Podcasts about Blue note

Jed Distler picks ten albums that represent a broad scope of jazz piano legend Oscar Peterson's extraordinary career.Links to the albums here:The Oscar Peterson Quartet - https://www.youtube.com/watch?v=G2QAj7OuSXc&t=134sLive at the Concertgebouw - https://open.spotify.com/album/5u9s4m4f1og4Yz6uUfuljkWest Side Story - https://www.youtube.com/watch?v=LGb2wuT1p9oCanadiana Suite - https://www.amazon.com/Canadiana-Suite-Oscar-Peterson/dp/B00000E5HTMy Favorite Instrument - https://www.youtube.com/watch?v=9t_GnQVgvewWalking the Line - https://www.youtube.com/watch?v=V4MzBdy05TUOscar Peterson and Dizzy Gillespie - https://www.youtube.com/watch?v=57nzCqu0rjoOscar Peterson and the Bassists - https://www.amazon.com/Oscar-Peterson-Bassists-Montreux-77/dp/B00004ZC1P; video link - https://www.youtube.com/watch?v=L4LXYe-bTRASatch and Josh: Count Basie Encounters Oscar Peterson - https://www.youtube.com/watch?v=-Z14WqU_9xwThe Legendary Oscar Peterson Trio Live at the Blue Note (4 CD set, complete recordings) - https://concord.com/concord-albums/the-legendary-oscar-peterson-trio-live-at-the-blue-note-complete-4-cd-set/

Brasil pasando por Estados Unidos, bossa nova vía músicos de jazz, con grabaciones de los años 60, editadas por el sello Blue Note, del saxofonista tenor Hank Mobley ('Recado bossa nova'), el pianista Duke Pearson ('Sandalia dela'), el trompetista Lee Morgan ('Rio'), los saxofonistas tenores Ike Quebec ('Blue samba') y Joe Henderson ('Blue bossa'), los saxofonistas y flautistas Bud Shank ('Samba do avião') y Charlie Rouse ('Samba de orfeu'), el guitarrista Grant Green ('Corcovado) y el saxofonista tenor Stanley Turrentine ('Wave').Escuchar audio

Justin and Shawna from OKC went out after they met at the Blue Note. They found out her mom was his teacher. But when he asked for her moms number to catch up, she sent him to the office of no 2nd Date, and the principal was not happy.

Today, the Spotlight shines On tenor saxophonist Rico Jones.Rico's new album BloodLines captures something you don't hear much anymore—a live recording that feels like a complete story. Recorded at Brooklyn's Ornithology, it's five original compositions that explore his multicultural heritage, from his Indigenous and Latino roots to his deep connection with Black American musical traditions.Based in Harlem, Rico's already performed with Esperanza Spalding at the Blue Note and co-led the first all-Indigenous big band. His approach to jazz honors the past while pushing forward, whether he's working with veterans like Joe Martin and Nasheet Waits or mentoring students in Jersey City.(The musical excerpts heard in the interview are from Rico Jones's album BloodLines)–Dig DeeperVisit Rico Jones at ricojonesmusician.com and follow him on Instagram, Facebook, and YouTubeRico Jones's Bloodlines album is out now on Giant Step Arts and can be purchased from Bandcamp or Qobuz, and you can listen on your streaming platform of choiceJoe Martin, bassist - One of NYC's most sought-after bassistsNasheet Waits, drummer - Veteran drummer and Giant Step Arts co-curatorMax Light, guitarist - Rising star in contemporary jazz guitarDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On tenor saxophonist Rico Jones.Rico's new album BloodLines captures something you don't hear much anymore—a live recording that feels like a complete story. Recorded at Brooklyn's Ornithology, it's five original compositions that explore his multicultural heritage, from his Indigenous and Latino roots to his deep connection with Black American musical traditions.Based in Harlem, Rico's already performed with Esperanza Spalding at the Blue Note and co-led the first all-Indigenous big band. His approach to jazz honors the past while pushing forward, whether he's working with veterans like Joe Martin and Nasheet Waits or mentoring students in Jersey City.(The musical excerpts heard in the interview are from Rico Jones's album BloodLines)–Dig DeeperVisit Rico Jones at ricojonesmusician.com and follow him on Instagram, Facebook, and YouTubeRico Jones's Bloodlines album is out now on Giant Step Arts and can be purchased from Bandcamp or Qobuz, and you can listen on your streaming platform of choiceJoe Martin, bassist - One of NYC's most sought-after bassistsNasheet Waits, drummer - Veteran drummer and Giant Step Arts co-curatorMax Light, guitarist - Rising star in contemporary jazz guitarDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

When does Afro Blue and Smells Like Teen Spirit belong on the same record? When it's a Robert Glasper album! In 2012, Glasper's Black Radio brought together artists like Erykah Badu to bring a jazz standard, Afro Blue, back into the popular music canon. Black Radio hit #1 on the jazz charts, while simultaneously reaching #4 on the hip-hop R&B charts and #15 on the Top 200. The Blue Note pianist has been bending genres since the 90s, bringing together the best of traditional jazz and weaving it seamlessly with R&B, hip-hop, soul and rock & roll. And it all fits, because Glasper is equally at home in all of these categories. He grew up listening to all kinds of music, like Nirvana, Billy Joel, Busta Rhymes -- everything. Black Radio, he says, was a way to put his "life on wax". Rob Harvilla from 60 Songs to Explain the 90s: The 2000s joins Adam and Peter to dive into what makes this album great, and how it refutes from any attempt to categorize it. From the J. Dilla Influence, to Casey Benjamin's album-defining flute, to the Erykah Badu of it all, you'll never hear this album the same way again.And this album inspired what is possibly our best YHI outro yet. Let us know if you agree!

