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Link para À Mesa: https://www.lucianopires.com.br/amesa/a-mesa-instagram?utm_source=Podcast&utm_medium=Cafezinho&utm_campaign=Amesa Em Minority Report, a cidade reconhece John Anderton pela íris e oferece o que ele talvez deseje. Em 2002, parecia ficção científica. Hoje, celulares, bancos, aplicativos e plataformas já transformam nosso corpo e nossos hábitos em chaves de acesso. Neste Cafezinho, Luciano Pires investiga a troca silenciosa entre conveniência e autonomia: quando tudo funciona perfeitamente, estamos mais livres ou apenas mais dependentes do sistema?See omnystudio.com/listener for privacy information.
Link para À Mesa: https://www.lucianopires.com.br/amesa/a-mesa-instagram?utm_source=Podcast&utm_medium=Cafezinho&utm_campaign=Amesa Em Minority Report, a cidade reconhece John Anderton pela íris e oferece o que ele talvez deseje. Em 2002, parecia ficção científica. Hoje, celulares, bancos, aplicativos e plataformas já transformam nosso corpo e nossos hábitos em chaves de acesso. Neste Cafezinho, Luciano Pires investiga a troca silenciosa entre conveniência e autonomia: quando tudo funciona perfeitamente, estamos mais livres ou apenas mais dependentes do sistema?See omnystudio.com/listener for privacy information.
Em Minority Report, as vitrines reconhecem John Anderton, chamam seu nome e oferecem o que ele talvez deseje. Parecia ficção científica. Hoje, celulares, bancos, plataformas e até chips implantados na mão transformam identidade em chave de acesso. Neste episódio, investigamos o preço escondido da conveniência: quando tudo depende de sistemas que nos reconhecem, estamos mais livres ou apenas mais autorizados?See omnystudio.com/listener for privacy information.
Daniel Dumbrill, a Canadian businessman and YouTuber, joins the show. A frequent traveler to China's minority regions, he offers an honest assessment of the current state of Tibetan language, culture, and religion, as well as the conditions of Uygurs, Mongolians, and other ethnic groups across the country's vast expanse. Hosted on Acast. See acast.com/privacy for more information.
Les références : Nice — Le Panoptique Le Panoptique, Jeremy Bentham (1791) Loi RIPOST : le Sénat prolonge et étend la vidéosurveillance algorithmique (Public Sénat) Londres — Fahrenheit 451 Fahrenheit 451, Ray Bradbury (1953) Chat Control : vérification d'âge et fin de l'anonymat (EDRi) Lisbonne — Ravage Ravage, René Barjavel (1943) Black-out en Espagne et au Portugal du 28 avril 2025 (Connaissance des Énergies) Menlo Park — Le Meilleur des mondes Le Meilleur des mondes, Aldous Huxley (1932) Algorithmic dopamine economies (The British Journal of Psychiatry) Denver — Minority Report Minority Report (Rapport minoritaire), Philip K. Dick (1956) Inside ICE's Expanding AI Surveillance Machine, Palantir et l'outil ELITE (Parriva) Idaho — La Servante écarlate La Servante écarlate, Margaret Atwood (1985) Surveillance numérique et criminalisation de l'avortement (National Partnership for Women & Families) Kenya — La Machine à explorer le temps La Machine à explorer le temps, H. G. Wells (1895) L'IA repose sur des travailleurs invisibles exploités dans les pays pauvres (RTS) Shanghai — Nous autres Nous autres, Ievgueni Zamiatine (1924) Reconnaissance biométrique : 30 propositions pour écarter la société de surveillance (Sénat) Paris — 1984 1984, George Orwell (1949) Contrôles d'identité : défendons-nous contre la reconnaissance faciale (La Quadrature du Net) Bruxelles — La Ferme des animaux La Ferme des animaux, George Orwell (1945) Chat Control : l'UE s'apprête à contourner son propre Parlement (Cryptoast)Vous pouvez mettre un commentaire pour l'épisode. Et même mettre une note sur 5 étoiles si vous le souhaitez. Il est important pour nous d'avoir vos retours car, contrairement par exemple à une conférence, nous n'avons pas un public en face de nous qui peut réagir. Pour mettre un commentaire ou une note, rendez-vous sur la page dédiée à l'épisode.Aidez-nous à mieux vous connaître et améliorer l'émission en répondant à notre questionnaire (en cinq minutes). Vos réponses à ce questionnaire sont très précieuses pour nous. De votre côté, ce questionnaire est une occasion de nous faire des retours. Pour connaître les nouvelles concernant l'émission (annonce des podcasts, des émissions à venir, ainsi que des bonus et des annonces en avant-première) inscrivez-vous à la lettre d'actus.
