Podcasts about Minority Report

Nicole and Sasheer debrief Tom Cruise chasing his eyeballs in Minority Report, the state of leading men today, get into the history of LAX and SoFi Stadium, stinky shoes, and what to do if you get the ick too quick over nothing. Watch this full video on YouTube and follow below!Follow Nicole: Twitter, Instagram, TikTokFollow Sasheer: Instagram, TikTokLike the show? Rate Best Friends 5 stars on Spotify and Apple Podcasts!Have a friendship question for Nicole and Sasheer to solve? Leave us a voicemail at (323) 238-6554‬ or write in at nicoleandsasheer@gmail.com.Best Friends is a production of Headgum Studios. Our producer is Allie Kahan. Our executive producer is Anya Kanevskaya. The show is edited, mixed, and engineered by Richelle Chen.This is a Headgum podcast. Follow Headgum on Twitter, Instagram, and Tiktok. Advertise on Best Friends via Gumball.fm.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Juanma y Dani conversan sobre la película The Descent, un perfecto ejemplo de horror fuertecito de la década de los 2000. En esta entrega de nuestro espacio de cine en esRadio, Juanma González y Dani Palacios se adentran en las profundidades de la tierra para analizar una de las películas más emblemáticas del género de terror de la década de los 2000: The Descent, dirigida por el británico Neil Marshall. Estrenada en 2005, esta obra llegó en un momento en que el público seguía muy de cerca los pasos de su director tras el éxito de su anterior largometraje, Dog Soldiers. Los presentadores coinciden en que la película supuso un hito en el cine de horror de la época, destacando por su atmósfera asfixiante y un crudo retrato de la supervivencia humana llevado al límite. La trama sigue a un grupo de seis amigas que deciden emprender una expedición de espeleología en una remota cadena montañosa. Sin embargo, lo que comienza como una actividad de aventura pronto se transforma en una auténtica pesadilla claustrofóbica. Dani y Juanma subrayan que, más allá de la amenaza física de las extrañas criaturas ciegas que habitan en la oscuridad, el verdadero motor de la tensión dramática es el tenso triángulo amoroso latente entre la protagonista, Sarah, su amiga Juno y el difunto esposo de la primera. Este conflicto psicológico fractura la supuesta solidaridad femenina desde el primer minuto, ofreciendo un retrato humano implacable, pesimista y carente de heroísmos idealizados. Desde el punto de vista formal, los presentadores elogian la influencia de maestros como John Carpenter en el manejo del espacio claustrofóbico y la tensión sostenida. Marshall utiliza de manera magistral el formato panorámico para capturar tanto la inmensidad de los paisajes exteriores al inicio de la cinta como la opresión de los pasadizos subterráneos. Aunque gran parte de la película se rodó en plató, la iluminación —que transita desde tonos fríos y blanquecinos al estilo de Janusz Kaminski en Minority Report hasta la oscuridad absoluta salpicada por el rojo de las bengalas— consigue sumergir al espectador en un entorno absolutamente verosímil y terrorífico. Otro de los aciertos técnicos comentados es la banda sonora compuesta por David Julyan, la cual evoca de inmediato las melodías trágicas de Howard Shore en El Silencio de los Corderos. Asimismo, se analiza el uso de la obturación de la cámara en las secuencias de acción dentro de la cueva, un recurso visual similar al empleado por Danny Boyle en 28 Días Después. Al aumentar la velocidad del obturador en condiciones de extrema subexposición, Marshall logra definir los movimientos de las criaturas de manera nítida e inquietante sin perder la oscuridad natural del escenario, una decisión artística sumamente arriesgada pero ejecutada con un éxito rotundo. El debate se intensifica al analizar los diferentes finales de la película según el mercado en el que se distribuyó. Mientras que el estreno en Estados Unidos ofreció una versión editada en la que la protagonista logra escapar, el corte original europeo mantiene un tono de absoluto pesimismo en el que la huida resulta ser una mera alucinación de Sarah, atrapada definitivamente en la fosa. Para Juanma y Dani, este último final es el único coherente con el descenso a la locura y la deshumanización que sufre el personaje, quien termina convertida en una criatura tan salvaje como los propios monstruos de la caverna para asegurar su supervivencia. Finalmente, los presentadores repasan la trayectoria de Neil Marshall, lamentando que su prometedora carrera se viera parcialmente truncada en años posteriores. In particular, rememoran el escándalo sexual que involucró a su pareja, la actriz Charlotte Kirk, y a altos ejecutivos de Hollywood, un suceso que ensombreció su estatus en la industria cinematográfica. Con todo, The Descent permanece como un clásico moderno del cine de terror, una joya de la transición entre el celuloide y el formato digital que sigue funcionando con una eficacia espeluznante casi dos décadas después de su estreno.

Summer 2001's Silver Anniversary celebration kicks into full swing as the Fab Four — Andy, Ash, Ed, and Stu — reunite for a sun‑soaked, nostalgia‑drunk march through one of the strangest, most transitional seasons in blockbuster history. From the dying glow of pre‑franchise Hollywood to the first rumblings of the IP‑driven future, the lads dig into what made Summer '01 such a peculiar cultural crossroads and why its films still echo through the multiplexes today.This week's Short Short Film Film Review spotlights Charlie Kaufman's How to Shoot a Ghost, a surreal, melancholic, and quietly deranged miniature about grief, hauntings, and the impossible etiquette of dealing with the dead. It's slippery, funny, and unmistakably Kaufman — a spectral how‑to guide that leaves the boys wondering whether the ghost is the problem, or whether the living are far worse.Finally, the Cruise cruise barrels forward into the neon‑blue, pre‑cog‑powered paranoia of Minority Report. Futurist tech, spider‑bots, milk‑bath visions, and Spielbergian momentum collide as Tom Cruise sprints through a world determined to arrest him for a crime he hasn't committed yet. Between the philosophical tangles of free will, the early‑2000s tech prophecy, and the ever‑important Scientology Watch check‑in, the lads ask the big question: is this Cruise's most finely tuned blockbuster performance, or simply the moment Spielberg weaponised Tom's run for maximum cinematic impact?With the usual blend of silliness, seriousness, and four‑man chaos, it's time once again to take Cruise Control.

