Podcasts about Blue note

Send us a textIn this episode, Neil sits down with Kevin Foakes (aka Strictly Kev and DJ Food) - legendary DJ, graphic artist, and archivist of UK counterculture - for a deep dive into four decades of music, raves, graffiti, and psychedelic experimentation.Kevin's journey is a masterclass in underground creativity, spanning from Adam and the Ants fandom to hip-hop graffiti, from acid house squats to Ninja Tune's golden era. After discovering hip-hop through the legendary Subway Art book, he traces his path into graffiti culture, documenting pieces in Westbourne Park and Ladbroke Grove, and recalls the pivotal Freestyle '85 hip-hop jam.The conversation shifts to the rave and acid house years, where Kevin recounts his experiences raving at squats, founding the influential Telepathic Fish chill-out parties, and crossing paths with scene legends like Mixmaster Morris and Coldcut's Matt Black. He reflects on his design work for Ninja Tune, co-hosting the iconic Solid Steel radio show, and the label's legendary Stealth nights at Hoxton's Blue Note.Along the way, Kevin shares vivid anecdotes about Megatripolis' psychedelic chaos, the record shop culture of Ambient Soho, and his current projects—including a Telepathic Fish compilation released in September 2024 and his forthcoming book on psychedelic light shows.Support the showhttps://www.youtube.com/@ControlledWeirdnesshttps://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOIhttps://www.instagram.com/controlledweirdness/https://controlledweirdness.bandcamp.com/Theme song is Controlled Weirdness - Drifting in the Streetshttps://open.spotify.com/track/7GJfmYy4RjMyLIg9nffuktHosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80's when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90's. He still DJ's in the UK and throu...

Blues prospect talk with Vanessa Graf Leo Loof, Matthew Kessel, Adam Jiricek on defense Zach Dean, Dalibor Dvorsky, Jakub Stancl on forward Colten Ellis and Vadim Zherenko in goal Let's Go Blues Radio is your #1 Source for "Tellin' It Like It Is, In Your Face" St. Louis Blues hockey commentary... the fully vaccinated, often imitated, never duplicated, (we eat pieces of shit like you for breakfast) THE ORIGINAL St. Louis Blues Hockey Podcast, Let's Go Blues Radio! Please check out our fantastic sponsors! Mike Burgoyne Real Estate Broker - Email Mike at Mike@strikewithmike.com for the best realty service in St. Louis! For all of your home buying and selling needs. Six Zero Pickleball. http://www.sixzeropickleball.com. Go next level with Six Zero paddles, equipment, and apparel! Use PROMO CODE: CPRICE10 for 12% off!

Descendents have reclaimed their music catalog with pre-orders of 'Milo Goes To College' starting today - Bill and Milo give us updates on ALL, FLAG, new music and more. Topics Include: "Milo Goes to College" reissue announced for September 19th via Org Music Limited vinyl variants available including special "punk note" Blue Note-style packaging Both band members report good health, Bill has been hitting gym regularly Milo had recent heart attack despite being most athletic member historically Coffee remains firmly on the menu for both musicians despite health focus Band regained rights to their back catalog once held by SST All original SST releases will be reissued including Bonus Fat, Enjoy Master tape ownership involves multiple parties, topic too sensitive to discuss New Alliance originally issued record, later transferred to SST seamlessly South Bay punk scene was tight-knit community with handshake deals Reissues will be exact replicas except for special punk note variants Fat EP might get separate reissue, Ride the Wild included Milo retired from corporate science job in 2016 for full-time music Band played around 90 shows last year, planning 70 this year Bill balances drumming with fewer Blasting Room studio production projects Bill struggles with songwriting perfectionism, has 75 unfinished song ideas Band has 25 new songs recorded, planning 2026 album release deadline Soundcheck covers help "sanitize" big venue stages, played entire Germs album Haven't performed new songs live yet, prefer trashy covers at soundcheck Australia tour likely after new album, great crowds and venues there China tour required submitting all lyrics for government approval beforehand Minister of Culture attended Beijing show, made drummer put shirt back FLAG reunions may be happening more regularly at select festivals All playing Canadian shows with Scott and Chad alternating on vocals Milo stepped in for lost-voice Chad at sold-out New York show Tony Lombardo still close friend but officially retired from playing bass Milo still buys vinyl records despite not having a record player Pre-order the 'Milo Goes To College' vinyl reissue here High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

We got to catch up with Country singer & Columbia native Halle Kearns! The last time we talked to Halle she was getting set to open for Jordan Davis at Rose Music Hall, but a lot has happened since then. She's gotten married, she's still grinding in Nashville, and she's about to release her 4th EP. Listen and find out what's new with Halle... (:20) Welcome & pleasantries (1:17) We finally MEET Halle (1:42) Growing up in CoMo (3:32) Getting to Nashville (5:30) Radio Disney (6:27) Can an aspiring artist set goals? (8:15) A "typical" day for Halle (9:25) On the road with Mason Ramsey (11:29) Growing up listening to Clear 99 & going to The Blue Note (12:02) New EP (15:44) Halle is a newlywed & lives on a BOAT! (20:17) What's next? (22:15) Did Halle's Mom & Scotty date back in the day!? (24:47) Scotty shares a new podcast about Nashville that he just discovered (26:40) A "Morning Sip" Halle Kearns on Instagram & TikTok - @HalleKearns Liz on Instagram & TikTok - @LizzyLedger Scotty on Instagram & TikTok - @MyUncleScotty45 Clear 99 on Instagram - @Clear993 www.clear99.com

Sintonía: "Night Train" - Sam Butera"Mardi Gras In New Orleans" - Fats Domino; "I Don´t Want To Do It" - The Spiders; "The Monkey" - Dave Bartholomew; "Ooh Poo Pah Doo Part Two" - Jessie Hill; "I Like It Like That (Part One)" - Chris Kenner; "I Know" - Barbara George; "It Will Stand" - The Showmen; "The Flirt" - Shirley & Lee; "I´m In Love Again" - Fats Domino; "Chicken Shack Boogie Number Two" - Amos Milburn; "Over You" - Aaron Neville; "A Certain Girl" - Ernie K Doe; "Fortune Teller" - Benny Spellman; "Trick Bag" - Earl King; "Ruler Of My Heart" - Irma Thomas; "Everything I Do Gonna Be Funky (From Now On)" - Lou Donaldson; "Ease Back" - Grant Green; "Stop & Listen" - Baby Face Willette; "Flaming Sword" - Dr. JohnTodas las músicas extraídas de la recopilación (1xCD) "Blue Orleans: Blue Notes From Basin Street" (Blue Note/Capitol/EMI, 2001)Escuchar audio

This week on Down to Herf, the boys kick back with Gus and Billy from Artesano Del Tobacco, light up the brand-new Viva La Vida Connecticut, and get the inside scoop on how they bring fresh heat to the lineup.In Patrol Gone Wild, the Liver King finds himself in hot water (again), a pervert proves you can't teach an old creep new tricks, and a Texas suspect's brilliant escape plan ends with him body-slamming an ice rink.Caleb's news has the latest drops — fresh cigars from Crowned Heads and AJ Fernandez, plus a new pour from Blue Note to wet your whistle.Cigar: Viva La Vida Connecticut A huge thank you to our show sponsors Crowned Heads Cigars, Dunbarton Tobacco and Trust, and Small Batch Cigars! Make sure you're checking them out for all of your cigar needs!https://www.crownedheads.comhttps://www.dunbartoncigars.comhttps://www.smallbatchcigar.comUse Code "HERF" For 10% off your order (Some Exclusions Apply) SUBSCRIBE TO OUR YOUTUBE CHANNEL AND WATCH ALL OF OUR EPISODES IN STUDIO!Join The After Herf Show on Patreon Now!Patreon: https://www.patreon.com/DownToHerfPodcastVisit our Social Media Pages for News and More!Instagram: https://www.instagram.com/downtoherfpodcast/Facebook: https://www.facebook.com/downtoherfpodcast/

