Podcasts about future noir

Real Life Devon shared his thoughts on Red One, a Christmas action movie involving a military operation to save Santa, describing it as “a slog and not clever,” though his kid loved Home Alone. Steven wrapped up holiday cleanup and started reading Future Noir, a deep dive into the making of Blade Runner. He also reflected on the differences between narration in Blade Runner and Dark City. Ben has been dealing with his son's walking pneumonia and spent time playing Inertial Drift (check out the free prologue). On the music side, he enjoyed 311's cover of The Offspring and The Offspring's cover of 311.   Future or Now Note this: Exploring the Obsidian Digital Garden Plugin, a tool to publish notes from Obsidian directly online. Supports static site generation and free hosting on Vercel or Netlify. Obsidian Digital Garden Docs | Ben's Demo All Around the Globe: Discussed Flat-Earthers' humbling experience in Antarctica while attempting to prove their theories. Article: Flat-Earthers Travel to Antarctica Nevermind That Noise You Heard: Highlighted research on the link between poor sleep and mental health issues due to brain deficits that block unwanted thoughts. Related to themes from Reminiscence. Science Daily Article Reminiscence IMDB link   Book Club Next Week: The Ones Who Walk Away From Omelas by Ursula K. Le Guin Read Online This Week: Arthur C. Clarke's The Nine Billion Names of God Read Online | Audiobook on YouTube Discussion on its themes appearing in works like Three-Body Problem, Spin, and Blindsight. Steven and Devon brainstorm the logistics of a Futurama-style “smell-o-scope,” inspired by Godfellas. Futurama Wiki: Godfellas Devon: Talked about philosopher Philipp Mainländer and his fascinating, existential ideas. Wikipedia: Philipp Mainländer

Today on the 5: For a long time, my gold standard for a book detailing the making of a film was the magnificent Future Noir. I have recently added a second title alongside that classic in the form of A Masterpiece in Disarray Book Review.

Rogue androids!  Electric umbrellas!  DARYL HANNAH??? Join your hosts Jonathan, Jennifer and Max and our Special Guest Emily Carragher as we do a deep dive into Ridley Scott's BLADE RUNNER (The Final Cut).  Emily teaches us first-time viewers all about Future Noir and gives us an in-depth look at the Blade Runner Brand Curse!  So grab your fancy gun and clear plastic raincoat and enjoy What Do You Mean You've Never Seen Blade Runner?!For more information about the show go towww.whatdoyoumedia.com Thank you so much to Emily Carragher for joining us! Check out her Instagram(s) :https://www.instagram.com/klownkarrhttps://www.instagram.com/therealmisshesitation  Thank you to James Alexander for creating the awesome artwork for this show! Check out his instagram at https://instagram.com/pleasantviewdesigns?igshid=NDBlY2NjN2I=Follow the show on social media!!Patreon: https://www.patreon.com/WhatdoyoumeanY4Facebook: https://www.facebook.com/What-Do-You-Mean-Youve-Never-Seen-107380251977450/ Instagram: https://instagram.com/whatdoyoumeanyouveneverseen?igshid=YmMyMTA2M2Y= Youtube: https://www.youtube.com/channel/UCKK5WkxviFwkBDV38XC43nQ Twitter: https://twitter.com/whatdoyoumedia TikTok: https://www.tiktok.com/@whatdoumeanuveneverseen?Support the show

Ridley Scott's 3rd film is possibly my favorite of all of his films. The production design, the mood, the music, the performances. Everything is almost perfect. I'm currently reading a book on the history of the production called "Future Noir." Well worth the purchase.

BONUS EPISODE: Starship Troopers with Paul M. Sammon! Just a taste of our Patreon offerings, for anyone who is on the fence. Dan, Katie, and Liam talk with Hollywood legend and film historian Paul M. Sammon about all the bug-hunting details of this classic film from Dutch director Paul Verhoeven. Paul Sammon has been in the business for a long time and was kind enough to sit down with us and tell us stories about his experiences in the film industry, the history of the film, epic mustaches, and more! He has published dozens of books and has been involved in the making of a slew of films, including writing Future Noir (the making of Blade Runner), The Making of Starship Troopers, articles in The Los Angeles Times, Cinefex, and Cinefatastique among others; RoboCop, Robocop II, Platoon, Blue Velvet, Conan the Barbarian, The Silence of the Lambs, the list goes on. This episode will be free for all listeners. If you enjoy it, join our patreon for only $4 a month here: www.dangerclosepod.com/support You can read more about Paul's work here: https://www.imdb.com/name/nm1146839/?ref=vpback https://bladerunner.fandom.com/wiki/PaulM.Sammon Feel free to contact us with any questions or comments! Our website: www.dangerclosepod.com Or join our Facebook group at: Danger Close - Podcast Discussion Group (https://www.facebook.com/groups/1442264899493646/) If you like the show, please leave us a review on Apple Podcasts or Spotify If you would like to support the show and get extra episodes where we discuss sci-fi, fantasy, and comedy war movies, go to our Patreon page at: www.dangerclosepod.com/support warmovies #warfilms #war #film #films #movies #history #cinema #paulmsammon #scifi

