1973 studio album by The Who
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6 episodes with Quadrophenia
4 episodes with Quadrophenia
3 episodes with Quadrophenia
6 episodes with Quadrophenia
2 episodes with Quadrophenia
2 episodes with Quadrophenia
2 episodes with Quadrophenia
2 episodes with Quadrophenia
2 episodes with Quadrophenia
Boomer & Brandon discuss the Canuxploitation meta-horror Deadline (1980) https://swampflix.com/ 00:00 Welcome 01:40 Tales of Terror (1962) 06:10 The Tomb of Ligeia (1964) 11:07 The Wolf of Snow Hollow (2020) 16:20 Wolfen (1981) 22:46 True Romance (1993) 27:58 My Cousin Vinny (1992) 31:36 Fame Whore (1997) 38:30 Quadrophenia (1979) 43:48 Beyond a Reasonable Doubt (1956) 47:43 The Doll (1919) 54:55 Deadline (1980)
Good evening one and all. We've got a ripping new series here, haven't we? Yes, we have. We're revisiting a favorite of ours with “I Can't Believe You Haven't Seen That 3: The Re-Believening.” Me old china Mike and I have come up with a little list each, listing movies everyone assumes we've seen but … Continue reading "Episode 327 – Quadrophenia (1979)"
In the eighteenth episode of Season 11: The Son of Cult Flicks, Kyle is joined for a one-on-one conversation with screenwriter Katy Baldwin to discuss Franc Roddam's ode to the faded Mod subculture and how its disappearance relates to the transience of youth, identity, and history in the gritty kitchen sink adaptation of The Who's second rock opera Quadrophenia (1979).
I sit down with producer and audio specialist Richard Whittaker to discuss the brand-new Thin Lizzy Acoustic Sessions album. Richard shares how he unearthed forgotten elements in the master tapes, recorded new guitar parts with Eric Bell, and balanced vintage authenticity with modern production. We also dive into his work on the 1976 Thin Lizzy Box Set, Robin Trower's Bridge of Sighs, and The Who's Quadrophenia.There are also hints that there might be new Thin Lizzy Box Sets for the first two album and Nightlife and Fighting. Become a Patron (free trial -cancel anytime) https://www.patreon.com/nowspinningJoin the YouTube Channel https://www.youtube.com/channel/UCnZSsMr4k8ZVlrJ8MUYR4GA/joinOr make a donation via Ko-Fi: https://kofi.com/nowspinningmagazinewithphilastonThe Now Spinning Magazine Merch Shop is now open! https://nowspinningmagazine.co.uk/Thank you everyone for being part of my journey and supporting me. Phil :) Phil Aston | Now Spinning Magazine
Black leather, Britain's Area 51, a dinosaur, a Ferrari, witch trails, the Black Death and Keith Moon. What could all these possibly have in common?Well dear listener, prepare to be baffled by The Damned. Possibly the most adventurous outing yet, but is it any good?Listen on, but beware: there be spoilers ahead!Weymouth in all it's glory: https://youtu.be/8MBxu0VAAWE?si=Z1f-aLpjFaDACdBa“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard Wells
Lynyrd Skynyrd was a success with their debut album, and continued to build a fan base when they opened for The Who on their Quadrophenia tour. Many of the songs on their debut album were staples of their concerts in Jacksonville, Florida, where they had built their style over the years since the 60's. Therefore it was not a sure thing that they would be able to sustain their success over time. Those concerns were put to rest when they released their second album.Second Helping, a southern colloquialism for getting more of the same thing at the dinner table, cemented Lynyrd Skynyrd as the flag bearer for the Southern Rock genre. At a time when a number of British artists - most notably the Rolling Stones - were digging into the rock and blues music of the American South, Lynyrd Skynyrd was the real thing. They rode the power of their triple guitar set and the wit of Ronnie Van Zandt's lyrics to a commercial success, with the album going to number 12 on the Billboard 200 chart and certified as gold by September 1974. While contemporary critics were more lukewarm, those reviews have been revised way upward over time. Second Helping also contains the biggest hit of the group as well, the Southern anthem "Sweet Home Alabama."Lynyrd Skynyrd would go on to produce many more hit songs and records in the southern rock genre before tragedy took front man Ronnie Van Zant, Steve Gaines, and backup singer Cassie Gaines in October 1977. But Second Helping is the album that solidified their standing as an internationally successful band.Wayne takes us through this album for this week's podcast, and Brian Dickhute joins us in Bruce's absence. The Needle and the SpoonThis song would not be the only anti-drug track in the Skynyrd discography. The lyrics describe a man coming out of rehab, and makes use of a wah wah pedal effect that was not common to most of Skynyrd's music, but fit with the heroin subject of the song. Swamp MusicAlthough not released as a single, this song got plenty of air play on FM radio, as did most of the tracks on this album. This fast -paced track describes life in the Florida swamps. The members of Lynyrd Skynyrd were well acquainted with outdoor life, fishing for catfish, hunting, and other "redneck" activities.Sweet Home AlabamaEveryone knows this anthem of Southern rock. This song was written in response to Neil Young's "Southern Man," in which the band felt like the entire Southern United States was blamed for slavery. Between the hook of the leading riff and the catchy lyrics, this song has become a staple of classic rock. This is Skynyrd's only top 10 hit, as it went to number 8 on the US charts. Interestingly, none of the band members are from Alabama.Don't Ask Me No QuestionsGary Rossington and Ronnie Van Zandt wrote this song during a fishing trip. Many think this is about a relationship, but it was a message to the record managers who were apathetic towards the band during the early days, but who turned demanding after they were a success. ENTERTAINMENT TRACK: Main theme from the television series, "Gomer Pyle, U.S.M.C."In this sitcom spin-off from "The Andy Griffith Show," Jim Nabors plays the lovable but naive Gomer Pyle, now enlisted into the Marine Corp. Frank Sutton, who played Sergent Carter in this series, passed away in June 1974. STAFF PICKS:Help Me by Joni MitchellRob starts the staff picks with a single from Mitchell's sixth studio album, "Court and Spark." This track is Mitchell's biggest single, and her only song to crack the top 10 in the US, going to number 7 on the Billboard Hot 100. The lyrics describe a singer who knows she is falling for the wrong man, but is either powerless to stop it or doesn't want to call things off.Dancing Machine by the Jackson 5Brian brings us a song that hit number 2 on the Billboard Hot 100 after a multi-year dry spell. The Jackson 5 appeared on "Soul Train" performing this song, and Michael Jackson introduced the world to "the robot" dance routine. The Jackson 5 had a Saturday morning cartoon which kept the group in the public conscious.Waterloo by ABBALynch features the song that made ABBA a household name when the Swedish group won the 1974 Eurovision Song contest singing this tune. The lyrics compare falling in love to Napoleon's defeat at Waterloo. The name "ABBA" comes from the first letter of each of the singers' names.Tell Me Something Good by RufusWayne presents a funky song from a group featuring Chaka Kahn as lead vocalist. Rufus is a one-hit wonder, with this song peaking at number 3 on the Billboard Hot 100. Stevie Wonder wrote this song about a woman looking for a deeper relationship, not just a one night stand. It was the first hit song that utilized the vocoder. INSTRUMENTAL TRACK:Dance with the Devil by Cozy PowellWe close out with a drum instrumental based on Jimi Hendrix' "Third Stone from the Sun." Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
Danny Peacock is probably best know for playing Mental Mickey in Only Fools and Horses. Danny is the son of late actor Trevor Peacock (who played Jim “no no no yes” Trott in The Vicar of Dibley). Danny was also in The Young Ones, Robin of Sherwood, The Bill, Doctor Who as Nord the Vandal in the serial The Greatest Show in the Galaxy, Casualty and One Foot in the Grave. His film appearances include Porridge, Quadrophenia, Gandhi, Bull in Robin Hood: Prince of Thieves, with Kevin Costner, Morgan Freeman, Alan Rickman and Christian Slater, and Carry On Columbus with Rik Mayal and Julian Clary. He also played young Jacques Clouseau in Trail of the Pink Panther and he appeared in The Jewel of the Nile as the special effects maestro. He was one of the regular cast in Valentine Park for ATV Network starring Ken Jones, David Thewlis and Liz Smith and wrote Men of the World starring John Simm and David Threlfall, Cavegirl, Harry and Cosh, and Mud. since around 2019, Danny has been working as a lifestyles co-ordinator at Hastings Court Care Home in East Sussex, resulting in a nomination for a National Care Award in 2022.Danny Peacock is our guest in episode 460 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Please donate to Alzheimer's Society here - https://www.alzheimers.org.uk/get-involved/donateFollow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.