STANDAR SEMANAL.-Azul en Verde.-VINILOS MITICOS DEL JAZZ.-thelonious monje - genio de la música moderna VOL.2.-JAZZACTUALIDAD.-BLAU SALVATGE-HIRAETH Título: Genius Of Modern Music, Vol2 Músico: Monk, Thelonious. Acompañantes: Sahib Shihab Fecha de Grabación: 1951-52 Lugar de Grabación: New York Sello Discográfico: Blue Note Nº de temas: 18 Formato: CD Instrumento: Piano Estilo: bebop Nº de Serie: CDP 7 81511 2 Año de Edición: 1989 Duración: 0:59:23 Caliicación: 5* Comentario: En el segundo volumen de estas sesiones históricas grabadas para la Blue Note, estan expresados los primeros manifiestos de un Thelonious Monk, ya totalmente maduro con las ideas claras para tocar el mejor bebop de su tiempo y componiendo algunas de sus más célebres grabaciones. imprescindible. HIRAETH' es una reflexión profunda sobre el sentimiento de pertenencia y el contraste con el desarraigo. ¿Qué define nuestra identidad? ¿Es el lugar donde nacemos, abandonarlo o vivir en un constante tráfico sin establecer raíces en ninguna parte? El título del álbum proviene del galés medieval y describe un anhelo emocional por un hogar, real o imaginario; un espacio que quizás nunca ha existido, pero que se percibe como un refugio esencial para el alma. Esta idea toma forma a través de dos canciones interpretadas por dos voces invitadas excepcionales. En 'Vou veri vou', la mallorquina Júlia Colom canta una dulce nana a un recién nacido, mientras que en 'Non falta niente', Francesca Gaza (IT/DE) le dedica una despedida a una hija que deja el hogar. Además de estas colaboraciones, el álbum cuenta con la presencia única de Mike Maurer en el Alphorn y Nayan Stalder en el Hackbrett, dos instrumentos tradicionales suizos que añaden texturas y colores únicos a la música de Blau Salvatge. Un detalle especial del álbum es la canción 'A Childish Tantrum', una especie de suite construida a partir de las canciones infantiles más significativas de cada uno de los siete miembros del grupo. A lo largo de la pieza, se pueden escuchar fragmentos de estas melodías, algunas tan transformadas que resultan casi irreconocibles, creando así un collage sonoro lleno de nostalgia y emoción. La sorprendente sonoridad de Blau Salvaje, escrita por Joan Pérez-Villegas, ha encontrado al mejor aliado en Adrià Serrano, en el control de sonido. Juntos han logrado capturar la esencia de los músicos y de sus composiciones, convirtiendo cada pieza en un relato sonoro que atrapa al oyente desde el primer acuerdo. Las ilustraciones de la portada y del single, creadas por Paula Solà, son cianotipias elaboradas directamente en la costa mallorquina. un baño con té negro, consiguiendo así una estética cálida y evocadora. El octeto Blau Salvatge se mueve como un caleidoscopio musical, fusionando estilos con creatividad y originalidad. Su música combina jazz, música contemporánea, clásica y folclórica de una forma única, tejiendo un universo sonoro rico y lleno de matices. La diversidad cultural de sus miembros -provenientes de España, Alemania, América y Suiza- contribuye a esta paleta sonora vibrante y cosmopolita. La idea de un octeto que trascendiera fronteras musicales nació de Joan Pérez-Villegas durante sus estudios de grado en la ESMUC (Barcelona), donde se grabó el primer LP del grupo. El proyecto tomó una nueva forma en 2020, durante el máster de Juan en la HKB (Berna), consolidándose en su formación actual. Con un trayecto que incluye actuaciones en el Festival Emergentes de L'Auditori, el Festival de Jazz de Granollers, el BeJazz Winter Festival, el Jazzclub Aarau y varias giras por Suiza, Blau Salvatge se lanza ahora a una nueva aventura: la grabación de su segundo trabajo discográfico, 'HIRAETH'. Créditos técnicos: Joan Pérez-Villegas, composición y vibráfono. Zoë Gordon, violín. Nancy Meier, flauta. Paula Häni, clarinete. Felix Grandjean, trompeta. Pere Molines, trombón. Tabea Kind, contrabaix. Nicolas Bianco, batería. Júlia Colom, venga, voy a mirarlo. Francesca Gaza, ver 'No falta nada'. Mike Maurer, del maíz alpino a 'Una rabieta infantil'. Nayan Stalder, dulcimer al son de 'Ya veré, ya veré'. Técnico de sonido, mezcla y mastering: Adrià Serrano. Grabado en Groovefactory Berna (Suiza). Portada: Paula Solà. Fotos: Pablo Bueno i Magalí Datzira. Joan Pérez-Villegas inició sus estudios de percusión a los ocho años en el Conservatorio de Música y Danza de Palma. Atraído por la efervescencia cultural de Barcelona, ​​se especializó en percusión clásica y contemporánea en ESMUC, donde amplió sus horizontes hacia otros géneros como el jazz y la música tradicional, así como disciplinas como la composición y la improvisación. Esta inquietud le llevó a cursar un máster en composición jazz en la HKB de Berna, donde trabajó con figuras de prestigio como Martin Streule, Django Bates y Stefan Schultze. En 2024, fue galardonado con el segundo premio de Futuros Utópicos del Mediterráneo, junto con la bailarina Anamaria Klajnšček, en un certamen organizado por la Universidad de las Islas Baleares (UIB). Como compositor, ha recibido varios reconocimientos, como el primer premio en el KUG Jazz Comp 2021 por su obra 'The Properties of Rubber' y el premio Ruta del Jazz de Nube por el disco 'Azul Salvaje' (2020). Sus obras han sido estrenadas en espacios de prestigio como el Palacio de la Música Catalana o el Paraninfo de la UB, y se han convertido en parte del repertorio europeo y estadounidense, siendo interpretadas en toda Europa y Estados Unidos. A lo largo de su trayectoria, Joan Pérez-Villegas ha formado parte de proyectos muy diversos, desde música de cámara y sinfónica hasta orquestas de jazz, música para danza y teatro, pop y música tradicional. Ha tocado como académico en la Orquesta Sinfónica de las Islas Baleares y ha actuado en festivales internacionales como el SICMF 2016 (Sudáfrica) y el Cistermúsica 2016 (Portugal) con el dúo de percusión Face Two Phase, con el que ganó el primer premio de la 4ª edición C de Alcobaça, Portugal). Actualmente, Pérez-Villegas trabaja como compositor, músico y productor freelance, a la vez que impulsa sus propios proyectos, destacando Alanaire y Blau Salvatge.

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Bluesky. Enjoy! The Creative Source 19th June 2025 Artist - Track - Album - Year Joe Kennedy w/ The David Hughes Quartet    Mineshaft    Time Travel    2025 Greg Murphy    Geneva    Snap Happy    2025 Michael Dease    Tea Time    City Life: The Music of Gregg Hill    2025 Alon Farber Hariga    Minor Trap    Dreams I Dream    2025 Ron Rieder    Blue Skies    Dia Precisio!    2025 Dale Fielder Quartet    It's a Blue World    Blue World    2025 Dave Anderson    Outer Circle    In Lieu of Flowers    2025 Peter & Will Anderson    Alexander's Ragtime Band    The Best of Berlin    2025 Neff Irizarry    Hija Mia (My Daughter)    Cambio (Change)    2024 Michel Benebig/Le Grand B3 Big Band    Tableau 4    Blue Note in My Suitcase    2024 The Greg Hopkins Jazz Orchestra    Dr. Diz (Hot House - Con Alma - Night in Tunisia)    Chronography    2025 Mike Thompson    Parisian Deception    6th Avenue    2025 Marina Pacowski    Can You Dig Being Dug?    New Jazz Standards Volume 7: The Music of Carl Saunders    2025 Jennifer Lee    Vivid Technicolor Love    Glimpse    2025 Julian Shore Trio    Messenger    Sub Rosa    2025 Danny Grissett    The Long Way Home    Travelogue    2025 George Crotty Trio    The Task at Hand    Heart Music    2025 Marty Ehrlich Trio Exaltation    This Space, This Time    This Time    2025 Freedom Art Quartet    Nature of the Past    First Dance    2025 Ivo Perelman & Matthew Shipp String Trio    Restoration    Armageddon Flower    2025 The post The Creative Source (#CreativeSource) – 19th June 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.

durée : 00:59:56 - Joshua Redman "Words Fall Short" - par : Nicolas Pommaret - Parution aujourd'hui chez Blue Note de “Words Fall Short” de Joshua Redman, qui présente son nouveau quartet avec le pianiste Paul Cornish, le bassiste Philip Norris et le batteur Nazir Ebo et des invité.es. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

