Podcasts about sweet sweetback

In the thirty-first episode of Season 11: The Son of Cult Flicks, Kyle is joined by filmmaker Daniel Lopez and cinephile Alejandro Etcheagaray to discuss the mixture of avant-garde formalism, black nationalist attitude, and revolutionary politics that created the explosive and rebellious statement of black power, autonomy, and survival in Melvin Van Peebles' radical Sweet Sweetback's Baadasssss Song (1971).

It was an absolute joy to welcome actor, director, producer and writer Mario van Peebles to The Cinematologists Podcast. In London to show his new film Outlaw Posse as part of the Black Rodeo season at the BFI, I was able to talk with him and his son Mandela, who also stars in the film, about his lifelong interest in Westerns, particularly in the often cliched, often forgotten role of African American's in the Western mythos. Outlaw Posse is more of a companion piece than a sequel to his 1993 film Posse; this new work mines similar territory with its generic rawness infused with social commentary but with a kinetic direction that embraces spectacle. The conversation also covers the van Peebles' legacy; Mario's father Melvin one of the true blaxploitation pioneers, director of the now recognised classic Sweet Sweetback's Baadass Song; Mario's own journey in the industry, from his big break in Clint Eastwood's Heartbreak Ridge to his own seminal work as director of New Jack City. Neil and I discuss how wonderfully open and insightful Mario and Mandela were in the interview and further explore his perhaps under-appreciated body of work. We discuss the influence of New Jack City thinking about how that film triggered the New Black Cinema movement and influenced the aesthetics of 80s and 90s filmmaking in its wake. _________ For extra bonus content, including extended interviews, bonus podcast and our monthly newsletter consider joining our Patreon community: www.patreon.com/cinematoloigists   _________ You can listen to The Cinematologists for free, wherever you listen to podcasts: click here to follow. We really appreciate any reviews you might write (please send us what you have written and we'll mention it) and sharing on Social Media is the lifeblood of the podcast so please do that if you enjoy the show. _____ Music Credits: ‘Theme from The Cinematologists' Written and produced by Gwenno Saunders. Mixed by Rhys Edwards. Drums, bass & guitar by Rhys Edwards. All synths by Gwenno Saunders. Published by Downtown Music Publishing

In this episode of Kermode on Film, Mark is joined by Mario Van Peebles and Mandela Van Peebles, to talk about their film Outlaw Posse, shown as part of the BFI season Black Rodeo: A History of the African American Western. And he talks to Bernard MacMahon and Allison McGourty, the director and producer of the high grossing new documentary Becoming Led Zeppelin.Sit back and enjoy Part 1 of this MK3D show recorded live at the BFI Southbank on Monday 10 February 2025.In Part 2, Mark is joined by a star of stage and screen Fiona Shaw, and composer, musician and superstar Warren Ellis.Thanks for listening, and remember, keep watching the skies.———————The opening title sequence of Kermode on Film uses quotes from:- Mary Poppins, directed by Robert Stevenson and distributed by Walt Disney Motion Pictures – quote featuring Julie Andrews.- Nope, written, directed and produced by Jordan Peele, and distributed by Universal Studios – quote featuring Keke Palmer.- Withnail & I, written and directed by Bruce Robinson, and distributed by HandMade Films – quote featuring Richard E Grant.- The Exorcist, written by William Peter Blatty and directed by William Friedkin, distributed by Warner Brothers – quote featuring Ellen Burstyn and Linda Blair.We love these films. We urge you to seek them out, and watch them, again and again.They are masterpieces!Kermode on Film is an HLA Agency production.Cover photo by Julie Edwards.This episode was edited by Alex Archbold Jones.© HLA AgencyHosted on Acast. See acast.com/privacy for more information.#MarkKermode #MK3D #KermodeOnFilm #BFI #BFISouthbank #MarioVanPeebles #MandelaVanPeebles #OutlawPosse #GhandiFilm #AliFilm #MalcolmX #MohammedAli #LedZeppelin #BecomingLedZeppelin #AllisonMcGourty #BernardMacMahon #SafetyLast #HaroldLloyd Films and TV series mentioned in this episode:Hosted on Acast. See acast.com/privacy for more information.Films mentioned in this podcast:VertigoJeanne Dielman 23 Quai du Commerce 1080 BruxellesOutlaw PossePosseBaadasssss! (2003)Sweet Sweetback's Baadasssss Song (1971)Gandhi (1982)Ali (2001)Becoming Led ZeppelinAmerican EpicSafety LastNapoleon (1927)Napoleon (2024)People and bands mentioned in this episode:Chantal AckermanMario Van PeeblesMandela Van PeeblesMelvyn Van PeeblesJohnny CashWhoopi GoldbergBernard MacMahonAllison McGourtyRobert RedfordRobert PlantJimmy PageJohn Paul JonesJohn BonhamCarter FamilyPink FloydThe WhoCarl DavisGaylord CarterAbel Gance Hosted on Acast. See acast.com/privacy for more information.

"Come on feet." This week we're talking some blaxploitation with our guest mister X from Geek Juice Media. First up is the influential blaxploitation film Sweet Sweetback's Baadasssss Song.

This week, we have another brand new "In Conversation" episode with Daresha Kyi, an award-winning director and producer! In this episode, we chat with Daresha about her filmmaking journey. She shares experiences and lessons learned from her various projects as well as invaluable advice for aspiring filmmakers. (01:12) Check out Daresha's list of impactful films: Ganja & Hess, Quilombo, Black Orpheus, Sweet Sweetback's Baadasssss Song, Lars and the Real Girl, The Godfather Part II, Harold and Maude, Cinema Paradiso, Life Is Beautiful, The Spirit of the Beehive, My Life as a Dog, Benny & Joon, Being There, American Beauty, and Chinatown As well as Daresha's Mount Rushmore of filmmakers: Federico Fellini, Ava DuVernay, Martin Scorsese, and Pedro Almodóvar We are available on all podcasting platforms but please follow, rate, and review us on Apple Podcasts and Spotify apps. We greatly appreciate the support! Follow us on social media: IG: @recappinpodcast Twitter: @recappinpodcast FB: ReCappin' with Delora and Ashley Contact us: Email: recappinpodcast@gmail.com

This is part of a series about movies from 1971. ***Referenced media:“The Muppet Show” (Jim Henson, 1976-1981)“The Benny Hill Show” (Benny Hill, 1955-1989)“Saturday Night Live” (Lorne Michaels, 1975-now)“The Critic” (Al Jean and Mike Reiss, 1994-1995)“The Simpsons” (Matt Groening, 1989-now)“Manhattan” (Woody Allen, 1979)“Monty Python's Flying Circus” (Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam, 1969-1974)“The Wild Bunch” (Sam Peckinpah, 1969)“Straw Dogs” (Sam Peckinpah, 1971)“A Clockwork Orange” (Stanley Kubrick, 1971)“Wide World of Sports” (Edgar Scherick, 1961-1997)“Battleship Potemkin” (Sergei Eisenstein, 1925)“THX 1138” (George Lucas, 1971)“Summer of '42” (Robert Mulligan, 1971)“Sweet Sweetback's Baadasssss Song” (Melvin Van Peebles, 1971)“The Big Doll House” (Jack Hill, 1971)“Jaws” (Steven Spielberg, 1975)“The Andromeda Strain” (Robert Wise, 1971)“Billy Jack” (T.C. Frank, 1971)“Plaza Suite” (Arthur Hiller, 1971)“Johnny Got His Gun” (Dalton Trumbo, 1971)“Escape from the Planet of the Apes” (Don Taylor, 1971)“Pink Narcissus” (James Bidgood, 1971)“The Beguiled” (Don Siegel, 1971)“McCabe & Mrs. Miller” (Robert Altman, 1971)Audio quotation:“Bananas” (Woody Allen, 1971)“Fog Horn SOUND EFFECT - Nebelhorn SOUNDS”, https://www.youtube.com/watch?v=1z1xvXDdjMU“The Stranger Song” by Leonard Cohen from McCabe & Mrs. Miller (Robert Altman, 1971), https://www.youtube.com/watch?v=VzcNu016Cbo 

This is part of a series about movies from 1971. ***Referenced media:“The Big Doll House” (Jack Hill, 1971)“Jurassic Park” (Steven Spielberg, 1993)“The X-Files” (Chris Carter, 1993-2002, 2016-2018)“Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” (Stanley Kubrick, 1964)“Wag the Dog” (Barry Levinson, 1997)“Natural Born Killers” (Oliver Stone, 1994)“Citizen Kane” (Orson Welles, 1941)“Magnificent Ambersons” (Orson Welles, 1942)“It's All True” (Orson Welles, 1941-1942)“The Sound of Music” (Robert Wise, 1965)“West Side Story” (Robert Wise and Jerome Robbins, 1961)“The Day the Earth Stood Still” (Robert Wise, 1951)“Airport” (George Seaton, 1970)“Stunt Rock” (Brian Trenchard-Smith, 1978)“Star Wars: Episode IV – A New Hope” (George Lucas, 1977)“Plato's Stepchildren” (David Alexander, 1968), November 22, 1968, Episode 10 of Season three of “Star Trek” (Gene Roddenberry, 1966-1969)“The Thing from Another World” (Christian Nyby, 1951)“Wanda” (Barbara Loden, 1971)“Get Carter” (Mike Hodges, 1971)“THX 1138” (George Lucas, 1971)“Summer of '42” (Robert Mulligan, 1971)“Sweet Sweetback's Baadasssss Song” (Melvin Van Peebles, 1971)Audio quotation:“The Andromeda Strain” (Robert Wise, 1971)Theme from “The X-Files” (Chris Carter, 1993-2002, 2016-2018), written by Mark Snow, https://www.youtube.com/watch?v=v4-GcS1UQyg“RUMSFELD / KNOWNS” https://www.youtube.com/watch?v=REWeBzGuzCc

In a series we are calling Criminally Forgotten, we pluck out discarded, overlooked or misunderstood gems from the past.  In this episode, we unearth a relic from the archives, Bill Gunn's 1973 art/horror/vampire movie Ganja & Hess . Gunn, a literate, smart, cultured person who came from the Theatre and the literary arts was tasked with replicating the immense success of the iconic African-American vampire film, Blacula (1972).  What he produced instead was a complete departure from the tropes of the vampire genre, creating a meditative, artistic, dream like movie that utilizes what some critics have called, "Haptic visualization".  The writer Donato Totaro describes Haptic cinema as; "... unlike Western ocularcentrism, which values sight as the greatest epistemological sense, intercultural cinema embraces the proximal senses (smell, taste, touch) as a means for embodying knowledge and cultivating memory” (Donato Totaro, Canadian Journal of Film Studies) Ganja & Hess has been cited as an important film in the African-American canon, as it dispels stereotypes of Blaxploitation and African-American culture promoting an art house, experimental style more notable in Foreign cinema at the time.  Join Azed and Tom as they discuss this unique horror film...just in time for Halloween!! "If Shaft is Barry White and Melvin Van Peebles's Sweet Sweetback's Baadasssss Song is the Sex Pistols, then Ganja & Hess is John Cage". Jaime N. Christley, Slant Magazine

"Moteur… ça tourne… action !!!" San Francisco, 1968. Devant la caméra de Peter Yates, Steve McQueen et la musique de Lalo Schifrin. Bullitt ! Un flic, un homme politique, un truand, un assassinat et la plus célèbre course poursuite de l'histoire du cinéma ! Aux antipodes de la B.O. millimétrée de Bullitt, celle outrageusement poisseuse, sexy et bordélique de Sweet Sweetback's Baadassss Song de Melvin Van Peelbes en 1971.

This episode is from my other podcast The Bend but it's really what Somebody's Watching is about! Thanks again to horror specialist Dr. Alexandra Heller-Nicholas and film professor Professor Peter Lehman for their time, it was an honor to be able to chat with them. Enjoy! A Selection of Peter Lehman's Work: Running Scared: Masculinity and the Representation of the Male Body Masculinity: Bodies, Movies, Culture Pornography: Film and Culture Peter Lehman's Arizona State University Profile A Selection of Alexandra Heller-Nicholas' Work: Rape-Revenge Films: A Critical Study 1000 Women In Horror, 1895-2018 The Giallo Canvas: Art, Excess and Horror Cinema Alexandra Heller-Nicholas' Website Watching Rape, the book Alexandra mentions Wesley Morris' NY Times article on Black male sexuality Films mentioned: The Virgin Spring (1960) Drive, He Said (1971) Sweet Sweetback's Baadasssss Song (1971) Last House on the Left (1972) I Spit On Your Grave (1978) Sweet Savage (1979) A Room with a View (1985) Drifting Into Chaos (1989) The Pillow Book (1996) Traps (1998) Baise Moi (2000) Django Unchained (2012) PVT Chat (2020) Zola (2020) Minx (2022-) Kevin Bacon's penis PSA

Melvin flips Hollywood the middle-finger setting out to make his own independent movie, at a time when it was considered borderline impossible. What followed was one of the wildest stories in film history as Sweet Sweetback's Baadasssss Song survives on-set madness and impossible odds to become one of the most successful films of the decade.Email us: behindtheslatepod@gmail.comInstagram: @behindtheslatepodTikTok: @behindtheslatepodYouTube: @behindtheslatepodcastJoin our weekly film club: https://www.instagram.com/arroyofilmclubProducer: Greg KleinschmidtSources:'Sweet Sweetback's Baadasssss Song' by Melvin Van Peebles (1971)'2008 Interview with Red Bull Music Academy': https://www.redbullmusicacademy.com/lectures/melvin-van-peebles-dont-write-a-check-your-ass-cant-cash'Unstoppable: Melvin Van Peebles, Gordon Parks, and Ossie Davis in Conversation': https://www.youtube.com/watch?v=AHuW5bxVamg'Interview with Olumide Productions': https://www.youtube.com/watch?v=xRn9nr5qXOgMarlon Brando Eulogy for Bobby Hutton: https://www.youtube.com/watch?v=1g05Sb9CcnEInterview with Reelin In the Years: https://www.youtube.com/watch?v=B48FJ03-tkUVisionary Project: https://www.youtube.com/watch?v=TeRJLgAbW-4&list=PLCwE4GdJdVRLS1R8f9-G8hihJQKmePpCW&t=116s'How To Eat Your Watermelon in White Company (And Enjoy It)' (2005) Dir. Joe Angio'SUBVERTING HOLLYWOOD FROM THE INSIDE OUT' by Racquel Gates: https://www.jstor.org/stable/10.1525/fq.2014.68.1.9 Hosted on Acast. See acast.com/privacy for more information.

