Podcasts about Blue note

For more than 60 years, John Cale has continued to make exciting, challenging and culturally relevant music, including his most recent release, Mercy. Hosts Jim DeRogatis and Greg Kot talk with the Velvet Underground legend about his new music, collaborations and legacy. Plus, the hosts share some of their favorite spy songs and bid farewell to jazz saxophonist Wayne Shorter.   Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Sign up for our newsletter: https://bit.ly/3eEvRnG Make a donation via PayPal: https://bit.ly/3dmt9lU Send us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops   Featured Songs: John Cale, "STORY OF BLOOD feat. Weyes Blood," Mercy, Double Six, 2023The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Capitol, 1967John Cale, "EVERLASTING DAYS feat. Animal Collective," Mercy, Double Six, 2023John Cale, "MARILYN MONROE'S LEGS (beauty elsewhere) feat. Actress," Mercy, Double Six, 2023John Cale, "TIME STANDS STILL feat. Sylvan Esso," Mercy, Double Six, 2023John Cale, "NIGHT CRAWLING," Mercy, Double Six, 2023John Cale, "MOONSTRUCK (Nico's Song)," Mercy, Double Six, 2023The Velvet Underground and Nico, "Femme Fatale," The Velvet Underground & Nico, Verve, 1967The Velvet Underground and Nico, "I'm Waiting for the Man," The Velvet Underground & Nico, Verve, 1967John Cale, "Dying On the Vine (Fragments)," Artificial Intelligence, PVC, 1985John Cale, "MERCY," Mercy, Double Six, 2023Johnny Rivers, "Secret Agent Man," ...And I Know You Wanna Dance, Imperial, 1966Tony Allen, "Secret Agent," Secret Agent, World Circuit, 2009The Fugs, "CIA Man," Virgin Fugs, ESP-Disk, 1967Gene Vincent, "Private Detective (feat. The Shouts)," Private Detective (feat. The Shouts) (Single), Columbia, 1964Rockwell, "Somebody's Watching Me," Somebody's Watching Me, Motown, 1984The Untouchables, "I Spy (For the F.B.I.)," Wild Child, MCA, 1985Lori & The Chameleons, "The Lonely Spy," To the Shores of Lake Placid, Zoo, 1982Desmond Dekker & the Aces, "007 (Shanty Town)," Action!, Lagoon, 1968The dB's, "A Spy In the House of Love," Like This, Bearsville, 1984Big Boys, "Detectives," The Skinny Elvis, Touch and Go, 1993Steely Dan & Tom Scott, "Aja," Aja, ABC, 1977Wayne Shorter, "Speak No Evil," Speak No Evil, Blue Note, 1966Poster Children, "She Walks," Flower Plower, Limited Potential, 1989Support The Show: https://www.patreon.com/soundopinionsSee omnystudio.com/listener for privacy information.

My guest this week is the Head of Partner Marketing & Strategy for Video & Sound Products at Sony Corporation of America Jordy Freed. A talented sax player who considered becoming a professional musician, the Philly native got his start as a music publicist for DL Media, held marketing and PR roles at Blue Note, and made a quick foray into advertising at the top firm Grey. Upon returning to Blue Note in 2016, he partnered with Sony on the creation of NYC's Sony Hall, which was the first venue to feature Sony's immersive music experience, 360RA. This led to an in-house position at Sony, where he became the first U.S. employee on their Brand & Business Development team.  In this role, he's overseen collaborations with Doja Cat, Pink, Lil Nas X, Pharrell Williams, and Alicia Keys, struck deals to reimagine the David Bowie catalog in 360RA, led the company's partnership with Amazon Music, and much more. He now leads marketing and business development for 360RA, as well as global branding activities for a host of sound products.  During the interview, we spoke about getting started in music PR, working at the famous Blue Note club, the latest on the Sony 360RA immersive format, and much more.  I spoke with Jordy via Zoom from his office at Sony. On the intro I'll take a look at who's making money from Spotify, and how the LinnDrum became a big part of the sound of the 80s. var podscribeEmbedVars = { epId: 85244275, backgroundColor: 'white', font: undefined, fontColor: undefined, speakerFontColor: undefined, height: '600px', showEditButton: false, showSpeakers: true, showTimestamps: true };