STANDAR SEMANAL.-¿Qué es esta cosa llamada amor?-VINILOS MÍTICOS DEL JAZZ.-JACKIE MCLAN-Que suene la libertad.-JAZZACTUALIDAD.-BIEL HAEPER-OCELL Let Freedom Ring es un álbum delsaxofonista de jazz estadounidense Jackie McLean , grabado en 1962 y lanzado por elsello Blue Note . Presenta a McLean en un cuarteto con el pianista Walter Davis Jr. , el bajista Herbie Lewis y el baterista Billy Higgins . McLean escribió tres de las cuatro composiciones. "Melody for Melonae" está dedicada a su hija (al igual que una composición anterior, "Little Melonae") y apareció como "Melanie" en Matador , una grabación posterior que realizó con Kenny Dorham . La interpretación a ritmo más lento de Let Freedom Ring fue la primera ocasión en que McLean usó "gritos provocativos en el registro agudo". "Rene" y "Omega" son piezas relacionadas con el blues; la primera con una estructura y armonías estándar de doce compases , la segunda más abstracta y modal . El único tema que no es de McLean es la balada de Bud Powell , "I'll Keep Loving You". La reseña de AllMusic de Steve Huey le otorgó al álbum 5 estrellas y declaró: «El éxito de Let Freedom Ring allanó el camino para que una cosecha excepcional de otros innovadores modernistas se unieran a la lista de Blue Note y, artísticamente, sigue siendo, junto con One Step Beyond , la obra maestra de McLean». La Guía Penguin del Jazz le otorga a Let Freedom Ring cuatro de cuatro estrellas e incluye el álbum en una selecta «Colección Principal». "Melodía para Melonae" - 13:24 "Seguiré amándote" ( Bud Powell ) - 6:18 "René" - 10:03 "Omega" - 8:31 Personal Jackie McLean — saxofón alto Walter Davis, Jr. — piano Herbie Lewis — bajo Billy Higgins — batería 'Pájaro' es el nuevo disco del joven pianista y compositor Biel Harper, una obra nacida del deseo de compartir la esencia intangible de la música, tan lógica como abstracta. El cuarteto que acompaña a Biel Harper en esta aventura cuenta con el lirismo de Álvaro Ocón en la trompeta, la profundidad de Tabea Kind en el contrabajo y el groove inconfundible de Lucas Zibulski en la batería. Juntos, llenan las composiciones de Biel Harper de una rica paleta de matices, colores y texturas sonoras. "Compartir música con amigos a los que admiras y amas, y saber que encontrarán su espacio entre tus notas, es un placer difícil de expresar con palabras. Es como escuchar por primera vez algo que has descubierto, y ver cómo evoluciona y se transforma en algo nuevo, a la vez conocido y misterioso". Este proceso creativo es el que da forma a este disco: una grabación realizada en un único día, todos juntos en la misma sala, con tomas únicas y llenas de improvisación y decisiones espontáneas. El álbum se compone íntegramente de música original, pensada para ofrecer la máxima libertad a los músicos, con momentos de intensidad rítmica, melodías con aires folclóricos, canciones y libre improvisación. Datos técnicos: Biel Harper, piano, composiciones y producción Tabea Kind, contrabaix. Álvaro Ocón, trompeta. Lucas Zibulski, batería. Biel Harper (Barcelona, ​​1999) se graduó en Piano Jazz en el Conservatorio Superior del Liceo en 2021, donde estudió con maestros de prestigio como Marco Mezquida, Bill McHenry y Roger Mas, entre otros. Actualmente, está finalizando un máster en Interpretación y Composición en la prestigiosa escuela Jazz Campus de Basilea (Suiza). En este período, ha tenido la oportunidad de aprender de figuras de referencia del jazz mundial, como Shai Maestro, Aaron Parks y Kit Downs en piano, y Guillermo Klein en composición. Además, ha compartido experiencias de cerca con músicos de primer nivel como Larry Grenadier, Jorge Rossy, Jeff Ballard y Lionel Loueke a través de combos, clases magistrales y conciertos en el campus. En los últimos años, ha participado en varios proyectos entre los que cabe destacar: - Aura y Biel, el dúo que comparte con la cantante Aura Mauri, y con quien en 2022 publicó su primer disco, 'Instants', poco después de quedar finalistas en el concurso Juventudes Musicales de España (Jazz). - Las diversas colaboraciones con la contrabajista y compositora Giulia Valle, entre las que cabe destacar el trío que formaban junto con la batería Andrea González - ML Quartet, liderado por el contrabajista Manuel Luque, con quien han publicado el disco 'Cicatrices' (2024) y han logrado el segundo puesto en el concurso Juventudes Musicales de España (Jazz). Con estos proyectos, ha recorrido España, Italia, Alemania y Suiza, actuando en salas y festivales de referencia como Bird's Eye, Jamboree, Nueva Jazz Cava, Auditorio de Vilafranca, Auditorio de Palafrugell y en eventos como el Estartit Jazz Festival, Festival de Jazz de Terrassa y Festival de Jazz de Palafrugell, entre otros muchos. En 2021 cofundó el festival Zona Jazz en Mediona, junto a Txema Riera y Roger Mas, consolidándolo como un espacio de referencia para la escena del jazz catalán. Aura Mauri, ve en 'El huerto de Sergi' y 'Colors'. Clara Catasús, Laia Escartin, Flavia Escartin, Nadia Orta, Lluís Pérez-Villegas, Gabrielle Canal, Siara Canal Vila, voz en 'L'hort d'en Sergi'. Grabación, mezcla y máster de Sam Barnett, en el estudio del Jazz Campus de Basilea. Diseño gráfico y fotografía, Xus Martí. Vídeos de estudio, Ènia Mauri

STANDAR SEMANAL.-Misterioso.-VINILOS MITICOS DEL JAZZ.sidney bechet - jazz classics vol.2.--JAZZACTUALIDAD.-sergi sirven y david viñolas Sidney Bechet (Nueva Orleans, Luisiana, Estados Unidos, 14 de mayo de 1897-Garches, 14 de mayo de 1959) fue un músico y compositor de jazz estadounidense. Fue el séptimo de los hijos de Josephine y Omar Bechet, quien era zapatero y tocaba la flauta como pasatiempo.[1]​ Se inició en la música de manera autodidacta con el aprendizaje del clarinete a los 6 años de edad, siendo señalado por sus contemporáneos como un niño prodigio en aquel instrumento. Integró una banda familiar llamada "The Silver Bells" dirigida por su hermano Leonard Bechet.[2]​ Posteriormente, integró varias bandas de metales de Nueva Orleans. En 1917 se trasladó a Chicago, donde tocó con Freddie Keppard y Joe "King" Oliver entre otros músicos. En 1919, viajó a Europa junto con la Southern Syncopated Orchestra del director Will Marion Cook, donde además de tocar clarinete, ejecutó una pieza en un pequeño acordeón. La acogida en el continente fue tan entusiasta que no regresó hasta 1922, tres años más tarde. Sus presentaciones en Londres interpretando el Characteristic Blues llamaron la atención del director de orquesta Ernest Ansermet, quien en un artículo publicado en la revista especializada Revue Romande, afirmó : "Sidney Bechet es un genio". Se cree que esta fue la primera crítica periodística sobre un músico de jazz. Estando en Londres, se interesa por el saxofón soprano, instrumento que adoptó y utilizó cada vez con más frecuencia que el clarinete, aunque siempre llevaba consigo un pequeño acordeón, con el cual grabó sólo 2 piezas en 1924: "Wild Man Blues" e "Indiana". De regreso en Estados Unidos en 1922, recaló en la ciudad de Nueva York, donde grabó su primer registro discográfico el 30 de julio de 1923, con la Clarence Williams Blue Five los temas Wild Cat Blues y Kansas City Man Blues. Entre 1924 y 1925 realizó una serie de grabaciones con su colega y compatriota, el trompetista y vocalista de jazz Louis Armstrong, quien también se había integrado a los conjuntos de Clarence Williams dedicados a las grabaciones. Posteriormente, integró la orquesta de la Revue Négre, que acompañó a París a la bailarina y cantante Joséphine Baker en 1925, permaneciendo en Europa hasta 1931, visitando diversos países y pasando 11 meses en una cárcel francesa en 1928, por involucrarse en una pelea entre músicos. Luego de ese incidente, siguió recorriendo Europa y regresó nuevamente a Estados Unidos, para participar brevemente en la orquesta de Noble Sissle, y luego en 1932 formó junto al trompetista Tommy Ladnier un grupo llamado The New Orleans Feetwarmers, con el cual alcanzan a realizar sólo una sesión de grabaciones, pero con 6 títulos de notoria calidad (entre ellos Maple Leaf Rag). Luego de ello, y en medio de la crisis reinante en Estados Unidos, sumado a su escasa popularidad, dada su ausencia tan prolongada del país, se ve en la necesidad de abrir una modesta sastrería en Harlem para sobrevivir. Entre 1934 y 1938 se une nuevamente a Noble Sissle, en cuya orquesta va adquiriendo paulatinamente una participación creciente como solista. De 1938 en adelante, emprende una carrera como líder de agrupaciones diversas, dentro de la corriente del resurgimiento del jazz de Nueva Orleans, tocando y grabando en diferentes ciudades y circunstancias. En 1939, realiza una serie de grabaciones para el recientemente creado sello discográfico Blue Note, de Alfred Lion, entre las que sobresale una versión instrumental del tema clásico del compositor George Gershwin "Summertime". Recreacions tímbriques: de Satie a Mompou SERGI SIRVENT & DAVID VIÑOLAS CD CLÁSICA CONTEMPORÁNEA COLUMNA MUSICA (COM0467 02) 8429977104672 Tras haber llevado a cabo el trabajo discográfico "Recreacions tímbríques: de Mompou a Bartók" (Selffish Records, 2020), el pianista Sergi Sirvent y el baterista David Viñolas se han embarcado en una nueva propuesta musical con el título de "Recreacions tímbríques: de Satie a Mompou". Para realizar este nuevo reto interpretativo, Sirvent y Viñolas se han basado en temas en su mayoría procedentes del compositor francés Erik Satie y del catalán Frederic Mompou así como algunas piezas de autoría propia. Sirvent y Viñolas tejen una interpretación repleta de matices, de sensaciones, de sutilezas, de sonoridades, pero ante todo de música y de hermosura. Un tema que sirve de fiel reflejo del compendio de recreaciones sonoras que pretende el proyecto que lideran tanto Sergi Sirvent como David Viñolas como unidad expresiva a partes iguales y que sin duda alguna suponen dos mitades de un todo

