Podcast appearances and mentions of Madeleine Peyroux

The whole show was such great music, one person pulled in to a layby beside the Waikato River to listen and send a txt of thanks! Standout tracks included "Please Come On Inside" by Madeleine Peyroux, "The Dust" from The Kearns Family, "Spirits" from The Devil Makes Three and "Colours" from Black Pumas. 

The whole show was such great music, one person pulled in to a layby beside the Waikato River to listen and send a txt of thanks! Standout tracks included "Please Come On Inside" by Madeleine Peyroux, "The Dust" from The Kearns Family, "Spirits" from The Devil Makes Three and "Colours" from Black Pumas. 

Jazz88's Peter Solomon speaks with singer Madeleine Peyroux about her 2024 album "Let's Walk." It focuses entirely on original music - songs that address issues of social justice, life, and love. Peyroux will perform in a double billing with blues and soul singer Bettye LaVette Thursday, March 20th and Friday, March 21 at the Parkway Theater.

José Luis Cova, Simón Petit: JazzTaBueno 01/2025 *Lo bueno, JazzTaAqui* 1. Apollinare Rossi - I Still Haven't Found What I'm Looking For 2. 48th St. Collective - Sweet Dreams (Are Made Of This) 3. Karen Souza - Do You Really Want to Hurt Me 4. Sarah Menescal - Save a Prayer 5. Benny Goodman - Sing, Sing, Sing 6. Diana Krall - Just The Way You Are 7. Scott Bradlee's Postmodern Jukebox - All About That Bass 8. Najee - Betcha Don't Know 9. Al Jarreau - We're in This Love Together 10. Scott Bradlee's Postmodern Jukebox (feat. Morgan James) - Dream On 11. Postmodern Jukebox ft. Kenton Chen – Closer 12. Madeleine Peyroux – Smile 13. Kenny G & Peabo Bryson - The Time This Night Is Over (from Kenny G Live) Our Production music is new and innovative in many ways. Is also engaging and inspiring our loyal public radio family with the current explosion of talent and creativity across the spectrum of jazz and related musics.

Zangeressen (Silje Nergaard, Madeleine Peyroux, Emilie-Claire Barlow), een drummer (Steve Gadd) en pianisten (Dave Brubeck, Joe Zawinul, Addy Scheele) in de aanloop naar één van de beroemdste/beruchtste opnames in de jazzgeschiedenis: Het Köln-Concert van Keith Jarret. Deze week precies vijftig jaar geleden opgenomen....

Para niños de todas las edades, en este 6 de enero, canciones de las películas de Disney en clave de elefantes con Thomas Dutronc ('Les corbeaux'/'When I see an elephant fly'), Jamie Cullum ('Everybody wants to be a cat'), Melody Gardot ('He´s a tramp'), Stacey Kent ('Bibbidi bobbidi boo'), Joyce (Bibbidi bobbidi boo'), Selah Sue ('So this is love), Madeleine Peyroux ('The golden touch), Ana Martins ('In a world of my own'), Joyce ('À voar, à voar, à voar'), Ivan Lins ('Um mundo ideal'), Miúcha ('Beauty and the beast'), Bebel Gilberto ('Beauty and the beast'), Imany ('Someday my prince will come'), Laura Mvula ('Stay awake'), Wanda Sá & João Donato ('Once upon a dream') y Claudette Soares ('Parte de seu mundo').Escuchar audio

Canciones de los Beatles para despedir el año: 'Drive my car' (Bobby McFerrin), 'Minha vida'/'In my life' y 'Michelle' (Rita Lee), 'Norwegian wood' (Milton Nascimento), 'The long and winding road' (Danilo Rea), 'Across the universe' (André Mehmari), 'Because' (André Mehmari & Ná Ozzetti), 'Mother´s nature son', 'Julia' y 'She´s leaving home' (Uakti), 'She´s leaving home' (Toninho Horta), 'Martha, my dear' (Madeleine Peyroux), 'Eleanor Rigby' (Caetano Veloso) y 'Blackbird' (Brad Mehldau).Escuchar audio

On the November 16 WBGO Journal, Tributes to Roy Haynes and Judith Jamison and a chat with singer-songwriter Madeleine Peyroux

Considerada una de les dives del jazz vocal, la nord-americana ha fet 50 anys i ho celebra amb un nou disc, "Let's walk", on ens vol demostrar que amb la perspectiva de l'experi

