Classification of films based on similarities in narrative elements
POPULARITY
Mystisch und nebulös starten wir in diese Episode: Es geht um Tiere auf Selbstfindungsreise, unbeschreibliche Waldausflüge und einen offenen Abschluss einer epochalen Bärchen-Trilogie. Zudem klären wir, warum Rock-Musik nicht in das Star Wars-Universum passt, Nicolas Cage mittlerweile ein eigenes Filmgenre ist und wieso sich Alex auf fliegende Waschmaschinen freut. Wie immer gilt: Bleibt dran, nicht verpassen! Link zur Folge: https://insertpodcast.podigee.io/208-episode
Die besten und schlechten Genre und ihre Entwicklung.
"Drei Haselnüsse für Aschenbrödel" oder "Tatsächlich Liebe": Weihnachtsfilme haben derzeit Hochkonjunktur. Literaturwissenschaftlerin Andrea Geier erklärt die unterschiedlichen Genres und berichtet, was den besonderen Charme der Filme ausmacht. Von MS-Admin_HF24.
Wir sprechen über die Soundtracks zu den Lebensgeschichten von Walter White, Carmy Berzatto oder auch Patrick Bateman. Genauer gesagt geht es um die Verwendung von Rock- und Popmusik in Serien und Filmen! Du hörst "Where Is My Mind?" von den Pixies und siehst sofort Brad Pitt in der Gestalt des Tylor Durden vor Dir? Du siehst Mark Renton aka Ewan McGregor in einer versifften Toilette untertauchen, wenn Du Iggy Pops "Lust Fort Life" hörst? Dann magst Du nicht nur Musik (wie wir), sondern auch Filme und Serien (wie wir).Oftmals hören wir unsere zukünftigen Lieblingssongs zuerst in einem Film, oder treffen alte musikalische Bekannte in einer Serie wieder. Jenseits der klassischen Filmscores, finden immer mehr Rock- und Popsongs ihren Weg ins Filmgenre, um die Stimmung in einem cineastischen Machwerk zu untermalen oder den visuellen Eindruck zu verstärken.Wir reden mit Stefan Schäfer (Prager Handgriff) in einer recht unterhaltsamen Folge über alle möglichen Songs, Serien, Filme und Regisseure.>>> REDET DOCH EINFACH MIT? Was sind Eure Lieblingssongs in Serien, auf welche Filme freut Ihr Euch auch wegen der Songs? Lasst uns gerne einen Kommentar im EPISODENFORUM da oder schreibt uns auf den Sozialen Medien.Wir freuen uns auf eine weitergehende Diskussion......RSS-Feed zum Podcast: https://letscast.fm/podcasts/tunefish-862dcd8d/feed.....Wir haben große Lust auf Euer Feedback. Also feedbackt uns bitte ;-)Schreibt uns eine Mail auf unserer Website:https://www.derherrgott.de/tunefish-podcast-episode-7/Diskutiert mit uns auf Instagram: tunefish.podcasthttps://www.instagram.com/tunefish.podcastoder Bluesky: @tunefish-podcast.bsky.socialhttps://bsky.app/profile/tunefish-podcast.bsky.socialoder Facebook: Tunefish-Podcasthttps://www.facebook.com/profile.php?id=61561789564350Unsere begleitende Spotify Playlist:hier packen wir die von uns erwähnten Künstler, Songs oder Alben hinein, die wir in den einzelnen Episoden besprechen – der Link:https://open.spotify.com/playlist/42XSxvuk6WwNj24blV1eY9?si=7b2db7ba31dd4d48
Das Western-Genre ist dieser Tage in aller Munde, nicht zuletzt durch Kevin Costners Film-Epos "Horizon". Dass "Horizon" an den Kinokassen nicht überzeugt, scheint ob seiner ausladenden Erzählweise wenig verwunderlich. Dabei macht Costner nichts falsch. Der 69-Jährige hält die Fackel für ein totes Filmgenre hoch, aber eben auch für eine aussterbende Erzählweise einer ganzen Kinoepoche.Die Netflix Doku "Wyatt Earp and the Cowboy War" setzt auf ein ganz anderes Erzähltempo. Die Ereignisse um die berühmte Western-Legende werden in sechs Episoden flott für die TikTok-Generation erzählt. Das Ganze kommt reißerisch daher, aber auch sehr unterhaltend und überaus informativ. Wer in diesem Kontext den cineastischen Unterbau genießen möchte, dem sei Lawrence Kasdans dreistündiges Monumental-Werk "Wyatt Earp" von 1994 - ebenfalls mit Kevin Costner - ans Herz gelegt.Eine ausführliche Kritik zu "Wyatt Earp and the Cowboy War" von Ronny Rüsch und Axel Max - jetzt in einer neuen Folge des ntv-Podcasts "Oscars & Himbeeren". Außerdem dabei: das Western-Drama "The Harder They Fall", die Drama-Serie "Deadwood" sowie die Neowesternserie "Yellowstone".Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://datenschutz.ad-alliance.de/podcast.htmlUnsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.
