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Hosted by John Hammond
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Hosted by John Hammond
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This week, we are joined by John Hammond, Principal Security Researcher at Huntress, who is sharing his PoC and research on "CVE-2025-30406 - Critical Gladinet CentreStack & Triofox Vulnerability Exploited In The Wild." A critical 9.0 severity vulnerability (CVE-2025-30406) in Gladinet CentreStack and Triofox is being actively exploited in the wild, allowing remote code execution via hardcoded cryptographic keys in default configuration files. Huntress researchers observed compromises at multiple organizations and confirmed hundreds of vulnerable internet-exposed servers, urging immediate patching or manual machineKey updates. Mitigation guidance, detection, and remediation scripts have been released to help users identify and secure affected installations. The research can be found here: CVE-2025-30406 - Critical Gladinet CentreStack & Triofox Vulnerability Exploited In The Wild Learn more about your ad choices. Visit megaphone.fm/adchoices
This week! Can the boys succeed where John Hammond failed? They sure try as they played Jurassic World Evolution! A Dino park builder! Also, Willie Pins some balls, and Dalton has an encounter with a fictional cougar, cannibals, and also has decided to get into Warhammer 40K Lore. Come join our Discord and Vote on polls for games! bit.ly/TSMPDISCORDPatreon! https://www.patreon.com/thesteammachinepodcast Big Thanks to Our patrons who donate 10 dollars or more!Nate “Sir Cogsworth the 7th of June-iper”Jeff “The Original Expendable, Mr. Syllables Ole Jeffy Lube”Aries or Adam “Ariesoradam” Shoutout to his podcast Revival and ExtinctionJames “The Steam Machine Hall Monitor” HallTeam Retrogue Check Him out on YouTube“Mr. Puzzles” Dane HimselfFlyin' Brian Doran GreyThe RPG Wolverine Logan JoreidLINK TO WEBSITE! https://bit.ly/TheSteamMachinePodcastShoutout to JRPG ReportShoutout to Spectre ApprovedShoutout to TeamRetrogueShoutout to Dane and Jeff's Media DumpShout to Grumpy Jeff's Pro Wrestling Power HourMerch Link! https://tsmpproductions.threadless.comBandcamp link for Nile the Nightmare- https://nilethenightmare.bandcamp.com/
Cuando los músicos bajaron del tren en la Union Station de Los Ángeles, los recibió un gran desfile, un indicio de la popularidad de la orquesta en la ciudad de Los Ángeles. La banda marchó desde la estación de tren hasta el elegante Hotel Dunbar en Central Avenue. Con José Manuel Corrales.
Newsly.me--Have the news read to you by downloading the Newsly app on iOS and Android. To get 1-MONTH free from their PREMIUM service put in our code when you set up the account, NERD1N10N--Directed By: Steven Spielberg--Written By: David Koepp--Starring:Jeff Goldblum--Julianne Moore--Pete Postlethwaite--Arliss Howard--Richard Attenborough--Vince Vaughn--Vanessa Chester--Peter Stormare--Harvey Jason--Richard Schiff--Thomas F. Duffy----Four years after the failure of Jurassic Park on Isla Nublar, John Hammond reveals to Ian Malcolm that there was another island ("Site B") on which dinosaurs were bred before being transported to Isla Nublar. Left alone since the disaster, the dinosaurs have flourished, and Hammond is anxious that the world see them in their "natural" environment before they are exploited.--Give us a follow on Instagram & TikTok @NerdinionAnd, give a 5-star review anywhere you can! Cheers!
This week on RITY... The mini theme is Time To Call Pest Control!... Plus, a Beatles song inspired by the poem, The Shooting Of Dan McGrew... That one time when REO Speedwagon pulled a prank that went wrong... Neil Young filled-in for Eddie Vedder?!?!... Deep cuts from Brand X, Clear Light, Fastway, John Hammond, Duke Jupiter, and more! For more info on the show, visit reelinwithryan.com
Send us a textJohn Hammond is one of the premier session drummers in Nashville. He played with literally everybody in the business. He shares a lot of insights about how to be successful as a full-time drummer, and how it works in the session world.He's an awesome guy and you should go see him play if you get a chance. He's often playing with a band called The Smoking Section.https://www.youtube.com/watch?v=TuIwvOICd-0Visit GIG with Mike Redman @https://www.gigwithmikeredman.com/podcastsEmail me questions, guests you would like to see @ : gigwithmikeredman@gmail.comThanks for listening !Mike Redman
This is an excerpt from a patrons-only episode. To hear the full thing and dozens more episodes on topics ranging from Walter Gibbons to Glam Rock, visit patreon.com/LoveMessagePod.In this patrons episode we conclude our two-parter on Bob Dylan, dragging him from where we left off last time in 1966 all the way up to the freewheeling year of 1977. Through a glut of albums we hear about John Hammond, spirituality, gnosis, religious iconography, St Augustine, Joe Hill and The Band. Dylan meets the Panthers, who don't think much of him, he gets married and divorced, sets out on the road with the Rolling Thunder Review, and lights up the silver screen. Tim and Jeremy consider the Grain of his voice, the reception history of his mid-70s output, and leave him smiling as the happy hippy uncle we wish he'd became.Tracklist:Bob Dylan - As I Went Out One Morning Bob Dylan - Lay, Lady, Lay Bob Dylan - George Jackson Bob Dylan - Knockin' on Heaven's Door Bob Dylan - Meet Me in the Morning Bob Dylan - Tangled Up in Blue Bob Dylan, The Band - This Wheel's on Fire Bob Dylan - Isis
MONOLOGUE Fortress America vs. The European Fantasy: Why Mark Carney's Globalist Delusions Will Fail NEWSMAKER Pfizer's ‘Most Ethical Companies' award ignores fraud and misconduct https://www.rebelnews.com/pfizers_most_ethical_companies_award_ignores_fraud_and_misconduct Tamara Ugolini is Senior Editor with Rebel News OPEN LINES THE CULT OF CLIMATE CHANGE REPLAY From Feb. 26th, 2025 NOAA Admits they “Adjust” Their Historical Weather Data Tony Heller, Geologist, weather historian and founder of www.realclimatescience.com MONOLOGUE "Elon Musk vs. The Woke Mob: Why They Fear Him, Why They Hate Him, and Why He Won't Back Down" NEWSMAKER Trump prefers to 'deal' with Carney rather than Poilievre https://torontosun.com/news/local-news/warmington-trump-prefers-to-deal-with-carney-rather-than-poilievre Leighton Grey is a constitutional Lawyer and the host of The Grey Matter Podcast OPEN LINES THIS DAY IN ROCK HISTORY In 2015, Ed Sheeran's second album x (aka multiply) equaled a feat held by Adele, Emeli Sandé, Take That, and Michael Bublé during the same decade by racking up two million UK sales. In 1982, Randy Rhoads – a founding member of Quiet Riot and guitarist with Ozzy Osbourne, died in a plane crash. While he was only 25 at the time of his death, Rhoads was considered to be one of metal's most innovative musicians, who popularized a variety of techniques, including two-handed tapping and dive bombs. 1962, Bob Dylan‘s self-titled debut album was released in the US by Columbia Records. Produced by the legendary John Hammond – who discovered Billie Holiday, Aretha Franklin, and Bruce Springsteen – it was largely ignored on its release. Its disappointing sales saw Columbia executives describe it as “Hammond's Folly.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Though it's the Year of the Stitch-up, John Hammond has been building up a repertoire of picks for some time that would fit the bill! Previous picks include Samurai Cop, For Your Height Only, Hard Ticket to Hawaii, New York Ninja and Devil Fetus. So this week is totally on brand with the 1995 Japanese horror, Bloody Muscle Body Builder In Hell.Bloody Muscle Body Builder in Hell is a fascinating oddity in the realm of low-budget Japanese horror, with a production history almost as legendary as its over-the-top gore. Filmed in the mid-1990s by director Shinichi Fukazawa, who also starred as the film's musclebound protagonist, the movie was heavily inspired by Sam Raimi's Evil Dead. Fukazawa, an avid horror fan, took a DIY approach to filmmaking, handling multiple roles including directing, writing, editing, and even special effects. However, despite completing the initial shoot, the film languished in obscurity for years due to budgetary issues and technical limitations.It wasn't until nearly two decades later that Bloody Muscle Body Builder in Hell finally saw release, thanks to Fukazawa's painstaking efforts to edit and complete the film. The result is a gloriously campy, blood-drenched homage to splatter horror, packed with stop-motion effects, homemade prosthetics, and a relentless energy that belies its minuscule budget. Its long-delayed 2012 release—and later international cult status—proved that passion and dedication can sometimes trump production values, securing the film a place as Japan's answer to Evil Dead.If you enjoy the show we have a Patreon, so become a supporter.www.patreon.com/thevhsstrikesbackTrailer Guy Plot SummaryIn a world where the dead refuse to stay buried… one man must flex his way through a nightmare of blood, guts, and pure terror! After receiving a mysterious invitation, a bodybuilder and his ex-girlfriend venture into an abandoned house, unaware that an ancient, vengeful spirit lurks within its walls. Trapped inside, surrounded by grotesque horrors and relentless demonic forces, he'll have to use more than just his muscles to survive. Armed with raw strength, determination, and a whole lot of splattered gore, he must fight his way through the madness… or become just another victim in the house of hell! Bloody Muscle Body Builder in Hell, where every rep could be your last!thevhsstrikesback@gmail.comhttps://linktr.ee/vhsstrikesback
