Podcasts about horigan

Bright on Buddhism Episode 112 - What is the first moral precept of Buddhism? What is its significance? How have interpretations of it changed over time?Resources: Dundas, Paul (2002) [1992]. The Jains (Second ed.). Routledge. ISBN 978-0-415-26605-5.; Fitzgerald, James L., ed. (2004). The Mahabharata. Vol. 7. The University of Chicago Press. ISBN 0-226-25250-7.; Laidlaw, James (1995). Riches and Renunciation: Religion, economy, and society among the Jains. Oxford University Press, USA. ISBN 0-19-828031-9.; Sarao, Karam Tej S. (1989). The Origin and Nature of Ancient Indian Buddhism. New Delhi: Eastern Book Linkers.; Schmidt, Hanns Peter (1968). "The Origin of Ahimsa". Mélanges d'Indianisme à la mémoire de Louis Renou. Paris: Boccard.; Sethia, Tara (2004). Ahiṃsā, Anekānta and Jainism. Motilal Banarsidass. ISBN 978-81-208-2036-4.; Tähtinen, Unto (1964). Non-violence as an ethical principle: with particular reference to the views of Mahatma Gandhi. Turku: Turun Yliopisto. OCLC 4288274.; Tähtinen, Unto (1976). Ahiṃsā: non-violence in Indian tradition. London: Rider. ISBN 0-09-123340-2.; Talageri, Shrikant (2000). The Rigveda: A Historical Analysis. India: AdityaPrakashan. ISBN 81-7742-010-0.; Talageri (2010). Rigveda and the Avesta: The Final Evidence. India.; Wiley, Kristi L. (2006). "Ahimsa and Compassion in Jainism". In Peter Flügel (ed.). Studies in Jaina History and Culture. London.; Winternitz, Moriz (1993). History of Indian Literature: Buddhist & Jain Literature. Motilal Banarsidass. ISBN 978-81-208-0265-0.; Alarid, Leanne Fiftal; Wang, Hsiao-Ming (2001), "Mercy and Punishment: Buddhism and the Death Penalty", Social Justice, 28 (1 (83)): 231–47, JSTOR 29768067; Bodhi, Bhikkhu (2005), "In the Buddha's Words: An Anthology of Discourses from the Pali Canon", Simon and Schuster; Edelglass, William (2013), "Buddhist Ethics and Western Moral Philosophy" (PDF), in Emmanuel, Steven M. (ed.), A Companion to Buddhist Philosophy (1st ed.), Wiley-Blackwell, pp. 476–90, ISBN 978-0-470-65877-2, archived from the original (PDF) on March 16, 2015; Harvey, Peter (2000), An Introduction to Buddhist Ethics: Foundations, Values and Issues (PDF), Cambridge University Press, ISBN 978-0-511-07584-1, archived from the original (PDF) on 2019-04-12, retrieved 2018-11-29; Horigan, D.P. (1996), "Of Compassion and Capital Punishment: A Buddhist Perspective on the Death Penalty", American Journal of Jurisprudence, 41: 271–288, doi:10.1093/ajj/41.1.271; Kaza, Stephanie (2000), "Overcoming the Grip of Consumerism", Buddhist-Christian Studies, 20: 23–42, doi:10.1353/bcs.2000.0013, JSTOR 1390317, S2CID 1625439; Keown, Damien (2003), A Dictionary of Buddhism, Oxford University Press, ISBN 978-0-19-157917-2; Keown, Damien (2012), "Are There Human Rights in Buddhism?", in Husted, Wayne R.; Keown, Damien; Prebish, Charles S. (eds.), Buddhism and Human Rights, Routledge, pp. 15–42, ISBN 978-1-136-60310-5; Keown, Damien (2013), "Buddhism and Biomedical Issues" (PDF), in Emmanuel, Steven M. (ed.), A Companion to Buddhist Philosophy (1st ed.), Wiley-Blackwell, pp. 613–30, ISBN 978-0-470-65877-2, archived from the original (PDF) on March 16, 2015; Keown, Damien (2016a), "Buddhism and Abortion: Is There a 'Middle Way'?", in Keown, Damien (ed.), Buddhism and Abortion, Macmillan Press, pp. 199–218, doi:10.1007/978-1-349-14178-4, ISBN 978-1-349-14178-4; Keown, Damien (2016b), Buddhism and Bioethics, Springer Nature, ISBN 978-1-349-23981-8Do you have a question about Buddhism that you'd like us to discuss? Let us know by emailing us at Bright.On.Buddhism@gmail.com.Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-HostProven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host