TU JAZZ CON SABOR A VERANO.-Sheila Jordan - Portrait of Sheila-JAZZACTUALIDAD.-60 Jazzaldia Marco Mezquida & Iñaki Salvador Dúo Portrait of Sheila es el álbum debut de 1963 de la cantante de jazz estadounidense Sheila Jordan , publicado por Blue Note Records . En la encuesta de la crítica de la revista DownBeat de 1963 , ocupó el primer puesto en la categoría vocal por "Talento que merece mayor reconocimiento". No volvió a grabar como líder durante más de doce años. Según las notas de la funda (escritas por Nat Hentoff ), Alfred Lion de Blue Note decidió grabar a Jordan después de escucharla cantar en el Page Three Club en Greenwich Village , Nueva York , a pesar de que el sello "tenía como política no grabar vocalistas de jazz antes". [ 4 ] [ 5 ] El cuarto tema del álbum, « Dat Dere », muestra la predilección de Jordan por los duetos de voz y bajo. Según la biógrafa Ellen Johnson (autora de Jazz Child: A Portrait of Sheila Jordan ), [ 6 ] Jordan originalmente quería dedicar Portrait of Sheila completamente al bajo y la voz, pero Blue Note rechazó la idea. El álbum recibió una calificación de cuatro estrellas de la revista Billboard en enero de 1963. [ 2 ] La Penguin Guide to Jazz seleccionó el álbum como parte de su "Core Collection" y le dio una calificación de cuatro estrellas (de un máximo de cuatro). [ 8 ] AllMusic le dio al álbum una calificación de cinco estrellas (de un máximo de cinco), con Scott Yanow escribiendo en su reseña: "Jordan suena bastante distintiva, de tono fresco y aventurera durante su cita clásica. Sus interpretaciones de 'Hum Drum Blues' de Oscar Brown, Jr. y 11 estándares (incluyendo ' Falling in Love With Love ', ' Dat Dere ', ' Baltimore Oriole ' y ' I'm a Fool to Want You ') son a la vez vibrantes y evocadoras". En las listas de "Álbumes del año" de AllMusic, Portrait of Sheila es nombrado como uno de los álbumes mejor calificados de 1963. El concierto Dichosos tributos es una celebración de la conexión entre dos pianistas excepcionales, el donostiarra Iñaki Salvador y el menorquín Marco Mezquida. Ambos se unen por primera vez en un diálogo musical para rendir homenaje a los grandes compositores y pianistas de la historia del Jazz, reinterpretando piezas emblemáticas que marcaron un hito en la evolución de este género, desde el ragtime hasta nuestros días. Iñaki y Marco construirán, deconstruirán y jugarán sobre canciones de Duke Ellington, Thelonious Monk, Bill Evans, Herbie Hancock o Keith Jarrett, además de creaciones propias, para ofrecer un espacio de escucha y libertad. Será una singular declaración de amor a los grandes compositores del Jazz, un compendio de tradición y modernidad, un diálogo entre composición e improvisación. Iñaki Salvador es una pieza clave en las últimas décadas de la música del País Vasco y sin duda uno de los representantes a nivel internacional más importantes de nuestro Jazz. Pianista, compositor, arreglista y profesor, realizó sus estudios de piano, armonía y composición bajo la dirección de maestros como los pianistas José Antonio Medina y Jesús González Alonso, o el compositor Francisco Escudero. Se formó de manera básicamente autodidacta en lo referido a la música moderna y el Jazz. Marco Mezquida es, aunque todavía no haya llegado a los 40 años de edad, uno de los músicos más recocidos en la escena musical de la península. Un artista destinado a conquistar cualquier escenario del mundo. Ecléctico y camaleónico, brillante como compositor, pianista, improvisador y director.

Phil & David are thrilled to welcome Don Was -- famed record producer, musician and Blue Note Records President -- for Jersey Mike's sandwiches and the first part of an epic conversation about Don's remarkable life in music and all that jazz. They start by paying tribute to the late great Brian Wilson, the subject of Don's brilliant 1995 documentary, "I Just Wasn't Made For These Times."  Coming in Part 2: Don talks about working with Bonnie Raitt, The B-52s, John Mayer, Was (Not Was) and much more. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com.

A new California congressional map, commissioned by Democrats, seeks to counter Texas’ proposed gerrymandering. The man who drew the map had never drawn a partisan one before. Californians are likely headed to the ballot box in November for a special election on redistricting – and the state is likely headed to court over the scheme.  For 45 years, Blue Note in Greenwich Village served as New York City’s upscale club for jazz. Then came locations in Asia, Europe, and South America. Last week, LA got its own Blue Note. KCRW’s LeRoy Downs says Blue Note LA will appeal to a wide audience, even those who don’t often listen to jazz. He highlights some artists who will perform there this season.

A federal immigration officer show at a car of passengers in San Bernardino. LA County will bring dozens of new mental health beds to the soon-to-be renovated Metropolitan State Hospital campus in Norwalk. The legacy of Blue Note comes to Los Angeles -- with a new club in Hollywood. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.com Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!Support the show: https://laist.com

ICYMI: Hour One of ‘Later, with Mo'Kelly' Presents – Thoughts on the long-awaited grand opening of SoCal's new premier live jazz music venue; 'Blue Note Los Angeles'…PLUS – Melissa, creator of the Inglewood, California-based, Black-owned media company ‘2UrbanGirls,' joins the program to discuss the latest news in Inglewood, CA. and beyond - on KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

We interrupt this weekly podcast to bring you some important Keep it Aloha updates with Kamaka. We will be back to our regular scheduled program next week. Enjoy!In this episode we talk about the new Keep it Aloha book, the upcoming Made in Hawai'i Festival, podcast updates, live podcast at the Blue Note, future plans, some Hawai'i facts and so much more.Find Kamaka here: https://www.instagram.com/kamakadias8/Buy the Keep it Aloha book here: https://amzn.to/4mggcLxBuy our merch on:Official website: https://keepitaloha.com/Support us on:Patreon: https://www.patreon.com/kamakadiasFollow us on:Instagram: https://www.instagram.com/keepitalohapod/Facebook: https://www.facebook.com/keepitalohapodTikTok: https://www.tiktok.com/@keepitalohapod

14e et dernière émission de la 62e session...Cette semaine, hard bop et post-bop! En musique: Bennie Green sur l'album Minor Revelation  (Blue Note, 1980, enr. 1958); Lee Konitz Quartet sur l'album The New York Album  (Soul Note, 1988); Cory Weeds & Jerry Weldon sur l'album Cory Weeds Meets Jerry Weldon  (Cellar Music, 2025);  Joe Farnsworth sur l'album The Big Room  (Smoke Sessions, 2025); Billy Mohler sur l'album The Eternal  (Contagious Music, 2025); Tom Weeks sur l'album Paranoid II  (Wolfsblood, 2025)...

Pianist, composer, and producer Duke Pearson (born August 17, 1932) is hardly a household name, but his influence on jazz music is far out of proportion to his personal fame. In addition to his compositions like "Jeanine" being accepted as jazz standards, his behind-the-scenes work as producer and arranger on a plethora of Blue Note records contributed immeasurably to that label's success in its heyday. His piano playing and compositions were essential to the success of the Donald Byrd / Pepper Adams quintet, and for several years his New York-based big band and 8-10 piece bands featured many of the best jazz musicians in the city, and his fresh innovative original writing.

Sintonía: "Countdown" - John Coltrane"Blue Train" - "Moment´s Notice" - "I´m Old Fashioned", extraídas de "Blue Train" (Blue Note, 1957)"One and Four [aka Mr. Day]", "Tenor Madness" y "Exotica" son bonus tracks de la reedición de Jazz Images Records del 2019Escuchar audio

13e émission de la 62e session...Cette semaine, ambient et jazz moderne! En musique: Resavoir & Matt Gold sur l'album Horizon  (International Anthem, 2025); Openness Trio sur l'album Openness Trio  (Blue Note, 2025); Julian Shore Trio sur l'album Sub Rosa  (Chill Tone, 2025); Jeremiah Chiu & Marta Sofia Honer sur l'album Different Rooms  (International Anthem, 2025); Greg Foat sur l'album The Rituals of Infinity  (Ameritz Music, 2024); Rob Clearfield sur l'album Voices in the Wilderness  (jazz&people, 2025)...

China MosesNascida em Los Angeles, Califórnia, China Moses é filha da cantora de jazz Dee Dee Bridgewater e do diretor Gilbert Moses. Ela lançou seu primeiro single, "Time" (1996), aos 18 anos. Seguindo com três álbuns: China (1997),On Tourne en Rond (2000)  Good Lovin (2004). De outubro de 2011 a dezembro de 2012, apresentou o programa diário Made in China da Jazz Radio. Para administrar suas atividades como artista, China lançou sua própria produtora, a Made In China Productions, em 2008. Moses e o pianista francês Raphaël Lemonnier criaram um show chamado Gardenias for Dinah, uma homenagem ao ídolo mútuo Dinah Washington, que também foi a inspiração para o álbum This One's for Dinah, lançado em 2009 pela Blue Note. Após sua turnê mundial, que incluiu Europa, Índia, Líbano, Canadá e Japão, o próximo trabalho de Moses e Lemonnier foi uma homenagem às grandes cantoras de blues e jazz que inspiraram ou os influenciaram. Entre elas, estão Dinah Washington Mamie Smith, Lil Green, Além de estrelas como: Nina Simone, Etta James, Janis Joplin,Donna Summer,Bessie Smith,Helen Humes,Aretha Franklin, Billie Holiday.  Moses disse:"Nossas apresentações no palco são organizadas como um espetáculo. Adoro contar histórias, me vejo como um contador de histórias do jazz e gosto de garantir que as pessoas sorriam entre as músicasEm 2012 lança mais uma bolacha: Crazy Blues Em 2013, tornou-se consultora musical da fornecedora francesa de eletricidade ERDF. Também apresentou o documentário Soul Power como parte da série de verão "Summer of Soul". Além de sua participação no álbum So in Love 2010, Blue Note, de André Manoukian, Moses apresentou um novo show no outono de 2013, com canções como " Don't Let Me Be Misunderstood ", " Lullaby of Birdland " e " I've GotYou Under My Skin ". Além disso, ela se apresenta no Cafe Society Swing, um show escrito e produzido por Alex Webb que revive os bons tempos da lendária boate nova-iorquina dos anos 1940. Lá " Strange Fruit " foi cantada pela primeira vez por Billie Holiday . Moses coapresentou e cantou no primeiro Dia Internacional do Jazz da UNESCO, em Paris, França, em 2012, e se apresentou inúmeras vezes para a UNESCO dos EUA.Ela iniciou um documentário sobre o primeiro e o segundo Dia Internacional do Jazz em Paris.  Em diversas ocasiões, Moses dividiu o palco com sua mãe, Dee Dee Bridgewater, e foi acompanhada por orquestras como a Deutsches Filmorchester Babelsberg e a conhecidaWDR Big Band que recomendo. Em 2017, Moses lançou pela gravadora MPS o álbum Nightintales , escrito em cinco dias com o multi-instrumentista negro britânico Anthony Marshall.A dupla gravou o álbum em Londres, no estúdio analógico Snap Studios. O álbum contou com Luke Smith nopiano, Neville Malcolm no baixo e Jerome Brownna bateria, três dos principais músicos negros britânicos da cena soul-jazz do Reino Unido.Sempre foi acompanhada na carreira por excelentes músicos, escolhidos com muito critério, prestem atenção na playlist. Se apresentou com Archie Shepp, Pee Wee Ellis, Theo Croker, John Beasley,Nils Landgren, John Patitucci, Magnus Lindgren, Jamie Cullum,Terence Blanchard, Terri Lyne Carrington, Aloe Blacc, Lakecia Benjamin e Ian Shaw, dividindo o palco com lendas como: Roy Hargrove,George Benson, Metropole Orkest Big Band, Inúmeras filarmônicas, incluindo Bogotá, Trier, Dresden, Potsdam, Bilbao, Paris e Szczecin, WDR Big Band,HR Big Band, Metropole Orkest Big Band e a New Orleans Jazz Orchestra.  Esteve no Brasil em 2017, onde passou pelo Bourbon Street, Sesc, Piracicaba, Jundiaí e em Bauru. DISCOGRAFIA: 1997: China 2000: On Tourne en Rond 2004: Good Lovin 2009: This One's for Dinah 2012: Crazy Blues 2016: Watherver2017: Nightintales 2021: &The Vibe Tribe

Juancho Herrera is a World Music star. He's a Latin Grammy nominated guitarist, producer, singer-songwriter and vocalist. His background is Colombian and Venezuelan. His music combines Latin, world music, jazz, blues, African and electronica. He's performed in Canada, Colombia, Ecuador, US, Spain, France, Hungary and Venezuela. And at major venues such as the Kennedy Center, the Blue Note and Symphony Space. He's worked with stars like Claudia Acuna, Branford Marsalis, the Chieftains and Arturo O'Farrill.My featured song is “The Queen's Carnival” from the album of the same name by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JUANCHO:www.juanchoherrera.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Martha Kato is an acclaimed Japanese jazz pianist, composer and arranger. She's performed at all the major jazz clubs including the Blue Note, Dizzy's and Smalls. She;s released two celebrated albums. And she's won a whole bunch of honors and awards.My featured song is “March Of The Diplomats” from the album Trippin by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH MARTHA:www.marthakato.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

While in the Blue Note, Casey gets a hot tip about a wedding of a well-placed man about town. He takes Ann to crash the wedding party, and get a…

While in the Blue Note, Casey gets a hot tip about a wedding of a well-placed man about town. He takes Ann to crash the wedding party, and get a…

Send us a textIn this episode, Neil sits down with Kevin Foakes (aka Strictly Kev and DJ Food) - legendary DJ, graphic artist, and archivist of UK counterculture - for a deep dive into four decades of music, raves, graffiti, and psychedelic experimentation.Kevin's journey is a masterclass in underground creativity, spanning from Adam and the Ants fandom to hip-hop graffiti, from acid house squats to Ninja Tune's golden era. After discovering hip-hop through the legendary Subway Art book, he traces his path into graffiti culture, documenting pieces in Westbourne Park and Ladbroke Grove, and recalls the pivotal Freestyle '85 hip-hop jam.The conversation shifts to the rave and acid house years, where Kevin recounts his experiences raving at squats, founding the influential Telepathic Fish chill-out parties, and crossing paths with scene legends like Mixmaster Morris and Coldcut's Matt Black. He reflects on his design work for Ninja Tune, co-hosting the iconic Solid Steel radio show, and the label's legendary Stealth nights at Hoxton's Blue Note.Along the way, Kevin shares vivid anecdotes about Megatripolis' psychedelic chaos, the record shop culture of Ambient Soho, and his current projects—including a Telepathic Fish compilation released in September 2024 and his forthcoming book on psychedelic light shows.Support the showhttps://www.youtube.com/@ControlledWeirdnesshttps://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOIhttps://www.instagram.com/controlledweirdness/https://controlledweirdness.bandcamp.com/Theme song is Controlled Weirdness - Drifting in the Streetshttps://open.spotify.com/track/7GJfmYy4RjMyLIg9nffuktHosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80's when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90's. He still DJ's in the UK and throu...

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Descendents have reclaimed their music catalog with pre-orders of 'Milo Goes To College' starting today - Bill and Milo give us updates on ALL, FLAG, new music and more. Topics Include: "Milo Goes to College" reissue announced for September 19th via Org Music Limited vinyl variants available including special "punk note" Blue Note-style packaging Both band members report good health, Bill has been hitting gym regularly Milo had recent heart attack despite being most athletic member historically Coffee remains firmly on the menu for both musicians despite health focus Band regained rights to their back catalog once held by SST All original SST releases will be reissued including Bonus Fat, Enjoy Master tape ownership involves multiple parties, topic too sensitive to discuss New Alliance originally issued record, later transferred to SST seamlessly South Bay punk scene was tight-knit community with handshake deals Reissues will be exact replicas except for special punk note variants Fat EP might get separate reissue, Ride the Wild included Milo retired from corporate science job in 2016 for full-time music Band played around 90 shows last year, planning 70 this year Bill balances drumming with fewer Blasting Room studio production projects Bill struggles with songwriting perfectionism, has 75 unfinished song ideas Band has 25 new songs recorded, planning 2026 album release deadline Soundcheck covers help "sanitize" big venue stages, played entire Germs album Haven't performed new songs live yet, prefer trashy covers at soundcheck Australia tour likely after new album, great crowds and venues there China tour required submitting all lyrics for government approval beforehand Minister of Culture attended Beijing show, made drummer put shirt back FLAG reunions may be happening more regularly at select festivals All playing Canadian shows with Scott and Chad alternating on vocals Milo stepped in for lost-voice Chad at sold-out New York show Tony Lombardo still close friend but officially retired from playing bass Milo still buys vinyl records despite not having a record player Pre-order the 'Milo Goes To College' vinyl reissue here High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

We got to catch up with Country singer & Columbia native Halle Kearns! The last time we talked to Halle she was getting set to open for Jordan Davis at Rose Music Hall, but a lot has happened since then. She's gotten married, she's still grinding in Nashville, and she's about to release her 4th EP. Listen and find out what's new with Halle... (:20) Welcome & pleasantries (1:17) We finally MEET Halle (1:42) Growing up in CoMo (3:32) Getting to Nashville (5:30) Radio Disney (6:27) Can an aspiring artist set goals? (8:15) A "typical" day for Halle (9:25) On the road with Mason Ramsey (11:29) Growing up listening to Clear 99 & going to The Blue Note (12:02) New EP (15:44) Halle is a newlywed & lives on a BOAT! (20:17) What's next? (22:15) Did Halle's Mom & Scotty date back in the day!? (24:47) Scotty shares a new podcast about Nashville that he just discovered (26:40) A "Morning Sip" Halle Kearns on Instagram & TikTok - @HalleKearns Liz on Instagram & TikTok - @LizzyLedger Scotty on Instagram & TikTok - @MyUncleScotty45 Clear 99 on Instagram - @Clear993 www.clear99.com

This week on Down to Herf, the boys kick back with Gus and Billy from Artesano Del Tobacco, light up the brand-new Viva La Vida Connecticut, and get the inside scoop on how they bring fresh heat to the lineup.In Patrol Gone Wild, the Liver King finds himself in hot water (again), a pervert proves you can't teach an old creep new tricks, and a Texas suspect's brilliant escape plan ends with him body-slamming an ice rink.Caleb's news has the latest drops — fresh cigars from Crowned Heads and AJ Fernandez, plus a new pour from Blue Note to wet your whistle.Cigar: Viva La Vida Connecticut A huge thank you to our show sponsors Crowned Heads Cigars, Dunbarton Tobacco and Trust, and Small Batch Cigars! Make sure you're checking them out for all of your cigar needs!https://www.crownedheads.comhttps://www.dunbartoncigars.comhttps://www.smallbatchcigar.comUse Code "HERF" For 10% off your order (Some Exclusions Apply) SUBSCRIBE TO OUR YOUTUBE CHANNEL AND WATCH ALL OF OUR EPISODES IN STUDIO!Join The After Herf Show on Patreon Now!Patreon: https://www.patreon.com/DownToHerfPodcastVisit our Social Media Pages for News and More!Instagram: https://www.instagram.com/downtoherfpodcast/Facebook: https://www.facebook.com/downtoherfpodcast/

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Bluesky. Enjoy! The Creative Source 19th June 2025 Artist - Track - Album - Year Joe Kennedy w/ The David Hughes Quartet    Mineshaft    Time Travel    2025 Greg Murphy    Geneva    Snap Happy    2025 Michael Dease    Tea Time    City Life: The Music of Gregg Hill    2025 Alon Farber Hariga    Minor Trap    Dreams I Dream    2025 Ron Rieder    Blue Skies    Dia Precisio!    2025 Dale Fielder Quartet    It's a Blue World    Blue World    2025 Dave Anderson    Outer Circle    In Lieu of Flowers    2025 Peter & Will Anderson    Alexander's Ragtime Band    The Best of Berlin    2025 Neff Irizarry    Hija Mia (My Daughter)    Cambio (Change)    2024 Michel Benebig/Le Grand B3 Big Band    Tableau 4    Blue Note in My Suitcase    2024 The Greg Hopkins Jazz Orchestra    Dr. Diz (Hot House - Con Alma - Night in Tunisia)    Chronography    2025 Mike Thompson    Parisian Deception    6th Avenue    2025 Marina Pacowski    Can You Dig Being Dug?    New Jazz Standards Volume 7: The Music of Carl Saunders    2025 Jennifer Lee    Vivid Technicolor Love    Glimpse    2025 Julian Shore Trio    Messenger    Sub Rosa    2025 Danny Grissett    The Long Way Home    Travelogue    2025 George Crotty Trio    The Task at Hand    Heart Music    2025 Marty Ehrlich Trio Exaltation    This Space, This Time    This Time    2025 Freedom Art Quartet    Nature of the Past    First Dance    2025 Ivo Perelman & Matthew Shipp String Trio    Restoration    Armageddon Flower    2025 The post The Creative Source (#CreativeSource) – 19th June 2025 appeared first on SoulandJazz.com | Stereo, not stereotypical.

