Records label.Live at the Village Vanguard is the second release from her band Diatom Ribbons, an adventurous quintet featuring drummer Terri Lyne Carrington, turntablist and electronic musician Val Jeanty, bassist Trevor Dunn – and new addition guitarist Julian Lage.In addition to talking about that band and album, Kris guides us through her musical path and development while hipping us to her important work at the Berklee Institute of Jazz and Gender Justice.(all musical excerpts heard in the interview are taken from Live at the Village Vanguard by Kris Davis and Diatom Ribbons)------------------Dig DeeperListen to Live at the Village Vanguard by Kris Davis and Diatom Ribbons on Bandcamp or your streaming platform of choiceVisit Kris Davis at krisdavis.netVisit Pyroclastic Records at pyroclasticrecords.comFollow Kris Davis on Instagram, Facebook, and Twitter (X) and Pyroclastic Records on Instagram, Facebook, and Twitter (X).Kris Davis Is A Powerhouse and A PolymathKris Davis, a Pianist Fighting for Fringe MusicBerklee Institute of Jazz and Gender JusticeBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On Grammy-winning pianist and composer Kris Davis.Kris joined us in the wake of the September 2023 release of her album Live at the Village Vanguard, out on her own Pyroclastic Records label.Live at the Village Vanguard is the second release from her band Diatom Ribbons, an adventurous quintet featuring drummer Terri Lyne Carrington, turntablist and electronic musician Val Jeanty, bassist Trevor Dunn – and new addition guitarist Julian Lage.In addition to talking about that band and album, Kris guides us through her musical path and development while hipping us to her important work at the Berklee Institute of Jazz and Gender Justice.(all musical excerpts heard in the interview are taken from Live at the Village Vanguard by Kris Davis and Diatom Ribbons)------------------Dig DeeperListen to Live at the Village Vanguard by Kris Davis and Diatom Ribbons on Bandcamp or your streaming platform of choiceVisit Kris Davis at krisdavis.netVisit Pyroclastic Records at pyroclasticrecords.comFollow Kris Davis on Instagram, Facebook, and Twitter (X) and Pyroclastic Records on Instagram, Facebook, and Twitter (X).Kris Davis Is A Powerhouse and A PolymathKris Davis, a Pianist Fighting for Fringe MusicBerklee Institute of Jazz and Gender JusticeBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com------------------• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.
This week I play tracks from: =Bill Evans classic Sunday At the Village Vanguard. Two compositions by Scott Lafaro. -Jane Bunnett’s first album, In Dew Time—the title referring to the presence of the great tenor saxophonist, Dewey Redman. -Paul Winter Consort. The Icarus album. Ralph Towner’s Sunwheel. -The amazing accordionist, Art Van Damme. -a Wayne…Continue reading Episode 255: Favourites from LP Collection, Part 3
Seguimos seleccionando lo que nos parece más interesante de las nominaciones de los Grammy en el terreno del jazz. En el programa de hoy nos centramos en las categorías Jazz Vocal, Mejor Interpretación, Jazz Alternativo y Mejor Álbum Contemporáneo Instrumental.Temas que suenan en el programa:01 2023 Arooj Aftab, Vijay Iyer, Shahzad Ismaily - Love in Exile 04 Sajni (7' 36'')02 2022 Lakecia Benjamin - Phoenix 12 Basquiat - Josh Evans Victor Gould Ivan Taylor EJ Strickland (5' 35'')03 2018 Fred Hersch Esperanza Spalding - Alive at the Village Vanguard 06 Evidence (6' 22'')04 2023 Samara Joy - Tight (1' 53'')05 2023 Cécile McLorin Salvant - Mélusine 12 Fenestra - Sullivan Fortner Luques Curtis Obed Calvaire Weedie Braimah (5' 14'')06 2023 Gretchen Parlato & Lionel Loueke - Lean In 04 Okagbé Interlude (1' 18'')07 2023 Nicole Zuraitis - How Love Begins 05 Burn - Gilad Hekselman David Cook Christian McBride Billy Kilson (3' 40'')08 2023 Julian Lage - The Layers 04 This World - Bill Frisell Jorge Roeder Dave King (4' 12'')09 2023 Ben Wendel - All One 04 Speak Joy - Elena Pinderhughes (7' 40'')10 2023 House of Waters - On Becoming 05 Tsumamiori - Max ZT Moto Fukushima Antonio Sánchez (3' 29'')Para estar al día del jazz en Aragón os recomiendo la web jazzaragon de Daniel Zamora.