Louis Armstrong, Wild Man Fischer, Irving Berlin and Lucinda Williams all started out as buskers and Cary Baker's ‘Down On The Corner' traces the romance and influence of street players from Ancient Rome via Chicago's Maxwell Street to Elvis Costello outside the CBS conference and beyond. Cary, David and Mark chuck coins in the conversational hat, among them …  … the turban and rollerblades stagewear of Harry Perry aka “the Skating Sikh”.… Blind Arvella Gray who took up busking because of a gun battle. … the sight of Bongo Joe on his daily commute (a moped loaded with steel drums).   … what Mick Jagger learnt from Ramblin' Jack Elliott. … Ted Hawkins' journey from Venice Beach to Geffen Records. … the time Cary met Moondog dressed as a Viking and why he was a symbol of old New York. … how Billy Bragg learnt festival crowd control playing street corners. … Madeleine Peyroux, aged 15, playing Paris subways. … Jesse Fuller, father of the one-man band. … do buskers now make it via Instagram? … the only gig where you can play the same song repeatedly. … and when is busking just noise pollution? Order Cary Baker's Down On The Corner here:https://www.amazon.co.uk/Down-Corner-Adventures-Busking-Street/dp/1916829104Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Louis Armstrong, Wild Man Fischer, Irving Berlin and Lucinda Williams all started out as buskers and Cary Baker's ‘Down On The Corner' traces the romance and influence of street players from Ancient Rome via Chicago's Maxwell Street to Elvis Costello outside the CBS conference and beyond. Cary, David and Mark chuck coins in the conversational hat, among them …  … the turban and rollerblades stagewear of Harry Perry aka “the Skating Sikh”.… Blind Arvella Gray who took up busking because of a gun battle. … the sight of Bongo Joe on his daily commute (a moped loaded with steel drums).   … what Mick Jagger learnt from Ramblin' Jack Elliott. … Ted Hawkins' journey from Venice Beach to Geffen Records. … the time Cary met Moondog dressed as a Viking and why he was a symbol of old New York. … how Billy Bragg learnt festival crowd control playing street corners. … Madeleine Peyroux, aged 15, playing Paris subways. … Jesse Fuller, father of the one-man band. … do buskers now make it via Instagram? … the only gig where you can play the same song repeatedly. … and when is busking just noise pollution? Order Cary Baker's Down On The Corner here:https://www.amazon.co.uk/Down-Corner-Adventures-Busking-Street/dp/1916829104Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Louis Armstrong, Wild Man Fischer, Irving Berlin and Lucinda Williams all started out as buskers and Cary Baker's ‘Down On The Corner' traces the romance and influence of street players from Ancient Rome via Chicago's Maxwell Street to Elvis Costello outside the CBS conference and beyond. Cary, David and Mark chuck coins in the conversational hat, among them …  … the turban and rollerblades stagewear of Harry Perry aka “the Skating Sikh”.… Blind Arvella Gray who took up busking because of a gun battle. … the sight of Bongo Joe on his daily commute (a moped loaded with steel drums).   … what Mick Jagger learnt from Ramblin' Jack Elliott. … Ted Hawkins' journey from Venice Beach to Geffen Records. … the time Cary met Moondog dressed as a Viking and why he was a symbol of old New York. … how Billy Bragg learnt festival crowd control playing street corners. … Madeleine Peyroux, aged 15, playing Paris subways. … Jesse Fuller, father of the one-man band. … do buskers now make it via Instagram? … the only gig where you can play the same song repeatedly. … and when is busking just noise pollution? Order Cary Baker's Down On The Corner here:https://www.amazon.co.uk/Down-Corner-Adventures-Busking-Street/dp/1916829104Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Jesse Harris belongs to a generation of New York singer songwriters who came of age in the late nineties. He has made over 20 solo albums that walk the line between folk, jazz, pop, Brazilian and art rock. He's also a much sought after co writer and collaborator who has written songs for and or with many others like Madeleine Peyroux, Melody Gardot, Lana del Rey, and most famously Norah Jones.  Jesse was already well into his career when he met a young Norah Jones on a road trip through Texas and played his songs for her. He had already been signed and dropped from a major label with his band Once Blue (a project he started with Rebecca Martin, and which also featured musicians Ben Street, Kurt Rosenwinkel and Kenny Wollesen), and had already been exploring a space in his songwriting that played in between jazz and pop.  But that chance encounter with Jones, who was still a student at the University of North Texas at the time, was the one that would change the course of Jesse's career. They stayed in touch and began working together when Jones eventually moved to New York.  Her debut album, 2002's Come Away With Me contained five of his songs including the now ubiquitous standard “Don't Know Why”. He also played guitar on the record. Their partnership has endured over the years - Jones and Harris have written together on and off ever since then - but it was that first record that arguably redirected the sound of certain strains of popular music and jazz for a generation.  The success of Come Away With Me also opened new doors for Harris as a solo artist and a composer. Ultimately he started a label (Secret Sun, named after a solo album of the same name) to put out the projects that he produced for himself and others, and recently has been dividing his time between New York and Paris. Jesse is a relentlessly prolific songwriter, someone for whom songs are like air and water; they are simply a fact of life.  Here he talks about Paper Flower, his most recent album recorded in Paris with American and French musicians, his approach to songwriting (“writer's block is a choice”) and production, taking things as they come, confession versus craft, venturing into the unconscious, and whether it is his fate to work with female artists.  www.third-story.com https://www.wbgo.org/podcast/the-third-story  

Welcome to Episode 62 of Sounds Like Radio as we get to dancin' at the hop.   Marjorie wants to dance and so does Georgia Gibbs, Fred Astaire, Bing Crosby, Little Eva, Madeleine Peyroux, Frankie & Martha Reeves and her Vandellas.   It's all happening in today's show which features the Great Gildersleeve 5/18/49 episode as we dance before and after with Your Humble Host toe tappin' all the way. AND NEXT WEEK ALL NEW SOUNDS LIKE RADIO shows RETURN!!!