In episode 434 Doug Shaw and Dave Roberts discuss Fauci taking the Fifth, Spain's immigrant crisis, 15 years for arming a kid, sexy artificial teachers, using AI to predict crime, reopening a death investigation after nearly a decade, and pumping the brakes on data centers.

The government promised you clarity on Bitcoin. What you actually got: developers in handcuffs, a "strategic reserve" built on an executive order — not a law, not an act, not an amendment — a CLARITY Act riddled with national security carve-outs and an ethics clause that nearly torched the whole thing, and a DOJ quietly deploying Minority Report-style pre-crime AI to flag your wallet before you've done anything wrong. In this episode, Rustin breaks down the Samourai Wallet prosecution, the Tornado Cash verdict, the GrapheneOS border case that proves your phone is a battlefield, and NSPM-7 — then connects every dot to the one thesis they don't want you to reach: you cannot indict a protocol, you cannot arrest mathematics, and every act of state repression against Bitcoin builders is the most powerful Bitcoin adoption campaign the government never meant to run. Stack accordingly.SPONSORS✅ Ledn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.nmj1gs2i.com/9W598/9B9DM/?source_id=podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Simply Bitcoin clients get 0.25% off their first loanNeed liquidity without selling your Bitcoin? Ledn has been the trusted Bitcoin-backed lending platform for 6+ years. Access your BTC's value while HODLing.

Pastor Taylor Shippy - Daniel 1:1-20Have you ever felt the friction of trying to live out your faith in a culture moving in the opposite direction?Throughout history, God's people have often found themselves swimming against the cultural current—facing subtle daily pressures to compromise their convictions. That's precisely where Daniel and his friends found themselves.Their story begins with a crisis: four young men—Daniel, Hananiah, Mishael, and Azariah—are carried away captive to Babylon. Stripped of their home, language, and culture, these royal captives are recruited into the service of a pagan empire. Their world changed overnight, but what about their allegiance to God?The Book of Daniel traces how ordinary people navigate the subtle currents and overt pressures pushing them to abandon their commitment to God. Noticeably, these young men don't flee the culture, attempt to overthrow it, or quietly assimilate into it—instead, they learn how to remain faithfully devoted to God within it.Join us for the first conversation of our six-part series through Daniel 1-6 as we learn how to stand firm, hope deeply, and trust God in our own modern-day exile.

Ryan Hite and I break down how Flock cameras, AI-powered license plate readers, and centralized databases are quietly building the infrastructure for a surveillance state. Sure, they tell us it is only about catching criminals, because government power has never expanded beyond its original sales pitch. We also discuss privacy, COVID-era tyranny, constitutional rights, and why Pickax is rebuilding social media around real people instead of algorithms and censorship.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-jeff-dornik-show--4788100/support.Follow The Jeff Dornik Show on Apple Podcasts and leave a 5-star review. That's how we reach more people and bypass Big Tech suppression.Watch LIVE daily at 7pm ET on Rumble and subscribe so you never miss a show:https://rumble.com/c/jeffdornikBig Tech is silencing truth while harvesting your data to feed the machine. That's why I built Pickax, a free speech platform where creators own their content and your voice isn't controlled. Join now:https://pickax.com/?referralCode=y7wxvwq&refSource=copy

Megan's off on holiday, so as a special treat Konrad is joined by ex-chef, thwarted drone pilot, occasional traffic law violator, and shrewd political analyst Basti Knight. Over bottles of arguably the worst and second-worst beers produced in Germany, they discuss the fall of Jens Spahn to a surrogacy scandal, the federal police's new Minority Report powers, Germany's obsession with tanks, and Basti's surprising difficulties on Where's Wally. Prost! Music by Eden Ottignon from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Planet OTT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a mega: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/megansmegacan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Or buy us a Ko-Fi: ⁠⁠⁠⁠https://ko-fi.com/megansmegacan⁠⁠⁠⁠Or email us: hallo@megansmegacan.comOr follow us on whichever psychotic billionaire's data-fracking machine you prefer:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/megansmegacan/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/MegansMegacan⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.megansmegacan.com

There are spoilers ahead! For many films I'm afraid. I would especially avoid the episode until you have watched Ex-Machina (which you really really should immediately it really is phenomenal) as Jes does talk directly about the ending between 53:23 till 53:46. I have made a list of the films and books mentioned below. This is another detour episode and perhaps you're thinking I'm trying to avoid the very big task of recording 2001: A Space Odyssey content. And perhaps you're right. But I hope you enjoy this discussion. If you try to think of a futuristic city your mind may be drawn towards a real place but it could just as easily be drawn towards the great science fiction films that render our future on our screens. Films like Blade Runner, Minority Report, Fifth Element and (the granddaddy) Metropolis have all shown us what human futures could look like. Sometimes these visions are intimidating, terrifying or occausionally aspirational. These images in turn can affect and inform own understanding of what an unwritten future should be like. I have two wonderful guests to talk through the somewhat symbiotic relationship of science fiction and architecture Amy Brookes is an architect and an Associate Professor at the University of Reading. She has written extensively about architecture and one of her special interests is Architecture in science fiction literature and film. Jes Deaver is an award-winning architect as well as a filmmaker and writer. She is the author of the article The Architecture of Imagination which explores the parallels between science fiction and architecture. Chapters 00:00 Introduction 01:32 The SF-Architecture connection 06:40 How the symbolism of the tower changes 14:38 Anxieties in architecture 17:00 The reciprocal relationship 27:10 Fears of suburbia 30:27 Non place and virtual space 33:43 Apocalyptic futures 40:02 Hopeful alternatives 49:04 Favourite architectural sci-fi films 53:46 Recommendations Recommendations: And He Built a Crooked House by Robert Heinlein Octavia's Brood: Science Fiction Stories from Social Justice Movements   Films mentioned in the episode: Metropolis (1927) Blade Runner (1982) Minority Report (2002) Chappie (2015) District 9 (2009) Attack the Block (2011) Fifth Element (1997) Just Imagine (1930) Gagarine (2020) Atlantics (2019) Tommorowland (2015) Truman Show (1998) Stepford Wives (1975) Edward Scissorhands (1990) Soylent Green (1973) Don't Look Up (2021) Children of Men (2006) Snowpiercer (2013) Hunger Games (2012) Robocop (1987) Nation Estate (2012) Silent Running (1972) High Rise (2015) Ex Machina (2014)   Books mentioned: Rem Koolhaas (Remment Lucas Koolhaas) is a Dutch Architect and author of the book Delirious New York published in 1978. Ready Player One by Ernest Kline. (Made into a film by Steven Speilberg in 2018) Every Version of You by Grace Chan. Artificial Wisdom by Thomas R Weaver. Everything for Everyone: An Oral History of the New York Commune, 2052-2072 by Eman Abdelhadi and M. E. O'Brien Mouldiness Manifesto by Friedensreich Hundretwasser   TV Shows mentioned: Westworld Andor   Other links of interest: A page from Mark Bould's website about the city: https://markbould.com/tag/paul-verhoeven/ '5 Minute Modern' YouTube  video about Brutalism: https://www.youtube.com/watch?v=ib82VYtjFtY An interesting article about Fritz Lang's depiction of the future city The German Take on Gotham: https://jacobin.com/2025/12/the-german-take-on-gotham   NEXT EPISODE! The next episode will be about Destroy All Monsters which features lots of Kaiju, a Japanese Moonbase, evil aliens who look like beautiful women and groovy 60s outfits. You can rent the film on Apple TV (at least in the UK) but take a look at Just Watch and Rotten Tomatoes to see where the film is showing in your region. DVDs and Blurays of the film are also available for relatively reasonable prices.

