Podcast appearances and mentions of tony williams

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Have you ever walked around a street, mall, or airport and noticed two or three of the same franchise restaurant within walking distance? Why might one Starbucks or McDonald's or Wetzel's Pretzels sometimes be built so close to another? Are they friends or competitors? And how can that possibly be profitable?Today's show is one such example. Our pals at Hyperfixed got a knotty question we just had to help them untangle: Why are there so many Wetzel's Pretzels so close to one another at the Atlantic Avenue-Barclays Center Station?To find out, Alexi Horowitz-Ghazi followed the dough all the way to the top. His journey led him to a jolly pretzel executive, a franchisee with a deep-fried American dream, and a brush with mall security.Support:Planet Money+Read: Our book: Planet Money: A Guide to the Economic Forces That Shape Your Life Our weekly longform Planet Money newsletterOur weekly Indicator round-up newsletterFollow: InstagramTikTokYouTubeFacebookThis episode was hosted by Alex Goldman and Alexi Horowitz-Ghazi. Hyperfixed is produced and edited by Emma Courtland, Amor Yates, Sari Soffer Sukenik and Tori Dominguez Peak.  The music is by the mysterious Breakmaster Cylinder and Alex Goldman. It was engineered by Tony Williams. Fact checking by Naomi Barr. The Planet Money version was produced by Sam Yellowhorse Kesler and edited by Jess Jiang. It was engineered by Robert Rodriguez. Alex Goldmark is Planet Money's executive producer. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

... a 1 on 1 interview like you have never heard before! #UNFILTEREDBrought to you by Oxworks. Check them out @ www.oxworks.com.au

... a 1 on 1 interview like you have never heard before! #UNFILTEREDBrought to you by Oxworks. Check them out @ www.oxworks.com.au

Miles 1968 : l'une des plus grandes révolutions de l'histoire du jazz. Après avoir dissout le Second Quintette (avec Wayne Shorter, Herbie Hancock, Ron Carter et Tony Williams), Miles se branche sur le courant électrique et fait entrer les guitares, les claviers, le rock et le funk dans sa musique. C'est l'une des métamorphoses les plus spectaculaires d'un Miles Davis relooké de la tête aux pieds, bien décidé à vivre avec son temps, jamais dans le passé. Jusqu'à son ultime album, Doo-Bop, Miles aura voulu être moderne, curieux, dans le coup. Du be-bop au hip-hop : une odyssée proprement vertigineuse ! Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

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Adam is joined by Murderhobos producer Tony Williams to answer your questions about Douglas Haig. Subscribe to the show on Patreon: bit.ly/murderhobospatreon Make a one-time donation to the show:  bit.ly/donatetomurderhobos Submit questions: murderhobospodcast@gmail.com

Een TORcast geheel gewijd aan de muziek van Miles Davis. Miles werd honderd jaar geleden (op 26 mei 1926) geboren en ontwikkelde zich tot één van de belangrijkste musici, niet alleen in de geschiedenis van de jazz maar in die van hele hedendaagse muziek.  In deze TORcast laat Willem Habers een selectie van zijn favoriete Davis-opnames horen. Geen uitputtende opsomming, geen verantwoord chronologisch overzicht, geen doorwrocht spectrum van ’s mans invloeden en werk maar een heel persoonlijke keuze uit het gigantische oeuvre van deze jazzgigant. Playlist: So What Miles Davis (trompet), Bill Evans (piano), Cannonball Adderly (altsax), John Coltrane (tenorsax), Paul Chambers (bas), Jimmy Cobb (drums) Move met Gerry Mulligan, Max Roach, Lee Konitz, Karl Winding en John Barber (tuba) If I Were A Bell Miles Davis (tp), Red Garland (piano), John Coltrane (tenorsax), Paul Chambers (bas), Philly Jo Jones (drums) Someday My Prince Will Come Miles Davis (tp), John Coltrane (sax), Hank Mobley (sax), Wynton Kelly (piano), Psul Chambers (bas), Jimmy Cobb (drums) My Funny Valentine Miles Davis (trompet), Herbie Hancock (piano), Wayne Shorter (tenorsax), Ron Carter (bas), Tony Williams (drums) Générique – Ascenseur pour l’echafaud Miles Davis (trompet), Barney Wilen (sax), René Urtreger (piano), Pierre Michelot (bas) en Kenny Clarke (drums) Concierto de Aranjuez: Adagio Miles Davis (trompet), orkest onder leiding van Gil Evans Een paar bespiegelingen… De muziek van Miles Davis is niet slechts een hoofdstuk in de geschiedenis van de jazz; zij is een voortdurend herlezing van wat muziek kan zijn. Wie naar Davis luistert, hoort niet alleen noten, maar ook een bepaalde houding ten opzichte van tijd, stilte en vernieuwing. Zijn oeuvre lijkt zich steeds te onttrekken aan elke definitie die men erop loslaat. Dat maakt zijn betekenis filosofisch relevant: Davis laat zien dat identiteit niet iets statisch is, maar een proces van voortdurende transformatie. Een van de opvallendste kenmerken van zijn muziek is het gebruik van ruimte. In albums als *Kind of Blue* wordt stilte niet als leegte ervaren, maar als een actief element. Deze benadering roept vragen op over de aard van expressie zelf. Moet muziek altijd gevuld zijn, of kan juist het weglaten een diepere vorm van communicatie zijn? Davis' antwoord lijkt te zijn dat betekenis ontstaat in de spanning tussen klank en stilte. Daarmee sluit hij aan bij een bredere existentiële intuïtie: dat wat niet gezegd wordt, vaak even belangrijk is als wat wel wordt uitgesproken. Daarnaast belichaamt Davis het idee van artistieke vrijheid als morele houding. Hij weigerde zich te conformeren aan de verwachtingen van zijn publiek of de industrie. Telkens wanneer hij succes bereikte—of het nu ging om bebop, modal jazz of fusion—koos hij ervoor om een nieuwe richting in te slaan. In die zin is zijn carrière een praktijk van wat de filosoof Nietzsche “zelfoverwinning” noemde: het voortdurend achterlaten van het oude zelf om ruimte te maken voor het nieuwe. Deze radicale trouw aan vernieuwing maakt hem tot een bron van inspiratie voor hedendaagse musici. De invloed van Miles Davis op huidige jazzmuzikanten ligt dan ook niet alleen in specifieke harmonieën of technieken, maar in een manier van denken. Moderne jazz kenmerkt zich door hybriditeit: invloeden van hiphop, elektronische muziek en wereldmuziek vloeien samen tot nieuwe vormen. Deze openheid is rechtstreeks schatplichtig aan Davis' grensverleggende experimenten, vooral in zijn latere werk zoals *Bitches Brew*. Hij legitimeerde het idee dat jazz geen afgesloten traditie is, maar een permeabel veld waarin alles kan worden opgenomen. Ten slotte blijft Davis relevant omdat hij de luisteraar actief betrekt. Zijn muziek vraagt om aandacht, om interpretatie, om een zekere existentiële inzet. Zij is nooit volledig transparant; er blijft altijd iets ongrijpbaars. In een tijd waarin muziek vaak als achtergrondconsumptie fungeert, herinnert Davis ons eraan dat luisteren een vorm van denken is. Zo bezien is Miles Davis niet alleen een muzikant, maar een filosoof in klank. Zijn erfenis leeft voort in elke muzikant die durft te experimenteren, te twijfelen en opnieuw te beginnen—en in elke luisteraar die bereid is om in die zoektocht mee te gaan.