This week we’re joined once again by Carlos Boellinger of Tin Cowboys Productions on the eve of the cinematic release of Clay’s Redemption (2020), a future noir fantasy film shot guerrilla style on the streets of London; so we’re discussing future noir films. We start with James Cameron’s The Terminator (1984). Next up is Paul Verhoeven’s RoboCop (1987). We finish with Steven Spielberg’s Minority Report (2002). The future looked pretty dark 30 years ago.Also: Total Recall the autobiography. Alex Cox. Harlan Ellison. The Terminator comics. Skynet needs a better calendar. Starship Troopers (1997). Dredd (2012). Broken glass budgets. Soldier of Orange (1977). Showgirls (1995). Minority Report (2015). Spoilers for Brazil (1985), Total Recall (1990) and Repo Men (2010). Ubik. I, Robot (2004). Dinner for Schmucks (2010). Paycheck (2003). Streets of Fire (1984).Music: Sahara - Magnus Moone (license #09GJ)

Mit der Fortsetzung des Klassikers, von dem manch einer sagt, dass er für das Kino nicht weniger, als die Geburt des Cyberpunk-Genre bedeute, landete Regisseur Denis Villeneuve vielleicht...

This is the second part of a two part series with film historian Paul M. Sammon to discuss his life and his history with Blade Runner. Along the way, Dan and Jaime continue the discussion of the newly released 3rd edition of his legendary book: Future Noir: The Making of Blade Runner. // For more on this and our other projects, please visit www.perfectorganism.com. // If you'd like to join the conversation, find us on our closed Facebook group: Fields of Calantha. // To support the show, please consider visiting www.perfectorganism.com/support. We've got some great perks available! // And as always, please consider rating, reviewing, and sharing this show. We can't tell you how much your support means to us, but we can hopefully show you by continuing to provide better, more ambitious, and more dynamic content for years to come.

On this episode of Shoulder of Orion, Jaime and Dan sit down with film historian Paul M. Sammon to discuss his life and his history with Blade Runner. Along the way, they also discuss the newly released edition of his legendary book: Future Noir: The Making of Blade Runner.This is the first of a two-part series. // For more on this and our other projects, please visit www.perfectorganism.com. // If you'd like to join the conversation, find us on our closed Facebook group: Fields of Calantha. // To support the show, please consider visiting www.perfectorganism.com/support. We've got some great perks available! // And as always, please consider rating, reviewing, and sharing this show. We can't tell you how much your support means to us, but we can hopefully show you by continuing to provide better, more ambitious, and more dynamic content for years to come.

Today on the 5: I read the recently updated book Future Noir Revised & Updated Edition: The Making of Blade Runner. Unlike some 'updates' to books that are virtually worthless, this new edition adds a lot to an already fantastic document on the making of the classic movie.

The arrival of 'Blade Runner 2049' late in 2017 rekindled my lifelong passion for dark sci-fi, inspiring this Volume 4 in my Future Noir mix series. Dive deep into a brooding but beautiful melange of film scores, future techno, anime noir, gliding ambience, neoclassical synths, haunting chorales and moody electronica. Features dark melodies by Woob, Vangelis, Zimmer and Walfisch, David Parsons, Michael Stearns, Yoshihiro Ike, Martin Nonstatic, Ghost, Cornelius, Richard Dart, Hypnodial, Dirk Geiger and Warpness. Compiled and mixed by Mike G at Rubycon Sound Jan-Feb 2018. Full tracklist at http://www.ambientmusicguide.com Image: paooo.deviantart.com

Hello and welcome to another episode of Saturday Night Movie Sleepovers! The boys are back and taking on one of the most iconic Sci-Fi movies of all time, one that is still lauded and debated 35 years after it was first released. J. Blake and Dion Baia are chatting about the Future Noir classic, Ridley […]

Happy New Year and welcome to the 2017 season opener of Saturday Night Movie Sleepovers! J. Blake and Dion Baia decided to start the year off with a bang, tackling a cult classic that mash’s genres and became a forerunner for a decade or more for Future Noir / Sci-Fi films alike; forecasting a bleak future for the 1980s […]

ENDELIG! Rart at vi har hatt såpass mange episoder av Neon og ENDA ikke hatt en spesial om mesterverket Blade Runner! Vel, nå fikk vi endelig rydda opp i det og her får du en god episode hvor alt vi gjør er å nerde over ‘Future Noir’, Vangelis soundtracks, Harrison Ford sin skuespillerevne og alt […]