Bright on Buddhism Episode 75 -Does Buddhism regard human nature as inherently good or bad? Do other religions adjacent to Buddhism regard human nature as inherently good or bad? What does this mean in practice? Resources: Alarid, Leanne Fiftal; Wang, Hsiao-Ming (2001), "Mercy and Punishment: Buddhism and the Death Penalty", Social Justice, 28 (1 (83)): 231–47, JSTOR 29768067; Benn, James A. (2005), "Buddhism, Alcohol, and Tea in Medieval China" (PDF), in Sterckx, R. (ed.), Of Tripod and Palate: Food, Politics, and Religion in Traditional China, Springer Nature, pp. 213–36, ISBN 978-1-4039-7927-8, archived from the original (PDF) on 2018-11-28, retrieved 2018-11-29; Edelglass, William (2013), "Buddhist Ethics and Western Moral Philosophy" (PDF); Harvey, Peter (2000), An Introduction to Buddhist Ethics: Foundations, Values and Issues (PDF), Cambridge University Press, ISBN 978-0-511-07584-1, archived from the original (PDF) on 2019-04-12, retrieved 2018-11-29; Horigan, D.P. (1996), "Of Compassion and Capital Punishment: A Buddhist Perspective on the Death Penalty", American Journal of Jurisprudence, 41: 271–288, doi:10.1093/ajj/41.1.271; Kaza, Stephanie (2000), "Overcoming the Grip of Consumerism", Buddhist-Christian Studies, 20: 23–42, doi:10.1353/bcs.2000.0013, JSTOR 1390317, S2CID 1625439; Keown, Damien (2012), "Are There Human Rights in Buddhism?", in Husted, Wayne R.; Keown, Damien; Prebish, Charles S. (eds.), Buddhism and Human Rights, Routledge, pp. 15–42, ISBN 978-1-136-60310-5; Keown, Damien (2013), "Buddhism and Biomedical Issues" (PDF), in Emmanuel, Steven M. (ed.), A Companion to Buddhist Philosophy (1st ed.), Wiley-Blackwell, pp. 613–30, ISBN 978-0-470-65877-2, archived from the original (PDF) on March 16, 2015; Keown, Damien (2016a), "Buddhism and Abortion: Is There a 'Middle Way'?", in Keown, Damien (ed.), Buddhism and Abortion, Macmillan Press, pp. 199–218, doi:10.1007/978-1-349-14178-4, ISBN 978-1-349-14178-4; Keown, Damien (2016b), Buddhism and Bioethics, Springer Nature, ISBN 978-1-349-23981-8; Perrett, Roy W. (July 2000), "Buddhism, Abortion and the Middle Way", Asian Philosophy, 10 (2): 101–14, doi:10.1080/713650898, S2CID 143808199; Ratanakul, P. (2007), "The Dynamics of Tradition and Change in Theravada Buddhism", The Journal of Religion and Culture, 1 (1): 233–57, CiteSeerX 10.1.1.505.2366, ISSN 1905-8144; Seeger, M. (2010), "Theravāda Buddhism and Human Rights. Perspectives from Thai Buddhism" (PDF), in Meinert, Carmen; Zöllner, Hans-Bernd (eds.), Buddhist Approaches to Human Rights: Dissonances and Resonances, Transcript Verlag, pp. 63–92, ISBN 978-3-8376-1263-9; Terwiel, Barend Jan (2012), Monks and Magic: Revisiting a Classic Study of Religious Ceremonies in Thailand (PDF), Nordic Institute of Asian Studies, ISBN 9788776941017, archived (PDF) from the original on 19 August 2018; Wijayaratna, Mohan (1990), Buddhist monastic life: According to the Texts of the Theravāda Tradition (PDF), Cambridge University Press, ISBN 978-0-521-36428-7, archived from the original (PDF) on 15 December 2017, retrieved 29 November 2018 Do you have a question about Buddhism that you'd like us to discuss? Let us know by tweeting to us @BrightBuddhism, emailing us at Bright.On.Buddhism@gmail.com, or joining us on our discord server, Hidden Sangha https://discord.gg/tEwcVpu! Credits: Nick Bright: Script, Cover Art, Music, Voice of Hearer, Co-Host Proven Paradox: Editing, mixing and mastering, social media, Voice of Hermit, Co-Host --- Send in a voice message: https://podcasters.spotify.com/pod/show/brightonbuddhism/message