BLUE NOTE 80 ! Eighty Minutes of 45s - recorded on the 80th Anniversary of Blue Note Records - 6th January 2019

 01) Filthy McNasty PT 1 - HORACE SILVER QUINTET (45-1817) 02) Camp Meetin' - DON WILKERSON (45 - 1864) 03) Tokyo Blues PT 1 - HORACE SILVER QUINTET (45-1871) 04) Gravy Train PT 1 - LOU DONALDSON (45-1830)
 05) Back To The Tropics - CHARLIE ROUSE (45-1881)
 06) The Silver Meter PT 1 - ‘BIG' JOHN PATTON (45-1888) 07) Googa Mooga - FREDDIE ROACH (45-1890)
 08) Cristo Redentor - DONALD BYRD (45-1907) 09) Brother Isaac - DONALD BYRD (45-1916)
 10) The Rumproller PT 1 - LEE MORGAN (45-1918)
 11) Fat Judy PT 1 - ‘BIG' JOHN PATTON (45-1920)
12) Amanda - ‘BIG' JOHN PATTON (45-1926) 13) You Gotta Take A Little Love - HORACE SILVER (45-1946)
 14) Who's Making Love - LOU DONALDSON (45-1949) 15) Sittin' Duck - THE THREE SOUNDS (45-1950)
 16) Down Home Style - BROTHER JACK McDUFF (45-1953)
 17) Move Your Hand PT1 - LONNIE SMITH (45-1955)
 18) Everything I Do Gonh Be Funky - LOU DONALDSON (45-1956)
 19) Hunk O' Funk - BROTHER JACK McDUFF (45-1958)
 20) Jump Back - CANDIDO (45-1959) 21) Orange Peel - RUEBEN WILSON (45-1961) 22) Sookie, Sookie - GRANT GREEN (45-1965) 23) Black Pearl - JIMMY McGRIFF (45-1968)
 24) Ummh - PTS 1 & 2 - BOBBY HUTCHERSON (45-1966)   SKIT - into Prestige 45 session 01) Fat Man (45-324) by MONTEGO JOE 02) Soul Shoutin' (45-328) by SHIRLEY SCOTT & STANLEY TURRENTINE 03) Collard Greens (45-356) by FREDDIE McCOY 04) Gettin' It Togetha' (45-366) by BOBBY TIMMONS 05) Satisfaction (45-379) by DON PATTERSON 06) Corn Flakes (45-396) by STAN HUNTER & SONNY FORTUNE 07) Raunchy Rita (45-397) by FRANK FOSTER 08) Living Soul (45- 427) by "GROOVE" HOLMES 09) What A Piece (45-436) by "PUCHO" 10) Soul Grabber (45-457) by WILLIS JACKSON 11) Señor Boogaloo *issued as 45 by Dopebrother by WALLY RICHARDSON 12) Psychedelic Sally (45-709) by EDDIE JEFFERSON 13) Soul Talk - Pt.2 (45-725) by JOHNNY "HAMMOND" SMITH 14) Rakin' & Scrapin' - Pt.1 (45-720) by HAROLD MABERN   ********    

Kenny Garrett, GRAMMY Award-winning alto saxophonist and composer, reflects on his days playing with Miles Davis and previews his weekend residency at the Blue Note in New York City.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Zev Feldman, a.k.a. the “Jazz Detective,” has turned his crate-digging passion into a career: He tracks down previously unreleased recordings and jumps through the necessary hoops to get them released, often in lavish packages for his label, Resonance Records. This past Record Store Day featured such Feldman finds as live albums from Bill Evans, Freddie Hubbard, Kenny Dorham and Charles Mingus plus a limited-edition double album of previously unreleased Patsy Cline performances, Imagine That: The Lost Recordings (1954-1963). Feldman also co-produced last year's incendiary Blue Note release from McToy Tyner and Joe Henderson, Forces of Nature: Live at Slugs. In this expansive conversation, Feldman tells his Jazz Detective origin story and describes how he finds these recordings (or vice versa), he gets specific about the importance of Record Store Day and these projects' tight margins, and he reveals his white whales. (Photo by Jean-Louis Atlan.)

Esta semana, en una nueva sesión de Rebelión Sónica, celebramos el segundo concierto que la destacada agrupación estadounidense Wilco, dará en nuestro país el lunes 02 de junio, específicamente en el Teatro La Cúpula de Santiago. En octubre de 2016 se produjo el debut en el país del conjunto liderado por Jeff Tweedy, uno de los más aplaudidos y reconocidos del rock estadounidense de las últimas décadas. Los norteamericanos llegarán a mostrar canciones de dos importantes trabajos: la versión ampliada de tres EPs de "The Whole Love" (2011) y la caja deluxe de "A Ghost Is Born" (2004), que incluye nueve LPs y cuatro CDs. Junto a esto también presentarán por primera vez en el país parte de sus nuevas composiciones, tanto de su reciente trabajo, "Cousin" (2023) como del EP "Hot Sun Cool Shroud", del año pasado. Justamente, los escucharemos con material de “A Ghost Is Born”, quinto disco en estudio del grupo, editado en junio de 2004 por el sello Nonesuch Records y con la importante participación de Jim O'Rourke como instrumentista y productor. En la parte final del programa, regresamos al presente, para escuchar el disco debut homónimo de la nueva banda del guitarrista de Wilco, Nels Cline, Consentrik Quartet. Editado por el sello Blue Note el 14 de marzo, el cuarteto liderado por Cline en guitarra, lo completan Ingrid Laubrock en saxo tenor y soprano, Chris Lightcap en contrabajo y efectos y Tom Rainey en batería. Todas las semanas, Rebelión Sónica se transmite por radio Rockaxis a las 10 y 22 horas, con la conducción de Héctor Aravena.

4e émission de la 62e session...Cette semaine, jazz aux accents rock! En musique: Matt Ulery sur l'album Mother Harp  (Woolgathering, 2025); Nels Cline sur l'album Consentrik Quartet  (Blue Note, 2025); Michael Gregory Jackson sur l'album Frequency Equilibrium Koan Expanded  (Moved-By-Sound, 2025, enr. 1977); Chaos Magick sur l'album Through The Looking Glass  (Tzadik, 2025); Water Dammage sur l'album Instruments  (12XU, 2025); Staraya derevnya sur l'album Garden window escape  (Ramble, 2025)...

Tonight's Jazz Feature is a fine album that never saw the light of day until the early 80's despite being recorded in August 1963. It was the first album by trumpeter Richard "Blue" Mitchell for Blue Note Records. It was given a catalogue number and advertised in the Blue Note brochure but never released. It's a fine date with Blue on trumpet, Joe Henderson on tenor saxophone. Joe also did most of the arrangements on this date as well. Leo Wright is here on alto saxophone, Herbie Hancock is on piano, Gene Taylor on bass and Roy Brooks is on drums. Two standards and four original tunes make up this fine date. It simply got lost in the shuffle but finally was issued after research into the Blue Note files.It's a fine and enjoyable date with some solid playing by all. Enjoy "Step Lightly" as tonight's Jazz Feature.

Nothing but shellac and vinyl from the Blue Note jazz label. Lou Donaldson-Rev. Moses-Blue Note 45 (Release Year: 1967) Thelonius Monk-‘Round About Midnight-Blue Note 78 (1947) Herbie Hancock-Maiden Voyage-The Best of Herbie Hancock LP (1971) John Hardee's Swingtet-Blue Skies-Blue Note 78 (1946) Cannonball Adderley-Bangoon-Blue Note: Alts ‘N Outs LP (2025) Sidney Bechet's Blue Note Jazz […]

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

In this electrifying episode of Rabbit Holes, host Kawika Hoke sits down with piano firestarter Henri Herbert, the UK-born, Nashville-based boogie and blues phenom whose fingers have earned him viral fame, sold-out tours, and praise from The New Yorker and BBC Music alike. From viral performances at London's St Pancras Station to headlining prestigious venues like the Blue Note, Henri brings the raw power of American blues into every room he touches. In this intimate conversation, recorded ahead of his Maui performances, Henri reflects on live performance as spiritual release and why he's still chasing the groove like it's the first time. Come for the music. Stay for the soul. Episode Show Notes

durée : 00:59:17 - Brandon Woody "For The Love Of It All" - par : Nicolas Pommaret - Avec son premier album chez Blue Note, le trompettiste et compositeur Brandon Woody se positionne à la fois comme un innovateur et un griot, équilibrant la maîtrise technique avec un respect profond de ses racines. Parution de “For The Love Of It All”.