Heute stelle ich eine entscheidende Frage: Hast du Spaß im Leben? Nach einem Online-Seminar über Verführung, an dem 60 Männer teilnahmen, wurde deutlich, dass viele verlernt haben, Freude zu empfinden. Für mich ist Spaß die Grundlage für alles – insbesondere in meinen zwischenmenschlichen Beziehungen. Wenn ich begeistert von etwas erzähle, sei es ein neues Videospiel oder ein interessantes Erlebnis, ist diese Begeisterung ansteckend. Es geht darum, aus dem Alltag auszubrechen und neue Dinge auszuprobieren. Besuche einen Töpferkurs, nimm an einem Tanzkurs teil oder entdecke einfach ein neues Filmgenre. So kannst du nicht nur neue Leidenschaften entdecken, sondern auch spannende Geschichten erzählen, die andere Menschen fesseln. Wusstest du, dass das Teilen deiner Begeisterung einen großen Einfluss auf deine Anziehungskraft auf Frauen haben kann? Wenn du Leidenschaft für das empfindest, was du tust, wirst du in einen Flow gelangen und möglicherweise unvergessliche Beziehungen aufbauen. Die Frage bleibt: Hast du Spaß im Leben? In dieser Episode lade ich dich ein, herauszufinden, wie du mehr Freude und Begeisterung in dein Leben bringen kannst und warum es entscheidend ist, leidenschaftlich über deine Erlebnisse zu sprechen. Bleib dran!
Alex schools Nick on the history of the erotic thriller film genre. Topics include the parallels between 1940s film noir and 1980s erotic thrillers, TV cuts vs. theatrical cuts vs. director's cuts, famous femme fatales, Michael Douglas, sex in cinema, the Top 10 Erotic Thrillers, and much more. For WAYW, Alex shares two exciting movie-going experiences he's had recently.Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Watch Alex's films at http://alexwithrow.com/Watch Nick's films at https://www.nicholasdostal.com/Send us mailbag questions at whatareyouwatchingpodcast@gmail.com
"Kunstfilme" sind nur etwas für prätentiöse Kritiker und all jene, die sich auf Rücken unverständlicher Werke hervortun wollen, oder? Basierend auf dem Video "Ich und „Artsy-Fartsy“-Filme" vom YouTuber Forger widmen sich die Three Angry Men in ihrer ersten Themenfolge dem Filmgenre, das seit jeher die Kinobesucher spaltet. Ist eine Unterscheidung in "Kunstfilm" sinnig, gibt es universelle Gemeinsamkeiten, die Publikum und Autor:innen in vermeintlicher Einzigartigkeit entlarven, müssen die ewig langen Einstellungen in The Zone of Interest (Jonathan Glazer, 2023) wirklich sein? Zwischen theoretischer Herleitung und persönlicher Haltung wagen die Three Angry Men eine Erörterung. Quellen: [1] Ich und „Artsy-Fartsy“-Filme, (4. April 2024). Zugegriffen: 12. Mai 2024. [Online Video]. Verfügbar unter: https://www.youtube.com/watch?v=nS5Q42eq8PM [2] tttico, „Urban Dictionary: artsy-fartsy“, Urban Dictionary. Zugegriffen: 12. Mai 2024. [Online]. Verfügbar unter: https://www.urbandictionary.com/define.php?term=artsy-fartsy [3] „Cambridge Dictionary: arty-farty“, Cambridge Dictionary. Zugegriffen: 12. Mai 2024. [Online]. Verfügbar unter: https://dictionary.cambridge.org/dictionary/english-german/arty-farty [4]D. Bordwell, „The Art Cinema as a Mode of Film Practice“, Film Criticism, Bd. 4, Nr. 1, S. 56–64, 1979. [5] „artsy-fartsy - Englisch-Deutsch Übersetzung | PONS“. Zugegriffen: 21. Mai 2024. [Online]. Verfügbar unter: https://de.pons.com/%C3%BCbersetzung/englisch-deutsch/artsy-fartsy [6] „Kunstfilm / film d'art [Das Lexikon der Filmbegriffe]“. Zugegriffen: 21. Mai 2024. [Online]. Verfügbar unter: https://filmlexikon.uni-kiel.de/doku.php/k:kunstfilmfilmdart-241 [7] „ARTSY-FARTSY Definition und Bedeutung | Collins Englisch Wörterbuch“. Zugegriffen: 21. Mai 2024. [Online]. Verfügbar unter: https://www.collinsdictionary.com/de/worterbuch/englisch/artsy-fartsy
