Podcasts about Upper West Side

In this episode, Tony Brueski digs into the chilling mysteries surrounding The Dakota, one of New York's most iconic and enigmatic buildings. From its origins as a luxurious Upper West Side residence to its association with John Lennon's tragic murder, The Dakota carries a legacy of both history and hauntings. We explore the tales of spectral figures like the Crying Lady and a ghostly young girl, alongside Lennon's own eerie encounters in the building. Are these events a result of lingering energies from its storied past, or is there a psychological explanation tied to its fame and architecture? Join Tony Brew-ski as he delves into the eerie phenomena and unresolved mysteries that make The Dakota an enduring fascination for believers and skeptics alike.

Lydklipp-sesh med Hanne Linnesholm. 

Writer S.A. Cosby discusses his latest thriller, King of Ashes. It follows a man named Roman who returns home to try and save his family from the revenge of angry gang members. Cosby will discuss the book on June 18 at Barnes and Noble's Upper West Side location.

This the morning All Local for June 16, 2025.

Mordechai “Moti” Vaknin was born in 1984 in Haifa, Israel, as the only child of an Orthodox Moroccan Jewish family. Growing up in a vibrant cultural and spiritual environment, Moti developed a deep appreciation for his heritage. As a young adult, he pursued radio broadcasting and served in the Israel Defense Forces from 2003 to 2006, gaining valuable life experience and discipline.In 2007, Moti traveled to the United States to follow his dream of becoming a photographer. While taking classes at Photo Manhattan in New York City, he worked as a kosher supervisor on the Upper West Side. During this transformative time, he encountered Chosen People Ministries and was challenged to read the Bible independently and seek a personal relationship with God. Through prayer, study, and reflection, Moti came to the conviction that Jesus (Yeshua) is the promised Jewish Messiah.Moti returned to Israel in 2010. Over the years, Moti has developed a thriving service ministry, working with youth, soldiers, and students across Israel. He and his wide Orel are devoted to sharing the good news with their fellow Israelis, with a special focus on mentoring young believers and equipping them to grow in their faith.Today, Moti continues to inspire and guide the next generation, helping new believers embrace their Messiah and encouraging others to explore the transformative truths of the Bible.

Buffalo Mayor Chris Scanlon announces the site of the new Buffalo Animal Shelter on Niagara Street in the city's Upper West Side full 828 Mon, 09 Jun 2025 17:00:23 +0000 FqUuErzPgYJbUMTiPbQ8Wm5FQK6y2jZo buffalo,news,wben,chris scanlon,buffalo animal shelter,news & politics WBEN Extras buffalo,news,wben,chris scanlon,buffalo animal shelter,news & politics Buffalo Mayor Chris Scanlon announces the site of the new Buffalo Animal Shelter on Niagara Street in the city's Upper West Side Archive of various reports and news events 2024 © 2021 Audacy, Inc. News & Politics News