The original run of A Ghost Story for Christmas aired on the BBC from 1971 to 1978, bringing classic ghost stories to television and keeping alive the tradition of sharing supernatural tales during the Christmas season. In our journey through the series, we've covered A Warning to the Curious and The Signalman in Episode 21, Whistle and I'll Come to You and Stigma in Episode 32, and The Stalls of Barchester alongside The Treasure of Abbot Thomas in Episodes 41a and 41b. Just five days ago, on Christmas Eve, we delved into The Ash Tree. If you missed it, you can find it in our podcast feed. And tonight, as we stand on the brink of the space year 2025, we're excited to bring you Lost Hearts. Written by Robin Chapman, produced by Rosemary Hill, and directed by the series' creator Lawrence Gordon Clark, Lost Hearts is based on the 1895 ghost story of the same name by M.R. James. It first aired on BBC1 on December 25, 1973, marking the first installment in the series to be broadcast on Christmas Day itself—and one of only three to ever air on that date. Robin Chapman also wrote 30 episodes of Tales of the Unexpected. (Seek out episode 29, where good old Bernard Cribbins makes an appearance.) The film features Joseph O'Conor as Mr. Abney. O'Conor lent his voice to the narrator in (the best Muppet movie) The Dark Crystal, played Mr. Brownlow in Oliver! (cue James mentioning the exclamation point here), and portrayed the Coroner in The Gorgon—but more on that soon. Simon Gipps-Kent plays Stephen, the young protagonist. Tragically, Gipps-Kent passed away at just 28 years old. However, in his brief career, he appeared in several notable films and TV shows of interest to our listener. He played Paul in The Tomorrow People, had a brief role in Quadrophenia, portrayed Seth in the Doctor Who serial The Horns of Nimon, and starred in something called A Traveller in Time from 1978. which was filmed at Babington House, a farmhouse owned by the parents of Blue Peter presenter Simon Groom. In 2018, Severn Film Productions released a new adaptation of Lost Hearts, directed by Max Van De Banks. This version updated the story to the 1940s (and later 1953). After the death of Stephen's parents, the young boy is evacuated to the countryside during World War II. Unusually, this production was filmed in two parts: the main elements were shot in 2005, while the beginning and ending scenes were filmed in 2016. Louis Newton, who played Stephen in 2005, returned to portray him as a young man recounting the events to his bride-to-be ten years later. Get bonus content on PatreonSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.
This November, the top 3 Osiris Phish podcasts are focusing on November 1995 - a great era in Phish history. Under the Scales welcomes back Brad Sands who appeared two years ago on Episode 40 in June 2018. Brad and Tom today discuss Phish's November 1995. Coming after their ambitious cover of The Who's Quadrophenia for Halloween that year, Phish was off to the races. Their playing was stellar, and their antics were top-shelf Phish. Listen to Brad look back at that era as he relives it show-by-show. Originally released in 2020. Please support our work by visiting OsirisPod.com/Premium. Learn more about your ad choices. Visit megaphone.fm/adchoices
Formed in 1964, The Who's original lineup has been hailed as one of the most influential rock bands of the 20th century. Their seminal albums - Tommy (1969), Who's Next (1971), and Quadrophenia (1973) - cemented their status as rock 'n' roll legends. The band's drummer, Keith Moon (23 August 2046 - 7 September 1978), is often celebrated as the greatest drummer in rock history, with his dynamic drumming still earning acclaim from critics and fellow musicians. In this episode, UK recording artist and friend of the podcast, Matt Saxton, joins Team Derringer to share his top five favorite songs by the band. Matt, a self-proclaimed super-fan of The Who, brings his enthusiasm for The Who's music to what promises to be an exciting countdown. Besides his talent as a recording artist, Matt has also captivated audiences as a guest host, contributing to two episodes of the Team Derringer podcast. His dynamic presence adds a unique flair to the show, making each episode a must-listen event. Be sure to join us! INFO and SHOW NOTES: www.derringerdiscoveries.com/075 THE WHO - web: www.thewho.com - Instagram: @officialthewho MATT SAXTON - Instagram: @mattsaxtonmusic - Facebook: @mattsaxtonmusic DERRINGER DISCOVERIES - Website: www.derringerdiscoveries.com - Newsletter: www.derringerdiscoveries.com/subscribe The theme song for Derringer Discoveries is Your Sister's Room by Ho Jo Fro. If you enjoyed this episode, please "Follow" our podcast and tell others about Derringer Discoveries. Find all Derringer Discoveries episodes on our website: www.derringerdiscoveries.com/episodes. You can also follow us on social media: Instagram, Facebook, Threads, and X. You can also keep up with all things Derringer by signing up for our newsletter. Thank you for listening to Derringer Discoveries!
Formed in 1964, The Who's original lineup has been hailed as one of the most influential rock bands of the 20th century. Their seminal albums - Tommy (1969), Who's Next (1971), and Quadrophenia (1973) - cemented their status as rock 'n' roll legends. The band's drummer, Keith Moon (23 August 2046 - 7 September 1978), is often celebrated as the greatest drummer in rock history, with his dynamic drumming still earning acclaim from critics and fellow musicians. In this episode, UK recording artist and friend of the podcast, Matt Saxton, joins Team Derringer to share his top five favorite songs by the band. Matt, a self-proclaimed super-fan of The Who, brings his enthusiasm for The Who's music to what promises to be an exciting countdown. Besides his talent as a recording artist, Matt has also captivated audiences as a guest host, contributing to two episodes of the Team Derringer podcast. His dynamic presence adds a unique flair to the show, making each episode a must-listen event. Be sure to join us! INFO and SHOW NOTES: www.derringerdiscoveries.com/075 THE WHO - web: www.thewho.com - Instagram: @officialthewho MATT SAXTON - Instagram: @mattsaxtonmusic - Facebook: @mattsaxtonmusic DERRINGER DISCOVERIES - Website: www.derringerdiscoveries.com - Newsletter: www.derringerdiscoveries.com/subscribe The theme song for Derringer Discoveries is Your Sister's Room by Ho Jo Fro. If you enjoyed this episode, please "Follow" our podcast and tell others about Derringer Discoveries. Find all Derringer Discoveries episodes on our website: www.derringerdiscoveries.com/episodes. You can also follow us on social media: Instagram, Facebook, Threads, and X. You can also keep up with all things Derringer by signing up for our newsletter. Thank you for listening to Derringer Discoveries!
In 1975, the enigmatic Ken Russell adapted and directed The Who's concept album/rock opera Tommy into a memorable film. The Who, apparently, really enjoyed making movies and decided to follow it up four years later with an adaptation of Quadrophenia (1979), but this time hiring Franc Roddam who would go on to create MasterChef and is noticeably not Ken Russell. Quadrophenia is a throwback to kitchen sink dramas, angry young men disillusioned with a society they will be joining within a few months, but mostly just fighting each other and being sexist and racist while their at it. For a film about some of the most stylish subcultures of 20th century Britain, the film itself lacks style and flair, but maybe we just wanted Ken Russell back. It's a bit like Stephen King movies after The Shining.
Je ne suis pas fan de moto mais il faut bien reconnaître qu'elle fait partie de la mythologie d'une époque. On en a connu, des passionnés qui ont passé autant de temps dessus que dessous. Vous avez peut-être été un de ceux-là. Même Gaston Lagaffe avec son tacot s'y connaissait grave en mécanique, bon il a remonté celle de son pote à l'envers, mais elle roule ! Vous le voyez, ce gag, avec tous les rétroviseurs ? Tiens ça me fait penser à truc : les Mods. Ah ça ne vous peut-être rien mais les Mods, c'est vraiment les années 60, en Angleterre. Cette jeunesse qui travaillait et avait les moyens de s'acheter des petites motos genre vespa, et qu'elle customisait avec des phares et des rétros. Leur truc, c'était d'aller danser sur de la musique soul, et c'est là qu'ils vont se frotter aux rockers avec leurs Harley. Il y aura des bagarres, parfois graves, parfois générales, c'est de ça dont parle Quadrophenia, le film d'après l'opéra rock des Who, qu'on verra à la fin des années 70 avec dans le rôle du champion des Mods : Sting. Quinze ans après Brando et son équipée sauvage qui avait popularisé les bandes de jeunes motards, les voyous avaient d'abord laissé la place à des gars épris de liberté, avec le film Easy Rider et sa chanson incontournable, rock évidemment … Ca avait changé la donne et l'image de la moto et du rock, synonyme de violence et d'insécurité. De virilité brutale, aussi, de puissance sauvage.Et là, je suis sûr que vous voyez l'entrée sur scène de Johnny Hallyday sur sa moto. A l'époque évidemment on ignorait qu'il avait repris le truc à un groupe de Heavy Metal anglais, Judas Priest, dont c'était la marque de fabrique à la fin des années 70. Ces derniers n'avaient d'ailleurs rien inventé, ils avaient eux-mêmes piqué ça au groupe américain Blue Öyster Cult, qui était N°1 en 1976 avec cette chanson … et en concert, lors du rappel, leur chanteur, Eric Bloom, revenait sur une moto pour un cover du fameux Born to be wild qui avait bien remis le morceau à la mode.Et puis il y avait eu Mad Max avec le gang violent de l'Aigle de la route qui n'était pas sans évoquer les redoutables Hells Angels sévissant sur les routes et dans les villes américaines. C'est une autre histoire mais une référence qu'on retrouve dans le nouveau look affiché par Queen sur leur nouvel album en 1979. Ah ils ont changé de crèmerie, fini la soie fine sur scène, les tenues d‘arlequin ou d'ange blanc façon rock progressif, on est dans du cuir et lunettes noires, avec bien sûr, une moto au milieu de la scène, devant la batterie, le genre d'accessoire idéal pour un Freddie qui n'en finit pas d'apprivoiser la caméra.