Ihr kennt sie, wir kennen sie, alle haben schon mal einen gesehen: Pornos. Wahrscheinlich hat kein Filmgenre so einen schlechten Ruf wie der Porno. Aber wieso eigentlich? Liegt das wirklich daran, was dort gezeigt wird? Oder eher daran, wie wir Pornos sehen und was wir interpretieren? Darüber sprechen Ari & Kevin mit der Kulturwissenschaftlerin Madita Oeming, die sich auf Pornos spezialisiert hat. Sie sagt: Das was wir als "feministische Pornos" kennen ist oft genau das Gegenteil, nämlich antifeministisch!
From “Interstellar” to “Solaris”, we love a good sci-fi movie that transports us to a new dimension and time. We highlight some of our favorites and why the genre continues to be popular. Laern More: https://viewpointsradio.org/culture-crash-our-love-for-sci-fi Learn more about your ad choices. Visit podcastchoices.com/adchoices
On the 147th edition of Batman-On-Film.com's THE BOF SOCIAL HOUR, BOF's Founder/EIC Bill "Jett" Ramey is joined by Senior BOF Contributor Ryan Lower to discuss this question: Is the superhero/comic book film genre dead?
In this edition of arts24, we focus on one of the year's most buzzed-about movies on the festival circuit. A different spin on a refugee story, warm and offbeat, "Fremont" tells the story of a young Afghan woman building a new life in California. British-Iranian filmmaker Babak Jalali speaks to Eve Jackson about his amazing first-time actress Anaita Wali Zada, who five months before casting had been on an evacuation plane from Afghanistan, how he cast Jeremy Allen White and Gregg Turkington and why he found himself working mainly with a female team.
Hi Smooches, Meg here. While Liz is out on maternity leave, I've invited Benno, aka Mr. Meg, on to the podcast to share his expertise. If I'm a book person, he is a movie person. And his favorite kind of movie lately? The erotic thriller. I asked him to join me and educate me on the genre, and he spent actual hours writing paper notes and an outline for the episode, so I hope you enjoy it. My favorite part is when he gently explains to me that erotic thrillers aren't supposed to make me laugh, they're supposed to make me horny and scared. Fair warning, this is an especially not safe for work episode and there are spoilers for many movies--but they're mostly from the '80s, so whatever. Stay tuned! Where to find us: Website: www.makeoutalreadypod.com Instagram: https://www.instagram.com/makeoutalreadypod/?hl=en Twitter: https://twitter.com/makeout_already TikTok: https://www.tiktok.com/@makeoutalreadypod Merch: https://make-out-already.creator-spring.com
In the twentieth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and screenwriter David Gutierrez to discuss the radically experimental Czech New Wave filmmaker Věra Chytilová and her anarchic political confrontation against Soviet censorship, scarcity, and oppression in the unconventional feminist hang out film Daisies (1966).
In the nineteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Katy Baldwin and screenwriter August Gummere to discuss Elia Kazan's first foray into filmmaking and assessing the complexities of the American project by adapting Betty Smith's coming-of-age novel of individual dreams, a developing city, and country in fluctuation that is A Tree Grows in Brooklyn (1945).
In the eighteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by fellow podcaster Ben Thelen and actor Benjamin McGinley to discuss the peripheral melancholy that pervades the wistful nostalgia of George Lucas' hazy memory of Modesto and America in 1962 right before the world changed in the foundational hangout film American Graffiti (1973).