A recent story from NYC documents two slaughtered chickens that were found on an Upper West Side median, following a recent similar case close by on Broadway and West 92nd Street. The NY Post reports that this “has activists worried they were killed in an animal sacrifice ritual.” Headless goats, chickens, and pigeons have also been found in Texas and Florida, respectively Galveston beach, a Tampa cemetery, Cape Coral, the Courtney Campbell Causeway - and other locations too.Most of these cases are tied directly or indirectly to Santería, an Afro-Caribbean religious practice that developed in Cuba during the 19th century. As a mixture of Yoruba religion from West Africa, Spiritism, and even Catholicism - like Voodoo -  it involves animal sacrifices. Contrary to popular belief or personally bias belief, the US SCOTUS ruled in Church of the Lukumi Babalu Aye v. City of Hialeah (1993) that certain animal sacrifices were legal. One opinion on the case reads: “Our review confirms that the laws in question were enacted by officials who did not understand, failed to perceive, or chose to ignore the fact that their official actions violated the Nation's essential commitment to religious freedom.”It's also ironic that Catholicism, a universal religion of people who drink symbolic blood and eat symbolic flesh, is the partial basis of Santería - and Voodoo; both condemned by the largely Christian west. The Corpus Christi and Transubstantiation are based on the concept of sympathetic magic, that life itself is in the blood, and that this force belongs to God as per Deuteronomy and Leviticus. Drinking the blood bestows life, i.e., it is a medicinal remedy, though of a more spiritual variety. That is despite the Bible itself being filled with and overflowing with animal blood, from Genesis to Revelation, and the fact Christians, far more than any other group, are considered the largest consumers of pork alone, not to mention other meats. And unlike HALAL or KOSHER dietary rules, Christians have none for the slaughter of their meals. Around 100,000 cattle are slaughtered daily in the US for the luxury of meat, along with 25 million chickens and 350,000 pigs. The worst part, estimates are that approximately 1/4 of all US meat is wasted annually. What's worse, religious animal sacrifice or gluttonous animal sacrifices that go to waste? Although Christians maintain the blood and flesh rituals, many distance themselves from the idea, while the Jewish custom of Kapparot involves the slaughter of a chicken and public sins. Animal sacrifice for strictly religious purposes and in honest faith - not to mention the symbolic nature of such sacrifices as they relate to the carnal self - are one thing, but the ritualized nature of abortion and body/organ harvesting is another.In South Africa it is common for some children, especially albino ones, to be sold or kidnapped for body parts and organs. Albinos are believed to contain good fortune within their body and blood. As Daily Mail reports: “those who believe in black magic and traditional medicine claim their fair skin and eyes can bring good fortune and cure afflictions.” Be it for religious rituals, health, or profit, Planned parenthood was also doing something similar as per undercover videos and singer like Azealia Banks performed live chicken sacrifices in her closest. In the last 15 years there have been multiple stories about Chinese-made infant flesh pills being smuggled into Korea. All throughout Europe during the 16h-17th centuries, without doubt, “many Europeans, including royalty, priests and scientists, routinely ingested remedies containing human bones, blood and fat as medicine for everything from headaches to epilepsy.” And as with Countess Elizabeth Báthory, who believed the blood of young women would protect her skin, Stanford scientists have found that “old mice given infusions of blood plasma from young mice outperformed old mice who got plasma from old mice.” In the 1960s the rubella shot was manufactured with a virus grown from human fetal cells, taken from an abortion case. *The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.-FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKYOUTUBEMAIN WEBSITECashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

Join Opie and the crew for a hilarious and unfiltered episode of the Opie Radio podcast, broadcast live from Gebhards Beer Culture on Manhattan's Upper West Side.VIDEO VERSION here https://youtube.com/live/nzqHgbbuLuw?feature=shareSip along as they dive into a wild mix of topics, from motorcycle mayhem and New York City gripes to debunking Jimi Hendrix myths and uncovering Freddie Mercury's rumored daughter. Expect plenty of laughs, craft beer cheers, and street cam shenanigans in this lively, no-holds-barred session. Tune in for the chaos and stay for the iHeart Radio announcement! Like, share and SUBSCRIBE!

In Case No. 1:24-cv-08812, filed on November 19, 2024, in the Southern District of New York, the plaintiff, identified as John Doe, alleges that in October 2001, he was lured to New York City under the pretense of auditioning for a role as a police officer in a music video. After coordinating with a female casting director, he traveled to Manhattan, booking a room at the Hotel Newton on the Upper West Side. The following day, he was directed to a suite near the top of a hotel located on the south side of Central Park.The plaintiff claims that upon arrival, he was offered a Diet Coke that tasted unusual. Subsequently, he began to feel disoriented and lost consciousness. He alleges that he awoke to find Sean "Diddy" Combs sexually assaulting him, with Combs's bodyguard restraining his arms. After the assault, the plaintiff asserts that he fled the scene. The lawsuit seeks compensatory and punitive damages for the alleged assault, emphasizing a pattern of such behavior by Combs over the years, purportedly facilitated by various individuals and entities.(commercial at 8:26)to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.632028.1.0.pdf