ESTÁNDARES SEMANALES.-Tin Roof Blues.-VINILOS MÍTICOS DEL JAZZ..La historia de Benny Goodman.--JAZZACTUALIDADJOVEN BIG BAND SEDAJAZZ-IN BLOOM La historia de Benny Goodman es una película biográfica musical estadounidense de 1956, protagonizada por Steve Allen y Donna Reed , escrita y dirigida por Valentine Davies y estrenada por Universal-International . La película fue concebida como una continuación del éxito de Universal de 1954, La historia de Glenn Miller , que narra la vida de un popular director de orquesta.El joven Benny Goodman recibe clases de clarinete clásico de un profesor de música de Chicago. El director de orquesta Kid Ory le aconseja tocar el género musical que más le guste. Benny comienza su carrera profesional uniéndose a la banda itinerante de Ben Pollack . Más tarde, en Nueva York, donde su nueva banda recibe una tibia acogida, Benny conoce al amante del jazz John Hammond y a su hermana Alice. Lo invitan a la majestuosa casa de los Hammond para interpretar el Concierto para clarinete de Mozart . Alice teme que se sienta incómodo, pero su interpretación es impecable y Benny agradece su preocupación. Las actuaciones de Benny en un popular programa de radio los sábados por la noche hacen que Fletcher Henderson se ofrezca como voluntario para hacer algunos arreglos. En la costa oeste, el comienzo temprano del programa ha convertido la música de Benny en una sensación entre las generaciones más jóvenes. Forma un cuarteto con Gene Krupa en la batería, Teddy Wilson al piano y Lionel Hampton al vibráfono . El romance con la chica de sociedad Alice es desconcertante para la madre de Benny, pero para cuando su hijo toca en el Carnegie Hall , todo está bien y la Sra. Goodman ha invitado personalmente a su futura nuera a sentarse a su lado. Concierto en directo grabado el dia 22 de Julio de 2024 dentro de las sesiones organizadas por el colectivo Sedajazz en el centro cultural La Rambleta en Valencia. Una big band con un objetivo claro: aprender y enriquecerse de repertorios de las historicas orquestas de Jazz y de nuevos compositores y arreglistas. La Jove Big Band Sedajazz reúne jóvenes de distintas edades que se expresan con sus instrumentos y forman una unidad donde todos tienen su espacio. El repertorio combina standards y arreglos de grandes exitos de la historia del Jazz, bandas sonoras, funk, rock y latin jazz. Han colaborado musicos como Jesus Santandreu, Joe Magnarelli, Perico Sambeat, Chris Cheek, Rex Richardson, Toni Vaquer, David Pastor, Sole Jimenez, Andrea Motis, Rita Payes, Domisol Sisters, Vicente Macian, Pedro Iturralde, Voro Garcia, Toni Belenguer, Alexey Leon, Miquel Alvarez, Joan Saldana y Pepe Zaragoza entre otros. Actuaciones destacadas: Festival de Jazz de Valencia, Club Jamboree, Jazz a poqueta Nit Altea, Festival de trompeta en Maspalomas, Ciclo Conciertos Caja Burgos, Festival Jazzing Barcelona, Clasijazz Almeria, Festival Mar i Jazz, Sala Mutant Valencia, Festival Jazz Teruel, Festival Jazz Villareal, Festival big band Priego Cordoba, Concierto Benefico Payasospital Palau de les Arts, Cinema Jove Torrent, Porta Ferrada Girona, Ses Figuretes Ibiza, Dia Internacional del Jazz Alfafar, Jimmy Glass, festival El desenjazz Lliria, Teatro Principal Valencia, Auditorio Almeria, Palau de les Arts Valencia, Asejazz Sevilla, Festival Jazz Cadiz, Palau de la Musica Valencia. Han grabado varios discos: Sedajazz kids band, Groowin Up, Rumbo a New Orleans, Ramonets amb Sedajazz Kids Band, Mutant, Eclectic, y ahora In Bloom. Su repertorio incluye arreglos de Perico Sambeat, Fco. Blanco Latino, Dizzie Gillespie, Duke Ellington, Don Ellis, Jesus Santandreu, Toni Vaquer, Juan Saus, Martina Sabariego, Pau Baena, Santi Navalon. Proyectos realizados: Brasiliana (musica brasileña), Toni Vaquer (Louis Cole, Nirvana, Radiohead), Andrea Motis (Standards), Rita Payes (Cancionero Latino), conciertos para lindy hop, musica de la movida valenciana de los 80s con arreglos originales. Músicos Ximo Reillo y Samu Gil: Saxo Alto Selamawit Giner: Saxo y Clarinete Luis Coronado: Saxo Tenor Aurora Blanco: Saxo Baritono y Voz Josep Peiro, Oscar Lujan, Guillermo Cotanda, Pablo Martinez y Hugo Coronado: Trompetas Hadriel Benedito, Angel Ballester, Joan Fernandez y David Marti: Trombones Martina Sabariego: Contrabajo Pau Montalt: Bateria Miquel Alcaina: Percusion Latina Pau Baena y Nur Elmanchoud: Piano Venus Benedito y Naila Ferrandis: Voz Raquel Marti, Alba Gimeno, Aleksandra Bester: Violines Nehir Acansu y Marc Vidal: Violas Irene Simbor: Violonchelo Fco. Angel Blanco Latino: Direccion Featuring: Juan Saus (Saxo Alto) Creditos Diseño Grafico: Cristina Duran Sonido: Vicente Sabater Asistente de Sonido: Iñaki Ariste Asistente Produccion: Pedro Gallego Temas 1. Harlem air Shaft (Duke Ellington) 03:11 2. La Puerta (Luis Demetrio) 03:36 3. In Bloom (Nirvana) 08:59 4. La Muerte Despierta (Lucia Fumero) 07:45 5. Mean To Me (Fred E. Ahlert) 03:23 6. Whiplash (Justin Hurwitz) 11:45 7. F it up (Louis Cole) 05:54 8. Deseo Salvaje (Eddie Palmieri) 03:07 9. Too Darn Hot (Cole Porter) 04:24 10. Carinhoso (Pixinguinha) 06:36 11. The Evil Morty (Kazu Makino, Amedeo Pace, Simone Pace.) 08:09 12. Nobody else for me (Jerome David Kern) 03:51 13. Over The Rainbow (Harold Arlen) 05:31 14. Flor de Lys (Djavan) 04:25
La cuestión de quién era el “mejor”, Ellington o Lunceford, se convirtió en un tema de conversación serio en círculos de moda, tanto en Norteamérica como en Europa. "Hace dos semanas, dejé la decisión en sus manos. Hasta ahora, varios han hablado, y han nombrado sólo a Duke Ellington y Jimmie Lunceford. Benny Goodman no ha sido considerado, ni ninguna otra banda negra". Franklyn Frank, Amsterdam News. Con José Manuel Corrales.
Shamrock Rovers midfielder Scarlett Herron and UCD Rugby President John Hammond speak about UCD's annual Daffodil Day fundraiser, where they will be raffling off signed Six Nations jerseys and organising a tailgate.Off The Ball Breakfast w/ Optimum Nutrition | #unlockmoreyouCatch The Off The Ball Breakfast show LIVE weekday mornings from 7:30am or just search for Off The Ball Breakfast and get the podcast on the Off The Ball app.SUBSCRIBE at OffTheBall.com/joinOff The Ball Breakfast is live weekday mornings from 7:30am across Off The Ball
Wir tauchen ein in die bunte Welt der Faschingszeit: Helau, Halaf, Fastnacht, Fassnad und kreative Kostüme! Doch hinter jeder Verkleidung steckt mehr als nur ein Outfit – es geht um Identifikation. Was bedeutet es, sich mit einer Figur zu identifizieren? Warum fühlen wir uns zu Charakteren wie John Hammond aus Jurassic Park oder Aragorn hingezogen? Welche Werte spiegeln sie wider – Authentizität, Integrität, Ehrlichkeit, Hoffnung? Und was sagt das über uns selbst aus?Begleitet uns auf eine inspirierende Reise durch Fasching, Cosplay und die Persönlichkeiten, die uns prägen. Wer bist du, wenn du für einen Moment jemand anderes sein kannst?
In this episode, we welcome cybersecurity researcher and YouTube legend John Hammond. John shares insights from his career at Huntress and his popular YouTube channel, where he creates educational content on cybersecurity. He introduces his new platform, Just Hacking Training, aimed at providing affordable, high-quality training. John also discusses current trends in cybercrime, the role […] The post Cybersecurity Insights with John Hammond: YouTube Legend and Security Researcher appeared first on Shared Security Podcast.