In this episode, we discuss Steven Spielberg's Close Encounters of the Third Kind, including the film's personal elements, the theme of communication, and the genre-defining visuals.See where Close Encounters of the Third Kind is available to watch.Supplemental Material:• Close Encounters of the Third Kind Blu-ray• The Making of Close Encounters of the Third Kind (Documentary)• Close Encounters of the Third Kind: The Ultimate Visual History by Michael Klastorin (Book)• Behind the Camera - Close Encounters of the Third Kind by Rob Nixon• Steven Spielberg Discusses His Iconic Sci-Fi Film Close Encounters of the Third Kind (Turner Classic Movies)• Steven Spielberg on Close Encounters, AI: Artificial Intelligence, Minority Report, and More (Turner Classic Movies)• Spielberg on Spielberg (Documentary)Additional Audio Sources:• Close Encounters of the Third Kind Blu-rayIf you'd like to support the show, subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen to your podcasts, leave a review on Apple Podcasts, and share the podcast with someone who might enjoy it.If you have any thoughts, comments, or questions about the show, you can email us at scenebyscenepodcast@gmail.comFollow the Scene by Scene Instagram account for announcements and updates.Follow us on Letterboxd: Joe | Justin
Charge up the precogs and get ready for some good ol' fashioned Philip K. Dick-style dystopia. This week, Film Seizure takes a look at the 2002 Steven Spielberg hit starring Tom Cruise. It's time to find the Minority Report. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure
Steven Spielberg films. Sarah Watt, Jeremy Downing and William Chen discuss Disclosure Day (2026) and Minority Report (2002), two Science Fiction films directed by cinema great Steven Spielberg. Our conversation begin by unpacking our reactions to and judgements of Disclosure Day, including how the film connects to or doesn't connect to the real-world pressures of today. We praise the performances of Eve Hewson and Emily Blunt, with mixed reactions to Josh O'Connor, Wyatt Russell and Coleman Domingo. We discuss the ineptitude from the super agents in both films. Our conversation moves to Minority Report and praise the performances of Colin Farrell, Samantha Morton, Max von Sydow, Time Blake Nelson, Peter Stormare and, of course, Tom Cruise. We discuss the cinematography of both films, the work of Janusz Kaminski. We make the connection between Steven Spielberg's later work and the careers of Francis Ford Coppola and Martin Scorsese.
Mark does a deep dive. What Does it Mean to be a Canadian Today? GUESTS: Carmi Levy - tech expert Pat Pellegrini - Vividata’s president and CEO
A propósito del estreno de "El día de la revelación", el equipo de Marea Nocturna repasa la relación de Steven Spielberg con la ciencia ficción y establece paralelismos e hilos de continuidad entre sus películas enmarcadas en el género: "Encuentros en la tercera fase" (1977), "E.T. El Extraterrestre" (1982), "A.I. Inteligencia Artificial" (2001), "Minority Report" (2002), "La guerra de los mundos" (2005) y el título que nos ocupa. Hacen, además, un exhaustivo análisis de "El día de la revelación" y, como de costumbre, un repaso a los estrenos de películas y series más interesantes del mes.
Mindframes Show Notes Episode 121 — Disclosure Day (2026) Directed by: Steven Spielberg Written by: David Koepp Starring: Emily Blunt, Josh O'Connor, Colin Firth, Colman Domingo, Eve Hewson, Wyatt Russell IMDB: https://www.imdb.com/title/tt15047880/ Special guest: Tarek Fayoumi (movieswithtarek.com), director of the Chicago Independent Film Critics. Episode Summary In this episode of Mindframes, Michael and Dave — joined by returning guest Tarek Fayoumi — discuss Disclosure Day (2026), Steven Spielberg's return to the alien genre and his first big sci-fi swing since War of the Worlds. The conversation works through Spielberg's recurring obsessions (renegade heroes, shadowy government forces, ordinary people swept into something enormous), Janusz Kamiński's return to the diffused-light, lens-flare look, and John Williams' 30th collaboration with the director — before splitting hard over whether the film's hopeful thesis actually lands. Comparisons run from Close Encounters of the Third Kind, E.T., and War of the Worlds to Contact, Minority Report, and Coppola's Megalopolis as a fellow "late master with something to say." Verdicts split three ways: Michael 2.5/5, Dave 3/5, Tarek 4/4. Thematic Discussion Disclosure Day asks whether an undeniable, truthful image can still unite people in a cynical age — Brian Tallerico's "undeniable image" framing, run through the show's central question: not is there proof? but does proof still work on us? Michael argues the truthful image isn't wounded but dead — a shared reality the film is nostalgic for, but one that no longer functions when people deny what they're shown. Dave counters that the film's real hope is empathy and human-to-human connection replacing the broken image, while conceding Spielberg doesn't earn that buy-in the way his early work did. The film ends not on a revelation but on Margaret turning to the camera, saying "Listen," and cutting to black — proof getting humanity to the threshold, with faith and empathy left to carry it the rest of the way. Timestamps Note: recording was split into two files; Part 2 times below assume the parts run continuously (Part 2 offset by ~50:03). Verify against the stitched audio. Time Segment 00:15 Intro & setup; welcoming guest Tarek Fayoumi 02:33 Spielberg as a director — recurring themes 03:21 Premise & the Wardex setup (spoiler-free) 08:43 Return to the alien genre vs. his recent dramas 10:01 Cinematography — Kamiński, lens flares, the "awe" look 28:12 John Williams' 30th collaboration; film & score preservation 31:17 Spoiler-free reviews begin 31:47 Michael's review (2.5/5) 38:47 Dave's review (3/5) 43:02 Tarek's review (4/4) ~45:10 Spoiler section begins ~45:42 The alien reveal & the decades of "disclosure" footage ~55:27 Thematic debate: empathy vs. the image ~56:08 "The truthful image is dead" — Michael's core position ~60:17 The ending: "Listen" and the cut to black ~74:31 Closing thoughts — can we still believe in a unifying image? ~74:56 Next episode tease Films & Directors Mentioned Close Encounters of the Third Kind (Steven Spielberg) E.T. the Extra-Terrestrial (Steven Spielberg) War of the Worlds (Steven Spielberg) A.I. Artificial Intelligence (Steven Spielberg) Minority Report (Steven Spielberg) Jaws (Steven Spielberg) Schindler's List / Saving Private Ryan (Steven Spielberg) The Terminal / Catch Me If You Can (Steven Spielberg) The Fabelmans / West Side Story (Steven Spielberg) Jurassic Park / Indiana Jones and the Kingdom of the Crystal Skull (David Koepp & Spielberg) Contact (Robert Zemeckis / Carl Sagan) Explorers (Joe Dante) 2001: A Space Odyssey (Stanley Kubrick) Megalopolis (Francis Ford Coppola) Super 8 (J.J. Abrams) Watching the Skies (Norwegian sci-fi) Poltergeist / Gremlins (Spielberg-produced, 1980s) The Outer Limits — "The Architects of Fear" Contact Web: https://mindframesfilm.com Facebook: Mindframes Network: Now Playing Network Email: info@mindframesfilm.com
Mark has the night off so Jasmin is running the show with guest co-host Karen. Both are in the house to discuss two movie's where surveillance goes wrong in this movie review double bill - Enemy of the State (1998) and Minority Report (2002). You can follow us on X, Facebook and Instagram or if you would like to support us you can donate to our KoFi.