Een TORcast geheel gewijd aan de muziek van Miles Davis. Miles werd honderd jaar geleden (op 26 mei 1926) geboren en ontwikkelde zich tot één van de belangrijkste musici, niet alleen in de geschiedenis van de jazz maar in die van hele hedendaagse muziek.  In deze TORcast laat Willem Habers een selectie van zijn favoriete Davis-opnames horen. Geen uitputtende opsomming, geen verantwoord chronologisch overzicht, geen doorwrocht spectrum van ’s mans invloeden en werk maar een heel persoonlijke keuze uit het gigantische oeuvre van deze jazzgigant. Playlist: Seven Steps to Heaven Miles Davis (trompet), Ron Carter (bas), Anthony Williams, Frank Butler (drums), Herbie Hancock, Victor Feldman (piano), George Coleman (tenorsax), Nefertiti Miles Davis (trompet), Wayne Shorter (tenorsax), Tony Williams (drums), Ron Carter (bas), Herbie Hancock (piano) Boplicity Miles Davi (trompet), Lee Konitz (altsax), Gerry Mulligan (baritonsax), John Lewis (piano), Kenny Clark (drums), Nelson Boyd (bas)J.J. Johnson (trombone), Bill Barber (tuba) Milestones Miles Davis (trompet), John Coltrane (tenorsax), Cannonball Adderly (altsax), Red Garland (piano), Paul Chambers (bas), Philly Jo Jones (drums) Tutu Miles Davis (trompet), Marcus Miller (producer, instruments), George Duke (keyboards), Paulhinho da Costa (percussie) Amandla Miles Davis (trompet), Kenny Garrett (altsax), Marcus Miller (bas), Omar Hakim (drums), Joe Sample (keyboards) Human Nature Miles Davis (trompet), Darryll Jones (bas), Vince Wilburn jr. (drums), John Scofield (gitaar), Robert Irving III (keyboards), Round Midnight Miles Davis (trompet), John Coltrane (tenorsax), Cannonball Adderly (altsax), Red Garland (piano), Paul Chambers (bas), Philly Jo Jones (drums) Jam Session Miles Davis (trompet), Michel Legrand (piano), Jimmy Cleveland (trombone), Kenny Garrett (sax), Mark Rivett (gitaar), Alphonse Mouzon, Harvey Mason (drums), Benny Reitveld (bas) Een paar bespiegelingen… De muziek van Miles Davis is niet slechts een hoofdstuk in de geschiedenis van de jazz; zij is een voortdurend herlezing van wat muziek kan zijn. Wie naar Davis luistert, hoort niet alleen noten, maar ook een bepaalde houding ten opzichte van tijd, stilte en vernieuwing. Zijn oeuvre lijkt zich steeds te onttrekken aan elke definitie die men erop loslaat. Dat maakt zijn betekenis filosofisch relevant: Davis laat zien dat identiteit niet iets statisch is, maar een proces van voortdurende transformatie. Een van de opvallendste kenmerken van zijn muziek is het gebruik van ruimte. In albums als *Kind of Blue* wordt stilte niet als leegte ervaren, maar als een actief element. Deze benadering roept vragen op over de aard van expressie zelf. Moet muziek altijd gevuld zijn, of kan juist het weglaten een diepere vorm van communicatie zijn? Davis' antwoord lijkt te zijn dat betekenis ontstaat in de spanning tussen klank en stilte. Daarmee sluit hij aan bij een bredere existentiële intuïtie: dat wat niet gezegd wordt, vaak even belangrijk is als wat wel wordt uitgesproken. Daarnaast belichaamt Davis het idee van artistieke vrijheid als morele houding. Hij weigerde zich te conformeren aan de verwachtingen van zijn publiek of de industrie. Telkens wanneer hij succes bereikte—of het nu ging om bebop, modal jazz of fusion—koos hij ervoor om een nieuwe richting in te slaan. In die zin is zijn carrière een praktijk van wat de filosoof Nietzsche “zelfoverwinning” noemde: het voortdurend achterlaten van het oude zelf om ruimte te maken voor het nieuwe. Deze radicale trouw aan vernieuwing maakt hem tot een bron van inspiratie voor hedendaagse musici. De invloed van Miles Davis op huidige jazzmuzikanten ligt dan ook niet alleen in specifieke harmonieën of technieken, maar in een manier van denken. Moderne jazz kenmerkt zich door hybriditeit: invloeden van hiphop, elektronische muziek en wereldmuziek vloeien samen tot nieuwe vormen. Deze openheid is rechtstreeks schatplichtig aan Davis' grensverleggende experimenten, vooral in zijn latere werk zoals *Bitches Brew*. Hij legitimeerde het idee dat jazz geen afgesloten traditie is, maar een permeabel veld waarin alles kan worden opgenomen. Ten slotte blijft Davis relevant omdat hij de luisteraar actief betrekt. Zijn muziek vraagt om aandacht, om interpretatie, om een zekere existentiële inzet. Zij is nooit volledig transparant; er blijft altijd iets ongrijpbaars. In een tijd waarin muziek vaak als achtergrondconsumptie fungeert, herinnert Davis ons eraan dat luisteren een vorm van denken is. Zo bezien is Miles Davis niet alleen een muzikant, maar een filosoof in klank. Zijn erfenis leeft voort in elke muzikant die durft te experimenteren, te twijfelen en opnieuw te beginnen—en in elke luisteraar die bereid is om in die zoektocht mee te gaan.