(S4 EP 21) Wayne Shorter's -Apple Apple (Blue Note)  Released October 1967 - Recorded February 3 and 24, 1966Wayne Shorter's Adam's Apple (1967) is a landmark post-bop album that captures the saxophonist at his creative peak. Recorded in 1966 at Van Gelder Studio, the album features Herbie Hancock (piano), Reggie Workman (bass), and Joe Chambers (drums)—a quartet that delivers both lyrical subtlety and rhythmic daring. The record blends blues, modal jazz, Latin grooves, and impressionistic balladry, showcasing Shorter's sophisticated yet accessible compositional voice. Tracks like the iconic “Footprints” and the soulful title track highlight his melodic clarity and harmonic depth. Hancock's intuitive comping and soloing add dimension throughout, while Workman and Chambers bring texture and flexibility. This was the first recorded version of “Footprints,” later made famous by Miles Davis. Produced by Alfred Lion for Blue Note, Adam's Apple is one of the finest examples of mid-'60s jazz, balancing structure and exploration. It remains a timeless, essential entry in Shorter's catalog and the post-bop era..Signature Song: "Adam's Apple," "El Gaucho, “"Footprints"Full Album: YouTube  Spotify Playlist: YouTube 

DAVIDE VAN DE SFROOS è venuto a trovare I TRE TENORI per parlare del nuovo spettacolo JIM MORRISON FANTASIE DI UN POETA ROCK, che va in scena in occasione dei 60 anni dalla nascita dei Doors. La "puntata zero" di questospettacolo teatral-musicale scritto e interpretato da Ezio Guaitamacchi, anch'esso presente nei nostri studi, andrà in scena giovedì 22 maggio alle 21 presso la Sala Hall In del Casinò Lugano e insieme a Davide Van De Sfroos ci saranno anche Andrea Mirò e Brunella Boschetti. La serata verrà trasmessa in diretta attraverso uno "Speciale Disera Dinotte" e per vincere i pochi ed esclusivi biglietti, che non sono in vendita, basta ascoltare Radio3i.Il Tour JIM MORRISON FANTASIE DI UN POETA ROCK partirà poi ufficialmente domenica 25 maggio dal Blue Note di Milano.

Nicole Zuraitis is a 2X GRAMMY® winning and 4X GRAMMY-nominated jazz singer-songwriter, pianist and arranger, New York-based bandleader, and winner of the prestigious 2021 American Traditions Vocal Competition Gold Medal. With a “heart as big as her remarkable voice,” (Jazz Police), Nicole is a trailblazing artist who isredefining vocal jazz, earning her a place as one of the top artists and "prolificsongwriters" (Broadway World) to watch in jazz and beyond. As a recording artist, Nicole has released five albums as leader, and her sixth albumHow Love Begins, co-produced with eight-time GRAMMY-winner Christian McBride,features all original music and was awarded the 2024 GRAMMY for BEST JAZZVOCAL ALBUM. Nicole is the only artist ever to have won this award who wrote andarranged the entire album herself. In addition to leading her quartet, Nicole performedand recorded with the Birdland Big Band as premier vocalist before taking off as a large ensemble leader of her own, co-producing the Dan Pugach Big Band and guesting for major European big bands. She has headlined at Newport Jazz Festival, Melbourne International Jazz Festival, and Tanglewood, along with iconic NYC jazz clubs like Dizzy’s Club at Jazz at Lincoln Center, Birdland, the Blue Note, the Carlyle, 54 Below and the late, great 55 Bar. She also has appeared as a featured soloist with the Savannah Philharmonic, Asheville Symphony, and Macon Pops. Nicole is a featured artist and producer on her husband, renowned drummer,bandleader, and composer Dan Pugach’s 2025 GRAMMY-winning album, “BiancaReimagined: Music for Paws and Persistence” (Best Large Ensemble) for which theycomposed the GRAMMY-nominated song, “Little Fears” (Best Jazz Performance). Nicole is a vocalist on the GRAMMY-winning “Last Sunday in Plains: A CentennialCelebration” alongside Jon Batiste, Keb’ Mo’, and LeeAnn Rimes. In 2024, BroadwayWorld honored Nicole with the “Best Big Band Show” Award. Nicole's arrangement ofDolly Parton's Jolene, co-written with renowned drummer and bandleader Dan Pugach, was nominated for a 2019 GRAMMY®, springboarding her career and making her a household name in the modern-day jazz landscape. Nicole has collaborated with an extensive list of luminaries, including Christian McBride, David Cook, Gilad Hekselman, Veronica Swift, Benny Benack, Stephen Feifke, Cyrille Aimee, Antonio Sanchez, Dave Stryker, Omar Hakim, Rachel Z, Helen Sung, Melanie, Morgan James, Darren Criss, Livingston Taylor, and Bernard Purdie. She is a proud educator and currently vocal faculty at NYU and SUNY Purchase. FOLLOW HARMONYTALK PODCAST @harmonytalkpodcast Join Our Mailing List: https://mailchi.mp/fa5d124c4e19/harmonytalk-mailing-list Instagram: https://instagram.com/harmonytalkpodcast Facebook: https://www.facebook.com/harmonytalkpodcast YouTube: https://youtube.com/@HarmonyTALKPodcast LinkedIn: https://www.linkedin.com/company/harmonytalkpodcast https://harmonytalkpodcast.com/ Follow Host, Greg Frigoletto: https://www.instagram.com/gjfrig7/ Email harmonytalkpodcast@gmail.com for sponsorship and guest opportunities! See omnystudio.com/listener for privacy information.

Does it get any better than that ARP bass line on “Chameleon”? That's right, it's Herbie time! Join Peter and Adam as we explore Herbie Hancock's explosive breakout from Blue Note jazz man to platinum-selling Headhunter. Transport your ears to an afro-futuristic daydream as we dissect Herbie's funk-jazz era – and the cast of characters that helped push jazz records back onto the Pop charts. You'll hear stem breakdowns of Paul Jackson's brilliant bass grooves, the magic of Mike Clark's “Oakland sound” drums, and, of course, much geeking out over Herbie's mind-bending synth and electric keyboard experiments (excuse our stank-faces). From Fat Albert Rotunda (1969) through the slept-on Sunlight (1978), we ask: is this Herbie at his greatest?

durée : 00:59:55 - Gerald Clayton "Ones & Twos" - par : Nicolas Pommaret - Le nouvel album du pianiste et compositeur Gerald Clayton est une collection de musique originale habilement écrite, pleine de groove et tournée vers l'avenir, interprétée par quelques-uns des meilleurs musiciens improvisateurs de leur génération. “Ones & Twos” paraît chez Blue Note.