Exploramos tres películas fundamentales de la ciencia ficción moderna: Blade Runner, The Adjustment Bureau y Minority Report, todas basadas en las inquietantes y visionarias novelas de Philip K. Dick.Hablamos de cómo estas historias imaginan el futuro, el control del destino, la identidad humana y los límites de la realidad, y por qué siguen siendo tan relevantes hoy en día.¿El futuro está escrito o lo estamos construyendo en tiempo real? Estas películas tienen mucho que decir al respecto.
En el programa de hoy repasamos las películas de Spielberg que podriamos encajar dentro del género de la ciencia ficción. Desde Encuentros en la tercera fase hasta El día de la revelación pasando por ET, Parque jurásico, I.A., Minority Report, La guerra de los mundos, Ready player one... Ricar, Mario, Javier Negrete y Manuel lo comentan. - Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film's twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box office and promptly revolutionized the way movies were promoted, distributed, and merchandised. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace how Spielberg inaugurated a new phenomenon in Hollywood: the blockbuster. He would tap his own playbook again and again with such hits as “Close Encounters of the Third Kind,” “E.T.,” and “Jurassic Park,” all of which drew impressive audiences and profits. The hosts talk through his filmography, culminating in his new release, “Disclosure Day,” which both replicates and iterates on themes and techniques found in his earlier work. Though other directors may share his capacity for spectacle and action-packed set pieces, much of his appeal lies in his profound earnestness. “What Spielberg is so good at is bringing the human to the fore in these extreme, sci-fi circumstances,” Schwartz says. “And that's what makes a great blockbuster.”Read, watch, and listen with the critics:“Jaws” (1975)“Disclosure Day” (2026)“Minority Report” (2002)“Oscar Wars,” by Michael Schulman“What Went Wrong” 's episode about “Jaws”“Close Encounters of the Third Kind” (1977)“Jurassic Park” (1993)“E.T.” (1982)“Alf” (1986-90)“Schindler's List” (1993)“One Battle After Another” (2025)“American Journal,” by Robert Hayden“Heart of the Beast” (2026)“Sinners” (2025)“Nope” (2022)“Barbie” (2023)“Obsession” (2026)“Backrooms” (2026)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices
Mac and Gu dive into their latest draft series! Movies, TV Shows, Music, Video Games & anything else with the word Girl or Girls in the title Steven Spielberg Movies Moons Also - Gu made a mess of his shoes Join the conversation... FacebookInstagramTwitterTikTokYouTubeRate/Review/Subscribe:Apple PodcastsSpotifyYouTubeSee omnystudio.com/listener for privacy information.
'Poooooooooddss out... for... SUMMER!!!' - Extremely Alice Cooper voice. We try and hang in for one final episode before taking a week off to celebrate the start of summer. With our high priest of cinema Stephen Spielberg returning to the holy theater of Summer Blockbusters this weekend for Disclosure Day, we figured what the heck, let's finally cover one we've talked about for years, Minority Report. Boy is this a movie. We're joined by the host of the podcast Channels, Peter Kafka and make a mad dash out as the bell rings.Chapters Introduction (00:00:00) Hatch News (00:19:17) Minority Report Roundtable (00:24:01) Your Letters (01:17:14) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.
It's Mann versus machine. It's Mann versus manhood. It's probably the best television film of all time. And it just so happens to be the debut for one Steven Spielberg. If you like Jaws, may we recommend Duel... where the shark is a big, scary truck! We discuss the film and its background, plus some general Spielberg chatter, the Mouthgarf Report, and I See What You Did There! Sources: https://en.wikipedia.org/wiki/Duel_(1971_film) https://www.rogerebert.com/features/book-excerpt-steven-spielberg-and-duel-the-making-of-a-film-career https://cinemaretro.com/index.php?/archives/8293-STEVEN-SPIELBERG-AND-DUEL-THE-MAKING-OF-A-FILM-CAREER;-INTERVIEW-WITH-AUTHOR-STEVEN-AWALT.html Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First 100th Episode!