Adam is joined by Murderhobos producer Tony Williams to answer your questions about King Philip, Tecumseh, and Crazy Horse. Subscribe to the show on Patreon: bit.ly/murderhobospatreon Make a one-time donation to the show:  bit.ly/donatetomurderhobos Submit questions: murderhobospodcast@gmail.com

Cindy Blackman Santana is a virtuoso American jazz and rock drummer celebrated for her powerful, explosive style and technical versatility. Originally known for her deep roots in jazz fusion and a long tenure as the drummer for Lenny Kravitz (notably appearing in the "Are You Gonna Go My Way" video), she has been the regular touring drummer for Santana since 2016. She is married to guitar legend Carlos Santana, who proposed to her on stage during a concert in July 2010. Musical Career and Influence Blackman Santana's career spans over four decades, beginning as a street performer in New York City in the 1980s. Jazz Foundations: Heavily influenced by Tony Williams, she has released numerous jazz albums as a bandleader, including the critically acclaimed Another Lifetime (2010). Collaborations: She has performed and recorded with a diverse range of artists, such as Pharoah Sanders, Cassandra Wilson, Bill Laswell, Joss Stone, and Joe Henderson. Lenny Kravitz Era: She spent roughly 18 years touring and recording with Lenny Kravitz between 1992 and 2015. Current Projects: She continues to release solo material, such as the 17-track album Give the Drummer Some (2020), which showcases her skills as both a drummer and vocalist. Huge Thanks to Cindy for gicing me some time from her crazy schedule, i really appreciate it! Equally huge thanks must go to friend of the podcast and legendary Free/Bad Company Drummer Simon Kirke for putting us in touch, Simon i am eternally grateful for all you do to help. www.cindyblackmansantana.com www.santana.com

Straight out of Philly is Billy "Shoes" Johnson, one of my favorite drummers of all time on today's show. He was the MAN playing with Santana during the Supernatural tour and the sound on Da Le Yaleo! Billy riffs about his favorite musicians including Stanley Clark, Chick Corea, George Howard, Herbie Hancock, Tony Williams, and Jerry Brown. We are talking music history and Billy was in the jam.  Billy pays homage to his parents, siblings and Grandparents for listening to his drumming in his early years. "Put your ego in your back pocket and serve the music"....says Billy....inspired by Steve Gad. Hear the inside story of touring with Santana and going to school off of percussionists Karl Perrazo and Raul Rekow.   Their chemistry made Supernatural .....well supernatural! Learn the lesson of creating space with your drumming, especially with Santana. Remember, when you are playing drums, you are playing time. Find space in your time. Think of the big picture and the overall sound. Pay attention and listen. And remember, don't box in your lead guitarist...or anybody....especially if his name is Carlos Santana. A special thanks to our mutual friend, Mr. Dan Ashley, world class broadcaster at ABC, musician, and mentor for connecting us. Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Miles Davis- Miles In The Sky (Columbia Records)(Released  January 16, 1968 and May 15–17, 1968)Miles in the Sky (1968) captures Miles Davis at a pivotal moment of transition. Recorded with his celebrated Second Great Quintet—Wayne Shorter, Herbie Hancock, Ron Carter, and Tony Williams—the album marks the first clear step toward Davis's electric period. Released by Columbia Records, the record introduces electric piano and electric bass into Miles's studio sound while retaining the sophisticated interplay the quintet had developed through earlier post-bop recordings. The four extended tracks blend groove-based structures with the band's advanced rhythmic freedom and conversational improvisation. Pieces such as “Stuff” and “Paraphernalia” hint at the influence of late-1960s rock and funk, while still grounded in the group's exploratory jazz language. The album stands as the final full studio statement by the Second Great Quintet and foreshadows Davis's radical electric experiments that would soon emerge on his 1969 releases In a Silent Way and Bitches Brew. (S5-EP16)