Whiskeys: Remus Repeal Reserve Series VI Bourbon • Four Roses Small Batch Select Bourbon • Old Tub Bottled-in-Bond Bourbon • First Call Cask Strength Bourbon • Old Ezra Rye • Smoke Wagon Malted Rye • Koval Single Barrel Bourbon • Blue Note Juke Joint Uncut Bourbon Madness: Gabe puts a whiskey into the tournament • Ed puts an “R” in Koval (again) • Blue Note puts water in their bottle to “make weight” • Ah, there's nothing like making Scotthattans at 1:30 in the morning • IJW: The most mysterious distillery in America • Apparently “dairy case” and “velcro” are tasting notes now • Our first Exhibition Round! • No showering, Gabe! • Well, at least Old Tub's bus is really nice • WTF is millet? • #pokemonporn • Apparently “sulfurous” is a tasting note now • Good heavens, Miss Sakamoto! • Deep knee bends… in a pickle patch?! NEAT Glass Sponsor: Use whiskeytan to get 10% off at https://theneatglass.com Music Credits: Fight Back, Got This, The Show, Dangerous, and Party Like the '80s courtesy of Neffex | Link: https://www.youtube.com/user/neffexmusic

The Music Snobs presents... TMS Black Label – the first in an annual series on the classic Black music record labels of our time, starting with the legendary CTI Records. A label famous for a locked-in instrumental groove, cutting edge engineering, and a house full of superstars, The Music Snobs declare that the CTI never sleeps – but did it really? Was the label justifiably infamous for targeting a more radio-focused sound than Impulse or Blue Note, and did it inadvertently lead to the creation of the dreaded Smooth Jazz? And what is 'Jazz' anyway? In a sprawling conversation ranging from George Benson to Herbie Hancock, from Ron Carter to Grover Washington Jr., TMS drops a manifesto on race, taste, culture, the problem with genres, and the harmful divisions in Black American Music. Next up, the crew brings back a 'versus' to debate 'Nautilus' vs. 'Take Me To The Mardi Gras' – two classic songs by CTI alum Bob James, asking: which of these often-sampled, classic CTI recordings can Hip-Hop not do without? Get ready for an episode with as many difficult questions as hilarious insights, with just the right sprinkling of snobbery.

Reed Low always delivers when he steps into The Press Box! Reed brings his (brutally) honest opinions to the program every Tuesday to talk about the Blues good, bad or otherwise!

Apenas Estados Unidos e Inglaterra produzem mais musicais do que o Brasil atualmente. Graças a produtores como Luiz Calainho. 'Elis, A musical', 'Chacrinha', 'Sambra' e 'Bem sertanejo' estão entre os espetáculos originais que passaram nos últimos anos pelas mãos do promotor cultural, que atua em diversas áreas da economia criativa. “Tenho 32 sócios”, conta ele, ao enumerar as dezenas de projetos da empresa L21 em que está envolvido, como o festival Noites Cariocas, o bar de jazz Blue Note e a EcoVilla Ri Happy, voltada para o público infantojuvenil. Segundo Calainho, ocorreu "uma virada no Brasil” após a importação de uma série de musicais clássicos, como 'A noviça rebelde' e 'Mamma mia' — que tem uma montagem brasileira em cartaz atualmente, no Rio de Janeiro. "A gente resolveu começar a produzir musicais com uma linguagem própria, brasileira”, conta. Ele cita espetáculos de outros produtores, como 'Cazuza' e 'Tim Maia'. Pragmático, Calainho rejeita a visão romântica sobre arte e cultura: “2,65% do PIB do Brasil vem das disciplinas da economia criativa".   Após quatro anos decepcionantes sob o comando de Jair Bolsonaro, ele se diz "muito otimista" com a ministra da Cultura, Margareth Menezes, mas ressalva que nunca viu um governo no Brasil que tenha dado o devido valor à arte. Na conversa com Claudio Dantas, o dono da produtora Aventura detalha os percalços para conseguir botar um espetáculo de pé no país, defende os mecanismos de incentivo da Lei Rouanet e dispara contra a meia-entrada, uma “indústria” que impede que o teatro possa viver apenas de seu público.  Inscreva-se e receba a newsletter:  https://bit.ly/2Gl9AdL Confira mais notícias em nosso site:  https://www.oantagonista.com​ Acompanhe nossas redes sociais:  https://www.fb.com/oantagonista​ https://www.twitter.com/o_antagonista ​https://www.instagram.com/o_antagonista https://www.tiktok.com/@oantagonista_oficial No Youtube deixe seu like e se inscreva no canal: https://www.youtube.com/c/OAntagonista