Sometimes the cinematic vanity project (a film that is usually some combo of a single person writing, directing, producing and acting in a film) can be an artistic vision that's a masterpiece that stands the test of time. A good example would be Orson Welles' "Citizen Kane". Most times, however, vanity projects are created by total outsiders who have the money but no talent, but their drive and their delusions push the project through, for better or for worse. This time out Lee has put together a playlist covering some notable, and in some cases just unknown, vanity projects. This will no doubt be a thread picked up in future episodes, as there's a ton of these to cover. --World's Greatest Sinner from "The World's Greatest Sinner" (1962) --Frank Zappa --Come on Feet from "Sweet Sweetback's Baadasssss Song" (1971) --Melvin Van Peebles --Schlock Boogie from "Schlock" (1973) -- Ian Kranitz & Albin Konopka --Rage from "Stone" (1974) --Billy Green --I'll Be With You In Apple Blossom Time & Open Your Heart from "Massacre Mafia Style" (1974) --Duke Mitchell --Enuff is Enuff from "One Down, Two to Go" (1982) --Rodney Franklin --To Survive; Girl Crazy & Take it Off from "The Life and Loves of a Male Stripper" (1987) --Rafael Bethencort --Shimmy Slide from "Champagne and Bullets" (1993) --John De Hart --The Ninja from "New York Ninja" (2021) --Voyag3r Opening and closing music: Summertime Killer from "Summertime Killer" by Luis Bacalov, and Santa Maria from "Raiders of Atlantis" by Oliver Onions.

     In which our intrepid trio delve into what some see as the very first blaxploitation film and wonder what the heck Melvin van Peebles was thinking. Captivating and bewildering at the same time!  Yay/Nay (3:44) Call Northside 777 • The Birds • Titanic • The Whale • Infinity Pool •  Main Review (16:44)  Outro/B-Roll (48:02)  Email: firsttimewatchers@gmail.com Twitter: @1sttimewatchers Back Catalogue: firsttimewatchers.podbean.com Donate: Patreon.com/firsttimewatchers Buy stuff: zazzle.com/firsttimewatchers Member: largeassmovieblogs.com/

On today's episode of our daily NYFF60 edition, director Elvis Mitchell and executive producer Steven Soderbergh discuss Is That Black Enough For You?!?, a Spotlight selection of this year's festival, with NYFF Executive Director Eugene Hernandez. American film critic Elvis Mitchell's kaleidoscopic documentary creates a definitive narrative of the Black revolution in 1970s cinema, from genre films to social realism, from the making of new superstars to the craft of rising auteurs. With Is That Black Enough for You?!? (the title referencing a recurring line from Ossie Davis's 1970 benchmark Cotton Comes to Harlem), Mitchell takes a personal and panoramic approach, expressing his own experiences as a viewer while detailing the cinematic and political histories that led to this extraordinary flowering of a newly ascendant Black heroism. The Learning Tree, Watermelon Man, Shaft, Sweet Sweetback's Baadasssss Song, Cool Breeze, Sounder, Super Fly, Coffy, The Spook Who Sat by the Door, Claudine, Uptown Saturday Night, Cornbread, Earl and Me, Killer of Sheep, and dozens more are analyzed with Mitchell's customary verve and perspicacity. This is a work of painstaking scholarship that's also thoroughly entertaining, an essential archival document and testament to a period of American film history unlikely to be repeated. Featuring interviews with Margaret Avery, Harry Belafonte, Charles Burnett, Laurence Fishburne, Whoopi Goldberg, Samuel L. Jackson, Suzanne de Passe, Glynn Turman, Billy Dee Williams, Zendaya, and more. A Netflix release. To learn more and get tickets for this year's NYFF, taking place through October 16 in all five boroughs of NYC, visit filmlinc.org/tix.

And now for something completely different. I sat down with film professor Prof. Peter Lehman and horror scholar Dr. Alexandra Heller-Nicholas to discuss male nudity in cinema. We discuss our connections with the topic, the phallus vs the penis, rape revenge, the pitfalls of “respectable cinema,” the prosthetic penis and a lot more. I'm so glad and grateful that I had a chance to talk to these bona fide experts about a topic that I have been wondering about for a very long time. I hope you take something away from this unusual film exploration. A Selection of Peter Lehman's Work: Running Scared: Masculinity and the Representation of the Male Body Masculinity: Bodies, Movies, Culture Pornography: Film and Culture Peter Lehman's Arizona State University Profile A Selection of Alexandra Heller-Nicholas' Work: Rape-Revenge Films: A Critical Study 1000 Women In Horror, 1895-2018 The Giallo Canvas: Art, Excess and Horror Cinema Alexandra Heller-Nicholas' Website Watching Rape, the book Alexandra mentions Wesley Morris' NY Times article on Black male sexuality Films mentioned: The Virgin Spring (1960) Drive, He Said (1971) Sweet Sweetback's Baadasssss Song (1971) Last House on the Left (1972) I Spit On Your Grave (1978) Sweet Savage (1979) A Room With A View (1985) Drifting Into Chaos (1989) The Pillow Book (1996) Traps (1998) Baise Moi (2000) Irreversibel (2002) Django Unchained (2012) Promising Young Woman (2020) PVT Chat (2020) Zola (2020) Minx (2022-) Kevin Bacon's penis PSA Lastly, thank you to Karolin Schnoor for all the support and for making the brilliant illustration!

Ian and Pat break out their turtlenecks and leather trenchcoats to review Gordon Parks' seminal Blaxploitation epic, Shaft!Richard Roundtree stars as the Black private dick who's a sex machine to all the chicks. It's 1971 in New York City, and John Shaft has been hired to find the kidnapped daughter of a Harlem gangster. He winds up on the wrong side of the police, the Mafia, and a crew of militants all battling to control the streets of the Big Apple.The guys continue their exploration of 70s Black cinema with a (pretty much) first-time viewing of Parks' swagger-heavy procedural--comparing it to Melvin Van Peebles' Sweet Sweetback's Baadasssss Song (which came out the same year), and questioning whether or not this film belongs in the genre with which it is most heavily associated.Shaft was recently given the deluxe treatment by The Criterion Collection, which has made the film available on 4K UHD and Blu-ray.Show Links:Watch the Shaft (1971) trailer.Keep up with Pat at HollywoodChicago.com.Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

This is the fourth part of an eight-part series about American movie ratings. Part 1 focused on Prano Baily-Bond's “Censor”. Part 2 focused on Mike Nichols's “Who's Afraid of Virginia Woolf?”. Part 3 focused on Brian DePalma's “Greetings”.Future episodes will focus on Steven Spielberg's “Indiana Jones and the Temple of Doom” (1984), Garry Marshall's “The Flamingo Kid” (1984), John McNaughton's “Henry: Portrait of a Serial Killer” (1986), and Philip Kaufmans's “Henry & June” (1990).***Referenced media:“Marty” (Delbert Mann, 1955)“Star Wars Holiday Special” (Steve Binder, 1978)“The Dirty Dozen” (Robert Aldrich, 1967)“Sweet Sweetback's Baadasssss Song” (Melvin Van Peebles, 1971)“Shaft” (Gordon Parks, 1971)“Superfly” (Gordon Parks, Jr., 1972)“M*A*S*H” (Robert Altman, 1970)“The French Connection” (William Friedkin, 1971)“Black Sunday” (John Frankenheimer, 1977)“Bonnie and Clyde” (Arthur Penn, 1967)“Julia” (Hal Kanter, 1968-1971)“Rocky” (John G. Avildsen, 1976)“Bamse” (Arne Mattsson, 1968)“The Night of the Assassin” (Adriano Bolzoni, 1970)“Coogan's Bluff” (Don Siegel, 1968)“Bullitt” (Peter Yates, 1968)“Ice Station Zebra” (John Sturges, 1968)“Hellfighters” (Andrew V. McLaglen, 1968)“Where Eagles Dare” (Brian G. Hutton, 1968)“Hell in the Pacific” (John Boorman, 1968)”“Assignment to Kill” (Sheldon Reynolds, 1968)“Riot” (Buzz Kulik, 1969)

Are you tired of the Man trying to keep you down? Ready to take matters into your own hands? Or maybe some other body part? Well Beau has just the pick for you: Sweet Sweetback's Baadasssss Song (Dir. Melvin Van Peebles). Coming AttractionIn the Heat of the Night (Norman Jewison) Episode GuideSweet Sweetback's Baadasssss Song discussion - 8:37Trivia - 44:11 Join the Club!LetterboxdInstagramMCFC Film Spreadsheet

This is the third part of an eight-part series about American movie ratings. Part 1 focused on Prano Baily-Bond's "Censor". Part 2 focused on Mike Nichols's "Who's Afraid of Virginia Woolf?".Future episodes will focus on Gordon Flemyng's "The Split" (1968), Steven Spielberg's "Indiana Jones and the Temple of Doom" (1984), Garry Marshall's "The Flamingo Kid" (1984), John McNaughton's "Henry: Portrait of a Serial Killer" (1986), and Philip Kaufmans's "Henry & June" (1990).***Referenced media:"Who's Afraid of Virgina Woolf?" (Mike Nichols, 1966)"Red Dawn" (John Milius, 1984)"This Savage Land" (Vincent McEveety, 1969)"Assignment to Kill" (Sheldon Reynolds, 1968)"Payment in Blood" (Enzo G. Castellari, 1968)"Birds in Peru" (Romain Gary, 1968)"Planet of the Apes" (Franklin J. Schaffner, 1968)"2001: A Space Odyssey" (Stanley Kubrick, 1968)"Night of the Living Dead" (George A. Romero, 1968)"Barbarella" (Roger Vadim, 1968)"The Girl on a Motorcycle" (Jack Cardiff, 1968)"Head" (Bob Rafelson, 1968)"Yellow Submarine" (George Dunning, 1968)"Faces" (John Cassavetes, 1968)"The Great Silence" (Sergio Corbucci, 1968)"Sympathy for the Devil" (Jean-Luc Godard, 1968)"Candy" (Christian Marquand, 1968)"The Night They Raided Minsky's" (William Friedkin, 1968)"The Wrecking Crew" (Phil Karlson, 1968)"Once Upon a Time in Hollywood" (Quentin Tarantino, 2019)"Three in the Attic" (Richard Wilson, 1968)"Pumping Iron" (George Butler and Robert Fiore, 1977)"Blowup" (Michelangelo Antonioni, 1966)"Mean Streets" (Martin Scorsese, 1973)"Hi, Mom!" (Brian DePalma, 1970)"C.H.U.D. II: Bud the C.H.U.D." (David Irving, 1989)"Phantom of the Paradise" (Brian DePalma, 1974)"Shadows" (John Cassavetes, 1959)"Fritz the Cat" (Ralph Bakshi, 1972)"Beverly Hills Cop II" (Tony Scott, 1987)"Breathless" (Jean-Luc Godard, 1960)"Laugh-In" (George Schlatter, 1968-1973)"Saturday Night Live" (Lorne Michaels, 1975-now)"Deep Throat" (Gerard Damiano, 1972)"Behind the Green Door" (Artie Mitchell and Jim Mitchell, 1972)"Midnight Cowboy" (John Schlesinger, 1969)"Superfly" (Gordon Parks, Jr., 1972)"Across 110th Street" (Barry Shear, 1972)"Sweet Sweetback's Baadasssss Song" (Melvin Van Peebles, 1971)

From a terrible person, to a groundbreaking 70's film, this is REVIEWS! Thanks for listening! Email us at boothwindow@gmail.com and/or follow us on social media @throughtheboothwindowpodcast @theobveeus and @caitlinstow