durée : 00:59:56 - Joshua Redman "Words Fall Short" - par : Nicolas Pommaret - Parution aujourd'hui chez Blue Note de “Words Fall Short” de Joshua Redman, qui présente son nouveau quartet avec le pianiste Paul Cornish, le bassiste Philip Norris et le batteur Nazir Ebo et des invité.es. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

BLUE NOTE 80 ! Eighty Minutes of 45s - recorded on the 80th Anniversary of Blue Note Records - 6th January 2019

 01) Filthy McNasty PT 1 - HORACE SILVER QUINTET (45-1817) 02) Camp Meetin' - DON WILKERSON (45 - 1864) 03) Tokyo Blues PT 1 - HORACE SILVER QUINTET (45-1871) 04) Gravy Train PT 1 - LOU DONALDSON (45-1830)
 05) Back To The Tropics - CHARLIE ROUSE (45-1881)
 06) The Silver Meter PT 1 - ‘BIG' JOHN PATTON (45-1888) 07) Googa Mooga - FREDDIE ROACH (45-1890)
 08) Cristo Redentor - DONALD BYRD (45-1907) 09) Brother Isaac - DONALD BYRD (45-1916)
 10) The Rumproller PT 1 - LEE MORGAN (45-1918)
 11) Fat Judy PT 1 - ‘BIG' JOHN PATTON (45-1920)
12) Amanda - ‘BIG' JOHN PATTON (45-1926) 13) You Gotta Take A Little Love - HORACE SILVER (45-1946)
 14) Who's Making Love - LOU DONALDSON (45-1949) 15) Sittin' Duck - THE THREE SOUNDS (45-1950)
 16) Down Home Style - BROTHER JACK McDUFF (45-1953)
 17) Move Your Hand PT1 - LONNIE SMITH (45-1955)
 18) Everything I Do Gonh Be Funky - LOU DONALDSON (45-1956)
 19) Hunk O' Funk - BROTHER JACK McDUFF (45-1958)
 20) Jump Back - CANDIDO (45-1959) 21) Orange Peel - RUEBEN WILSON (45-1961) 22) Sookie, Sookie - GRANT GREEN (45-1965) 23) Black Pearl - JIMMY McGRIFF (45-1968)
 24) Ummh - PTS 1 & 2 - BOBBY HUTCHERSON (45-1966)   SKIT - into Prestige 45 session 01) Fat Man (45-324) by MONTEGO JOE 02) Soul Shoutin' (45-328) by SHIRLEY SCOTT & STANLEY TURRENTINE 03) Collard Greens (45-356) by FREDDIE McCOY 04) Gettin' It Togetha' (45-366) by BOBBY TIMMONS 05) Satisfaction (45-379) by DON PATTERSON 06) Corn Flakes (45-396) by STAN HUNTER & SONNY FORTUNE 07) Raunchy Rita (45-397) by FRANK FOSTER 08) Living Soul (45- 427) by "GROOVE" HOLMES 09) What A Piece (45-436) by "PUCHO" 10) Soul Grabber (45-457) by WILLIS JACKSON 11) Señor Boogaloo *issued as 45 by Dopebrother by WALLY RICHARDSON 12) Psychedelic Sally (45-709) by EDDIE JEFFERSON 13) Soul Talk - Pt.2 (45-725) by JOHNNY "HAMMOND" SMITH 14) Rakin' & Scrapin' - Pt.1 (45-720) by HAROLD MABERN   ********    

Kenny Garrett, GRAMMY Award-winning alto saxophonist and composer, reflects on his days playing with Miles Davis and previews his weekend residency at the Blue Note in New York City.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

Zev Feldman, a.k.a. the “Jazz Detective,” has turned his crate-digging passion into a career: He tracks down previously unreleased recordings and jumps through the necessary hoops to get them released, often in lavish packages for his label, Resonance Records. This past Record Store Day featured such Feldman finds as live albums from Bill Evans, Freddie Hubbard, Kenny Dorham and Charles Mingus plus a limited-edition double album of previously unreleased Patsy Cline performances, Imagine That: The Lost Recordings (1954-1963). Feldman also co-produced last year's incendiary Blue Note release from McToy Tyner and Joe Henderson, Forces of Nature: Live at Slugs. In this expansive conversation, Feldman tells his Jazz Detective origin story and describes how he finds these recordings (or vice versa), he gets specific about the importance of Record Store Day and these projects' tight margins, and he reveals his white whales. (Photo by Jean-Louis Atlan.)

Tonight's Jazz Feature is a fine album that never saw the light of day until the early 80's despite being recorded in August 1963. It was the first album by trumpeter Richard "Blue" Mitchell for Blue Note Records. It was given a catalogue number and advertised in the Blue Note brochure but never released. It's a fine date with Blue on trumpet, Joe Henderson on tenor saxophone. Joe also did most of the arrangements on this date as well. Leo Wright is here on alto saxophone, Herbie Hancock is on piano, Gene Taylor on bass and Roy Brooks is on drums. Two standards and four original tunes make up this fine date. It simply got lost in the shuffle but finally was issued after research into the Blue Note files.It's a fine and enjoyable date with some solid playing by all. Enjoy "Step Lightly" as tonight's Jazz Feature.