Vi börjar på krogen med Hasse Aro — lugn och sans, inga excesser — och går vidare till veckans ryggradslösa dumpning: SVT:s Eva Beckman kastar Stina Wollter överbord. Fattar man idiotbeslut kan man inte kosta på sig att stå för dem. Hur är det med hets mot folkgrupp: bra med skärpning, eller en tveksam idé från början? Vi enas om att vara oense. Och så alla tips på bra musikfilmer: Commitments, Dig!, The Heart is a Drum, Stop Making Sense, Made of Stone, I'm not There och så vidare. Johan bidrar också: CBGB:s, The Last Waltz, Quadrophenia, Control och 24 hour party people. Vi ser på Disclaimer med Cate Blanchett och anar en trend: den onda vita (blonda?) kvinnan. Är Blanchett på väg att bli typecastad? Hon gjorde ju nyligen Tár, en annan elak, vit kvinna. Det är "Karen"-trenden i snygg förpackning. Unga beskriver sig som "träningsmänniskor" och säger samtidigt att de mår riktigt dåligt. Susanna är inte förvånad. Kan det vara ett kulturellt steg tillbaka till barndomen: bara de mest basala behoven gäller. Vänsterpartiet splittras. Svettigt för Nooshi, men ingen överraskning, direkt. Karin Pettersson inför plusbetyg på Aftonbladets kultursida. Hur många bryr sig? Och vi följer kung Charles III på sin resa i samväldet. Become a member at https://plus.acast.com/s/hakeliuspopova. Hosted on Acast. See acast.com/privacy for more information.
Quadrophenia is a tale of young male angst and multiple wing mirrors, and is apparently the reason Jen's brother used to wear a cravat. But is it a case of style over substance? And is a game of "spot the young character actor" enough to keep us interested? Learn more about your ad choices. Visit megaphone.fm/adchoices
We've had legends on the Talkhouse Podcast before, but perhaps none quite as legendary as Pete Townshend, who's in conversation on today's episode with a younger band he recently worked with, The Wild Things. It seems a bit silly to offer a short bio of Townshend—after all, you have chosen to listen to a podcast about music, so you're probably familiar—but here goes: Pete Townshend is the guitarist and primary songwriter of The Who, a band that cracked open the world of rock and roll in the early 1960s and inarguably changed the direction of popular music forever. He's often credited as the first guitarist to treat feedback as an essential part of his sound, influencing the likes of Jimmy Page and Jimi Hendrix, among many others. And that was all 50 years ago: Townshend has built on the legacy of The Who since, continuing to make music with the only other surviving member, Roger Daltrey, as well as writing books, musicals, and opera. He also keeps his eyes and ears out for new music, even at age 79, which is where the other half of today's chat comes in. Two members of the UK band The Wild Things, Sydney Rae White and Rob Kendrick, met Townshend when they were cast in the musical stage production of The Who's rock opera Quadrophenia. Though she's spent much of her career acting—you may have seen her in the Netflix series Uncle or the Michael Keaton movie American Assassin—White's passion seems to be focused at the moment on the band, which also includes her brother Cameron White and drummer Pete Wheeler. When it came time to record new Wild Things music, Townshend offered his help both as a musical ear and a man with a studio, which resulted in the new album Afterglow. Fittingly for a man with Townshend's history, Afterglow is something of a concept album, which is a big topic of discussion here. Check out “My Heart is in New York” from Afterglow, which features a guest vocal from Townshend. Townshend and the Wild Things talk about telling stories through your music, about concept albums, about working together to make Afterglow, about trying to connect with people in an overwhelming media world, and much, much more. Enjoy. 0:00 – Intro 2:32 – Start of the chat/the concept behind Afterglow 6:55 – Why Pete wanted to work with The Wild Things 16:06 – "You know, this is a real fucking Rick Rubin conversation!" 21:58 – The advantages to being able to experiment in the studio 29:15 – "The thing about Sid is that she can do fucking anything." Thanks for listening to the Talkhouse Podcast, and thanks to Pete Townshend and all of the Wild Things for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting service, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/talkhouse
Mit "American Idiot" haben Green Day 2004 nicht nur ein besonderes und eingängiges Punkrock-Album veröffentlicht, sondern die erfolgreichste Platte ihrer Karriere. Es ist das siebte Studioalbum der Band und mit mehr als 15 Millionen verkauften Einheiten mit Abstand das kommerziell erfolgreichste der Gruppe. 2005 gab es dann auch noch Grammy-Auszeichnungen für das "Beste Rockalbum" und der Song "Boulevard Of Broken Dreams" wurde als "Beste Aufnahme" prämiert. "American Idiot" ist nicht nur eine Ansammlung von 13 einzelnen Punkrock-Songs, sondern in der Entstehung schon als Konzeptalbum, als Rockoper angelegt. Welche Band und welches Album hier als Vorbild galt, ist ganz klar: "Quadrophenia" von The Who! Das Album erzählt die Geschichte des (Vorstadt-)Punks Jimmy und seinem Leben, seinen Problemen und seiner Entwicklung. Dabei gibt es immer wieder Parallelen zum Klassiker von The Who. Das beginnt, wie wir sehen, schon beim Namen des "Helden", Jimmy. Aber auch andere große Hits der Rock- und Popgeschichte werden von Green Day zitiert: "Summer of '69" von Bryan Adams, "Wonderwall" von Oasis und einige andere. Das faszinierende an der Platte ist, dass Songs wie "American Idiot", "Holiday" und "Boulevard Of Broken Dreams" ganz wunderbar als einzelne Songs funktionieren, weshalb sie – für eine Punkrockband – ziemlich erfolgreich im Radio gespielt worden sind. Trotzdem greifen sie auch als Ganzes ineinander und erzählen die Geschichte von "Jimmy" immer weiter. Der Weg zu diesem erfolgreichen Album war alles andere als leicht, denn eigentlich sollte es "American Idiot" gar nicht geben. Nach dem 2000er Album "Warning" hatten Green Day im Studio gut zwanzig andere Songs für ein Album mit dem Titel "Cigarettes and Valentines" aufgezeichnet, die plötzlich verschwunden sind. Somit stand die Band vor der Entscheidung: Nehmen wir diese Songs nochmal neu auf oder starten wir ganz von vorne mit neuen Ideen und neuen Songs? Green Day haben sich dann für Letzteres entschieden – glücklicherweise! __________ Über diese Songs vom Album "American Idiot" wird im Podcast gesprochen (20:53) – "American Idiot"(30:06) – "Jesus Of Suburbia"(48:10) – "Holiday"(54:27) – "Boulevard Of Broken Dreams"(01:09:43) – "Wake Me Up When September Ends" __________ Alle Shownotes und weiterführenden Links zur Folge "American Idiot" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-green-day-american-idiot-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de
The Prime Minister and Leader of the Opposition seized their final opportunity to define themselves and their policies ahead of next Thursday's election. With a week to go before polling day, Rishi Sunak and Sir Keir Starmer engaged in their most fiery debate yet, clashing repeatedly on issues like welfare reform, tax rises, immigration both legal and illegal, and trans rights.As we went on air, reports emerged from Bolivia that soldiers and military vehicles were surrounding government buildings in the capital La Paz. The BBC's Will Grant provided updates.And legendary rocker Pete Townshend talks about his half-century old album, Quadrophenia, enjoying a new lease of life as it's adapted into a ballet by Sadler's Wells Theatre.
For today's episode, I chat with Sydney Rae White from The Wild Things all about her favorite songs by drag race alumni, mood killers at karaoke bars, meeting her bandmate and now-husband Rob Kendrick in a touring production of Quadrophenia, being mentored by the one and only Pete Townsend. ✨ MORE ABOUT THE WILD THINGS ✨ The Wild Things is a rock and roll four-piece from London who released their debut record 'You're Really Something' in 2018. The band went on to collaborate with Pete Townsend in 2021 on their breakout song "Only Attraction." Their latest EP, consisting of two originals and two covers, 'Friends With Benefits,' is out now. ✨ KEEP UP TO DATE WITH THE WILD THINGS ✨ Web: https://thewildthingsband.com Instagram: instagram.com/thewildthings/ Facebook: facebook.com/TheWildThings/ TikTok: tiktok.com/@thewildthingsband ✨ CONNECT WITH IZZY ✨ YouTube: youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIg Website: agrrrlstwosoundcents.com Instagram: instagram.com/agrrrlstwosoundcents/ Twitter: twitter.com/grrrlsoundcents
Welcome to the Instant Trivia podcast episode 1186, where we ask the best trivia on the Internet. Round 1. Category: Fete Offensive 1: 1953 and 2009 were years of riots in France on this festive day that was violent back in 1789, too. Bastille Day. 2: After this war hero's 1829 inauguration, crowds nearly crushed him and the White House was trashed. Andrew Jackson. 3: Beijing feted 70 years of Communist rule on "National Day" in 2019, but protests in this administrative region turned ugly. Hong Kong. 4: 30 years after the original concert, this reboot featured overpriced water and arson. Woodstock. 5: Netflix' documentary about this ill-conceived Bahamian romp is subtitled "The Greatest Party that Never Happened". the Fyre Festival. Round 2. Category: Polyhymnia 1: "Glory! Glory! Hallelujah!" Joan Baez sang this national hymn on a 1963 concert album. "Battle Hymn Of The Republic". 2: "In the snow of far off northern lands and in sunny tropic scenes" is in the second part of their hymn. the Marine Corps. 3: Also meaning a commonly repeated word or phrase, this term originally referred to a Hindu vedic hymn. mantra. 4: A processional is sung as clergy and laity enter a church; this type of hymn, as they leave. recessional. 5: Bede recorded this earliest-known Anglo-Saxon Christian poet's "Hymn" in prose. Cædmon. Round 3. Category: 4 Top Men 1: You know it would be true, you know I wouldn't be a liar, to say this band turned down $50K from Buick to use "Light My Fire". The Doors. 2: This foursome was "Runnin' With The Devil" but runnin' without brown MandMs, excluded in their concert contracts. Van Halen. 3: For a track on "Quadrophenia", this band had to bribe a train driver to blow his whistle departing Waterloo station. The Who. 4: Bob Geldof on the show-stopping performance by this band at Live Aid: "It was the perfect stage for Freddie". Queen. 5: At the 2017 Grammys, this hard rocking quartet of dudes went (Lady) Gaga to play "Moth Into Flame". Metallica. Round 4. Category: Working With A Beatle 1: In a 1995 Pizza Hut ad, Micky Dolenz, Peter Tork and Davy Jones welcomed Ringo as this band's new drummer. the Monkees. 2: "Uncle Albert/Admiral Halsey", a 1971 No. 1, is credited to Paul and this woman. Linda Eastman (McCartney). 3: In 1997 Ringo said, "Baby, I Love Your Way" and had this ex-Humble Pie guy in the All-Starr Band. Peter Frampton. 4: "Handle with Care"! Along with George, this '80s group featured Jeff Lynne, Roy Orbison, Tom Petty and Bob Dylan. the Traveling Wilburys. 5: On Thanksgiving 1974, John joined this man at Madison Square Garden to perform "Lucy In The Sky With Diamonds". Elton John. Round 5. Category: From Movie To Musical 1: This musical based on a 1933 film is currently tapping away on the NYC thoroughfare of the same name. 42nd Street. 2: Tony Curtis took the Joe E. Brown role, not the Tony Curtis part, in a new musical based on this Billy Wilder film. Some Like It Hot. 3: You could say John C. Reilly butchered the role in the 2002 musical based on this Ernest Borgnine film. Marty. 4: It had to happen: this 1962 classic in which Bette Davis tormented Joan Crawford became a musical in 2002. Whatever Happened to Baby Jane?. 5: "Illya Darling" was based on this foreign film about a woman who worked only Monday through Saturday. Never On Sunday. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspo
Blur haben mit ihrem dritten Studioalbum "Parklife" einen Meilenstein und vielleicht sogar den Gründungsstein der Britpop-Welle der 90er Jahre ins Rollen gebracht. Nach einer desaströsen, abgebrochenen US-Tour ist für die Band "Blur" 1993 klar: Unser Publikum, das ist nicht die ganze Welt, sondern wir fokussieren uns auf unsere britische Heimat. Mit diesem Entschluss haben Damon Albarn, Graham Coxon, Dave Rowntree und Alex James die richtige Entscheidung getroffen. Mit ihrem Album "Parklife" hatte sich die Band dann 1994 nicht nur selbst musikalisch weiterentwickelt, sondern sie haben auch sowas wie den Grundstein des Britpop gelegt. "Ich glaube, Blur liefern mit diesem Album die perfekte, und zwar umfassende Blaupause für die Ära und den Begriff des Britpop", analysiert SWR1 Musikredakteur Stephan Fahrig. "Parklife" ist bis heute das erfolgreichste Album der Band. Viermal Platin gab es unter anderem für das Album, außerdem noch vier gewonnene BRIT-Awards. Und das Online-Musikmagazin Pitchfork wählte "Parklife" auf Platz zwei der besten Britpop-Alben aller Zeiten, hinter Pulp und ihrem Album "Different Class". Gegen ihre Erzrivalen, Oasis und ihre legendäre Britpop-Platte "(What's The Story) Morning Glory?", konnten sich Blur demnach durchsetzen. Oasis landen in diesem Ranking "nur" auf Platz vier, trotz ihres Megahits "Wonderwall". Das hat Blur selbst mit Sicherheit gefreut, gab es doch in der Vergangenheit häufiger öffentlich ausgetragene Schlammschlachten zwischen Blur und Oasis, wer denn jetzt die beste Britpop-Band aller Zeiten sei. Schräge Gitarren, Shoegaze Sounds, Synthie-Beats – auf "Parklife" verbinden Blur die unterschiedlichsten musikalischen Elemente miteinander, was dafür sorgt, dass die Platte immer überrascht und durch den einzigartigen Sound sehr im Kopf hängen bleibt. Dabei klingt jeder einzelne Song vollkommen anders als der davor, wodurch die Platte auch eine unglaubliche Vielfalt bietet. "Blur erschaffen ein musikalisches Bilderbuch, in dem man immer wieder blättern möchte", meint Stephan Fahrig. Die Band kümmert sich wenig um einen ausgefeilten "Look of Sound" für das ganze Album. Blur machen immer das Beste für einen einzelnen Song. Auch wenn das bedeutet, dass Frontman Damon Albarn beim größten Hit der Platte "Parklife" selbst das Mikrofon an Schauspieler Phil Daniels abtritt. Bei dem Song gefiel Damon Albarn selbst sein Gesang in den Strophen überhaupt nicht, weshalb sie für den Song Schauspieler Phil Daniels dazu geholt haben, der auch der eigentliche Star im späteren Musikvideo wurde. Daniels hatte auch bereits vorher Kontakt zu Musikern gehabt, im Film zu "Quadrophenia" von The Who spielte der Schauspieler die Rolle des Jimmy Cooper. Die Texte stammen natürlich von Mastermind Damon Albarn selbst und sind gespickt mit unglaublich vielen kleinen, alltäglichen, aber sehr genauen Beobachtungen, Beschreibungen und auch jeder Menge Witz und Sarkasmus. Das macht die Texte so nah, so real und auch so britisch. Nicht nur im Video zu "Parklife" wird es richtig britisch, nicht zuletzt, wenn das Beatles-Cover zum Album "Abbey Road" nachgestellt wird. Auch beim Song "To The End" wird mit inoffiziellen britischen Heiligtümern kokettiert. Der Song und das Video zu "To The End" klingen und sehen doch in Teilen sehr nach dem berühmtesten britischen Agenten aus. Damit ist natürlich "Bond, James Bond" gemeint. Das wird auch auf dem Cover zur Single "To The End" deutlich, auf dem neben einer Rose auch das gleiche Modell von Bonds ikonischer Dienstwaffe zu sehen ist. Dass "Parklife" vor allem in Großbritannien so erfolgreich war, hat mit Sicherheit auch damit zu tun, dass Blur sich auch sehr stark an ehemaliger erfolgreicher britischer Musik bedient haben: Auf "Parklife" wird es punkig, es gibt New Wave und Synthie-Pop und auch der Mersey Beat der 60er-Jahre findet hier seinen Platz. Einige Referenzen zu den Beatles finden sich natürlich auch auf "Parklife", wenn man sich zum Beispiel mal die Chorgesänge anhört. "Britpop ist das Tor vergangener musikalischer Epochen", so beschreibt es SWR1 Musikredakteur Stephan Fahrig im SWR1 Meilensteine Podcast. "Parklife ist ein ganz besonderer, alternativer Reise- und Gesellschaftsführer für England und besonders für den Londoner Raum", so Fahrig weiter. __________ Über diese Songs vom Album "Parklife" wird im Podcast gesprochen (19:49) – "Girls & Boys" (32:51) – "Tracy Jacks" (37:32) – "Parklife" (55:07) – "To The End" (01:05:27) – "This Is A Low" __________ Über diese Songs wird außerdem im Podcast gesprochen (34:34) – "David Watts" von The Kinks (01:17:26) – "Bold As Love" von Jimi Hendrix __________ Shownotes ARD-Podcast-Tipp "Fuck you very, very much!": https://www.ardaudiothek.de/episode/fuck-you-very-very-much-die-groessten-beefs-im-musikbiz/oasis-vs-blur-der-britpop-battle/ard-kultur/13206741/ Beef zwischen Oasis und Blur bei den "BRIT-Awards": https://www.youtube.com/watch?v=ronepzBsQ3M Youtube-Kanal von Blur: https://www.youtube.com/channel/UCLdfTpBoh9G_DI3OURnIFOQ Bandbiografie von "Blur": https://www.laut.de/Blur Interview mit Schauspieler Phil Daniels bei Radio X: https://www.youtube.com/watch?v=eOLzthiL51o __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de
Zwischen "Tommy", der Rockoper und "Quadrophenia", dem Mod-Drama eingeklemmt. "Who's Next", das Meisterstück von The Who. Energischer Rock der Rabauken-Truppe mit 3 absoluten Klassikern...und warum aus ihnen fast Led Zeppelin geworden wären.