Joe's conversation with Stephen Hodges just keeps giving! Stephen shares the secret behind his drumming technique on the Tom Wait's Swordfish Trombone, which leads Joe and Stephen to an insightful conversion on how Stephen controls and changes sonic dynamics, reverberation, and the sound fields of the many albums he's recorded. Stephen gives us an eloquent, philosophical and practical lesson on creating dimension in the sonic space and the importance of allowing the music to present itself. We hear and quick story from his time with Bo Diddley and Stephen shares his experiences recording with John Hammond and Mike Baggetta. Stephen Hodges MSSV Big Ego Studios Izotope is the leader in audio repair, mixing and mastering. Ruinous uses Izotope and you should too. Trust us. The best way to get your music into the worlds ears is Distrokid. Artist keep 100% of their royalties and their mobile app is smartly designed, easy to use and perfectly intuitive. Please visit Izotope and Distrokid for continued exclusive listener discounts.
Dimitri and Khalid commence their long-planned dive into America's most frustratingly enigmatic boomer icon, Bob Dylan. Topics include: The calculated ambiguity of Dylan's public, political, and artistic personae over the decades, getting discovered by Vanderbilt heir/Columbia Records starmaker John Hammond, Dylan's slightly Discordian memoir “Chronicles Vol. 1”, the fabricated composite character “Ray Gooch” and his sister/cousin/wife “Chloe Kiel” who thinks Dracula rules the world, astroturfed Dimes Square vibes in Greenwich Village, Bob's career-long obsession with the Devil, his curious admiration for Barry Goldwater in 1964, and more. Part one of two. For access to premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad.
Marina Bassani"Amava il Chelsea Hotel"L'hallelujah di Leonard CohenMonologo di Marina BassaniCineteatro BarettiVia Baretti, 4 - Torino12, 13, 14 febbraio 2025 ore 20.45Marina Bassani celebra Leonard Cohen, recitando in musica la vita di questo celebre poeta e cantautore, partendo dall'isola di Wight in cui muove i primi passi come cantante, spostandosi poi all'infanzia trascorsa a Montreal, con il nonno Klein e le letture della Bibbia, passando attraverso l'amore per la compagna Marianne sull'isola di Ydra, la guerra di Cuba, il rapporto con la guerra e il legame con il padre e ancora New York, il suo successo, il grande lancio con la Columbia records, il sesso, Jane Joplin, Nico, poi la depressione, e alla fine il monte Baldy, quando diventa monaco per 5 anni. Siamo negli anni sessanta, e poi settanta, sono gli anni dei figli dei fiori, del rock e degli spinelli, ma Leonard Cohen ha qualcosa di diverso, non è rock , non è psichedelico, è notturno, è metafisico, lascia vedere il suo cuore, non nasconde le sue ferite. Cerca l'assoluto, vuole vedere l'invisibile.Sullo sfondo, la guerra del Vietnam, la rivoluzione di Cuba. Leonard va a Cuba, poi va nel deserto, vuole vedere da vicino la guerra, che gli ha portato via suo padre, a soli nove anni.“Sono tuo fratello, scrive in una canzone, Famous blue raincoat, sono il tuo assassino, sei mio fratello, sei il mio assassino.“La guerra gli ispira la sua canzone più importante, Hallelujah. lui la spiega così: “Questo mondo è pieno di conflitti e pieno di cose che non possono essere unite , ma ci sono momenti nei quali possiamo riunirci e abbracciare tutto il disordine, questo è quello che io intendo per hallelujah.”Ha una passione infinita per le donne, le donne ai suoi occhi sono angeli, pieni di luce, ma sono anche corpi che lo attraggono sessualmente. Tutte le sue canzoni sono il ritratto di una donna. Nelle sue canzoni dio e il sesso si incontrano. Lui parla di corpi in amore, e intanto cerca Dio.Per otto anni vive sull'isola di Hydra con Marianne, il suo più grande amore, la sua musa. Ma siccome deve parlare con gli angeli, riparte. E partirà sempre. A New York diventa il cantante più apprezzato in tutto il mondo. Sentirlo cantare è come perdere il senso del tempo, è come entrare nello zoo del Bronx, come ascoltare una lunga preghiera. John Hammond, il geniale impresario, lo ha capito e lo propone alla Columbia.Per cinque anni resta chiuso in un monastero zen sopra Los Angeles, e medita sull'amore. Scopre, alla fine dei suoi giorni, che l'amore è un cuore unificato. Ora è più leggero, e puo' dire : “Hineni, sono pronto mio Signore” Marina Bassani, attrice e regista, è nata a Milano e vive a Torino. Si è diplomata all' Accademia dei Filodrammatici di Milano, medaglia d'oro ex aequo con Lella Costa, e si è laureata in filosofia.Si è specializzata in monologhi teatrali e i dialoghi teatrali.Ha fondato a Torino Teatro Selig, nel 1996, inaugurando come attrice una lunga serie di ritratti letterari e femminili tra cui i ritratti femminili comici di Alan Bennett. Ha messo in scena Ho volato con l'angelo, il monologo sulla scrittrice Karen Blixen, ha scritto il monologo sulla nobile Costanza d'Azeglio, sulla partigiana Ada Gobetti, e il monologo sulla cantante francese Barbara ( in cui la Bassani canta e racconta la sua bio). E' autrice di alcuni recitals letterarii . Ha messo in scena al Teatro Baretti di Torino il monologo La Madre, tratto dall'opera Vita e Destino di Vassilij Grossman. Ha messo in scena al teatro Baretti il dialogo Ay Carmela!,di Sanchis Sinisterra, ambientato nella Spagna franchista, uno spettacolo con due attori (M.Bassani e L.Bartoli) Ha messo in scena come regista e attrice Battaglie di J M Ribes, e ha scritto e recitato Orlando, tratto da V.Woolf.È l'autrice delle fiabe Zefirino collo lungo e Ombretta Camilla, illustrate da Lele Luzzati. Tra i suoi recitals , ha scritto e recitato Pensare con le mani, un testo ispirato a La Chiave a stella di Primo Levi. 12,13,14 febbraio, ore 20:45Cineteatro Baretti, via Baretti 4con Marina Bassaniscrittura scenica e regia Marina Bassaniconsulenza artistica Serenella di Michelechitarra: Nunzio Barbiericlarinetto: Francesco Django Barbieriluci e fonica: Eleonora Sabatini Bigliettiprenotazioni a selig@teatroselig.it oppure info@cineteatrobaretti.itIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.
Stephen Hodges is a drummer and composer, born, raised, and based in Long Beach, California. Stephen is the man behind the iconic and culturally permeating drum sounds and rhythms on Tom Wait's Rain Dogs and Swordfishtrombones. He has extensively toured and recorded with John Hammond, The Smashing Pumpkins, Chuck Berry, Wanda Jackson, and Mavis Staples. He was also handpicked by David Lynch to lend his unique and thoughtful sonic expression to the Twin Peaks: Firewalk With Me soundtrack. His collaboration with Mike Baggetta and old pal Mike Watt, MSSV, will be releasing their 3rd studio album On and On on March 7th via BIG EGO Records. Stephen shares how his early experience's, his perspective on education and how a 32” bass drum developed his definitive style and is shaping his on-going career. We learn why playing 50+ shows prior to recording On and On is essential to the MSSV process, what surprises they encountered as the songs evolved and how replacing their stolen van changed Stephens drum sound. We get a peek in-side MSSV's recording process at Big Ego Studios, how the Minutemen's political view on notes influenced the rhythm section on On and On and Joe tries but fails to resist talking drums with Stephen. MSSV Big Ego Studios Izotope is the leader in audio repair, mixing and mastering. Ruinous uses Izotope and you should too. Trust us. The best way to get your music into the worlds ears is Distrokid. Artist keep 100% of their royalties and their mobile app is smartly designed, easy to use and perfectly intuitive. Please visit Izotope and Distrokid for continued exclusive listener discounts.
In this thrilling episode of Challenge Accepted, Frank and Thomas kick off 2025 with a bang, diving into the cinematic wonder that is Jurassic Park. As part of their month-long celebration of John Williams, they dissect the magic of Spielberg's dinosaur epic, exploring its groundbreaking special effects, unforgettable characters, and the iconic score that continues to inspire. Along the way, they reflect on the film's themes, discuss its cultural impact, and share personal stories of experiencing the movie for the first time. Whether you're a lifelong fan or a newcomer, this episode is a celebration of everything that makes Jurassic Park legendary. Timestamps: 00:00:00 Introduction and John Williams Month announcement 00:01:22 Reflecting on the community's fundraising efforts for the animal shelter 00:02:01 Excitement for 2025 conventions, including WonderCon 00:05:28 Exploring the iconic T-Rex breakout scene and its practical effects 00:06:56 Nostalgia: First encounters with Jurassic Park as kids 00:12:28 Ethical science and Dr. Malcolm's iconic “Life finds a way” speech 00:25:00 Dinosaurs, birds, and the evolution of paleontological science 00:28:30 The emotional power of John Williams' score and its lasting legacy 00:36:00 Fun facts about the sound design, including the T-Rex roar Takeaways: Jurassic Park blends practical and CGI effects to create timeless visual storytelling. John Williams' score seamlessly balances wonder and fear, making it a cornerstone of the film's emotional impact. The film's themes of playing God and the ethical dilemmas of science are still relevant today. Practical effects, like the animatronic T-Rex, elevate the movie's realism and longevity. The movie's cultural impact inspired a generation of paleontologists and remains a benchmark for adventure cinema. Memorable Quotes: “Life finds a way.” – Dr. Ian Malcolm (Jurassic Park) “John Williams mixes wonder and fear in his score, leaning one way or the other depending on the scene, but never forgetting the other side.” – Frank “If they opened up Jurassic Park today, my ass would be there so fast.” – Thomas “You didn't stop to think if you should.” – Dr. Ian Malcolm, reflecting on ethical dilemmas. Call to Action: Love what you hear? Subscribe to Challenge Accepted wherever you get your podcasts and leave us a review! Your support keeps the conversation alive. Links: GeekFreaksPodcast.com: Your go-to source for all geek news and updates! Social Media: Follow us for behind-the-scenes content and more discussions: Instagram: @challengeacceptedlive Twitter: @CAPodcastLive TikTok: @challengeacceptedlive Apple Podcast Tags: Jurassic Park, John Williams, Spielberg, T-Rex, Jurassic Park review, Challenge Accepted podcast, movie analysis, 90s movies, iconic movie scores, film nostalgia, practical effects, CGI, dinosaurs, ethical science, Ian Malcolm, Dr. Grant, John Hammond, velociraptors, movie soundtracks, Geek culture, Challenge Accepted, podcast episode, timeless movies, WonderCon, movie breakdown, Spielberg movies.
