Podcasts about Platoon

Last time we spoke about the beginning of the battle of lake Khasan. On a frost-bitten dawn by the Chaun and Tumen, two empires, Soviet and Japanese, stared at Changkufeng, each certain the ridge would decide their fate. Diplomats urged restraint, but Tokyo's generals plotted a bold gamble: seize the hill with a surprise strike and bargain afterward. In the Japanese camp, a flurry of trains, orders, and plans moved in the night. Officers like Sato and Suetaka debated danger and responsibility, balancing "dokudan senko", independent action with disciplined restraint. As rain hammered the earth, they contemplated a night assault: cross the Tumen, occupy Hill 52, and strike Changkufeng with coordinated dawn and night attacks. Engineers, artillery, and infantry rehearsed their movements in near-poetic precision, while the 19th Engineers stitched crossings and bridges into a fragile path forward. Across the river, Soviet scouts and border guards held their nerve, counting enemy shadows and watching for a break in the line. The clash at Shachaofeng became a lightning rod: a small force crossed into Manchurian soil in the restless dark, provoking a broader crisis just as diplomacy teetered.   #179 From Darkness to Crest: The Changkufeng Battle Welcome to the Fall and Rise of China Podcast, I am your dutiful host Craig Watson. But, before we start I want to also remind you this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Perhaps you want to learn more about the history of Asia? Kings and Generals have an assortment of episodes on history of asia and much more  so go give them a look over on Youtube. So please subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry for some more history related content, over on my channel, the Pacific War Channel where I cover the history of China and Japan from the 19th century until the end of the Pacific War. As remarked in the 19th division's war journal "With sunset on the 30th, the numbers of enemy soldiers increased steadily. Many motor vehicles, and even tanks, appear to have moved up. The whole front has become tense. Hostile patrols came across the border frequently, even in front of Chiangchunfeng. Tank-supported infantry units were apparently performing offensive deployment on the high ground south of Shachaofeng." Situation maps from the evening indicated Soviet patrol activity approaching the staging area of Nakano's unit near the Tumen, moving toward Noguchi's company to the left of Chiangchunfeng, and advancing toward Matsunobe's unit southwest of Shachaofeng. Russian vessels were depicted ferrying across Khasan, directly behind Changkufeng, while tanks moved south from Shachaofeng along the western shores of the lake. The 19th division's war journal states "Then it was ascertained that these attack forces had gone into action. All of our own units quietly commenced counteraction from late that night, as scheduled, after having systematically completed preparations since nightfall." Meanwhile, to the north, the Hunchun garrison reinforced the border with a battalion and tightened security. All evidence supported the view that Suetaka "in concept" and Sato"(in tactics" played the main part in the night-attack planning and decisions. Sato was the only infantry regimental commander at the front on 30 July. One division staff officer went so far as to say that Suetaka alone exerted the major influence, that Sato merely worked out details, including the type of attack and the timing. Intertwined with the decision to attack Changkufeng was the choice of an infantry regiment. The 76th Regiment was responsible for the defense of the sector through its Border Garrison Unit; but the latter had no more than two companies to guard a 40-mile border extending almost to Hunchun, and Okido's regimental headquarters was 75 miles to the rear at Nanam. T. Sato's 73rd Regiment was also at Nanam, while Cho's 74th Regiment was stationed another 175 miles southwest at Hamhung. Thus, the regiment nearest to Changkufeng was K. Sato's 75th, 50 miles away at Hoeryong. Although Suetaka had had time to shuffle units if he desired, Sasai suggested that troop movements from Nanam could not be concealed; from Hoeryong they might be termed maneuvers. Suetaka undoubtedly had favorites in terms of units as well as chiefs. K. Sato had served longest as regimental commander, since October 1937; Okido's date of rank preceded K. Sato's, but Okido had not taken command until 1938. He and Cho were able enough, but they were unknown quantities; T. Sato and Cho were brand-new colonels.  Thus, K. Sato was best known to Suetaka and was familiar with the terrain. While he did not regard his regiment as the equal of units in the Kwantung Army or in the homeland, K. Sato's training program was progressing well and his men were rugged natives of Nagano and Tochigi prefectures. From the combat soldier's standpoint, the Changkufeng Incident was waged between picked regulars on both sides. The matter of quantitative regimental strength could have played no part in Suetaka's choice. The 74th, 75th, and 76th regiments each possessed 1,500 men; the 73rd, 1,200. Even in ordinary times, every unit conducted night-attack training, attended by Suetaka, but there was nothing special in July, even after the general inspected the 75th Regiment on the 11th. It had been said that the most efficient battalions were selected for the action. Although, of course, Sato claimed that all of his battalions were good, from the outset he bore the 1st Battalion in mind for the night attack and had it reconnoiter the Changkufeng area. Some discerned no special reasons; it was probably a matter of numerical sequence, 1st-2nd-3rd Battalions. Others called the choice a happy coincidence because of the 1st Battalion's 'splendid unity' and the aggressive training conducted by Major Ichimoto, who had reluctantly departed recently for regimental headquarters. Coming from the 75th Regiment headquarters to take over the 1st Battalion was the 40-year-old aide Major Nakano. By all accounts, he was quiet, serious, and hard-working, a man of noble character, gentle and sincere. More the administrative than commander type, Nakano lacked experience in commanding battalions and never had sufficient time to get to know his new unit (or they, him) before the night assault. He could hardly be expected to have stressed anything particular in training. Since there was no battalion-level training, the most valid unit of comparison in the regiment was the company, the smallest infantry component trained and equipped to conduct combat missions independently. Sato valued combat experience among subordinates; Nakano's 1st Battalion was considered a veteran force by virtue of its old-timer company commanders. All but one had come up through the ranks; the exception, young Lieutenant Nakajima, the darling of Sato, was a military academy graduate. For assault actions synchronized with those of the 1st Battalion, Sato selected Ito, the one line captain commanding the 6th Company of the 2nd Battalion, and Takeshita, 10th Company commander, one of the two line captains of the 3rd Battalion. In short, Sato had designated five veteran captains and a promising lieutenant to conduct the night-attack operations of 30-31 July, the first Japanese experience of battle against the modern Red Army. During the last two weeks of July, numerous spurious farmers had gambled along the lower reaches of the Tumen, reconnoitered the terrain, and prepared for a crossing and assault. Scouts had operated on both the Manchurian and Korean sides of the river. Major Nakano had conducted frequent personal reconnaissance and had dispatched platoon and patrol leaders, all heavy-weapons observation teams, and even the battalion doctor to Sozan Hill, to Chiangchunfeng, and close to enemy positions. In Korean garb and often leading oxen, the scouts had threaded their way through the Changkufeng sector, sometimes holing up for the night to observe Soviet movements, soil and topography, and levels of illumination. From this data, Nakano had prepared reference materials necessary for an assault. Hirahara, then located at Kucheng BGU Headquarters, had established three observation posts on high ground to the rear. After Chiangchunfeng had been occupied, Hirahara had set up security positions and routes there. Regarding Changkufeng, he had sought to ensure that even the lowest private studied the layout. Formation commanders such as Takeshita had volunteered frequently. Sato had also utilized engineers. Since the order to leave his station on 17 July, Lieutenant Colonel Kobayashi had had his regiment engage in scouting routes, bridges, and potential fords. Sato's 1st Company commander had prepared a sketch during 3% hours of reconnaissance across from Hill 52 during the afternoon of 18 July. Captain Yamada's intelligence had contributed to the tactical decisions and to knowledge of Russian strength and preparations. The most important information had been his evaluation of attack approaches, suggesting an offensive from the western side, preferably against the right flank or frontally. This concept had been the one applied by the regiment in its night assault two weeks later; Yamada had died on the green slopes he had scanned. Cloudy Saturday, 30 July, had drawn to a close. The moment had been at hand for the 75th Regiment to storm the Russians atop Changkufeng. Setting out from Fangchuanting at 22:30, Nakano's battalion, about 350 strong, had assembled at a fork one kilometer southwest of Changkufeng. The roads had been knee-deep in mud due to intermittent rain and downpours on 29–30 July. Now the rain had subsided, but clouds had blotted out the sky after the waning moon had set at 22:30. Led by Sakata's 1st Platoon leader, the men had marched silently toward the southern foot of Changkufeng; the murk had deepened and the soldiers could see no more than ten meters ahead. It had taken Sakata's men less than an hour to push forward the last 1,000 meters to the jump-off point, where they had waited another two hours before X-hour arrived. Scouts had advanced toward the first row of wire, 200–300 meters away. Platoon Leader Amagasa had infiltrated the positions alone and had reconnoitered the southeastern side of the heights. Sakata had heard from the patrols about the entanglements and their distance and makeup. While awaiting paths to be cut by engineer teams, the infantry had moved up as far as possible, 150 meters from the enemy, by 23:30. Although records described Changkufeng as quite steep, it had not been hard to climb until the main Russian positions were reached, even though there were cliffs. But as the craggy peak had been neared, the enemy defenses, which had taken advantage of rocks and dips, could not have been rushed in a bound. It had been 500 meters to the crest from the gently sloping base. The incline near the top had been steep at about 40 degrees and studded with boulders. Farther down were more soil and gravel. Grass had carpeted the foot. Japanese Army radio communications had been in their infancy; wire as well as runners had served as the main means of linking regimental headquarters with the front-line infantry, crossing-point engineers, and supporting guns across the Tumen in Korea. From Chiangchunfeng to the 1st Battalion, lines had been installed from the morning of 29 July. Combat communications had been operated by the small regimental signal unit, 27 officers and men. In general, signal traffic had been smooth and reception was good. Engineer support had been rendered by one platoon, primarily to assist with wire-cutting operations. Nakano had ordered his 1st Company to complete clearing the wire by 02:00. At 23:30 the cutters had begun their work on the right with three teams under 1st Lieutenant Inagaki. Since the proposed breach had been far from the enemy positions and there were no outposts nearby, Inagaki had pressed the work of forced clearing. The first entanglements had been breached fairly quickly, then the second. At about midnight, a dim light had etched the darkness, signaling success. There had been two gaps on the right. On the left side, Sakata's company had hoped to pierce the barbed wire in secrecy rather than by forced clearing. Only one broad belt of entanglements, actually the first and third lines, had been reconnoitered along the south and southeastern slopes. Sakata had assigned one team of infantry, with a covering squad led by Master Sergeant Amagasa, to the engineer unit under 2nd Lieutenant Nagayama. Covert clearing of a pair of gaps had begun. The Russian stakes had been a meter apart and the teams cut at the center of each section, making breaches wide enough for a soldier to wriggle through. To the rear, the infantry had crouched expectantly, while from the direction of Khasan the rumble of Soviet armor could be heard. At 00:10, when the first line of wire had been penetrated and the cutters were moving forward, the silence had been broken by the furious barking of Russian sentry dogs, and pale blue flares had burst over the slopes. As recalled by an engineer "It had been as bright as day. If only fog would cover us or it would start to rain!" At the unanticipated second line, the advancing clearing elements had drawn gunfire and grenades. But the Russians had been taken by surprise, Sakata said, and their machine guns had been firing high. Two engineers had been wounded; the security patrol on the left flank may have drawn the fire. Sakata had crawled up to Lieutenant Nagayama's cutting teams. One party had been hiding behind a rock, with a man sticking out his hand, grasping for the stake and feeling for electrified wire. Another soldier lay nearby, ready to snip the wire. The enemy had seemed to have discerned the Japanese, for the lieutenant could hear low voices. Although the cutters had been told to continue clearing in secrecy, they had by now encountered a line of low barbed wire and the work had not progressed as expected. Forced clearing had begun, which meant that the men had to stand or kneel, ignoring hostile fire and devoting primary consideration to speed. The infantrymen, unable to delay, had crawled through the wire as soon as the cutters tore a gap. Ten meters behind the small breaches, as well as in front of the Soviet positions, the Japanese had been troubled by fine low strands. They had resembled piano-wire traps, a foot or so off the ground. The wires had been invisible in the grass at night. As one soldier recalled "You couldn't disengage easily. When you tried to get out, you'd be sniped at. The wires themselves could cut a bit, too." Sakata had kept up with the clearing teams and urged them on. On his own initiative, Amagasa had his men break the first and third lines of wire by 01:50. Meanwhile, at 01:20, Nakano had phoned Sato, reporting that his forces had broken through the lines with little resistance, and had recommended that the attack be launched earlier than 2:00. Perhaps the premature alerting of the Russians had entered into Nakano's considerations. Sato had explained matters carefully, that is, rejected the suggestion, saying Changkufeng must not be taken too early, lest the enemy at Shachaofeng be alerted. The entire battalion, redeployed, had been massed for the charge up the slope. In an interval of good visibility, the troops could see as far as 40 meters ahead. A little before 02:00, Nakano had sent runners to deliver the order to advance. When the final obstructions had been cut, Nagayama had flashed a light. Then a white flag had moved in the darkness and the infantry had moved forward. Sakata's company, heading directly for Changkufeng crest, had less ground to traverse than Yamada's, and the point through which they penetrated the wire had been at the fork, where there appeared to have been only two lines to cut. The soldiers had crawled on their knees and one hand and had taken cover as soon as they got through. It had been 02:15 when the battalion traversed the barbed wire and began the offensive. The Japanese Army manual had stated that unaimed fire was seldom effective at night and that it had been imperative to avoid confusion resulting from wild shooting. At Changkufeng, the use of firearms had been forbidden by regimental order. Until the troops had penetrated the wire, bayonets had not been fixed because of the danger to friendly forces. Once through the entanglements, the men had attached bayonets, but, although their rifles had been loaded, they still had not been allowed to fire. The men had been traveling light. Instead of the 65 pounds the individual rifleman might ordinarily carry, knapsack, weapons and ammunition, tools, supplies, and clothing, each helmeted soldier had only 60 cartridges, none on his back, a haversack containing two grenades, a canteen, and a gas mask. To prevent noise, the regulations had prescribed wrapping metal parts of bayonets, canteens, sabers, mess kits, shovels, picks, and hobnails with cloth or straw. The wooden and metal parts of the shovel had been separated, the canteen filled, ammunition pouches stuffed with paper, and the bayonet sheath wrapped with cloth. Instead of boots, the men had worn web-toed, rubbersoled ground socks to muffle sound. Although their footgear had been bound with straw ropes, the soldiers occasionally had slipped in the wet grass. Considerations of security had forbidden relief of tension by talking, coughing, or smoking. Company commanders and platoon leaders had carried small white flags for hand signaling. In Sakata's company, the platoons had been distinguished by white patches of cloth hung over the gas masks on the men's backs, triangular pieces for the 1st Platoon, square for the second. Squad leaders had worn white headbands under their helmets. The company commanders had strapped on a white cross-belt; the platoon leaders, a single band. Officer casualties had proven particularly severe because the identification belts had been too conspicuous; even when the officers had lay flat, Soviet illuminating shells had made their bodies visible. On the left, the 2nd Company, 70–80 strong, had moved up with platoons abreast and scouts ahead. About 10 meters had separated the individual platoons advancing in four files; in the center were Sakata and his command team. The same setup had been used for Yamada's company and his two infantry platoons on the right. To the center and rear of the lead companies were battalion headquarters, a platoon of Nakajima's 3rd Company, and the Kitahara Machine-Gun Company, 20 meters from Nakano. The machine-gun company had differed from the infantry companies in that it had three platoons of two squads each. The machine-gun platoons had gone through the center breach in the entanglements with the battalion commander. Thereafter, they had bunched up, shoulder to shoulder and with the machine guns close to each other. Kitahara had led, two platoons forward, one back. The night had been so dark that the individual soldiers had hardly been able to tell who had been leading and who had been on the flanks. The 2nd Company had consolidated after getting through the last entanglements and had walked straight for Changkufeng crest. From positions above the Japanese, Soviet machine guns covering the wire had blazed away at a range of 50 meters. Tracers had ripped the night, but the Russians' aim had seemed high. Soviet illuminating shells, by revealing the location of dead angles among the rocks, had facilitated the Japanese approach. Fifty meters past the barbed wire, Sakata had run into the second Soviet position. From behind a big rock, four or five soldiers had been throwing masher grenades. Sakata and his command team had dashed to the rear and cut down the Russians. The captain had sabered one soldier who had been about to throw a grenade. Then Master Sergeant Onuki and the others had rushed up and overran the Russian defenses. The Japanese had not yet fired or sustained casualties. There had been no machine guns in the first position Sakata had jumped into; the trenches had been two feet deep and masked by rocks. To the right, a tent could be seen. Blind enemy firing had reached a crescendo around 02:30. The Russians had resisted with rifles, light and heavy machine guns, hand grenades, rifle grenades, flares, rapid-fire guns, and a tank cannon. "The hill had shaken, but our assault unit had advanced, disregarding the heavy resistance and relying only on the bayonet." The battalion commander, Major Nakano, had been the first officer to be hit. Moving to the left of Sakata's right-hand platoon, he had rushed up, brandishing his sword, amid ear-splitting fire and day-like flashes. He had felled an enemy soldier and then another who had been about to get him from behind. But a grenade had exploded and he had dropped, with his right arm hanging grotesquely and many fragments embedded in his chest and left arm. After regaining consciousness, Nakano had yelled at soldiers rushing to help him: "You fools! Charge on! Never mind me." Staggering to his feet, he had leaned on his sword with his left hand and pushed up the slope after the assault waves, while "everybody had been dashing around like mad." Sakata had encountered progressive defenses and more severe fire. The main body of the company had lost contact with other elements after getting through the entanglements. Sakata had thought that he had already occupied an edge of Changkufeng, but about 30 meters ahead stood a sharp-faced boulder, two or three meters high, from which enormous numbers of grenades had been lobbed. The Japanese, still walking, had come across another Soviet position, manned by four or five grenadiers. Sword in hand, Sakata had led Sergeant Onuki and his command team in a rush : "The enemy was about to take off as we jumped them. One Russian jabbed the muzzle of his rifle into my stomach at the moment I had my sword raised overhead. He pulled the trigger but the rifle did not go off. I cut him down before he could get me. The others ran away, but behind them they left grenades with pins pulled. Many of my men fell here and I was hit in the thighs".  Onuki had felled two or three Russians behind Sakata, then disposed of an enemy who had been aiming at Sakata from the side. It had been around 03:00. On the right, the 1st Company had made relatively faster progress along the western slopes after having breached two widely separated belts of barbed wire. Once through the second wire, the troops had found a third line, 150 meters behind, and enemy machine guns had opened fire. Thereupon, a left-platoon private first class had taken a "do or die" forced clearing team, rushed 15 meters ahead of the infantry, and tore a path for the unit. At 03:00, Yamada had taken his men in a dash far up the right foot of the hill, overran the unexpected position, and captured two rapid-fire guns. The company's casualties had been mounting. Yamada had been hit in the chest but had continued to cheer his troops on. At 03:30, he had led a rush against the main objective, tents up the hill, behind the antitank guns. Yamada had cut down several bewildered soldiers in the tents, but had been shot again in the chest, gasping "Tenno Heika Banzai!" "Long Live the Emperor!", and had fallen dead. His citation had noted that he had "disrupted the enemy's rear after capturing the forwardmost positions and thus furnished the key to the ultimate rout of the whole enemy line." Sergeant Shioda, though wounded badly, and several of the men had picked up their commander's body and moved over to join Lieutenant Inagaki. On the left, Kadowaki had charged into the tents with his platoon and had played his part in interfering with the Russian rear. After this rush, the unit had been pinned down by fire from machine-gun emplacements, and Kadowaki had been wounded seriously. His platoon had veered left while watching for an opportunity to charge. Eventual contact had been made with Sakata's company.   The assault on the right flank had been failing. With the death of Yamada, command of the company had been assumed temporarily by Inagaki. He and his right-flank platoon had managed to smash their way through the entanglements; Inagaki had sought to rush forward, sword in hand. Furious firing by Soviet machine guns, coupled with hand grenades, had checked the charge. Losses had mounted. Still another effort had bogged down in the face of enemy reinforcements, supported not only by covered but by tank-mounted machine guns. Russian tanks and trucks had appeared to be operating behind Changkufeng. Sergeant Shioda had been trying to keep the attack moving. Again and again, he had pushed toward the Soviet position with five of his surviving men, to no avail. The left-flank platoon had sought to evade the fierce fire by taking advantage of rock cover and hurling grenades. Finally, a private first class had lobbed in a grenade, rushed the machine gun, and silenced the weapon. By now, precious time and lives had been lost. Either instinctively or by order, the 1st Company had been shifting to the left, away from the core of the enemy fire-net. Inagaki had decided to veer left in a wide arc to outflank Changkufeng from the same side where the 2nd Company and most of the battalion were at-tacking. There would be no further attempts to plunge between the lake and the heights or to head for the crest from the rear. Military maps had indicated tersely that remnants of the 1st Company had displaced to the 2nd Company area at 04:00, sometime after the last charge on the right by Yamada. On the left front, in the sector facing the main defenses on Changkufeng crest, Sakata had fallen after being hit by a grenade. A machine gunner had improvised a sling. "I had lost a lot of blood," Sakata had said, "and there were no medics. Onuki, my command team chief who had been acting platoon leader, had been killed around here. I had ordered Warrant Officer Kuriyama to take the company and push on until I could catch up." As Sakata lay on the ground, he had seen the battalion commander and the Nakajima company move past him in the darkness. Nakano had said not a word; Sakata had not known the major had been maimed. "I still hadn't felt intense pain," Sakata had recalled. "I had rested after the first bad feelings. In about 15 minutes I had felt well enough to move up the hill and resume command of my company." With both Nakano and Sakata wounded, individual officers or noncoms had kept the assault moving. The 1st Platoon leader, Kuriyama, had been securing the first position after overrunning it but had become worried about the main force. On his own initiative, he had brought his men up the hill to join the rest of the company, while the battalion aide, 2nd Lieutenant Nishimura, had made arrangements to deploy the heavy machine guns and reserve infantry in support. Before 4 A.M., these troops under Kitahara and Nakajima had caught up with the remnants of the 2nd Company, which had pressed beyond the third position to points near the Soviet Crestline.   By the time Sakata had regained his feet and moved toward the peak, somewhere between 03:30 and 04:00, the Japanese had been pinned down. Most of the losses had been incurred at this point. "Iron fragments, rock, sand, blood, and flesh had been flying around," Akaishizawa had written. Grenades had caused the preponderance of wounds after the men had penetrated the barbed wire. Deaths had been inflicted mainly by the Soviet "hurricane" of small arms and machine-gun fire and by ricochets ripping from man to man. Six Russian heavy weapons had kept up a relentless fire from three emplacements, and milk-bottle-shaped grenades had continued to thud down on the Japanese. The grenades had hindered the advance greatly. Mainly at the crest, but at every firing position as well, the Russians had used rifle grenades, primarily to eliminate dead angles in front of positions. There had been low piano wire between firing points, and yellow explosive had been planted amidst rock outcroppings and in front of the emplacements. "The Russians had relied exclusively on fire power; there had been no instance of a brave enemy charge employing cold steel." Only 20 meters from the entrenchments atop Changkufeng, Kitahara had been striving to regain the initiative and to hearten the scattered, reeling troops. One Japanese Army motto had concerned the mental attitude of commanders: "When surprised by the enemy, pause for a smoke." Kitahara had stood behind a rock, without a helmet, puffing calmly on a cigarette—a sight which had cheered the men. Sakata could not forget the scene. "It really happened," he had said, respectfully. As soon as Sakata had reached the forward lines, he had joined Kitahara (the senior officer and de facto battalion commander till then) and three enlisted men. All had been pinned behind the large boulder, the only possible cover, which had jutted in front of the Soviet crestline positions. Fire and flame had drenched the slopes, grenades from the peak, machine guns from the flank. The eastern skies had been brightening and faces could be discerned. Troubled by the stalemate yet not feeling failure, Sakata had said nothing about his own wounds but had told Kitahara he would lead his 2nd Company in a last charge up the left side of Changkufeng if only the machine gun company could do something about the enemy fire, especially some Soviet tanks which had been shooting from the right. "The enemy must have learned by now," the regimental records had observed, "that our forces were scanty, for the Soviets exposed the upper portions of their bodies over the breastworks, sniped incessantly, and lobbed illuminating shells at us." Agreeing with Sakata that the "blind" Japanese would have to take some kind of countermeasure to allow his two available heavy machine guns to go into concerted action, Kitahara had ordered illuminating rounds fired by the grenade dischargers. He had clambered atop the boulder and squatted there amidst the furious crossfire to spot for his guns, still only 20 meters from the Russian lines. Perhaps it had been the golden spark of Kitahara's cigarette, perhaps it had been the luminescence of his cross-bands, but hardly a moment later, at 04:03 am, a sniper's bullet had caught the captain between the eyes and he had toppled to his death. Nakajima had wanted to support Sakata's stricken company as well. The lieutenant had seen the advantage of outflanking the emplacements from the far left of Changkufeng where the fire of two Soviet heavy machine guns had been particularly devastating. Nakajima had swung his reserve unit around the crest to the southwest side, pressed forward through deadly grenade attacks, and had managed to reach a point ten meters from the Russian positions. Perched on the cliff's edge, he had prepared to continue: "Nakajima, who had been calming his men and looking for a chance to advance, leaped up and shouted, "Right now! Charge!" Sword in hand, he led his forces to the front on the left and edged up against the crest emplacements. But the enemy did not recoil; grenades and machine gun fusillades burst from above on all sides. Men fell, one after another. [During this final phase, a platoon leader and most of the key noncoms were killed.] A runner standing near Nakajima was hit in the head by a grenade and collapsed. Nakajima picked up the soldier's rifle, took cover behind a boulder, and tried to draw a bead on a Russian sniper whom he could see dimly 20 meters away through the lifting mist. But a bullet hit him in the left temple and he pitched forward, weakly calling, "Long Live the Emperor!" A PFC held the lieutenant up and pleaded with him to hang on, but the company commander's breath grew fainter and his end was at hand. The time was 4:10 am". Nakajima's orderly said of the event "Lieutenant Nakajima charged against the highest key point on Changkufeng, leading the reserve unit, and ensured the seizure of the hill. The lieutenant was wearing the boots which I had always kept polished but which he had never worn till this day." Akaishizawa added that Nakajima had purified himself in the waters of the Tumen before entering combat, in traditional fashion. Lieutenant Yanagihara had penned a tribute to his young fellow officer, the resolute samurai "Lt. Nakajima must have been expecting a day like today. He was wearing brand-new white underclothes and had wrapped his body with white cloth and the thousand-stitch stomach band which his mother had made for him. .. . Was not the lieutenant's end the same as we find in an old tanka verse? "Should you ask what is the Yamato spirit, the soul of Japan: It is wild cherry blossoms glowing in the rising sun."  On this main attack front, Soviet heavy machine guns and tanks had continued to deliver withering fire against the Japanese remnants, while Russian snipers and grenadiers had taken an increasing toll. Shortly after 04:00, enemy reinforcements had appeared at the northeast edge. Of the company commanders, only Sakata had still been alive; the other three officers had died between 03:30 and 04:30. A machine gunner who had been pinned down near the crest had commented: "It must have been worse than Hill 203" (of bloody Russo-Japanese War fame). Between a half and two-thirds of each company had been dead or wounded by then. Sakata had still been thinking of ways to rush the main positions. After Kitahara had been shot down, he had moved around to investigate. A colleague had added: "The agony of the captain's wounds had been increasing. He rested several times to appease the pain while watching intently for some chance to charge once more." Now, Sakata had been wounded again by grenade fragments tearing into the right side of his face. "It hadn't been serious," Sakata had insisted. As he had limped about, he could see his platoon leader, Kuriyama, sniping at a Russian grenadier.   Much would depend on the effectiveness of supporting firepower. With the death of Kitahara, control of the machine-gun company had been assumed by Master Sergeant Harayama. There had been almost no time to coordinate matters before Kitahara had fallen, but Harayama as well as Sakata had known that the infantry could not break loose until the Soviet heavy weapons had been suppressed. Working with another sergeant, Harayama had ordered his gunners to displace forward and rush the positions 20 meters away. The one heavy machine gun set up for action had been the first to fire for the Japanese side at Changkufeng, after its crew had manhandled it the last few meters to the first Soviet trench below the crest. The trench had been empty. Thereupon, the gunner had opened up against tents which could be seen 20 meters to the rear. Other friendly machine guns had begun to chatter. Kuriyama had dashed up and secured the southeast edge of the heights. Enemy resistance had begun to slacken. What appeared to be two small Soviet tanks, actually a tank and a tractor had been laying down fire near the tents in an apparent effort to cover a pullback. The two vehicles had advanced toward the Japanese and sought to neutralize the heavy machine guns. A squad leader had engaged the tractor, set it afire, and shot down the crewmen when they had tried to flee. Next, the tank had been stopped. The Japanese lead gun had consumed all of its armor-piercing (AP) ammunition—three clips, or 90 rounds—in 10 or 15 seconds. No more AP ammunition had been available; one box had been with the last of the six squads struggling up the heights. "More AP!" had yelled the 1st Squad leader, signaling with his hand—which had at that moment been hit by a Russian slug. A tank machine-gun bullet had also torn through the thumb and into the shoulder of the squad's machine gunner, whereupon the 21-year-old loader had taken over the piece. Similar replacements had occurred under fire in all squads, sometimes more than once in the same unit. "It had been a fantastic scene," Sakata had commented. "Just like grasshoppers! But they had finally neutralized the heavy weapons." The knocked-out Russian vehicles had begun to blaze while the eastern skies had lightened. New enemy tanks (some said many, others merely three) had lumbered up the slopes, but the Japanese heavy machine guns had continued to fire on them, and the tanks had stopped. If the machine guns had gone into action minutes later, the Russian armor might have continued to the top, from which they could have ripped up the surviving Japanese infantrymen: "So we gunners fired and fired. I could see my tracers bouncing off the armor, for there was still no AP. We also shot at machine guns and infantry. Since we carried little ammo for the night attack, my gun ran out, but by then the enemy had been ousted. We had originally expected that we might have to fire in support of the infantry after they took the crest. We lost none of our own heavy machine guns that night, overran four Maxims and captured mountains of hand grenades. By dawn, however, our machine gun company had lost more than half of its personnel—about 40 men".  The light-machine-gun squad leader had been wounded in the hand by a grenade near the site where Sakata had been hit. Nevertheless, the superior private had clambered up the slope with his men. After 04:00, when he and his squad had been pinned down with the infantry below the crest, he had heard Japanese heavy machine guns firing toward the foe on the right: "Our units were in confusion, bunched up under terrific fire in a small area. Getting orders was impossible, so I had my light machine gun open up in the same direction at which the heavies were firing. We could identify no targets but tried to neutralize the enemy located somewhere on the crest. Although Soviet flares were going off, we never could glimpse the enemy clearly. But we heard the Russians yelling "Hurrah!" That ought to have been the signal for a charge; here it meant a retreat".  But, of the ten men in this Japanese machine-gun squad, only four had been in action when dawn had come. The turning point had arrived when the machine-guns belonging to Sakata, and the reserves of the late Nakajima, had torn into the Russian emplacements, tanks, and tents behind. Others had said the key had been the fire of grenade dischargers belonging to the same units. A high-angle weapon, the grenade discharger, had been light, effective, and ideal for getting at dead space. In terms of ammunition, it had been especially useful, for it could fire hand grenades available to the foot soldier. Undoubtedly, the combined action of the grenade dischargers and machine guns (heavy and light) had paved the way for a last charge by the infantry. The four light machine guns of the 2nd and 4th companies had played their part by pouring flank fire against the Russians, who had clung to the position although Kuriyama's platoon had made an initial penetration. At about 04:30, Japanese assault forces could be seen dimly, in the light of dawn, exchanging fire with the Russians only a few meters away on the southern edge of Changkufeng Hill. At the same time, on the northern slopes, enemy reinforcements numbering 50 men with trucks and tanks had been scaling the hill. Around 04:45, Japanese grenades began to burst over the heads of the last enemy atop Changkufeng; the Russians had wavered. After the heavy weapons had finally begun to soften up the Soviet positions, Sakata had judged that there were not many Russians left. He had jumped into the first trench, ahead of his only surviving platoon leader, Kuriyama, and several soldiers. Two or three Russians had been disposed of; the rest had fled. By then the 2nd Company had been chopped down to a platoon; about 40 men still lived. There had been no cheer of banzai, as journalists had written; it would have drawn fire to stand up and raise one's arms. But Sakata had remained proud of the assertion by Sato that, from Chiangchunfeng, he had observed the last rush and knew the "real story," that "Sakata was the first to charge the peak." The regimental eulogist had written that Sakata's earnestness "cut through iron, penetrated mountains, and conquered bodily pain." As for Inagaki, about 15 or 20 minutes after the badly wounded Sakata had managed to reach the point where Kitahara and Nakajima had been pinned down near the Crestline, the lieutenant had arrived with the remnants of Yamada's company, probably by 04:20. The records would have us believe that Sakata had been able to coordinate the next actions with Inagaki despite the storm of fire: "The acting battalion commander [Sakata] resumed the charge with a brand-new deployment—his 2nd Company on the right wing and the 1st Company on the left." Actually, all Sakata could think of had been to charge; it had been too confused a time to issue anything like normal orders as acting battalion commander: "About all I remember asking Inagaki was: "What are you doing over here? What happened to your company commander?" I think he told me that Yamada had been killed and resistance on the right flank had been severe. Undoubtedly, he acted on his own initiative in redeploying. Nor was there any particular liaison between my company and Inagaki's force." To the left of Sakata's survivors were the vestiges of Nakajima's platoon, and further to the left, the outflanking troops brought up by Inagaki. These forces gradually edged up to the rear of the foe, in almost mass formation, on the western slope just below the top. "The enemy soldiers who had been climbing up the northern incline suddenly began to retreat, and Inagaki led a charge, fighting dauntlessly hand-to-hand." As a result of the more or less concerted Japanese assaults, "the desperately resisting enemy was finally crushed and Changkufeng peak was retaken completely by 05:15," three hours after the night attackers had jumped off. Akaishizawa had said that the troops "pushed across the peak through a river of blood and a mountain of corpses. Who could withstand our demons?" Sato's regimental attack order had called for the firing of a green star shell to signal success. At 05:15, according to the records, "the signal flared high above Changkufeng, showering green light upon the hill; the deeply stirring Japanese national flag floated on the top." Sakata thought that this must have been 10 or 20 minutes after the hill was taken, but he remembered no flare. "After the last charge I had no time to watch the sky!" The flare had probably been fired from a grenade launcher by the battalion aide or a headquarters soldier. After the final close-quarter fighting, Sakata had pressed forward while the survivors came up. The captain had deployed his men against possible counterattack. Later he had heard that Soviet tanks had lumbered up to reinforce the peak or to counterattack but that, when they observed the Japanese in possession of the crest, they had turned back. Only after his men had secured the peak had Sakata talked to Inagaki about sharing defensive responsibility. The records described Sakata's deployments at 05:20, but there had been painfully few men to match the tidy after-action maps. Did Sakata and his men push across the peak? "Not downhill a bit," he had answered. "We advanced only to the highest spot, the second, or right-hand peak, where we could command a view of the hostile slope." He had merely reconnoitered to deploy his troops. The senior surviving Japanese officer atop Changkufeng heights had been Sakata. What had happened to Major Nakano, who had been wounded shortly after jump-off? Although his right arm had been shattered, he had dragged himself to his feet, once he had regained consciousness, and kept climbing to catch up. His men had pleaded with him to look after his terrible wounds, but he had insisted on advancing, leaning on his sword and relying on spiritual strength. "Left! Move left!" he had been heard to shout, for the faltering Japanese had apparently been of the opinion that they were at the enemy's rear. Instead, they had pressed against the Russians' western wing, directly in front of the enemy works, from which murderous fire had been directed, especially from machine-gun nests ripping at their flanks. With sword brandished in his uninjured hand, high above his head, Nakano had stood at the corner of the positions. The explosion of an enemy grenade had illuminated him "like the god of fire," and he had been seen to crumple. He had died a little before 0500, to the left of where young Nakajima had fallen at 0430. His citation had said: "The battalion commander captured Changkufeng, thanks to his proper combat guidance and deployments. He provided the incentive to victory in the Changkufeng Incident." A eulogist had called Nakano a "human-bullet demon-unit commander": "All who observed this scene were amazed, for it was beyond mortal strength. One could see how high blazed the flame of his faith in certain victory and what a powerful sense of responsibility he had as unit commander. Major Nakano was a model soldier." When Nakano had pitched forward, badly wounded PFC Imamura had tried to protect the commander's corpse. Imamura had killed a soldier who appeared from behind a boulder, had lunged at another two or three, but had toppled off the cliff. Two other Japanese privates—a battalion runner and PFC Iwata—had been lying nearby, hurt seriously; but when they saw Imamura fall to his death, leaving the major's body undefended, they had dragged themselves to the corpse, four meters from the foe. Iwata, crippled and mute, had hugged Nakano's corpse until other soldiers managed to retrieve it. While death had come to Nakano, Sakata had been fighting with no knowledge of what was going on to his left. Pinned behind a boulder, he had had no way of checking on the battalion commander. Only after Sakata had charged onto the crest and asked for the major had he been told by somebody that Nakano had been killed. He had not even been sure where the commander had fallen. Such had been the time of blood and fury when battalion chief, company commanders, and platoon leaders had fought and died like common soldiers, pressing on with saber or pistol or sniping rifle under relentless cross-fire. Pretty patterns of textbook control had meant nothing. Life—and victory—depended on training, initiative, raw courage, and the will to win. The result of this combination of wills could not be ascertained, on 31 July 1938, until dawn brightened the bleeding earth on Changkufeng Hill. I would like to take this time to remind you all that this podcast is only made possible through the efforts of Kings and Generals over at Youtube. Please go subscribe to Kings and Generals over at Youtube and to continue helping us produce this content please check out www.patreon.com/kingsandgenerals. If you are still hungry after that, give my personal channel a look over at The Pacific War Channel at Youtube, it would mean a lot to me. Tokyo gambled on a night strike to seize Changkufeng, while diplomacy urged restraint. Amid mud, smoke, and moonless skies, Nakano led the 1st Battalion, supported by Nakajima, Sakata, Yamada, and others. One by one, officers fell, wounds multiplying, but resolve held. By 05:15, shattered units regrouped atop the peak, the flag rising as dawn bled into a costly, hard-won victory.

My Senior Drill Sergeant from Infantry School Michael Fletcher, drove all the way up from South Carolina for a podcast and to chase some geese with me. Exactly 19 years ago, I graduated Infantry School on Sand Hill, Fort Benning, GA. Sitting down with him again after all these years was surreal—fun, emotional, and a full-circle moment. We talked about my time at Sand Hill, deployments, and even had surprise messages from guys who graduated with me. This podcast means alot to me to share with the world. I've had alot of great mentors but Mike really established a great foudation for my military career but also how achieved my goals. He taught me to never quit. Thank you to all my fellow Platoon members that sent videos in for Mike!

In this deep-dive episode of The 24 Frames Cast, we journey into the dense Cambodian jungles to explore one of the most haunting and overlooked war films ever made: The 317th Platoon (1965). Directed by former Indochina War veteran Pierre Schoendoerffer, this stark, unflinching portrayal of a French platoon's doomed retreat reveals the final gasps of France's colonial ambitions and eerily anticipates America's later tragedy in Vietnam.I will examine the film's astonishing on-location production, its quasi-documentary realism, and the powerful dynamic between the young idealistic lieutenant and the hardened career soldier L'adjudant Willsdorf, whose lifetime of fighting France's colonial battles becomes a symbol of a collapsing empire. Through scene analysis, historical context, and cinematic insight, this episode unpacks the film's place in world cinema and why its quiet, devastating truth still resonates today.

We're joined for this week's Gramophone Podcast by composer Thomas Adès and two members of the Ruisi Quartet, violinist Alessandro Ruisi and viola player Luba Tunnicliffe, to talk about their recording of Növények, Adès's setting of seven Hungarian poems for mezzo-soprano and piano sextet. They explore this fascinating work with Gramophone Editor Martin Cullingford, which is newly released on the Platoon label along with Haydn's String Quartet in G Minor Op 20, No 3, and an arrangement of A legszebb Virág by Ligeti. 

Without so much as a fare-thee-well, Capt. Hunter is shuffled off to (in our imaginations) a blissful retirement with his wife Lu Lin and barbecue parties with his twin brother, whiuloe we turn our focus to a brand-new feature, the hard-knuckled adventures of the good captain's father in WWII (the big one!) It's Our Fighting Forces #106 and the debut of Lt. Hunter's Hellcats! Chapters (00:00:00) - Oh, My!(00:00:17) - Our Fighting Forces 106: Hunter's Hellcats(00:04:51) - Wicked the Musical(00:06:17) - Captain Hunter and His Hellcats: The End of an Era(00:10:59) - Twin Soldiers vs Viet Cong(00:16:32) - Is It Bad if You Are Identical Twins?(00:17:27) - The Elephant Whisperer(00:20:32) - How To Survive An Elephant Stomp(00:23:58) - In the Elevator With Scientologists(00:24:18) - Platoon of Twins vs Tiger(00:28:10) - Hunting Season Has Arrived in West Virginia(00:31:35) - Twins Against the Viet Cong(00:35:04) - Father's Story of Lieutenant Hunter's Hellcats(00:35:49) - Dad reads to the boys(00:37:22) - The Hellcat(00:38:41) - Media Race(00:43:20) - Should It Be Lucille Ball or Angela Lansbury?(00:44:03) - Cat Stays in the Horse Barn(00:46:57) - Cat in a Japanese Uniform(00:52:02) - Can I Keep The Hellcats In Line?(00:56:29) - Captain Hunter's Hellcats(01:00:29) - Thanksgiving Recap: Jaws

Charlie Sheen rose fast in Hollywood, starring in hit films and becoming TV's highest-paid actor in 2010: reportedly making $1.8 million per episode of Two And A Half Men. But fame fueled a collapse captured by the tabloids: cocaine, arrests, explosive relationships, and headline-grabbing meltdowns that pushed him to the brink as he struggled with a growing addiction. After a stroke*, overdose, and HIV diagnosis forced a reckoning, today Charlie says he is now eight years sober and rebuilding his life. In his new memoir The Book Of Sheen, Charlie looks back on the costs of fame, addiction, and his inspiring journey back to reality. Dr. Drew learned about gold, silver & retirement with Augusta – now it's your turn: https://drdrew.com/gold Charlie Sheen is an actor known for Platoon, Wall Street, Major League, and Two and a Half Men. He was born Carlos Estevez and grew up in Malibu. He has appeared in films and TV shows since the 1980s and has written a new memoir The Book Of Sheen available at https://amzn.to/3XrRdtL. Follow at https://x.com/charliesheen Dr. Aaron Kheriaty is a physician specializing in psychiatry and the author of five books including Making the Cut: How to Heal Modern Medicine available at https://amzn.to/4pt6yXh. He is a Fellow and Director at the Ethics and Public Policy Center and serves in advisory roles at multiple institutes. Learn more at https://aaronkheriaty.com *CORRECTION: After publication, Charlie Sheen clarified on the show that he does NOT recall having a stroke. Media reports and info on his IMDB page are likely inaccurate.  「 SUPPORT OUR SPONSORS 」 Find out more about the brands that make this show possible and get special discounts on Dr. Drew's favorite products at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/sponsors⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  • AUGUSTA PRECIOUS METALS – Thousands of Americans are moving portions of their retirement into physical gold & silver. Learn more in this 3-minute report from our friends at Augusta Precious Metals: ⁠https://drdrew.com/gold⁠ or text DREW to 35052 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠• FATTY15 – The future of essential fatty acids is here! Strengthen your cells against age-related breakdown with Fatty15. Get 15% off a 90-day Starter Kit Subscription at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/fatty15⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • PALEOVALLEY - "Paleovalley has a wide variety of extraordinary products that are both healthful and delicious,” says Dr. Drew. "I am a huge fan of this brand and know you'll love it too!” Get 15% off your first order at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://drdrew.com/paleovalley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ • VSHREDMD – Formulated by Dr. Drew: The Science of Cellular Health + World-Class Training Programs, Premium Content, and 1-1 Training with Certified V Shred Coaches! More at https://drdrew.com/vshredmd • THE WELLNESS COMPANY - Counteract harmful spike proteins with TWC's Signature Series Spike Support Formula containing nattokinase and selenium. Learn more about TWC's supplements at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twc.health/drew⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 「 ABOUT THE SHOW 」 Ask Dr. Drew is produced by Kaleb Nation (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://kalebnation.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Susan Pinsky (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/firstladyoflov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠e⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠). This show is for entertainment and/or informational purposes only, and is not a substitute for medical advice, diagnosis, or treatment. Executive Producers • Kaleb Nation - ⁠⁠⁠⁠⁠https://kalebnation.com⁠⁠⁠⁠⁠ • Susan Pinsky - ⁠⁠⁠⁠⁠https://x.com/firstladyoflove⁠⁠⁠⁠⁠ Content Producer & Booking • Emily Barsh - ⁠⁠⁠⁠⁠https://x.com/emilytvproducer⁠⁠⁠⁠⁠ Hosted By • Dr. Drew Pinsky - ⁠⁠⁠⁠⁠https://x.com/drdrew⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Bob's 9pm Show.

Bob's 9pm show.

Bob's 9pm show.

Bob's 9pm show.

Bob's 9pm show.

Charlie Sheen's life has been a Hollywood rollercoaster—equal parts brilliance and chaos. Rising to fame with Platoon and Wall Street, he became TV's highest-paid actor for Two and a Half Men, embodying charisma and comedic timing. But his off-screen antics—drug binges, legal troubles, and that unforgettable “tiger blood” meltdown—turned him into a tabloid fixture. After public feuds and a career implosion, Sheen later revealed his HIV diagnosis and began a long road toward recovery and redemption. Today, he's calmer, reflective, and occasionally self-deprecating—proof that even Hollywood's wildest comets can find a way back to earth.

Gemeinsam mit Todde geht es heute um den Film: "Leprechaun in Space / Space Platoon" aus dem Jahr 1997.Kontakt:E-Mail: retrocast[at]web.deBluesky: ⁠⁠⁠⁠⁠⁠⁠⁠https://bsky.app/profile/rhemsey82.bsky.social

Bob's 9pm show.

Charlie Sheen is an actor and producer known for his iconic roles in Two and a Half Men and Platoon. See him live on his Alive On Stage Tour in Baltimore, MD at the Horseshoe Casino on November 7th. Watch his new two-part Netflix documentary, AKA Charlie Sheen, for an in-depth look at his life, career, and journey toward sobriety, and check out his new book The Book of Sheen, available now. For more, visit charliesheenlive.com.IN THE NEWS: Kamala Harris hints at a possible return to the White House, telling the BBC, “I am not done,” in her strongest comments yet about future political ambitions. Meanwhile, California Governor Gavin Newsom accuses former President Trump of “rigging the election” through the use of federal poll monitors — as he officially confirms his own plans to run for president in 2028. And in Chicago, Mayor Brandon Johnson loses his cool after being questioned about the term “illegal alien,” calling the phrase “racist” despite its legal definition.Get it on.FOR MORE WITH CHARLIE SHEEN:DOCUMENTARY: AKA Charlie Sheen - On Netflix NowBOOK: The Book of Sheen - Available NowWEBSITE: charliesheenlive.comTOUR: Alive On StageBaltimore, MD - the Horseshoe Casino - Nov 7thFOR MORE WITH MIKE DAWSON: INSTAGRAM & TWITTER: @dawsangelesSTANDUP: October 29 - Flappers w/ AdamThank you for supporting our sponsors:BetOnlineoreillyauto.com/ADAMPluto.tvRUGIET.com/ADAMSIMPLISAFE.COM/ADAMLIVE SHOWS: October 29 - Burbank, CANovember 6 - Boston, MANovember 7 - Buffalo, NYSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of The Coaching 101 Podcast, hosts Daniel Chamberlain and Kenny Simpson discuss strategies for balancing one and two-platoon systems in high school football to keep players fresh and enhance team performance. They provide insights on adjusting practice schedules, developing depth, hiding players through scheme adjustments, and the importance of prioritizing defense. The episode also includes sponsor ads for Winning Edge Performance Analytics and Ace Sports, updates on Kenny's upcoming books and gun T clinics, and a situational problem submitted by a listener about managing a JV team after losing a starting quarterback.00:00 Introduction to Winning Edge Performance Analytics01:14 Welcome to the Coaching 101 Podcast01:40 Game Day Insights and Homecoming Challenges05:00 Quote of the Week: Don Shula on Competitiveness07:10 Efficiency in Coaching Programs07:40 Fundraising with Ace Sports Video Boards08:58 Athletic Speed and Movement Training11:08 Upcoming Books and Clinics15:40 One Platoon vs. Two Platoon Football29:00 Importance of Player Versatility30:10 Strategies for Low Numbers34:13 Balancing Practice and Game Time39:20 Prioritizing Defense and Creating Unselfish Culture40:51 Adapting to Player Availability49:40 JV Team Dilemma: Developing Backups53:52 Sponsors and Social MediaDaniel Chamberlain: @CoachChamboOK ChamberlainFootballConsulting@gmail.com chamberlainfootballconsulting.com Kenny Simpson: @FBCoachSimpson fbcoachsimpson@gmail.com FBCoachSimpson.com

Today's guest is Charlie Sheen. From Red Dawn and Ferris Bueller's Day Off to Platoon and Wall Street to Young Guns, Major League and Hot Shots to Spin City and Two and A Half Men, and, of course, Navy SEALs, Sheen's career spans some of the most iconic roles in modern cinema. His new memoir, THE BOOK OF SHEEN, offers an unfiltered look at family, fame, survival, and redemption after a lifetime in the spotlight.  It is available now.In this episode, Jack and Charlie reconnect on familiar ground, sharing stories that range from Hollywood sets to baseball stadiums—including a full-circle moment on Martin Sheen's birthday that ties back to Apocalypse Now.They reflect on the cultural impact of Sheen's films and how his characters inspired a generation, including Jack's own path toward military service. The conversation weaves through art, legacy, and the pursuit of meaning in an era defined by noise, fame, and reinvention.Sheen offers wisdom on storytelling, gratitude, and the importance of living life forward rather than replaying it on screen.FOLLOW CHARLIEInstagram:  @charliesheenFOLLOW JACKInstagram: @JackCarrUSA X:  @JackCarrUSAFacebook:  @JackCarr YouTube:  @JackCarrUSASPONSORSCRY HAVOC – A Tom Reece Thriller https://www.officialjackcarr.com/books/cry-havoc/Bravo Company Manufacturing - https://bravocompanyusa.com/ and on Instagram @BravoCompanyUSATHE SIGs of Jack Carr:Visit https://www.sigsauer.com/ and on Instagram @sigsauerinc Jack Carr Gear: Explore the gear here https://jackcarr.co/gear

Buy a shirt (proceeds to to Valour In The Presence of the Enemy): Learn about the story of Private Jess Larochelle's heroics and how he sniped Taliban with M72 rockets to keep his platoon alive in Afghanistan. Bruce Moncour explains why he believes Jess deserves the Victoria Cross and why he created the organization Valour In The Presence of The Enemy. Sign the petition: Thanks to our Sponsor ✅ Monitor Your C*ck Health - FirmTech Ring: (Code: DMORROW)

Charlie Sheen (The Book of Sheen, Two and a Half Men, Platoon) is a Golden Globe Award-winning actor. Charlie joins the Armchair Expert to discuss the lore of having not one but two of his cars stolen and pushed into a ravine, a two-decades-delayed apology to Dax, and why hiring a ghostwriter for his memoir was a dealbreaker. Charlie and Dax talk about how much of his story is impacted by being the little brother of Emilio Estevez, the math of time required in the attempt to work sustainably as an addict, and his patented ice cube trick. Charlie explains his fixes for Hollywood to stave off the pitfalls of corruptive fame, how leaning into his documentary made room for him to write The Book of Sheen, and that what's different now is the commitment to be true to his word.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Actor Charlie Sheen joins Rich in-studio to discuss his new memoir and ‘AKA Charlie Sheen' Netflix documentary, reveals why he's a Cincinnati Reds fan despite growing up in Malibu, marvels over the singular greatness of Dodgers 2-way star Shohei Ohtani, recounts the time he bought out 2000 seats in the Angels' outfield section to give him a better shot at catching a Cecil Fielder home run ball, reveals that he, not Ralph Macchio, was the original choice to play ‘The Karate Kid,' explains how he got into the alcohol-free beer business, and shares some great stories about meeting Jack Nicholson, making ‘Platoon,' ‘Wall Street,' ‘Ferris Bueller's Day Off,' and ‘Major League' in a round of ‘Celebrity True or False.' In the NFL Week 5 edition of ‘Higher Register' Rich and the guys offer up their solid-but-not-all-that-convincing endorsement of the Denver Broncos, Seattle Seahawks, and Baltimore Ravens backup QB Cooper Rush. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textMatt Okuhara joined the Territorial Army at 18. After just a few weeks of training he was called up for service in Iraq.Details of Matt's book, Basra and Back: "Basra and Back follows Salamanca Company, a unit of British infantry deployed to Iraq as part of the peacekeeping effort after the 2003 invasion, known as Operation TELIC. Drawn from units in southwest England, Salamanca Company wasted no time in assuming its duties, providing security to the coalition's provisional government and navigating the tense, dusty streets of Basra City. Insurgents had infiltrated the city, sowing discord among the population already grappling with shortages of essential resources like food, water, fuel, and electricity. The soldiers understood the gravity of the situation and braced themselves for civil unrest and worse, knowing their deployment would lead them into even more dangerous territory. For six months in 2004, the officers and men of The Rifle Volunteers found themselves as reservists on the frontline. Now that the war had been won, it was time to win the peace. Told through the eyes of Matthew Okuhara, a young soldier called into regular service, Basra and Back gives a true and overlooked account of the UK's military reserve at war. Narrated with an abstract sense of humour, Matthew is initially out of place but eventually discovers his role as the unit medic within ‘3 Platoon'. The book also covers the military history of reserve soldiers during the War on Terror, with the deployment of so many volunteers marking a historic moment for the British Army, as was the first time in nearly half a century that a formed unit of reservists is deployed in a ground holding role since the Suez Crisis: an experiment that created a strategy that continued in military deployments for years to come."You can order it here: https://www.amazon.co.uk/Basra-Back-Memoir-Unlikely-Infantryman/dp/1036129659If you're interested in being a guest on the podcast, please contact us on:instagram: @veteranstateofmind email: info@vsompodcast.comGeraint's books are available at: www.geraintjonesmedia.com and https://www.amazon.co.uk/stores/Geraint-Jones/author/B06XTKLWBMSupport the show

Charlie Sheen on tiger blood, sobriety and the lies of 9-11. (0:00) The Infamous “Tiger Blood” Interview (11:20) The Time Sheen Got Booed off Stage in Detroit (29:49) Why Sheen Refused to go to Rehab (35:44) The Key to Getting Sober (59:39) Sheen's Thoughts on God (1:23:42) Why People Are Scared of the Truth Charlie Sheen is an actor best known for his leading roles in films such as "Platoon," "Wall Street," "Major League," and "Rooftop Killer," and television shows including "Spin City" (for which he won a Golden Globe Award) and "Two and a Half Men." His new book, "The Book of Sheen," is available now. He is featured in the Netflix documentary, "AKA Charlie Sheen," streaming now. Charlie has recently co-founded a new non-alcoholic beer brand called Wild AF, which will be available in October. Born Carlos Estevez, Sheen lives in Malibu, CA, where he grew up. www.charliesheenbook.com www.netflix.com/title/82024990 www.wildafbrewing.com Paid partnerships with: Black Rifle Coffee: Promo code "Tucker" for 30% off at https://www.blackriflecoffee.com Dutch: Get $50 a year for vet care with Tucker50 at https://dutch.com/tucker Eight Sleep: Get $350 off the new Pod 5 Ultra at https://EightSleep.com/Tucker MeriwetherFarms: Visit https://MeriwetherFarms.com/Tucker and use code TUCKER10 for an extra 10% off. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are fascinated with aka Charlie Sheen (Netflix) - a revealing documentary about the life and career of one of Hollywood's great talents and bad boys. Join Shai and Lily (and Becky for a few minutes) as they walk down the memory lane of Charlie Sheen's best performances (Platoon, Cadence, Navy Seals, Wall Street, Major League!!!) and react to the documentary's many revelations. And you'll never guess our MVP of the film! Also, this was the perfect opportunity to bring in some special guest theme music from Chris Kamsch's Dingleberry Dynasty - the epic song about Charlie, Emilio, and Martin - "Sheen."  Follow @floatersmovie for updates! Sign up for the Friday Night Movie Newsletter for giveaways, curated episode playlists from the hosts and guests (including our mom), and at MOST one email per month (and probably fewer).  Closed captions for this episode are available via the player on the official Friday Night Movie homepage, the Podbean app and website, and YouTube.  The Friday Night Movie Family supports the following organizations: The Red Tent Fund | HIAS | Equal Justice Initiative | Asian American Journalists Association | The Entertainment Community Fund. Subscribe, rate and review us on your favorite podcast platform, including iTunes | Spotify | Stitcher | Google Play | Podbean | Overcast. Play along with Friday Night Movie at home! Read the FNM Glossary to learn the about our signature bits (e.g., Buy/Rent/Meh, I Told You Shows, Tradesies, etc). Email us at info@p4tmedia.com or tweet @FriNightMovie, @pancake4table, @chichiKgomez, and/or  @paperBKprincess.  Follow our creations and zany Instagram stories @frinightmovie, @FNMsisters, and @pancake4table. Follow us on Letterboxd (@pancake4table) where we're rating every movie we've EVER watched.  Subscribe to our quarterly newsletter for exclusive giveaways and news! Theme music by What Does It Eat.  Subscribe and leave a review on IOS or Android at frinightmovie.com.  

It's time for a little Phillies weekend update amidst all the reaction to the Eagles win yesterday. The Phillies who lost a series to the Diamondbacks yesterday. But more importantly has another awkward moment with one of their bigger names in Nick Castellanos who may not be adapting as well to his new platoon role than previously thought

Megyn Kelly is joined by Charlie Sheen, author of "The Book of Sheen," to talk about getting sober, how he mended his relationship with his father Martin and brother Emilio, getting to work with his dad in "Wall Street," that wild moment in 2011 when he was fired at the height of his career for erratic behavior, the potential enablers around him during that time, his early career successes, being the son of Martin Sheen, his breakout role in "Ferris Bueller," turning down the lead in "Karate Kid," his powerful performance in "Platoon," his longtime friendship with Nicholas Cage, his past experience with Matthew Perry, revelations about past relationships, and more.More from Sheen: https://www.charliesheenbook.com/ Done with Debt: https://www.DoneWithDebt.com & tell them Megyn Kelly sent you!Masa Chips: Get 25% off your first order | Use code MK at https://MASAChips.com/MKBirch Gold: Text MK to 989898 and get your free info kit on goldFollow The Megyn Kelly Show on all social platforms:YouTube: https://www.youtube.com/MegynKellyTwitter: http://Twitter.com/MegynKellyShowInstagram: http://Instagram.com/MegynKellyShowFacebook: http://Facebook.com/MegynKellyShowFind out more information at:https://www.devilmaycaremedia.com/megynkellyshow  

Charlie Sheen is an actor best known for his leading roles in films such as "Platoon," "Wall Street," "Major League," and "Rooftop Killer," and television shows including "Spin City" (for which he won a Golden Globe Award) and "Two and a Half Men." His new book, "The Book of Sheen," is available now. He is featured in the Netflix documentary, "AKA Charlie Sheen," streaming now. Charlie has recently co-founded a new non-alcoholic beer brand called Wild AF, which will be available in October. Born Carlos Estevez, Sheen lives in Malibu, CA, where he grew up.www.charliesheenbook.com www.netflix.com/title/82024990www.wildafbrewing.com PALEOVALLEY.COM/ROGAN OR ORDER ON AMAZON Don't miss out on all the action - Download the DraftKings app today! Sign-up at https://dkng.co/rogan or with my promo code ROGAN. GAMBLING PROBLEM? CALL 1-800-GAMBLER, (800) 327-5050 or visit gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. 888-789-7777/visit ccpg.org (CT), or visit www.mdgamblinghelp.org (MD). 21+ and present in most states. (18+ DC/KY/NH/WY). Void in ONT/OR/NH. Eligibility restrictions apply. On behalf of Boot Hill Casino & Resort (KS). Fees may apply in IL. 1 per new customer. $5+ first-time bet req. Max. $200 issued as non-withdrawable Bonus Bets that expire in 7 days (168 hours). Stake removed from payout. Terms: sportsbook.draftkings.com/promos. Ends 9/29/25 at 11:59 PM ET. Sponsored by DK. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome back to The Latest Filmmakers Podcast, the show that takes you behind the scenes of the most anticipated films with the creative minds who make them. This week, we're honored to have a pair of brilliant artists to discuss their new psychological thriller, a film that explores the chilling depths of history, identity, and the burden of legacy. It's a short one but a good one as Dom Lenoir hosts. First, we have an actor whose illustrious career spans decades and genres, from his iconic portrayal of the Green Goblin in Spider-Man to his voice work as Gill in Finding Nemo and his Oscar-nominated roles as Sgt. Elias in Platoon, Max Schreck in Shadow of the Vampire, and Vincent van Gogh in At Eternity's Gate. He is, of course, the legendary Willem Dafoe. Joining him is a phenomenal talent making her feature film directorial debut. Known for her impactful work in theater and powerful short films like White Girl, she also co-wrote the screenplay for their new movie. Please give a warm welcome to director and writer Nadia Latif. They are here to discuss their new film, The Man in My Basement, an unnerving adaptation of the acclaimed novel by Walter Mosley. The film, which premiered at the Toronto International Film Festival, tells the story of a down-on-his-luck man in Sag Harbor who finds his life and his family's hidden history turned upside down by a mysterious tenant. Let's dive in. This is The Latest Filmmakers Podcast. OTHER LINKS DIRTY BOY cinema listings FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written and produced by Giles Alderson @gilesalderson Edited by @tobiasvees Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

Andy and Jeff share their takeaways from their conversation with Anthony Castrovince and discuss what they expect from the Guardians through the rest of the regular season and possibly into the post season.

(00:00-14:58) NFL Notes at Noon (14:58-22:49) Nick Castellanos had a positive look on the outfield platoon. (22:49-32:02) When is it time to get bothered by the potential discipline problem the Eagles have? (32:02-39:16) Ray expresses his annoyance for NFL Redzone.

Good stories don't magically appear on the page. Someone grinds them out. In this encore edition of Doing What Works I tell you how I wrote my second book, why I didn't want to, and why I'm glad I did. Here are your show notes… Left for Dead: A Second Life after Vietnam is the memoir of Jon Hovde. Staying the Course: A Runner's Toughest Race is the memoir of Dick Beardsley. Platoon helped me get in the mood to write Left for Dead. There's a difference between a story and a sequence of events; the writers of South Park know! There's no such thing as writer's block. The Summer of Ordinary Ways “wrings intensity,” as one person put it, “from the seemingly mundane.”

Please Note: Owing to a major accident that closed down Highway 60—a central route I take in commuting to WMNF each Wednesday—I was unable to make it to the radio station to broadcast ‘Talking Animals,” having to deliver an improvised version of this show from my car, with enormous (& much-appreciated!) production assistance from Jessica […] The post Patrick Hardy, founder of Bee Platoon first appeared on Talking Animals.

Welcome to a new sub-series of the podcast devoted to screenplays for movies that never got made. There are tons of famous screenplays from Oliver Stone's first draft of Conan to Del Toro's At the Mountains of Madness. For each episode in this series, we will read and review a script that never got made.In this episode, I am joined by author Anthony Trevino and Musician/Filmmaker Issa Diao to discuss The Unproduced Shadow Company by Shane Black and Fred Dekker which was supposed to be John Carpenter's follow-up to They Live in 1988. This cult classic script that was cross between Platoon and Night of the Living Dead is something of a legend. We break it down.

During the 2024-25 season, Alisa Weilerstein premiered three new cello concertos – Richard Blackford's The Recovery of Paradise (which she has recorded for Pentatone with the Czech Philharmonic conducted by Tomáš Netopil), Gabriela Ortiz's Dzonot (recorded for Platoon with the Los Angeles Philharmonic and Gustavo Dudamel) and Thomas Larcher's Returning into Darkness (premiered with the New York Philharmonic). James Jolly caught up with Alisa to talk about the two new recordings and also hear about her Fragments project that she's bringing to London as part of a South Bank Centre residency later this year. The Gramophone Podcast will now be included in The British Library Sound Archive, catalogued and preserved for future generations as part of the nation's audio and cultural heritage.

While the Phillies have been surging a lot of it has been with star right fielder Nick Castellanos having to take on a roll as a platoon player rather than an everyday starter. There seems to be a passive aggressive cloud around the situation as Castellanos can't be happy by this development. How do you feel about Nick Castellanos' current situation?

By the 132nd episode of Fear and Loathing in Cinema, one begins to wonder if Bryan, Dan, Chelsea, and their revolving door of guests aren't actually podcasters at all, but cultural archaeologists, digging through the cinematic rubble of the '90s with the patience of Indiana Jones and the appetite of Mystery Science Theater 3000. This week, their excavation tool of choice is Operation Dumbo Drop, Disney's 1995 attempt to stage a Vietnam War film with all the gravitas of Platoon, if Platoon had a wisecracking elephant in the starring role. The post Episode #132 – Operation Dumbo Drop (1995) first appeared on Boomstick Comics.

From 'High Hopes' (subscribe here): James Seltzer and Jack Fritz react to the Phillies sweep of the Rangers over the weekend and the success the outfield has had since the trade deadline. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Lock, load, and prepare for a ballistic ride. This week, the Born to Watch crew take on the movie that brought Keanu Reeves roaring back into the action spotlight and set a new standard for gun-fu carnage with their John Wick (2014) Review.Whitey, G Man, Damo, and returning guest Bones gather in the "Red Circle Russian Baths" to break down this lean, mean revenge machine. The premise is simple: they killed his puppy, they stole his car, and now John Wick is going to kill absolutely everyone. What follows is 101 minutes of exquisitely choreographed violence, ruthless headshots, and underworld world-building that's as fascinating as it is stylish.The boys kick things off with an "overs and unders" rewatch count, Bones leading the charge with a double-digit tally, Damo admitting he was late to the Wick party, and G Man revealing this was only his second full viewing. Whitey takes us back to his last days running a video shop in 2014, when he first discovered the movie on DVD and immediately knew it was something special.From there, it's a high-calibre conversation covering the sequels (John Wick 2 gets big love, John Wick 3 cops a length warning, and John Wick 4 is called out for testing bladders at nearly three hours). They crunch the numbers on the original film's body count, 84 kills for Wick alone, and swap favourite takedowns, from the Red Circle massacre to the infamous knife-to-the-chest finisher.But John Wick isn't just about spraying bullets. The team dive into what makes it different: the cool, calculated underworld mythology of The Continental, the gold coin economy, and the assassin's code that adds sophistication to the chaos. They agree that the "no business on Continental grounds" rule is a masterstroke, and that Ian McShane's Winston brings the perfect mix of charm and menace.Keanu Reeves' career gets its own spotlight, with nods to Point Break, Speed, The Matrix, and even the roles he almost played (Platoon, Starship Troopers). Supporting cast members also get their flowers: Michael Nyqvist's quietly menacing Viggo, Alfie Allen's punchable rich-kid villainy, Willem Dafoe's sniper guardian angel, and a surprise cameo from wrestling giant Kevin Nash.In true Born to Watch fashion, the chat spirals into side quests: hot takes on Taken's influence on modern revenge films, debates over whether Russians are cinema's ultimate gangsters, and an oddly passionate discussion on Japanese onsens and Russian bathhouses (including the etiquette of washing before soaking with strangers).They also unpack critical reception, David Stratton's dismissive "all gun battles" take versus The New York Times' praise for its style, wit, and box office performance, noting how word of mouth turned a modest $86 million return into the launchpad for a billion-dollar franchise.Signature segments return in force:Hit, Sleeper, Dud, Swinger – with Interstellar and Edge of Tomorrow as hits, Frank as the sleeper, Dumb and Dumber To as the dud, and Pompeii roasted as a "swinger" that belongs in cinematic ash.Snobs Report Special – veering gloriously off-topic to Alexandra Daddario's career-making scene in True Detective.Question Time – covering everything from the realism of Wick's "magic pills" to whether Iosef's death was anticlimactic, and what exactly makes a headshot so satisfying.Through it all, the crew's affection for John Wick is undeniable. They celebrate its stripped-back storytelling, grounded stunt work, and unrelenting pace, while acknowledging its few stumbles. It's the perfect mix of 80s-style simplicity and modern fight choreography, proof that a revenge story, told well, never goes out of style.If you're a fan of tight, furious action films with a killer lead, a colourful rogues' gallery, and a fictional criminal underworld you want to explore (but not live in), this is the Born to Watch episode for you.JOIN THE CONVERSATIONIs John Wick the best modern action franchise or just a stylish headshot marathon?Which kill in the Red Circle nightclub is your all-time favourite?Is killing the puppy the single most effective way to make an audience cheer for revenge?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.#JohnWick #KeanuReeves #MoviePodcast #ActionMovies #BornToWatch #GunFu #RevengeMovies #CultAction #FilmReview #PopCulture #borntowatchpodcast

James Seltzer and Jack Fritz react to the Phillies sweep of the Rangers over the weekend and the success the outfield has had since the trade deadline. Presented by Miller Lite To purchase Ring The Bell by Jack Fritz and Kevin Reavy go to RingTheBellBook.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This was originally released in 2022. The internationally renowned South African guitarist Derek Gripper is famous for his groundbreaking technique for evoking the West African kora on the guitar. During this episode you'll get to hear Derek play quite a bit and you will hear his wonderful insights on how we listen to and learn music, the influence of Montessori and Alexander Technique in his life, his reflections on important collaborations in his career and his perspectives on changes that have been imposed on creators and performers.My website for the video and transcriptDerek Gripper WebsiteNewsletterBuy me a coffee?Podcast Merch(00:00:00) Introduction (00:01:45) Bach guitar music with intro (00:04:00) carnatic music studies, album with tabla player Udai Mazumdar (00:06:12) structural improvisation, Bach (00:08:18) Alexander Technique (00:15:28) violin studies (00:16:24) Derek's recording approach (00:20:30) “Billly Goes to Durban” (00:21:28) kora music, Toumani Diabaté (00:25:18) “Tubaka” guitar music (00:26:36) Derek's transcriptions, Zoom classes (00:30:12) online music economy, Derek's experiences with selling albums, Platoon label (00:35:35) Montessori method and teaching guitar (00:39:38) "A Year of Swimming" (00:41:34) Alex Van Heerden, “Sagtevlei”, Steve Reich, Bryan Bolton (00:45:36) Guy Buttery and different collaborations (00:48:12) South Africa and COVID's economic ramifications (00:49:43) Madosini (00:52:06) World Music as a genre and marketing tool (00:58:23) Derek's style of performing (01:00:31) mental health, touring, mindset with Alexander Technique inhibition and internal resistance (01:04:42) "Seeing Nobody" guitar music (01:07:00) reflections on Derek's career, being South African, John Williams, Lucy Duran (01:11:30) Derek's guitars, Paul Galbraith Brahms guitar, “Bloomdorns”, Hermann Hauser, just intonation and bending notes, oud, lute, veena, (01:17:36) Derek's advice and reflections on too much inputphoto: Luke Young

Reposted from Wax Episodic, which you can find at: https://podcastica.com/podcast/wax-episodic — So much fun to revisit one of the most classic sci-fi action movies ever. We're starting to think these creatures might be dangerous, btw. Join Randy and Jason for some in-depth appreciation before we move on to the new stuff! Links: Alien: Earth trailer: https://www.youtube.com/watch?v=ZbsiKjVAV28  Abstract for Archmaester Rennie's article "Negotiating the Vietnam War Through Permeable Genre Borders: Aliens as Vietnam War Film, Platoon as Horror Film.": https://scholar.google.com/citations?view_op=view_citation&hl=en&user=LxLSuWAAAAAJ&citation_for_view=LxLSuWAAAAAJ:Y0pCki6q_DkC Next up: Alien: Earth S1E1&2 “Neverland” & “Mr. October”! Let us know your thoughts. You can email or send a voice message to talk@podcastica.com.  Or check out our Alien: Earth Facebook group, where we put up comment posts for each episode, at facebook.com/groups/alienearthpodcastica. Come join us at the Alien: Earth Facebook Group by Podcastica: https://facebook.com/groups/alienearthpodcastica  Check out all our other shows at podcastica.com.  Show support and get ad-free episodes and a bunch of other cool stuff: patreon.com/jasoncabassi  Or go to buymeacoffee.com/cabassi for a one-time donation. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Born to Watch, the boys dive sunglasses-first into their Cobra (1986) Review, Sylvester Stallone's 80s fever dream of fascist fashion, cult chaos, and cheeseball one-liners. In a time when Sly was king of the box office, rocking Rambo and Rocky, he went rogue and gave us… Marion Cobretti. Part cop, part Terminator, all denim.Whitey, G-Man, and Morgz try to unpack this absurd Dirty Harry knockoff that's equal parts vanity project and testosterone overdose. From the opening monologue's completely made-up crime stats to the gratuitous axe-wielding cult, nothing about Cobra makes sense, and that's half the fun.But it's not all bullets and bravado. The team takes a hard look at Stallone's creative control (spoiler: he shouldn't have had any), the film's bizarre product placement (Pepsi, anyone?), and a montage that includes Brigitte Nielsen posing with robots to a Robert Tepper deep cut. Seriously.Gow marvels at the buckle boots and slasher absurdities, Dan questions why Cobra opens a warm beer just to throw it, and Whitey can't believe this was supposed to be the start of a franchise. There's praise for the poster, grief for the editing, and unfiltered confusion about the serial killer cult that clinks axes in an abandoned pool.Also in this episode:An explosive “Good, Bad, and Ugly” segment where “ugly” takes on new meaningA wild tangent into Canadian trailer parks and Gow's legendary exploits as the “Ten Slayer”A bonus voicemail from our mate XR8 Chupperz, who wants answers about Canadian bar fights and Gow's taste in trailer park womenAs the crew reflects on Cobra's place in 1986 cinema, surrounded by giants like Top Gun, Aliens, and Platoon, they ask the big questions: Could this have been good with a different cut? Did anyone actually direct this thing? And is “You're a disease, and I'm the cure” the greatest dumb action line ever written?Spoiler alert: Cobra ends with 41 confirmed kills. Stallone doesn't just clean up crime; he clears the census.So if you love muscle-bound madness, slashers in stocking masks, or just want to laugh at a movie that takes itself way too seriously, this episode is for you.JOIN THE CONVERSATIONIs Cobra a misunderstood action gem or just a flaming dumpster fire of denim and ego?Would you ride shotgun with Cobretti or run from his gun with the custom Cobra logo? Who's scarier—the Night Slasher or that robot photo shoot montage?Drop us a voicemail at https://www.borntowatch.com.au and be part of the show!Listen to the full episode now on Spotify, Apple Podcasts, or wherever you get your pods.#Cobra #SylvesterStallone #BornToWatch #MoviePodcast #80sAction #CultClassic #BadMoviesWeLove #BrigitteNielsen #PepsiPlacement #GunWithALogo

Continuing our Oliver Stone series, we turn to Platoon (1986), the film that established Stone as a superstar director and inaugurated the most celebrated phase of his career, revolving around the ghosts of the 1960s. Brett discusses the reception of Platoon in terms of the cultural politics of New Hollywood and of the Reagan era, and he considers the real reasons for the emergence of the Vietnam film at this time. He also takes a closer look at Hemdale, the sus production company behind this and Stone's previous effort, and he offers some personal reflections on the film's legacy. Thomas discusses the neo-shamanic, countercultural spirituality invested in the Willem Dafoe character and offers an analysis of the “two fathers” theme that would come to define Stone's work. If you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/magazine-home/https://twitter.com/CinemaPsyophttps://www.patreon.com/PsyopCinemahttp://psyop-cinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com   

In this gripping episode of The Tracklist, hosts Daron Jenkins (@thedaronjenkins) and Chris Saunders (@chrissaunders_music) dive deep into Platoon (1986)—Oliver Stone's Oscar-winning war epic that redefined Vietnam cinema. We break down the hauntingly beautiful soundtrack, anchored by Samuel Barber's Adagio for Strings, and how it shaped the emotional tone of the film. From The Doors to Motown classics, we explore how Platoon's music elevated its brutal realism and gave voice to the soldiers' inner turmoil.We also spotlight the all-star cast—Charlie Sheen, Willem Dafoe, Tom Berenger, Forest Whitaker—and Keith David who just received his star on the Hollywood Walk of Fame!Like and subscribe to our podcast wherever you listen/watch!Please...support the podcast by purchasing a hoodie or t-shirt! Visit our Merch store at https://tracklist-shop.fourthwall.com

In this episode, James and Sean review the classic, multiple Oscar-winning 1986 film Platoon, directed by Oliver Stone and based on Stone’s own experience as a soldier in the Vietnam War.See omnystudio.com/listener for privacy information.

Hour 3 of Afternoon Drive

Platoon! Did you know this was an NES game? Have you seen Platoon? While watching it did you think it was just the PERFECT movie to base an NES game on? No? Neither did we. But we watched/re-watched Platoon and did a deep dive into this game. Of course, we brought on our foremost gunologist … Continue reading → The post Ep. 823 –Platoon (NES) appeared first on TADPOG: Tyler and Dave Play Old Games.

TVHulk Hogan is not on his deathbed, despite internet rumors that sent fans into a frenzy. Cheers to Kelsey Grammer becoming a dad again! Sarah Jessica Parker has had a tough time with all the negative comments about her appearance. She was once a fairly confident person, but that changed when "Sex and the City" premiered in 1998. · Joel McHale has spent $10,000 on hair transplants.· MUSICThe Country Music Hall of Fame just announced that they're opening a new exhibit. It's called "Lainey Wilson: Tough as Nails", and it will trace Lainey's steps from her family's farm in Baskin, Louisiana . . . all the way to her rise to fame. The exhibit opens on July 18th and runs through next June. MOVING ON INTO MOVIE NEWS:The first trailer from the Bruce Springsteen biopic has been released, giving us a look at 'The Bear' star Jeremy Allen White as The Boss. Hugh Jackman made a quick escape from a massive crowd with the help of a couple of fans who were driving by. Charlie Sheen is releasing a memoir. Whiskey Riff came out with a list of five times country music completely stole the show in a movie. Check out a quick montage of their list.Audio: MUSIC IN MOVIES· 1. "Sweet Home Alabama" by Lynyrd Skynyrd . . . from "Forrest Gump"· 2. "Okie from Muskogee" by Merle Haggard . . . from "Platoon"· 3. "Flowers on the Wall" by The Statler Brothers . . . from "Pulp Fiction"· 4. "Life Is a Highway" by Rascal Flatts . . . from "Cars"· 5. "I Am a Man of Constant Sorrow" by The Soggy Bottom Boys . . . from "O Brother, Where Art Thou?" GAMINGNearly 3,000 Nintendo Switch 2 consoles totaling $1.4 million were stolen from a semi-truck in Colorado earlier this month. AND FINALLYUltimate Classic Rock released the worst Classic Rock Covers: 1. "Dancing in the Street", Mick Jagger and David Bowie (Martha and the Vandellas, 1964)2. "Fortunate Son", U2 (CCR)3. "What's Going On", Cyndi Lauper (Marvin Gaye)4. "American Pie", Madonna (Don McClean)5. ‘Is She Really Going Out With Him' – Sugar Ray (Joe Jackson)6. "Do Ya Think I'm Sexy", Paris Hilton (Rod Stewart)7. “Behind Blue Eyes”, Limp Bizkit (The Who)Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(0:00) Felger, Mazz, and Murray open the first hour of the show discussing Cora’s managerial approach so far in 2025. (18:58) Callers weigh in on the Red Sox. (25:21) The guys discuss the Hunter Dobbins story and the media coverage of it. (37:30) The Latest Mazz’s Tiers.

Get ready for three sets of 30-second sprints where you'll train your nervous system and your metabolic system to be sharper! While you get a great training session in, Alisa is teaching a powerful message from 2 Samuel 1. She asks a mic drop question: Would you mourn, fast, and pray for the person who is making your life miserable? Press play to hear the whole message that will shake up your heart! New to REVING the Word? Press play and take this episode on a walk, run, hike, or to the gym. You pick how you want to move your body as you work out your body, and work in the good news! Playlist for #998 If you're looking for a community to go deeper with, RW+ Membership is for you! RW+ brings together everything you need to honor God with your body, grow in faith, and find freedom and wholeness through Christ, including our Food and Body Addiction Group. Check it out here: [link] We're enrolling now for Platoon 35 and Brigade 4! You were made for this! Sign up here! Get connected: revelationwellness.org | Instagram | YouTube Please consider following this show (and sharing it with a friend), leaving a review, and telling us what you think with a voice message! If you leave us a voice message, be sure to include the episode number. Follow | Leave a Review | Send a Voice Message  

Send us a textLet's get one thing straight—Charlie Faint isn't just an intel officer. He's the intel officer that made it through JSOC, the 160th, and now West Point without once becoming a PowerPoint nerd with security clearance delusions. In this episode, we dig into his warrior-scholar journey—from nearly drowning in a flight suit during selection to launching the Havoc Journal and mentoring cadets who think Platoon is a recruiting video.We cover everything: JSOC mythos, combat intel screw-ups, the Rangers' OPSEC paranoia, mentoring Gen Z cadets with TikTok attention spans, and what happens when your daughter accidentally drops a no-strike target's name over a monitored call. You'll laugh. You'll learn. You'll probably get flagged by the NSA.