Khruangbin ”Todavía Viva”Kurt Vile "Another Good Year for the Roses"        Iron & Wine ” All in Good Time” (Feat. Fiona Apple)Ben Sidran ”Humanity”Madeleine Peyroux ”Let’s Walk”Andrew Bird Trio ”Softly, as in a Morning Sunrise”The Decemberists ”Long White Veil”The Lemon Twigs ”They Don't Know How To Fall In Place”Sarah Jarosz ”Runaway Train” Jon Muq ”Flying Away From Home”Nathaniel Rateliff & The Night Sweats ”David and Goliath”The Gayle Harrod Band ”Sweet Memphis Man”Bob Margolin ”For You My Love”Van Morrison & Linda Gail Lewis ”Jambalaya (On the Bayou)”Escuchar audio

durée : 00:59:26 - Royaumes oubliés - par : Nathalie Piolé -

Episode 292: When singer Madeleine Peyroux released her breakout album Careless Love in 2004, her voice and phrasing, with echoes of Billie Holiday and Joni Mitchell, had more verve than the newly famous Norah Jones and more blues than Diana Krall. Her story was more remarkable than either. She'd basically run away from school as an American teenager living in Paris and joined a touring/busking ensemble the Lost and Wandering Jazz and Blues Band. After 2004 she became a vital, critically acclaimed artist with a unique fusion of jazz, blues, country and folk. Now she's released her first entirely self-written songs, guided by the legendary producer Elliot Scheiner, called Let's Walk.   

'Líneas imaginarias' es el título de un disco EP de Jorge Pardo (flauta) con los brasileños Gabriel Grossi (armónica) y Pedro Franco (guitarras) que contiene los instrumentales 'El faro', 'Hermanos' y 'Santa Morena'. Del último disco de Madeleine Peyroux, 'Let´s walk', las canciones 'Find true love', 'How I wish', 'Blues for heaven' y 'Et puis' y, del nuevo disco de Alaíde Costa, 'O Tempo agora quer voar', 'Foi só porque você não quis', 'Meus sapatos' y 'Suave embarcação'. De 'Brasil', del guitarrista Lee Ritenour y el teclista Dave Grusin, 'Cravo e canela' y 'Catavento', de Milton Nascimento, y 'Stone Flower' de Jobim.Escuchar audio

Many artists have those sliding door moments - being at the right place at the right time with just the right amount of talent, style and looks to make it out of having to work a “real job." Growing up in New York and then Paris where a young Madeleine began singing on the street, harnessing her deeply warm and eerily timeless voice (close your eyes and you might hear Billie Holiday) she went from being let go selling newspapers and toiling as a Applebees hostess in Nashville to creating beloved major-label jazz pop albums like Dreamland and Careless Love (one of my all time favorite albums) where she expertly sang out-of-box covers in English from singing poets and kindred spirits like Leonard Cohen and also jazzy French favorites that got her in front of millions of listeners around the world.  Slowly Peyroux began inserting personal and often politically powerful originals as her profile grew - leading to her new protest-forward all-original LP Let's Walk. While she was a staple of the early 2000s jazz pop best-sellers alongside Nora Jones and Diana Krall, the new record finally unleashes Peyroux's full creative potential: there's playful bluesy bops like “Showman Dan” which feels like a cheeky Jim Croce hit - and darkly prophetic songs like “Nothing Personal” which takes a clear-eyed view of sexual assault as a weapon of war. She's not holding back and her intuitive band, always a highlight, matches her intensity at every point. Much like her genre-defying albums, a conversation with Madeleine goes in many directions - she's got a lot on her mind, she has a lot of ideas and having lived much of her creative life in both America and France, she has a unique double perspective about what music and culture can do for our well-being and how governments and its citizens can support music more.

Kirsten's in the studio, she loved Appalachian Nightmare by Justin Townes Earle and Please Come On Inside by Madeleine Peyroux.

Kirsten's in the studio, she loved Appalachian Nightmare by Justin Townes Earle and Please Come On Inside by Madeleine Peyroux.

Madeleine Peyroux “Let's Walk”:”Find True Love””How I Wish””Let’s Walk””Please Come On Inside””Blues For Heaven””Et Puis””Me And The Mosquito””Nothing Personal””Showman Dan””Take Care”Katie Knipp "Me":”Mud”  ”Vampire”         ”Go” (Radio Edit)Escuchar audio

Athens, Georgia, born singer Madeleine Peyroux has just released her ninth album, Let's Walk, and it finds her in peak shape as a singer and songwriter. The album's songs and lyrics address a broad range of socially-conscious topics and events in the American landscape. The album is beautifully recorded, and was produced by the legendary Elliot Scheiner, along with Madeleine and band member, Jon Herington. Geoff Stanfield caught up with Madeleine on a Zoom call to discuss Let's Walk and more. Enjoy!

We speak to writer Anna Romandash about how Ukrainian literature has evolved over the course of the conflict with Russia. We also check in with Andrew Mueller on the final day of the 75th Nato summit in Washington and hear a live session from American singer-songwriter Madeleine Peyroux.See omnystudio.com/listener for privacy information.

La Liberation Music Orchestra de Charlie Haden, con arreglos y dirección de Carla Bley, grabó hace 20 años el disco 'Not in our name', con obras como el instrumental que le da título, 'Adagio (The Adagio for strings)' de Samuel Barber o 'This is not America' de Pat Metheny, Lyle Mays y David Bowie. Del nuevo disco de Madeleine Peyroux, 'Let´s walk', las canciones 'How I wish', 'Blues for heaven' y 'Et puis'. Y del nuevo disco de Eliane Elias, 'Time and again', 'At first sight', 'Falo de amor', 'How many times', 'A volta' y 'Sempre' -con la voz de Djavan-. Escuchar audio

JGT's Bob Bakert talks to Jon Herington and Madeleine Peyroux about a new release "Let's Walk" - available now.Jon Herington has been a part of Madeleine Peyroux's touring band for a while now (between Steely Dan tours) and the new release “Let's Walk” contains 10 original songs that Jon co-wrote with Madeleine. Jon also plays multiple instruments and co-produced along with Madi and Elliott Scheiner. Go to jazzguitartoday.com and bassmusicianmagazine.com more interviews and lessons.

Acclaimed genre-crossing songwriter and interpreter Madeleine Peyroux takes stock of her songwriting over the years and shares insights into the creation of her latest album. PART ONEPaul and Scott talk music books, the value of recording, and whether or not performers should stick to a strict or loose interpretation of a song when performing live. PART TWOOur in-depth conversation with Madeleine PeyrouxABOUT MADELEINE PEYROUXMadeleine Peyroux moved to Paris with her mother at the age of 12 and began singing with street musicians while still a teenager. She eventually joined the Lost Wandering Blues and Jazz Band, with whom she toured Europe. After being discovered by Atlantic Records she released her debut album, Dreamland, in 1996. Madeleine's commercial breakthrough came with the Gold-selling album Careless Love in 2004 and it's single, the self-penned “Don't Wait Too Long,” which was released by Rounder Records and topped the jazz charts. The follow-up album, Half the Perfect World, hit the Top 40 on Billboard's US album chart. Her 2009 album, Bare Bones, was the first to feature all original material. She moved to Decca Records for the Standing on the Rooftop album in 2011 and has since released four additional studio albums. Her latest effort, Let's Walk, features all original material and continues to showcase her masterful blending of jazz, blues, folk, pop, and more. 

On her first album in six years, “Let's Walk” she has for the first time co-written all the songs

Jorge Pardo ha grabado con su flauta un EP de tres obras instrumentales, 'Líneas imaginarias', en trío con el armonicista Gabriel Grossi y el guitarrista Pedro Franco: 'El faro', 'Hermanos' y 'Santa Morena'. Del nuevo disco de Madeleine Peyroux, 'Let´s walk', 'Find true love', 'How I wish', 'Blues for heaven' y 'Et puis'. Y del último disco de João Bosco 'Boca cheia de frutas' las canciones 'O canto da terra por um fio', 'E aí', 'Dias que são assim' y 'Vir-a-ser'. Despedida con 'Meu samba torto', del disco 'Brasil' de Lee Ritenour y Dave Grusin, con Celso Fonseca como invitado. Escuchar audio

NIÑA POLACA ft DAVID LA M.O.D.A. - Querida Amiga PenaSHEGO ft GHOULJABOY - Amigos NuevosTHE BUG CLUB - Lonsdale SliponsCARLOS ARES - VelocidadLA CENDEJAS - XSOFÍA GABANNA - SideralQUAVO, LANA DEL REY - ToughCHILDISH GAMBINO - LithoniaCHLOE SLATER - Nothing Shines On This IslandLA HABITACIÓN ROJA - Las OlasBEABADOOBEE - Ever SeenMORREO - Mataría a todos los HombresTOWA BIRD - B.I.L.L.STHE LINDA LINDAS - Growing UpRAMONES - Rockaway BeachHERMANA FURIA - TurboTY SEGALL - Feel MADELEINE PEYROUX - Let's WalkEscuchar audio

Madeleine Peyroux's musical journey has been an adventure; a pilgrimage that has spanned to both coasts in the States, to the streets of Paris and other European cities, and back to the States where she currently resides in New York City. Along the way, music has always been right by her side as a travel companion, with her sound and lyrics shaped by the places she visited, and the people and musicians she met. One particular musician she sought after was guitarist Jon Herington. When she first heard Jon play, she developed a deep appreciation for his style and set out to collaborate with him. A decade and a half later, they're still working together, and for the first time have collaborated on writing Madeleine's latest album “Let's Walk.”

'Let´s walk' se titula el nuevo disco de Madeleine Peyroux que incluye canciones como 'Find true love', 'How I wish', 'Let´s walk' o 'Et puis'. De 'Time and again', el nuevo disco de Eliane Elias, 'At first sight', 'How many times', 'A volta' y 'Making honey'. Y Pierre Aderne con 'Tristeza sai pra lá' y 'Fado dos barcos' -a dúo con Cuca Roseta-. Para comenzar, el pianista Kenny Barron con 'The nearness of you', de su reciente 'Beyond this place', y para terminar, el bandolinista Hamilton de Holanda y el pianista Gonzalo Rublacaba, con 'Choro fado' de su reciente 'Collab'. Escuchar audio

durée : 01:00:58 - Club Jazzafip - Quelque jours avant la Fête du cinéma, nous vous proposons un voyage swing dans la relation intime entre jazz et cinéma avec Abdullah Ibrahim, Madeleine Peyroux, Michel Portal, John Surman, Flash Pig, Carla Bley et bien d'autres.

durée : 00:59:29 - L'été des festivals en France - par : Alex Dutilh - “Let's Walk” de Madeleine Peyroux, sort le 28 juin chez Thirty Tigers.

durée : 00:59:29 - L'été des festivals en France - par : Alex Dutilh - “Let's Walk” de Madeleine Peyroux, sort le 28 juin chez Thirty Tigers.

Acclaimed jazz singer, songwriter and interpreter Madeleine Peyroux will release Let's Walk, her first album in six years, on June 28th. The new songs present sides of the artist only touched on in the past. The collection is her most diverse, intimate and bold work as she shares thoughtful and revealing views on personal and societal concerns. Peyroux offers hope through understanding and community by using one of our most unifying means, music.   Let's Walk is Peyroux's ninth album and the first in which she co-wrote every song with longtime collaborator Jon Herington. As evidenced from her new single “Please Come On Inside”, Peyroux has empathy and wisdom to impart. While many of us have lost a connection or a relationship with someone close due to these polarizing and divisive times, Peyroux offers a way back through compassion and kindness.   Stylistically, Let's Walk may be Peyroux's most varied yet cohesive collection thus far. She incorporates elements of jazz, folk, gospel blues, Americana, chamber pop, Latin rhythms and a little playful humor into the mix. The songs are interwoven around contemplative, observational and confessional narratives, making it the deepest and most substantive album of her illustrious catalog.   The title track was inspired by the mass mobilization of everyday people standing up and unifying for civil rights around the world in 2020. The stunning “How I Wish” is soul-searching awakening in response to the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery. On “Nothing Personal,” she addresses sexual assault – both her own, and countless others, with her aching and poignant vocals.   As much depth and soul searching as Let's Walk presents, there is a lighter side as well. The playful “Me and the Mosquito” features a Caribbean-infused rhythm and vocal as Peyroux tackles the ever-elusive pest that will not let her sleep at night. She closes the album with a humorous, while somewhat serious advisory, via the tongue-in-cheek, speedy spoken-word track “Take Care”, inspired by the dub poet and activist Linton Kwesi Johnson.   Let's Walk finds Madeleine Peyroux in the most freely creative place of her celebrated career. With eight albums and worldwide acclaim, she refuses to stand still as she arrives at a new artistic and creative plateau. True artists always continue to move forward, much like the album title suggests. ubscribe to The Jazz, Blues and R and B Podcast and Radio Show Period: Also, Subscribe to The Beatles Come To America (limited-run with Brooke Halpin, we review all the Beatles US Albums) To Subscribe go to: Youtube, Itunes, Anchor, Spotify, Amazon Podcasts, Google Podcast, Overcast, Breaker, Castbox, Radio Public, Podbay, Stitcher....and more! Contacts: Email: somethingcamefrombaltimore@gmail.com Twitter: ⁠  / jazzpodcperiod  ⁠ Instagram: Something Came From Baltimore (@something.came.from.baltimore) TheBocX.com - The Jazz, Blues & R&B Podcast and Radio Show Period THE SHOW INFO: Something came from Baltimore is a Podcast and a 30-minute radio show and can be heard weekly (Thursday's at 7pm EST) it's called, SOMETHING came from Baltimore THE SHOW. Check out the Station: Jazz Music Radio - The BocX Streaming Jazzy Music TIPS! (Thank You!) Tom Gouker's Cash App Account: $ThomasGouker Tom Gouker's Venmo Account: Thomas-Gouker --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support

durée : 01:05:08 - Club Jazzafip - L'auteure-compositrice-interprète qui se balade entre folk, blues, jazz et pop avec son nouvel album "Let's Walk", est notre invitée et chantera deux titres en compagnie du guitariste Jon Herrington.

Stephen Merchant - the BAFTA, Emmy and Golden Globe winning actor, comedian and writer behind hits like The Office and Extras - joins Clive Anderson and Athena Kugblenu to talk about a new series of The Outlaws, a hugely popular crime caper set on a Bristol community service project; the Vogue journalist and author Plum Sykes will discuss her new novel, Wives Like Us, billed as "desperate housewives in the Cotswalds"; Award-winning actor Adeel Akhtar of Sherwood, Fool Me Once and Four Lions fame on returning to the stage for the first time in almost a decade in Chekov's The Cherry Orchard and the writer and broadcaster Kate Bradbury on taking a stand against climate change in our own back gardens. Plus music by jazz singer songwriter Madeleine Peyroux and Irish pop sensation LYRA - who managed to knock Beyonce off the number one slot in the Irish album charts.Presented by Clive Anderson Produced by Olive Clancy

Este viernes 17 de mayo, por el Día de los Museos, estaremos en el Reina Sofía de Madrid con el flautista y saxofonista español Jorge Pardo, historia viva de la música (Dolores, Paco de Lucía, Chick Corea...), y con el cantante y compositor brasileño Pierre Aderne al que escuchamos con canciones como 'Pra tingir seu vestido' y 'Bula de música' (con Dadi), 'Nha morninha' (con Sara Tavares), 'Mais' (con Rodrigo Maranhao'), 'Astrolábio (con Adriana Maciel y Alexandre Moreira), 'Tristeza sai pra lá' (con Philippe Baden Powell), 'Melodia e letra' (con Melody Gardot), 'Só pra ver ela passar' (con Madeleine Peyroux), 'Samba e saudade', 'Água tinta', 'Vida de estrela', 'Guia' y 'Com vista pro mar'. Escuchar audio

Interview with Madeleine Peyroux - On the phone with David Serero - The Culture News

Madeleine Peyroux started her career busking on the streets of Paris and earned comparisons to such heroes as Billie Holliday and Bessie Smith as she broke through with the 2004 album Careless Love. Twenty years later, she is soon to release her ninth studio album, Let's Walk, for which she, for the first time, co-wrote all of the songs. In this no-holding-back conversation, she reflects on her beginnings (the 1939 movie musical Gulliver's Travels plays a role), her creative growth and her struggles to process the current state of our world artistically and otherwise. How does she feel about the only job she's ever had? Is she cool with turning 50 this month? How does she co-write? Does she feel compelled to communicate empathy now? Is she part of the problem or solution?

Featuring brand new music from legendary Parisian/NYC chanteuse Madeleine Peyroux; a brilliant reissue of the great Alice Coltrane's band from Carnegie Hall in 1971; the latest single from international pop diva Mads Jensen; a new release from Erik's Scorpio Session improv collective (straight outta CDMX); a fresh cut on the ECM label from pianist Vijay Iyer and his trio; and finally, an ECM reissue from masters Keith Jarrett and Jan Garbarek.

The return of Madeleine Peyroux [pictured], the narrative qualities of modern guitar players, hypnotic violins, and an unepxected John Zorn--Nino Rota--Ennio Morricone astral alignment are some of the reasons which make this playlist very intriguing. The playlist also features Mikael Máni; Janick Martin; Trio Vier; Grégoire Maret, Romain Collin; Marco Tiraboschi; Adam Baldych, Leszek Mozdzer; and Andrew Bird. Detailed playlist at https://spinitron.com/RFB/pl/18842335/Mondo-Jazz (up to "I Fall in Love Too Easily”). Happy listening!

Als Teenager machte Madeleine Peyroux Strassenmusik in Paris. Dann aber wurde sie entdeckt und schnell sehr berühmt - so schnell, dass sie nach dem ersten Album erst Mal acht Jahre Pause brauchte.  Wie sie danach mit geschickter Song-Auswahl und in Zusammenarbeit mit grossartigen Mitmusikern und Produzenten so erfolgreich wurde, ohne sich dabei selbst zu verbiegen, und was eigentlich diese einmalige Stimme ausmacht, das diskutiert die Singer-Songwriterin Anna Känzig in der Jazz Collection mit Jodok Hess. Die gespielten Titel / Interpretin (Album | Label): Lovesick Blues / Madeleine Peyroux (Dreamland | Atlantic) You Gonna Make Me Londesome / Madeleine Peyroux (Careless Love | Atlantic) (Looking for) the Heart of Saturday Night / Madeleine Peyroux (Half the Perfect World | New Rounder Records) I Must Be Saved / Madeleine Peyroux (Bare Bones | Decca) I Threw It All Away / Madeleine Peyroux (Standing on the Rooftop | EmArcy) Bird on the Wire / Madeleine Peyroux (The Blue Room | EmArcy) If the Sea was Whiskey / Madeleine Peyroux (Secular Hymns | Impulse) Liberté / Madeleine Peyroux (Anthem | Decca) Please Come on Inside / Madeleine Peyroux (Let's Walk [Extract] | Just One Recording)

Tres artistas brasileños que están viviendo en Portugal: Nilson Dourado con su disco 'Silêncio' ('Lua cheia', 'Estelar' -con Tiganá Santana-, 'Presença'), Carlos Fuchs con el disco 'Os ventos' ('Sonhos de maquinista', 'Desviado', 'No passinho do Leléo', 'Suite dos ventos 1. Boreas, o devorador', 'Suite dos ventos 2. Zefiro, o frutificante', 'Suite dos ventos 5. Eolo, o guardião') y Pierre Aderne con sus discos 'Agua doce' ('Samba e saudade', 'Só pra ver ela passar' -con Madeleine Peyroux'), 'Alto mar ('Mina do condominio') y 'Caboclo' ('Melodia e letra' -con Melody Gardot-).Escuchar audio

With 20 albums under his own name and his instrumental group Cosmo, the man knows how to make a record. He is a wildly accomplished and successful songwriter. For example in 2003 Harris he received the Grammy Award for Song Of The Year for Norah Jones' breakout hit “Don't Know Why,” from her debut album, Come Away With Me, which has sold almost 30 million copies worldwide. Versions of his songs have been sung by artists as diverse as Willie Nelson, Emmylou Harris, Cat Power, Feist, The Black Keys, M. Ward, Brad Mehldau, Bright Eyes, Smokey Robinson, George Benson, Pat Metheny, Kandace Springs, and Solomon Burke. I mean WHAT a list that is! Songwriting collaborations have included Maya Hawke, John Zorn, Madeleine Peyroux, Melody Gardot, Papooz, and Lana Del Rey. If you didnt think you knew Jesse, I bet you've heard his writing out there in the known universe of sound and by gosh he's a real potent force. Even after all this success, he is very mild mannered and thoughtful in this nice rambling interview. He's generous with his knowledge and a very easy guy to get along with. I must say I hang my pod head slightly when reflecting on how old this interview is. Like a fine wine, I hope it's benefited from a little time in the digital cellar. Drink in the wisdoms y'all !

Las reuniones con amigos artistas que el brasileño Pierre Aderne organiza, en su casa de Lisboa, en torno a canciones, conversaciones y botellas de vino se instalan varios miércoles en Madrid (Casa de América) de cara al público. De la primera que se celebró, solo para invitados, el 1 de febrero escuchamos las grabaciones de 'Com vista pro mar', 'Guia', 'Vida estrela', 'Vide vida marvada', 'Saudades de Brasil em Portugal' y 'Vindima'. Además, Pierre Aderne en algunos de sus discos: 'Tristeza sai pra là', 'Melodia e letra' -con Melody Gardot-, 'Só pra ver ela passar' -con Madeleine Peyroux-, 'Fado dos barcos -con Cuca Roseta-, 'Samba e saudade', 'Mina do condominio' y 'Atelier de Terê'. Escuchar audio

Ten years ago, on a bit of a whim, I invited bassist Will Lee to come over to my home studio in Brooklyn to do an interview with me for a new project I was starting: a podcast. A year or two earlier, my friend Michael Fusco-Straub had turned me on to Marc Maron's WTF podcast, and I was totally hooked on the concept of casual long form interviews among peers. At the time Maron spoke almost exclusively to comics, and I thought there might be a space for something similar but focused on music. Although I didn't have any real experience as a journalist or a broadcaster, I knew I could do it. In fact, maybe more than anything else I've ever done professionally, it was the most natural decision I can ever remember making.  But the format was a bit of a mystery. Who was I supposed to be? An expert on music? A friend of my guests? I thought maybe we would perform together. Or maybe they would demonstrate something. Or maybe it would be a document of the local scene in New York - in the early episodes I asked my guests “where are you coming from today” and “where are you going after this”. Actually, those are pretty good questions. Maybe I should go back to asking them again.  I spent a month futzing with my Will Lee interview, carefully editing each pause and “um”, working and reworking the introduction. I designed a crude logo based on a Google Earth image of my house in Park Slope, and built a website on Squarespace.  I posted the episode and sent an email to my friends to explain the new project. I wrote:  Since moving to New York nine years ago, I have tossed around the idea of conducting informal interviews with musicians in my studio when they come in to record. Over the years so many great players and singers have shared tremendous insights and history with me, and it seemed like such a missed opportunity not to record it. Of course, everything changes when the “red light” is on, so the question for me became how to maintain that same level of spontaneity and candor in a somewhat more formal setting. Then I sat nervously with a pit in my stomach, not knowing what I had just done. Would anyone like it? Would anyone care? Was I any good at it?  Ten years and 268 episodes later, I continue to refine, to tweak and futz, to agonize and scramble to the finish line every time. As I write these words it is 12:30am, and I sit in my darkened studio - essentially an extension of my bedroom - with my wife, Amanda asleep just a few feet away, and our daughter asleep in the next room. That is to say that The Third Story has become an extension not only of my life, but of my entire household. Fortunately the initial nausea has passed but it has been replaced by a constant sense of urgency to get the next episode finished.  I have also developed a style, an unstructured but intentional approach to talking to people, in search of a narrative thread in each journey, an attempt to get somewhere together. Sometimes it's more technical, sometimes it's more esoteric, sometimes it's personal. There is no real theme to the show, and there is no real dogma. If it's interesting to me, the hope is that it will be interesting to others too.  The good news about an ongoing show like this one is that there's always another episode to make, so you can never get too precious about any of them because there will be more. The bad news is the same as the good news: no matter how much time you spend on one episode, or how good it was, you still have to make another one, and you're probably already behind schedule. The project has become a way of moving through both space and time for me. It provides a kind of structure when I travel - nearly everywhere I have gone over the last decade, I have returned home with at least one interview.  Whether talking to Gabriela Quintero in Mexico, Jorge Drexler in Spain, Madeleine Peyroux in Paris, Butch Vig in Los Angeles, Howard Levy in Chicago, David Garibaldi in Oakland, David Maraniss in Madison, or Jack Stratton in Cleveland, the interviews have provided purpose to my movement through the world.  I have traveled specifically to cover jazz festivals like Copenhagen, Newport, Montreal and Umbria, and chronicled my own tours too. I have used the platform to mark the passage of time and significant events along the way. From The 2016 and 2020 Elections to the Covid outbreak, from my 45th birthday to my father's 80th, from the 2015 terrorist attacks in Paris to memorializing lost friends like Tommy LiPuma, Clyde Stubblefield, Tim Luntzel or Richie Cole.  I have captured both first and final conversations with some remarkable people. I did the first long form interview with Jacob Collier in his house in London in 2014, and the last long form interview with Creed Taylor in his New York apartment 2015. Interviews with Peter Straub, Howard Becker, Clifford Irving, George Wein and Al Schmitt now live on as part of their legacies.  While The Third Story has never become what you might call “popular” it has become kind of a cult show. I continue to be astounded when I meet someone who knows the show. It happens more often than I expect, and I have made more than a few real meaningful friendships that way too.  When several years ago I was invited to publish my episodes on All About Jazz, I knew I was making credible content. When in 2022 I was asked to partner with WBGO Studios, it was an acknowledgement that I was on the right path, and when we won a Signal Award in 2023 I was further encouraged.  By the way, my logo was eventually redesigned by a real graphic designer, Michael Fusco-Straub (the same guy who turned me on to Marc Maron to begin with). Last month, on another whim, I called Will Lee again to see if he would like to meet up for a reunion and to help me celebrate my tenth anniversary. When I first talked to Will for episode one, he was still performing nightly on The Late Show with David Letterman and we talked about his career as one of the most recorded bassists in history, his early education, playing on Letterman, his solo projects… the kind of general overview conversation that has come to loosely define what I do here. This time was more casual and more conversational. We sat on the couch in his Manhattan apartment and traded quips, and I managed to gently extract some new information from him.  Then I asked my wife, Amanda, to join me to help process this anniversary in more domestic terms: how does it look and feel to live with someone who is constantly in the process of mining another life story for content and making podcast episodes? What are the similarities between her career as a yoga teacher and mine as a… whatever I am? What do raising a child and producing a podcast have in common? It was extremely entertaining, as is usually the case when Amanda joins me on the show.  At the risk of getting too sentimental, I will simply say that making The Third Story is one of the great privileges and joys of my life, I am grateful to all of the extraordinary people who have shared their stories with me, and I am even more grateful to you for listening to it. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios www.leosidran.substack.com  