In the latest episode of the Win In 6 Podcast, Adam McGee introduces a special interview episode before you hear Jordan Treske chat with Ben Kaplan about his and Danny Parkins' book Pipeline to the Pros, former Bucks figures John Hammond and Mike Budenholzer, and much more. GSPN's Bucks podcasts are presented by PrizePicks – Go to PrizePicks.com/Gyrostep and use code GYROSTEP for a $50 bonus when you play $5! Pick more. Pick less. It's that easy. The Gyro Step Podcast Network is proud to call Blue Wire's network of podcasts home. You can follow Rohan and Ti and the Gyro Step itself on Twitter, and send either of them a screenshot of you listening or rating and reviewing the pod to get in the Gyro Group discord! You also can (and should!) follow Adam, Jordan, and Win In 6 Podcast on Twitter as well! Visit GSPN.info subscribe to the Premium GSPN Substack to receive ad-free GSPN episodes, exclusive written articles and weekly episodes of “GSPN After Dark.” Thanks to South Loonier, Justin Saeian and Ben Kolp for being Founding Members. You should also follow and subscribe to GSPN's Crewsing for a Brewsing, hosted by Andrew Snyder and Adam, for all your Milwaukee Brewers podcast needs, Talk of the Tundra hosted by Numac for all things Green Bay Packers, and Make Time for This for a slice of pop culture and everything else from the GSPN crew! Learn more about your ad choices. Visit podcastchoices.com/adchoices
A Major thank you to John Hammond for sponsoring todays stream. In this stream I discuss the book and film project "American Orthodox" as well as cover the history, saints, and future of Orthodoxy in America. Make sure to check it out and let me know what you think. God bless Superchat Here https://streamlabs.com/churchoftheeternallogos Donochat Me: https://dono.chat/dono/dph Join this channel to get access to perks: https://www.youtube.com/channel/UCH8JwgaHCkhdfERVkGbLl2g/join If you would like to support my work please become a website member! There are 3 different types of memberships to choose from! https://davidpatrickharry.com/register/ Support COTEL with Crypto! Bitcoin: 3QNWpM2qLGfaZ2nUXNDRnwV21UUiaBKVsy Ethereum: 0x0b87E0494117C0adbC45F9F2c099489079d6F7Da Litecoin: MKATh5kwTdiZnPE5Ehr88Yg4KW99Zf7k8d If you enjoy this production, feel compelled, or appreciate my other videos, please support me through my website memberships (www.davidpatrickharry.com) or donate directly by PayPal or crypto! Any contribution would be greatly appreciated. Thank you Logos Subscription Membership: http://davidpatrickharry.com/register/ Venmo: @cotel - https://account.venmo.com/u/cotel PayPal: https://www.paypal.me/eternallogos Donations: http://www.davidpatrickharry.com/donate/ PayPal: https://www.paypal.me/eternallogos Website: http://www.davidpatrickharry.com Rokfin: https://rokfin.com/dpharry Rumble: https://rumble.com/user/COTEL Odysee: https://odysee.com/@ChurchoftheEterna... GAB: https://gab.com/dpharry Telegram: https://t.me/eternallogos Minds: https://www.minds.com/Dpharry Bitchute: https://www.bitchute.com/channel/W10R... DLive: https://dlive.tv/The_Eternal_Logos Instagram: https://www.instagram.com/dpharry/ Twitter: https://twitter.com/_dpharry
Can live music capture more than just sound? Join us as we unravel the mysteries behind the Owsely Stanley Foundation's newest release of Bear's Sonic Journal: John Hammond - 'You're Doin' Fine' and explore how they preserve history by creating these immersive "sonic journals." We're thrilled to welcome back Starfinder Stanley, Redbird Stanley, and Pete Bell for their sixth time on the show. Together, we journey into the world of live music recordings and the meticulous processes that bring these historical moments back to life, with techniques pioneered by Bear that capture the essence of intimate venues. This episode offers a window into the heart of music preservation. We discuss the painstaking efforts involved in transferring and mastering delicate recordings, ensuring that the soul of each performance is immortalized for future generations. The art of capturing live music is contrasted with traditional studio methods, showcasing Bear's unique approach and his use of "steel giraffes" to capture the ambient magic of live performances. Discover how these recordings offer not just sound, but a visceral experience that transports listeners directly into the atmosphere of past gigs. With insights into the creative process behind the Sonic Journals project, we explore how this endeavor is about more than just music; it's an intricate tapestry woven with stories, art, and cultural heritage. From the captivating artwork by Richard Biffle to the fascinating tales of artists like Jack Cassidy and Tom Waits, this episode celebrates the community and collaboration that make these projects extraordinary. Head over to www.owsleystanleyfoundation.org to order your copy of this release and all the other amazing Bear's Sonic Journal releases. -FREE SHIPPING from Shop Tour Bus Use The PROMO CODE: nosimpleroad INTRO MUSIC PROVIDED BY - Young & Sick MUSIC IN THE COMMERCIALS BY AND USED WITH PERMISSION OF: CIRCLES AROUND THE SUN OUTRO MUSIC BY AND USED WITH PERMISSION OF: CHILLDREN OF INDIGO No Simple Road is part of OSIRIS MEDIA. Osiris Media is the leading storyteller in music, combining the intimacy of podcasts with the power of music
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Following on from Nick's interview with Jonjo Sanderson yesterday, today Peter Savill explains Plumpton Racecourse's decision to leave the RCA and whether he believes other will follow suit. Nick is then joined by Lydia Hislop to reflect of Savill's comments before looking ahead to the stellar line up of horses set to run this weekend. Sporting Life's Dave Ord has the regular Timeform, something for the Weekend segment before Nick catches up with former trainer John Hammond, in his role as racing manager to Gérard Augustin-Normand, following a listed success for Tipinso, a smart colt by Pinatubo, who could be French Guineas bound.
Following on from Nick's interview with Jonjo Sanderson yesterday, today Peter Savill explains Plumpton Racecourse's decision to leave the RCA and whether he believes other will follow suit. Nick is then joined by Lydia Hislop to reflect of Savill's comments before looking ahead to the stellar line up of horses set to run this weekend. Sporting Life's Dave Ord has the regular Timeform, something for the Weekend segment before Nick catches up with former trainer John Hammond, in his role as racing manager to Gérard Augustin-Normand, following a listed success for Tipinso, a smart colt by Pinatubo, who could be French Guineas bound.
Anexos al abecé de la música popular de Brasil en forma de compilaciones. Intervienen: Helene Dixon, The Hollies, Elvis Presley, Syndicate of Sound, John Hammond, The Count Bishops, Carlos Santana, MC5, Sleepy LaBeef, John Prine, Dwight Yoakam, Dave Edmunds, Celio Balona, Loyce e Os Gnomos, The Youngsters, Serguei, Fábio y Tony e Som Colorido.Escuchar audio
Imagine being a patient who shows up for their appointment only to be turned away because the office's server was down. Now imagine if you're a software guy and this happens to you! That's the story with John Hammond, co-founder of Neem, a cloud based practice management software! Alan and John have a wide ranging discussion about the advantages of cloud based practice management! It's not the technology as much as the switching The Neem elevator pitch The pros and cons of cloud computing in dentistry Why has medicine jumped into cloud so easily? The key to Neem...painless migration Two options for imaging with Neem Making Neem intuitive Dental software is less sexy than a lot of other technology Intelligent forms that patient input built in Real time insurance eligibility Will cloud be in the majority in 10-15 years? (software has a shelf life) DSOs and the cloud Some links from the show: Neem dental software Join the Very Dental Facebook group using the password "Timmerman," Hornbrook" or "McWethy," "Papa Randy" or "Lipscomb!" The Very Dental Podcast network is and will remain free to download. If you'd like to support the shows you love at Very Dental then show a little love to the people that support us! -- Crazy Dental has everything you need from cotton rolls to equipment and everything in between and the best prices you'll find anywhere! If you head over to verydentalpodcast.com/crazy and use coupon code “VERYDENTAL10” you'll get another 10% off your order! Go save yourself some money and support the show all at the same time! -- The Wonderist Agency is basically a one stop shop for marketing your practice and your brand. From logo redesign to a full service marketing plan, the folks at Wonderist have you covered! Go check them out at verydentalpodcast.com/wonderist! -- Enova Illumination makes the very best in loupes and headlights, including their new ergonomic angled prism loupes! They also distribute loupe mounted cameras and even the amazing line of Zumax microscopes! If you want to help out the podcast while upping your magnification and headlight game, you need to head over to verydentalpodcast.com/enova to see their whole line of products! -- CAD-Ray offers the best service on a wide variety of digital scanners, printers, mills and even their very own browser based design software, Clinux! CAD-Ray has been a huge supporter of the Very Dental Podcast Network and I can tell you that you'll get no better service on everything digital dentistry than the folks from CAD-Ray. Go check them out at verydentalpodcast.com/CADRay!