SAINT RIDER guestmix: 1. Saint Rider - Datapunk 2. Saint Rider - FU2 3. Сектор Газа - Русский мат (Saint Rider Remix) 4. Saint Rider - Dogs 5. Saint Rider - HMF 6. Saint Rider - Huh 7. Saint Rider - Akbar 8. Saint Rider - Kombat 9. Saint Rider & 6IX PILL$ TRIPPIN - Огонь (Instrumental) 10. Saint Rider - Vostok 1 11. Bad Balance - Как сон (Saint Rider Remix) 12. Barbitura - Too Bad For Them (Saint Rider Remix) 13. Saint Rider - Rite 14. Saint Rider - Your Mind 15. Saint Rider - Jujalarim 16. The Prodigy - Fuel My Fire (Saint Rider Bootleg) 17. Drummatix - К Пропасти (Saint Rider Remix) 18. Saint Rider - Gagarin 19. Saint Rider & LIRA - Прекрасное далёко 20. Saint Rider - Lacrimosa 21. Saint Rider - Return 22. Oh' Ana - Птицы (Saint Rider Remix) 23. Saint Rider - Plex GVOZD vibez: 1.Fred V - Sparks (feat. Nu La) 2.Vindicate & Dlto - Free 3.Karacha - No More 4.B-Complex & Jordana ft/ Zak Meow - Lorem Ipsum 5.Sicknote - Love HZ 6.Amoralyx - Oh God 7.Canis X Sirius - Jabali 8.Skrimor - Coming Back 9.Against Us - Yuki-onna 10.Punchman - K700 11.Transforma - Minuet 12.JF & Romb - Temptation 13.Rieger & Gravitape - Eternal 14.MEL - Madness 15.Rieger - Confession 16.Fade Duster - Zagadka 17.Miss Adara & M@shinist - Kill me 18.JRACE & Albert White - Away 19.Quartz - Hacksaw 20.Sam Pyro - Disappear 21.Neuronex - Save The Robots 22.Dogger, Blind Mic & TomInTheChamber feat. Creatures - Usual Suspects 23.CPTL PNSHMNT - Hante 24.Kije - Ride 25.Invadhertz - Styx 26.Nichenka Zoryana - Errog 27.TypeCell - Retribution 28.TRHalo - Paranoia 29.Defatted - Sun 30.Kach - Mom Alcoholic (Kvostax Remix) 31.Payback - Jump & Sound 32.K Motionz & Clavish - H2O (Extended Mix) 33.T-Lex - Home Run 34.DJ Rap - Tempest 35.Bounty Killer, Richie Stephens feat. Wilful Skilful - Family and Friends (Sublow Hz Remix) 36.King Yoof - Terror On The Block 37.Filthy Philp Feat. Phoebe Train - Butterfly Effect (Paul T & Edward Oberon Remix) 38.Kumarachi, MadRush MC - SOHK 39.HLZ - Velvet Vice 40.Goldie vs Friske- Hyena 24K 41.Nuphlo - Draa 42.Sub:liminal, Sydney Bryce- Dreamboat 43.Cnof, Untrue - Lo-Fi Soulful 44.Break & Charli Brix - Lost (Break Remix) 45.pyxis, Easy & Kit Rice - Elysium 46.Aleyum, Philth, Geety - She's Down 47.Dizarity - Jump Inside 48.BOTB - All I Need 49.Dan Fable & Vibe Chemistry - Zigzags 50.Oliver Ferrer - Endless Night 51.NERV3 - Fracrtal 52.Bad 4 Life, antoanesko - Blue Note 53.Psyduck - Always By Your Side 54.Dylan Purser, Waves, Lauren Walton - Love Letter 55.Mr Zodiac - Soul 56.Mitekiss, Mark Menzies - Borrowed Time 57.Mitekiss, Charlotte X, Subten - Golden Hour 58.NuDivision, Chaela - Bird 59.Nasz - Garanties 60.MidKnighT MooN - Stacks 61.ID-S - You Are Not Alone 62.Bluefootjai - Contemplation

Гостевой микс SAINT RIDER 01. Saint Rider - Datapunk 02. Saint Rider - FU2 03. Сектор Газа - Русский мат (Saint Rider Remix) 04. Saint Rider - Dogs 05. Saint Rider - HMF 06. Saint Rider - Huh 07. Saint Rider - Akbar 08. Saint Rider - Kombat 09. Saint Rider & 6IX PILL$ TRIPPIN - Огонь (Instrumental) 10. Saint Rider - Vostok 1 11. Bad Balance - Как сон (Saint Rider Remix) 12. Barbitura - Too Bad For Them (Saint Rider Remix) 13. Saint Rider - Rite 14. Saint Rider - Your Mind 15. Saint Rider - Jujalarim 16. The Prodigy - Fuel My Fire (Saint Rider Bootleg) 17. Drummatix - К Пропасти (Saint Rider Remix) 18. Saint Rider - Gagarin 19. Saint Rider & LIRA - Прекрасное далёко 20. Saint Rider - Lacrimosa 21. Saint Rider - Return 22. Oh' Ana - Птицы (Saint Rider Remix) 23. Saint Rider - Plex 01.Fred V - Sparks (feat. Nu La) 02.Vindicate & Dlto - Free 03.Karacha - No More 04.B-Complex & Jordana ft/ Zak Meow - Lorem Ipsum 05.Sicknote - Love HZ 06.Amoralyx - Oh God 07.Canis X Sirius - Jabali 08.Skrimor - Coming Back 09.Against Us - Yuki-onna 10.Punchman - K700 11.Transforma - Minuet 12.JF & Romb - Temptation 13.Rieger & Gravitape - Eternal 14.MEL - Madness 15.Rieger - Confession 16.Fade Duster - Zagadka 17.Miss Adara & M@shinist - Kill me 18.JRACE & Albert White - Away 19.Quartz - Hacksaw 20.Sam Pyro - Disappear 21.Neuronex - Save The Robots 22.Dogger, Blind Mic & TomInTheChamber feat. Creatures - Usual Suspects 23.CPTL PNSHMNT - Hante 24.Kije - Ride 25.Invadhertz - Styx 26.Nichenka Zoryana - Errog 27.TypeCell - Retribution 28.TRHalo - Paranoia 29.Defatted - Sun 30.Kach - Mom Alcoholic (Kvostax Remix) 31.Payback - Jump & Sound 32.K Motionz & Clavish - H2O (Extended Mix) 33.T-Lex - Home Run 34.DJ Rap - Tempest 35.Bounty Killer, Richie Stephens feat. Wilful Skilful - Family and Friends (Sublow Hz Remix) 36.King Yoof - Terror On The Block 37.Filthy Philp Feat. Phoebe Train - Butterfly Effect (Paul T & Edward Oberon Remix) 38.Kumarachi, MadRush MC - SOHK 39.HLZ - Velvet Vice 40.Goldie vs Friske - Hyena 24K 41.Nuphlo - Draa 42.Sub:liminal, Sydney Bryce - Dreamboat 43.Cnof, Untrue - Lo-Fi Soulful 44.Break & Charli Brix - Lost (Break Remix) 45.pyxis, Easy & Kit Rice - Elysium 46.Aleyum, Philth, Geety - She's Down 47.Dizarity - Jump Inside 48.BOTB - All I Need 49.Dan Fable & Vibe Chemistry - Zigzags 50.Oliver Ferrer - Endless Night 51.NERV3 - Fracrtal 52.Bad 4 Life, antoanesko - Blue Note 53.Psyduck - Always By Your Side 54.Dylan Purser, Waves, Lauren Walton - Love Letter 55.Mr Zodiac - Soul 56.Mitekiss, Mark Menzies - Borrowed Time 57.Mitekiss, Charlotte X, Subten - Golden Hour 58.NuDivision, Chaela - Bird 59.Nasz - Garanties 60.MidKnighT MooN - Stacks 61.ID-S - You Are Not Alone 62.Bluefootjai - Contemplation

Oggi a Cult: Ferdinando Faraò con la Artchipel Orchestra al Blue Note per il "Top Jazz Concert" con Musica Jazz; Lucia Franchi, condirettrice di Kilowatt Festival, presenta il progetto europeo Digital on Stage; il romanzo d'esordio di Antonio Albanese "La strada giovane" (Feltrinelli); la rubrica ExtraCult a cura di Chawki Senouci...

durée : 00:59:17 - Branford Marsalis Quartet "Belonging" - par : Nicolas Pommaret - Branford Marsalis fait ses débuts sur le label Blue Note avec la sortie aujourd'hui de “Belonging”, une interprétation de l'album ECM de Keith Jarrett en 1974.

Jazz88's Peter Solomon spoke with pianist Renee Rosnes, who has been a major player on the New York Jazz Scene since 1985. She discusses her early career when she worked with iconic artists like Joe Henderson, J.J. Johnson, and Bobby Hutcherson. She also discusses her recent Brazilian album "Crossing Paths," and the new Blue Note album "Arboresque," by the all-female jazz ensemble Artemis, which Rosnes founded. (Pictured: Members of Artemis. Rosnes is second from the left. Photo by John Abbott).

Send us a textWe're taking a break from the interviews this week to catch up on a couple of reviews, even though we're still checking in with some products sent to us by our friends from last week's episode! Crossroads Bourbon and Special Reserve Bourbon, both from Blue Note, are two well-refined and finely crafted products that satisfy consumers on both ends of the their wallet, while still giving them the opportunity to celebrate the incredible ability of bourbon to be both flexible and familiar, at the same time. We give it the ol' TIMBP review treatment before diving into a bit of a lengthy discussion on the state of Booker's Bourbon in 2025 and how it could go south quickly. Plus, we give our thoughts on Dragon Ball Daima during Tips 'n' Bits. Enjoy.Become a patron of the show at http://www.patreon.com/mybourbonpodcastLeave us a 5 star rating and review on your podcast app of choice!Send us an email with questions or comments to thisismybourbonshop@gmail.comSend us mail to PO Box 22609, Lexington, KY 40522Check out all of our merch and apparel: http://bourbonshop.threadless.com/Leave us a message for Barrel Rings at 859.428.8253Facebook: https://www.facebook.com/mybourbonpod/Twitter: https://twitter.com/mybourbonpodInstagram: https://www.instagram.com/mybourbonpod/YouTube: https://www.youtube.com/thisismybourbonpodcastPayPal, if you feel so inclined: PayPal.me/pritter1492Link to our Barrell Rye Armagnac Finished Pick: https://shop.whiskeyinmyweddingring.com/products/barrell-private-release-rye-1a03Support the show

It was a jazzalicious show featuring the sounds of Web Web, Jason Miles, David Murray, Theo Croker, and a set of classic Blue Note albums! This program has been edited from the original broadcast.