It's Casual Friday! Sam hosts Heather Digby Parton, contributing writer at Salon.com and proprietor of the blog Hullabaloo to round up the week in news. Then Sam is joined by Jason Myles, co-host of the This Is Revolution podcast. First, Sam covers the confirmation that Ginni Thomas was conspiring with John Eastman, Trump's Coup Lawyer, and Assange's extradition being approved. Digby and Sam then get right into the updates from Yesterday's 1/6 hearing, from Donald Trump calling his Vice President the “P-word” (hint: it's not “Pence” or “President”), and debate who Trump's next right-hand man will be, especially as the god squad votes are among the most important in his control of the Republican party. Next, Sam and Digby have some discourse on the discourse around 1/6, exploring the contrast between US coverage of the hearings (or really, the lack thereof) and the coverage abroad, getting deep into the US political establishment's obsession with legitimizing the right as a party with integrity, and contrasting them with “magas” and “ultra-magas,” despite the central involvement of active Senators, Congresspeople, and spouses of Supreme Court Justices, with everyone participating, from Grassley to Graham, completely aware of the illegality of what they were planning. Diving deeper into yesterday's focus on Mike Pence, Digby and Sam analyze why someone who supposedly was against this, kept asking people for advice and debating strategy with the MAIN strategizers of the insurrection, before walking through the role of Michael Ludwig in legitimizing the “bipartisan” nature of the committee, and exploring the future of Republican insurrection attempts as they shift to more localized corruption and grassroots bigotry. Then, Sam is joined by Jason Myles as they dive into his recent video essay exploring the progression of Black cinema and the role it played both in Hollywood as a whole and the greater American and African American cultures, starting in the 1960s, with the new left of Maverick filmmakers making independent films and a push for more Black power contrasted with the actual rise of Blaxploitation movies, with movies like Sweet Sweetback and others practically saving Hollywoods bottom line, despite going completely against the general Black intelligentsia. Jason then dives into the next stages, as the ‘90s came back around to independent films (once again due to falling profits) making these “hood films” on the defective young black man, diving into the infection of neoliberalisms' focus on “cultural” shortcomings and ignoring the classism and racism that were the actual issues of the time, and how these stereotypical and exploitative films pushed Black power away from the political realm and into, exclusively, the cultural realm. They wrap up their interview by looking at the modern era of Black cinema, the contrasts between films like Black Panther and Moonlight, and the need to return Black power to a political concept. And in the Fun Half: Tulsi dances around Sean Hannity's stupidity, Jesse Watterboard has an idea to get to the bottom of the SCOTUS leak, and DeSantis celebrates the ancestry of Apartheid heir Elon Musk. Ted Cruz takes shots at Disney's queer agenda, as he points to the integrity of regimes that are rejecting the upcoming “Lightyear” film, such as China and the UAE. Meghan Kelly returns to the media as she calls out her former employers for discussing the fact that trans kids who are rejected by their families frequently resort to suicide, plus, your IMs! Check out Digby's blog Hullaballoo here: https://digbysblog.net/ Check out This Is Revolution here: https://www.thisisrevolutionpodcast.com/ Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Subscribe to the AMQuickie newsletter here:  https://madmimi.com/signups/170390/join Join the Majority Report Discord! http://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Check out today's sponsors: sunsetlakecbd is a majority employee owned farm in Vermont, producing 100% pesticide free CBD products. Great company, great product and fans of the show! Use code Leftisbest and get 20% off at http://www.sunsetlakecbd.com. And now Sunset Lake CBD has donated $2500 to the Nurses strike fund, and we encourage MR listeners to help if they can. Here's a link to where folks can donate: https://forms.massnurses.org/we-stand-with-st-vincents-nurses/ Shopify: Scaling your business is a journey of endless possibility. Shopify is here to help, with tools and resources that make it easy for any business to succeed from down the street to around the globe. Shopify powers over 1.7 million businesses - from first-sale to full-scale. Shopify gives entrepreneurs the resources once reserved for big business - so upstarts, start-ups, and established businesses alike can sell everywhere, synchronize online and in-person sales, and effortlessly stay informed. Go to https://www.shopify.com/free-trial?utm_campaign=paid_audio_-_podcast_-_amer_-_united_states_-_all_-_experimential_-_english_-_awareness&utm_source=podcast&utm_medium=audio&utm_term=majority, for a FREE fourteen-day trial and get full access to Shopify's entire suite of features! Support the St. Vincent Nurses today! https://action.massnurses.org/we-stand-with-st-vincents-nurses/ Check out Matt's show, Left Reckoning, on Youtube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Subscribe to Matt's other show Literary Hangover on Patreon! https://www.patreon.com/literaryhangover Check out The Nomiki Show on YouTube. https://www.patreon.com/thenomikishow Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out The Letterhack's upcoming Kickstarter project for his new graphic novel! https://www.kickstarter.com/projects/milagrocomic/milagro-heroe-de-las-calles Subscribe to Discourse Blog, a newsletter and website for progressive essays and related fun partly run by AM Quickie writer Jack Crosbie. https://discourseblog.com/ Subscribe to AM Quickie writer Corey Pein's podcast News from Nowhere. https://www.patreon.com/newsfromnowhere  Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattBinder @MattLech @BF1nn @BradKAlsop The Majority Report with Sam Seder - https://majorityreportradio.com/

The show is (finally) back to celebrate the life, work, and legacy of Renaissance man Melvin Van Peebles (1932-2021), a well-travelled director, songwriter, actor, playwright, and novelist who played an integral role in breaking the color barrier for Black filmmakers in Hollywood during the late 60s-early 70s and helmed the groundbreaking and provocative independent hit Sweet Sweetback's Baadasssss Song, among many other triumphs. Join us as we attempt to do his many lives and oeuvre justice by covering his start as a feature filmmaker in France, his role in spawning the blaxploitation film era of the early 70s, and how he paved the way for both independent and Black directors, all without being beholden to the studio system. Listen, like, subscribe, and feel free to leave comments, ratings, or reviews on Spotify, Apple Podcasts/iTunes, Google Podcasts, Tune In, and iHeart Radio. Kisses many.

Hans and Menelek talk about yet another mass shooting and the lack of police response. This somehow leads to a conversation about Sweet Sweetback's Baadasssss Song. Oh, and Boots Riley. Sorry, boots.

This week we've gathered a team of podcasters, each with a very specific set of skills. Can they pull off the job? It's a GGS heist episode with discussion of a few episodes of The Magicians, Leverage, & the movie Heat. Squirrels/other things we've watched Old Enough, Roar, Outer Range, Abbott Elementary, Bridgerton, The Standups (Janelle James), Ronny Chieng: Speakeasy, Sweet Sweetback's Baadassss Song, We Crashed, Slow Horses, Tokyo Vice, Julia, Better Call Saul, The heist (25:30): The Magicians (Nx - 207 & 505/506)Leverage (AmzP)Heat, White CollarNext time: The Walking Dead hate-watch vs escape-watch-Original music by Garrett ThompsonFollow us on Instagram @GeekGirlSoupContinue the conversation on FacebookListen to Cort's podcast with Brad at PureFandom.comCheck out Susan's movie stats on Letterboxd Email your questions and comments to GeekGirlSoup@gmail.comGeek on!

This week on the podcast I read DuVay Knox's "The Pussy Detective" (link to buy at Clash Books website below). It put me in the mind of Slick Rick's "Indian Girl (An Adult Story)", Ishamel Reed, and "Sweet Sweetback's Baadasssss Song." Keep Reading. Order the book here: https://www.clashbooks.com/new-products-2/duvay-knox-the-pussy-detective-preorder Slick Rick: https://www.youtube.com/watch?v=t1845asfVXk Subscribe to the podcast: https://podcasts.apple.com/us/podcast/the-most-dangerous-thing-in-america/id1551126578 https://open.spotify.com/show/5xky9xGXgdh0bTcUx1yNEf?si=c1b3769405b64615 https://soundcloud.com/bobby-wilson-588095918 Music from TheKeepRunning: https://soundcloud.com/user-861419594 To read my writings: https://bobbywwilsonjr.com/publications Also, follow me on Twitter: https://twitter.com/chewingbones

I don't have a funny edit to a famous quote for this one, I think this was just a really good episode of our show. Next week we will be back to talk about Cure with our very first guest, Em of Abnormal Mapping fame! You can follow Niamh on twitter @FoxmomNia and listen to faer other podcast, Ghost Divers, by going to exportaud.io/ghostdivers. You can follow Autumn on twitter by going to @Autumnal_Coffee and listen to all of their podcasts by going to exportaud.io. You can see how we rated this stairwell and all the other stairwells by going to exportaud.io/stairwellquality You can also get listen to this podcast a week early by giving us a dollar on the patreon!!! Find out more at https://ornate-stairwells.pinecast.co

Welcome to the overstuffed Ornate Stairwells / Ghost Divers crossover event! Niamh watched Ghost in the Shell (1995) and recorded a Stairwells episode about it with Autumn, then a few days later recorded a Ghost Divers episode about it with Connor. Then fae stitched both conversations together. It's a whole lot of Niamh and a whole lot of Ghost in the Shell. It's also, hopefully, two interestingly different but connected looks at the same work. Next week Niamh and Autumn will be back to talk about Sweet Sweetback's Baadasssss Song. Don't forget that Ghost Divers will be recording the Question Bucket for Ghost in the Shell 2: Innocence soon. The deadline to write into our Question Bucket for this series is March 11, 2022. You can write into ghostdiverspod@gmail and follow us on Twitter! ///////Credits for Ornate Stairwells (00:00:00): You can follow Niamh on twitter @FoxmomNia and listen to faer other podcast, Ghost Divers, by going to exportaud.io/ghostdivers You can follow Autumn on twitter by going to @Autumnal_Coffee and listen to all of their podcasts by going to exportaud.io. You can see how we rated this stairwell and all the other stairwells by going to exportaud.io/stairwellquality ///////Credits for Ghost Divers (02:24:24): The Show: @ghostdiverspod Niamh: @FoxmomNia Connor: @rabbleais Niamh's mediamh pile: @mediamh_pile Export Audio Network: exportaud.io Ghost Divers: exportaud.io/ghostdivers Ornate Stairwells: exportaud.io/ornatestairwells Work Cited in Ghost Divers: “Ghost in the Shell: the Major's Body (1)” by Claire Napier (full series: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10) Content Warnings for this Discussion: Depression, suicide, body horror, dyadism, sexism You can also get listen to Ornate Stairwells (and could've listened to this episode of Ghost Divers) a week early by giving us a dollar on the patreon!!! Find out more at https://ornate-stairwells.pinecast.co

Welcome to the overstuffed Ornate Stairwells / Ghost Divers crossover event! Niamh watched Ghost in the Shell (1995) and recorded a Stairwells episode about it with Autumn, then a few days later recorded a Ghost Divers episode about it with Connor. Then fae stitched both conversations together. It's a whole lot of Niamh and a whole lot of Ghost in the Shell. It's also, hopefully, two interestingly different but connected looks at the same work. Next week Niamh and Autumn will be back to talk about Sweet Sweetback's Baadasssss Song. Don't forget that Ghost Divers will be recording the Question Bucket for Ghost in the Shell 2: Innocence soon. The deadline to write into our Question Bucket for this series is March 11, 2022. You can write into ghostdiverspod@gmail and follow us on Twitter! ///////Credits for Ornate Stairwells (00:00:00): You can follow Niamh on twitter @FoxmomNia and listen to faer other podcast, Ghost Divers, by going to exportaud.io/ghostdivers You can follow Autumn on twitter by going to @Autumnal_Coffee and listen to all of their podcasts by going to exportaud.io. You can see how we rated this stairwell and all the other stairwells by going to exportaud.io/stairwellquality ///////Credits for Ghost Divers (02:24:24): The Show: @ghostdiverspod Niamh: @FoxmomNia Connor: @rabbleais Niamh's mediamh pile: @mediamh_pile Export Audio Network: exportaud.io Ghost Divers: exportaud.io/ghostdivers Ornate Stairwells: exportaud.io/ornatestairwells Work Cited in Ghost Divers: “Ghost in the Shell: the Major's Body (1)” by Claire Napier (full series: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10) Content Warnings for this Discussion: Depression, suicide, body horror, dyadism, sexism You can also get listen to Ornate Stairwells (and could've listened to this episode of Ghost Divers) a week early by giving us a dollar on the patreon!!! Find out more at https://ghost-divers.pinecast.co

We are back! We took a week off because of various mental health and physical health crises, but all is well, everyone is on the mend and feeling better. And on the other side of it we bring you a slightly unusual episode: we had watched Boyz n the Hood like 3 days before when we were originally supposed to record, so the movie is not as fresh in our minds as we normally like it to be. But 1. we LOVED the movie and 2. we had a really good time recording this episode and I think it'll be a lot of fun to listen to Next week we will be back with an even more unusual episode: we're gonna do a crossover with Niamh's other show, Ghost Divers, as we talk about Ghost In The Shell (1995)! It'll be a blast! It's one of Niamh's favorites, and while I hated it last time I saw it, I have a sneaking suspicion it'd be my shit this time. I should also note that we were originally supposed to cover Sweet Sweetback's Badassss Song next, but missing a week threw off the schedule and we will circle back after GITS. As always go to exportaud.io/stairwellquality to see the schedule! You can follow Niamh on twitter @FoxmomNia and listen to faer other podcast, Ghost Divers, by going to exportaud.io/ghostdivers You can follow Autumn on twitter by going to @Autumnal_Coffee and listen to all of their podcasts by going to exportaud.io. You can see how we rated this stairwell and all the other stairwells by going to exportaud.io/stairwellquality You can also get listen to this podcast a week early by giving us a dollar on the patreon!!! Find out more at https://ornate-stairwells.pinecast.co

On this edition of Parallax Views, Thaddeuss Russell and Kamasi Hill of Renegade University join Parallax Views to discuss the course their teaching for RU on 1970s Blaxploitation cinema from Superfly and Shaft to Sweet Sweetback's Badass Song, Cleopatra Jones, and Foxy Brown starring the Queen of Blaxploitation herself Pam Grier. We discuss the significance of this kind of cinema, how Thad and Kamasi became interested in the genre; the idea of black working class culture vs. black middle class culture; sexuality in black cinema; masculinity in blaxploitation; drugs dealing, and crime in blaxploitation, blaxploitation's influence on pop culture and hip hop culture; the music of blaxploitation cinema and its influence on sampling in hip hop; the problem of stereotypes and blaxploitation cinema; Civil Rights leadership and the NAACP's deriding of blaxploitation film; Rudy Ray Moore and Dolemite; the history of hip hop, the projects, and the way blaxploitation can change our perspective on cinema; blaxploitation and the meaning of freedom; Sidney Poitier and the portrayal of African Americans in cinema before the 70s; Bill Cosby; Melvin van Peebles; and much more! You can sign up for the Renegade University course on Blaxploitation here!