The Gents become precogs and predict that they will watch the 2002 sci-fi movie Minority Report! :24 - Movies We've Seen (The Furious, Independence Day, Gangs of New York, Close Encounters of the 3rd Kind, Supergirl, 3 Days of the Condor, Toy Story 5, Finding Dory) 22:25 - TV Shows We've Seen (House of the Dragon, X-Men 97, The Simpsons, Elsbeth, The Bear) 35:45 - Minority Report (2002) Get bonus episodes on our Patreon! Next episode: The Sheep Detectives (2026)

Link para À Mesa: https://www.lucianopires.com.br/amesa/a-mesa-instagram?utm_source=Podcast&utm_medium=Cafezinho&utm_campaign=Amesa Em Minority Report, a cidade reconhece John Anderton pela íris e oferece o que ele talvez deseje. Em 2002, parecia ficção científica. Hoje, celulares, bancos, aplicativos e plataformas já transformam nosso corpo e nossos hábitos em chaves de acesso. Neste Cafezinho, Luciano Pires investiga a troca silenciosa entre conveniência e autonomia: quando tudo funciona perfeitamente, estamos mais livres ou apenas mais dependentes do sistema?See omnystudio.com/listener for privacy information.

Link para À Mesa: https://www.lucianopires.com.br/amesa/a-mesa-instagram?utm_source=Podcast&utm_medium=Cafezinho&utm_campaign=Amesa Em Minority Report, a cidade reconhece John Anderton pela íris e oferece o que ele talvez deseje. Em 2002, parecia ficção científica. Hoje, celulares, bancos, aplicativos e plataformas já transformam nosso corpo e nossos hábitos em chaves de acesso. Neste Cafezinho, Luciano Pires investiga a troca silenciosa entre conveniência e autonomia: quando tudo funciona perfeitamente, estamos mais livres ou apenas mais dependentes do sistema?See omnystudio.com/listener for privacy information.

Em Minority Report, as vitrines reconhecem John Anderton, chamam seu nome e oferecem o que ele talvez deseje. Parecia ficção científica. Hoje, celulares, bancos, plataformas e até chips implantados na mão transformam identidade em chave de acesso. Neste episódio, investigamos o preço escondido da conveniência: quando tudo depende de sistemas que nos reconhecem, estamos mais livres ou apenas mais autorizados?See omnystudio.com/listener for privacy information.

Daniel Dumbrill, a Canadian businessman and YouTuber, joins the show. A frequent traveler to China's minority regions, he offers an honest assessment of the current state of Tibetan language, culture, and religion, as well as the conditions of Uygurs, Mongolians, and other ethnic groups across the country's vast expanse. Hosted on Acast. See acast.com/privacy for more information.

In this episode, we discuss Steven Spielberg's Close Encounters of the Third Kind, including the film's personal elements, the theme of communication, and the genre-defining visuals.See where Close Encounters of the Third Kind is available to watch.Supplemental Material:• Close Encounters of the Third Kind Blu-ray• The Making of Close Encounters of the Third Kind (Documentary)• Close Encounters of the Third Kind: The Ultimate Visual History by Michael Klastorin (Book)• Behind the Camera - Close Encounters of the Third Kind by Rob Nixon• Steven Spielberg Discusses His Iconic Sci-Fi Film Close Encounters of the Third Kind (Turner Classic Movies)• Steven Spielberg on Close Encounters, AI: Artificial Intelligence, Minority Report, and More (Turner Classic Movies)• Spielberg on Spielberg (Documentary)Additional Audio Sources:• Close Encounters of the Third Kind Blu-rayIf you'd like to support the show, subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen to your podcasts, leave a review on Apple Podcasts, and share the podcast with someone who might enjoy it.If you have any thoughts, comments, or questions about the show, you can email us at scenebyscenepodcast@gmail.comFollow the Scene by Scene Instagram account for announcements and updates.Follow us on Letterboxd: Joe | Justin

The Gents move down to Beaverton and hop into the 2026 animated movie Hoppers! :25 - Movies We've Seen (Toy Story 5, Supergirl, Jackass: Best and Last, Ladyhawke, Masters of the Universe, Wet Hot American Summer, Project Hail Mary) 25:25 - TV Shows We've Seen (Widow's Bay) 33:14 - Hoppers (2026) Get bonus episodes on our Patreon! Next episode: Minority Report (2002)