Larry Klein has had his mitts on so many amazing records over the past 40 years, but is still a relatively quiet, behind-the-scenes kind of musician. He is a four time grammy winner as a producer, and has made records for artists like Joni Mitchell, Herbie Hancock, Holly Cole, Madeleine Peyroux and Tracy Chapman. I think the first time I ever saw his name was on a cassette I had of Shawn Colvin called “Fat City”, and then I kept seeing his name pop up on cool records over and over again. Larry started out as a bass player in California, and landed a gig pretty early on with jazz legend Freddie Hubbard. He toured with Freddie for years, and then slipped successfully into the session world. As a bass player he played on so many classic albums like “So” by Peter Gabriel, “Building the Perfect Beast” by Don Henley, Robbie Robertson, Tracy Chapman's debut album and many more. He eventually landed a session with Joni Mitchell, which led to him playing on and producing a string of her records, starting with “Wild Things Run Fast” in 1982, right up through “Travelogue” in 2002. They were married and divorced in that window of time as well. His production work is always deep and sonically interesting. He has a real jazz mentality towards making pop records, which I love. There's alot of live performance based takes, mixed with rich sounds and experimentation. Gaining the trust of Herbie Hancock and Wayne Shorter is no small feat, but Larry did that and produced records for those jazz legends! In recent years, Larry made a great record with Herbie Hancock of Joni Mitchell tunes called “River: The Joni Letters”, and during Covid, he made a record in a similar vein called “Here It Is”, a Tribute to Leonard Cohen. It's basically an insane house band backing up artists like Iggy Pop, Norah Jones, Peter Gabriel, Mavis Staples and lots more doing Leonard Cohen tunes. I should also mention that we just ran out of time on this one, hence the abrupt ending. Larry had a limited window and I lost track of time, so we just kind of had to cap it mid-stream, but we got into tons of cool stuff anyway! I don't think Larry is on the road at all any more, so you can't catch him live with anyone currently, but you can get info on him and news on his latest projects over at larrykleinmusic.net  — Please enjoy my conversation with Larry Klein! If you enjoyed this episode, please consider supporting the show with a donation or Patreon subscriptionThe show's website can be found at www.makersandshakerspodcast.comYour fearless host, Steve Dawson can be found at www.stevedawson.ca Become a member at https://plus.acast.com/s/mmasspodcast. Hosted on Acast. See acast.com/privacy for more information.