Nothing but shellac and vinyl from the Blue Note jazz label. Lou Donaldson-Rev. Moses-Blue Note 45 (Release Year: 1967) Thelonius Monk-‘Round About Midnight-Blue Note 78 (1947) Herbie Hancock-Maiden Voyage-The Best of Herbie Hancock LP (1971) John Hardee's Swingtet-Blue Skies-Blue Note 78 (1946) Cannonball Adderley-Bangoon-Blue Note: Alts ‘N Outs LP (2025) Sidney Bechet's Blue Note Jazz […]

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

Actualmente, 2 de cada 10 personas que se encuentran con Isabel Vázquez por la calle o en cualquier de los mil eventos a los que acude esta intelectual de referencia la felicitan por lo bien que toca el piano. Nuestro trabajo aquí es seguir insistiendo fuertemente en esa línea hasta que al menos 4 ó 5 personas de cada diez le digan ‘joé, Isabel, qué bien tocas el piano, tía'. ¡Adelante, Isabel! Karaoke: Estuve en New York, fue genial, Su cultura gira, brilla, salta, Uhhh uhhhhuhhhhh Vete a New York, es vital Tienes freedom, moda, people, arte y tú uuuuuuuuuuu Todo el tiempo en la rueda, derrapando para dejarse ir. La rutina te azota. te golpea, cualquiera diría que eres el hazmerreir.Un día de pronto te escapas, ves el hueco, hay puerta de embarque para ti.Estás en Harlem, hermano. Bienvenido a Madison con 43 street.Tengo entradas para el Whitney Museum, vas a flipar con Amy Sherald. Oh my goss, qué mirada, hermanos de la raza negra os quiero, Black Lives Matter, hey man, what the fuck mielmano del Bronx. Busquen sus pinturas, Amy Sherald, Canelita en rama. Me he tomado un Old Fashion en el Blue Note, soy el super héroe Marvel que te dé la gana sobrevolando Vanderbilt, he visto a Carlito Brigante serpenteando por Grand Central to Brian de Palma. Y Hugh Jackman todo el rato en el Radio City Music Hall, levantando la pierna. Pero es que en junio, en el Beacon Theatre, Miley Cirus un día y otro día Paul Simon, tócate el melocotón. Y creo que me he cruzado con Denzel Washington, carajo, que está haciendo Otelo en Broadway. ¿Pero esto qué es? Bajando Bleecker Street me puse triste y bien perfumado, en Washington Square fui feliz cuánta maría y cuánta gente libre, dios mío, 153.000 portadas del New Yorker en la free exhibition de la Public Library. Se le ha caído la chiva a Abraham Lincoln, el del Lincoln Center, al escucharle a Pedro tanta diatriba vs Trump en el homenaje Almodóvar a sí mismo. Etc etc. 

In this electrifying episode of Rabbit Holes, host Kawika Hoke sits down with piano firestarter Henri Herbert, the UK-born, Nashville-based boogie and blues phenom whose fingers have earned him viral fame, sold-out tours, and praise from The New Yorker and BBC Music alike. From viral performances at London's St Pancras Station to headlining prestigious venues like the Blue Note, Henri brings the raw power of American blues into every room he touches. In this intimate conversation, recorded ahead of his Maui performances, Henri reflects on live performance as spiritual release and why he's still chasing the groove like it's the first time. Come for the music. Stay for the soul. Episode Show Notes

durée : 00:59:17 - Brandon Woody "For The Love Of It All" - par : Nicolas Pommaret - Avec son premier album chez Blue Note, le trompettiste et compositeur Brandon Woody se positionne à la fois comme un innovateur et un griot, équilibrant la maîtrise technique avec un respect profond de ses racines. Parution de “For The Love Of It All”.

(S4 EP 21) Wayne Shorter's -Apple Apple (Blue Note)  Released October 1967 - Recorded February 3 and 24, 1966Wayne Shorter's Adam's Apple (1967) is a landmark post-bop album that captures the saxophonist at his creative peak. Recorded in 1966 at Van Gelder Studio, the album features Herbie Hancock (piano), Reggie Workman (bass), and Joe Chambers (drums)—a quartet that delivers both lyrical subtlety and rhythmic daring. The record blends blues, modal jazz, Latin grooves, and impressionistic balladry, showcasing Shorter's sophisticated yet accessible compositional voice. Tracks like the iconic “Footprints” and the soulful title track highlight his melodic clarity and harmonic depth. Hancock's intuitive comping and soloing add dimension throughout, while Workman and Chambers bring texture and flexibility. This was the first recorded version of “Footprints,” later made famous by Miles Davis. Produced by Alfred Lion for Blue Note, Adam's Apple is one of the finest examples of mid-'60s jazz, balancing structure and exploration. It remains a timeless, essential entry in Shorter's catalog and the post-bop era..Signature Song: "Adam's Apple," "El Gaucho, “"Footprints"Full Album: YouTube  Spotify Playlist: YouTube 

Nicole Zuraitis is a 2X GRAMMY® winning and 4X GRAMMY-nominated jazz singer-songwriter, pianist and arranger, New York-based bandleader, and winner of the prestigious 2021 American Traditions Vocal Competition Gold Medal. With a “heart as big as her remarkable voice,” (Jazz Police), Nicole is a trailblazing artist who isredefining vocal jazz, earning her a place as one of the top artists and "prolificsongwriters" (Broadway World) to watch in jazz and beyond. As a recording artist, Nicole has released five albums as leader, and her sixth albumHow Love Begins, co-produced with eight-time GRAMMY-winner Christian McBride,features all original music and was awarded the 2024 GRAMMY for BEST JAZZVOCAL ALBUM. Nicole is the only artist ever to have won this award who wrote andarranged the entire album herself. In addition to leading her quartet, Nicole performedand recorded with the Birdland Big Band as premier vocalist before taking off as a large ensemble leader of her own, co-producing the Dan Pugach Big Band and guesting for major European big bands. She has headlined at Newport Jazz Festival, Melbourne International Jazz Festival, and Tanglewood, along with iconic NYC jazz clubs like Dizzy’s Club at Jazz at Lincoln Center, Birdland, the Blue Note, the Carlyle, 54 Below and the late, great 55 Bar. She also has appeared as a featured soloist with the Savannah Philharmonic, Asheville Symphony, and Macon Pops. Nicole is a featured artist and producer on her husband, renowned drummer,bandleader, and composer Dan Pugach’s 2025 GRAMMY-winning album, “BiancaReimagined: Music for Paws and Persistence” (Best Large Ensemble) for which theycomposed the GRAMMY-nominated song, “Little Fears” (Best Jazz Performance). Nicole is a vocalist on the GRAMMY-winning “Last Sunday in Plains: A CentennialCelebration” alongside Jon Batiste, Keb’ Mo’, and LeeAnn Rimes. In 2024, BroadwayWorld honored Nicole with the “Best Big Band Show” Award. Nicole's arrangement ofDolly Parton's Jolene, co-written with renowned drummer and bandleader Dan Pugach, was nominated for a 2019 GRAMMY®, springboarding her career and making her a household name in the modern-day jazz landscape. Nicole has collaborated with an extensive list of luminaries, including Christian McBride, David Cook, Gilad Hekselman, Veronica Swift, Benny Benack, Stephen Feifke, Cyrille Aimee, Antonio Sanchez, Dave Stryker, Omar Hakim, Rachel Z, Helen Sung, Melanie, Morgan James, Darren Criss, Livingston Taylor, and Bernard Purdie. She is a proud educator and currently vocal faculty at NYU and SUNY Purchase. FOLLOW HARMONYTALK PODCAST @harmonytalkpodcast Join Our Mailing List: https://mailchi.mp/fa5d124c4e19/harmonytalk-mailing-list Instagram: https://instagram.com/harmonytalkpodcast Facebook: https://www.facebook.com/harmonytalkpodcast YouTube: https://youtube.com/@HarmonyTALKPodcast LinkedIn: https://www.linkedin.com/company/harmonytalkpodcast https://harmonytalkpodcast.com/ Follow Host, Greg Frigoletto: https://www.instagram.com/gjfrig7/ Email harmonytalkpodcast@gmail.com for sponsorship and guest opportunities! See omnystudio.com/listener for privacy information.