Erika Horigan: Horigan Urban Forest Products “It's this product that does everything that you sort of want it to. It's beautiful, sustainable, at this point, it's plentiful. We can keep on producing it; there's so many good things in it.” Erika Horigan Welcome back to a brand new episode of the Woodpreneur Podcast! Today your host Steve Larosiliere sits down with Erika Horigan of Horigan Urban Forest Products. Erika is a rare Woodpreneur interview for Steve because she is also located in Chicago, not an area with an abundance of urban lumber involvement. “Horigan Urban Forest Products got started in 2003, so it's been a while. Prior to that we had a tree business. It was my husband, Bruce, who had seen these trees going into the landfill at first, and then into firewood or mulch and he thought that there's got to be a better way.  Taking them to a higher use was the beginning thought and we started to look into milling and kiln drying, it took quite a while. Then in 2003, we sold Horigan Tree Industries, we started the wood business, and the rest is history. Since then, we have gotten back into tree care. After our non-compete came up, we just decided to jump back in; it was sort of a natural combination between the mill and the trees.” Erika Horigan Read More

Disruption, Dislocation & DetailsThis week's show is built around what you need to do and who you need to get help from when things go wrong before, during and after you buy or rent a home."I want to buy that house but should I be concerned it is in a flood zone?""The co-op apartment above me had a major plumbing issue and now my apartment and fine art has been ruined by water damage - now what?""I don't want to live here anymore. Can I break my lease and leave?"  Two experts that know about disturbance:John Allen is going to talk with us about some areas of insurance that affect our buyers and what we can do to point them in the direction about protecting their most important purchase. Chubb Insurance is a firm that has built a reputation for going all the way for their clients. What does all the way mean? I found on the Chubb website that they "will pay to have your home repaired or rebuilt to its original condition - even if the cost exceeds your policy limit". It makes me wonder how can they afford to do that? We are going to ask John some key questions about what do we need to know about insurance for ourselves and our clients especially these days.Our second guest, Phil Horigan, is the founder of LeaseBreak.com, the source of short-term furnished rentals in New York City. Before Leasebreak hit the scene in 2013, furnished short term rentals were also very difficult to find because there was no one place people could go to see the thousands of available furnished short term rentals at any given time. You had to look on multiple websites in order to find temporary housing, or ask every landlord if they would allow furnished short term rentals (95% said no). Leasebreak's job is to provide one marketplace for all of these furnished short term rentals along with rooms for rent, leasebreaks, and sublets. Not only does Phil help you find a place, he helps you break your lease so you can go get a better place with your favorite realtor.About Boroughs & Burbs:We are excited to share with you our weekly wide-ranging zoom conversation with real estate experts from around our area. We will be joined by various guests each week, hosted by John Engel in Connecticut and Roberto Cabrera in New York. Roberto Cabrera - With 20 years of experience, I have been recognized throughout the industry for achieving outstanding results: Ranked nationally by REAL Trends as one of "America's Best Real Estate Agents” for avg. sales price of $4.350M. Sold a single family Townhouse faster than any other on the Upper West Side over $10M. I live with my wife and daughter on the Upper West Side, the neighborhood I have called home for the past 23 years. I was originally born in Richmond, Virginia and grew up in Maryland, just one mile south of the Mason Dixon line. After graduating with a degree in Mathematical Economics from Hampden-Sydney College,  I spent 5 years in Washington, DC working as a financial consultant. I also studied at The National Conservatory of Dramatic Arts and I'm a former actor who once moonlighted as a stand-up comedian. John Engel - John Engel is a consistently top-producing agent in Fairfield County, Connecticut. John recently won the 2019 Realtor of the Year Award in New Canaan where he is currently the Chairman of the Town Council. Before going into real estate he was the founder of two successful internet businesses, Paper.com and e-Media for which he won the prestigious Entrepreneur of the Year Award. John spent his earliest years in Stuyvesant Town (before it was cool) and finished his growing up in New Canaan before attending Davidson College in North Carolina. After graduating, he served as an officer in the U.S. Army and led a military intelligence platoon on the front lines of the first Gulf War. He lives in New Canaan with his wife Melissa and four children. 

Older Episode Just Put In Podcast Format, Formerly Facebook Streamed.

Phil Horigan, the founder of leasebreak.com and frele.com, sits down with Noah and John to talk about how data, transparency, and current monetization strategies are affecting today's agents.

Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH).  In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information).  Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina.  They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced.  In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH).  In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information).  Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina.  They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced.  In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH).  In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information).  Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina.  They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced.  In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH).  In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information).  Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina.  They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced.  In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH).  In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information).  Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina.  They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced.  In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005. Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH).  In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information).  Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort. Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina.  They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5). Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced.  In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices