Podcasts about geeshie wiley

Rick invites Mike Stevens & John Ross back to the podcast to talk about Sinners! We get into the cultural impact created by director, Ryan Coogler as well as characters played by Michael B Jordan, Delroy Lindo, Jayme Lawson, Hailee Stansfield, Wunmi Moaku & Miles Canton. We also get into how we first heard about the film, stories about the blues, traveling through the south, Geeshie Wiley, Buddy Guy, where we first saw the film & cunnilingus. Please subscribe, review & give us that 5 star boop!

There's going to be a free form mix of sounds this week with some ‘scenes of devastation' as well as some blues and tradition. We'll set the tone with a song that inspired the title lines from The Pine Hill Project and then head into some tradition and some covers that speak in the language of the sacred and secular…from Saturday night at the juke to Sunday morning in the pew. A great mix of sounds from some classic female blues gems from the 1940s like Wea Bea Booze and Ethel Waters. We'll also go down to the crossroads and Deep Elem with the likes of Champion Jack Dupree and T-Bone Walker, some deeper/darker blues from Geeshie Wiley and Blind Lemon Jefferson as well. But we'll also fill the air with the tops in great interpretations from Van Dyke Parks, Willie Watson and Bob Brozman. Join us for some ‘last kind words' from the Rocky Road Blues to James Alley on a Friday morning in West County.

 | Artist  | Title  | Album Name  | Album Copyright  |  | Big Bill Broonzy  | Why Did You Do That To Me  | Big Bill Broonzy Vol 12 (1945-1947) | Fiona Boyes  | Louisana  | Box & Dice  |  | Andres Roots  | Wagon Swing  | Mississippi to Loch Lomond  |  | Andrew & Jim Baxter  | Operator Blues  | The Stuff that Dreams are Made Of (disc 1) | Alvin Youngblood Hart  | Big Mama's Door  | Big Mama's Door  |   |  | Lightnin' Hopkins  | Mr. Charlie  | Ashgrove 5-29-65 - Early Show  |  | Rory Block  | Lord, I Feel Just Like Goin' On  | I Belong To The Band  |  | Washington Phillips  | Denomination Blues, Pt. 1  | Washington Phillips and His Manzarene Dream | Bukka White  | Fixin' To Die Blues  | The Complete Sessions 1930-1940 | Henry Townsend  | Drowning In Tears  | Searching For Secret Heroes  | Document Records  |  | Gary Grainger  | Nobodys Fault But Mine  | Mistakes and Out-takes  |  | Mike Goudreau  | Bread And Water  | Acoustic Sessions  |   |  | Geeshie Wiley  | Over To My House  | When The Levee Breaks, Mississippi Blues (Rare Cuts CD C)  | 2007 JSP  Records  |  | Chris O  | Arrangement for Me Blues  | Peckman's Plateau  |   |  | Michael Messer  | Riverboat  | 22 Special Blues Tracks  |  | Half Deaf Clatch  | Fixin' To Die  | Tribute to Bukka White  | 

Bing Crosby "Try A Little Tenderness"Ruth Brown "Mama, He Treats Your Daughter Mean"Hank Williams "Long Gone Lonesome Blues"Eilen Jewell "Hallelujah Band"John Hammond "Murder In The Red Barn"Langhorne Slim "Alligator Girl"Ted Hawkins "North to Alaska"Martha Carter "I'm Through Crying"THE BLACK CROWES "She Gave Good Sunflower"Steve Earle "Now She's Gone"James McMurtry "Song for a Deck Hand's Daughter"Geeshie Wiley "Last Kind Word Blues"Lucinda Williams "Can't Let Go"The Wandering "Old Joe Clark"Freddy King "Have You Ever Loved A Woman"Hank Penny And His California Cowhands "What She's Got Is Mine"Little Miss Jessie "My Baby Has Gone"Lyle Lovett "If I Had a Boat"Howlin' Wolf "Sugar Mama (Live 1963)"Buddie Emmons "Bluemmons"Joan Shelley "We'd Be Home"Lucero "The Only One"Little Willie John "Fever"George Jones "White Lightning"Benny Goodman & His Orchestra "Your Mother's Son-In-Law"Slim Harpo "Buzz Me Babe"Loretta Lynn "Heartaches Meet Mr. Blues"Neko Case "Deep Red Bells"Bo Diddley "Pretty Thing"Bonnie Raitt "Give It up or Let Me Go"Jimmy & Mama Yancey "Santa Fe Blues"Gillian Welch "I Had a Real Good Mother and Father"Jimmie Rodgers "Long Tall Mama Blues"Arthur Crudup "That's Alright Mama"Satan and Adam "Crawdad Hole""Sweet" Emma Barrett and Her Dixieland Boys "I Ain't Gonna Give Nobody None of This Jelly Roll"Bob Dylan "Floater (Too Much to Ask)"Trixie Butler "You Got The Right Key"Pearl Reaves "Step It Up And Go"Pearl Reaves "You Can't Stay Here"Pearl Reeves And The Concords "You Can't Stay Here"Milton Brown "Easy Ridin' Papa"Albert King "I'll Play The Blues For You (Album Version - (Parts 1 & 2))"Andrew Bird "Fake Palindromes"Bob Wills & His Texas Playboys "Steel Guitar Rag"Reverend Gary Davis "Motherless Children"Blue Lu Barker "Loan Me Your Husband (03-21-49)"Tom Waits "Tom Traubert's Blues (Four Sheets To The Wind In Copenhagen)"Bessie Smith "I Used to Be Your Sweet Mama"Beastie Boys "Slow and Low"