Segment description coming soon! Segment Resources: - https://www.huntress.com/blog/the-hackers-in-the-arena-the-huntress-ctf-retrospective - https://www.huntress.com/blog/fake-browser-updates-lead-to-boinc-volunteer-computing-software Automated tank gauges are leaking more than just fuel, while CUPS is serving up a steaming hot brew of vulnerabilities. Meanwhile, Supermicro's BMC firmware is giving away root access like it's going out of style. If you thought your Kia was safe, think again - all it takes is a license plate and 30 seconds to turn your car into a hacker's joyride. China's been busy building a massive IoT botnet called Raptor Train. It's been chugging along undetected for four years. NIST has decided that your password doesn't need to be a cryptographic masterpiece anymore. No more special characters or arbitrary changes - just make it long and don't use "password123". A Texas hospital is playing a game of "hot potato" with ambulances thanks to a ransomware attack. More thoughts on known exploited vulnerabilities, firmware unpacking tools lowdown, Aruba, Bahama, come-on command injection, and kids changing the name of their school! Visit https://www.securityweekly.com/psw for all the latest episodes! Show Notes: https://securityweekly.com/psw-845
Segment description coming soon! Segment Resources: - https://www.huntress.com/blog/the-hackers-in-the-arena-the-huntress-ctf-retrospective - https://www.huntress.com/blog/fake-browser-updates-lead-to-boinc-volunteer-computing-software Show Notes: https://securityweekly.com/psw-845
Segment description coming soon! Segment Resources: - https://www.huntress.com/blog/the-hackers-in-the-arena-the-huntress-ctf-retrospective - https://www.huntress.com/blog/fake-browser-updates-lead-to-boinc-volunteer-computing-software Show Notes: https://securityweekly.com/psw-845
This episode of Paul Security Weekly features John Hammond, a senior security researcher from Huntress, discussing malware analysis. Hammond dives into the analysis of Ocean Lotus attacks, highlighting the use of stealthy techniques like alternate data streams and DLL side-loading. The conversation also touches on the challenges of combating attackers who leverage ‘bring your own vulnerable driver' techniques to gain kernel-level privileges. The hosts discuss the need for secure-by-default configurations and the ongoing struggle to combat attackers who exploit vulnerabilities. The episode concludes with a discussion on how to improve the security of the industry. Segment Resources: https://www.huntress.com/blog/the-hackers-in-the-arena-the-huntress-ctf-retrospective https://www.huntress.com/blog/fake-browser-updates-lead-to-boinc-volunteer-computing-software Automated tank gauges are leaking more than just fuel, while CUPS is serving up a steaming hot brew of vulnerabilities. Meanwhile, Supermicro's BMC firmware is giving away root access like it's going out of style. If you thought your Kia was safe, think again - all it takes is a license plate and 30 seconds to turn your car into a hacker's joyride. China's been busy building a massive IoT botnet called Raptor Train. It's been chugging along undetected for four years. NIST has decided that your password doesn't need to be a cryptographic masterpiece anymore. No more special characters or arbitrary changes - just make it long and don't use "password123". A Texas hospital is playing a game of "hot potato" with ambulances thanks to a ransomware attack. More thoughts on known exploited vulnerabilities, firmware unpacking tools lowdown, Aruba, Bahama, come-on command injection, and kids changing the name of their school! Visit https://www.securityweekly.com/psw for all the latest episodes! Show Notes: https://securityweekly.com/psw-845
Join us as we forget the past tragedies on Isla Nublar and trust John Hammond with our lives one more time as we board a boat and travel through Jurassic Park: The Ride! He spared no expense! Also Cody spoils Macbeth! Enjoy! Current top 10 ride rankings... 1 - Pirates of the Caribbean Disneyland (Ep16) 2- The Great Movie Ride (Ep1) 3 - Harry Potter and The Forbidden Journey (Ep12) 4 - The Amazing Adventures of Spider-Man (Ep2) 5 - Space Mountain (Ep14) 6 - Mr Toad's Wild Ride (Ep4) 7 - Matterhorn Bobsleds (Ep9) 8 - ExtraTERRORestrrial Alien Encounter (Ep3) 9 - GOTG Mission : Breakout (Ep13) 10 - Revenge of the Mummy (Ep7)
Our "Money Shot" arc features each of our hosts selecting a film that they believe the rest of the group will enjoy. We begin with MonteCristo's pick: Steven Spielberg's 1993 blockbuster Jurassic Park. Based on the Michael Crichton novel of the same name, this film opened to rave reviews and box office success. It also remains culturally relevant and memeable to this day. However, the film is not without its flaws, especially in the ways that John Hammond's character strays from the source material. How does this beloved classic hold up after over 30 years? Watch along with us and decide for yourself! Learn more about your ad choices. Visit podcastchoices.com/adchoices
Volvemos a la carga con una segunda temporada que no nos ha pedido nadie y la estrenamos con Jurassic Park (que no Parque Jurásico). En este episodio, hablamos de talones de dinosaurios hechos a escala, la falta de interés de Steven Spielberg por la conciencia espacial, y aquella vez que Dani conoció al gran director y no se hizo caca en el momento pero después sí. Oscar defiende apasionadamente al abogado que abandona a los niños a su suerte ante un tiranosaurio, y repite mucho la palabra “capitalismo”. Hay confusión general sobre la Era Mesozoica. Año: 1993. Duración: 2h 7min. Dirección: Steven Spielberg. Guión: Michael Crichton, David Koepp. Reparto: Sam Neill, Jeff Goldblum, Richard Attenborough. Sinopsis Para Gente Normal: Gracias al ADN fosilizado en ámbar, John Hammond da vida a varias especies de dinosaurios y crea Jurassic Park, un parque temático en una isla de Costa Rica. Pero lo que parecía un sueño se convierte rápidamente en pesadilla. Web ➔ https://www.pelisypanolis.com Instagram ➔ https://www.instagram.com/pelisypanolis Twitter ➔ https://twitter.com/pelisypanolis El Episodio Perdido ➔ https://www.pelisypanolis.com/regalo Arte ➔ https://www.instagram.com/CarabiasDibuja Revista Ilustrada Gratuita de Cine Español ➔ https://carabiasdibuja.com/pelis-y-panolis/ Música ➔ https://pixabay.com/es/users/grand_project-19033897 Los derechos de propiedad intelectual sobre nombres comerciales, marcas registradas, logotipos, fragmentos de música, audio e imágenes de las películas comentadas en este podcast pertenecen a sus respectivos propietarios.
Originally released on Patreon: June 14, 2018 “It's bigger and it's stupider!” - Steve on this vs. Jurassic Park On this WHM Prime episode, the gang gets Dino Fever with the first of two JPU films being discussed this month*: Jurassic World! Was that statue of John Hammond actually his corpse mummified under flash-baked dino poo? Did Claire and Owen have their first date on that cursed island? And why didn't BD Wong get a bigger role as the villain? PLUS: Militarized dinosaurs—Question Mark? Jurassic World stars Bryce Dallas Howard, Chris Pratt, Vincent D'Onofrio, Irrfan Khan, Ty Simpkins, Nick Robinson, Jake Johnson, Omar Sy, BD Wong, Judy Greer and Lauren Lapkus as Vivian; directed by Colin Trevorrow. *EDITOR'S NOTE: In 2018, the other JPU film was Jurassic Park III, discussed on We Hate Movies, Episode #363 -- Andrew All August, on top of releasing all-new, regularly scheduled episodes for our Patreon subscribers, we're also unlocking some older Patreon vault content (like this one on Jurassic World) here on the free feed for the public to get a little taste of what's on the other side! So if you're interested in checking out what's behind the curtain, be sure to also tune into the WHM free feed this Thursday as we unlock an episode of our Star Trek recap show, The Nexus! The episode we're unlocking is the one where we cover both parts of the famed TNG cliffhanger, "The Best of Both Worlds." The Nexus is a monthly show where we cover two Star Trek shows at the same time (we're currently on Star Trek: The Animated Series and ST:TNG) and it's available to subscribers on the $8 level and up.