In the seventeenth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and actor Dan Bauer to discuss the thin line between adolescence and adulthood where youthful fantasy and invulnerability clash against the impending responsibilities and realizations of growing up in Amy Heckerling's tender and humorous mosaic of the high school experience Fast Times at Ridgemont High (1982).
In the sixteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by fellow podcaster Zax Protzmann and filmmaker Jeff Keller to discuss Michael Schultz's high school dramedy about the promise of youth and the melancholic exposure to reality that gave voice and representation to the black coming-of-age experience in all its honesty, dynamism, and humanism entitled Cooley High (1975).
In the fifteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by duel hosts of Spro & Lee Take on the Academy to tackle the melancholic nostalgia of memory, trauma, and experience as it pertains to the vibrant yet fading foundational friendships of youth in Rob Reiner's delicate and nuanced adaptation of Stephen King in the seminal coming-of-age film Stand by Me (1986).
In the fourteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by stunt actor Danny Hernandez and filmmaker Daniel Lopez to discuss the black tragicomic adaptation of Patrick McCabe's novel about childhood neglect, parental malfeasance, and societal hypocrisy in Neil Jordan's confrontational and surrealist The Butcher Boy (1997).
In the thirteenth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and screenwriter David Gutierrez to discuss societal inequality and the brutality of survival that defines David Lean's stripped down and lyrically imagined adaptation of the seminal coming-of-age Dickensian novel Oliver Twist (1948).
In the twelfth episode of Season 8 (Coming-of-Ages) Kyle is joined by a panel of guests, actor Ben McGinley, cinematographer Josh Carter, and novelist Samuel Cullado, to discuss the endearing lens of memory and nostalgia as it tells a touching tale of mentorship, home, and identity wrapped in an ode to the power of cinema in Giuseppe Tornatore's foreign film sensation Cinema Paradiso (1988).
In the eleventh episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter Gio Maldonado and fellow podcaster Lee (of Spro and Lee Take on the Academy) to discuss the animated beauty and brutality of Marjane Satrapi's own graphic novel adaptation of the auto-biographical coming-of-age complications of gender, politics, and identity in post-revolutionary Iran in Persepolis (2007).
In the tenth episode of Season 8 (Coming-of-Ages) Kyle is joined by musician Ben Childs and filmmaker Jordan Berry to discuss the fragmentation of time, culture, and gender that defines the multi-faceted coming-of-age survival tale set against the brutality of the outback and the impact of colonialism in Nicolas Roeg's experimentally crafted Walkabout (1971).
In the ninth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and screenwriter Steve Bolia to discuss the horror landscape of high school and how it acts as a permutation and microcosm of societal expectation, judgment, and humiliation in Brian De Palma's adaptation of Stephen King's mean-spirited novel on the retaliation of power that is Carrie (1976).
In the eighth episode of Season 8 (Coming-of-Ages) Kyle is joined by editor Kristi Shimek and journalist Kerry Harwin to discuss the intimate bonds of friendship and the imaginary yet fully felt worlds they create in Peter Jackson's true crime deconstruction Heavenly Creatures (1994).
In the seventh episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter/editor Katy Baldwin and filmmaker Jordan Berry to discuss the ethereal psychological space between the colonialist sentiment and the aboriginal dreamscape that seeps into the rhythms of Peter Weir's Picnic at Hanging Rock (1975).
In the sixth episode of Season 8 (Coming-of-Ages) Kyle is joined by a panel of guests, writer August Gummere, musician Ben Childs, and novelist Samuel Cullado, to discuss the unrelenting and bleak immersion into the dehumanizing cycle and horror of war in the anti-war film to end all other anti-war films, Elem Klimov's Come and See (1985).
In the fifth episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter David Gutierrez and musician Ben Childs to discuss the unforgiving and sad coming-of-age lessons of ambiguous moral discovery in the wild west in Robert Benton's revisionist western Bad Company (1972).
In the fourth episode of Season 8 (Coming-of-Ages) Kyle is joined by screenwriter Gio Maldonado and streamer Daniel Lopez to discuss Roberto Rossellini's bold neo-realist portrait of the rubble and ruin of World War II's ground zero and the shamed populace at its center in the humanistic and challenging Germany, Year Zero (1948).