In this special edition of Film & Whiskey, Bob sits down with Logan Welk, President of BR Distilling and Blue Note Bourbon, to catch up on what's been happening with the brand since their last feature on the show in 2020. From new expressions to expanded distribution, Logan shares insider updates on Blue Note's rise in the American whiskey scene.But the conversation doesn't stop at bourbon. Logan also joins us for our recurring segment, My Favorite Movie, where we ask guests to choose a film that has stayed with them over the years. Logan's pick? Ron Howard's space-race thriller, Apollo 13 (1995)—a gripping, patriotic, and emotionally charged retelling of NASA's most famous near-disaster. We discuss the film's realism, performances by Tom Hanks and Ed Harris, and why it still resonates nearly three decades later.Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

 Producing a historical recording requires enormous patience, investigative powers like an investigative journalist. The journey is long, emotional, and exciting when the recordings are discovered, and the final package completed. This is what Zev Feldman does. He is the producer for and co-president of Resonance Records, a record label that releases archival recordings that are previously unissued. The Resonance catalogue includes John Coltrane, Bill Evans, Wes Montgomery, Freddie Hubbard, among many other legendary musicians. In this episode, Zev Feldman and I discuss his insights into his multifaceted career, how he got started in the music industry and his subsequent journey through various roles in sales, marketing, and ultimately producing rare jazz recordings. Feldman works with numerous other labels including Blue Note, Verve Label Group, Elemental Music as well as own his own labels, Jazz Detective and Deep Digs. Feldman spins many stories about his adventures in discovering music long forgotten. It's music that is not just good; it must be GREAT! Curating legacy music requires a sense of understanding about the elements of a dynamic recording, one that exceeds others in the quality of the performance, the importance of a certain date, and the historical aspect of the show or studio recording. Then there is the emotional involvement with the families of these jazz legends, many of whom become close friends, such as it has with the families of jazz guitar legend Wes Montgomery (Zev produced the first archival recording of Wes Montgomery for Resonance) and piano virtuoso Bill Evans as Feldman is just releasing his 13th archival recordings of Bill Evans. Then there is the importance of Record Store Day on April 12. Feldman highlights the significance of this little-known observed day in bringing these projects to life. This episode is rich with music, thanks to Zev Feldman and Resonance Records. There is more than 36 minutes of full tracks of music along with clips of recordings discussed. The playlist includes: Freddie Hubbard-On Fire, “True Colors-Breaking Point Closer” (13:32); Freddie Hubbard-trumpet, Bennie Maupin-tenor saxophone, Kenny Barron-piano, Herbie Lewis-bass, Freddie Waits-drums. Charles Mingus-Mingus in Argentina-The Buenos Aires Concerts, “Duke Ellington's Sound of Love” (9:32), Charles Mingus-bass, Ricky Ford tenor saxophone, Jack Walrath-trumpet, Robert Neloms -piano, and Dannie Richmond-drums. Kenny Dorham-Blue Bossa in the Bronx: Live from the Blue Morocco, “Blue Bossa”, (13:31), Kenny Dorham-trumpet, Sonny Red-alto sax, Cedar Walton-piano, Paul Chambers-bass and Denis Charles-drums. Short music clips: Charles Mingus-"Pork Pie Hat", Freddie Hubbard-"Crisis", Kenny Dorham-Blue Friday, Bill Evans-"Ro(u)nd Midnight". Thank you for listening to this podcast. I know you have many others to listen to, but you chose Strictly Jazz Sounds. When you subscribe you become one of the first to hear new episodes, read articles, see new photos, and learn of my annual “Best of” list. Soon, I will introduce a Patreon opportunity, your way of saying thanks to me for spending the more than 25 hours per episode to bring it to you. Photo by Zak Shelby-Szyszko

Joe Harley oversees some of the best jazz vinyl rereleases around as producer of Blue Note's acclaimed Tone Poet series. Harley picks the titles, and, as he did with the much-coveted Music Matters series, he preps each release with ace mastering engineer (and recurring Caropop guest) Kevin Gray. Here Harley reflects on how he went from growing up (and playing drums) in Nebraska to preparing audiophile versions of albums he loves. What criteria does he use in choosing the Tone Poet albums? How do he and Gray work together? Has the mastering process changed given that more listeners own high-end audio systems now? How do Harley and Gray evoke such three-dimensional soundstages? How did he get the nickname the Tone Poet? And does he still get excited the first time he hears an original master tape of one of these classic recordings?

Send us a textSomehow, in all this time, we've never featured the fine folks at Bluenote Bourbon on This is my Bourbon Podcast and their innovative practices in crafting bourbon. That all changes this week, as Perry and Eric interview President Logan Welk and VP os Sales Chris Crosbie, two of the most instrumental players in shaping how the brand operates in the greater bourbon market and how their products are crafted from the ground up. We dig into their history, their future, and what really has made the industry tick over the past few years. Enjoy.Become a patron of the show at http://www.patreon.com/mybourbonpodcastLeave us a 5 star rating and review on your podcast app of choice!Send us an email with questions or comments to thisismybourbonshop@gmail.comSend us mail to PO Box 22609, Lexington, KY 40522Check out all of our merch and apparel: http://bourbonshop.threadless.com/Leave us a message for Barrel Rings at 859.428.8253Facebook: https://www.facebook.com/mybourbonpod/Twitter: https://twitter.com/mybourbonpodInstagram: https://www.instagram.com/mybourbonpod/YouTube: https://www.youtube.com/thisismybourbonpodcastPayPal, if you feel so inclined: PayPal.me/pritter1492Link to our Barrell Rye Armagnac Finished Pick: https://shop.whiskeyinmyweddingring.com/products/barrell-private-release-rye-1a03Support the show

Joey Vitale joins Tom Ackerman to discuss the St. Louis Blues' recent surge in confidence after big wins against the Capitals and Kings. They dive into the positive impact of coach Drew Bannister, standout performances from Jordan Kyrou and Robert Thomas, and upcoming challenges, including tonight's matchup against Dallas and a West Coast road trip. Vitale also shares insights on the Blue Note Cup's rapid growth and his personal experience coaching youth hockey, including a touching moment with his daughter in a championship game.

Listen to an interview with the legendary producer and bassist Don Was. He'll be performing in Central Indiana, with the Pan Detroit Ensemble on February 28 at the Allied Solutions Center for the Performing Arts. Born in Detroit, Michigan in 1952, Don Was rose to prominence in the 1980s, with the band Was (Not Was), the group's music featured a surreal mix of funk, electronic dance music, new wave, and avant-garde jazz, along with an unexpected cast of guest performers that included Mel Torme, Ozzy Osbourne, Frank Sinatra Jr., Iggy Pop, and Leonard Cohen. Was (Not Was)  scored a top 10 hit in 1987, with the infection dance song “Walk the Dinosaur”.  The notoriety Was gained with Was (Not Was) paved the way for his historic work as a record producer. Was has received 6 Grammy Awards for his work as a producer, including album of the year in 1989  for Bonnie Raitt's Nick of Time and producer of the year in 1994. Was has produced dozens of significant recordings, including the B-52's breakout album Cosmic Thing, along with notable work, from The Rolling Stones, Iggy Pop, Bob Dylan, Willie Nelson, Elton John, Ringo Starr, Brian Wilson, Wayne Shorter, and Waylon Jennings, to name a few. Since 2011, Was has served as president of the revered jazz label Blue Note Records.   Throughout his life, Was has looked to the culture of his hometown Detroit as a reference point and source of inspiration for his work, that's evident in his latest project the Pan Detroit Ensemble a group of veteran Detroit jazz and R&B musicians.