Does it get any better than that ARP bass line on “Chameleon”? That's right, it's Herbie time! Join Peter and Adam as we explore Herbie Hancock's explosive breakout from Blue Note jazz man to platinum-selling Headhunter. Transport your ears to an afro-futuristic daydream as we dissect Herbie's funk-jazz era – and the cast of characters that helped push jazz records back onto the Pop charts. You'll hear stem breakdowns of Paul Jackson's brilliant bass grooves, the magic of Mike Clark's “Oakland sound” drums, and, of course, much geeking out over Herbie's mind-bending synth and electric keyboard experiments (excuse our stank-faces). From Fat Albert Rotunda (1969) through the slept-on Sunlight (1978), we ask: is this Herbie at his greatest?

Send us a textWe're taking a break from the interviews this week to catch up on a couple of reviews, even though we're still checking in with some products sent to us by our friends from last week's episode! Crossroads Bourbon and Special Reserve Bourbon, both from Blue Note, are two well-refined and finely crafted products that satisfy consumers on both ends of the their wallet, while still giving them the opportunity to celebrate the incredible ability of bourbon to be both flexible and familiar, at the same time. We give it the ol' TIMBP review treatment before diving into a bit of a lengthy discussion on the state of Booker's Bourbon in 2025 and how it could go south quickly. Plus, we give our thoughts on Dragon Ball Daima during Tips 'n' Bits. Enjoy.Become a patron of the show at http://www.patreon.com/mybourbonpodcastLeave us a 5 star rating and review on your podcast app of choice!Send us an email with questions or comments to thisismybourbonshop@gmail.comSend us mail to PO Box 22609, Lexington, KY 40522Check out all of our merch and apparel: http://bourbonshop.threadless.com/Leave us a message for Barrel Rings at 859.428.8253Facebook: https://www.facebook.com/mybourbonpod/Twitter: https://twitter.com/mybourbonpodInstagram: https://www.instagram.com/mybourbonpod/YouTube: https://www.youtube.com/thisismybourbonpodcastPayPal, if you feel so inclined: PayPal.me/pritter1492Link to our Barrell Rye Armagnac Finished Pick: https://shop.whiskeyinmyweddingring.com/products/barrell-private-release-rye-1a03Support the show

In this special edition of Film & Whiskey, Bob sits down with Logan Welk, President of BR Distilling and Blue Note Bourbon, to catch up on what's been happening with the brand since their last feature on the show in 2020. From new expressions to expanded distribution, Logan shares insider updates on Blue Note's rise in the American whiskey scene.But the conversation doesn't stop at bourbon. Logan also joins us for our recurring segment, My Favorite Movie, where we ask guests to choose a film that has stayed with them over the years. Logan's pick? Ron Howard's space-race thriller, Apollo 13 (1995)—a gripping, patriotic, and emotionally charged retelling of NASA's most famous near-disaster. We discuss the film's realism, performances by Tom Hanks and Ed Harris, and why it still resonates nearly three decades later.Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

 Producing a historical recording requires enormous patience, investigative powers like an investigative journalist. The journey is long, emotional, and exciting when the recordings are discovered, and the final package completed. This is what Zev Feldman does. He is the producer for and co-president of Resonance Records, a record label that releases archival recordings that are previously unissued. The Resonance catalogue includes John Coltrane, Bill Evans, Wes Montgomery, Freddie Hubbard, among many other legendary musicians. In this episode, Zev Feldman and I discuss his insights into his multifaceted career, how he got started in the music industry and his subsequent journey through various roles in sales, marketing, and ultimately producing rare jazz recordings. Feldman works with numerous other labels including Blue Note, Verve Label Group, Elemental Music as well as own his own labels, Jazz Detective and Deep Digs. Feldman spins many stories about his adventures in discovering music long forgotten. It's music that is not just good; it must be GREAT! Curating legacy music requires a sense of understanding about the elements of a dynamic recording, one that exceeds others in the quality of the performance, the importance of a certain date, and the historical aspect of the show or studio recording. Then there is the emotional involvement with the families of these jazz legends, many of whom become close friends, such as it has with the families of jazz guitar legend Wes Montgomery (Zev produced the first archival recording of Wes Montgomery for Resonance) and piano virtuoso Bill Evans as Feldman is just releasing his 13th archival recordings of Bill Evans. Then there is the importance of Record Store Day on April 12. Feldman highlights the significance of this little-known observed day in bringing these projects to life. This episode is rich with music, thanks to Zev Feldman and Resonance Records. There is more than 36 minutes of full tracks of music along with clips of recordings discussed. The playlist includes: Freddie Hubbard-On Fire, “True Colors-Breaking Point Closer” (13:32); Freddie Hubbard-trumpet, Bennie Maupin-tenor saxophone, Kenny Barron-piano, Herbie Lewis-bass, Freddie Waits-drums. Charles Mingus-Mingus in Argentina-The Buenos Aires Concerts, “Duke Ellington's Sound of Love” (9:32), Charles Mingus-bass, Ricky Ford tenor saxophone, Jack Walrath-trumpet, Robert Neloms -piano, and Dannie Richmond-drums. Kenny Dorham-Blue Bossa in the Bronx: Live from the Blue Morocco, “Blue Bossa”, (13:31), Kenny Dorham-trumpet, Sonny Red-alto sax, Cedar Walton-piano, Paul Chambers-bass and Denis Charles-drums. Short music clips: Charles Mingus-"Pork Pie Hat", Freddie Hubbard-"Crisis", Kenny Dorham-Blue Friday, Bill Evans-"Ro(u)nd Midnight". Thank you for listening to this podcast. I know you have many others to listen to, but you chose Strictly Jazz Sounds. When you subscribe you become one of the first to hear new episodes, read articles, see new photos, and learn of my annual “Best of” list. Soon, I will introduce a Patreon opportunity, your way of saying thanks to me for spending the more than 25 hours per episode to bring it to you. Photo by Zak Shelby-Szyszko