We delve into the legacy of Bob Heil, a titan in the pro audio industry whose influence reverberates through the echoes of rock and roll history. From his early days wielding the organ to revolutionizing live sound with his groundbreaking work alongside legends like The Who and Grateful Dead, Heil's journey is one of innovation, passion, and an indelible mark on music technology. We're treated to an exclusive clip from a memorable interview, uncovering the story behind the iconic talk box and its role in Peter Frampton's electrifying performances. Alongside reflections from our hosts and the fond recollections of interactions with Heil, this episode serves as a tribute to a man whose work amplified the soul of music. Celebrating the Legacy of Bob Heil: A Look Back at the remarkable career of an audio industry pioneer, from his beginnings as an organ player to his revolutionary contributions to pro audio and live sound. Exclusive Insights: Featuring a clip from a 2017 interview with Bob Heil at the NAMM show, shedding light on his history, innovations, and the creation of the iconic talk box. The Birth of Rock and Roll Sound: How Bob Heil's innovative sound systems changed the game for artists like The Who and Grateful Dead, setting new standards for live music performances. Remembering a Legend: Personal anecdotes and reflections on Bob Heil's impact, his approach to sound engineering, and his legacy within the music and audio production communities. Tribute to a Visionary: Acknowledging Heil's vast contributions, from his early work with organs and sound systems to his influence on modern podcasting and amateur radio. A big shout out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it's an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here.. https://www.patreon.com/proaudiosuite George has created a page strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson Summary In this episode of The Pro Audio Suite, sponsored by Tribooth and Austrian Audio, the team pays homage to the late Bob Heil, a revered figure in the pro audio industry. Hosted by Robert Marshall, Andrew Peters, George "the tech" Wittam, and Darren Robertson, they reflect on Heil's influential career, from his beginnings playing the organ to revolutionizing the sound systems for rock and roll, particularly for the legendary rock opera "Quadrophenia." Heil, also a dedicated ham radio operator and a friend of Joe Walsh, leaves behind a remarkable legacy. His prowess is exemplified by his creation of the PR 40 microphone, considered the gold standard in podcast mics due to its distinctive tone. The episode concludes with a remembrance of Bob Heil's innovation, good-natured enthusiasm, and his considerable contributions to pro-audio technology. #RockAndRollLegacy #ProAudioInnovators #PR40MicMagic Timestamps (00:00:00) Introduction - Tribooth Sponsorship (00:04:34) Bob's Ham Radio and Microphone Endeavors (00:10:02) Evolution of Microphone Brightness (00:10:55) Pro Audio Suite Recording Setup Transcript Speaker A: Y'all ready? Be history. Speaker B: Get started. Speaker A: Welcome. Speaker B: Hi. Hi. Hello, everyone to the pro audio suite. Speaker C: These guys are professional. They're motivated. Speaker A: Thanks to Tribooth, the best vocal booth for home or on the road. Voice recordings and austrian audio making passion heard. Introducing Robert Marshall from source elements and someone audio post Chicago, Darren. Robert Robertson from Voodoo Radio Imaging, Sydney, to the Vo stars, George the tech Wittam from LA, and me, Andrew Peters, voiceover talent and home studio guy. Speaker B: Here we go. Speaker A: And don't forget the code. : Trip a P 200. That will get you $200 off your triboof. And austrian audio making passion heard. Unfortunately, someone won't be heard anymore, which is a sad loss to the industry is Bob Heil, who's had an illustrious career kicking off playing the mighty organ and then becoming a pro audio guy. And George, you had the privilege of catching up with him on numerous occasions, I'm gathering. Speaker C: Yeah, I think more than once. There's just one particular interview from the NAm music trade show here in Anaheim from 2017, where I had a good, long interview, I mean, pretty long for a trade show interview. It was like nine minutes. And he really got a lot into his history. And at the time, I think I was remembering. Let's get onto the topic at hand, you know what I mean? He was giving me a lot of his backstory. And now I look back and I'm like, sure. I'm glad I had that chance. And to really hear it straight from him. I'm sure he's told those stories a thousand times. Right. But it was really cool hearing it from him. I mean, he literally created the sound system and envisioned the sound for quadrophenia. : Oh, really? Speaker B: Yeah. Speaker C: In fact, I have a clip here I can play from that interview where he talks about the birth of what he called the birth of rock and roll sound. I think that's what he called it. Here, take a listen. : Just go into the Internet, put in the night. Rock and roll sound was born. It's a true story. It really was the first night. And it was with the Grateful Dead. It's quite a story. They wrote the song trucking about it because they're selling all the gear. Yeah, well, their soundman got confiscated the night before because he wasn't supposed to be out of the state of California. We won't get into that. You can go figure it all out. But they come to St. Louis with no pa, ironically. To where? The Fox theater. Speaker C: The perfect place. : Well, there again, the stage manager calls you. You still have all those speakers? And I said, yeah, talk to this guy, handed the telephone to Garcia. And then we hit the front page of billboard because we went on tour with them out of there. And at that time, nobody had ever played through anything like that. I didn't know that. I'm like, this is pretty good, right? Because I had a longevity board that I had gotten and recording board. I had Macintosh amps. It was a big hi fi. That's what I looked and listened. It was beautiful. It wasn't just a loud pa. It was a beautiful sounding pa. That's new. Speaker C: That was new then. : Well, because of the pipe work. And I learned to listen. I had to voice and tune that as at the age of 15, we started in harmonically. Nobody realizes about the harmonics that are so important. I learned that as a young kid, and it's carried through everything I do. But then I was on the road. We hit the front page of billboard and everybody was calling us. One of them was the who. We ended up with them for six years. And from there it was humble pie. Jay Giles, on and on and on. But then they took Frampton out. He was a star of humble pie. They took him out as a solo act. And his little gal penny was married in my home when they were 18. She called me shortly after. She said, I need a Christmas present for Peter. And I sent her a talk box. You can write the rest of Peter Frampton's history, and it's well defined. You go to our website. : Wow. Yeah, I remember the talk box. Frampton comes alive. And that came out. It was like such a feature, and it was so weird. Like, you'd never heard anything like it before. What a story, though. Speaker C: Yeah. I'd love to get into his brain as to how he actually even came up with that idea. I'm thinking he was hanging a lot with the Grateful Dead when he came. : Up with that idea. I think I know what you're getting at. Speaker C: There was some serious psychotropic stuff activity going on there. But, yeah, I mean, the fact that he started. I didn't get that part of the interview, but he started as an organist, so that's a very high level of musicianship required to play an organ. And then he would set up the organs. He would tune the organs. : He was aware of the organs sound. And those organs have just to know how the PA sounds, because the organ's a big sound. You're aware of loud instruments. Speaker C: Yeah, with a lot of sources. Every pipe, every thousands of pipes. So, yeah, what an incredible background he had. And the. Then, you know, he's out there selling mics at know, which is. That's one of the neatest reasons to get to go to a nam show, is you did get to know a, you know, and you got to talk to him and interact with, you know, Wes Dooley from AEA microphones. Grew up repairing RCA microphones. : He's a trip. Wes Dooley is great. Speaker C: Totally. : Just another booth at Nam. Speaker C: Actually, a living historian. Right. And you get to talk to these folks face to face. It's amazing. But, yeah. I met Bob's daughter, who still works for Heil and still goes out to trade shows and does the beat, and she was very nice, and there's just a heck of a legacy there. So he will be missed for sure. And he was a huge ham radio operator. Amateur radio, as they call, playing organ. : Over the ham radio station like he has his own station. That was just like organ playing, I think, or something. Speaker C: Yeah, it was over. : He was also friends because he's actually from. Well, he died in Illinois. Speaker C: Yeah, he's from St. Louis. : Right. But he was friends with Thomas Holman. Speaker C: Wait a minute. : Thomas Holman started, did the THX protocol. Speaker C: Oh, he's the th and thx, yeah. Oh, wow. : And Thomas Holman ended up, I believe, over with connections to Skywalker Sound and another audio luminary or whatever. Speaker C: So cool. And then Bob also picked up, they picked up Bob to be a host on a podcast called this week in Tech Twit TV, which was the show that influenced me to start my own show 1512 years ago. And he did his own show over there