In the third episode of Season 8 (Coming-of-Ages) Kyle is joined by journalist Kerry Harwin and writer August Gummere to discuss the lyrical and poetic neo-realist inspired reflection of India's transition into modernity as it is seen and experienced through the joys and dangers of childhood in Satyajit Ray's first feature film Pather Panchali (1955).
In the second episode of Season 8 (Coming-of-Ages) Kyle is joined by stunt actor Danny Hernandez and novelist Samuel Cullado to discuss the gutwrenching depiction of children lost in Italy's post-war system of cruelty, punishment, and bureaucracy in Vittorio De Sica's stunning coming-of-age masterpiece, Shoeshine (1946).
In the season premiere of Season 8 (Coming-of-Ages) Kyle is joined by fellow podcaster Ben Thelen and filmmaker Michael Willer to discuss the seminal coming-of-age tale from François Truffaut, the rebelliously technical and the emotionally resonant depiction of youthful truancy, discovery, and identity in the classic The 400 Blows (1959).
In the season finale of Season 7 (Fantastical Realities) Kyle is joined by writer/traveler Reagan Osborne and musician Ben Childs to discuss the stunning visuals and genre defying subversion of fairy tale, fable, and storytelling as magical realism is used to comment on political allegory, metaphorical journey, and the dynamic between destiny and choice in Guillermo Del Toro's Pan's Labyrinth (2006).
In the forty-ninth episode of Season 7 (Fantastical Realities) Kyle is joined by a panel of guests, actor Ben McGinley, editor Katy Baldwin, and screenwriter Gio Maldonado, to discuss the glam rock infused fantasia of coming-of-age responsibility, consequence, and sexuality that defines the puzzling landscape of emerging adulthood in Jim Henson's Labyrinth (1986).
In the forty-eighth episode of Season 7 (Fantastical Realities) Kyle is joined by screenwriter Gio Maldonado and Steve Bolia to discuss the beautifully melancholic and tragic reflection on the traditional hero's journey caught between the conflict of material desire and transcendent purpose in Ang Lee's Wuxia inspired martial arts sensation Crouching Tiger, Hidden Dragon (2000).
In the forty-seventh episode of Season 7 (Fantastical Realities) Kyle is joined by a panel of guests, screenwriter Gio Maldonado, podcaster Ben Thelen, and fellow cinephile Daniel Lopez, to discuss the satirical and surrealist dive into existential malaise and the illusion of self-actualization in Spike Jonze and Charlie Kaufman's original and off-kilter comedy Being John Malkovich (1999).
In the forty-sixth episode of Season 7 (Fantastical Realities) Kyle is joined by a panel of guests, script supervisor Katy Baldwin, novelist Samuel Cullado, and journalist Kerry Harwin, to discuss the grand operatic display of technicolor, triangle romance, and the sacrifice for art in the loose adaptation of Hans Christian Anderson's tale of obsession from Michael Powell & Emeric Pressburger, The Red Shoes (1948).
In the forty-fifth episode of Season 7 (Fantastical Realities) Kyle is joined by novelist Samuel Cullado and filmmaker Alejandro Etcheagaray to discuss Apichatpong Weerasethakul's mesmerizing Thai film about death, reincarnation, and the abundant mysteries of the human adventure in the abundantly spiritual Uncle Boonmee Who Can Recall His Past Lives (2010).
In the forty-forth episode of Season 7 (Fantastical Realities) Kyle is joined by editor Kristi Shimek and cinematographer Josh Carter to discuss David Fincher's use of magical realism to reflect on the haunting and melancholic temporality of life in the underrated and oft-misunderstood The Curious Case of Benjamin Button (2008).
In the forty-third episode of Season 7 (Fantastical Realities) Kyle is joined by a panel of guests, cinematographer Josh Carter, script supervisor Katy Baldwin, and director Steve Shimek, to discuss the elaborate ode to storytelling, our relationship to their construction, and whether they are a path for salvation or destruction in Tarsem Singh's The Fall (2006).
In the forty-second episode of Season 7 (Fantastical Realities) Kyle is joined by a panel of guests, musician Ben Childs, actor Dan Bauer, and novelist Alex Buda, to discuss what some consider the seminal spiritual film of all time, the character study about the shedding of post-modern ego and the embrace of charitable fulfillment in Harold Ramis' Groundhog Day (1993).