Charge up the precogs and get ready for some good ol' fashioned Philip K. Dick-style dystopia. This week, Film Seizure takes a look at the 2002 Steven Spielberg hit starring Tom Cruise. It's time to find the Minority Report. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

Steven Spielberg films. Sarah Watt, Jeremy Downing and William Chen discuss Disclosure Day (2026) and Minority Report (2002), two Science Fiction films directed by cinema great Steven Spielberg. Our conversation begin by unpacking our reactions to and judgements of Disclosure Day, including how the film connects to or doesn't connect to the real-world pressures of today. We praise the performances of Eve Hewson and Emily Blunt, with mixed reactions to Josh O'Connor, Wyatt Russell and Coleman Domingo. We discuss the ineptitude from the super agents in both films. Our conversation moves to Minority Report and praise the performances of Colin Farrell, Samantha Morton, Max von Sydow, Time Blake Nelson, Peter Stormare and, of course, Tom Cruise. We discuss the cinematography of both films, the work of Janusz Kaminski. We make the connection between Steven Spielberg's later work and the careers of Francis Ford Coppola and Martin Scorsese.

A propósito del estreno de "El día de la revelación", el equipo de Marea Nocturna repasa la relación de Steven Spielberg con la ciencia ficción y establece paralelismos e hilos de continuidad entre sus películas enmarcadas en el género: "Encuentros en la tercera fase" (1977), "E.T. El Extraterrestre" (1982), "A.I. Inteligencia Artificial" (2001), "Minority Report" (2002), "La guerra de los mundos" (2005) y el título que nos ocupa. Hacen, además, un exhaustivo análisis de "El día de la revelación" y, como de costumbre, un repaso a los estrenos de películas y series más interesantes del mes.

Mindframes Show Notes Episode 121 — Disclosure Day (2026) Directed by: Steven Spielberg Written by: David Koepp Starring: Emily Blunt, Josh O'Connor, Colin Firth, Colman Domingo, Eve Hewson, Wyatt Russell IMDB: https://www.imdb.com/title/tt15047880/ Special guest: Tarek Fayoumi (movieswithtarek.com), director of the Chicago Independent Film Critics. Episode Summary In this episode of Mindframes, Michael and Dave — joined by returning guest Tarek Fayoumi — discuss Disclosure Day (2026), Steven Spielberg's return to the alien genre and his first big sci-fi swing since War of the Worlds. The conversation works through Spielberg's recurring obsessions (renegade heroes, shadowy government forces, ordinary people swept into something enormous), Janusz Kamiński's return to the diffused-light, lens-flare look, and John Williams' 30th collaboration with the director — before splitting hard over whether the film's hopeful thesis actually lands. Comparisons run from Close Encounters of the Third Kind, E.T., and War of the Worlds to Contact, Minority Report, and Coppola's Megalopolis as a fellow "late master with something to say." Verdicts split three ways: Michael 2.5/5, Dave 3/5, Tarek 4/4. Thematic Discussion Disclosure Day asks whether an undeniable, truthful image can still unite people in a cynical age — Brian Tallerico's "undeniable image" framing, run through the show's central question: not is there proof? but does proof still work on us? Michael argues the truthful image isn't wounded but dead — a shared reality the film is nostalgic for, but one that no longer functions when people deny what they're shown. Dave counters that the film's real hope is empathy and human-to-human connection replacing the broken image, while conceding Spielberg doesn't earn that buy-in the way his early work did. The film ends not on a revelation but on Margaret turning to the camera, saying "Listen," and cutting to black — proof getting humanity to the threshold, with faith and empathy left to carry it the rest of the way. Timestamps Note: recording was split into two files; Part 2 times below assume the parts run continuously (Part 2 offset by ~50:03). Verify against the stitched audio. Time Segment 00:15 Intro & setup; welcoming guest Tarek Fayoumi 02:33 Spielberg as a director — recurring themes 03:21 Premise & the Wardex setup (spoiler-free) 08:43 Return to the alien genre vs. his recent dramas 10:01 Cinematography — Kamiński, lens flares, the "awe" look 28:12 John Williams' 30th collaboration; film & score preservation 31:17 Spoiler-free reviews begin 31:47 Michael's review (2.5/5) 38:47 Dave's review (3/5) 43:02 Tarek's review (4/4) ~45:10 Spoiler section begins ~45:42 The alien reveal & the decades of "disclosure" footage ~55:27 Thematic debate: empathy vs. the image ~56:08 "The truthful image is dead" — Michael's core position ~60:17 The ending: "Listen" and the cut to black ~74:31 Closing thoughts — can we still believe in a unifying image? ~74:56 Next episode tease Films & Directors Mentioned Close Encounters of the Third Kind (Steven Spielberg) E.T. the Extra-Terrestrial (Steven Spielberg) War of the Worlds (Steven Spielberg) A.I. Artificial Intelligence (Steven Spielberg) Minority Report (Steven Spielberg) Jaws (Steven Spielberg) Schindler's List / Saving Private Ryan (Steven Spielberg) The Terminal / Catch Me If You Can (Steven Spielberg) The Fabelmans / West Side Story (Steven Spielberg) Jurassic Park / Indiana Jones and the Kingdom of the Crystal Skull (David Koepp & Spielberg) Contact (Robert Zemeckis / Carl Sagan) Explorers (Joe Dante) 2001: A Space Odyssey (Stanley Kubrick) Megalopolis (Francis Ford Coppola) Super 8 (J.J. Abrams) Watching the Skies (Norwegian sci-fi) Poltergeist / Gremlins (Spielberg-produced, 1980s) The Outer Limits — "The Architects of Fear" Contact Web: https://mindframesfilm.com Facebook: Mindframes Network: Now Playing Network Email: info@mindframesfilm.com

Mark has the night off so Jasmin is running the show with guest co-host Karen. Both are in the house to discuss two movie's where surveillance goes wrong in this movie review double bill - Enemy of the State (1998) and Minority Report (2002). You can follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or if you would like to support us you can donate to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠KoFi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Exploramos tres películas fundamentales de la ciencia ficción moderna: Blade Runner, The Adjustment Bureau y Minority Report, todas basadas en las inquietantes y visionarias novelas de Philip K. Dick.Hablamos de cómo estas historias imaginan el futuro, el control del destino, la identidad humana y los límites de la realidad, y por qué siguen siendo tan relevantes hoy en día.¿El futuro está escrito o lo estamos construyendo en tiempo real? Estas películas tienen mucho que decir al respecto.

