I Know Movies and You Don't w/ Kyle Bruehl

In the fortieth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter David Gutierrez to discuss the circular irrationality and chaos of an uprising going nowhere in Werner Herzog's bleak yet ironic assessment of rebellion within a closed and corrupt system in Even Dwarfs Started Small (1970).

In the thirty-ninth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and editor Kristi Shimek to discuss the original cult sensation that centers around the quotidian normalcy and fulfilling community of circus performers that is interrupted by self-doubt, exploitation, and betrayal resulting in a swift and demented form of justice in Tod Browning's sensational horror melodrama Freaks (1932).

In the thirty-eighth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter August Gummere to discuss one of the most provocative mosaics of youthful despair and apathy in Larry Clarke's gritty and authentic assessment of a pre-Giuliani New York skating subgroup as they navigate poverty, societal neglect, the AIDs epidemic, and their own worst impulses in Kids (1995).

In the thirty-seventh episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with cinematographer Ezra Balcha to discuss the surrealist satire on the falsity of the American Dream, the soullessness of corporate cubicle life, and the deconstruction of language in Steven Soderbergh's anarchic and creatively revitalizing Schizopolis (1996).

In the thity-sixth episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmakers Daniel Lopez and Mario Ruiz to discuss the madcap ambition and delirious purgatory of William Friedkin's technically stunning and thematically dense adaptation of Georges Arnaud's The Wages of Fear that becomes a bleak assessment of fate, world politics, and desperate circumstances in Sorcerer (1977).

In the thirty-fifth episode of Season 11: The Son of Cult Flicks, Kyle is joined by novelist Samuel Cullado and film critic Tyler Harlow to discuss the clinical scalpel of David Cronenberg's personalized adaptation of J.G. Ballard's novel depicting a new flesh of metal, wire, and collision that was trying to assess our natural dehumanization in conjunction with technological advancement in Crash (1996).

In the thirty-fourth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and actor Dan Bauer to discuss the joyous satire of lo-fi science-fiction fandom and the actors who have taken the gift of a show's community and philosophy for granted in Dean Parisot's wonderful ode to how pop culture can be more than simply a commercialized product in the hilarious Galaxy Quest (1999).

In the thirty-third episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmaker Daniel Lopez and musician Ben Childs to discuss the fractured and enigmatic construction of Nicolas Roeg's Christ-like allegory for modernity's denial of true progress and enlightenment in the experimentally bold adaptation of Walter Tevis' novel The Man Who Fell to Earth (1976).

In the thirty-second episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and cinematographer Ezra Balcha to discuss John Sayles' low-budget science-fiction parable about the alienation of the immigrant experience, the complexities of assimilation, and the preservation of community in the warm, tender, and often times silly The Brother from Another Planet (1984).

In the thirty-first episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmaker Daniel Lopez and cinephile Alejandro Etcheagaray to discuss the mixture of avant-garde formalism, black nationalist attitude, and revolutionary politics that created the explosive and rebellious statement of black power, autonomy, and survival in Melvin Van Peebles' radical Sweet Sweetback's Baadasssss Song (1971).

In the thirtieth episode of Season 11: The Son of Cult Flicks, Kyle is joined by editor Kristi Shimek and cinematographer Ezra Balcha to discuss the ethereal and experimental black vampire film from artist Bill Gunn that utilizes rich metaphor, hallucinatory ambiance, and raw sexuality to make a commentary on the assumptions of black culture and what might be the monstrous realities behind those assumptions in Ganja & Hess (1973).

In the twenty-ninth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter August Gummere to discuss the full 80s camp of soundtrack, aesthetic, and attitude in Joel Schumacher's flamboyant subversion of the vampire genre that reflects on found family, Generation X anxiety, and the seduction of immortality with no responsibility in the cult classic The Lost Boys (1987).

In the twenty-eighth episode of Season 11: The Son of Cult Flicks, Kyle is joined by novelist Samuel Cullado and cinematographer Josh Carter to discuss the purgatorial hellscape of a gentrifying city for one sexually repressed word processor in his looped surrealist Odyssey of confronting his insecurities and trying to find home in Martin Scorsese's maddening and hilarious After Hours (1985).

In the twenty-seventh episode of Season 11: The Son of Cult Flicks, Kyle is joined by fellow podcaster Ben Thelen and activist Kerry Harwin to discuss the tenuous line between genius and madness in Darren Aronofsky's exquisite dissection of order and chaos in the universe and the numerology, mysticism, and materialism that people attempt to use to bridge the two together in the true independent masterpiece Pi (1998).

In the twenty-sixth episode of Season 11: The Son of Cult Flicks, Kyle is joined by fellow podcaster Michael Willer and graphic designer Nell Bailey to discuss Stephan Elliott's vibrant and complex portrait of the gay, trans, and drag queen experience of Australia that pushed representation and tolerance forward with its reflections on male identity, performative truth, and healing bigotry with humanity in the road film The Adventures of Priscilla, Queen of the Desert (1994).

In the twenty-fifth episode of Season 11: The Son of Cult Flicks, Kyle is joined by fellow podcast Ben Thelen for a one-on-one conversation about Jennie Livingston's anthropological document about the gay and drag queen subculture of the New York ball scene and how the lifestyle embodied challenges to societal definition, fluid gender representation, and a house culture that created a new found idea of family in the stunning and groundbreaking documentary Paris is Burning (1990).

In the twenty-fourth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter David Gutierrez and filmmaker Mario Ruiz to discuss the experimental, phantasmagoric, and surrealist dive into the underground gay subculture of Japan in the 60s where a loose adaptation of Oedipus Rex guides us through shifting genres, changing identities, and a contorted script of experience in Toshio Matsumoto's barrier smashing Funeral Parade of Roses (1969).

In the twenty-third episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with fellow podcaster Lee from Spro & Lee Take on the Academy as they discuss the irreverent nature and knowing stupidity of SCTV favorites Bob & Doug McKenzie as they become the Rosencrantz & Guildenstern of an unsuspecting Hamlet tragedy in the sketch turned film adaptation known as Strange Brew (1983).

In the twenty-second episode of Season 11: The Son of Cult Flicks, Kyle is joined by editor Kristi Shimek and musician Ben Childs to discuss the eerily prescient dystopian lens of Norman Jewison's assessment of media violence, corporatization, and the sacrifice of individuality for the sake of comfort in the highly efficient and incredibly technical Rollerball (1975).

In the twenty-first episode of Season 11: The Son of Cult Flicks, Kyle is joined by stunt actor Danny Hernandez and filmmaker Daniel Lopez to discuss the prescient dissection of media violence, personality politicians, and the co-mingling of religion and corporation that makes up the Roger Corman produced and Paul Bartel directed exploitation satire Death Race 2000 (1975).

In the twentieth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with filmmaker Daniel Lopez to discuss David Cronenberg's mutation of adaptation and biography of William S. Burroughs famously unadaptable beat generation novel as he weaves a surreal impression about the writing process as madness, the id conjuring psychic horrors, and sexual repression breeding ambivalence in the delirious and non-sensical Naked Lunch (1991).

In the nineteenth episode of Season 11: The Son of Cult Flicks, Kyle is joined by fellow cinephile Derek Paranay and dork of all trades Daniel Lopez to discuss the witty yet melancholic tale of youthful idealism, transient friendship, and pragmatic betrayal in Bruce Robinson's semi-autobiographical reflection of the hangover that followed the swinging sixties in Withnail & I (1987).

In the eighteenth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter Katy Baldwin to discuss Franc Roddam's ode to the faded Mod subculture and how its disappearance relates to the transience of youth, identity, and history in the gritty kitchen sink adaptation of The Who's second rock opera Quadrophenia (1979).

In the seventeenth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and musician Ben Childs to discuss the bitter death of a pop culture Frankenstein's monster known as The Monkees in Bob Rafelson's counter cultural dissection of fame, identity, and the emerging schizophrenic digestion of television that is the band film Head (1968)

In the sixteenth episode of Season 11: The Son of Cult Flicks, Kyle is joined by editor Kristi Shimek and activist Kerry Harwin to discuss the opulent world building of Luc Besson's ode to comic book color and science-fiction grandeur in the flamboyant, gender-bending, and archetype subverting space opera centering around the mythic battle between good and evil that is The Fifth Element (1997). 

In the fifteenth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter August Gummere and podcaster Lee Charles from Spro & Lee Take on the Academy to discuss the irreverent and dark satire on the absurd notion of assumed ruling class divinity, power, and wisdom filtered through the schizophrenic identity of one particular British Lord in Peter Medak's uproarious adaptation of Peter Barnes' experimental play The Ruling Class (1972).

In the fourteenth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Gio Maldonado for a one-on-one conversation about Ken Russell's controversial political treatise about the precarious merger between church and state, the use of mass hysteria as a tool of control, and the persecution of the righteous (sound familiar) in the horrific historical retelling of the largest demonic possession event in history, The Devils (1971).

In the thirteenth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Katy Baldwin and stunt actor Danny Hernandez to discuss one of the first entries in the category of camp film, John Huston's oddball and accidental inversion of the classic noir in the humorously existential and meandering hardboiled mystery that is the Truman Capote penned adaptation of James Helvick's novel Beat the Devil (1953).

In the twelfth episode of Season 11: The Son of Cult Flicks, Kyle is joined by editor Kristi Shimek and screenwriter August Gummere to discuss Mary Harron's adaptation of the famously unadaptable novel by Bret Easton Ellis about the pathetic, isolated, and insecure perfect consumerist serial killer Patrick Bateman and his fulfillment of the corporation as a human promise of Reagan-era Wall Street economics known as American Psycho (2000). 

In the eleventh episode of Season 11: The Son of Cult Flicks, Kyle is joined by editor Kristi Shimek and screenwriter August Gummere to discuss the off-kilter dark teen comedy that ventures into the surrealist psychology of a loser teen who needs to grow beyond his oppressive sense of high school, self, and the present in Savage Steve Holland's semi-autobiographical Better Off Dead (1985).

In the tenth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter David Gutierrez and actor/musician Nick Earl to discuss the neo-noir curio that mixed together Hollywood prestige and the emerging exploitation genre into a mean-spirited indictment of Southern moral hypocrisy and the inherent corruption of power in Michael Ritchie's Prime Cut (1972).

In the ninth episode of Season 11: The Son of Cult Flicks, Kyle is joined by novelist Samuel Cullado and screenwriter/critic Joseph Hamersly to discuss one of the true unique works in cinema history, the whimsical and philosophical conversation of two friends at an existential divide within their cosmopolitan comforts in Louis Malle's experimental, Brechtian, and introspective film My Dinner with Andre (1981).

In the eighth episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmakers Mario Ruiz and Alejandro Etcheagaray to discuss the independent cult spirit of cinema experimentalist John Cassavetes in what would be his final penultimate expression of his signature raw character portraits in the emotionally elusive and narratively complex Love Streams (1984).

In the seventh episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmaker Daniel Lopez and musician/actor Nick Earl to discuss the anarchic satire of ad men and inevitable commercialization of anti-establishment attitudes that became a revolutionary calling card for avant garde cinematic expression in Robert Downey, Sr.'s raucous and offensive Putney Swope (1969).

In the sixth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter David Gutierrez for a one-on-one conversation about the kaleidoscopic collision of gangster underworld sadism and rock n' roll hedonism that defines Nicolas Roeg and Donald Cammell's enigmatic dissection of the counter cultural malaise in Performance (1970).

In the fifth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter David Gutierrez and activist Kerry Harwin to discuss the experimental cult sensibilities of Richard Lester with his cynical dissection of the commodification and corruption of flower power idealism in the fractured and delirious anti-romance Petulia (1968).

In the fourth episode of Season 11: The Son of Cult Flicks, Kyle is joined by screenwriter Gio Maldonado and filmmaker Mario Ruiz to discuss Peter Bogdanovich's eerily prescient dissection of America split between traditionalism and progressivism, and the emergence of real desensitized and irrational violence in its populace that defines the pseudo-horror commentary of Targets (1968).