On today's show is Garrett Dutton, better known to you and me as G. Love and his band G. Love and Special Sauce.G. Love appeared on my radar in the early 90's when I was just getting into playing in bands. Originally from Philadelphia, but breaking out of the Boston music scene, Special Sauce's debut album was pretty massive in my world. It mixed blues, soul, rap and hip hop in an organic way that no one else was doing. Garrett was influenced by everyone from John Hammond to Lightning hopkins and Muddy Waters, The Beatles to the Beastie Boys and Schoolly D and he's one of the few people that can convincingly meld those influences into cohesive music. He got into playing guitar at a really young age, learning Beatles tunes, and eventually found his way to Bob Dylan, which led to playing harmonica, which led to John Hammond, who opened the musical floodgates for him.He moved to Boston in the early 90's and started playing around Cambridge with his band that included Jimmy Jazz on bass, and Jeffrey Clemens on drums, who made up the perfect rhythm section for the music they were making. The band came to be known as G. Love and Special Sauce, and their debut album, just called “G. Love and Special Sauce” which came out in 1994 is a killer. I saw them a few times around them and they put on an amazing show. Their latest album, produced by Luther Dickinson, is called “Philadelphia Mississippi” and came out in '22. Lately, Special Sauce has been doing some shows commemorating 30 years since their debut album came out.Garrett and I had a great conversation, and I'm thrilled that he found his way back to his hotel that day! You can get all the latest info and upcoming tour dates over at www.philadelphonic.com - Enjoy my conversation with G. Love!This season is brought to you by our sponsors Larivée Guitars and Fishman AmplificationYou can join our Patreon here to get all episodes ad-free, as well as access to all early episodesThe show's website can be found at www.makersandshakerspodcast.com Get ad-free episodes and access to all early episodes by subscribing to Patreon. Hosted on Acast. See acast.com/privacy for more information.
In this episode of the PowerShell Podcast, we sit down with renowned security researcher John Hammond. Recorded in person in Utah, we delve into John's unique insights on PowerShell and its role in cybersecurity. John shares his experiences with PowerShell attacks, discussing how it's used in various malware and the importance of implementing security features like constrained language mode and script block logging. He highlights practical tips for making PowerShell environments more secure and emphasizes the need for continuous learning and experimenting within safe environments. We also explore how to transition into security-focused roles, with John providing valuable advice for those looking to combine their PowerShell skills with a career in cybersecurity. Guest Bio and links: John Hammond is a cybersecurity researcher, educator and content creator. As part of the Research & Development Threat Operations team at Huntress, John spends his days analyzing malware and making hackers earn their access. Previously, as a Department of Defense Cyber Training Academy instructor, he taught the Cyber Threat Emulation course, educating both civilian and military members on offensive Python, PowerShell, other scripting languages and the adversarial mindset. He has developed training material and information security challenges for events such as PicoCTF and competitions at DEFCON US. John speaks at security conferences such as BsidesNoVA, to students at colleges such as the US Naval Academy, and other online events including the SANS Holiday Hack Challenge/KringleCon. He is an online YouTube personality showcasing programming tutorials, CTF video walkthroughs and other cyber security content. PowerShell Podcast Home page: https://www.pdq.com/resources/the-powershell-podcast/ PowerShell Pro Tips - https://www.youtube.com/watch?v=K95ovoMh170 https://underthewire.tech/ https://www.huntress.com/ https://devblogs.microsoft.com/powershell/powershell-constrained-language-mode/ https://learn.microsoft.com/en-us/powershell/module/microsoft.powershell.core/about/about_logging_windows?view=powershell-7.4 https://www.amazon.com/PowerShell-Automation-Scripting-Cybersecurity-Hacking/dp/1800566379 https://learn.microsoft.com/en-us/powershell/module/microsoft.powershell.core/about/about_language_modes?view=powershell-7.4 https://learn.microsoft.com/en-us/powershell/module/microsoft.powershell.core/about/about_execution_policies?view=powershell-7.4 https://learn.microsoft.com/en-us/windows/win32/amsi/how-amsi-helps
We all just watched one of the largest IT events in years unfold in real time with the CrowdStrike incident. We wanted to understand it better, so we called up security researcher and educator John Hammond to get to the bottom of it. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Pack your bags and leave your conception of the social fabric that binds us behind because we’re going to two private islands in this episode! From the darkness of Dr. Moreau’s experiments to John Hammond’s capitalist enterprise, these journeys into the human desire for control rarely end well for anyone involved. REQUIRED READING Island […]
It's July, so that means it's time for the AIPT Movies podcast's “Julygantic” series! Where we cover monster movies! In the season 3 finale, Alex, Tim, and Matt discuss Steven Spielberg's dino-adventure classic, Jurassic Park!Dino DNA! Velociraptors! A charismatic T-Rex! Impressive leg muscles! Fantastic park design that makes you want to disregard any danger and buy yourself a ticket! A reluctant father figure terrifying small children for fun! Shaky jello! A disappearing neckerchief! Surprising use of a shaving cream can! One of John Williams' greatest scores! A wonderful cast that includes Sam Neill, Laura Dern, Richard Attenborough, BD Wong, Wayne Knight, Samuel L. Jackson, and Jeff Goldblum originating an iconic internet meme! Incredible animatronics from Stan Winston, and pioneering VFX from Industrial Light & Magic! One of the greatest blockbusters of all time, full of thrills and moments of horror, that harkens back to one of Steven Spielberg's first films and the original blockbuster, Jaws! Is The Fabelmans a spiritual prequel to Jurassic Park, showing the seductive nature of connection through spectacle, a lesson which John Hammond learns the hard way?!In addition, Alex shares his spoiler-free thoughts on Longlegs!You can find AIPT Movies on Apple Podcasts, Spotify, or wherever you get your podcasts. As always, if you enjoy the podcast, be sure to leave us a positive rating, subscribe to the show, and tell your friends!The AIPT Movies podcast brings you the latest in movie news, reviews, and more! Hosted by supposed “industry vets,” Alex Harris, Tim Gardiner, and Matt Paul, the show gives you a peek behind the scenes from three filmmakers with oddly nonexistent filmographies. You can find Alex on Instagram and Twitter @ActionHarris. Matt is a terrific artist that you can find on Instagram @no_wheres_ville. Tim can't be found on social media because he doesn't exist. If you have any questions or suggestions for the AIPT Movies crew, they can be reached at aiptmoviespod@gmail.com, or you can find them on Twitter @AIPTmoviesPod.Theme song is “We Got it Goin On” by Cobra Man.
Rich recapped the major IT meltdown.Cameron in Huntington Beach, CA is having issues with YouTube App on his iPhone.Amazon Prime Day 2024 was a success.John Hammond, Principal Security Researcher at Huntress, joins to talk about the major IT outage.Dawn in Tuscon, AZ has a question about connecting to the USB on her computer. Rich says she needs a USB C to A adapter.Chris in Rancho Cucamonga can't connect to WiFi Calling on his work's WiFi network.Redbox is shutting down its DVD kiosks and streaming service.Target is the latest retailer to stop accepting checks. Do you still write them?Leslie in Laguna Beach is having trouble accessing her banking app on her mobile phone.Zac Hall, 9to5Mac Editor-at-Large, joins to talk about iOS 18 Public Beta.Tim in Moorpark is running for President but has an issue with his honey jar labels.Apple has a new HomePod Mini in Midnight color.TinyPod is a way to transform an Apple Watch into a minimalist communication device.Samsung is pausing Galaxy Buds 3 Pro shipments due to a quality control issue.James in Los Angeles is looking for a way to protect his copyrighted photos that he posts online. Rich recommends watermarking with Canva or an app, or uploading to a service like SmugMug that will do it automatically. Also, follow Jefferson Graham at PhotoWalks.Microsoft Designer is a Canva alternative now available for iOS and Android.Debra wonders if she can replace her cable company “landline” with Ooma.Jared Newman of Advisorator joins to talk about his latest cord-cutting guide.College students can get 50% off an HBO Max streaming subscription.Handy website: https://www.siriuserguide.com/Google shows off new Pixel 9 devices a bit early. Get full access to Rich on Tech at richontech.tv/subscribe
"Cannabis, COVID, and Concerts: A Grateful Dead Fan's Journey"Larry Mishkin is back from a break spent in South Carolina with his granddaughter he shares his experience of contracting a mild case of COVID, attributing his quick recovery to his cannabis use. He references studies suggesting that certain strains of sativa marijuana may mitigate COVID symptoms.The episode features a detailed discussion of a special Grateful Dead concert from July 15, 1989, at Deer Creek Music Theater in Noblesville, Indiana. Larry reminisces about the venue, the band's setlist, and the memorable experience shared with friends. He highlights key performances from the show, including "Bertha," "Greatest Story Ever Told," "Candyman," "Walkin' Blues," and others.Larry also covers recent music news, mentioning Melissa Etheridge's performance in Colorado and her upcoming summer tour. He shares updates on the String Cheese Incident's New Orleans-themed show at Red Rocks and Phish's recent appearance on The Tonight Show with Jimmy Fallon, where they performed "Evolve" from their new album. Grateful DeadDeer Creek Music Theater CenterNoblesville, INGrateful Dead Live at Deer Creek Music Center on 1989-07-15 : Free Borrow & Streaming : Internet Archive With: Judy, Andy K., Lary V., AWell and others First Dead show ever at Deer Creek which had just opened that year. Became a regular stop on the Dead's summer tour thereafter and one of the favorite places for the Deadheads given its relatively small size as compared to the stadium venues that soon became the norm for summer tours. Ironically, two days after this one-off Dead played their final 3 shows at Alpine Valley, switched to Tinley Park in 1990 and then starting in 1991 Chicago summer tour shows were confined to Soldier Field with 60,000 attendees. INTRO: Bertha Track #2 1:20 – 3:00 Garcia/Hunter – first appeared on Grateful Dead (live) aka Skull and Roses or Skullfuck (1971)Played: 401First: February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast: June 27, 1995 at the Palace of Auburn Hills, Detroit, MI SHOW No. 1: Walkin Blues Track #5 1:38 – 3:20 "Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters, adapted the song and recorded their own versions. "Walkin' Blues" was not a commercial success when it was issued as a "race record" marketed to black listeners. However, the song was received with great enthusiasm by a small group of white jazz record collectors and critics. Producer John Hammond chose "Walkin' Blues" and "Preachin' Blues" as the records to be played at his 1938 From Spirituals to Swing concert, when Johnson himself could not appear (Johnson had died a few months earlier).