Send me a text and please visit www.livefrommydrumroom.com A special episode of Live From My Drum Room! on location at Cymbal Craftsman By Paul Francis. I sit down with my old friend, former Zildjian colleague, and master cymbal smith, Paul Francis. We do a deep dive into cymbal making, his relaunched and rebranded "Cymbal Craftsman By Paul Francis," and Paul shares his knowledge and expertise of over 37 years of making cymbals. Paul and I also share stories of our time working together at Zildjian, and much more! So come along for the ride with legendary cymbal smith, Paul Francis! Contact Paul: info@cymbalcraftsmancymbals.comWebsite: https://cymbalcraftsmancymbals.comLive From My Drum Room™ T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details!     Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Statesman.  Author.  President of the United States.  Perhaps no one's words best embodied the ethos of the Founding Fathers quite like Thomas Jefferson.  At Constituting America, we feel what he wrote in the Declaration of Independence 250 years ago makes it one of the  world's greatest documents of freedom ever written.  To help us better understand Jefferson and his extraordinary enduring legacy, we are pleased to welcome back longtime Constituting America friend, Tony Williams.  Tony is a senior fellow at the Bill of Rights Institute, senior fellow at Constituting America and a prolific author of such books as  "Divided over the Declaration: How an Enduring Debate Sustains the Vision of America," co-authored with Dr. David J. Bobb.

Adam is joined by Murderhobos producer Tony Williams to answer your questions about Crazy Horse. Subscribe to the show on Patreon: bit.ly/murderhobospatreon Make a one-time donation to the show:  bit.ly/donatetomurderhobos Submit questions: murderhobospodcast@gmail.com

Your calendar can feel like a master, but it was never meant to replace your compass. We talk about the priority for every leader that keeps us grounded when the to do list is loud: intimate time alone with God. When we rush through prayer or treat Scripture like a box to check, we don't just lose peace, we lose perspective. Tony Williams shares a personal early-morning moment where his mind was racing, his body felt driven, and God interrupted him with a simple command that changed everything.We walk through what “time alone with God” looks like in real life: prayer, Bible reading, silence, and listening with a notebook and pen. Tony explains how Psalm 46:10, “Cease striving and know that I am God,” exposed the hidden cost of hurry for leaders. He connects that to Proverbs 3:5-6, showing how trusting God can redirect decision making, even when your instincts feel confident. One of the most practical takeaways is how quiet time can surface wisdom you miss when you lead on adrenaline.We also explore the link between spiritual leadership and health. When stress pushes your mind ahead of your body, anxiety rises and clarity drops. Tony describes how slowing down brought a measurable shift: a lower heart rate, a settled mind, and “perfect peace” that made the day's priorities clearer. We close with Matthew 6:33, seeking first God's kingdom, and the call to lead, serve, and work from the overflow of a heart occupied by the Holy Spirit. If this encouraged you, subscribe, share it with a leader who feels stretched thin, and leave a review so more people can find these leadership development insights.Send Tony a Texthttps://www.seldicompany.com/

You hear the names Jalen Ramsey, Micah Parsons, and Brandin Echols in the NFL, but the names you don't hear are Lamont Ramsey, Terrence Parsons, and Tony Williams, their dads. On this episode, we talk to the men behind the NFL players, diving into the early signs they saw in their sons, the process leading up to and the day of the NFL Draft for their sons through their eyes and the panel all three are a part of during NFL Draft weekend in Pittsburgh! The Dad Talks: Intentional Fathers. Incredible Kids panel is about taking matters into our hands. Raising funds for fathers, creating a virtual community where conversations can continue, and an in-person event.The in-person event will take place alongside the 2026 NFL Draft in Pittsburgh.Cost: $75 Time: 10am-12pm Location: The August Wilson African American CulturalCenter (Pittsburgh) . Registration available on Eventbrite.#jalenramsey #micahparsons #brandinechols #nfldraft #nfl #fatherhood

Greetings, friends.If you've been drowning in information but starving for clarity, this conversation is a reset. We talk about guidance as a promise from God, not a lucky break, and we anchor it in Jesus' words from John 16:13: the Holy Spirit is the Spirit of truth who guides us into all truth and reveals what's ahead. For leaders, professionals, and anyone trying to make wise decisions, that changes everything. It means you're not just collecting advice or reacting to noise. You're learning to discern and to hear God with confidence.We walk through what it actually looks like to rely on the Holy Spirit for day-to-day direction: praying simple, honest prayers for truth, making space to be quiet, and expecting God to speak. We also challenge the pace that keeps many of us spiritually dull. When we stay distracted, we miss the guidance that's already available within us. When we prioritize an intimate relationship with God, we begin to recognize his voice in Scripture, in conversations, and in the moments when decisions are made.We also share a real leadership story about starting what became the SELDI Podcast with Tony Williams, expanding into a vision from God to launch The SELDI Company, Inc., and how step-by-step guidance shaped the vision, goals, and long-term impact. Along the way, we connect John 16:13 with Jeremiah 33:3, reminding you that God answers when you call, and he shows you what you don't yet know, including “what is to come.” If you're seeking Christian guidance, spiritual growth, or practical faith for your next step, don't just listen—take action. After hearing this message, set aside a quiet moment to ask God for truth and clarity about your life and career. Expect Him to respond, and be ready to follow the guidance He provides.Tony WilliamsSend Tony a Texthttps://www.seldicompany.com/