The oldest Jazz Club in the World still hosts Live Jazz Events with Sonny Rollins Being the first Jazz artist to record A live album there in 1957. --- Send in a voice message: https://podcasters.spotify.com/pod/show/charmeljoiner/message Support this podcast: https://podcasters.spotify.com/pod/show/charmeljoiner/support
There are many storied jazz venues, but for a great recorded legacy, none quite matches the Village Vanguard. So many epochal improvised moments put to tape! So many clinking wine glasses captured for eternity! Such a matchless, smoky atmosphere of creation in the heat of the moment! (Insert record scratch here.) The boys don't look at the best known monuments from the place, but rather start with a lesser known session from the end of the seventies and then examine three brand new "Live from the Vanguard" recordings and ask - is the magic still there? Kris Davis – LIVE AT THE VILLAGE VANGUARD; Mark Turner – LIVE AT THE VILLAGE VANGUARD; Kurt Rosenwinkle – UNDER COVER, LIVE AT THE VILLAGE VANGUARD; Woody Shaw – STEPPING STONES: LIVE AT THE VILLAGE VANGUARD.
Pianist Kris Davis's new album is called Live At The Village Vanguard (Pyroclastic Records, 2023). In this interview, Kris talks about what it feels like to record at the Village Vanguard; how she put together the Diatom Ribbons band; working with a DJ; the role of humor in instrumental performance; working with the Berklee Institute of Jazz and Gender Justice; her recent tour with Dave Holland; and more. Kris was previously on episode #290, which you can listen to here. PATREON Become a Patreon supporter for $5 a month to get a bonus show called This I Dig Of You, on which the guest from the main episode talks about something non-musical that's bringing them joy. Kris talks about grilling. You'll also get early access to every episode, a thank you on an episode, and behind-the-scenes news. Join at http://patreon.com/thejazzsession. CREDITS Theme Music: The Respect Sextet (respectsextet.com) Logo: Sarah Walter Intro Voice: Chuck Ingersoll (hearchucknow.com)
We'll begin this episode with straight up hard bop from Cannonball, followed by another late great saxophonist Michael Brecker. Then we will explore new releases from Rosenwinkel, David Borgo (from San Diego) and Lakecia Benjamin. We wrap it all up with a mellow Miles fusion. Playlist Artist ~ Name ~ Album Cannonball Adderley Quintet ~ Exodus ~ At the Lighthouse Michael Brecker ~ Slings and Arrows ~ Tales from the Hudson Kurt Rosenwinkel ~ Our Secret World (feat. Aaron Parks, Eric Revis & Greg Hutchinson) [Live at the Village Vanguard] ~ Undercover (Live at the Village Vanguard) [feat. Aaron Parks, Eric Revis & Greg Hutchinson] David Borgo ~ Curiouser and Curiouser ~ Cautiously Optimistic Lakecia Benjamin ~ Basquiat ~ Phoenix Miles Davis ~ Shhh / Peaceful (LP Mix) ~ In a Silent Way
For saxophonist Ben Wendel, the pandemic provided the space for him to develop his latest solo record, All One (Edition Records), a project that is both very solitary and very collaborative. It features a woodwind choir of saxophones and bassoons performed entirely by Ben, and then joined by special guests like singers Cecile McLorin Salvant and Jose James, guitarist Bill Frisell, and trumpeter Terence Blanchard. Wendel is no stranger to experimentation or to collaboration. As a member of the genre bending group Kneebody, he has always had one foot in contemporary music. And previous solo projects were motivated by his desire to collaborate, like The Seasons which found him composing 12 original pieces dedicated to 12 musicians he admired and then performed with those musicians. Wendel performed at the Village Vanguard in New York earlier this spring. He was joined by his longtime friend and musical partner, drummer Nate Wood, Harish Raghavan on bass, Gilad Hekselman & Nir Felder on guitar (they split the week between them) and Larry Goldings on piano. We spoke that week about playing in that sacred space, his desire to connect and to belong, his ongoing negotiation with technology, and how his personal experience during the pandemic influenced his music. Plus, learning the ineffable wisdom of his elders in the music. www.third-story.com https://www.wbgo.org/podcast/the-third-story www.patreon.com/thirdstorypodcast
Today, on the podcast, I want to talk about thinking big. Thinking big in your jazz playing. What I mean by that is aspiring to be something that you probably could never attain. Perhaps it's playing just as good as Sonny Rollins, perhaps it's playing with your own band at the Village Vanguard. Audacious goals that are really, really difficult to attain, if not, impossible for you to attain.I want to talk about how this kind of thinking will actually propel you forward in your musical journey and will have a tremendous output for you when you allow yourself to think this way.In this episode:1. Thinking big: Why it's actually a good thing.2. Identifying your most audacious goals.3. Take your first steps toward the goal.4. Taking note of the elements of what makes jazz players great. 5. How projects trigger reward responses to create motivation. 6. The dangers of thinking big.7. Recalibrating your expectations as an energizer in the pursuit of progress.8. What is your audacious goal?Important Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastGet 50% off your first month of Learn Jazz Standards Inner Circle membership: CLICK HERE
© 2020-2025 Ivy Podcast Discovery LLC