Tag der Wahrheit: Anlässlich DISCLOSURE DAY - DER TAG DER WAHRHEIT ist es endlich so weit: Eddie, Andi und Schröck widmen sich STEVEN SPIELBERG. Wie schon bei Scorsese wollen die Drei seine 10 besten Filme ermitteln, weshalb jeder eine eigene Top 10 erstellt hat, die sie nun gemeinsam abgleichen. Was folgt ist eine Reise in die (auch eigene) Vergangenheit, von AMBLIN', DUELL oder SUGARLAND EXPRESS bis hin zu DIE ABENTEUER VON TIM UND STRUPPI – DAS GEHEIMNIS DER EINHORN und ein wenig darüber hinaus. Mit all den persönlichen Erfahrungen und Anekdoten, die Filme wie E.T. – DER AUSSERIRDISCHE, INDIANA JONES UND DER LETZTE KREUZZUG oder SCHINDLERS LISTE noch ein wenig besonderer machen. Mit dem einen oder anderen Kritikpunkt, die Titel wie KRIEG DER WELTEN, MINORITY REPORT oder MÜNCHEN vielleicht nicht ganz so hoch steigen lassen. Und natürlich mit all der Faszination, den staunenden Mündern oder all der Gänsehaut, für die Streifen wie UNHEIMLICHE BEGEGNUNG DER DRITTEN ART, DER SOLDAT JAMES RYAN, JURASSIC PARK, DER WEISSE HAI oder JÄGER DES VERLORENEN SCHATZES gesorgt haben und immer noch sorgen. Inklusive der einen oder anderen Abschweifung zum Thema POLTERGEIST, zu der vorhandenen oder nicht mehr vorhandenen Klasse Spielbergs oder welche Horrorfilme am meisten geprägt haben. Viel schneller und emotionaler können rund 90 Minuten nicht vergehen. Dabei wünschen wir Euch nun viel Spaß und bleibt bitte so gesund wie gut drauf. Shalom. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today we explore why Steven Spielberg's Disclosure Day did not work for us, from its messy sci-fi/spy-thriller structure to its underdeveloped appeals to empathy and unity. We talk through the film's strongest moments, Emily Blunt's performance, its connections to Close Encounters, E.T., Minority Report, Signs, and Arrival, and why its “just listen to each other” message feels too thin for the themes it gestures toward.You can also sign up for our Patreon as a free member below to listen to free episodes on two of Spielberg's greatest films: Jaws and Jurassic Park.Become a member of The Extra Credits+ on Patreon hereTikTok: The Extra CreditsThe Extra Credits YouTube ChannelLetterboxd: The Extra CreditsInstagram: @theextracreditsTwitter: @theextracreditsSend requests, questions, and thoughts to our email: extracreditspod@gmail.com
This week we talk about Spielberg's darkest film and the biggest bummer for a Summer flick. This was also our first movie date! We discuss all the women who take advantage of their proximity to Cruise, how the book is different from the movie and how we both see the opening scene differently. Join us 28 years in the future!Follow up behind the scenes on Instagram @soimarriedafilmcritic_podcast.
Imens du glæder dig til at se Steven Spielbergs nye science fiction-film Disclosure Day, kan du varme op med denne uges Stream team, hvor Frederik og Kasper gennemgår Spielbergs mesterlige science fiction-katalog. Fra hans legendariske UFO-film E.T. og Nærkontakt af 3. grad til fremtidsfortællinger som Minority Report og A.I. - Artificial Intelligence. Og så kommer vi selvfølgelig også omkring vores forventinger til Disclosure Day og samtidens mere alvorlige syn på ufoer og aliens. Denne episode er lavet i samarbejde med UIP som bringer Steven Spielbergs Disclosure Day til de danske biografer den 10. juni. Følg Frederik og Kasper her: https://www.playpilot.com/dk/user/streamteam https://www.instagram.com/frederikdirks https://www.facebook.com/streamteamradio/ https://www.instagram.com/kasperlund
Steven Spielberg's Minority Report remains one of the most thought-provoking sci-fi blockbusters of the 21st century. In this episode of Reel 21, Nathan revisits the 2002 thriller to explore its surprisingly accurate vision of the future, the ethical questions behind the PreCrime division and why its central mystery remains so compelling more than two decades later.Does the film deserve its place among the century's essential movies? And how does it stack up against Spielberg's most celebrated work?Up next: Michael Clayton.Chapters00:00 Introduction to Minority Report08:02 Exploring Ethical Questions15:56 Final Thoughts and RatingRead Nathan's thoughts on Minority Report.
In a special interview, Will chats with Gary Goldman, the screenwriter of 1986's cult classic Big Trouble in Little China. The setting of Gary's original story was very different than what we saw onscreen. Is there a future for this tale of ancient Chinese mysticism set in the Old West?Over the last several decades, Gary has written, produced, and otherwise improved a number of successful Hollywood films, including Total Recall, Minority Report and Basic Instinct. He's worked for every major film studio and collaborated on projects with directors Steven Spielberg, Paul Verhoven, John Carpenter, James Cameron, and Ridley Scott.0:00 - Introduction0:55 - InterviewFollow us on Facebook: https://www.facebook.com/1980snow.Subscribe to our YouTube channel: https://www.youtube.com/@1980snow
Amartya, Varun, and Cris (re)convene in a divergent manel to tackle Steven Spielberg's association with science fiction. This second in a series of three episodes looks at "Minority Report", "War of the Worlds", and "Ready Player One", and how Spielberg (paired here with cinematographer Janusz Kamiński) uses them to tackle real-world politics. References to Bollywood are a must, so Tom Cruise gets compared to John Abraham at some point, do not ask why. The final part will cover "Disclosure Day" and how it exists in conversation (or not) with these texts. Bonus discussion on our recent (terrible and not so much) excursions to the theatre had to be shared, so do enjoy that as well.MAJOR SPOILERS FOR ALL 3 MOVIESTIME CODESIntro (& Recent Theatrical Experiences) - [00:00 - 11:37]"Minority Report" - [11:37 - 41:18]"War of the Worlds" - [41:18 - 01:05:04]"Ready Player One" - [01:05:04 - 01:35:55]Outro - [01:35:55 - 01:37:05]Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast.You can follow us on Letterboxd at -CRIS: https://letterboxd.com/crislim/.VARUN: https://letterboxd.com/varunoakbhakay/.AMARTYA: https://letterboxd.com/amartya/.
Hungary has dropped its two-year veto on Ukraine's European Union accession, clearing the way for the first cluster of negotiations to open in mid-June.Recorded on 6 June 2026 in Cres, Croatia, on the sidelines of the Europe's Future Initiative fellows gathering, Wojciech Przybylski talks to Balázs Jarábik about the deal that ended the deadlock between Hungary and Ukraine. Jarábik is an award-winning analyst and decorated diplomat. He is the founder of Minority Report, an independent policy consulting firm and think tank based in Bratislava, Slovakia.The conversation then opens out into three tracks. First, the question of the Hungarian minority in Zakarpattia and why it carries such weight in Hungary's foreign policy. Second, the European game of the new Magyar government. Third, and most consequential, the emergence of a more ethno-national, post-Maidan Ukraine that, in Jarábik's reading, will lead with defence integration while EU accession slows, and will use its military weight towards its neighbours.YouTube: https://www.youtube.com/@visegradinsightSpotify: https://open.spotify.com/show/7aA9iqd8rUxFMYMemjikuwApple Podcasts: https://podcasts.apple.com/at/podcast/visegrad-insight-podcast/id1515725435Substack: https://visegradinsight.substack.com/podcastSubscribe to Visegrad Insight for access to all our content, live and online events: visegradinsight.eu. Use code VISEGRAD35 for 35 per cent off a yearly subscription:https://visegradinsight.eu/membership-account/membership-levels/Visegrad Insight is powered by the Res Publica Foundation, Warsaw.
If you have seen the movie The Minority Report you witnessed a sci-fi rendition of the future - policing people based on future crimes not yet committed. The future is here! A.I. is being used by police forces to profile, monitor, observe and make decisions about what you may be capable of in order to prevent it. How does this work? Who are the future killers? Could it be that A.I. is actually the future killer?Email us at: downtherh@protonmail.com
This is an extended preview clip of our massive WLM episode on Minority Report! To access the full show, click through here and sign up for our Patreon. Instantly unlock this episode, along with countless hours of exclusive commercial-free content you can't get anywhere else!“I love the setup, I love the whole idea of the wrong man here...” - Eric On this month's We ❤️ Movies episode, we're getting in the Spielberg mood in anticipation of Disclosure Day by chatting about one of his big sci-fi thrillers of the early-aughts, Minority Report!Was it the right move for this movie to forgo a non-stop action vibe? What did the production designers get right about our near future? Was this the last great Max von Sydow performance? Is this one of the more not-great haircuts Tom Cruise has had in a movie? Didn't we need a few more scenes with Colin Farrell? Should that creepy guy be working in the pre-cog pool alone? And how much wood is being wasted by this machine crafting all these ornate wooden balls? PLUS: Ralph Kramden gets locked in the pre-crime jail!Minority Report stars Tom Cruise, Colin Farrell, Samantha Morton, Steve Harris, Neal McDonough, Lois Smith, Tim Blake Nelson, Arye Gross, Mike Binder, Jessica Harper, Peter Stormare, William Mapother, and Max von Sydow as Lamar Burgess; directed by Steven Spielberg.Come hang out in Vegas with us this summer as we do a three-night stand at ST:LV to celebrate 60 years of Star Trek and 10 years of The Nexus! We'll be at the convention Thursday, Friday and Saturday night doing three Nexus shows on Wrath of Kahn, Generations, and First Contact! Best part is, you don't need to have a convention pass to attend, each show is ticketed separately. Click through to snag your tix now!Be sure to visit the WHM Merch shop over on Dashery and check out all the latest show-related designs you can slap on t-shirts, hats, coffee mugs, stickers, whatever! Make your friends jealous by flaunting some WHM merch today! Original cover art by Felipe Sobreiro.
Des ingénieurs chinois travaillent pour détecter les futurs opposants politiques, avant même qu'ils ne l'imaginent, grâce à l'intelligence artificielle. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
A Geedge Netwoks está a tentar desenvolver uma tecnologia baseada em Inteligência Artificial que permita prever quem se vai tornar um dissidente, no futuro. Esta empresa chinesa, que trabalha para o governo de Pequim, inspira-se em ficção cientifica distópica, como no filme Minority Report em que era possível prever os crimes que iam acontecer e prender os criminosos antes que o crime acontecesse. See omnystudio.com/listener for privacy information.
If you have seen the movie The Minority Report you witnessed a sci-fi rendition of the future of policing people based on future crimes not yet committed.The future is here! A.I. is being used by police forces to profile, monitor, observe and make decisions about what you may be capable of in order to prevent it.How does this work? Who are the future killers? Could it be that A.I. is actually the future killers? Email us at: downtherh@protonmail.com
Thanks to some great feedback and some more of that awesome Barney Dicker chat to share, this episode is basically a second instalment of Movie Monday: Blade Runner. But before the Blade Runner chat, I respond to a message from M. W. Lewis of The Worlds of M. W. Lewis concerning April's movie Michael Crichton's Westworld. Then it's onto some Blade Runner feedback from Jason Connerley of Nerd's RPG Variety Cast, Joe Richter of Hindsightless, and Goblin's Henchman, before rounding things off with more of my chat with Barney Dicker of Loco Ludus. Honourable mentions: 2001: A Space Odyssey dir. Stanley Kubrick, Dark Star dir. John Carpenter, Westworld (TV series), Masters of the Universe dir. Travis Knight, Legend dir. Ridley Scott, Edge of Tomorrow dir. Doug Liman, Minority Report dir. Steven Spielberg, Do Androids Dream of Electric Sheep by Philip K. Dick, Alien dir. Ridley Scott, The Long Tomorrow by Dan O'Bannon and Moebius, The Incal by Alejandro Jodorowsky and Moebius, Blade Runner 2049 dir. Denis Villeneuve Read Barney's “Stroboscopic Revelations in Blade Runner” here https://www.academia.edu/36398665/_Stroboscopic_Revelations_in_Blade_Runner_PhotoResearcher_No_29_2018_ Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ So, from the sublime to the ridiculous. The movie for June is 1987's Masters of the Universe, directed by Gary Goddard and starring Dolph Lundgren. That episode will air on June 29th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to spencer.freethrall@gmail.com or look me up on Discord as FreeThrall Also, be sure not to miss my other movie podcast, With Wife and I. Isla and I take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here https://freethrall.carrd.co This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com
Dust off your leather jackets, practice your best slow-motion walk, and get ready for an absolutely stacked episode! This week on The DizRadio Show we are diving deep into the world of Hollywood grit, legendary action, and the art of playing the characters you love to hate. We are thrilled to welcome the ultimate cinematic powerhouse, PATRICK KILPATRICK. If you've watched an action movie in the last few decades, you know his face, you know his presence, and you've definitely cheered (or cringed) at his iconic villainy! Patrick Kilpatrick has gone toe-to-toe with the absolute Mount Rushmore of action cinema. We're talking about trading blows and sharing scenes with Tom Cruise, Arnold Schwarzenegger, Jean-Claude Van Damme, and James Caan, just to name a few! He takes us behind the scenes of some of his most memorable projects, including Death Warrant, Showdown, Minority Report, Eraser, Best of the Best, The Toxic Avenger and Dying for Living as well as going family friendly in the Free Willy series. He also talks writing and producing. Later in the show, Jonathan from the D-Team drops behind the mic for a fascinating deep dive into the psychology of cinema. Jonathan breaks down exactly why cinematic villains impact us so deeply and stay with us long after the credits roll. Why do we remember the bad guys? How does a truly talented actor balance the scales to play both the ultimate monster and the ultimate hero? We're dissecting the thin line between good and evil on the silver screen! So enjoy the Nostalgia, the Magic, the Wonder, and the Memories with The DizRadio Show "A Pop Culture Celebrity Guest Show"!
durée : 00:09:37 - Le masque et la plume - par : Jérôme Garcin - Un film "d'une maturité inédite" de Spielberg, "Minority Report" avec Tom Cruise, est loué pour son ancrage dans l'actualité sécuritaire de la présidence Bush, en 2002. Les critiques ont aimé le plaisir esthétique doublé de la pertinence du récit, sauf David Martinez qui a tout simplement détesté ! - réalisation : Alain Riou, Michel Ciment, Danièle Heymann Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France
Doug and Justin dig into one of Reddit's greatest questions: what's the stupidest thing you've ever heard someone say that still lives rent free in your head? The answers (from the internet and from their own lives) do not disappoint. Stories include: the college roommate who saw cubed chicken and asked if it was pancakes, the hotel coworker who was convinced a rocket launch in Florida made it hotter outside, the customer service caller who had never heard of a browser and genuinely believed she didn't use one, the hotel guest who compared being asked for ID to being interrogated by the Gestapo, the anatomy student who used Coca-Cola as contraception, the woman who signed her name differently every time so no one could forge it, the person who applied for a job and chose the word "ominous" to describe herself, and the woman who planned to bring her TV from home when she moved to Italy so she could still watch her shows. Plus a collection of "Bobisms," hard-earned one-liners from a former baseball ump and retail manager that absolutely hold up, and Doug's dad's legendary if somewhat exhausting burn about brains and trains. Then Doug takes Natalie to an all-you-can-eat Korean BBQ and hot pot restaurant for the first time and comes away a changed man. Justin butchers a 125-pound half hog with his two best friends as a birthday surprise and walks away with 40+ pounds of pork and zero regrets. And the movie audio clip guessing game returns with quotes from Kung Fu Panda, Heat, and Minority Report. This week's recommendations: Justin: Marty: Life is Short on Netflix. Martin Short operates at the speed of joy. Watch it. Doug: Potion Seller's debut album Buzzard is out now. Ten songs, zero filler. Grab it on Bandcamp for $7. Also, Parade of Horribles (Dungeon Crawler Carl Book 8) by Matt Dinniman. Jeff Hayes narrates the audiobook. The series is incredible. Potion Seller Album Release Show — July 25th, 2026 at The Pyramid Scheme, Grand Rapids, MI. Get there. pyramidscheme.com Subscribe: youtube.com/mindgappodcast Join the Discord: https://discord.gg/T3HwyEw5v7 Listen everywhere you get podcasts Support us on Patreon: https://www.patreon.com/mindgappodcast Merch on Redbubble: https://www.redbubble.com/shop/ap/67768184
Ashwin, Amartya, Dhruv, Varun, and Cris convene in a divergent manel to tackle Steven Spielberg's association with science fiction. This first in a series of three episodes looks at "Close Encounters of the Third Kind", "E.T. the Extra-Terrestrial", and "A.I. Artificial Intelligence". Minor digressions to address the cinematic spectacles known as "Jaani Dushman — Ek Anokhi Kahani" and "Koi Mil Gaya" aside, this is one of the saner offerings from the QID studio, all thanks to host and chief Spielberg champion Varun.The second episode will revolve around "Minority Report", "War of the Worlds", and "Ready Player One", and the series will close with "Disclosure Day", the latest film by the Father of the Blockbuster, back in the director's chair after a hiatus of four years, the longest time he has taken between films in fifty-two years of feature filmmaking.MAJOR SPOILERS FOR ALL 3 MOVIES & MINOR ONES FOR "THE FABELMANS"TIME CODESIntros to Spielberg's Sci-Fi Cinema - [00:00 - 17:13]"Close Encounters of the Third Kind" - [17:13 - 01:25:41]"E.T. The Extra Terrestrial" - [01:25:41 - 02:13:37]"A.I. Artificial Intelligence" - [02:13:37 - 02:46:04]Outro (Spielberg's Auteurism) - [02:46:04 - 02:58:30]Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people!Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast.You can follow us on Letterboxd at -CRIS: https://letterboxd.com/crislim/.ASHWIN: https://letterboxd.com/ashwindev/.VARUN: https://letterboxd.com/varunoakbhakay/.AMARTYA: https://letterboxd.com/amartya/.DHRUV: https://letterboxd.com/aterminalcinema/.