Lou , Mark and Perry have a listen to Supertramp play "Goodbye Stranger" and Marmalade play "Reflections of My Life" and music trivia and a talk and listen to drummer Tony Williams also the power of songs by Allen Toussaint plus random relish topics and The Kim family brothers and sisters and extra fun stuff

Vince Wilburn Jr. was growing up on Chicago's South Side when his mother would get him all dressed up because his Uncle Miles Davis was coming to town. Sometimes they'd see the brilliant trumpeter perform, including at the tiny Plugged Nickel club in Old Town. By the 1980s, Wilburn was playing drums in Davis' band and helping produce his albums. Wilburn now performs in Miles Electric Band (MEB) and co-manages Davis' estate, which is overseeing the Miles Davis 100 campaign to mark his uncle's 100th birthday. One major release is The Complete Live at the Plugged Nickel 1965, a 10-LP/eight-CD box set covering a legendary live engagement by Davis and his “second great quintet” (drummer Tony Williams, pianist Herbie Hancock, tenor saxophonist Wayne Shorter and bassist Ron Carter). Wilburn reflects on the band's wildly experimental approach those nights, as well as what it was like to be Davis' nephew and how he's keeping his uncle's legacy alive.

Adam is joined by Murderhobos producer Tony Williams to answer your questions about Tecumseh. Subscribe to the show on Patreon: bit.ly/murderhobospatreon Make a one-time donation to the show:  bit.ly/donatetomurderhobos Submit questions: murderhobospodcast@gmail.com

Adam is joined by Murderhobos producer Tony Williams to answer your questions about Tecumseh.   Subscribe to the show on Patreon: bit.ly/murderhobospatreon   Make a one-time donation to the show:  bit.ly/donatetomurderhobos   Submit questions: murderhobospodcast@gmail.com

A decommissioned coal plant in Clinton, Tennessee is on track to become the site of America's first commercial stellarator fusion reactor.In this episode, Tony Williams — Executive Sponsor of the Infinity Project at the Tennessee Valley Authority — joins us to share how TVA is partnering with Type One Energy to build a proof-of-concept fusion machine inside the retired Bull Run fossil plant, with a full-scale 400-500 megawatt power plant to follow.We toured the facility and discussed what's actually changed to make fusion viable now — from Oak Ridge's exascale supercomputer cutting year-long calculations down to a single day, to advances in manufacturing and material science. Tony breaks down the economics of fusion vs. conventional generation, why TVA chose the stellarator over the tokamak, and how the project is being de-risked through a coalition of partners including Type One Energy, Oak Ridge National Laboratory, the DOE, and the University of Tennessee. We also explore what it means to repurpose aging fossil infrastructure for the next generation of energy production.Hosted by Logan Jones and Alex MercerMission Critical is proudly supported by:Valent → getvalent.comAble Construction → ableconstruct.com

For 250 years, a debate has carried on over the meaning of the Declaration of Independence. To enlighten us on his new book: "Divided Over the Declaration: How an Enduring Debate Sustains the Vision of America," we welcome author Tony Williams!

Adam is joined by Murderhobos producer Tony Williams to answer your questions about King Philip. Sorry for the delay!   Subscribe to the show on Patreon: bit.ly/murderhobospatreon   Make a one-time donation to the show:  bit.ly/donatetomurderhobos   Submit questions: murderhobospodcast@gmail.com

Show NotesLegendary drummer Simon Phillips joins host Steve Roby to discuss five decades of rhythmic mastery, from teenage session work in 1970s London to leading the modern jazz fusion powerhouse Protocol.In This Episode:The Early Days – Simon recalls stepping into BBC studios at 16 with long hair, patchouli oil, and a Ludwig kit, sight-reading charts for string sections while older musicians in ties looked on skeptically. He shares how growing up in his father's band prepared him for high-pressure sessions with session legends like Herbie Flowers and Ray Cooper. Protocol V & Beyond – Fresh off the acclaimed 2022 release Protocol V, Simon reveals he's already recorded Protocol Six, set to drop this spring alongside a major European tour. He discusses his new approach of road-testing material live before release, following in the footsteps of Tony Williams and his late collaborator Harami. The Music Breakdown:"Jagannath" – How a Wednesday morning trash truck inspired an Indian-influenced opener with massive sound"Undeviginti" – The story of a melody that interrupted breakfast and became a groove in 19/16 that still makes you nod your head The Band – Meet the Protocol lineup heading to Yoshi's: bassist Ernest Tibbs (since 2013), keyboardist Otmaro Ruiz, guitarist Alex Sill, and new saxophonist Philip Whack, whose Joe Henderson-esque tone brings fresh energy to the group. The Yoshi's Experience – Why Simon loves the Oakland venue's Meyer sound system, professional crew, and intimate vibe (even if he wishes they'd let him play longer sets). Gear Talk – Simon debuts a brand new Tama mahogany kit finished in green lacquer—the same kit used to record Protocol VI. Catch Simon Phillips & Protocol Live:

Host Maggie LePique & Stanley Clarke discuss the new release "Last Train to Sanity," a major project featuring new music, classic jazz-fusion remakes, and a significant autobiographical book, arriving as a 2-LP/CD set with a deluxe edition containing extra goodies, including a book called Notes From The Journey, "which is a book that goes from eight years old up until today,” Clarke says. “It has as much stuff as we could fit in there." Its available to pre-order January 26 2026, with the "4EVER" band supporting. Maggie & Stanley also discuss musicians who have had a life long and meaningful influence on the Four-time Grammy Award winner. “The 4EVER band includes drummer Jeremiah Collier, Colin Cook on guitar, Emilio Modeste on tenor sax and clarinet and Jahari Stampley on piano and keyboard. Special guest appearances throughout include a thrilling bass duet with Cameroonian bassist, Armand Sabal-Lecco, a beautiful reimagining of Clarke's piece “Tradition” with Ruslan Sirota on piano and a duet between Stanley and Salar Nader, one of the most sought-after young tabla players.”Stanley Clarke is one of the most celebrated acoustic and electric bass players in the world. He is equally gifted as a recording artist, performer, composer, conductor, arranger, producer, and film score composer. A true pioneer in jazz and jazz-fusion, Clarke is particularly known for his ferocious bass dexterity and consummate musicality. An accomplished film and TV composer of more than 70 projects, Clarke's credits include the Academy Award®-nominated Boyz N The Hood, the Tina Turner biopic What's Love Got To Do With It, and Barbershop: The Next Cut.Stanley remains as driven today as the teen prodigy from Philly with big dreams, and now, a lifetime of legendary accomplishments and contributions.Stanley Clarke and the 4EVER band will be performing Thurs. January 22-Sunday January 25, 2026 at the Blue Note Los Angeles in Hollywood. 2 shows nightly at 7pm and 9:30pm Source: https://www.bluenotejazz.com/la/shows/?calendar_viewSource: https://stanleyclarke.com/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

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Tony "Butta" Williams joins the podcast to discuss his smooth nickname, his journey to Fairfield U. and his first season with the Stags.

The season one finale of Field Notes explores the life and legacy of Seattle music producer Gary Mula and the musical castle he built at The Dutchman Studios. The podcast features archival interview recordings with Mula where he recalls how The Dutchman became a diverse, welcoming mecca for various genres, from grunge to early hip-hop. Ultimately, this episode celebrates Mula's unwavering, community-driven spirit as reflected in his final project, The Rabbit Box, which continues his commitment to providing uncompromising artistic space.This episode is hosted by Tony Williams and features guest Shin Yu Pai.Curated HistoryLInk article set for this episode includes:The Dutchman (Seattle) by Shin Yu PaiRock Music - Seattle by Clark HumphreyWomen of Northwest Rock: The First 50 Years (1957-2007) by Peter BlechaAdditional HistoryLink resources for this episode:Crocodile Cafe: Seattle's Icon of the Grunge Rock Era by Peter BlechaCobain, Kurt (1967-1994) by Peter BlechaKurt Cobain posts a "Drummer Wanted" classified advertisement in Seattle's The Rocket on May 1, 1988. by Peter BlechaNirvana debuts brand-new grunge-rock anthem "Smells Like Teen Spirit" at Seattle's OK Hotel all-ages club on April 17, 1991 by Peter BlechaCentral Tavern and Saloon (Seattle) by Peter BlechaSeattle's "underground" hip-hop scene breaks out with big Exhibition Hall gig on August 17, 1984 by Peter BlechaKJR Radio (Seattle) by Peter BlechaFor more from Shin Yu Pai check out:https://shinyupai.com/Ten Thousand Things PodcastTrack List for This EpisodeGary Mula – Maraca's CL (2002?)Gary Mula – Don't Mind (2002)Thrust – What Do I Have To Do (1978)Thrust – Bombs Away (1978)Dumb Thumbs – Nothing Ever Lasts (2020)Nirvana – Blew (1989)Common Language – Cover Me (1989)Playerz on Wax – Down with P.O.W. (1991)Amateur Boyfriend – Deceiving (2004)Gary Mula – She's The One (1998)Muckner – You Think You Know (2004)Gary Mula – Smoke Stack (2002)To visit The Rabbit BoxThe Rabbit BoxFor more Field Notes episodes and other HistoryLink podcasts visit the:HistoryLink.org Podcast Page Hosted on Acast. See acast.com/privacy for more information.

Adam is joined by Murderhobos producer Tony Williams to answer your questions about PIRATES.   Subscribe to the show on Patreon: bit.ly/murderhobospatreon   Make a one-time donation to the show:  bit.ly/donatetomurderhobos   Submit questions: murderhobospodcast@gmail.com

GBH's Adam Reilly and The Bay State Banner's Ron Mitchell join for Press Play media analysis. This week, they talk about media reaction to Trump's White House address, Brian McGrory returning to the Globe and a profile of the photographer who captured Trump staff for the Susie Wiles Vanity Fair profile.  Boston Medical Center's Dr. Katherine Gergen Barnett on the CDC reversing its position on Hepatitis B vaccines for infants, cutting funding for the American Academy of Pediatrics, RFK Jr.'s move to ban gender affirming care for young people, and the so-called "Christmas Coronary effect." Atikin Rose is an up-and-coming R&B singer songwriter with a new EP due out next year. She joins for Live Music Friday alongside talent manager Rob Kelley-Morgan.Tony Williams and Peter Gwiazda celebrate 25 years of the Urban Nutcracker. Tony is the show's founder and creative visionary. Peter is a dancer with Les Ballets Trockadero de Monte Carlo.NBC10 Boston media maven Sue O'Connell talks Epstein files, Brian Walshe, and a NYTimes profile of the woman caught in that Coldplay kiss-cam last summer.