Drink every time Dale says something generic like he's talking to someone he doesn't know. "WHAT A PLEASURE" five times in an episode. Anyway, this movie rules, you need to watch it. Sweet Sweetback's Baadasssss Song! Welcome to Bat & Spider. On this show we strive to talk about low-rent horror movies for your pleasure and ours. Please join in as we laugh and swoon along to these terrible treasures of low budget yore. Join our DISCORD Get your Bat & Spider STICKERS here Get a sweet new Bat & Spider t-shirt here! All sale proceeds go to The Movement For Black Lives. Technical Adviser: Slim of 70mm Theme song composed and performed by Tobey Forsman of Whipsong Music. Follow Bat & Spider on Instagram Follow Chuck and Dale on Letterboxd. Bat & Spider Watchlist Send us an email: batandspiderpod@gmail.com. Leave us a voice message: (315) 544-0966 Artwork by Charles Forsman batandspider.com Bat & Spider is a TAPEDECK podcast.

Welcome one and all to another rendition of the "What's Real?" podcast! It's episode 105! This week's "Variety Hour" covers the further fallout in WWE with Shane McMahon, the new AEW free agent signing, ROH & the ROH Hall of Fame, Bryan Danielson, 2022 Oscar nominations announced, Kyler Murray, and some brief Pittsburgh Steelers talk. Next up is an NFL extravaganza as WR? prepare for the "Big Game"! The NFL segment goes through the "All-Madden" documentary, top 5 NFL quarterbacks of all time, WR? Power Rankings: NFL Uniforms, and a preview of SuperBowl LVI. Then, the "Month of Melvin" continues. This week it's "Sweet Sweetback's Badasssss Song" and Martin Van Peeble's "Badasssss" (from the Criterion Collection: "Melvin Van Peebles: Essential Films"). As usual, the show closes with the traditional and hilarious "Goofs R' Goofs"! Enjoy responsibly and thanks for listening! PRESENTED BY churchillpictures.com Timestamps: 0:00:00 Intro: Fallout in WWE with Shane McMahon, New AEW Free Agent Signing, ROH & the ROH Hall of Fame, Bryan Danielson, 2022 Oscar Nominations Announced, Kyler Murray, and Pittsburgh Steelers talk 0:42:51 NFL Segment: "All-Madden" Documentary, Top 5 NFL Quarterbacks Of All Time, WR? Power Rankings: NFL Uniforms, and a Preview of SuperBowl LVI 2:02:10 Martin Van Peeble's "Badasssss" (2003) 2:36:57 Goofs R Goofs Thanks for Listening!

This podcast may not be Rated X by an all-white jury, but this week's movie sure was! Black History Months continues with 1971's Sweet Sweetback's Baadasssss Song! Join your stalwart pals as they discuss the truly wild production history (That fire engine in the finished film didn't know they were shooting a movie at the time), enduring social commentary, the Earth Wind and Fire of it all, and what it means to be a truly revolutionary film. In the news, David Lynch joins Spielberg's latest, The Boondocks revival gets unrevived, and The Alamo Drafthouse opens some new locations.

After saving a young militant's life from the police, a black male prostitute goes on the run through LA, dodging the man in an effort to escape to Mexico & freedom. Tune in as Chris talks Blaxploitation, archetypes, & DIY as the LSCE screens the 1971 Melvin Van Peebles cult classic "Sweet Sweetback's Baadasssss Song." Join us! Check us out at LSCEP.com Like, Review, Subscribe! Works Cited: Alexander, George. Why We Make Movies : Black Filmmakers Talk About the Magic of Cinema. 1st ed. New York: Harlem Moon, 2003. Angio, Joe. How to Eat Your Watermelon in White Company (And Enjoy It). Breakfast at Noho, LLC. 2005. 85 Mins. Blu Ray. Bates, Courtney E. J. “Sweetback's ‘Signifyin(g)' Song: Mythmaking in Melvin Van Peebles' Sweet Sweetback's Baadasssss Song.” Quarterly review of film and video 24, no. 2 (2007): 171–181. Bogle, Donald. Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films. 5th Ed. New York: Bloomsbury Publishing Inc., 2016. James, Darius. That's Blaxploitation! : Roots of the Baadasssss 'Tude (rated X by an All-Whyte Jury). New York: St. Martin's Griffin, 1995. Loeb, Anthony, John Cassavetes, Joan. Tewkesbury, Steve. Shagan, Bill Butler, Buck. Henry, William. Friedkin, and Melvin Van Peebles. Filmmakers in Conversation. Chicago, Ill: Columbia College, 1982. Lott, Chris. “Reading Myth in Sweetback: Middling Strategies Between the Ideal and the Exploitative.” Film Matters 4, no. 4 (2013): 26–32. Riley, Clayton. “What Makes Sweetback Run?” New York Times. May 9th, 1971. Pg. 161 Totaro, Donato. “Sweet Sweetback's Baadasssss Song (Melvin van Peebles, 1971).” Offscreen 22, no. 11 (2018). Accessed on 2/3/22 from https://offscreen.com/view/sweet-sweetbacks-baadasssss-song-melvin-van-peebles-1971 Wiggins, Benjamin. “‘You Talkin' Revolution, Sweetback': On Sweet Sweetback's Baadasssss Song and Revolutionary Filmmaking.” Black camera : the newsletter of the Black Film Center/Archives 4, no. 1 (2012): 28–52. --- Send in a voice message: https://anchor.fm/lsce/message

Email: audioofftheshelf@gmail.com. Instagram: @audioofftheshelf Twitter: @AOTS204 Facebook: https://www.facebook.com/audioofftheshelf Van Peebles, Melvin/Earth, Wind & Fire. “Sweetback Losing His Cherry.” Sweet Sweetback's Baadasssss Song (soundtrack). Stax Records, 1971. 2CD. LP. Cornell, Chris. “Seasons.” Singles: Original Motion Picture Soundtrack. Epic Soundtrax, 1992. CD. LP. Moranis, Rick & Thomas, Dave. “I Didn't Do It, You Knob.” Strange Brew (soundtrack), Anthem 1983. CD. LP. Moranis, Rick & Thomas, Dave. “I Did It, You Knob.” Strange Brew (soundtrack), Anthem 1983. CD. LP. Moranis, Rick & Thomas, Dave. “I Did It Again, You Knob.” Strange Brew (soundtrack), Anthem 1983. CD. LP. Maytals, The. “Sweet and Dandy.” The Harder They Come (soundtrack). Island Records, 1971. Vinyl. LP. Skoidats, The. “R'aggro.” A Cure For What Ales You. Moon Records, 2000. CD. LP. Blake, Norman. “You Are My Sunshine.” O Brother, Where Art Thou? (soundtrack). Lost Highway/Mercury, 2000. CD. LP. Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.

"Come on feet, cruise for me."

Of all the blaxploitation films that were made in the '70s, Shaft was the most influential and probably the coolest too. It's even had longevity, as evidenced by all the sequels and remakes. People (including the AFI) haven't forgotten about Gordon Parks' private dick flick, which had a fresh take on just what a black hero could be. Richard Roundtree wasn't righteous and measured like Sidney Poitier always had to be. John Shaft was a bad…uh, mamma jamma. This, however, wasn't a film we enjoyed as much as others of its type, partly because it's a little amateurish technically and the man's sex life is a bit dicey. Still, you can't overlook how important this movie was and is to people who look like Roundtree and not like us. Anyway, be the only one to understand our final episode of 2021 (well, you and his wuh-huh-man) as we get political, but also laugh a bunch in our 422nd Ellises' Analysis. Well, Actually: The Godfather was actually NOT one of the 25 movies inducted into the National Film Registry in 1989 (the inaugural year), but instead went in the following year. Also, Sweet Sweetback's Baadasssss Song was inducted too, but it wasn't the 2nd film directed by a black person to make that cut because it only went in in 2020. Being a sex machine and killing bad guys is so much easier when you've got some java juice keeping you going. Sparkplug Coffee remains our delightful sponsor and they continue to offer a 20% discount if you just use our promo code (“top100project”) when you're ready to pay the tab. We tweet with a certain amount of frequency: @moviefiend51 and @bevellisellis Our website is top100project.com Ryan also yibbers about sports pics on Scoring At The Movies

Welcome back to TWGTF and the third week of Noirvember!!! This week we leap from the 50's into the swinging 1970's! First up we not only look at a great little Neo-Noir. we also are viewing the birth of the Black Exploitation movement with the first ever entry in 1971's Sweet Sweetback's Baadasssss Song! Following this we ease on down the road talking to ourselves and figuring out what happens to friends from the past! That is correct ladies and gentleman we are looking at one of the seminal films by the late great Robert Altman. The Long Goodbye! Spoiler Alert: 2021's contribution by Chloe Zhao won't be seeing at top ten list so enjoy it while we talk about it!

On this week's episode, Sonny is joined by Wil Haygood, author of the new book Colorization: One Hundred Years of Black Films in a White World. Haygood's book is a must-read for anyone who wants to learn about largely forgotten trailblazers such as Oscar Micheaux, better-known figures like Sidney Poitier and Harry Belafonte, the controversies over movies as diverse as The Birth of a Nation and Sweet Sweetback's Baadasssss Song, the odd fate of Porgy and Bess, and so much more. Colorization is both breezy and in-depth—the best sort of popular history—and our conversation only scratched the surface of his book. If you enjoyed this episode, please share it with a friend!

Ian and Pat continue their look at Melvin Van Peebles' filmography. Criterion recently released Melvin Van Peebles: Essential Films, a packed and gorgeously packaged Blu-ray set that contains Watermelon Man (which they talked about in February) and the writer/director's groundbreaking follow-up, Sweet Sweetback's Baadasssss Song! The 1971 proto-Blaxploitation movie centers on a sex worker named Sweetback (Van Peebles) who finds himself on the lam after beating up two White cops in defense of a Black Panther, whom they rough up while in custody. Using his connections, cunning, and, um, natural talents, Sweetback evades the authorities while igniting a revolutionary spirit in a community that's fed up with police harassment and disenfranchisement.In this charged and very wide-ranging discussion, Ian and Pat talk about the film's shocking content; Van Peebles' cutting edge use of editing and meta-storytelling; and why it spawned a vital 1970s movie genre. They also delve into modern issues of race, inspired by questions the film raises, and look ahead to next month's annual holiday movie review.It's a weird, messed-up, poignant show--or as we like to think of it, "Baadasssss"!Timestamps:Intro: 0:00 - 1:09Sweet Sweetback Discussion: 1:10 - 54:08George Carlin and "Guilty White Liberals": 54:09 - 1:05:56Holiday Cheer (Planning Our Annual Christmas Movie Review): 1:05:57 - 1:16:08Outro: 1:16:09 - 1:18:33 Show Links:Watch the Sweet Sweetback's Baadasssss Song trailer.Order Melvin Van Peebles: Essential Films from The Criterion Collection.Watch Ian and Pat discuss Van Peebles' Watermelon Man (recorded earlier this year).Keep up with Pat at HollywoodChicago.com.Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

In this episode we discuss Melvin Van Peebles impact to American Cinema and how his art changed/inspired the world. We tackle the current musical climate, new artists, record labels and producers. Its juicy. Lastly, Boowee and Bolly share an announcement that you don't want to miss. Follow us on IG& Twitter @aamob_pod Love you for listening --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/as-a-matter-of-black/support

Remembering Melvin Van Peebles on the occasion of Criterion's complete Blu-ray boxed set, volume 2 of Columbia's 4k Classics, a litany of Kino Studio Classics featuring Mae West, Bob Hope, Claudette Colbert and Fred MacMurray, plus our exclusive interview with Grady Hendrix and Chris Poggiali, authors of “These Fists Break Bricks,” only on The DigiGods! DigiGods Podcast, 10/12/21 (M4a) — 65.56 MB right click to save Subscribe to the DigiGods Podcast In this episode, the Gods discuss: Alias Jesse James (Blu-ray) Arise, My Love (Blu-ray) Beats (Blu-ray) Belle of the Nineties (Blu-ray) Black Lightning: The Fourth and Final Season (Blu-ray) The Black Marble (Blu-ray) Blithe Spirit (Blu-ray) The Blue Lamp (Special Edition) (Blu-ray) Blue Panther aka Marie-Chantal Vs. Doctor Ka (Blu-ray) Bluebeard aka Landru (Blu-ray) The Bride Comes Home (Blu-ray) Catch the Bullet (Blu-ray) Caught in the Draft (Blu-ray) The Choirboys (Blu-ray) Clarice: Season One (DVD) Columbia Classics 4k Ultra HD Collection Volume 2 (Anatomy of a Murder, Oliver!, Taxi Driver, Stripes, Sense and Sensibility, The Social Network) (4k UHD Blu-ray) Crossed Swords (Blu-ray) The Damned (Blu-ray) Desire (Blu-ray) The Emperor Waltz (Blu-ray) Every Day's a Holiday (Blu-ray) The Flash: The Complete Seventh Season (Blu-ray) Four Frightened People (Blu-ray) Free Guy (Blu-ray) The Gilded Lily (Blu-ray) Go West Young Man (Blu-ray) The Green Knight (4k UHD Blu-ray) Gridman - The Hyper Agent The Complete Series (Blu-ray) I'm No Angel (Blu-ray) Icy Breasts (Blu-ray) Inglourious Basterds (4k UHD Blu-ray) Klondike Annie (Blu-ray) L'Amour Braque (Blu-ray) Lady of the Manor (Blu-ray) Legend (Blu-ray) Lilies of the Field (Blu-ray) Love & Basketball (Blu-ray) Lust, Caution (Special Edition) (Blu-ray) Melvin van Peebles: Four Films (The Story of a Three Day Pass, Watermelon Man, Don't Play Us Cheap, Sweet Sweetback's Baadasssss Song (Blu-ray) Misery (4k UHD Blu-ray) The Misfits (DVD) My Favorite Blonde (Blu-ray) My Little Chickadee (Blu-ray) Naked Singularity (Blu-ray) The Nevers: Season 1 Part 1 (Blu-ray) Night After Night (Blu-ray) No Time for Love (Blu-ray) Nothing But the Truth (Blu-ray) Onibaba (Blu-ray) A Pain in the Ass aka L'Emmerdeur (Blu-ray) The Plainsman (Blu-ray) The Producers (Special Edition) 4K Restoration (Blu-ray) The Projectionist (Blu-ray) Rififi in Paris aka Du rififi a Paname / The Upper Hand (Blu-ray) The Road to Salina (Blu-ray) Seven Days... Seven Nights aka Moderato Cantabile (Blu-ray) She Done Him Wrong (Special Edition) (Blu-ray) Space Jam: A New Legacy (4k UHD Blu-ray) Survive the Game (Blu-ray) Thoroughly Modern Millie (Special Roadshow Edition) (Blu-ray) Those Who Wish Me Dead (Blu-ray) Ultra Galaxy: Mega Monster Battle (Blu-ray) Ultraman Leo Steelbook (Blu-ray) Unconquered (Blu-ray) Union Pacific (Blu-ray) Who Done It? (Blu-ray) Who Will Start Another Fire: A Short Film Anthology by Emerging Filmmakers (DVD) The Widow Couderc (Blu-ray) Please also visit CineGods.com. 

Mondo Hollywood pays tribute to three talents we lost in September including the Godfather of Black Cinema Melvin Van Peebles, former Disney star Tommy Kirk, and one of a kind comedian Norm Macdonald. It's an hour of music and clips from their careers including soundtracks such as Sweet Sweetback's Baadassss Song, Watermelon Man, Old Yeller, The Monkey's Uncle and Dirty Work.Set lists available at www.mondohollywood.ca

The new 007 film No Time To Die has had its release pushed back and back and back due to Covid. But now it's finally here with Daniel Craig playing James Bond for the final time. Critical responses have been mixed, what will our reviewers, Charlie Higson -writer of the Young Bond novels – and Naima Khan – who's never seen a Bond film before – make of it? We'll also preview Ridley Road a BBC historical drama series written by Sarah Solemani, about a young Jewish woman who fights against an emerging neo-Nazi group in 1960s East London. 1971 was an important year in African-American culture. It was the year that saw the cinema release of Melvin Van Peebles' Sweet Sweetback's Baadasssss Song, and Gordon Park's Shaft. It was also the year that saw the national launch of Soul Train – the music show that featured the big Soul stars of the day, hosted by the avuncular Don Cornelius who encouraged the audience of young African-Americans to dance and celebrate themselves for all to see. Fifty years on, music Journalist, Jacqueline Springer, assesses the significance of Soul Train. Best selling Norwegian writer of My Struggle Karl Ove Knausgaard talks to Tom Sutcliffe about his new novel The Morning Star. During one long summer's night in August, nine people are leading their usual live, when a huge star appears in the Norwegian sky above them.

Hope y'all have an appetite because we've got quite a meaty episode for ya! This week on ScaryCrit, Melle and Jared first flip open the Negronomicon to coverages of some notable passings in the entertainment sphere, a certain Netflix show that completely upended our (and the world's) weekend and the very important IATSE strike.  Afterwards, we took a visit back to high school for the comedy-drama horror cult classic, Jennifer's Body (2009). From Diablo Cody's insanely quotable and classic screenplay, toxic co-dependency, some academic resources and the fact that this movie was a giant table-flip on the male gaze, there's a lot to gain sustenance from here. We hope you enjoy!Gems from Episode 35VHS (2012)V/H/S/2 (2013)Sweet Sweetback's Baadasssss Song (1971)Sex and the City (1998)Tiger King (2020)Tiger King 2 (2021)Squid Game (2021)Pan's Labyrinth (2006)Inuyasha (2000)Sailor Moon (1992)Game of Thrones (2011)Jennifer's Body (2009)Juno (2007)Cabin in the Woods (2011)The Monstrous-Feminine (Barbara Creed, 1993, Print)The Exorcist (1973)Twilight (2008)The Twilight Saga: New Moon (2009)Black Swan (2010)Mean Girls (2004)Law & Order: SVU (1999)Mystic River (2003)Charmed (1998)Snow White and the Seven Dwarves (1937)Doug (1991)Suicide Squad (2015)Birds of Prey (2020)The Rocky Horror Picture Show (1975)American Horror Story: Red Tide (2021)Snow White and the Huntsman (2012)The Mummy (1999)Creepshow (2019)Tales from the Hood 3 (2020)Tales from the Crypt (1989)Werewolves Within (2021)Carrie (1976)Confessions of a Teenage Drama Queen (2004)Transformers (2007)Zola (2021)Columbo (1968)The Last House on the Left (1972)The Laugh of the Medusa (Hélène Cixous,1975, Print)Till Death (2021)Gerald's Game (2018)TMNT (2007)Blood Quantum (2019)

Live from the Nowhere Comedy Club, Greg speaks about Sarah Dash, Spearmint Rhino and "Sweet Sweetback's Baadasssss Song." See omnystudio.com/listener for privacy information.

Influential director Melvin Van Peebles died on Tuesday night at home in Manhattan. The 89-year-old director was best known for his independent films Watermelon Man (1970) and Sweet Sweetback's Baadasssss Song (1971). He was also the father of Mario Van Peebles, with whom he wrote and directed the movie Panther in 1995. The elder Van Peebles told NPR that year he considered that film a history lesson for kids too young to remember the Panthers' community activism. SHOW CREDITS Host: Keko - http://twitter.com/therealkeko Co Host - Magdalena Producer: Mac Redd Guest: Richard Milner Music Guest: na Background Music: Youtube.com/ nk music Background Video: Youtube.com/ the Dronalist Donation: https://cash.app/$folksalert Phone: 646-54-FOLKS Email: info@folksalert.com Web site: http://folksalert.com IG: http://instagram.com/onlyfolks_ Twitter: http://twitter.com/folksalert

Y: The Last Man is an FX on Hulu television series (whatever that means) based on the DC comics series. It stars Diane Lane as President Jennifer Brown and Ben Schnetzer as Yorick Brown, the last living person with a Y chromosome. And: Gabby Petito and Brian Laundrie were (at least aspiring) #vanlife influencers. Tragedy, and our culture around this particular sort of tragedy, has turned them into pop culture figures of an entirely different kind. Some other stuff that happened this week, give or take: Melvin Van Peebles, Godfather of Black Cinema, Dies at 89 He directed ‘Watermelon Man,’ did everything on ‘Sweet Sweetback’s Baadasssss Song’ and wrote a pair of Broadway musicals. Beloved ‘Sex And The City’ Actor Willie Garson Dies At 57 Chris Rock says he has COVID-19, urges vaccination The Song That Never Ends: Why Earth, Wind & Fire’s ‘September’ Sustains The Man Behind Those Annual ‘Sept. 21’ Videos Has Made His Last Masterpiece Not Enough Has Changed Since Sanford and Son The unwritten rules of Black TV James Corden Is Getting Called Out For Making An Ageist Joke About BTS Fans And…Yikes When will celebs learn not to come for the fandoms?! Johnny Depp Says Cancel Culture Is “So Far Out Of Hand” & “No One Is Safe”, Asks People To “Stand Up” Against “Injustice” The Emmys Underlined the Paradox of Too Much TV The people handing out the awards were a diverse lot. The ones receiving them, much less so. Japanese school students sent a message in a bottle. 37 years later, it washed up in Hawaii No sign of £4.8m golden toilet stolen from Blenheim Palace, two years on World’s first 108-key concert grand piano built by Australia’s only piano maker Netflix now owns the screen rights to Roald Dahl’s entire catalog The acquisition of the Roald Dahl Story Company follows three years of partnership Eddie Murphy Signs Three-Picture & First-Look Film Deal With Amazon Studios Reading a Novel Set Entirely in Slack In “Several People Are Typing,” Calvin Kasulke takes office agony to its outer limits. Elon Musk and Grimes break up after three years together GUESTS: Raquel Benedict - Claims to be the most dangerous woman in speculative fiction; hosts the Rite Gud podcast Brian Slattery - Arts editor for the New Haven Independent and a producer at WNHH radio Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

On the CBS News Weekend Roundup with host Allison Keyes; the CDC backed Pfizer's Covid19 booster shots for some Americans, including people 65 and older with underlying medical conditions -- but MedStar Health's infectious disease specialist Dr. Ruth Kanthula has some concerns. The CDC has also recommended that pregnant women get vaccinated amid a surge of coronavirus cases among them. CBS's Mireya Villarreal has one family's tragic story. President Biden gave his first address to the United Nations General Assembly this week, in hopes of convincing world leaders to join the U-S in fighting Covid19, climate change, and more. This was the first gathering in the U-N since the pandemic. CBS News Foreign Affairs Analyst Pamela Falk was there. There's controversy over the Biden administration's handling of the humanitarian crisis of the Southern border, where thousands of mostly Haitian migrants gathered in a tent city under a bridge in Del Rio. The president took responsibility Friday after scathing criticism from politicians and advocacy groups over images of border patrol agents using horse reins to menace Black migrants surfaced. Del Rio's Mayor says the camp has been cleared but some are still hiding. In a special report for National Hispanic Heritage Month, CBS's Lisa Mateo tells us banks are not stepping up to help finance the rapidly growing number of Latino owned businesses. On Thursday, aviation leaders testified before Congress about the record surge of incidents involving violent passengers. CBS's Errol Barnett reports. More than 13-hundred people have been killed by police officers since the murder of George Floyd. CBS's Kris Van Cleave looks at how some police departments are moving ahead with reforms, despite a breakdown in Congressional efforts to overhaul policing. CBS's Janet Shamlian reports on the ripple effect from the Texas abortion law as the U-S House passes legislation to protect abortion services. In this week's Kaleidoscope, we discuss the nation's fascination with the case of Gabby Petito, the white woman who was found dead after her fiancé returned from their road trip without her. Allison speaks with Jolene Holgate at the Coalition to Stop Violence Against Native Women about why women of color aren't given the same resources as whites when they vanish. The lights on Broadway are back on -- and so are the long awaited Tony Awards. CBS's Dana Tyler has a preview. If you remember the 70's commercial for Life Cereal, a new ice cream shop in New York City will have you feeling nostalgic. CBS's Vladimir Duthiers gets a taste. Finally, we pay tribute to Melvin Van Peebles, the filmmaker known as the "godfather of modern Black cinema," whose best known movie was "Sweet Sweetback's Baadasssss Song." See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nous rendons hommage à cet artiste décédé ces dernières heures, et passé sur nos ondes il y a bien longtemps.Dans l'émission, Jean François et Rémy diffusent des extraits d'une interview réalisée par Loik Dury et Ivan Smagghe pour leur émission GONZO. Melvin y évoque son travail pour le journal Hara Kiri, sa rencontre avec l'écrivain Chester Himes mais aussi son film le plus célèbre Sweet Sweetback's Baadasssss Song. See acast.com/privacy for privacy and opt-out information.

Zig At The Gig with Jared Michael Nickerson of Burnt Sugar The Arkestra Chamber   Jared Michael Nickerson is a Grammy-nominated Bold Soul, Rock & Roll Brother from Ohio. He experienced his first taste of live performance at local high school talent shows, one of the”labs” along with the church and basement dens of the legendary Dayton funk scene which spawned the Ohio Players, Slave, Roger Troutman & Zapp, Sun, Dayton, Steve Arrington's Hall of Fame, Faze-O and members of Heatwave. He continued his musical development at the University of Notre Dame under the direction of Father Wiskerchen, (noted for his development of three-fourths of the “Chicago”horn section). After graduating with a B.A. in Business Management, Jared moved to Boston, studied for two years at the New England Conservatory of Music before embarking on his professional music career with a local seven-piece funk band, Hypertension.   After six years in Boston he returned to Dayton, Ohio and a year later joined the Cleveland Ohio band The Human Switchboard. After three years of touring the Midwest & East Coast still based in Ohio, he moved with the band to New York City and back-flipped into the local music scene of CBGBs, Danceteria, The Peppermint Lounge, Maxwells ( Hoboken N.J.) and The World. After HS dissolved Jared started his own band JJ Jumpers; joined the Black Rock Coalition becoming the B.R.C.'s first Director of Operations. His first booking was the B.R.C.'s first, two-day, mini-fest at CBGBs entitled “Stalking Heads” on February 11th and 12th,1987. When he departed a few years later the new Director of Operations and BRC East & West Coast Booking Committees had access to rock & roll venues all across the country. Jared has “laid the bottom” for folks such as Nona Hendryx, Wadada Leo Smith, Human Switchboard, JJ Jumpers, Vernon Reid, Marshall Crenshaw, Melvin Van Peebles, Freedy Johnston, Catie Curtis, Ivan Julian, John Paul Bourelly, Katell Keineg, Bernie Worrell, The The, Gary Lucas's Gods and Monsters, Chocolate Genius, Darlene Love, Jeff Buckley, The Yohimbe Brothers with DJ Logic & Vernon Reid, Tammy Faye Starlite and the Angels of Mercy, Pheeroan akLaff, Divine Pocket Bouncers, Cynthia Sley, Dayton Flic, The Raybeats and the Band of Gypsy's Revisited Band. Jared co-wrote a tune, recorded and toured with Charlie Musselwhite. “Sanctuary”, on Peter Gabriel's Real World label, found itself on numerous critic top ten lists and received a Grammy nomination.   A suggestion from a mutual friend, led to a call from Greg Tate landing Jared among a number of “Badasses” which included Vijay Iyer and Ronny “Wirepuller” Drayton for a jam session that morphed into Burnt Sugar The Arkestra Chamber. Burnt Sugar Index LLC soon followed with Jared handling all BSAC's business affairs such as arranging an eight-week residency with BRIC studios (The organization that presents Celebrate Brooklyn) to workshop and preview Melvin Van Peebles theatrical version of “Sweet Sweetback's Badasssss Song”. The workshop culminated with three sold-out BRIC performances before BSAC departed for Paris to perform two sold-out performances at the Sons D'Hiver Festival in 2010. Jared, overseeing “bookings” throughout the United States, Canada, France, England, Portugal, Spain, Finland, the Netherlands and Italy, just celebrated his twentieth year as BSAC's CEO last year. He's even “dipped his toe” in tour managing having worked with Concord Records Alt-Folk artist Valerie June including the set-up of her August 21st, 2013 debut television appearance on David Letterman. His television appearances include Late Night With David Letterman, The Jools Holland Show, MTV, VH1, The Tonight Show with Conan O Brien, The John Stewart Show and as bassist with The Kennedy Center Honors BB King Tribute Band; jamming with Bonnie Raitt, Dr. John, Etta James, Joe Williams and Steve Cropper to name a few. You'll find him in Nelson George's “Finding The Funk” documentary speaking about growing up while playing music in Dayton Ohio in the late Sixties. Jared has toured extensively performing at venues such as the Toronto Skydome, Red Rocks, the L.A. Forum, the Oakland Coliseum, England's Brixton Academy, Brighton Dome & Reading Festivals, The Beacon Theater, Lincoln Center and Madison Square Garden.   Jared's Info https://www.burntsugarindex.com/ https://burntsugarthearkestrachamber....  

Part 1: Zach goes solo and reflects on life and the podcast. Listeners be warned.Part 2 (32:00): The group (i.e. just Zach) continues their Young Critics Watch Old Movies series with a look at 1971's Sweet Sweetback's Baadasssss Song.See movies discussed in this episode here.Don't want to listen? Watch the podcast on our YouTube channel.Also follow us on:FacebookTwitterLetterboxd

Annette (2021), starring Adam Driver and Marion Cotillard Plus: The Notebook (2004) Fear and Loathing in Las Vegas (1998) In This Our Life (1942)  Heartburn (1986) Sweet Sweetback's Baadasssss Song (1971)  This episode is sponsored by FNX Fitness (Use the Discount Code: fourseasonsoffilm and receive 15% off your order). Podcast App: https://playpodca.st/fourseasons Spotify: http://bit.ly/4SOFspotify Check out our latest episodes, digital shorts, movie reviews and more: fourseasonsoffilm.com  Where to Find Nathan and Andy:  @fourseasonspod on Twitter  @fourseasonsoffilm on Instagram @NateRBlackburn on Instagram & Twitter  @AJPesa on IG & Twitter 

Special shoutout to our friend @death_rattler this week! Facebook: http://facebook.com/fourseasonsoffilm YouTube: http://youtube.com/fourseasonsoffilm Vimeo: https://vimeo.com/fourseasonsoffilm @fnx_fit Keep Film Alive!

Sweet Sweetback's Badasssss Song | Ganja & Hess - Hey everyone! Welcome to episode 376 of Motion Picture Meltdown! We continue MPM Black History Month with a couple picks from Cheats that were trailblazers in their respective fields. We go through what's seen as possibly the first Blaxsploitation film in Sweet Sweetback's

Aya Lehman: https://twitter.com/ayalhmnKevin Cookman: https://twitter.com/KevinCookmanContact/Mailbag: ayavsthebigboys@gmail.com A Merry-Go-Round Magazine Podcast: https://merrygoroundmagazine.com/Support Merry-Go-Round Magazine!: https://www.patreon.com/mgrm 

Picture this if you will, your father is THE brilliant, iconic filmmaker, actor and revolutionist, Melvin Van Peebles. And when you are just thirteen years old, he gives you a pivotal role in a movie that will change the way the world looks at black men and women forever. Mario Van Peebles, actor, eco-activist, director and producer, took that role, playing the younger version of his father, Melvin's character in the mega-hit indie film, Sweet Sweetback's Baadasssss Song. An experience that would put Mario on the actor/filmmaker track for the rest of his life and allow him to bring his own vision of black people to the silver screen. But what if you found yourself confronted by ignorance and prejudice each time you sat in that director's chair? Would you give up your vision and continue to allow Hollywood to whitewash America? Or would you stand your ground and make films that cast black people in all the starring roles? Finding Mario Van Peebles: Instagram: @mariovanpeebles Twitter: @mariovanpeebles Be sure not to miss Scott Talks on Wednesdays, our Sunday release called Sunday Edition & our brand new series On My Nightstand releasing on Fridays by subscribing to the show wherever you listen to podcasts.  Join our Only One In The Room Facebook Group if you'd like to ask a question of any of our upcoming guests for this series.  Also visit the website www.theonlyonepod.com for the latest from our host Laura Cathcart Robbins like featured articles and more. We love hearing from you in the comments on iTunes and while you're there don't forget to rate us, subscribe and share the show! All of us at The Only One In The Room wish you safety and wellness during this challenging time. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the podcast, we went long on an American filmmaker like no other: Melvin Van Peebles. Known for groundbreaking classics like Watermelon Man and Sweet Sweetback's Baadassss Song, Van Peebles invented entirely new cinematic languages while offering trenchant visions of Black American life and masculinity. In 1968, the director made his feature debut with The Story of a Three Day Pass, a dazzlingly multi-layered film about an African-American soldier's dalliance with a white French woman in Paris. With the film returning to screens this week in a brand-new restoration, we reached out to two Van Peebles superfans: filmmaker Ephraim Asili, director of The Inheritance, and writer and film editor Blair McClendon. We discussed Van Peebles' work and fascinating life, and even got a peek into Ephraim's extensive collection of Melvin Van Peebles ephemera. Don't forget to sign up for the Film Comment Letter! It's a free digital newsletter that will deliver original writing by Film Comment contributors directly to your inbox every Thursday. Sign-up today at filmcomment.com.

we had a full house. Devon Grice, John Brown, Selfsays, Sean Uppercut, and Rufio Jones. we laugh for way too long about the Skype background, we talk about nature, supermarkets, Back to the Future, Parliament Funkadelic, waterfalls, Lansing, Selfsays being a Highlander, Hondo Carpenter, Ted Nugent, The Warriors movie, Sweet Sweetback's Badass Song, Mario Van Peebles, kids and cussin', and more. https://www.youtube.com/channel/UC_Yeo6VvF1MXCrP_XTBIC4g/videos https://instagram.com/icyplunder https://instagram.com/postfauvist https://twitter.com/postfauvist. https://selfsays.bandcamp.com https://tahntahn.bandcamp.com https://instagram.com/selfsays https://rufiojones.bandcamp.com https://detroitcyd.bandcamp.com https://illingsworks.bandcamp.com the live video podcast happens on twitch.tv/illingsworth at 7:30 PM EST every thursday. it usually includes https://twitter.com/furdgecakes https://twitter.com/seanuppercut & https://twitter.com/rufiojones https://twitter.com/_selfsays Broadcasted live on Twitch -- Watch live at https://www.twitch.tv/illingsworth archived video episode https://youtu.be/8n9tqb8zkyg --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/illingsworth/message Support this podcast: https://anchor.fm/illingsworth/support

Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este octavo episodio, nos ocupamos de El odio es ciego (No Way Out, 1950) de Joseph L. Mankiewicz. Como nos suele ocurrir, hablamos de esa, pero terminamos hablando estas otras: ¿Sabes quién viene a cenar? (Guess Who's Coming to Dinner, 1967) de Stanley Kramer, Pantera negra (Black Panther, 2018) de Ryan Coogler, Blade, cazador de vampiros (Blade, 1998) de Stephen Norrington, La malvada (All About Eve, 1950) y De repente en el verano (Suddenly, Last Summer, 1959) de Joseph L. Mankiewicz, Al calor de la noche (In the Heat of the Night, 1967) de Norman Jewison, La jaula de las locas (La Cage aun Folles, 1978) de Edouard Molinaro, El planeta de los simios (The Planet of the Apes, 1968) de Franklin J Schaffner, Tiburón (Jaws, 1975) de Steven Spielberg, Matar un ruiseñor (To Kill a Mockingbird, 1962) de Robert Mulligan, Heradarás el viento (Inherit the Wind, 1960) de Stanley Kramer, Caballero sin espada (Mr Smith Goes to Washington, 1939) de Frank Capra, Los mellizos del terror (The Other, 1972) de Robert Mulligan, La noche de los muertos vivientes (The Night of the Living Dead, 1968) de George A. Romero, Carnaval de las almas (Carnival of Souls, 1962) de Herk Harvey, El loco de la motosierra (The Texas Chansaw Massacre, 1974) de Toby Hooper, Deadbeat at Dawn (1988) de Jim Van Bebber, Diabólico (The Evil Dead, 1981) de Sam Raimi, Shaft (1971) de Gordon Parks, Masacre policial (Sweet Sweetback's Baadasssss Song, 1971) de Melvin Van Peebles, Sheba Baby (1975) de William Girdler, Coffy (1973) y Foxy Brown (1974) de Jack Hill, Cleopatra Jones (1973) de Jack Starrett, Dolemite (1975) de D'Urville Martin, The Black Gestapo (1975) de Lee Frost, Ilsa la loba de las SS (Ilsa: She Wolf of the SS, 1975) de Don Edmonds, El desquite (1983), La búsqueda (1985) y En retirada (1984) de Juan Carlos Desanzo, Tienes un email (You've Got Mail, 1998), Todos los hombres del presidente (All the President's Men, 1976) de Alan J. Pakula, Ingrid Goes West (2017) y Red social (The Social Network, 2010) de David FIncher... ... por si justo te dio paja anotar, y hasta contestamos preguntas de lxs oyentes. Podés comentar este episodio o hacer nuevas preguntas para los próximos usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, como ya explicamos varias veces, es lo menos importante.

EPISODE #297-- Did you know Ossie Davis directed a crime drama before Shaft or Sweet Sweetback? Well he did and we reviewed it and also talk about CLASS ACTION PARK and BARB AND STAR GO TO VISTA DEL MAR. Donate to the cause at Patreon.com/Quality. Follow James on Twitter @kislingtwits and on Instagram @kislingwhatsit or on gildedterror.blogspot.com. You can watch Cruz and Alexis Simpson on You Tube in "They Live Together." Thanks to our artists Julius Tanag (http://www.juliustanag.com) and Sef Joosten (http://spexdoodles.tumblr.com).   

The 2020 National Film Registry list Suspense (1913) Kid Auto Races at Venice (1914) Bread (1918) The Battle of the Century (1927) With Car and Camera Around the World (1929) Cabin in the Sky (1943) Outrage (1950) The Man with the Golden Arm (1955) Lilies of the Field (1963) A Clockwork Orange (1971) Sweet Sweetback's Baadasssss Song (1971) Wattstax (1973) Grease (1978) The Blues Brothers (1980) Losing Ground (1982) Illusions (1982) The Joy Luck Club (1993) The Devil Never Sleeps (1994) Buena Vista Social Club (1999) The Ground (1993-2001) Shrek (2001) Mauna Kea: Temple Under Siege (2006) The Hurt Locker (2008) The Dark Knight (2008) Freedom Riders (2010) Find out more at https://registry-a-podcast.pinecast.co

Every episode of Esoterica Cinema features a comedy sketch in the form of a fake commercial during one of our breaks. We put a lot of work into them, and since everyone seems to agree they're a lot of fun, we figured we'd share them with you separately during our off weeks.Episode 11 features this sketch, "Melvin Van Peebles Presents: The Lord of the Rings" from Sweet Sweetback's Baadasssss Song.. In case you didn't listen to the episode, or if you'd just like to see what the comedy aspect of our show is all about, give it a listen!***Written, Produced, and Performed by Ryan Seybold***Follow us on Twitter @Esoterica CinemaCheck us out on Instagram EsotericaCinema#filmcomedy #moviecomedy #satire #fakecommercial #sketchcomedy #sweetsweetback #melvinvanpeebles #weareidiotsbutfunidiots

This episode, Jason & Ryan hunker down for two vastly different films featuring silent protagonists with distinctly different missions in Zhang Yimou's Hero and Melvin Van Peebles' Sweet Sweetback's Baadasssss Song.Will these two films match up to their reputations? Will the guys be able to find some sort of common thread? And will they be able to get through the opening minutes of Sweetback long enough to find out?Give a listen and join the fun!***Follow us on Twitter @Esoterica CinemaCheck us out on Instagram EsotericaCinema#movies #film #indiepodcast #moviepodcast #sweetsweetback #melvinvanpeebles#MVP #exploitationfilms

Cody never got around to wrangling a new special guest for this week's podcast, so in lieu of that, he recruited Scrawls stalwarts Ben Noble, Joseph Shin, and podcast editor Reagan Jones for a discussion of their favorite films of 2020 so far. The boys touch on everything from Spike Lee's widely acclaimed Da Five Bloods to Lana Wilson's divisive Taylor Swift documentary Miss Americana, even making a little time for some discourse regarding Eurovision Song Contest and The King of Staten Island. Things then take a sharp left turn into an extensive analysis and debate over Melvin Van Peebles' iconic blaxploitation (or is it??!) classic Sweet Sweetback's Baadasssss Song.

On this week's episode, pasty pals Danny and Luke discuss Melvin Van Peebles's Sweet Sweetback's Baadasssss Song. They talk blaxploitation, empathy through film, nicknames, and the r&b superstars Earth, Wind, and Fire. Will these two guys be silly? Yes. Will Luke still be indecisive about answering questions? Absolutely. Is Danny still enjoying the same bottle of whisky from episodes past? Good question. Listen up to find out. 

***Content Warning*** This episode contains interviews with the people involved with the creation of this films. Some language is present that is offensive and racist, but being used to describe how racist groups depict communities other than their own. Greetings ButterFam! Today we have a very exciting new type of episode releasing...a "megasode." With everything that is going on in America right now, we took some time to think about and discuss how we can use our platform to highlight and talk about diverse voices in cinema. For this new format we are talking about 4 movies - The Watermelon Woman (1996), Blackkklansman (2018), Moonlight (2016), and Sweet Sweetback's Baadasssss Song (1971). We hope that these films will serve as a launching point for our own personal journeys in exploring more diverse cinema, and we also hope that you enjoy listening to us discuss these films! Let us know what you think of this new episode format and what you would like us to discuss in the future!

Recorded June 4, 2020 After saving a Black Panther from some racist cops, a black male prostitute goes on the run from “the man” with the help of the ghetto community and some disillusioned Hells Angels. – From IMDB Email Eric or Joe. Time – 59:50 min. / File Size – 42mb Subscribe via RSS … Continue reading

Spike Lee's Da 5 Bloods is the movie of June 2020, and sets the table (25:30) for Av and Sam to consider the most impactful movies ever made about racist police brutality – starting with 1971's Sweet Sweetback's Baadasssss Song all the way through the half-dozen movies released in the last few years. See here for the complete list of 21 movies. Also see here the minute-and-a-half short film that Spike Lee released on Twitter called 3 Brothers — Radio Raheem, Eric Garner, and George Floyd. Outré: What's Going On, Marvin Gaye | Da 5 Bloods OST (1971 and 2020) - For why Spike chose this song, see here.

This episode ill talking about two films that still hold up today and should be talked about more often. Watermelon man and Sweet Sweetbacks Asssss song from maverick filmmaker Melvin Van Peebles. listen or dont. Voicemail line is 732-639-1435 or email Motionpicturemassacre@gmail.com

Le Spoutnik de Genève a la bonne idée de projeter cet incontournable de Melvin Van Peebles. Rafael Wolf ne pouvait pas passer à coté !

Finalmente o primeiro episódio oficial da série AfroVoz. Resolvi começar falando sobre o blaxploitation, aquele movimento cinematográfico dos anos 70 que coloca os negros como protagonistas dos filmes. Site do Notívago Comum: https://notivagocomum.wixsite.com/info Apoie o Notívago Comum pelo Padrim: https://www.padrim.com.br/notivagocomum Instagram: @notivagocomum E-mail de contato: notivagocomum@gmail.com Citados: Dolemite, Shaft, Coffy, Sweet Sweetback's Baadassss Song, Blacula, Blackenstein, Meu nome é Dolemite; Cornbread, Earl and Me; Malcolm X, Martin Luther King, Richard Pryor, Rudy Ray Moore, Fred Williamson, Richard Roundtree, Pam Grier, Jim Brown, Eddie Murphy. Trechos retirados do filme Dolemite, de 1975. Músicas: Killa funk (apple32), Elfie Funk (Miki Elf) - em newgrounds.com Funky Party (Lobo Loco), Hot Funky Body (Nameless Dancers) - em freemusicarchive.org Fotos retiradas de: https://www.juicysantos.com.br/diversao/cinema/blaxploitation-luke-cage/ e https://www.udiscovermusic.com/stories/blaxploitation-and-baadasssss-songs/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Rahim and Anton are on a quarantine break debating the Blaxploitation genre and its impact on films today. Listen to the debate they have on Superfly and The Mack. Which of these two films were more popular? What impact did the music/the soundtrack play in the success of Blaxploitation films? Finally, find out what shows the fellas are currently watching. If you're a fan of Shaft, Sweet Sweetback's BadAss Song, Foxy Brown, The Mack, Superfly and Dolemite then this episode is for you. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ill-hio-productions/support

Sweet Sweetback’s Badasssss Song | Ganja & Hess – Hey everyone! Welcome to episode 376 of Motion Picture Meltdown! We continue MPM Black History Month with a couple picks from Cheats that were trailblazers in their respective fields. We go through what’s seen as possibly the first Blaxsploitation film in Sweet Sweetback’s Badassssss Song and … Continue reading "MPM: Ep. 376 – Ganjarrhea"

Picture this if you will, your father is THE brilliant, iconic filmmaker, actor and revolutionist, Melvin Van Peebles. And when you are just thirteen years old, he gives you a pivotal role in a movie that will change the way the world looks at black men and women forever. Mario Van Peebles, actor, eco-activist, director and producer, took that role, playing the younger version of his father, Melvin’s character in the mega-hit indie film, Sweet Sweetback’s Baadasssss Song. An experience that would put Mario on the actor/filmmaker track for the rest of his life and allow him to bring his own vision of black people to the silver screen. But what if you found yourself confronted by ignorance and prejudice each time you sat in that director’s chair? Would you give up your vision and continue to allow Hollywood to whitewash America? Or would you stand your ground and make films that cast black people in all the starring roles? Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, host Brandon Jenkins speaks with legendary record executive and songwriter Al Bell. Mr. Bell was the head of Stax Records during the height of the blaxploitation movement and oversaw the release of the film genre's most iconic soundtracks like "Sweet Sweetback’s Baadasssss Song" and "Shaft". He discussed blaxploitation's impact on film soundtracks and the continued legacy of that moment in music. This Episode's Blaxploitation Watch List: Dolemite Is My Name (2019) Shaft (1971) Sweet Sweetback’s Baadasssss Song (1971)

In this episode, host Brandon Jenkins speaks with Stephane Dunn, author of "Baad Bitches & Sassy Supermamas: Black Power Action Films". They discuss the portrayal of women in blaxploitation films by looking at Pam Grier's "Foxy Brown", Tamara Dobson's "Cleopatra Jones," and more. This Episode's Blaxploitation Watch List: Coffy (1973) Cleopatra Jones (1973) Foxy Brown (1974) Shaft (1971) Super Fly (1972) Black Caesar (1973) Sweet Sweetback’s Baadasssss Song (1971) Dolemite Is My Name (2019)

David is joined by Jason Beamish and first-time guests Brad McDermott and Mark Repp to discuss this "blaxploitation classic", originally issued on Laserdisc by Criterion in 1997.

We discuss Melvin van Peebles 1971 groundbreaking film about revolution and sticking it to The Man.

Comment devient-on Will Smith ? Le Tchip reçoit Greg Germain, voix française officielle de l’acteur culte. Le comédien guadeloupéen évoque son travail dans « Le Prince de Bel-Air », son parcours d’acteur, et les enjeux liés à la transposition de la culture afro-américaine en VF. « L’important n’est pas de savoir qui parle mais de savoir d’où on parle » selon Greg Germain. « Nous avons besoin d’auteur·trice·s pour raconter nos histoires » martèle celui qui a aussi doublé Samuel L. Jackson ou Denzel Washington.Entre les fans de Mahershala Ali et les anti-white savior, la victoire de « Green Book » aux Oscars divise. La dernière série Netflix – « Siempre Bruja » ou « L’éternelle sorcière » – est une grande déception. Cette sorcière puissante opère dans une Colombie peuplée presque exclusivement d’hommes blancs. Pour changer.RECOMMANDATIONS ET COUPS DE CŒURLA RECO DE KÉVI : Banana Kush, un podcast indépendant sur le cannabis par Christophe Payet et Camille DiaoLA RECO DE FRANÇOIS : le spectacle comique « Kevin Hart’s Guide To Black History » qui dépoussière l’histoire afro-américaine disponible sur NetflixRÉFÉRENCES CITÉES DANS L’ÉMISSION« Doublage : la Halde accuse le cinéma français de discrimination raciale » publié sur lemonde.fr le 6 janvier 2009, l’interview de Lucien Jean-Baptiste : « On ne me donnera jamais la chance de doubler un comédien blanc » diffusé sur Europe 1 en juin 2018, Sweet Sweetback’s Baadasssss Song (Melvin Van Peebles, 1971), Green Book : Sur les routes du sud (Peter Farrelly, 2018), Roma (Alfonso Cuarón, 2018), Le Prince de Bel-Air (Episode 8, Saison 4, Andy Borowitz et Susan Borowitz, 1990-1996), The Greenest Book (DESUS & MERO on SHOWTIME, YouTube, 2019)CRÉDITSLe Tchip est un podcast de Mélanie Wanga, Kévi Donat et François Oulac distribué par Binge Audio. Cet épisode a été enregistré le 28 février 2019 au studio V. Despentes de Binge Audio (Paris, 19e). Réalisation : Quentin Bresson. Générique : Shkyd. Chargée de production : Juliette Livartowski. Chargée d’édition : Diane Jean. Identité graphique : Sebastien Brothier (Upian). See acast.com/privacy for privacy and opt-out information.

Father son pair Mario Van Peebles and Melvin Van Peebles have two movies that tells stories of very different times and places. First up, a trip back to the early 90s. Everyone is worried about crime, crack is a problem, … Continue reading →

Season 2 Bonus Episode (originally released on August 09, 2018) On this special bonus episode… The post The Shame List Picture Show – BONUS – Sweet Sweetback's Baadasssss Releases! appeared first on Cinepunx.

This week, we trace the evolution of black American cinema from blaxploitation in the 1970s to what we’re calling "blaxplaining" in 2018. While blaxploitation sought to showcase black actors in dramatic, action-packed films, today’s blaxplaining centers on the challenges of being black in America. We examine three films — "The Hate U Give," "Blindspotting" and "Sorry to Bother You" — and ask if they accurately depict aspects of contemporary black life, or instead merely seek to make some black experiences more palatable to white audiences.Discussed this week:"The Hate U Give" (directed by George Tillman Jr., 2018)"Blindspotting" (directed by Carlos López Estrada, 2018) "Sorry to Bother You" (directed by Boots Riley, 2018)"Coffy" (directed by Jack Hill, 1973)"Slaves" (directed by Herbert Biberman, 1969)"Sweet Sweetback’s Baadasssss Song" (directed by Melvin Van Peebles, 1971)"The Devil Finds Work" (by James Baldwin, 1976)"Lady Sings the Blues" (directed by Sidney J. Furie, 1972)"Mandingo" (directed by Richard Fleischer, 1975)"Jaws" (directed by Steven Spielberg, 1975)"Hammer" (directed by Bruce Clark, 1972)"Truck Turner" (directed by Jonathan Kaplan, 1974)"Shaft" (directed by Gordon Parks, 1971)"Blacula" (directed by William Crain, 1972)"Proud Mary" (directed by Babak Najafi, 2018)"The Equalizer 2" (directed by Antoine Fuqua, 2018)"White Fragility: Why It's So Hard for White People to Talk About Racism" (Robin DiAngelo, Beacon Press, 2018)"Super Fly" (directed by Gordon Parks Jr., 1972)"Dr. Black, Mr. Hyde" (Directed by William Crain, 1976)"Cotton Comes to Harlem" (Directed by Ossie Davis, 1970)"Mahogany" (Directed by Berry Gordy, 1975)"Dancing in the Moonlight" (Still Processing, 2016)

Welcome to the Music Box podcast where we talk about all things Music Box Theatre in Chicago. This week's show features: Drake Newnum– Lounge Manager Kyle Cubr– Operations Manager Ryan Oestreich– General Manager Currently playing: 3:23 The King– Through August 9th 4:17 Three Identical Strangers– Through August 9th 5:41 Review Stephen King Festival This week's SHOWS: 11:30 The Captain– Opening Friday August 3rd 16:53 The Mist in B&W– Fri & Sat at Midnight 19:44 Sweet Sweetback's Baadasssss Song– Fri & Sat at Midnight 21:16 Curtiz Matinee: Flamingo Road– Saturday and Sunday at 11:30am 22:06 Rudy- Monday at 7pm with Michael Phillips and the real life Rudy (Daniel Ruettiger) Advance Notice ticket sales: 24:20 70mm Film Festival– September 14– 27th This Old Theater: 39:10 Concessions and Bar Confessions 57:51 QUICK REVIEW of the movies coming up As always please rate our podcast and feel free to email us your comments or questions. www.musicboxtheatre.com

Tune into the Blood Thirsty Beasts of Flesh Wound Radio at our NEW DAY & TIME this Wednesday, May 23rd at 9:00pm EST / 6:00pm PST (or anytime shortly after we wrap live). On this all Vinegar Syndrome spectacular we break down new Blu-Rays starting with the schlocky Sci-fi/Horror fave Bloodsuckers From Outer Space, and the genre forging Blaxsploitation classic Sweet Sweetback’s Baadasssss Song. In addition Flesh Wound After Dark is back with the Blu-Ray debut of Roger Watkin's Her Name Was Lisa, Naughty Girls Need Love Too, and a double feature of Seka classics. Don't miss it Freaks and be sure to tune into our new wrestling themed series Squared Circle Society next Thursday, sponsered by UEW. Don't miss it and be sure to download us on itunes, Stitcher, Spreaker, and join the Flesh Wound Radio FB page.