[15] The 1961 Johnson compilation album King of the Delta Blues Singers was marketed to white enthusiasts. According to most sources, John Hammond was involved in the production and the selection of tracks. The album included the two House-style songs and a song with House-style guitar figures ("Cross Road Blues" and excluded songs in the commercial style of the late 1930s. Notable exclusions were Johnson's one commercial hit, "Terraplane Blues", and two songs which he passed on to the mainstream of blues recording, "Sweet Home Chicago" and "Dust My Broom". Dead first played it in 1966, once in 1982 and 4 times in 1985. Then, beginning in 1987 it became a standard part of Dead song lists, peaking in 1988 when it was played 23 times. Became one of Bobby's early first set blues numbers with Minglewood Blues, CC Rider and Little Red Rooster. Played: 141First: October 7, 1966 at Fillmore Auditorium, San Francisco, CA, USALast: July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA SHOW No. 2: Crazy Fingers Track #12 4:30 – 6:12 Pretty standard second set song, usually pre-drums. Fist played in 1975, a few times in 1976 and then dropped until 1982 at Ventura County Fairgrounds (day after my first show). Played 7 times that year, dropped until 1985 (10 times), then dropped until 1987 and then played regularly until the end. Great tune, Jerry often forgot the lyrics and this version is great because Bobby saves him on the lyrics when Jerry starts to go astray. Good fun considering how many times Bobby would forget the words to his songs. But one of those things you remember if you see it happen Garcia/Hunter, released on Blues For Allah (Sept. 1, 1975)Played: 145 timesFirst: June 17, 1975 at Winterland Arena, San Francisco, CA, USALast: July 5, 1995 at Riverport Amphitheatre in Maryland Heights, MO (St. Louis) SHOW No. 3: Truckin Track #13 7:00 – end Hunter/Garcia/Weir/Lesh/Kreutzman (Pigpen went inside to take a nap) by the side of a pool.Released on American Beauty (November, 1970) final tune on the albumPlayed: 532 timesFirst: August 17, 1970 at Fillmore West, San Francisco, CA, USALast: July 6, 1995 at Riverport Amphitheatre in Maryland Heights, MO INTO Smokestack Lightning Track #14 0:00 – 0:36 "Smokestack Lightning" (also "Smoke Stack Lightning" or "Smokestack Lightnin'") is a blues song recorded by Howlin' Wolf (Chester Burnett) in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it. Recorded at Chess Records in Chicago and released in March, 1956 with You Can't Be Beat on the B side. Wolf had performed "Smokestack Lightning" in one form or another at least by the early 1930s,[1] when he was performing with Charley Patton in small Delta communities.[1] The song, described as "a hypnotic one-chord drone piece",[2] draws on earlier blues, such as Tommy Johnson's "Big Road Blues",[3] the Mississippi Sheiks' "Stop and Listen Blues",[4] and Charley Patton's "Moon Going Down".[5][6] Wolf said the song was inspired by watching trains in the night: "We used to sit out in the country and see the trains go by, watch the sparks come out of the smokestack. That was smokestack lightning." In a song review for AllMusic, Bill Janovitz described "Smokestack Lightning" as "almost like a distillation of the essence of the blues... a pleasingly primitive and raw representation of the blues, pure and chant-like. Wolf truly sounds like a man in otherwise inexpressible agony, flailing for words."[8] In 1999, the song received a Grammy Hall of Fame Award, honoring its lasting historical significance.[13]Rolling Stone magazine ranked it at number 291 in its list of the "500 Greatest Songs of All Time"[7] and the Rock and Roll Hall of Fame included it in its list of the "500 Songs that Shaped Rock and Roll".[14] In 1985, the song was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recordings" category[15] and, in 2009, it was selected for permanent preservation in the National Recording Registry of the U.S. Library of Congress. Janovitz also identifies "Smokestack Lightning" as a blues standard "open to varied interpretation, covered by artists ranging from the Yardbirds to Soundgarden, all stamping their personal imprint on the song".[8] Clapton identifies the Yardbirds' performances of the song as the group's most popular live number.[17] They played it almost every show, and sometimes it could last up to 30 minutes. Dead often played it out of Truckin, would also play the blues tune Spoonful out of Truckin. Played: 63 timesFirst: November 19, 1966 at Fillmore Auditorium, San Francisco, CA, USALast: October 18, 1994 at Madison Square Garden, New York, NY, USA SHOW No. 4: Space Track #17 7:45 – 9:20 On November 28, 1973, Grateful Dead guitarist Jerry Garcia and drummer Mickey Hart staged a performance at San Francisco's Palace Of Fine Arts. At the time, Hart – whose 80th birthday is today – was on a sabbatical from the Dead, having last performed in public with Garcia and the band in February 1971. Hart would rejoin the Dead for good in October 1974.A poster promoting the concert shows a clean-shaven Garcia dressed in black beside an equally freshly shaven Hart wearing all white. At the bottom of the advertisement was printed “An Experiment in Quadrophonic Sound.”Hart recalled his experience at the duo concert with Garcia in 1973 that was not only a Seastones precursor but also planted the seeds for the band's mind-bending “Space” jams.“There were so many exciting that we've done together. Adventurous musical things. He was also into adventure and creating new spaces, so we had that in common. We got together many times out of the ring – where he first discovered synthesizers, being able to synthesize his guitar, which led to MIDI.“The first concert we did was in 1973. It was just a duo. He got an Arp [Odyssey], an electric instrument, a keyboard, and he plugged his guitar into it and that was the first time I had heard his guitar I had heard his guitar running through sophisticated synthesizers.“I just thought of that concert, which kind of was the beginning of ‘Space' – ‘Drums' and ‘Space' actually – it might have been the very beginning of it. And I think of that on his birthday, the seminal things we did together.” After the November 28, 1973 concert, the Grateful Dead began to occasionally incorporate elements of a “Space” jam into their shows. In January 1978, Dead shows almost always included a nightly “Drums” jam paired with a freeform “Space” jam, consistently showing up mid-second set throughout the rest of their career. Played: 1086First: March 19, 1966 at Carthay Studios, Los Angeles, CA, USALast: July 9, 1995 at Soldier Field, Chicago, IL OUTRO: Brokedown Palace Track #22 5:04 – 6:43 The lyric to “Brokedown Palace” was written by Robert Hunter as part of a suite of songs that arrived via his pen during a stay in London in 1970. He entitled it “Broke-Down Palace,” and now that it exists as a piece of writing, it seems to have always existed. It was composed on the same afternoon as “Ripple” and “To Lay Me Down,” with the aid of a half bottle of retsina.Its first performance was on August 18, 1970, at the Fillmore West in San Francisco, and became a staple of the live repertoire. After the 1975 hiatus, “Brokedown Palace” appeared almost exclusively as the closing song of the show, as an encore. It had the effect of sending us out of the show on a gentle pillow of sound, the band bidding us “Fare you well, fare you well…”Garcia/HunterReleased on American Beauty (Nov. 1970) Played: 219 timesFirst: August 18, 1970 at Fillmore West, San Francisco, CA, USALast: June 25, 1995 at RFK Stadium in Washington, D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
To learn to think like a shaman is to attune yourself to a magical spectrum of infinite possibilities, unseen truths, alternative realities, and spiritual support. When a shaman likes what's happening, they know how to make it better, and when they don't, they know how to change it. Jonathan is a Maui-based Author, Spiritual Teacher, Energy Healer, Shamanic Practioner, and Spiritual Counselor. He is a graduate of Harvard University and The University of Michigan. Jonathan is a certified Master Teacher in Shamanic Reiki, Usui and Karuna Reiki. He is on the Advanced Graduate Studies Advisor for Shamanic Reiki Worldwide and an ordained Alaka'i (teacher/guide) in the Kahili Hawaiian Shamanic tradition. Jonathan has completed four years of training in Inter-Spirituality and Inter-Spiritual Counseling at the One Spirit Learning Alliance, and he was ordained as an Interfaith Minister in 2008. He has training and certifications in Cherokee Bodywork with The Coyote Institute, Huna (Hawaiian Shamanism) with Aloha International, and all core curriculum with the Foundation of Shamanic Studies. Jonathan has been initiated through the Minoan Fellowship in Wicca, and has trained in the therapeutic facilitation of psychedelics with Inward Bound in Ireland. In addition to maintaining a robust private practice, Jonathan teaches classes in Shamanism, Spirituality, and Energy Healing at the Omega Institute for Holistic Studies, The Shift Network, The One Spirit Learning Alliance, Shamanic Reiki Worldwide, and Penn State University. “To reach your higher self – imagine who would be at your most satiated and realized, then make it twice as good, and you'll be in the ballpark.”— Jonathan Hammond
Please join me today for this overview of the roller coaster career of Alberta Hunter (01 April 1895 – 17 October 1984), a jazz legend whose surprising and extraordinary life was shaped by a voice that simply personified the Blues. Early in her life, around the time she was 15, she fled her native Memphis for Chicago, where, with tenacity, grit, and ambition, she became the darling of the night club circuit, performing sometimes under tommy-gun-adjacent circumstances. She soon made her way to Broadway and, following the lead of her compatriots, Joséphine Baker, Adelaide Hall, Florence Mills, and Elisabeth Welch, to Paris and London, where she was the toast of the town and appeared as Queenie opposite Paul Robeson in the original London production of Show Boat. Later during and after World War II she became a fixture of the USO circuit. Following the death of her mother, she abandoned her performing career and took up nursing in her sixties. After her enforced retirement twenty years later, through a set of freaky coincidences, she made a miraculous return to live performing at the age of 82 and became an overnight sensation, the toast of three continents. She always returned to her ongoing residency at a club in the Village called The Cookery, the venue where the final chapter of her career began. She continued to perform and record until shortly before her death just before her 90th birthday. Though she lived her life discreetly and never came out overtly, she nevertheless was involved with women throughout her life and formed her strongest emotional and romantic bonds with them. Sassy, raunchy, and gritty on the surface, Hunter possessed a voice and ingratiating style of such honesty, humor, and character, that masked a modesty hidden beneath that brash exterior, and a musical sensibility that dazzles with its ease, subtlety, and complexity. Featured musical excerpts, both studio and live, extend over more than 60 years and include collaborations with such jazz giants as Eubie Blake, Fats Waller, Lovie Austin, Charlie Shavers, and producer John Hammond and includes a clip from her appearance in the British film Radio Parade of 1935. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.