Kaum ein anderer Jazzschlagzeuger hat seine Bandmitglieder während ihrer Soli so kraftvoll vorangetrieben und - im besten Sinn - herausgefordert wie der US-Amerikaner Tony Williams. Und dies bereits im zarten Alter von 17 Jahren. Miles Davis, Herbie Hancock und viele andere liessen sich von den kreativen Ideen des jungen Ausnahmetalents inspirieren, das ab den 1960ern mit seiner Spielart das Jazzschlagzeug für immer veränderte. Auch der Zürcher Schlagzeuger Jonas Ruther sagt, er sei von Tony Williams beeinflusst. Er ist in dieser Jazz Collection Gast von Roman Hošek. Die gespielten Titel: Interpret:in: Titel (Album / Label) - Miles Davis: Walkin' («Four» & More / CBS Sony) - Eirc Dolphy: Hat And Beard (Out to Lunch / Blue Note) - Miles Davis: Nefertiti (Nefertiti / Columbia) - Stan Getz: Times Lie (The World of Stan Getz / Columbia) - The Tony Williams Lifetime: Spectrum (Emergency! / Polydor) - Wynton Marsalis: Sister Cheryl (Wynton Marsalis / CBS) - Tony Williams: Infant Wilderness (Wilderness / Ark21) - Herbie Hancock: Tony Williams (Future 2 Future / Transparent)

Adam is joined by Murderhobos producer Tony Williams to answer your questions about Jean Lafitte.   Subscribe to the show on Patreon: bit.ly/murderhobospatreon   Make a one-time donation to the show:  bit.ly/donatetomurderhobos   Submit questions: murderhobospodcast@gmail.com

Guests: Reg Mitchell – No. 488 (NZ) SquadronKeith Boles DFC – No. 109 Squadron PFFHarold “Bunny” Burrows – No. 487 (NZ) Squadron, and No. 75 Squadron RNZAF, and Martial “Sonny” Gaspard – No. 75 Squadron RNZAF Host: Dave Homewood Recorded: 2nd of March 2013 Released: 25th of November 2025 Duration:  1 hour  19 minutes 23 seconds To mark the 85th Anniversary of the first flight of the de Havilland Mosquito, which took place on the 25th of November 1940, Dave Homewood has pulled an old but never before heard interview from his archive he recorded in 2013 with four Kiwi Mossie veterans. They are pilots Reg Mitchell and Keith Boles DFC, and navigator-wireless operators Harold “Bunny” Burrows and Martial “Sonny” Gaspard. The recording was made at the Museum of Transport and Technology in Auckland, and the guys share memories and tell stories from their days flying one of the greatest aeroplanes of all time. As well as war stories, Keith and Bunny also talk about ferrying Mosquitoes to New Zealand after the war. You will also hear Peter Wheeler ask a question too, as he sat in on the interview. Sadly these four wonderful gentlemen have all since passed away. Quick Links: • The de Havilland Mosquito on Wikipedia • The Museum of Transport and Technology Above, from left to right: Keith Boles, ‘Bunny’ Burrows, Reg Mitchell and Sonny Gaspard in front of the MOTAT Mosquito. Dave Homewood photo. Above Left: Sonny, Reg and Bunny. Above Right: Sonny and Bunny. In the background is the late Peter Wheeler of the New Zealand Bomber Command Association, who sat in on the interview. Dave Homewood photos. Above: Bunny Burrows receiving his brevet in 1942. NZBCA Collection. Above: No. 487 (NZ) Squadron crews. Bunny Burrows on the right and his pilot F/O Kassler on the left.NZBCA Collection. Above: No. 109 Squadron Kiwis at Little Staughton , Keith Boles is front left. NZBCA Collection. Above: Keith Boles’ special 100th birthday gift , a Mosquito made from recycled Mosquito timber. Peter Wheeler Photo. Above: No. 488 (NZ) Squadron night fighter aircrews at readiness. Reg Mitchell photo. Reg Mitchell collection. Above: Above: Reg Mitchell at RNZAF Station Woodbourne, 1941. Reg Mitchell collection. Above: Reg Mitchell, left, with his navigator. Reg Mitchell collection. Above: No. 1 Navigators course. RNZAF Station Wigram. L-R: Back; Leans, Martial “Sonny” Gaspard, Stevens, Lafferty. Front; Collins, Campbell, Williams, Miller. Air Force Museum of New Zealand photo. Above: Left to Right – No. 75 Squadron aircrew Bob Scott, Bill Annand, Nelson Bright, Colin Hanson, Dave Cohu and Sonny Gaspard, preparing to sink the stricken vessel Lutterworth (not the Shuttleworth, as Sonny remembered). Dave Cohu collection. Above: No. 75 Squadron RNZAF Mossie crews, left to right: Colin Hanson, ‘Joe’ Mace, Ernest Gartrell (75 CO), Cyril Waters, Owen Staple, Ted Arundel, ‘Mac’ McBean, Noel Fraser, Sonny Gaspard, Tony Williams, Rod Dahlberg, Mitch Mitchell, Gordon Shearer. RNZAF Official Photo. Music: The tune is the 633 Squadron theme by Ron Goodwin.Thanks to: The late Peter Wheeler of the NZBCA, and MOTAT.