The full team – Peter, Anahit, Ellie and Jamie – are in the house this week for reviews of crime caper Tuner and chicken-eye-view adventure Hen. And with Steven Spielberg about to release Disclosure Day, his 35th feature-length film, we take a look back at his stacked CV, from the rollercoaster cinema of Jaws and Raiders of the Lost Ark to the awe-inspiring sci-fis ET and Close Encounters to gems from this century like Catch Me if You Can and Minority Report. TIMESTAMPS: What We've Been Watching: Alien; Everybody to Kenmure Street; Yes, Madam; Half Man (0:55) Hen review (12:05) Tuner review (24:29) The team discuss the great Steven Spielberg (40:15) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow us on Instagram @thecineskinny, email us at cineskinny@theskinny.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-
In Minority Report, people are judged before they act—which hits a little close to home, because we definitely formed strong opinions early and spent the rest of the episode trying to justify them. Join us for the latest installment in our Steven Spielberg series as we wrestle with pre-crime, free will, and a movie that's clearly operating on a higher level than we are. The system isn't broken… we just keep getting flagged. ----more---- Thank you so much for listening! Please help us spread the word by leaving us a 5-star review! Hosts: Craig Dickinson: x.com/CraigMDickinson Corey Heitschmidt: x.com/HeitSolo Justin Eldon: x.com/justineldon7 Connect with us: Website: readingbetweenthereels.podbean.com X: x.com/ReadBtweenReels Facebook: facebook.com/ReadBtweenReels Email: ReadingBetweenReels@gmail.com SpeakPipe: speakpipe.com/ReadingBetweentheReels You can also join our Facebook group. It's a safe place to share your thoughts and discuss all things related to movies. You can find us at facebook.com/groups/readbtweenreels Visit our TeePublic store for t-shirts, hats, hoodies, mugs, and more! If you are interesting in advertising on this podcast, please go to: podbean.com/advertiseonRBR The following music was used for this media project: Music: "Neon Fury" by Sascha Ende Link: https://filmmusic.io/song/12190-neon-fury License: https://filmmusic.io/standard-license
Congress wants a raise, Deflock.org are accused of terrorism for wanting to abolish Flock Safety Cameras, Minority Report is another documentary. Tag us on Instagram and Matt or Kelly will buy you a sandwich at some future date and yet to be determined place As always, if you like (or don't like) what we're doing, let us know on your podcast app by leaving a review or reach out to us on Instagram. And, check out our website for the best subversive shirts, door mats, and coffee mugs while your money can still buy them at libertytreelifestyle.com Wanna support the show? Go to patreon.com/libertytree and become a member of the Liberty Tree Social Club Follow us and give us a review @Libertyupatree on twitter @Libertytreebrand on Instagram Order Kelly's Book The Great American Contractor Love you guys Kelly and Matt
In episode 2054, Jack and Miles are joined by TV writer, comedian, essayist, host of Private Parts Unknown, and author of Girl Gone Wild, Courtney Kocak, to discuss… Kash Patel - I USE AI TO STOP MASS SHOOTINGS!!!, Totally unrelated- FBI may be going after the journalist that reported on Patel's drinking, Oligarch sweat check…, The Bear Stealing Ideas From The Bean and more! Kash Patel credits AI with stopping attacks: ‘I’m using it everywhere’ A Dangerous New Attack on Press Freedom LISTEN: 9-2-5 by Boko YoutSee omnystudio.com/listener for privacy information.