En el programa de hoy repasamos las películas de Spielberg que podriamos encajar dentro del género de la ciencia ficción. Desde Encuentros en la tercera fase hasta El día de la revelación pasando por ET, Parque jurásico, I.A., Minority Report, La guerra de los mundos, Ready player one... Ricar, Mario, Javier Negrete y Manuel lo comentan. - Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film's twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box office and promptly revolutionized the way movies were promoted, distributed, and merchandised. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace how Spielberg inaugurated a new phenomenon in Hollywood: the blockbuster. He would tap his own playbook again and again with such hits as “Close Encounters of the Third Kind,” “E.T.,” and “Jurassic Park,” all of which drew impressive audiences and profits. The hosts talk through his filmography, culminating in his new release, “Disclosure Day,” which both replicates and iterates on themes and techniques found in his earlier work. Though other directors may share his capacity for spectacle and action-packed set pieces, much of his appeal lies in his profound earnestness. “What Spielberg is so good at is bringing the human to the fore in these extreme, sci-fi circumstances,” Schwartz says. “And that's what makes a great blockbuster.”Read, watch, and listen with the critics:“Jaws” (1975)“Disclosure Day” (2026)“Minority Report” (2002)“Oscar Wars,” by Michael Schulman“What Went Wrong” 's episode about “Jaws”“Close Encounters of the Third Kind” (1977)“Jurassic Park” (1993)“E.T.” (1982)“Alf” (1986-90)“Schindler's List” (1993)“One Battle After Another” (2025)“American Journal,” by Robert Hayden“Heart of the Beast” (2026)“Sinners” (2025)“Nope” (2022)“Barbie” (2023)“Obsession” (2026)“Backrooms” (2026)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

Mac and Gu dive into their latest draft series! Movies, TV Shows, Music, Video Games & anything else with the word Girl or Girls in the title Steven Spielberg Movies Moons Also - Gu made a mess of his shoes Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTubeSee omnystudio.com/listener for privacy information.

'Poooooooooddss out... for... SUMMER!!!' - Extremely Alice Cooper voice. We try and hang in for one final episode before taking a week off to celebrate the start of summer. With our high priest of cinema Stephen Spielberg returning to the holy theater of Summer Blockbusters this weekend for Disclosure Day, we figured what the heck, let's finally cover one we've talked about for years, Minority Report. Boy is this a movie. We're joined by the host of the podcast Channels, Peter Kafka and make a mad dash out as the bell rings.Chapters Introduction (00:00:00) Hatch News (00:19:17) Minority Report Roundtable (00:24:01) Your Letters (01:17:14) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

It's Mann versus machine. It's Mann versus manhood. It's probably the best television film of all time. And it just so happens to be the debut for one Steven Spielberg. If you like Jaws, may we recommend Duel... where the shark is a big, scary truck! We discuss the film and its background, plus some general Spielberg chatter, the Mouthgarf Report, and I See What You Did There! Sources: https://en.wikipedia.org/wiki/Duel_(1971_film) https://www.rogerebert.com/features/book-excerpt-steven-spielberg-and-duel-the-making-of-a-film-career https://cinemaretro.com/index.php?/archives/8293-STEVEN-SPIELBERG-AND-DUEL-THE-MAKING-OF-A-FILM-CAREER;-INTERVIEW-WITH-AUTHOR-STEVEN-AWALT.html Please give us a 5 star rating on Apple Podcasts!  Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First 100th Episode!

Tag der Wahrheit: Anlässlich DISCLOSURE DAY - DER TAG DER WAHRHEIT ist es endlich so weit: Eddie, Andi und Schröck widmen sich STEVEN SPIELBERG. Wie schon bei Scorsese wollen die Drei seine 10 besten Filme ermitteln, weshalb jeder eine eigene Top 10 erstellt hat, die sie nun gemeinsam abgleichen. Was folgt ist eine Reise in die (auch eigene) Vergangenheit, von AMBLIN', DUELL oder SUGARLAND EXPRESS bis hin zu DIE ABENTEUER VON TIM UND STRUPPI – DAS GEHEIMNIS DER EINHORN und ein wenig darüber hinaus. Mit all den persönlichen Erfahrungen und Anekdoten, die Filme wie E.T. – DER AUSSERIRDISCHE, INDIANA JONES UND DER LETZTE KREUZZUG oder SCHINDLERS LISTE noch ein wenig besonderer machen. Mit dem einen oder anderen Kritikpunkt, die Titel wie KRIEG DER WELTEN, MINORITY REPORT oder MÜNCHEN vielleicht nicht ganz so hoch steigen lassen. Und natürlich mit all der Faszination, den staunenden Mündern oder all der Gänsehaut, für die Streifen wie UNHEIMLICHE BEGEGNUNG DER DRITTEN ART, DER SOLDAT JAMES RYAN, JURASSIC PARK, DER WEISSE HAI oder JÄGER DES VERLORENEN SCHATZES gesorgt haben und immer noch sorgen. Inklusive der einen oder anderen Abschweifung zum Thema POLTERGEIST, zu der vorhandenen oder nicht mehr vorhandenen Klasse Spielbergs oder welche Horrorfilme am meisten geprägt haben. Viel schneller und emotionaler können rund 90 Minuten nicht vergehen. Dabei wünschen wir Euch nun viel Spaß und bleibt bitte so gesund wie gut drauf. Shalom. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we explore why Steven Spielberg's Disclosure Day did not work for us, from its messy sci-fi/spy-thriller structure to its underdeveloped appeals to empathy and unity. We talk through the film's strongest moments, Emily Blunt's performance, its connections to Close Encounters, E.T., Minority Report, Signs, and Arrival, and why its “just listen to each other” message feels too thin for the themes it gestures toward.You can also sign up for our Patreon as a free member below to listen to free episodes on two of Spielberg's greatest films: Jaws and Jurassic Park.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Extra Credits YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter: ⁠@theextracredits⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Send requests, questions, and thoughts to our email: extracreditspod@gmail.com

This week we talk about Spielberg's darkest film and the biggest bummer for a Summer flick. This was also our first movie date! We discuss all the women who take advantage of their proximity to Cruise, how the book is different from the movie and how we both see the opening scene differently. Join us 28 years in the future!Follow up behind the scenes on Instagram @soimarriedafilmcritic_podcast.