Send me a text and please visit www.livefrommydrumroom.com My guest is music industry legend, Colin Schofield. Colin's 40 plus years in the music industry includes senior management and Vice President positions at Premier Drums, Zildjian Cymbals, Gretsch Drums and currently Jody Jazz Mouthpieces. In this episode we discuss Colin's long and successful career, the artists he signed and worked with at Premier and Zildjian, and many hilarious stories. So come along for the ride and please subscribe! Live From My Drum Room T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

Tony Williams and Ben Taylor prepare to ferry a Cessna 401 that's been resurrected after almost 25 years in storage. Despite meticulous planning, high-speed taxi tests, and pattern work, a loud bang on downwind reveals a left-gear failure. With support from ATC, the pilots plan a deliberate gear-up landing on a foamed runway.

Episode 93: Christian McBride Part 2. He's back! Nine-time GRAMMY winner Christian McBride returns for Part 2 of our conversation. In this episode we pick up where he becomes a bandleader and makes his first album. From there we cover his journey through leadership, creativity, and legacy. We talk about his work with Chick Corea, his solo albums, and the moments that earned him nine GRAMMY Awards. Christian shares stories about the drummer greats he has played with including Jack DeJohnette, Tony Williams, Vinnie Colaiuta, and Brian Blade, as well as his collaboration and relationship with James Brown. It is a two-hour conversation full of stories, laughter, and insight from one of the most influential figures in jazz. Christian is an amazing storyteller and we had a blast recording this one. We hope you enjoy it as much as we did. Here's Part 2 of my interview with the legend, Christian McBride! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Christian: https://www.instagram.com/chrmcbride/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Who came up with the idea that the middle of the road is the right place to be?  Regular listeners to Mitch Goldman's Deep Focus know that it's those shadowy corners, those Edge Cities, where new things start to happen. And who embodied this idea more than drummer Tony Williams' late sixties supergroup, Lifetime?     Lifetime inspired another supergroup in 2008 when guitarist Vernon Reid and bassist Jack Bruce (himself a member of Lifetime) formed Spectrum Road with drummer Cindy Blackman and keyboard conjurer John Medeski.  Did these 4 masters of many musical disciplines present faithful recreations of Lifetime's original recordings?  Or did their live shows start where Lifetime ended, and end up in the highest towers of their own Edge City?     Mitch's guest, guitarist Ben Tyree, knows the answer.  Ben has shared stages with and drawn inspiration from at least 2 of these 4 innovators.  He credits John Medeski with inspiring his life-changing move to New York City.     And will the WKCR archives yield live, unreleased recordings that will bear him out?  We don't know ourselves, and the suspense is just killing us!   Find out Monday (9/1) when Mitch Goldman and Ben Tyree plunge into the vast WKCR archive.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD, or wkcr.org.   Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Learn more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: no publishing information available. #WKCR #DeepFocus #TonyWilliamsLifetime #SpectrumRoad #JohnMedeski #VernonReid #CindyBlackman #CindyBlackmanSantana #JackBruce #/BenTyree #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman #TonyWilliams #JazzRockFusion

Who came up with the idea that the middle of the road is the right place to be?  Regular listeners to Mitch Goldman's Deep Focus know that it's those shadowy corners, those Edge Cities, where new things start to happen. And who embodied this idea more than drummer Tony Williams' late sixties supergroup, Lifetime?     Lifetime inspired another supergroup in 2008 when guitarist Vernon Reid and bassist Jack Bruce (himself a member of Lifetime) formed Spectrum Road with drummer Cindy Blackman and keyboard conjurer John Medeski.  Did these 4 masters of many musical disciplines present faithful recreations of Lifetime's original recordings?  Or did their live shows start where Lifetime ended, and end up in the highest towers of their own Edge City?     Mitch's guest, guitarist Ben Tyree, knows the answer.  Ben has shared stages with and drawn inspiration from at least 2 of these 4 innovators.  He credits John Medeski with inspiring his life-changing move to New York City.     And will the WKCR archives yield live, unreleased recordings that will bear him out?  We don't know ourselves, and the suspense is just killing us!   Find out Monday (9/1) when Mitch Goldman and Ben Tyree plunge into the vast WKCR archive.  Deep Focus airs Mondays from 6p to 9p NYC time on WKCR 89.9FM, WKCR-HD, or wkcr.org.   Or join us when it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/.  Subscribe right now to get notifications when new episodes are posted.  It's ad-free, all free, totally non-commercial.  We won't even ask for your contact info.   Learn more about Deep Focus at https://mitchgoldman.com/about-deep-focus/ or join us on Instagram @deep_focus_podcast.   Photo credit: no publishing information available. #WKCR #DeepFocus #TonyWilliamsLifetime #SpectrumRoad #JohnMedeski #VernonReid #CindyBlackman #CindyBlackmanSantana #JackBruce #/BenTyree #JazzRadio #JazzPodcast #JazzInterview #MitchGoldman #TonyWilliams #JazzRockFusion