about ham radio. And they did it for quite a long time, actually, until they had to end the show. But they still have his rig that he had built for that show. It's still at the Twitch studios in one corner of the know, a memory of really cool. Speaker B: Really, really cool. : The quirkiest thing, I thought, with Bob was his friendship with Joe Walsh, who was also a ham radio. : Didn't Joe Walsh also use the talk box a bit? Speaker B: Did he? Speaker C: He did. He said later in that interview that Joe Walsh really kind of had it mastered. He really clearly, in hearing his interviews and reading his interviews, how he had an extremely. He was extremely tight with Joe. They were best buddies, and they spent a lot of time talking ham amateur radio together. : Did they go driving in Joe's maserati? Speaker C: Probably. And it was actually Joe who was experimenting with using the mics that Bob had made for doing amateur radio because. : For doing studio work. Speaker C: Yeah. Bob hated the crappy mics. That amateur radio operators were stuck using. So he made a better mic. And then Joe was like, yo, plug this thing into your studio console. And Bob's like, I never would have thought of that. He's like, I'm telling you, it sounds better than an SM 57 or a 58. And he's like, yeah, you're right, it does. And a brand of microphones was born from there. His most well known podcast mic, the one that's kind of the gold standard, is called the PR 40. And it has a distinct tone to it. It has a distinct voice. : Is it kind of big sounding? Speaker C: It's big, and it has a lot of cut, like mid range. : It's like a combo of like an SM seven and a 416 or something. Speaker C: Kind of almost. It doesn't have the top end of a 416, but it definitely has more of a cut. So if you ever listen to Leo Laporte on this week in tech, or any of the shows that Leo does, you'll hear the distinct sound of that mic. It's not a flat or a hi fi mic, it's a broadcast mic. : But it's a dynamic sounding mic. Speaker C: Yes, it's a dynamic mic, and its voicing is designed for being heard. Let's just put it that way. : Yes. Speaker C: The PR 30 and the PR 20, to me, sound a little bit smoother. I like the voicing of them better, personally. But the bottom line is Bob tuned his mics by ear. And he said that specifically later in the interview. I wasn't curious about response curves and all this stuff. I would just go by what I thought sounded right. So those mics are tuned by Bob's ear. And the guy had a good ear, but probably by the time he got into his fifty s, sixty s, seventy s, didn't hear everything. : Did all the mics as he made them throughout the years just get brighter and brighter? Speaker B: It's a good question. Speaker C: It's a good question. I mean, I'm sure he wasn't the only one that put his ears on the mics after quite a while. Joking, but yeah, no, it's true. The sound systems I listened to growing up that were often not eqed well, unfortunately, were often helmed by a gentleman of an older generation. Yeah, I was like, no, too much two k and 4k. My ears are bleeding. : You're accelerating their progression towards mixing. Speaker B: Like you. Speaker C: Anyway, rest in peace, Bob, thank you for all your innovation and your good natured enthusiasm. Enthusiasm towards audio, and we really appreciate it. : Absolutely. Speaker B: Yeah. Well, that was fun. Is it over? Speaker A: The pro audio suite with thanks to tribut and austrian audio recorded using source Connect, edited by Andrew Peters and mixed by Voodoo Radio imaging with tech support from George the tech Wittam. Don't forget to subscribe to the show and join in the conversation on our Facebook group. To leave a comment, suggest a topic, or just say good day, drop us a note at our website, theproaudiosuite.com. #BobHeilLegacy #ProAudioSuite #AudioInnovation #RockAndRollSound #TalkBoxMagic #AustrianAudio #TriBooth #ProAudioLegends #SoundEngineering #MusicHistory
Kris talks with author Ritchie Unterberger about the photobook, Bob Marley and the Wailers: The Ultimate Illustrated History.About the Author Ritchie Unterberger:Richie Unterberger is the author of numerous rock history books. The first of these, Unknown Legends of Rock 'n' Roll (1998), profiles underappreciated cult rock artists of all styles and eras; the next, Urban Spacemen & Wayfaring Strangers: Overlooked Innovators & Eccentric Visionaries Of '60s Rock (2000; also available as revised/updated 2013 ebook edition), features in-depth surveys of 20 underrated greats of the era. Turn! Turn! Turn!: The Folk-Rock Revolution (2002) and its sequel, Eight Miles High: Folk-Rock's Flight from Haight-Ashbury to Woodstock (2003) cover the history of the 1960s folk-rock movement. Turn! Turn! Turn! and Eight Miles High have been combined into the ebook Jingle Jangle Morning: Folk-Rock in the 1960s, which adds new and updated material.The Unreleased Beatles: Music and Film won a 2007 Association for Recorded Sound Collections Award for Excellence in Historical Recorded Sound Research in the “Best Discography” division of the “Best Research in Recorded Rock Music” category. His most recent books are White Light/White Heat: The Velvet Underground Day-By-Day (2009) and Won't Get Fooled Again: The Who from Lifehouse to Quadrophenia (2011). His most recent book is Fleetwood Mac: The Ultimate Illustrated History (2016), published by Voyageur Press.Unterberger is also author of The Rough Guide to Music USA, a guidebook to the evolution of regional popular music styles throughout America in the 20th century, and The Rough Guide to Jimi Hendrix. He is a frequent contributor to MOJO and Record Collector, and has written hundreds of liner notes for CD reissues. He teaches courses on rock music history at the College of Marin, the University of San Francisco, and City College of San Francisco. He lives in San Francisco.About Bob Marley and the Wailers: The Ultimate Illustrated History:Well over three decades after Marley's death, he and his bandmates remain the most famous reggae artists of all time. Bob Marley and the Wailers explores their legacy.Illustrated with photos and memorabilia from all phases of their journey, Bob Marley and the Wailers illuminates the lives and times of the man and his collaborators. Indeed, the Wailers are one of the most famous bands of all time, period. Their evolution from early-60s Jamaican ska act to international superstars was not just improbable, but unprecedented for an act from a third-world nation.The entire, incredible journey of Marley and the Wailers is covered in this visual history. You will see the crucial role they played in establishing reggae as a globally popular form of music, and the influence that the Rastafari movement had on their lives and sound. Plus, how Marley's socially conscious lyrics and actions made him a universal symbol of pride and justice. This tribute takes you through the entire story, right up to Marley's untimely death in 1981, and his enduring legacy beyond.--Bob Marley and the Wailers: The Ultimate Illustrated History is AVAILABLE NOW - CLICK HERE to order. For more from Ritchie - Visit his website RitchieUnterberger.com--About the Podcast: ‘TEXT PROSE AND ROCK N ROLL'- is the only podcast dedicated to the written account of musicians. From artist memoirs to band bios, and anything in between. You'll hear first accounts from those who lived the lifestyle; a Book Club that rocks - literally. It was Created, Hosted & Executive Produced by Kris Kosach. It was Produced & Edited by Charlene Goto of Go-To Productions. For more on the show, visit the website. Or follow us on Instagram and Facebook @TextproserocknrollFollow Kris on Social Media: @KrisKosachFollow Producer Char on Social Media: @ProducerChar
In 1979, at the tail end of the punk era, Franc Roddam's QUADROPHENIA helped convince a certain crew of UK kids to favor sharp suits over bondage gear. Host Rico Gagliano tells the twisty story of the movie, the ‘60s mod subculture it celebrates, and the mod revival it fueled. Guests include Roddam himself, superstar fashion designer Anna Sui, mod historians Paolo Hewitt and Eddie Piller…and a cameo from Sid Vicious's shirt.Season 5, titled Tailor Made, dives deep into the worlds of film and fashion. Each episode tackles a landmark movie that captured a major fashion look of an era, and then decodes what that look meant—to the culture that spawned it, the people who wore it, and the audiences who watched it on screen.Sofia Coppola's PRISCILLA will stream exclusively on MUBI in the UK, Germany, and many other countries starting March 1. It is currently in cinemas in many countries. For tickets and showtimes, visit mubi.com/priscilla SCALA!!! directed by Ali Catterall and Jane Giles is now showing in select UK cinemas. Check out our season 2 episode on the infamous repertory cinema here. To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.Links to the books mentioned in this episode: A TO Z OF MOD by Paolo Hewitt and Mark Baxter, CLEAN LIVING UNDER DIFFICULT CIRCUMSTANCES by Eddie Piller, and YOUR FACE HERE by Ali Catteral and Simon Wells.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.
Happy Christmas from the Rockonteurs. This week Guy and Gary chat to Roy Wood about his long and successful career in bands such as The Move, ELO and Wizzard. Would Roy really wish it could be Christmas every day? Find out more about the next Rockonteurs LIVE - a Quadrophenia special with director Franc Roddam and star Phil Daniels. It's on Feb 22nd at Battersea Power Station. All the details at www.Rockonteurs.comRockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.