Steven Spielberg's Minority Report remains one of the most thought-provoking sci-fi blockbusters of the 21st century. In this episode of Reel 21, Nathan revisits the 2002 thriller to explore its surprisingly accurate vision of the future, the ethical questions behind the PreCrime division and why its central mystery remains so compelling more than two decades later.Does the film deserve its place among the century's essential movies? And how does it stack up against Spielberg's most celebrated work?Up next: Michael Clayton.Chapters00:00 Introduction to Minority Report08:02 Exploring Ethical Questions15:56 Final Thoughts and RatingRead Nathan's thoughts on Minority Report.

In a special interview, Will chats with Gary Goldman, the screenwriter of 1986's cult classic Big Trouble in Little China. The setting of Gary's original story was very different than what we saw onscreen. Is there a future for this tale of ancient Chinese mysticism set in the Old West?Over the last several decades, Gary has written, produced, and otherwise improved a number of successful Hollywood films, including Total Recall, Minority Report and Basic Instinct. He's worked for every major film studio and collaborated on projects with directors Steven Spielberg, Paul Verhoven, John Carpenter, James Cameron, and Ridley Scott.0:00 - Introduction0:55 - InterviewFollow us on Facebook: https://www.facebook.com/1980snow.Subscribe to our YouTube channel: https://www.youtube.com/@1980snow

Amartya, Varun, and Cris (re)convene in a divergent manel to tackle Steven Spielberg's association with science fiction. This second in a series of three episodes looks at "Minority Report", "War of the Worlds", and "Ready Player One", and how Spielberg (paired here with cinematographer Janusz Kamiński) uses them to tackle real-world politics. References to Bollywood are a must, so Tom Cruise gets compared to John Abraham at some point, do not ask why. The final part will cover "Disclosure Day" and how it exists in conversation (or not) with these texts. Bonus discussion on our recent (terrible and not so much) excursions to the theatre had to be shared, so do enjoy that as well.MAJOR SPOILERS FOR ALL 3 MOVIESTIME CODESIntro (& Recent Theatrical Experiences) - [00:00 - 11:37]"Minority Report" - [11:37 - 41:18]"War of the Worlds" - [41:18 - 01:05:04]"Ready Player One" - [01:05:04 - 01:35:55]Outro - [01:35:55 - 01:37:05]Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/queenisdead.filmpodcast.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠You can follow us on Letterboxd at -CRIS: https://letterboxd.com/crislim/.VARUN: https://letterboxd.com/varunoakbhakay/.AMARTYA: https://letterboxd.com/amartya/.

Hungary has dropped its two-year veto on Ukraine's European Union accession, clearing the way for the first cluster of negotiations to open in mid-June.Recorded on 6 June 2026 in Cres, Croatia, on the sidelines of the Europe's Future Initiative fellows gathering, Wojciech Przybylski talks to Balázs Jarábik about the deal that ended the deadlock between Hungary and Ukraine. Jarábik is an award-winning analyst and decorated diplomat. He is the founder of Minority Report, an independent policy consulting firm and think tank based in Bratislava, Slovakia.The conversation then opens out into three tracks. First, the question of the Hungarian minority in Zakarpattia and why it carries such weight in Hungary's foreign policy. Second, the European game of the new Magyar government. Third, and most consequential, the emergence of a more ethno-national, post-Maidan Ukraine that, in Jarábik's reading, will lead with defence integration while EU accession slows, and will use its military weight towards its neighbours.YouTube: https://www.youtube.com/@visegradinsightSpotify: https://open.spotify.com/show/7aA9iqd8rUxFMYMemjikuwApple Podcasts: https://podcasts.apple.com/at/podcast/visegrad-insight-podcast/id1515725435Substack: https://visegradinsight.substack.com/podcastSubscribe to Visegrad Insight for access to all our content, live and online events: visegradinsight.eu. Use code VISEGRAD35 for 35 per cent off a yearly subscription:https://visegradinsight.eu/membership-account/membership-levels/Visegrad Insight is powered by the Res Publica Foundation, Warsaw.

If you have seen the movie The Minority Report you witnessed a sci-fi rendition of the future - policing people based on future crimes not yet committed. The future is here! A.I. is being used by police forces to profile, monitor, observe and make decisions about what you may be capable of in order to prevent it.  How does this work? Who are the future killers? Could it be that A.I. is actually the future killer?Email us at: downtherh@protonmail.com

This is an extended preview clip of our massive WLM episode on Minority Report! To access the full show, click through here and sign up for our Patreon. Instantly unlock this episode, along with countless hours of exclusive commercial-free content you can't get anywhere else!“I love the setup, I love the whole idea of the wrong man here...” - Eric On this month's We ❤️ Movies episode, we're getting in the Spielberg mood in anticipation of Disclosure Day by chatting about one of his big sci-fi thrillers of the early-aughts, Minority Report!Was it the right move for this movie to forgo a non-stop action vibe? What did the production designers get right about our near future? Was this the last great Max von Sydow performance? Is this one of the more not-great haircuts Tom Cruise has had in a movie? Didn't we need a few more scenes with Colin Farrell? Should that creepy guy be working in the pre-cog pool alone? And how much wood is being wasted by this machine crafting all these ornate wooden balls? PLUS: Ralph Kramden gets locked in the pre-crime jail!Minority Report stars Tom Cruise, Colin Farrell, Samantha Morton, Steve Harris, Neal McDonough, Lois Smith, Tim Blake Nelson, Arye Gross, Mike Binder, Jessica Harper, Peter Stormare, William Mapother, and Max von Sydow as Lamar Burgess; directed by Steven Spielberg.Come hang out in Vegas with us this summer as we do a three-night stand at ST:LV to celebrate 60 years of Star Trek and 10 years of The Nexus! We'll be at the convention Thursday, Friday and Saturday night doing three Nexus shows on Wrath of Kahn, Generations, and First Contact! Best part is, you don't need to have a convention pass to attend, each show is ticketed separately. Click through to snag your tix now!Be sure to visit the WHM Merch shop over on Dashery and check out all the latest show-related designs you can slap on t-shirts, hats, coffee mugs, stickers, whatever! Make your friends jealous by flaunting some WHM merch today! Original cover art by Felipe Sobreiro.