In the forty-first episode of Season 7 (Fantastical Realities) Kyle is joined by screenwriter David Gutierrez and novelist Samuel Cullado to discuss the metaphysical and secular spirituality of Krzysztof Kieślowski's thoughtful and evocative tale of the elusive idea of coincidence, destiny, and fate in the meditative The Double Life of Veronique (1991).
Whatever We Want: Celebrating Storytelling! Which Film Genre is the Best? Every Single Film Genre Explained. Which is Best? Action Adventure, Sci-Fi, Msytery, Animation, Thrillers, Muscials, etc. What is the best genre of movies? We ask the important questions. We give you Behind-The-Scenes trivia and filmmaking insights! Follow and subscribe! Geek out with us! Thank you as always for the continued support! Time Codes: 00:00:00 - WWW Episode 124! 00:00:13 - Introduction! 00:00:27 - PreBanter Peanut Butter 00:02:39 - Pixar Elemental Trailer 00:04:20 - Sonic Prime New Show 00:06:43 - Every Single Film Genre 00:07:43 - Action/Adventure 00:18:16 - Science Fiction 00:27:21 - Drama 00:36:02 - Comedy 00:42:12 - Musicals 00:47:04 - Animation 00:55:05 - Horror 01:00:39 - Thriller 01:04:13 - Noir 01:08:15 - Fantasy 01:10:55 - What is the Best Film Genre? 01:12:13 - Da Draft! 01:17:11 - Patron Shout Outs! 01:17:37 - Cool Comments! 01:20:41 - Outroduction Please share this episode with a friend! Thanks. #filmgenres #movies #thanksgiving Website: https://www.whateverwewantpodcast.com All Links: https://solo.to/whateverwewantpod Consider supporting us on Patreon: https://www.patreon.com/WhateverWeWant Social Media Pages: https://www.instagram.com/whateverwewantpod https://twitter.com/WhatWeWant_Pod https://www.tiktok.com/@whateverwewantpod Daniel's Game Studio: https://www.darkcreststudios.com/home Intro/Outro Music: https://soundcloud.com/cottardick Thanks for listening everyone! If you enjoyed, we'd really appreciate it if you left a review or rating, it really helps! Rights to Marvel, Disney, Star Wars, the great John Williams, and all that jazz.
In the fortieth episode of Season 7 (Fantastical Realities) Kyle is joined by a panel of guests, actor Ben McGinley, script supervisor Katy Baldwin, and novelist Samuel Cullado, to discuss the modern fairy tale about identity, purpose, and upending societal norms from an unlikely talking pig in Chris Noonan's Babe (1995).
In the thirty-ninth episode of Season 7 (Fantastical Realities) Kyle is joined by a panel of guests, musician Ben Childs, editor Kristi Shimek, and filmmaker Michael Willer, to discuss the weirdly maligned yet enduring spiritual sequel of Peter Pan in Steven Spielberg's ode to imagination and growing up, Hook (1991).
In the thirty-eighth episode of Season 7 (Fantastical Realities) Kyle is joined by script supervisor/editor Katy Baldwin and journalist Kerry Harwin to discuss the childlike wonder of imagination as it is squandered, stolen, and neglected in the whimsical yet hardened steampunk fantasia that defines Jean-Pierre Jeunet and Marc Caro's The City of Lost Children (1995).
In the thirty-seventh episode of Season 7 (Fantastical Realities) Kyle is joined by fellow podcaster Ben Thelen and actress Thurlene Williams to discuss the fluidity of gender, societal rules, and the role of autonomy in Sally Potter's sumptuous and cheeky adaptation of Virginia Woolf's provocative feminist rallying cry in Orlando (1992).
In the thirty-sixth episode of Season 7 (Fantastical Realities) Kyle is joined by editor Kristi Shimek and screenwriter Gio Maldonado to discuss Ridley Scott's immersion into the existential balance between innocence and darkness turning the traditional fairy tale into a deeper abstraction and subversion in Legend (1985).
In the thirty-fifth episode of Season 7 (Fantastical Realities) Kyle is joined by a panel of guests, musician Ben Childs, screenwriter August Gummere, and fellow cinephile Jordan Berry, to discuss Terry Gilliam's wondrous epic about the extravagant exploits, stories, and lies of the fabled eponymous nobleman in The Adventures of Baron Munchausen (1988).