The Summer of Spielberg continues as Laci and Matt were able to buckle their seatbelts in time for their helicopter to land on Isla Nublar, where they meet up with AJ & Kristie from the In Love With Horror podcast to talk about Jurassic Park (1993). The four team up for a rollicking podcast so good it'll have you shouting “Hello John!” at total strangers. First of all, this famous action/horror/sci-fi/disaster epic has like 50 incredible lines of dialogue! So we just spend some time saying these lines at each other. But eventually we get into it, talking about the history of Michael Crichton's novel and its adaptation by Steven Spielberg. Then we take a close look at the movie, wondering just how bad of a boss John Hammond must be and what exactly is the nature of his relationship with Ian Malcolm. Also, apparently John Hammond was originally intended to sing a song explaining how Jurassic Park works? Instead they did the Mr. DNA thing, but we would love to hear that song. Who knows... maybe we will. Please check out the great In Love With Horror podcast on Apple Podcast (https://apple.co/4b80RX2), Spotify (https://bit.ly/3KYfbXe), or YouTube (https://bit.ly/4btwtqp), and support them on Patreon (https://bit.ly/3VV0jzy). Next week: Minority Report (2002)! Time stamps: 0:01:29 — In Love With Horror 00:07:41 — Our histories with Jurassic Park 00:28:05 — History segment: Career overview of Jurassic Park author Michael Crichton; overview of Spielberg's career since 1982; and a brief overview of the production of the movie 00:46:16 — In-depth movie discussion 01:11:14 — John Hammond's deleted musical number 01:52:35 — Final thoughts and star ratings Artwork by Laci Roth. Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC). Songs by Rural Route Nine in this episode: “Summer of Spielberg” - https://youtu.be/yglAqqLEaoI “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ “Summer of Spielberg” theme song credits: Words and music written by Matt Stokes Performed by Wade Hymel (drums/guitar), Laci Roth (vocals), and Matt Stokes (vocals/guitar/bass) Produced by TJ Barends, Wade Hymel, and Matt Stokes Engineered and mixed by TJ Barends at Bare Sounds Studio in Ponchatoula, Louisiana Sources: Steven Spielberg: A Biography by Joseph McBride - https://amzn.to/3xzYOx1 “'Jurassic Park' screenwriter David Koepp reveals the origin of the film's most quoted line” - by Tom Butler | Yahoo! Entertainment (2019) - https://yhoo.it/3VySSwv
Send us a Text Message.Katie and Bridget go back to the dino island (but not the SAME dino island) as they re-watch the lackluster sequel: The Lost World: Jurassic Park! Hey remember how the first Jurassic Park taught us to fear dinosaurs and never interact with them because man vs. nature blah blah? Well guess what - we're gonna go interact with them cause we forgot about all the death and destruction and instead are like YAY DINOS! Come along with Ian Malcolm, the only returning main character from the first movie! Through some spared-no-expense nonsense ala John Hammond, Ian ends up back with the dinos to go rescue his girlfriend who's been camping there alone for 4 days... Yes that's right, camping alone with DINOS... For four days... She might not have even had a tent, we're not really sure! But it's okay because we have some new characters like Nick Van Owen, the alleged back up plan (but we have doubts), Eddie Carr, the tech guy who gets viscously murdered, Kelly, a step-daughter who should have just stayed in the High-Hide, and InGen people, who just could not care less that they are seeing dinosaurs in real life. With that set up how could you go wrong!? Released in 1997, it was once again directed by Steven Spielberg, and features Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Vince Vaughn, Arliss Howard, Richard Attenborough, Vanessa Chester, and Richard Schiff.
John Hammond is another long-time supporter and has picked some of the greatest terrible movies committed to VHS, and this week he may have just raised the bar. Checkout John's recent vlog from Horrorcon UK 2024 in Sheffield: https://youtu.be/Q0IAAvR8O2E?si=dar8gRmqGWQDWFSX Devil Fetus was produced by Shaw Brothers Studio, a prolific company known for its martial arts and exploitation films. Seeking to capitalize on the rising popularity of supernatural horror, the studio embraced the genre's potential for both shock and visual spectacle. The production was notable for its ambitious use of practical effects and makeup to create the film's numerous grotesque and supernatural elements. These included scenes of possession, monstrous transformations, and graphic violence, which required innovative special effects techniques that pushed the boundaries of the studio's capabilities at the time. If you enjoy the show we have a Patreon, so become a supporter. www.patreon.com/thevhsstrikesback Plot Summary: A young woman purchases an antique jade vase at an auction and unknown to her, the vase is cursed and contains a demonic spirit. Upon bringing it home, she falls under the spell of the spirit, leading to her death. Years later, the curse begins to plague her descendants with horrifying supernatural occurrences, including possessions and gruesome deaths. The family, desperate to end the torment, seeks the help of a Taoist priest to exorcise the malevolent spirit. As they battle the demonic force, they uncover dark secrets and must confront the terrifying power of the curse to save themselves from total destruction. thevhsstrikesback@gmail.com https://linktr.ee/vhsstrikesback --- Send in a voice message: https://podcasters.spotify.com/pod/show/thevhsstrikesback/message Support this podcast: https://podcasters.spotify.com/pod/show/thevhsstrikesback/support
Dan & Manny welcome Rose & Courtney from the Fiction Fixation podcast to put the 1993 action thriller classic
At seventy-four, Bruce Springsteen has been cementing his status as a rock-and-roll legend for almost fifty years: he released his widely heralded, but not initially widely heard, début, “Greetings from Asbury Park, N.J.” in 1973. But, true to form, the artist who became known to his fans as the Boss hasn't rested on his laurels. After weathering a spate of health troubles this past year, which led him to cancel much of his tour, the rock icon plans to hit the road again in the new year, all over the U.S., Canada, and Europe. When Springsteen published his autobiography, “Born to Run,” back in 2016, David Remnick called it “as vivid as his songs, with that same pedal-to-the-floor quality, and just as honest about the struggles in his own life.” In October of that year, Springsteen appeared at the New Yorker Festival for an intimate conversation with the editor. (The event sold out in six seconds.) This entire episode is dedicated to that conversation. Springsteen tells Remnick how, as a young musician gigging around New Jersey, he decided to up his game: “I'm going to have to write some songs that are fireworks. . . . I needed to do something that was more original.” They talked for more than an hour about Springsteen's tortured relationship with his father, his triumphant audition for the legendary producer John Hammond, and his struggles with depression. As Springsteen explains it, his tremendously exuberant concert performances were a form of catharsis: “I had had enough of myself by that time to want to lose myself. So I went onstage every night to do exactly that.”This episode originally aired in 2016.
Oddball breaks down the Odd Couple that was Draymond Green and Jordan Poole - how much can we blame on internet culture and will either of their careers ever be the same? Oh, and a new game alert! If you don't like Word Count... better choose your words wisely. Plus, Amin & Charlotte chat with long-time GM and current Sr. Advisor for the Orlando Magic, John Hammond, about the decision behind drafting Giannis, why he's the rare player that he is and seeing the behind the scenes evolution of the NBA over the decades. Learn more about your ad choices. Visit megaphone.fm/adchoices
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