Des ingénieurs chinois travaillent pour détecter les futurs opposants politiques, avant même qu'ils ne l'imaginent, grâce à l'intelligence artificielle. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

If you have seen the movie The Minority Report you witnessed a sci-fi rendition of the future of policing people based on future crimes not yet committed.The future is here! A.I. is being used by police forces to profile, monitor, observe and make decisions about what you may be capable of in order to prevent it.How does this work? Who are the future killers? Could it be that A.I. is actually the future killers? Email us at: downtherh@protonmail.com

Thanks to some great feedback and some more of that awesome Barney Dicker chat to share, this episode is basically a second instalment of Movie Monday: Blade Runner. But before the Blade Runner chat, I respond to a message from M. W. Lewis of The Worlds of M. W. Lewis concerning April's movie Michael Crichton's Westworld. Then it's onto some Blade Runner feedback from Jason Connerley of Nerd's RPG Variety Cast, Joe Richter of Hindsightless, and Goblin's Henchman, before rounding things off with more of my chat with Barney Dicker of Loco Ludus. Honourable mentions: 2001: A Space Odyssey dir. Stanley Kubrick, Dark Star dir. John Carpenter, Westworld (TV series), Masters of the Universe dir. Travis Knight, Legend dir. Ridley Scott, Edge of Tomorrow dir. Doug Liman, Minority Report dir. Steven Spielberg, Do Androids Dream of Electric Sheep by Philip K. Dick, Alien dir. Ridley Scott, The Long Tomorrow by Dan O'Bannon and Moebius, The Incal by Alejandro Jodorowsky and Moebius, Blade Runner 2049 dir. Denis Villeneuve Read Barney's “Stroboscopic Revelations in Blade Runner” here https://www.academia.edu/36398665/_Stroboscopic_Revelations_in_Blade_Runner_PhotoResearcher_No_29_2018_ Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ So, from the sublime to the ridiculous. The movie for June is 1987's Masters of the Universe, directed by Gary Goddard and starring Dolph Lundgren. That episode will air on June 29th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Also, be sure not to miss my other movie podcast, With Wife and I. Isla and I take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Dust off your leather jackets, practice your best slow-motion walk, and get ready for an absolutely stacked episode! This week on The DizRadio Show we are diving deep into the world of Hollywood grit, legendary action, and the art of playing the characters you love to hate. We are thrilled to welcome the ultimate cinematic powerhouse, PATRICK KILPATRICK. If you've watched an action movie in the last few decades, you know his face, you know his presence, and you've definitely cheered (or cringed) at his iconic villainy! Patrick Kilpatrick has gone toe-to-toe with the absolute Mount Rushmore of action cinema. We're talking about trading blows and sharing scenes with Tom Cruise, Arnold Schwarzenegger, Jean-Claude Van Damme, and James Caan, just to name a few! He takes us behind the scenes of some of his most memorable projects, including Death Warrant, Showdown, Minority Report, Eraser, Best of the Best, The Toxic Avenger and Dying for Living as well as going family friendly in the Free Willy series. He also talks writing and producing. Later in the show, Jonathan from the D-Team drops behind the mic for a fascinating deep dive into the psychology of cinema. Jonathan breaks down exactly why cinematic villains impact us so deeply and stay with us long after the credits roll. Why do we remember the bad guys? How does a truly talented actor balance the scales to play both the ultimate monster and the ultimate hero? We're dissecting the thin line between good and evil on the silver screen! So enjoy the Nostalgia, the Magic, the Wonder, and the Memories with The DizRadio Show "A Pop Culture Celebrity Guest Show"!

durée : 00:09:37 - Le masque et la plume - par : Jérôme Garcin - Un film "d'une maturité inédite" de Spielberg, "Minority Report" avec Tom Cruise, est loué pour son ancrage dans l'actualité sécuritaire de la présidence Bush, en 2002. Les critiques ont aimé le plaisir esthétique doublé de la pertinence du récit, sauf David Martinez qui a tout simplement détesté ! - réalisation : Alain Riou, Michel Ciment, Danièle Heymann Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Doug and Justin dig into one of Reddit's greatest questions: what's the stupidest thing you've ever heard someone say that still lives rent free in your head? The answers (from the internet and from their own lives) do not disappoint. Stories include: the college roommate who saw cubed chicken and asked if it was pancakes, the hotel coworker who was convinced a rocket launch in Florida made it hotter outside, the customer service caller who had never heard of a browser and genuinely believed she didn't use one, the hotel guest who compared being asked for ID to being interrogated by the Gestapo, the anatomy student who used Coca-Cola as contraception, the woman who signed her name differently every time so no one could forge it, the person who applied for a job and chose the word "ominous" to describe herself, and the woman who planned to bring her TV from home when she moved to Italy so she could still watch her shows. Plus a collection of "Bobisms," hard-earned one-liners from a former baseball ump and retail manager that absolutely hold up, and Doug's dad's legendary if somewhat exhausting burn about brains and trains. Then Doug takes Natalie to an all-you-can-eat Korean BBQ and hot pot restaurant for the first time and comes away a changed man. Justin butchers a 125-pound half hog with his two best friends as a birthday surprise and walks away with 40+ pounds of pork and zero regrets. And the movie audio clip guessing game returns with quotes from Kung Fu Panda, Heat, and Minority Report. This week's recommendations: Justin: Marty: Life is Short on Netflix. Martin Short operates at the speed of joy. Watch it. Doug: Potion Seller's debut album Buzzard is out now. Ten songs, zero filler. Grab it on Bandcamp for $7. Also, Parade of Horribles (Dungeon Crawler Carl Book 8) by Matt Dinniman. Jeff Hayes narrates the audiobook. The series is incredible. Potion Seller Album Release Show — July 25th, 2026 at The Pyramid Scheme, Grand Rapids, MI. Get there. pyramidscheme.com Subscribe: youtube.com/mindgappodcast  Join the Discord: https://discord.gg/T3HwyEw5v7  Listen everywhere you get podcasts  Support us on Patreon: https://www.patreon.com/mindgappodcast Merch on Redbubble: https://www.redbubble.com/shop/ap/67768184  