In the third episode of Season 11: The Son of Cult Flicks, Kyle is joined by novelist Samuel Cullado and artist Anna Cullado to discuss the student film from collaborators Remy Belvaux, Andre Bonzel, and Benoit Poelvoorde that took Sundance by storm, the perverse pitch black comedy commentary on media complicity and the developing narcissistic age in the serial killer mockumentary Man Bites Dog (1992).

In the second episode of Season 11: The Son of Cult Flicks, Kyle is joined by editor Kristi Shimek and filmmaker Mario Ruiz to discuss the DIY grotesqueness of Peter Jackson's rambunctious directorial debut that becomes a satire of action star masculinity and societal exploitation in the Monty Python inspired Bad Taste (1987).

In the premiere episode of Season 11: The Son of Cult Flicks, Kyle is joined by graphic designer Nell Bailey and podcaster/filmmaker Michael Willer to discuss the godmother of cult films: Richard O'Brien and Jim Sharman's delirious homage to 1950s B-movie schlock and rock n' roll with the gender-bending, taboo-breaking, and revolutionary The Rocky Horror Picture Show (1975).

In the Season Finale of Season 10: Dealer's Choice, Kyle relinquishes hosting control to his better half Katy Baldwin so he can share one of his favorite films, the quirky and surreal immersion into the feelings of finding romance, being crippled by anxiety, and being defined by self-doubt that defines Paul Thomas Anderson's subversion of the romantic comedy in Punch-Drunk Love (2002).

In the forty-ninth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with fellow podcaster Ben Thelen to discuss the anarchic creativity of the street art movement, the commodification of expression, and the elusiveness of cinematic truth that defines one of the true artistic mosaics of the documentary form in Banksy's Exit Through the Gift Shop (2010). 

In the forty-eighth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with graphic artist Nell Bailey to discuss the absurdist exaggeration of celebrity mania wrapped up in feminist declaration, music industry commentary, and time capsule nostalgia that makes up Bob Spiers' capturing of Spice Mania in Spice World (1997).

In the forty-seventh episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with film critic Joseph Brandt to discuss the airy sophistication and perverse sexploitation of Harry Kümel's progressive and thoughtful vampire film about aristocratic bloodlines, gender power politics, and the transformation into the new in Daughters of Darkness (1971).

In the forty-sixth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with filmmaker Jordan Berry as we discuss the elusive and ambiguous psychological thriller about superficial envy and hidden desire in François Ozon's subtly disturbing short film See the Sea (1997).

In the forty-fifth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with filmmaker Nathan Lee to discuss the storybook fairy tale about crippling adult malaise and the awakening to appreciation in John Patrick Shanley's whimsical and surrealist examination on the renewal of life in Joe Versus the Volcano (1990).

In the forty-fourth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with filmmaker Connar Quigley to discuss the silly yet sly commentary on Suburban complacency, routine, and boredom showcasing cracks and disillusionment in the foundation of the American Dream in Joe Dante's The 'Burbs (1989). 

In the forty-third episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with musician and actor Boston Stergis to discuss the black comedic inversion of Shakespeare's Scottish Play as it is utilized as a commentary on futile ambition in the limited choice of the American 70s in Billy Morrissette's Scotland, PA (2001).

In the forty-second episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with filmmaker and musician Jake Dilley to discuss his improvisational road trip film Rocksteppy (2017) and how it was influenced by Christopher Guest's ode to simple creativity and small town unity in the mocking yet earnest depiction of the egos and characters in community theatre that is Waiting for Guffman (1996).

In the forty-first episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with actor Ben McGinley to discuss the propaganda advertisement that transcends into a story of self-actualization in Tony Scott's adrenaline infused depiction of the Navy in all of its homoerotic camaraderie and competition known as Top Gun (1986).

In the fortieth episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with podcaster and screenwriter Spro to discuss the stylistic and raw vengeance parable that surveys the power of human connection and the meaning of redemption in Tony Scott's Man on Fire (2004).