Happy Christmas from the Rockonteurs. This week Guy and Gary chat to Roy Wood about his long and successful career in bands such as The Move, ELO and Wizzard. Would Roy really wish it could be Christmas every day? Find out more about the next Rockonteurs LIVE - a Quadrophenia special with director Franc Roddam and star Phil Daniels. It's on Feb 22nd at Battersea Power Station. All the details at www.Rockonteurs.comRockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.
Roger Mairlot, a retired car mechanic in his 70s, takes center stage in this episode of Seeing Them Live. Renowned for his passionate dedication to live music, Roger's story has attracted the attention of media giants like Vice News, The Guardian, and CBC Radio Canada. With an astonishing personal record of attending over 725 consecutive gigs and accomplishing the feat of attending six gigs in one night at different venues across London, Roger has become an icon in the city's live music scene. His distinctive ornate military jacket, adorned with badges, has earned him the affectionate name "The Gig Slut" from Debbie Smith of the band Blindness.Reflecting on his early music experiences, Roger shares memories of a Joan Baez concert in the 1960s, marking the beginning of his journey through London's rich music scene. The cultural and social aspects of live performances are explored, emphasizing the intimate connection between the audience and the artists. Roger's passion for live music goes beyond attendance; he meticulously documents gig timings and schedules in "The Book of Bands," showcasing his dedication to discovering new bands and genres.The conversation delves into Roger's connection to the Mod Culture, influenced by bands like The Who and The Kinks, and explores his experiences in London's music scene during the 1970s. Notable bands from that era, including Canned Heat and Queen, are mentioned, while Roger reflects on the changing music landscape in the '70s.Roger's transition to retirement in the early 2000s allowed for greater flexibility in attending gigs, leading to a revival of his interest in live music. Charles and Roger discuss the impact of Mod Culture, Roger's favorite band, The Kinks, and his experiences seeing iconic artists like Jimi Hendrix. Roger's signature look, the guard's jacket, is born out of his paper rounds, which he took on to finance his gigging passion during his early waking hours.The episode delves into Roger's mad gigging phase, discussing his gigging routine, how he justified spending money on gigs through his paper round earnings, and the development of detailed schedules for nightly gig adventures. The conversation also touches on Roger's extensive guard's jacket collection and the experiences he had wearing them.In 2014, Roger pushed the limits by attending six gigs in one night, facing challenges in managing multiple venues and early start times. The episode explores Roger's criteria for choosing gigs, post-pandemic changes in the gig scene, and the decline in fan attendance. Despite the challenges, Roger emphasizes the importance of enjoying a gig and shares his diverse taste in music, spanning genres from jazz to chamber rock.BANDS: Adam Ant, Blindness, Blue Crime, Canned Heat, Color TV, Cream, Fleetwood Mac, Jimmy Hendrix, Joan Baez, Ogunquit, The Breeders, The Kinks, The Libertines, The Palpitations, The WhoVENUES: 100 Club, Camden (general reference to the area), Pure Groove, Rough Trade, Royal Festival Hall, Sculpture of St. James, The Clarendon Hotel, The Dublin Castle, The George Robey, The Hammersmith Odeon, The Hope and Anchor, The Kings Head, The Kursal, The Lock Tavern, The Marquee Club, The Monarch, The Old Blue Last, The Purple Turtle, The Roundhouse.More information including photos and links available at https://www.SeeingThemLive.com. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708
The Who? war die Frage, „My Generation“ war die Antwort. Eine Hymne aus den 60ern für alle folgenden Generationen bis heute, die sich rebellisch gegen die Alten auflehnen: „I hope I die before I get old!“ Dem unfassbar krassen und berühmt-berüchtigten Drummer Keith Moon ist es tatsächlich so ergangen: Er starb, bevor er alt wurde und personifiziert bis heute den Rock'n'Roll-Exzess. The-Who-Chef Pete Townshend und -Sänger Roger Daltrey haben sich zum Glück nicht dran gehalten, sie können uns in Episode #084TheWho erzählen von „ihrer“ Generation und allem, was danach kam. Von den genialen Riff-Rock-Brechern wie „Baba O'Riley“ und „Who Are You“ oder den Storyteller-Rock-Opern „Tommy“ und „Quadrophenia“. Einer, der The Who damals miterlebt hat, auch live in person, 1972 als Teenager im Publikum in der Grugahalle in Essen, ist Ex-1LIVE-Chef Jochen Rausch. Er hat uns freundlicherweise besucht und erzählt vom Konzert und was The Who ihm bis heute bedeuten. Also Leute, legendär: Der Mann, der das Gitarre-zerschmettern erfunden hat, und der Mann, der 1LIVE erfunden hat – in einer Folge!
Jag Core Member Bruce Hollett joins the podcast, resplendent in his "Five-Time Guest" purple blazer to discuss the music and the influence of the Who. What is their best album? Their best song? What songs would you put in a tight 45-minute playlist? What was their influence on punk music? How albums are produced and staged? So many questions, and we provide answers to you in less than an hour. Substitute no lies for fact! Put some Jagbags in your ear!
A book based on a movie based on a concept album. For Authorized, a first! In celebration of the 50th anniversary of Quadrophenia, we're joined this week by musician and producer Ryan Pollie to discuss The Who's rock opera on the page. We laugh! We don't cry. We witness Sting as a bellboy. Which Authorized host is a mod? Which is a rocker? What even are those? Subscribe to our Patreon!: patreon.com/authorizedpod Follow us on Twitter: Twitter.com/authorizedpod Bluesky: https://bsky.app/profile/authorizedpod.bsky.social Instagram: instagram.com/authorizedpod Follow us on letterboxd: letterboxd.com/AOverbye/ letterboxd.com/hsblechman/ Next week on Authorized: Bob Koester witnesses the tribulations of Noah --- Support this podcast: https://podcasters.spotify.com/pod/show/authorizedpod/support
The Wild Things' story is almost a fairytale - singer Sydney Rae White and guitarist Rob Kendrick met while on tour with The Who musical Quadrophenia, after which they would not only get married but form the band. Sydney opens up about performing at Madison Square Garden and the Royal Albert Hall, the band's recent singles, and their upcoming album.
I 50 anni di Quadrophenia degli Who. Paola Cortellesi presenta il suo nuovo film C'è ancora Domani.
The Valley of the Squinting Windows - A Memoir of My Former Self review - Quadrophenia at 50 - RTÉ Short Story Competition 2023
This week on Classic Vinyl Podcast, Justin and Tyler have guest host Austin back to help review The Who's sixth studio album and 3rd rock opera Quadrophenia. Released in October of 1973, this is Quadrophenia's 50th anniversary, and which better album is their to celebrate than this amazing masterpiece. Support our podcast and buy us a beer https://www.buymeacoffee.com/classicvinylpod
This week on Classic Vinyl Podcast, Justin and Tyler have guest host Austin back to help review The Who's sixth studio album and 3rd rock opera Quadrophenia. Released in October of 1973, this is Quadrophenia's 50th anniversary, and which better album is their to celebrate than this amazing masterpiece. Support our podcast and buy us a beer https://www.buymeacoffee.com/classicvinylpod
The Who and Quadrophenia is the new book by Martin Popff and it takes a detailed look at the making and response to the Who's second double album rock opera. The book is now available from Motor Books, wherever you find your reading material.For more information, check out Martin's website.Plus, Heidi just saw Ringo Starr perform and gives us her full review.
No 636º episódio do Podcast mais Rock'n Roll da internet Rômulo Konzen, Daniel Iserhard e Leandro Pereira batem papo sobre o disco Quadrophenia do The Who, analisando faixa por faixa. O post PodCast #636 – The Who: Quadrophenia apareceu primeiro em Crazy Metal Mind.
In the second of a two-part episode, Mike Wagner and Nick Scalera finish up their rumination on The Who's classic 1973 album Quadrophenia, which turns 50 years old next month. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
Mike Wagner and Nick Scalera are back, this time to discuss the deluxe version of The Who's classic 1973 album Quadrophenia, which turns 50 years old next month. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.
In this episode we speak with rock author Martin Popoff about his excellent new book, "The Who + Quadrophenia".