In Minority Report, people are judged before they act—which hits a little close to home, because we definitely formed strong opinions early and spent the rest of the episode trying to justify them. Join us for the latest installment in our Steven Spielberg series as we wrestle with pre-crime, free will, and a movie that's clearly operating on a higher level than we are. The system isn't broken… we just keep getting flagged. ----more---- Thank you so much for listening! Please help us spread the word by leaving us a 5-star review!    Hosts: Craig Dickinson: x.com/CraigMDickinson Corey Heitschmidt: x.com/HeitSolo Justin Eldon: x.com/justineldon7   Connect with us:  Website: readingbetweenthereels.podbean.com X: x.com/ReadBtweenReels Facebook: facebook.com/ReadBtweenReels Email: ReadingBetweenReels@gmail.com SpeakPipe: speakpipe.com/ReadingBetweentheReels   You can also join our Facebook group. It's a safe place to share your thoughts and discuss all things related to movies. You can find us at facebook.com/groups/readbtweenreels   Visit our TeePublic store for t-shirts, hats, hoodies, mugs, and more!   If you are interesting in advertising on this podcast, please go to: podbean.com/advertiseonRBR   The following music was used for this media project: Music: "Neon Fury" by Sascha Ende Link: https://filmmusic.io/song/12190-neon-fury License: https://filmmusic.io/standard-license

Congress wants a raise, Deflock.org are accused of terrorism for wanting to abolish Flock Safety Cameras, Minority Report is another documentary. Tag us on Instagram and Matt or Kelly will buy you a sandwich at some future date and yet to be determined place As always, if you like (or don't like) what we're doing, let us know on your podcast app by leaving a review or reach out to us on Instagram. And, check out our website for the best subversive shirts, door mats, and coffee mugs while your money can still buy them at libertytreelifestyle.com Wanna support the show? Go to patreon.com/libertytree and become a member of the Liberty Tree Social Club Follow us and give us a review @Libertyupatree on twitter @Libertytreebrand on Instagram Order Kelly's Book The Great American Contractor  Love you guys Kelly and Matt  

In episode 2054, Jack and Miles are joined by TV writer, comedian, essayist, host of Private Parts Unknown, and author of Girl Gone Wild, Courtney Kocak, to discuss… Kash Patel - I USE AI TO STOP MASS SHOOTINGS!!!, Totally unrelated- FBI may be going after the journalist that reported on Patel's drinking, Oligarch sweat check…, The Bear Stealing Ideas From The Bean and more! Kash Patel credits AI with stopping attacks: ‘I’m using it everywhere’ A Dangerous New Attack on Press Freedom LISTEN: 9-2-5 by Boko YoutSee omnystudio.com/listener for privacy information.

Can we ever really know who we are? And does self-knowledge come with an incredible cost to ourselves and others? Maybe! We investigate the First Philip K. Dick Adaptation, with a 1962 episode of the British TV show Out of This World on his short story "The Imposter." Plus, we do a medium dive into PKD's life. And there's lots to discuss in the MouthGarf Report! Plus, I See What You Did There! Sources: https://www.youtube.com/watch?v=2NATbmF4Qxc (While labeled "The Cold Equations" this is the audio for "The Imposter") https://en.wikipedia.org/wiki/Impostor_(short_story) https://en.wikipedia.org/wiki/Philip_K._Dick https://web.archive.org/web/20120511082635/http://www.philipkdick.com/media_sfeye87.html https://web.archive.org/web/20170921182200/http://culture.pl/en/article/philip-k-dick-stanislaw-lem-is-a-communist-committee https://www.salon.com/2022/07/23/8-facts-about-philip-k-dick_partner/ Please give us a 5 star rating on Apple Podcasts!  Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First Film Directed by Markiplier/Mark Fischbach

This week, Sarah and MJ are joined by Missy Lonsinger to talk about Spielberg's sci-fi follow-up to A.I., Minority Report! They talk about how A.I. primed him to work in the cynical worlds created by Phillip K. Dick, the brief moment where Tom Cruise almost became a frequent Spielberg collaborator, and the beginning of the uglyfication of Spielberg's movies.

Aliens continue to be real on our journey through three very distinct War of the Worlds adaptations. This week it's the second collaboration between Steven Spielberg and Tom Cruise after Minority Report, War of the Worlds 2005. Interesting premise and time, post 9/11, Tom Cruise in his weirdest (publicially) era and a director who'd made two exceptional extra terrestrial propeties prior to this. This should be fantastic! And yet...Anyhow thanks for watching our Caravan Of Garbage reviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Subscribe to Bad Faith on Patreon to instantly unlock this episode and our entire premium episode library: http://patreon.com/badfaithpodcast They're calling it "age verification" and touting it as a measure to protect children. But, as is the case with most moral panics, the children are a pretext. New laws are being implemented around the globe to require citizens to provide identification to use the internet, meaning anonymity is dying and the risk of being targeted for one's formerly-anonymous beliefs or "likes" are growing. This is a largely bipartisan effort that has the potential to lead to a Minority Report-style crackdown on "pre-crime" based on online expressions of belief. Tech journalist Taylor Lorenz is ringing the alarm bell. Will the public resist before it's too late? Subscribe to Bad Faith on YouTube for video of this episode. Find Bad Faith on Twitter (@badfaithpod) and Instagram (@badfaithpod). Produced by Armand Aviram. Theme by Nick Thorburn (@nickfromislands).