The second installment of Blood on the Tracks has arrived to make sure you don't get jived. Join Lee as he takes your ears on this show's initial trip down the funky, soulful and bumpy road of Blaxploitation soundtracks and scores. Be warned, that dreaded "N" word pops up a time or two. Playlist: --Sweetback's Theme from "Sweet Sweetback's Baadasssss Song" (1971) -- Melvin Van Peebles & Earth, Wind & Fire --Pusherman & Freddie's Dead from "Superfly" (1972) -- Curtis Mayfield --Mama's Dead & The Boss from "Black Caesar" (1973) -- James Brown --Boss Nigger from "Boss Nigger" (1975) -- Terrible Tom (vocals); Mike Terry (orchestration); music and lyrics written by Leon Moore and Tom Nixon --Nigger Rich from "Jive Turkey" (1974) -- Ernie Lee Banks --Theme From Cleopatra Jones from "Cleopatra Jones" (1973) -- Joe Simon --Escape from "Coffy" (1973) -- Roy Ayers --Theme of Foxy Brown from "Foxy Brown" (1974) -- Willie Hutch --Car Wash from "Car Wash" (1976) -- Rose Royce --You've Got to Learn from "Ganja & Hess" (1973) -- Sam Waymon --Across 110th Street from "Across 110th Street" (1972) -- Bobby Womack Opening and closing music: Downhill Decoy from "Danger Diabolik" by Ennio Morricone & Blonk Monster from "House by the Cemetery" by Walter Rizzati.

Os historiadores “C. A.” e “Beraba” recebem uma turminha do barulho que arruma altas confusões pela primeira vez na televisão… Ops! C. A. e Beraba receberam Augusto Carvalho, Artur Lopes, Rodolfo Neto e Victor Moraes para discutir  sobre as múltiplas relações entre a história e a cultura pop! NO EPISÓDIO: Descubra como a história pode dialogar com a cultura pop (cinema, HQ, games, etc.), entenda que Michael Bay pode explodir coisas na tela que você nem imaginou, compreenda os diversos interesses que a cultura pop pode despertar nos historiadores, surpreenda-se ao descobrir como é possível estudar o Batman em uma dissertação de mestrado e, sobretudo, divirta-se, pois este programa fecha o ano de 2016 e inicia o de 2017 de forma leve e descontraída. Arte da Capa Publicidade Ajude nosso projeto crescer cada vez mais. Seja nossa Madrinha ou Padrinho. www.padrim.com.br/fronteirasnotempo   MENCIONADO NO EPISÓDIO Textos do Victor Moraes: https://revistamoviement.net/@victormoraes_78353 1UpBrasil – Canal do Augusto Carvalho no Youtube Para ver no Youtube Cafezinho | Brasil Contemporâneo | Entrevista com o historiador Carlos Fico Cafezinho | História e Cinema | Entrevista com o historiador Alexandre Valim Alguns Filmes que mencionamos no Episódio (em ordem alfabética) Bad Boys 2 – Micheal Bay Interview (2003) Cap. America (filme de 1990) Sweet Sweetback's Baadasssss Song The cinema of Michael Mann Trailer Bad Boys (1995) Trailer Shaft (1971) Trailer Shaft (2000) Trailer Sweet Sweetback's Baadasssss Song Para jogar e se divertir Trailer de Sid Meier's Civilization IV: Beyond the Sword MENCIONADO NA LEITURA DE E-MAIL FrontCast Canal do Prof. André Azevedo da Fonseca Podcast Tricô de Pais  Portal Deviante (casa do Scicast e do Contrafactual) Sabaton – Smoke Snakes Charges mencionadas pelo Willian Spengler (comentário de voz) Link do Dossiê “História, Imagens e Ciência”: http://www.uel.br/revistas/uel/index.php/dominiosdaimagem/issue/view/1302/showToc SILVA, Cesar Agenor Fernandes da. Representações, vulgarização e imagética científicas na imprensa da corte fluminense do século XIX. Domínios da Imagem, Londrina, v. 10, n. 19, p. 40-75, jul./dez. 2016. Disponível em: http://www.uel.br/revistas/uel/index.php/dominiosdaimagem/article/view/27957/20144 Redes Sociais Twitter, Facebook, Youtube, Google+ Contato WhatsApp: 13 99204-0533 E-mail: fronteirasnotempo@gmail.com Expediente Produção Geral e Hosts: C. A e Beraba, Vitrine:  Augusto Carvalho, Edição: Talk'nCast Material Complementar BERNADET, Jean-Claude & RAMOS, Alcides Freire. Cinema e história do Brasil. São Paulo: Contexto, 1988. BERNADET, Jean-Claude. O que é cinema. São Paulo: Brasiliense, 2004. BURKE, P. Testemunha ocular: o uso das imagens como evidência histórica. São Paulo: Ed. Unesp, 2017. FERRO, M. Cinema e história. Rio de Janeiro: Paz e Terra, 2012. FREITAS, Enio de. História e cinema: encontro do conhecimento em sala de aula. São Paulo: Cultura Acadêmica, 2012. Disponível gratuitamente: https://repositorio.unesp.br/bitstream/handle/11449/109250/ISBN9788579833694.pdf?sequence=1 MASCARELLO, Fernando. O dragão da cosmética da fome contra o grande público: uma análise do elitismo da crítica da cosmética da fome e de suas relações com a Universidade. Intexto, Porto Alegre: UFRGS, v. 2, n. 11, p. 1-14 julho/dezembro, 2004. http://seer.ufrgs.br/index.php/intexto/article/view/4076 NÓVOA, J. BARROS, J. D. CAMARA, A. S (et. al). Cinema-História: teoria e representações sociais no cinema. NÓVOA, Jorge; FRESSATO, Soleni Biscouto; FEIGELSON, Kristian (orgs.). Cinematógrafo: um olhar sobre a história. Salvador: EDUFBA; São Paulo: UNESP, 2009 PUNTONI, P. BOLOGNESI, L. Meus heróis não viraram estátua. São Paulo: Ática, 2001. Revista Brasileira de História da Mídia – http://www.ojs.ufpi.br/index.php/rbhm SCHWARTZ, Rosana. Mídia e História: Registros, documentos e fontes. http://www.ufrgs.br/alcar/jornal-alcar-no-2-maio-de-2012/Midia%20e%20Historia.pdf P.s.: Parabéns Artur Lopes pelo ingresso no mestrado em História na UFSCSee omnystudio.com/listener for privacy information.

This is the type of guest you have a podcast like this for! This week on the show Damian is in the presence of Rock Royalty: King Khan is the guest on this weeks Turned Out A Punk!!! This is one of the great ones with someone that has carved his own path in music and life. From Tarot cards with Jodorowsky, to pasta, to Anti Flag stealing his credit card as straight edge revenge... THIS ONE HAS IT ALL!!!!! Also covered: -The most intimidating live performer on earth -Sharting on stage -The Epileptics: Pre-Clone Defects -Musique Plus plus the Ramones and it all begins -Hearing “Nazi Punks Fuck Off” and “Maggie You C*nt" at lunch at school -Having a good teacher -Understanding family drug addiction through William Burroughs -The origins of the goddess Kali -54-40 are awesome!!! In one of our options -Getting a fake ID from the government! -New Bomb Turks for a first show -Meeting the Spits -Long Gone John calls up -The Tricky Woo beef unfolding in Vice -Having a Wu name -A cooking show with Bobby Seale -Meeting Captain Sensible -Snorting metal dust -Taking the Deadly Snakes on tour and it changed everyones lives -AntiFlag stealing your credit card -“What’s wrong with flags?” -TO Punks snitching -Robotripping with Max Danger carrying around a briefcase full of rocks -Finding a painting and it leading to marriage -Meeting Jodorowsky and a mentor -Reading tarot cards -Discovering Spiritual Jazz -The importance of Sweet Sweetback’s Badass Song AND MORE!!!!!!!!!!!!!!!!!!!

"It's just status." -Buddy About: In pockets of America, like those in Oakland and throughout the East Bay of Northern California, the status quo of driving a vehicle is proudly rejected. Take a look at some of the rides out here and you’ll immediately get the sense that a car is more than just a car. Who are these people and what caused them to decorate Detroit-produced relics with candy-like paint, oversized rims and a sound-system that can probably be heard from Space? Show Notes: [00:45] “Keep It on the Real” by 3X Krazy [01:05] The 1985 Chevrolet Caprice Classic [02:40] ”_Jamlet” by Coolzey [04:30] ”Cirrus Transit” by Blue Dot Sessions [04:40] A 1960s era Cougar and Mustang [04:55] And scrapers [05:00] A donk, box and bubble Here’s a Jalopnik article he wrote about the culture [05:55] Raphael Orlove (@RaphaelOrlove) [06:50] Slabs on swangas (The Houston Chronicle, 2013) [08:20] A little backstory on Burley’s  (Oakland North, 2008) [08:40] The Ford Falcon and its relevance to Oakland (SF Gate, 2005) [09:30] “Cirrus” by Blue Dot Sessions [11:00] The Cadillac Fleetwood and Eldorado [14:40] “Pusherman” by Curtis Mayfield [15:00] The trailer to Superfly [15:35] The problem with Fat Freddy [16:30] Trailers to Sweet Sweetback’s Badass Song and Shaft [16:35] Highly recommended documentary on the subject of Blaxpoitation [16:40] “White Filament” by Blue Dot Sessions   [17:00] “Wanna Be a Baller” by Lil’ Troy [17:35] “Rapper’s Delight” by The Sugarhill Gang [17:40] “Let Me Ride” by Dr. Dre feat. Snoop Dogg On the “Hyphy movement” (Center for Investigative Reporting, 2013) [18:50] “Tell Me When to Go” by E-40 [19:20] “I Do the Dummy Retarded” by E-40 [20:07] “Fast Like a Nascar” by Kafani feat. Keak the Sneak [20:08] “Muscle Cars” by E-40 [20:20] “Ghost Ride the Whip” by Mistah F.A.B. [21:36] Beeda Weeda (@RealBeedaWeeda) [22:10] “Turfs Up” by Beeda Weeda [24:45] “Temporal Slip” by Blue Dot Sessions [26:21] “Distill” by Blue Dot Sessions Deeper reading on the culture (KQED, 2015) [30:05] Sideshow on the Golden Gate Bridge (KRON, 2014) [32:10] Ruben Flores of A1 Springs [33:00] “Threads and Veils” by Blue Dot Sessions [34:55] Vogues [36:20] The East Bay Chevs [37:30] “Stale Case” by Blue Dot Sessions

Welcome to Episode #6 of The Swampflix Podcast! For our sixth episode, James & Brandon discuss the last year's unexpected trend of movies featuring women in captivity with friend & photographer Hanna Räsänen. Also, James makes Brandon watch Melvin Van Peeble's eccentric opus Sweet Sweetback's Baadasssss Song (1971) for the first time. Enjoy! Production note: The musical “bumps” between segments were provided by the long-defunct band Trash Trash Trash.

Justin and Will talk writer/director/actor/composer/renaissance man Melvin Van Peebles and watch his incendiary studio film The Watermelon Man (1970) and his revolutionary Sweet Sweetback's Baadasssss Song (1971). And yes, the hosts are two white dudes.

Happy Hanukkah, listeners! In celebration of the holiday, The Four Seasons of Film is proud to present a very special episode. Nathan and Scotty watch The Ten Commandments (1956) and, of course, do most of the talking for you. They discuss Charlton Heston’s career, Biblical epics, Cecil B. DeMille, Sweet Sweetback’s Baadasssss Song (1971), Marlon Brando, The Story of Film: An Odyssey (2011), and give TCM and Robert Osborne a run for their money. Give thanks, give blessings, and light the Menorah with the Four Seasons of Film. This episode is sponsored by Philz Coffee. 

1. Intro 2. B.W. Souls: Marvin's Groove (from 7") 3. Little Royal: Razor Blade (from 7") 4. Toussaint McCall: Shimmy (from 7"). 5. Host 6. Brer Soul + Earth, Wind and Fire: Sweetback's Theme (from Sweet Sweetback's Baadasssss Song) 7. Los Holys: Reunion Sicodelica (Cissy Strut) (from 7") 8. Andy Loore: Drummer Bells (from Ambiance Rhythmes Vol. 5) 9. Host 10. Ricardo Marrero: Babalonia (from 7"). 11. Afrosound: Tiro Al Blanco (from Tiro Al Blanco) 12. The Latin Breed: Marantha (from 7") 13. Host 14. Certain Lions and Tigers: El Soul Condor (from Soul Condor). 15. Artist n/a: Aquarius (from LP) 16. Host 17. Mary Lou Williams: Credo (from Mary Lou's Mass and 7")