Send us a textSomehow, in all this time, we've never featured the fine folks at Bluenote Bourbon on This is my Bourbon Podcast and their innovative practices in crafting bourbon. That all changes this week, as Perry and Eric interview President Logan Welk and VP os Sales Chris Crosbie, two of the most instrumental players in shaping how the brand operates in the greater bourbon market and how their products are crafted from the ground up. We dig into their history, their future, and what really has made the industry tick over the past few years. Enjoy.Become a patron of the show at http://www.patreon.com/mybourbonpodcastLeave us a 5 star rating and review on your podcast app of choice!Send us an email with questions or comments to thisismybourbonshop@gmail.comSend us mail to PO Box 22609, Lexington, KY 40522Check out all of our merch and apparel: http://bourbonshop.threadless.com/Leave us a message for Barrel Rings at 859.428.8253Facebook: https://www.facebook.com/mybourbonpod/Twitter: https://twitter.com/mybourbonpodInstagram: https://www.instagram.com/mybourbonpod/YouTube: https://www.youtube.com/thisismybourbonpodcastPayPal, if you feel so inclined: PayPal.me/pritter1492Link to our Barrell Rye Armagnac Finished Pick: https://shop.whiskeyinmyweddingring.com/products/barrell-private-release-rye-1a03Support the show

Listen to an interview with the legendary producer and bassist Don Was. He'll be performing in Central Indiana, with the Pan Detroit Ensemble on February 28 at the Allied Solutions Center for the Performing Arts. Born in Detroit, Michigan in 1952, Don Was rose to prominence in the 1980s, with the band Was (Not Was), the group's music featured a surreal mix of funk, electronic dance music, new wave, and avant-garde jazz, along with an unexpected cast of guest performers that included Mel Torme, Ozzy Osbourne, Frank Sinatra Jr., Iggy Pop, and Leonard Cohen. Was (Not Was)  scored a top 10 hit in 1987, with the infection dance song “Walk the Dinosaur”.  The notoriety Was gained with Was (Not Was) paved the way for his historic work as a record producer. Was has received 6 Grammy Awards for his work as a producer, including album of the year in 1989  for Bonnie Raitt's Nick of Time and producer of the year in 1994. Was has produced dozens of significant recordings, including the B-52's breakout album Cosmic Thing, along with notable work, from The Rolling Stones, Iggy Pop, Bob Dylan, Willie Nelson, Elton John, Ringo Starr, Brian Wilson, Wayne Shorter, and Waylon Jennings, to name a few. Since 2011, Was has served as president of the revered jazz label Blue Note Records.   Throughout his life, Was has looked to the culture of his hometown Detroit as a reference point and source of inspiration for his work, that's evident in his latest project the Pan Detroit Ensemble a group of veteran Detroit jazz and R&B musicians.

Three vinyl nerds – Billy Fields from Warner Music Group, Dillon Smith of Noble Records and Nate Goyer of The Vinyl Guide - discuss the state of vinyl collecting in the year 2025 - trends, changes, evolution and thoughts and predictions on what's to come in the near future. Topics Include: Introduction of Billy Fields as vinyl expert at Warner Music Group Dillon Smith introduced as Noble Records owner Initial discussion of 2024 vinyl market trends Billy mentions focus on maintaining subscriptions with Third Man Records Discussion of discovering Lee Dorsey records through social media Impact of online discovery versus traditional record store hunting Dillon reflects on personal collection growth in 2024 Store inventory mix discussion: 70% used, 30% new Dillon describes efforts to prevent burnout through regular collection buying Changes in modern vinyl collections coming to market Impact of overpressed modern releases on secondary market UK vinyl market showing strongest growth internationally Release schedule alignment with digital affecting market success Taylor Swift's impact on vinyl sales globally Discussion of fewer bands in current charts versus solo artists Evolution of vinyl market since 2006-2008 Economic factors affecting entertainment spending during tough times Local UK pressing plants helping market stability Changes in used record collections coming to market Impact of deceased collectors' collections entering market Discussion of subscription service impact on used market Original pressings versus reissues value discussion Impact of Tone Poet series on Blue Note original prices Quality improvements in modern pressing techniques Availability of better playback equipment today Discussion of collecting original pressings versus reissues Dillon's perspective on psychopathic collector mentality Voice of America collection acquisition mentioned Discussion of historical pressing quantities versus modern numbers Billy's approach to collecting versus hunting original pressings Impact of audio system quality on listening preferences Youth market engagement with vinyl discussion Different collecting approaches between generations Modern retail challenges with Target/Walmart pricing Discussion of variant pressings and market saturation Impact of FOMO buying on market Sustainability in vinyl production discussion PET vinyl alternatives being developed Plant efficiency improvements and environmental considerations Declining genres discussion - 1950s rock and traditional pop Rising interest in country music records Discussion of 90s country potential on vinyl Garth Brooks box set marketing strategy failure Predictions for 2025 vinyl market Direct-to-consumer strategy concerns Sustainability developments in record pressing Personal collection management strategies Discussion of recent records giving participants "goosebumps" Discussion wrap up Video version available on the Noble Records YouTube channel Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

The hang continues as Marcus King is playing the Blue Note in New York City after the Bonfire. Marcus had to deal with unruly fans at his show the night before. Jay brings up a clip of John Cougar Mellencamp dealing with hecklers in a poor way. Bobby mentions that comedian Pete Lee appeared on Fallon revealing that his house burned down in the LA wildfires. Bobby also mentions that Pete's house was rented. LeMaire Lee is performing at Helium in Philly this week! *To hear the full show to go www.siriusxm.com/bonfire to learn more FOLLOW THE CREW ON SOCIAL MEDIA: @thebonfiresxm @louisjohnson @christinemevans @bigjayoakerson @robertkellylive @louwitzkee @jjbwolfSubscribe to SiriusXM Podcasts+ on Apple Podcasts to listen to new episodes ad-free and a whole week early.

Episode: We’re sharing another great podcast with you this week that we hope you’ll enjoy. Blue Note Theology is hosted by Mark Glanville (visit HERE). This may be the only podcast […] The post Blue Note Theology – Mark Glanville first appeared on OnScript.

To kick off the New Year, we're sharing a podcast that we think Hit Parade listeners are going to love: Broken Record. Check out this episode with singer/songwriter Norah Jones, co-hosted by Blue Note Records President Don Was. Norah has been with Blue Note Records since releasing her juggernaut 2002 debut album, Come Away With Me. In this conversation, Norah details her musical upbringing and what it was like striking it big with her debut album. She also performs for us, and talks about the musical freedom she's found as part of the Blue Note family. Blue Note is one of the first and longest standing institutions of jazz music. Since its formation in 1939 the label has put out albums by Robert Glasper, Lee Morgan, John Coltrane, Wayne Shorter, Gergory Porter, Bobby McFerrin, and many more. Learn more about your ad choices. Visit megaphone.fm/adchoices