In episode 2, Christina & Courtney of #blkgrlswurld Press speak with special guest, Daphne A. Brooks about her new book, 'Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound,' published by Harvard University Press. Daphne is an African American studies professor at Yale University with an interest in all types of music, from punk rock to folk and beyond. Many artists are mentioned worth researching further including: Maureen Man, Danielle Smith, Rhiannon Giddens, Mamie Smith, Geeshie Wiley, Valerie June, Von Truong, etc. Closed Captions are available in the youtube version of the episode. Podcast production and video editing by Christina Long. Special thanks to Jeanne Fury. #heavygirlsloveheavymusic #blackwomxn #blackgirlsrock #blackhistory

Letting the women do the talking (or singing) this week Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Double Down by Slothrust on The Pact (Dangerbird Records) 4′22″ New Year's Eve by Mal Blum on Every Time You Go Somewhere (Don Giovanni Records) 10′26″ Little Sadie by Hedy West on Hedy West Accompanying Herself On The 5 String Banjo (Vanguard) 13′23″ Let The Sun Shine Down On Me by Jean Ritchie on Mountain Hearth & Home (Elektra) 15′50″ Windy City Blues by Ruth Ladson on Chicago Blues Vol. 2 (Document) 18′40″ Let Me Down Easy by Bettye LaVette on Nearer To You (n/a) 21′52″ High & Wild by Angel Olsen on Burn Your Fire For No Witness (Jagjaguwar) 25′43″ Are you Looking After yourself by Courtney Barnett on A Sea of Split Peas (Marathon Artists) 31′05″ Wayside/Back in Time by Gillian Welch on Soul Journey (Acony Records) 34′52″ One Way Street by Ann Peebles on I Can't Stand the Rain (Hi Records) 37′48″ Sweet Little Angel by Big Mama Thornton on Ball And Chain (Arhoolie Records) 45′05″ When You Die by Lala Lala on The Lamb (Hardly Art) 48′21″ Heartache by The She's on All Female Rock and Roll Quartet (Empty Cellar Records) 52′02″ Cinnamon by Girl K on Cinnamon (n/a) 56′31″ New Red Pants by Slothrust on The Pact (Dangerbird) 59′06″ Sing Sung Saing by Penny Honeywell on Faint Humms (n/a) 62′31″ Treat Me Right by Norma Tanega on Walkin' My Cat Named Dog (Rhino) 65′34″ Babe, I'm Gonna Leave You by Joan Baez on In Concert (Vanguard) 69′13″ People Talkin' by Lucinda Williams on World Without Tears (Lost Highway) 75′11″ Just a Heart by Hurray For The Riff Raff on My Dearest Darkest Neighbor (This is American Music) 77′53″ Last Kind Words Blues by Geeshie Wiley on American Primitive Vol. II: Pre-War Revenants (1897-1939) (Revenant) 80′35″ Livin' With The Blues by Odetta on Odetta Sings (Universal (MT)) 83′14″ Nine Hundred Miles by Barbara Dane on Livin' With the Blues (Fresh Sound Records) 86′07″ In My Own Dream by Karen Dalton on In My Own Time (Paramount Records) 90′48″ Careless Love by Madeleine Peyroux on Careless Love (Rounder) 94′19″ Wandering Star by POLIÇA on Give You The Ghost (Mom + Pop) 99′50″ Pantheon Punk by Idgy Dean on Ominous Harminus (n/a) 104′03″ Born, Never Asked by Laurie Anderson on Big Science (Warner Brothers) 109′42″ All Apologies by Sinead O'Connor on Universal Mother (Chrysalis Records) 113′12″ Motion Sickness by Phoebe Bridgers on Motion Sickness (Dead Oceans) 115′18″ Sextet in C Minor by Louise Farrenc (n/a) Check out the full archives on the website.

Letting the women do the talking (or singing) this week Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Double Down by Slothrust on The Pact (Dangerbird Records) 4′22″ New Year's Eve by Mal Blum on Every Time You Go Somewhere (Don Giovanni Records) 10′26″ Little Sadie by Hedy West on Hedy West Accompanying Herself On The 5 String Banjo (Vanguard) 13′23″ Let The Sun Shine Down On Me by Jean Ritchie on Mountain Hearth & Home (Elektra) 15′50″ Windy City Blues by Ruth Ladson on Chicago Blues Vol. 2 (Document) 18′40″ Let Me Down Easy by Bettye LaVette on Nearer To You 21′52″ High & Wild by Angel Olsen on Burn Your Fire For No Witness (Jagjaguwar) 25′43″ Are you Looking After yourself by Courtney Barnett on A Sea of Split Peas (Marathon Artists) 31′05″ Wayside/Back in Time by Gillian Welch on Soul Journey (Acony Records) 34′52″ One Way Street by Ann Peebles on I Can't Stand the Rain (Hi Records) 37′48″ Sweet Little Angel by Big Mama Thornton on Ball And Chain (Arhoolie Records) 45′05″ When You Die by Lala Lala on The Lamb (Hardly Art) 48′21″ Heartache by The She's on All Female Rock and Roll Quartet (Empty Cellar Records) 52′02″ Cinnamon by Girl K on Cinnamon 56′31″ New Red Pants by Slothrust on The Pact (Dangerbird) 59′06″ Sing Sung Saing by Penny Honeywell on Faint Humms 62′31″ Treat Me Right by Norma Tanega on Walkin' My Cat Named Dog (Rhino) 65′34″ Babe, I'm Gonna Leave You by Joan Baez on In Concert (Vanguard) 69′13″ People Talkin' by Lucinda Williams on World Without Tears (Lost Highway) 75′11″ Just a Heart by Hurray For The Riff Raff on My Dearest Darkest Neighbor (This is American Music) 77′53″ Last Kind Words Blues by Geeshie Wiley on American Primitive Vol. II: Pre-War Revenants (1897-1939) (Revenant) 80′35″ Livin' With The Blues by Odetta on Odetta Sings (Universal (MT)) 83′14″ Nine Hundred Miles by Barbara Dane on Livin' With the Blues (Fresh Sound Records) 86′07″ In My Own Dream by Karen Dalton on In My Own Time (Paramount Records) 90′48″ Careless Love by Madeleine Peyroux on Careless Love (Rounder) 94′19″ Wandering Star by POLIÇA on Give You The Ghost (Mom + Pop) 99′50″ Pantheon Punk by Idgy Dean on Ominous Harminus 104′03″ Born, Never Asked by Laurie Anderson on Big Science (Warner Brothers) 109′42″ All Apologies by Sinead O'Connor on Universal Mother (Chrysalis Records) 113′12″ Motion Sickness by Phoebe Bridgers on Motion Sickness (Dead Oceans) 115′18″ Sextet in C Minor by Louise Farrenc

De fanns men uppmärksammades inte nämnvärt, men i det här programmet sätter vi strålkastarljuset på orkestrar som bara bestod av kvinnliga musiker och orkesterledare. Lyssna på alla avsnitt i Sveriges Radio Play. Vilka kommer idag ihåg orkestrar som "Rita Andys", "Baby Stars" eller Britt Johnstones "White Ladies" som turnerade runt i Sverige under hela 1930-talet? Eller "Tre Trallande Jäntor", "Mälartöserna", "Kiki Stenfelts Orkester", "Diana Millers Trio" och "Yvonne Modins Kvartett" från 1950- och 60-talen? Ja, det finns mängder av bortglömda kvinnliga musiker och orkesterledare som ingen minns i dag, exempelvis den ungerska violinisten Lily Guyenes som flyttade till Danmark i början 30-talet och var ett stort namn i svensk underhållningsmusik. Vi lyssnar också på den tyska jazzpianisten Jutta Hipp, bluessångerskorna Geeshie Wiley och Elvie Thomas, "Diana Millers all girl quartet" och andra vars namn inte är så kända för eftervärlden. I programmet medverkar sångerskan och musikern Marie Selander, Kajsa Paulsson som forskat om "Baby Stars", jazzbasisterna Harriet Sjösten och Siw Karlén samt orkesterledaren för och arrangören i Kurt Olssons damorkester Elizabeth Engdahl. Programmet är en repris från 10 maj 2015. En P2 Dokumentär av Ola Anderstedt.

De fanns men uppmärksammades inte nämnvärt, men i det här programmet sätter vi strålkastarljuset på orkestrar som bara bestod av kvinnliga musiker och orkesterledare. Vilka kommer idag ihåg orkestrar som "Rita Andys", "Baby Stars" eller Britt Johnstones "White Ladies" som turnerade runt i Sverige under hela 1930-talet? Eller "Tre Trallande Jäntor", "Mälartöserna", "Kiki Stenfelts Orkester", "Diana Millers Trio" och "Yvonne Modins Kvartett" från 1950- och 60-talen? Ja, det finns mängder av bortglömda kvinnliga musiker och orkesterledare som ingen minns i dag, exempelvis den ungerska violinisten Lily Guyenes som flyttade till Danmark i början 30-talet och var ett stort namn i svensk underhållningsmusik. Vi lyssnar också på den tyska jazzpianisten Jutta Hipp, bluessångerskorna Geeshie Wiley och Elvie Thomas, "Diana Millers all girl quartet" och andra vars namn inte är så kända för eftervärlden. I programmet medverkar sångerskan och musikern Marie Selander, Kajsa Paulsson som forskat om "Baby Stars", jazzbasisterna Harriet Sjösten och Siw Karlén samt orkesterledaren för och arrangören i Kurt Olssons damorkester Elizabeth Engdahl. Programmet är en repris från 10 maj 2015. En P2 Dokumentär av Ola Anderstedt.

En este primer programa hablaremos de los orígines rurales y sureños del estilo musical afroamericano más influyente: el blues en su vertiente rural y de sus olvidadas protagonistas femeninas. Conoceremos a Mattie Delaney, Pearl Dickson, Geeshie Wiley, Elvie Thomas y Lottie Beaman.

Guitarist and educator Shane Parish is a sonic adventurer, perhaps best known as the mastermind behind the Asheville, North Carolina-based avant instrumental jazz-mathpunk band Ahleuchatistas, formerly a quartet, now a duo. Besides the jazz and mathrock, their musical stew also includes elements Chinese folk music, minimalism, and lots of other stuff. But Parish has just released a solo record of “weird old Americana” entitled Undertaker, Please Drive Slow on John Zorn's Tzadik label, recorded in an old cabin in the woods. He joins John live in the studio to perform some of them on acoustic guitar. Parish has taken these old timey songs, and “abstracted them in utterly fascinating ways, evoking the haunting and brooding world of the American South” writes John Zorn. Comparisons wouldn’t be out of place to American Primitive guitarists like John Fahey or Robbie Basho, but in the spaces that Parish creates, one might also think of Morton Feldman. In Parish’s ever-evolving reworkings of these folky blues tunes, the songs straddle keys; he’s not content to remain firmly in one or the other. Then, on a song like Geeshie Wiley’s “The Last Kind Words,” Parish takes the vocal melody and makes it more abstract, turning it into a prepared guitar percussion piece in a John Cage way, via paper clips and a slide. Shane Parish's prepared guitar (John Schaefer/WNYC)   PROGRAM #3928,  With Shane Parish  (First Aired 12-12-2016)         ARTIST: AhleuchatistasWORK: Requiem for the Sea [6:46]RECORDING: Heads Full of PoisonSOURCE: Cuneiform RecordsINFO: https://cuneiformrecords.bandcamp.com/album/heads-full-of-poison-3 ARTIST: Shane ParishWORK: Dark Was the Night, Cold Was the Ground (Blind Willie Johnson) [4:29]RECORDING: Live, WNYC Studio, Dec. 2016SOURCE: This performance not commercially available. INFO: Appears on Undertaker, Please Drive Slow, out now on Tzadik Records 4016 ARTIST: Shane ParishWORK: Oh Death [3:45]RECORDING: Undertaker, Please Drive SlowSOURCE: Tzadik Records 4016INFO: tzadik.com ARTIST: Shane ParishWORK: The Maid Freed From the Gallows [7:04], The Last Kind Words (Geeshie Wiley) [5:25]RECORDING: Live, WNYC Studio, Dec. 2016SOURCE: his performance not commercially available. INFO: Appears on Undertaker, Please Drive Slow, out now on Tzadik Records 4016 ARTIST: Tim SparksWORK: I’ll Fly Away [5:37]RECORDING: Chasin’ the BoogieSOURCE: Tonewood INFO: cdbaby.com