Three vinyl nerds – Billy Fields from Warner Music Group, Dillon Smith of Noble Records and Nate Goyer of The Vinyl Guide - discuss the state of vinyl collecting in the year 2025 - trends, changes, evolution and thoughts and predictions on what's to come in the near future. Topics Include: Introduction of Billy Fields as vinyl expert at Warner Music Group Dillon Smith introduced as Noble Records owner Initial discussion of 2024 vinyl market trends Billy mentions focus on maintaining subscriptions with Third Man Records Discussion of discovering Lee Dorsey records through social media Impact of online discovery versus traditional record store hunting Dillon reflects on personal collection growth in 2024 Store inventory mix discussion: 70% used, 30% new Dillon describes efforts to prevent burnout through regular collection buying Changes in modern vinyl collections coming to market Impact of overpressed modern releases on secondary market UK vinyl market showing strongest growth internationally Release schedule alignment with digital affecting market success Taylor Swift's impact on vinyl sales globally Discussion of fewer bands in current charts versus solo artists Evolution of vinyl market since 2006-2008 Economic factors affecting entertainment spending during tough times Local UK pressing plants helping market stability Changes in used record collections coming to market Impact of deceased collectors' collections entering market Discussion of subscription service impact on used market Original pressings versus reissues value discussion Impact of Tone Poet series on Blue Note original prices Quality improvements in modern pressing techniques Availability of better playback equipment today Discussion of collecting original pressings versus reissues Dillon's perspective on psychopathic collector mentality Voice of America collection acquisition mentioned Discussion of historical pressing quantities versus modern numbers Billy's approach to collecting versus hunting original pressings Impact of audio system quality on listening preferences Youth market engagement with vinyl discussion Different collecting approaches between generations Modern retail challenges with Target/Walmart pricing Discussion of variant pressings and market saturation Impact of FOMO buying on market Sustainability in vinyl production discussion PET vinyl alternatives being developed Plant efficiency improvements and environmental considerations Declining genres discussion - 1950s rock and traditional pop Rising interest in country music records Discussion of 90s country potential on vinyl Garth Brooks box set marketing strategy failure Predictions for 2025 vinyl market Direct-to-consumer strategy concerns Sustainability developments in record pressing Personal collection management strategies Discussion of recent records giving participants "goosebumps" Discussion wrap up Video version available on the Noble Records YouTube channel Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Larry Vuckovich is an acclaimed Yugoslavian-born, 89 years young, jazz pianist. He achieved fame after immigrating to the United States. He performed with all the jazz greats including Dexter Gordon, Philly Joe Jones, Jon Hendricks, Mel Torme, Tony Bennett, Bobby Hutcherson and Bobby McFerrin. He was the first one to fuse Balkan ethnic music with American jazz. Last year he received a Lifetime Achievement award from his former country which was given to him at the Nisville Jazz Festival in Serbia. And he's got his own YouTube channel too!My featured song is my version of Miles Davis's "All Blues" from the album Miles Behind. Spotify link.    ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“LOVELY GIRLIE” is Robert's new single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

The boys are back to take on four more entries from the New York Times' Best of 2024 list and Mike especially is happy with these selections.  "Spiritual Jazz" leaves a imprint on several of this episode's albums and bastard number 2 loves it.  Pat meanwhile is relieved that Blue Note's entry is the best yet, in his opinion, by a rising young artist, but he finds one of the other entries just an almighty racket.  Melissa Aldana – ECHOES OF THE INNER PROPHET; Frank London – SPIRIT STRONGER THAN BLOOD;  THE MESSTHETICS AND JAMES BRANDON LEWIS; Isaiah Collier – THE ALMIGHTY.

The hang continues as Marcus King is playing the Blue Note in New York City after the Bonfire. Marcus had to deal with unruly fans at his show the night before. Jay brings up a clip of John Cougar Mellencamp dealing with hecklers in a poor way. Bobby mentions that comedian Pete Lee appeared on Fallon revealing that his house burned down in the LA wildfires. Bobby also mentions that Pete's house was rented. LeMaire Lee is performing at Helium in Philly this week! *To hear the full show to go www.siriusxm.com/bonfire to learn more FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolfSubscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to new episodes ad-free and a whole week early.

Episode 63: Don Was.Don Was is undeniably one of the most influential figures in music. For the past 31 years, he's been producing The Rolling Stones, while also working with legends like Bob Dylan, Bonnie Raitt, The B-52's, and John Mayer. Beyond that, he's the President of Blue Note Records, plays bass with Bob Weir, and now fronts his own band.In this episode, Don sits down with Elmo to share how he balances running Blue Note Records, producing iconic albums, and touring. He opens up about the challenges of managing a record label in today's rapidly changing industry and shares some gold on how he makes it all work. We also dive into how Blue Note has stayed relevant, from Robert Glasper's game-changing projects to rising stars DOMi and JD Beck.One of the highlights is Don's 30-year journey with The Rolling Stones. He breaks down what it's like to produce for rock legends and how he's maintained strong relationships with the band. Don also reflects on his friendship with jazz icon (and Elmo's cousin) Joe Lovano, studio sessions with Bob Dylan, and his early days with Was (Not Was)—including how "Walk the Dinosaur" became a life-changing hit.Don shares how he introduced John Mayer to Bob Weir which led to Dead and Co. and tells us how he produced The B-52's, including the making of “Love Shack.”This episode is packed with incredible stories and insights from a producer who's helped shape the soundtrack of generations. Plus, Don's about to hit the road with his Pan-Detroit Ensemble Tour—don't miss it. Let's go!‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights.Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! Listen to the audio form of this podcast wherever you get your podcasts: https://rss.com/podcasts/gowithelmoFollow Don Was:https://www.instagram.com/donwas/Follow Go With Elmo:https://www.instagram.com/gowithelmo/https://www.tiktok.com/@gowithelmohttps://x.com/gowithelmopodFollow Elmo Lovano:https://Instagram.com/elmolovanohttps://x.com/elmolovano

Episode: We’re sharing another great podcast with you this week that we hope you’ll enjoy. Blue Note Theology is hosted by Mark Glanville (visit HERE). This may be the only podcast […] The post Blue Note Theology – Mark Glanville first appeared on OnScript.

To kick off the New Year, we're sharing a podcast that we think Hit Parade listeners are going to love: Broken Record. Check out this episode with singer/songwriter Norah Jones, co-hosted by Blue Note Records President Don Was. Norah has been with Blue Note Records since releasing her juggernaut 2002 debut album, Come Away With Me. In this conversation, Norah details her musical upbringing and what it was like striking it big with her debut album. She also performs for us, and talks about the musical freedom she's found as part of the Blue Note family. Blue Note is one of the first and longest standing institutions of jazz music. Since its formation in 1939 the label has put out albums by Robert Glasper, Lee Morgan, John Coltrane, Wayne Shorter, Gergory Porter, Bobby McFerrin, and many more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Explicit Aloha Podcast Episode 189 Blue Note Waikiki Shows 1&2/8 Tonight” 0:00 Blue Note Show 1/8 Tonight! @thegreen808 @djhapaboy 2:40 BJJ Good Week Sending Love To @uluaulu Crew/Mahalo @Arvieg @albinoandpreto New Gear  9:19 Bill Burr In Glenngary Glen Ross On Broadway?!?! @wilfredburr --- Support this podcast: https://podcasters.spotify.com/pod/show/explicitalohapodcast/support

Hosts Jim DeRogatis and Greg Kot speak with David Browne, author of the new book Talkin' Greenwich Village: The Heady Rise and Slow Fall of America's Bohemian Music Capital.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Phil Ochs, "Here's to the State of Mississippi," I Ain't Marching Anymore, Elektra, 1965The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Sonny Rollins, "Softly As In A Morning Sunrise (Live At The Village Vanguard, 1957 / Evening Take)," The Complete Night At The Village Vanguard, Blue Note, 2013Miles Davis, "Stablemates," Miles: The New Miles Davis Quintet, Prestige, 1956Joan Baez, "Wildwood Flower," Joan Baez, Vanguard, 1960John Coltrane, "Greensleeves," Evenings at the Village Gate: John Coltrane with Eric Dolphy, Impulse!, 2023Paul Butterfield, "Everything Gonna Be Alright," Live New York 1970, RockBeat, 2015Phil Ochs, "Talking Vietnam Blues," All the News That's Fit to Sing, Elektra, 1964Dave Van Ronk, "He Was a Friend of Mine," Folksinger, Prestige, 1962Dave Van Ronk, "Dink's Song," Dave Van Ronk Sings, Folkways, 1961Bob Dylan, "House of the Risin' Sun," Bob Dylan, Columbia, 1962Dave Van Ronk, "House of the Rising Sun," Just Dave Van Ronk, Mercury, 1964The Blues Project, "Catch the Wind," Live at the Cafe Au Go Go, Verve Folkways, 1966Bob Dylan, "It Ain't Me Babe," Another Side of Bob Dylan, Columbia, 1964Bob Dylan, "Hurricane (Live at Memorial Auditorium, Worcester, MA, November 1975)," The Rolling Thunder Revue: The 1975 Live Recordings, Columbia, 2019Len Chandler, "Bellevue," To Be a Man, Columbia, 1966Peter, Paul and Mary, "Where Have All the Flowers Gone," Peter, Paul and Mary, Warner Bros., 1962Sonny Rollins, "I Can't Get Started (Live At The Village Vanguard, 1957 / Evening Take)," The Complete Night At The Village Vanguard, Blue Note, 2013The Roches, "Speak," Speak, MCA, 1989Buffy Sainte-Marie, "It's My Way," It's My Way!, Vanguard, 1964Odetta, "I Never Will Marry," Odetta Sings Folk Songs, RCA Victor, 1963Drive-By Truckers, "Ronnie and Neil," Southern Rock Opera, Soul Dump, 2001See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.