We're coming up on the 50th anniversary of one of the best-selling albums ever - The Who's classic 1973 album Quadrophenia. Returning to the podcast to talk about the album and his brand new book titled The Who & Quadrophenia is veteran rock journalist Martin Popoff. Martin leaves no stone unturned in this book, which is beautifully packaged with stunning photography and rare memorabilia. He takes apart the 17 tracks on the album and their themes of identity, anxiety, and mental health, along with the recording sessions at the famed Olympic Studios and the band's own Battersea location. He also gets into the 1979 motion picture based on the album, the tours that supported the album and the Who's post-Quadrophenia albums and tours.Purchase a copy of The Who & Quadrophenia through The Quarto Group/Motorbooks HERE Listen to The Who's Quadrophenia HERE Visit Martin Popoff's website HEREVisit the Booked On Rock Website HERE Watch exclusive video segments from the Booked On Rock podcast HERE Follow The Booked On Rock with Eric Senich:FACEBOOKTWITTERINSTAGRAMTIKTOK Support Your Local Bookstore! Find your nearest independent bookstore HERE Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe
Born in Liverpool, in 1962, John' family relocated to North Wales in the early 1970's where John joined the National Youth Orchestra of Wales. He played in several bands with his Father before moving to the Royal Northern College of Music studying Contemporary percussion/ drum kit and piano. After 5 years of graduate and post-graduate studies, he joined Rambert Dance Company, London as a percussionist, enjoying extensive touring for a further 5 years. After still more years gigging in bands and theatre John accepted the post as Composer / Musical Director for the Bristol Old Vic. While working in theatre John learned the basics on Bass Guitar, Flute, Trumpet and Trombone until eventually discovering the Accordion. As of the 2023 release of the new @officialjethrotull album RökFlöte, it's been 20 years since John has been part of the Jethro Tull family. In 2003 he met @IanAnderson and joined the “Rubbing Elbows” tour on piano and accordion subsequently recording on “Rupi's Dance.” Since that time John has enjoyed touring with the band and scoring, conducting, and playing Ian's orchestral concerts. Outside of the Jethro Tulliverse, In 2004 John was commissioned to compose a children's opera by the @welshnationalopera . This was a great success and has led to a further two pieces being commissioned. John has composed for wildlife, drama, and documentary TV. John holds teaching positions at Bath and Bristol Universities and is a guest tutor at the Royal Welsh College of Music and Drama. From 2007-2009, he helped arrange and conduct music for the College's stage production of the classic The Who album “Quadrophenia.” This past April (2023), John performed with an All-Star band (including Iron Maiden's Bruce Dickinson) touring “Jon Lord's Concerto for Group and Orchestra,” featuring the music of Deep Purple. John composed the closing oratorio, “The Bargee's Wife” for the Three Choirs Festival U.K. (2013) and “The Gloucester Magnificat” for Gloucester Cathedral U.K. (2016). During the pandemic, he composed the score for a series of short films for the @TravellingLightTheatre designed to help young people during lockdown: 17 and the Squeak Gobbler (2021 available on YouTube). He continues to work with young performers in universities, as well as drama and music schools.
Junesical July continues with more rock opera coverage, and boy are our brains mush now. We're talking the seminal The Who album Quadrophenia this week. It's a great album, and we're tired of rock operas at this point, hahaha. Enjoy! You can contact the show at agoodpodcast@gmail.com and find us @HowStarWarsIsIt on all platforms. You can also follow Mike @MikeGospel on Twitter and @WordGospel09 on Youtube and Instagram and Josiah @JosiahDotBiz on social media and on his website josiahrobinson.biz. And don't forget to rate and review on iTunes, or wherever you get your podcasts! And if you REALLY like the show head over to our Patreon at patreon.com/howstarwarsisit for bonus episodes, Star Wars movie commentaries, and more!
Presenting the 2nd installment of our podcast episode all about The Who! Yes that's correct, perhaps you should check out episode 1 first. But do as you wish! My podcast guest Eric Chernov returns for more Who talk, entering the story at the touring of the Tommy album. From there, we will discuss more Keith Moon stories, Pete Townsend troubles, manger shifts, Quadrophenia, and anything else we may have forgotten to discuss in episode 1. Plus, we will finally get into English staple food that The Who earned the hard way. Once again sponsored by Izzy's Coffee. Don't forget to review us on Apple Podcasts. Cook on and rock out! #thewho @officialthewho @thewhoarchives #rogerdaltrey #keithmoon #moontheloon #petetownshend #johnentwistle #theox #Tommy #tinaturner #60smusic #britishrock #britishinvasion #classicrock #TBCBYF #guitar #englishfryup
It's been nearly 50 years since the Who released their epic Quadrophenia album. Mike Peters of the Alarm joins Matt and Jeff to share his memories of hearing the album for the first time and why it became such an important record for him personally.Mike joins us also celebrating the arrival of a brand new Alarm album, Forwards, which is now available wherever you get your music. We dig into the story behind the album, Mike's health issues and how the experience influenced this new record. Mike also shares some classic Alarm tales. We had a great chat and as always, appreciate Mike's time and wisdom.Visit the official Alarm website for more information regarding Forwards and all things Alarm-related.Don't forget that we've got a Patreon! Join the Record Club for hours and hours of additional entertainment related to these episodes as well as bonus interviews and lots more. We appreciate your support!Please also rate and review this podcast wherever you're listening. Thank you!
**SHOW SPONSOR: If you're looking for an easier way to take supplements, Athletic Greens is giving you a FREE 1-yearsupply of Vitamin D AND 5 free travel packs with your first purchase. Go to athleticgreens.com/THE500. ** **SHOW SPONSOR: Head to FACTORMEALS.com/jam50 and use code jam50 to get 50% off your first box.** Filmmaker Judd Apatow returns for an especially cinematic dive into The Who's third rock opera: Quadrophenia from 1973. Follow Judd on Instagram: https://www.instagram.com/juddapatow/?hl=en Follow Judd on Twitter: https://twitter.com/JuddApatow Check out his new book "Sicker In The Head: More Conversations About Life and Comedy" https://www.penguinrandomhouse.com/books/564586/sicker-in-the-head-by-judd-apatow/paperback/ Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on Twitter: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on Twitter: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Hosts Jim DeRogatis and Greg Kot explore the expansive world of video game soundtracks. They chat with Los Angeles Times critic Todd Martens about the innovative ways video game music is exciting listeners and enhancing gaming interactivity. They'll also review new albums by Rina Sawayama and Brian Eno, and hear messages from Sound Opinions listeners. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Junebug & Ben Babbitt, "Too Late to Love You," Kentucky Route Zero (Original Soundtrack), Annapurna Interactive, 2020Rina Sawayama, "This Hell," Hold The Girl, Dirty Hit, 2022Rina Sawayama, "Frankenstein," Hold The Girl, Dirty Hit, 2022Rina Sawayama, "Hold The Girl," Hold The Girl, Dirty Hit, 2022Rina Sawayama, "Send My Love To John," Hold The Girl, Dirty Hit, 2022Rina Sawayama, "Forgiveness," Hold The Girl, Dirty Hit, 2022Brian Eno, "Who Gives a Thought," Foreverandevernomore, Verve, 2022Brian Eno, "Garden of Stars," Foreverandevernomore, Verve, 2022Brian Eno, "We Let It In," Foreverandevernomore, Verve, 2022Jim Guthrie, "Lone Star," Sword & Sworcery LP - The Ballad of the Space Babies, Dark Flute, 2011Tycho, "Send and Receive," Hohokum (Original Game Soundtrack), Ghostly International, 2004Robyn Miller, "Myst Theme," Myst - The Soundtrack, Cyan, 1995Austin Wintory, "I Was Born for This," Journey (Original Video Game Soundtrack), Sony, 2012OFK, "Follow/Unfollow," Follow/Unfollow (Single), Teddy Dieff, 2021Daniel Olsén & Jonathan Eng, "Dead of Night (feat. Linnea Olsson)," Sayonara Wild Hearts, Simogo AB, 2019Melissa Carper, "Makin' Memories," Daddy's Country Gold, Melissa Carper/Mae Music, 2021Fantastic Negrito, "Oh Betty," White Jesus Black Problems, Storefront, 2022Teen Mortgage, "S.W.A.S.," Life/Death, King Pizza, 2019Nick Cave and the Bad Seeds, "The Mercy Seat," Tender Prey, Mute, 1988Dead Man's Bones, "Pa Pa Power," Dead Man's Bones, Anti Inc., 2009Scorpions, "In Search of the Peace of Mind," Lonesome Crow, Brain, 1972The Who, "Sea and Sand," Quadrophenia, Track, 1973NNAMDÏ, "I Don't Wanna Be Famous," Please Have a Seat, Secretly Canadian, 2022
Jennifer Egan's new novel, “The Candy House,” one of the most anticipated books of the year, has just been published. It is related—not a sequel exactly, but something like a sibling—to her Pulitzer Prize-winning “A Visit from the Goon Squad,” from 2010. That earlier book was largely about the music business, and Egan, a passionate music fan, has described its unusual structure as having been inspired by the concept albums of her youth. “The very nature of a concept album is that it tells one big story in small pieces that sound very different from each other and that sort of collide,” she tells David Remnick. “I thought, How would I do that narratively? I ask myself that all the time.” We asked Egan to speak about three concept albums that influenced her, and she picked The Who's “Quadrophenia,” about a disaffected, working-class mod in the nineteen-sixties; Patti Smith's “Horses”; and Eminem's “Recovery.” Plus, a story about two young boys, obsessed with basketball cards, who schemed to get a rare triptych card from a third friend. Decades later, their ill-gotten prize might be worth a lot of money—but whose money is it? The staff writer Charles Bethea looks at the grown-up consequences of a childhood prank.
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