This week, Zach travels to the future to see if androids dream of electric sheep, or if the dystopian future is just around the corner as he explores Ridley Scott's 1982 film, Blade Runner. BLADE RUNNER Blade Runner is a 1982 American dystopian science fiction thriller film directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, Sean Young and Edward James Olmos. The screenplay, written by Hampton Fancher and David Peoples, is loosely based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick. The film depicts a dystopian Los Angeles in November 2019 in which genetically engineered organic robots called replicants—visually indistinguishable from adult humans—are manufactured by the powerful Tyrell Corporation as well as by other "mega-corporations" around the world. Their use on Earth is banned and replicants are exclusively used for dangerous, menial or leisure work on off-world colonies. Replicants who defy the ban and return to Earth are hunted down and "retired" by police special operatives known as "Blade Runners". The plot focuses on a brutal and cunning group of recently escaped replicants hiding in Los Angeles and the burnt-out expert Blade Runner, Rick Deckard (Harrison Ford), who reluctantly agrees to take on one more assignment to hunt them down. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! During the show, Zach mentions a video on Vimeo.com. Here it is. During the show, Stephen mentions the book, Future Noir. The 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti have know all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made. Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamerous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.

This week, Zach travels to the future to see if androids dream of electric sheep, or if the dystopian future is just around the corner as he explores Ridley Scott's 1982 film, Blade Runner. BLADE RUNNER Blade Runner is a 1982 American dystopian science fiction thriller film directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, Sean Young and Edward James Olmos. The screenplay, written by Hampton Fancher and David Peoples, is loosely based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick. The film depicts a dystopian Los Angeles in November 2019 in which genetically engineered organic robots called replicants—visually indistinguishable from adult humans—are manufactured by the powerful Tyrell Corporation as well as by other "mega-corporations" around the world. Their use on Earth is banned and replicants are exclusively used for dangerous, menial or leisure work on off-world colonies. Replicants who defy the ban and return to Earth are hunted down and "retired" by police special operatives known as "Blade Runners". The plot focuses on a brutal and cunning group of recently escaped replicants hiding in Los Angeles and the burnt-out expert Blade Runner, Rick Deckard (Harrison Ford), who reluctantly agrees to take on one more assignment to hunt them down. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers VIP. It will help ensure Zach on Film continues far into the future! During the show, Zach mentions a video on Vimeo.com. Here it is. During the show, Stephen mentions the book, Future Noir. The 1992 release of the "Director's Cut" only confirmed what the international film cognoscenti have know all along: Ridley Scott's Blade Runner, based on Philip K. Dick's brilliant and troubling SF novel Do Androids Dream of Electric Sheep, still rules as the most visually dense, thematically challenging, and influential SF film ever made. Future Noir is the story of that triumph. The making of Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry. A fascinating look at the ever-shifting interface between commerce and the art that is modern Hollywood, Future Noir is the intense, intimate, anything-but-glamerous inside account of how the work of SF's most uncompromising author was transformed into a critical sensation, a commercial success, and a cult classic. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends about the podcast, get them to subscribe and, be sure to visit the Major Spoilers site and forums.

TEGNEFILMPODCASTEN præsenterer "Tegnefilm i sort/hvid"-kavalkadens film nr. 2: Christian Volckmans Renaissance — en blanding af science fiction-anime, film noir, tegnefilm, motion-capture af real-film, ekspressionisme og realisme, pure cinema og tungt, omstændigt plot. Filmen er instrueret af en franskmand og produceret af et fransk crew, men har fra starten været planlagt med kendte engelske voice-actors for øje (Daniel Craig, Ian Holm og Jonathan Pryce er på rollelisten) i håbet om at nå et større publikum. Renaissance er ét stort eksperiment af en tegnefilm; der er flere scener, der fejler totalt, men der er lige så mange der faktisk lykkes overmåde godt. Den er superstilet med masser af vilde visuelle ideer, men der lånes og stjæles også meget fra andre film noirs — både hvad angår plot og stil. Med andre ord: Det er en blandet fornøjelse, men er man til future/neo noirs (tænk Blade Runner og Dark City) og har set alt der er at se, så skal man også have fat i denne her. Episode 25 af TEGNEFILMPODCASTEN indeholder følgende segmenter: * 00:00 Intro + debat om Disneys blu-rays, featuring Dobbelt D's definitive dvd-podcast. * 09:36 Anmeldelse af Renaissance * 18:06 Karakterdesign + mo-cap animation i Renaissance * 27:00 Baggrundsdesign i Renaissance * 33:04 Dvd'ens ekstramateriale * 35:25 Outro + næste episode af TEGNEFILMPODCASTEN //Tegnefilm som du aldrig har hørt dem før!