资深DJ有待介绍爵士乐发展史上各流派和代表人物，深入浅出，雅俗共赏。

Mike Claiborne joins the show, as he does every Friday morning at 10 AM CT, to break down all the biggest headlines in sports both local and national. Claibs has an interesting take on how Mizzou should handle Dennis Gates' early success in the program.

Welcome to Round 2 of The Smooth! Craig Riggins is not a fan of some of the shortcomings the Cardinals have suffered since the 2013 championship and puts some of the blame on the Cardinals' habit to rely too heavily on their overhyped prospects. The Blues made a bit of a gamble in the trade market.

The biggest youth hockey tournament in the area takes place this weekend at Centene Community Ice Center. KMOX's Megan Lynch talks with the Director of the Blue Note Cup Bill Baker about the tournament and how one can get started.

Frank begins this Thursday edition of The Press Box with his signature monologue. Frank has some thoughts on Colton Parayko that Blues fans might be interested in.

Strick joins The Press Box every Thursday to talk some hockey with Frank!

Reed Low always brings his honest (sometimes brutally honest) opinions to The Press Box, and today is no different! This Blues team is in the mud right now.

You don't see this often. Frank and Andy begin the Monday program talking hockey following the news about Ivan Barbashev being traded to Vegas.

Email us your complaints (or questions / comments) at 1001AlbumComplaints@gmail.comBuy a copy of Come Away With Me through this link and help support the podcast!https://amzn.to/3YIZ4CrNorah Jones grew up in Texas as the estranged daughter of the world's most famous sitar player Ravi Shankar before getting noticed by Blue Note and recording her smash hit debut Come Away with Me. The fellas discuss impeccable production, the concept of repertoire, and klezmer music. Listen to our episode companion playlist (compilation of the songs we referenced on this episode) here:https://open.spotify.com/playlist/65RdqhAAxUqFfXxfs7OHRx?si=acd0a63849154514Listen to Come Away With Me here:https://open.spotify.com/album/3ul9GmXlTkmRMh3OciXxFR?si=SMlOsv_nT1u8SCOSlGXbRAIntro music courtesy of The Beverly CrushersOutro music courtesy of MEGAPlease follow The Chop Unlimited's Spotify PlaylistFollow us on instagram @thechopunlimitedWe have Merch! T-Shirt #1 | T-Shirt #2Next week's album: Beck - Odelay

Packed show with live music and a fun talk with COMO rockers, Mani Pedi - Including the debut of their newest single, Crazy. Plus a visit from Rob Lampe and John Schneller remembering our friend, Mike Robertson. And finally a visit with Brian Craig (BC of Don't Mind Dying) about their benefit show at the Blue Note. https://www.instagram.com/manipediband/Mani Pedi on SpotifyDon't Mind Dying on SpotifyBC/Suzi House Fire GoFundMe

Craig Berube had some scathing comments about his team after their loss to the Vancouver Canucks, and Andy Strickland is here to discuss it with Frank.

Mike Claiborne of Claibs Online joins Frank every Friday to assess the sports world. Today's conversation leans heavily on Craig Berube sounding off on his team's questionable effort and mindset last night after losing to the Canucks.

Greg had a spark of inspiration last week while listening to an early Ornette Coleman album. Now regarded as a pioneer of was jazz for founding free jazz, Coleman was a very polarizing saxophonist in his time. He was kicked out of his high school band for improvising during a song… “wait a second,” thought Greg, “Lisa in The Simpsons intro…YES.” A meme was born, and then posted. “This is my masterpiece…this might be the greatest accomplishment of my life.” said Greg aloud. (Check it out on our episode page.)Song: Ornette Coleman - “Eventually”Episode 185 PageRudy Van Gelder recorded nearly every Blue Note record from 1957 to 1967, and Jay loves him.Songs:Sonny Clarke - “Cool Struttin”Art Farmer -“A Night at Tony's”Hank Mobley - “Remember”Sonny Clark - “BeBop”Finally, did you know Rihanna is pregnant? It's “News with Nick!”Song: Mark Giuliana - “Mischief”

At the Blue Note, Casey and Ann talk with Ethylbert and get the news about the wierd case of a man who seemingly shot himself just before his insurance policy…

Jeff Gordon joins The Press Box, as he is known to do, to talk to Frank about a number of local sports topics. The Blues are rumored to be a potential new home for Timo Meier in the near future. Does Gordo think the deal will work out?

At the Blue Note, Casey and Ann talk with Ethylbert and get the news about the wierd case of a man who seemingly shot himself just before his insurance policy…

Remote broadcast from "The Blue Note in Chicago" ... Music in order of play: Duke Ellington Orch - Cat Anderson "Eighth Veil" / Orch: "How High the Moon" / Jimmy Griffin - "In My Solitude" / Jimmy Hamilton on Clarinet and Wendall Marshall on Bass - "Duet" / Theme Song - Vocalist Betty Roche' - "Take The A Train" / Juan Tizol "Caravan" / Ray Nance - "Don't Get Around Much Anymore" - Theme and Outro. This track on Playlist - Big Band and Jazz.

Reed Low never holds back when he joins The Press Box! He has a low tolerance for crappy hockey play, and he is none too pleased with the performance he saw from this Blues team against the Senators.

AJ McCarron joins the show after making his XFL and says it was one of the most memorable wins of his careers! Of course when we think of AJ, we think of his wife Katherine. This gets us thinking, who are some STL athletes of both present and past who have had celebrity wives and girlfriends?

durée : 00:54:24 - Joe Chambers - par : Alex Dutilh - Le batteur et vibraphoniste Joe Chambers, figure du Blue Note des années 1960 (Bobby Hutcherson, Wayne Shorter, Andrew Hill…), signe un troisième album sous influence afro-cubaine pour le label, sur lequel il déploie son jeu d'une rare fluidité et ses talents de compositeur.

Andy Strickland brings the heat and drops a little bit of news on Ryan O'Reilly's future with the program.

Reed Low brings his fast-paced delivery to The Press Box to offer his take on the St. Louis Blues.

A native of eastern Pennsylvania, JD Walter's past, present, and future has always embodied music. From church Boy choirs at the age of six to the American Boy choir school in Princeton to the University of North Texas on a vocal jazz scholarship, Walter has become a pioneer of improvisation and electronic innovations in the world of jazz. His recording career spans 20 years and his purist progressive approach to jazz music has been recognized worldwide. After extended studies in Amsterdam with Jazz vocal Icon, Deborah Brown, Walter returned to the U.S. and embedded himself in the New York Jazz scene. It was in New York, surrounded by visionaries of jazz, where he began to organically develop his liberated, vibrant style that turned him from straight-ahead to progressive jazz singing. Walter's recordings include, "Dressed in a Song", “Sirens in the C-House,” “Clear Day,” “Dedicated to You,” “2Bass, a Face and a Little Skin,” “Live in Portugal,” “Live at the 55 Bar,” “One Step Away,” and Guest appearances on over 100 recordings. The latest album, released on February 7, 2020, testifies to his personal progression as an evolving artisan and provides an intimate, inventive collection of standards and originals. “Dressed in a Song,” produced by Walter and Grammy-winning producer and A&R executive Al Pryor, features piano and vocal duets and trios with veterans and up-and-comers alike, including Jim Ridl, Orrin Evans, Jean-Michel Pilc, Marc Cary, Taylor Eigsti, Julius Rodriguez, Ben Wolfe, Obed Calvaire, and Becca Stevens. Over the decades, Walter has performed as a featured artist at numerous American jazz clubs and festivals in the U.S., Europe, the Middle East, Central America as well as over 80 tours in Russia. He remains a regular in the New York music scene, and has headlined at Dizzy's Lincoln Center, The Jazz Standard, The Blue Note, and The Jazz Gallery, among other venues. He has shared the stage with legendary artists, ranging from Dave Liebman, Billy Hart, Tom Harrell, Eddie Gomez, Bob Dorough, Nicholas Payton, Ben Monder, Sean Jones, Jean-Michel Pilc, Bill Evans, Mark Murphy, Greg Hutchinson, Ari Hoenig, Randy Brecker, Tim Warfield, Jim Ridl, Orrin Evans, Seamus Blake, Igor Butman, Nasheet Waits, Craig Handy, Boris Kozlov, Robin Eubanks, Eric Revis, Billy Drummond, Christian McBride, Adam Nussbaum. Walter currently resides in New York and teaches privately and abroad at The Prince Claus Conservatory in Groningen, Holland, The Jazz and Music School in St. Petersburg, and the Music Wave School in Moscow. In this episode, JD Walter shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Jeff Gordon gives us a little bit of everything in one segment, including some thoughts on the Blues and SLU.

If you want to text Frank, hit him up at 855-282-8255 between the hours of 10 AM - Noon CT and he might read your text on the air!

Mike Claiborne joins The Press Box live to discuss the Tarasenko trade, the Pro Football Hall of Fame class for 2023 and more!

Daddy Padre calls in about the Blues trade deadline + Cardinals DFA a player 5 hours after wishing him a happy birthday

Strick joins The Press Box, as he does every Thursday, to discuss the Blues.

Reed Low brings his fast-paced delivery to The Press Box to talk hockey.

Andrew Knizner interview + What are the Blues missing? + Revisiting Holliday interview + Caller vents about Blues

Andy Strickland of 590 The Fan and Bally Sports Midwest joins the show to talk about the Blues heading into the mega break.

This week on Sinica, our live recording from the Rizzoli Bookstore in the Flatiron district of Manhattan with the legendary Ian Johnson, who has covered China for a host of publications spanning 35 years. Ian, who is now a senior fellow at the Council on Foreign Relations, offers his analysis of media coverage, shares some pet peeves in the way China is reported, and offers a sneak peek at some of the themes of his forthcoming book.4:31 – Beijing's shifting diplomatic messaging12:10 – U.S. media coverage of China's COVID-19 policies14:45 – Structural biases of reporting on/in China24:05 – Reporting on China through social media29:46 – Resisting and recasting the blob's China narrative39:52 – How think tanks affect China discourse in the U.S.43:03 – The importance of history to the CCPA complete transcript of this podcast is available at TheChinaProject.com.Recommendations:Jeremy: Paul French's Ultimate China Bookshelf, a new feature at The China ProjectIan: Golden Age by Wáng Xiaǒbō 王小波, translated by Yan Yan; Blue Note jazz LP re-issues Kaiser: Stella Maris by Cormac McCarthy, narrated by Julia Whelan and Edoardo BalleriniSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, I chat with Dr. Rhett-Lawson Mohajer and his decision to use qualitative research methods for his doctoral research. Title of  Rhett's doctoral research “Duet with Fairbairn: Psychoanalysis, Music, and the Endopsychic Personality Structure” Article “Leaving the Underworld with Jung on the Blue Note”https://www.therapyroute.com/article/leaving-the-underworld-with-jung-on-the-blue-note-by-r-mohajerYouTube interview with the International Society of Applied Psychoanalysis (ISAP)https://youtu.be/XgYGFwJVjLwConnect with Rhett@psychoanalyst_mohajer  This episode is brought to you by Frank Buck Consulting.Sign up for Frank's email list at: https://www.FrankBuck.orgListen to Frank on episode #87: https://www.buzzsprout.com/1547113/11526361 Get The Happy Doc Student Handbook: https://www.amazon.com/dp/0578333732Other resources at: http://Expandyourhappy.com Support this free content: https://www.buymeacoffee.com/expandyourhappyWant to make my day? Rate, review, subscribe & share with someone you love.

Logan Welk joins us in a rare on site performance at Brewhouse South in Franklin TN for a night of wings, fries, and bourbon. PS, PJ is there too so it's always a good time. We catch up on Blue Note and all the things they have cooking up in 2023.  You can always get 15% off at ORCA Coolers by going to www.orcacoolers.com/bourbon but make sure to check out their year end clearance as some items are as much as 40% off.  Old Limestone Mixing Water is the same limestone spring water that's used to make your favorite Kentucky Bourbon. It's bottled in Central Kentucky in the heart of bourbon country. It's the perfect companion to any fine bourbon, whether you use it for your ice cubes or just add a splash to your pour. Find out more at www.oldlimestone.com  Want some DDB merch? Head over to www.dadsdrinkingbourbonstore.com 

Former Blues enforcer and 590 The Fan contributor Reed Low joins the show to give his analysis on this Blues team. Reed senses some chemistry issues with the team and highlights how that usually lends itself to inconsistent play.

Jeff Gordon and Frank have a less-than-joyous meeting of the minds to try to figure out what's been going wrong for the Blues and who might be leaving this team at the trade deadline.

It may be panic time in Blues country. The arena-less Coyotes welcomed the Blues into Arizona State's barn and laid it on them. Frank also gets us ready for a HUGE weekend in the NFL. Frank Reich was given a raw deal in Indianapolis, so it's nice to see him get a second chance in Carolina. However, the cost of that is Steve Wilks may have gotten a second raw deal.

Strick puts together a RECORD SETTING performance in today' appearance on The Press Box.

Jimmy Smith didn't invent the electric organ but, for several decades at least, you wouldn't know it.  The response to his Blue Note and Verve LPs in the Fifties and Sixties made him a festival headliner and earned him the nickname "The Incredible Jimmy Smith."  To this day, no one in the Jazz idiom can sit down at a Hammond B3 without contending with his influence or his very life force, even 17 years after he left this earth.   Brian Charette knows.  He has been in the top 10 in Downbeat Magazine's critics' poll of best organ players for most of the last 10 years because he is a player of wit, passion, and intensity.  On this Monday's Deep Focus, Mitch Goldman will lead Brian through the WKCR archives and ask him to show us what kind of live performer The Incredible Jimmy Smith really was.   It's only on WKCR 89.9FM, WKCR HD-1 and wkcr.org Monday night from 6pm to 9pm NYC time.   Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/   Photo credit: fair use.   #WKCR #JazzAlternatives #DeepFocus #JimmySmith #BrianCharette #MitchGoldman #JazzRadio #JazzPodast #JazzInterview

It's a Rammer Wednesday, so Bob Ramsey is in the house to hangout with Frank for a couple hours. Another Bob is about to enter the studio in the 2nd segment which gets us thinking, how many famous Bobs can we name? Listeners of the show text in and help us out. The Blues had a rough one against the Sabres.

Frank opens up this Tuesday show the only way he knows how. Today's monologue features a discussion about retroactively reviewing the Ryan O'Reilly and Tage Thompson trade. Frank also has a new television series recommendation.

Reed Low ALWAYS provides instant offense when he joins The Press Box, and today is no different. He joins the show to talk Blues hockey ahead of their showdown with the Buffalo Sabres led by a familiar face in Tage Thompson.

Jimmy Smith didn't invent the electric organ but, for several decades at least, you wouldn't know it.  The response to his Blue Note and Verve LPs in the Fifties and Sixties made him a festival headliner and earned him the nickname "The Incredible Jimmy Smith."  To this day, no one in the Jazz idiom can sit down at a Hammond B3 without contending with his influence or his very life force, even 17 years after he left this earth.   Brian Charette knows.  He has been in the top 10 in Downbeat Magazine's critics' poll of best organ players for most of the last 10 years because he is a player of wit, passion, and intensity.  On this Monday's Deep Focus, Mitch Goldman will lead Brian through the WKCR archives and ask him to show us what kind of live performer The Incredible Jimmy Smith really was.   It's only on WKCR 89.9FM, WKCR HD-1 and wkcr.org Monday night from 6pm to 9pm NYC time.   Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/   Photo credit: fair use.   #WKCR #JazzAlternatives #DeepFocus #JimmySmith #BrianCharette #MitchGoldman #JazzRadio #JazzPodast #JazzInterview

OG's React To IG's #5. This time Peter and Adam react to Justin Lee Schultz who is a rising star amongst the jazz community worldwide.Check him out here at the Blue Note.Check out Jesus Molina and Justin jamming here at NAMM.  Have a question for us? Leave us a SpeakPipe Checkout courses from Adam, Peter and more at Open Studio Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel.Follow us on Instagram