Can we ever really know who we are? And does self-knowledge come with an incredible cost to ourselves and others? Maybe! We investigate the First Philip K. Dick Adaptation, with a 1962 episode of the British TV show Out of This World on his short story "The Imposter." Plus, we do a medium dive into PKD's life. And there's lots to discuss in the MouthGarf Report! Plus, I See What You Did There! Sources: https://www.youtube.com/watch?v=2NATbmF4Qxc (While labeled "The Cold Equations" this is the audio for "The Imposter") https://en.wikipedia.org/wiki/Impostor_(short_story) https://en.wikipedia.org/wiki/Philip_K._Dick https://web.archive.org/web/20120511082635/http://www.philipkdick.com/media_sfeye87.html https://web.archive.org/web/20170921182200/http://culture.pl/en/article/philip-k-dick-stanislaw-lem-is-a-communist-committee https://www.salon.com/2022/07/23/8-facts-about-philip-k-dick_partner/ Please give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.com Listen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster. Get some sci-fi from Spaceboy Books. Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025 Next time: First Film Directed by Markiplier/Mark Fischbach
This week, Sarah and MJ are joined by Missy Lonsinger to talk about Spielberg's sci-fi follow-up to A.I., Minority Report! They talk about how A.I. primed him to work in the cynical worlds created by Phillip K. Dick, the brief moment where Tom Cruise almost became a frequent Spielberg collaborator, and the beginning of the uglyfication of Spielberg's movies.
A milestone episode for Reel 21 and the first one in video.Joachim Trier's The Worst Person in the World may begin as a deceptively simple coming-of-age story, but it unfolds into something much richer, a deeply felt meditation on identity, relationships and the uncertainty of choosing a life.In this inaugural video episode, Nathan revisits the film for a second time and finds it even more resonant on rewatch, exploring Julie's (Renate Reinsve) search for purpose, the emotional pull of the film's central relationships and the tension it captures between planning your future and surrendering to life's unpredictability. He also reflects on the film's inventive chapter structure, its memorable visual flourishes and why this quietly powerful drama marked Joachim Trier as one of contemporary cinema's most exciting voices.And fittingly, a film about transitions and new chapters becomes the launch point for one of this podcast's own.Up next: Steven Spielberg's Minority Report.Chapters00:00 Introduction06:44 Exploring Relationships and Choices
Aliens continue to be real on our journey through three very distinct War of the Worlds adaptations. This week it's the second collaboration between Steven Spielberg and Tom Cruise after Minority Report, War of the Worlds 2005. Interesting premise and time, post 9/11, Tom Cruise in his weirdest (publicially) era and a director who'd made two exceptional extra terrestrial propeties prior to this. This should be fantastic! And yet...Anyhow thanks for watching our Caravan Of Garbage reviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.
Matt and Eric drain all the color from their faces, diving into the first of two Steven Spielberg/TomCruise collabs, MINORITY REPORT - a future noir about the dangers of arresting people for nothing. So, you know, not relevant in 2026 at all.
In 1992, a little-known Philip K. Dick short story was optioned as a sequel to Total Recall, with Arnold Schwarzenegger set to reprise his role. After a decade of Hollywood turbulence, involving a studio bankruptcy, a directorial hand-off, and two blockbusters that kept getting in the way, Steven Spielberg was finally behind the camera on what would become one of the most visually inventive science fiction films ever made: Minority Report.A sequence of remarkable events would lead to Tom Cruise passing a script to Spielberg that kick-started a collaboration ten years in the making. Jan de Bont, fresh off Speed and Twister, was briefly attached as director before quietly fading from the project; and the delays caused by Mission: Impossible 2 and A.I. Artificial Intelligence paradoxically gave Spielberg and his team the time to make the film better, and make the film way more prescient than any other cinematic dystopian utopia future.In the world of Minority Report, predicting crime before it happens raises serious moral and ethical questions. The Precogs, while gifted, are treated more like tools than human beings, in a system that claims to prevent crime but at what cost to individual freedom?Minority Report had the world's first fully digital production design, a sixteen-person think tank of scientists and futurists who designed the world of 2054, and ILM's groundbreaking effects work blending physical model-making with cutting-edge CGI.And... Tom Cruise runs. A lot.(You're not seeing double! This episode had to be reissued due to an issue with Spotify. They couldn't fix it their end, so the episode has been re-released instead. Apologies for any confusion!)Support Verbal DioramaLoved this episode? Here's how you can help:⭐ Leave a 5-star review on your podcast app
In this episode, Lionel laments the death of old-school print journalism, the lost "Mid-Atlantic" accent, and the legendary writing styles of Jimmy Breslin and the Beat Generation, while roasting the manufactured, insincere cheerfulness of morning TV divas. The conversation then takes a dark turn into the "Conspiratorium," exploring how the FBI is turning Minority Report into reality with predictive law enforcement, metadata surveillance, and Cass Sunstein's "cognitive infiltration". Finally, Lionel debates the chilling free-speech implications of Ron DeSantis's new domestic terrorism laws for students, before wrapping up with the hilarious legal loopholes of getting arrested for naked backyard sunbathing. Learn more about your ad choices. Visit megaphone.fm/adchoices
Subscribe to Bad Faith on Patreon to instantly unlock this episode and our entire premium episode library: http://patreon.com/badfaithpodcast They're calling it "age verification" and touting it as a measure to protect children. But, as is the case with most moral panics, the children are a pretext. New laws are being implemented around the globe to require citizens to provide identification to use the internet, meaning anonymity is dying and the risk of being targeted for one's formerly-anonymous beliefs or "likes" are growing. This is a largely bipartisan effort that has the potential to lead to a Minority Report-style crackdown on "pre-crime" based on online expressions of belief. Tech journalist Taylor Lorenz is ringing the alarm bell. Will the public resist before it's too late? Subscribe to Bad Faith on YouTube for video of this episode. Find Bad Faith on Twitter (@badfaithpod) and Instagram (@badfaithpod). Produced by Armand Aviram. Theme by Nick Thorburn (@nickfromislands).