In Case No. 1:24-cv-08812, filed on November 19, 2024, in the Southern District of New York, the plaintiff, identified as John Doe, alleges that in October 2001, he was lured to New York City under the pretense of auditioning for a role as a police officer in a music video. After coordinating with a female casting director, he traveled to Manhattan, booking a room at the Hotel Newton on the Upper West Side. The following day, he was directed to a suite near the top of a hotel located on the south side of Central Park.The plaintiff claims that upon arrival, he was offered a Diet Coke that tasted unusual. Subsequently, he began to feel disoriented and lost consciousness. He alleges that he awoke to find Sean "Diddy" Combs sexually assaulting him, with Combs's bodyguard restraining his arms. After the assault, the plaintiff asserts that he fled the scene. The lawsuit seeks compensatory and punitive damages for the alleged assault, emphasizing a pattern of such behavior by Combs over the years, purportedly facilitated by various individuals and entities.(commercial at 8:26)to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.632028.1.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In Case No. 1:24-cv-08812, filed on November 19, 2024, in the Southern District of New York, the plaintiff, identified as John Doe, alleges that in October 2001, he was lured to New York City under the pretense of auditioning for a role as a police officer in a music video. After coordinating with a female casting director, he traveled to Manhattan, booking a room at the Hotel Newton on the Upper West Side. The following day, he was directed to a suite near the top of a hotel located on the south side of Central Park.The plaintiff claims that upon arrival, he was offered a Diet Coke that tasted unusual. Subsequently, he began to feel disoriented and lost consciousness. He alleges that he awoke to find Sean "Diddy" Combs sexually assaulting him, with Combs's bodyguard restraining his arms. After the assault, the plaintiff asserts that he fled the scene. The lawsuit seeks compensatory and punitive damages for the alleged assault, emphasizing a pattern of such behavior by Combs over the years, purportedly facilitated by various individuals and entities.(commercial at 8:26)to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.632028.1.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

Bar Crawl Radio is back at the West Side Community Garden talking with UWSers helping those in need on the Upper West Side of Manhattan.Wendy Straus and BCR producer Alina Larson talked about their work for Open Hearts Initiatives and Pastor K [Karpan] told us about his Church on W. 86th Street. These two UWS organizations are doing in many programs to help our recent migrants from around the world looking for a safe place to be free and complete their dreams and homeless. Hosted on Acast. See acast.com/privacy for more information.

VIDEO VERSION HERE: https://youtube.com/live/YYWbDvUz824?feature=share Join Opie and his crew for a raucous ride at Gebhards Beer Culture on the Upper West Side! In this first part of a live podcast extravaganza, the gang dives into a nostalgic love fest for the Toadies, debates the best cuts of meat (New York strip, anyone?), and rants about everything from overpriced coffee to cartoon controversies. Expect unfiltered banter, music riffs, and a few wild tangents about fishing, Springsteen, and surviving the chaos of New York City. Grab a beer and buckle up for the Opie Radio experience!See omnystudio.com/listener for privacy information.

Astrid Dyson møter eks-husmor Pia Marks til en prat i fuglekvitrende Central Park. Pia flyttet fra Oslo til New York for 25 år siden, startet karrieren i bank – og var så hjemmeværende i 16 år. Etter en skilsmisse via Zoom i en brownstone midt under pandemien, er Pia tilbake i arbeidslivet – med nye ambisjoner og en historie verdt å lytte til. 

In BAD SHABBOS, David (Jon Bass) and his fiancée (Meg (Meghan Leathers) are anxious. Not about their future together. No, their stress comes from the fact that it's time for them to attend his family's traditional Shabbat dinner on New York's Upper West Side. But things spiral entirely out of control when an accidental (or is it?) death takes place within the home. With Meg's mother and father coming over to meet David's parents for the first time, the family scramble to figure out how to handle this otherworldly situation while trying not to spend life in prison. In this 1on1, we speak to Robbins about 'managing family polarities' and the magic of Method Man.

We had a great time catching up with Leah Cohen. She's the chef-owner of the terrific Pig & Khao restaurants in New York City, with locations on the Upper West Side and Lower East Side. On this episode, we talk about her career and appearing on an early season of Top Chef. We also get into her struggles with identity as a kid, and how her Filipino and Jewish upbringing made her the chef she is today.Also on the show we have a great conversation with Barbara Costello. She of the popular @BrunchwithBabs social accounts and the new cookbook: Every Day with Babs: 101 Family-Friendly Dinners for Every Day of the Week: A Cookbook.Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We'd love to hear from you. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

VIDEO version here https://www.youtube.com/watch?v=pwKK5oHdgBQ Join Opie and the crew for a wild, unfiltered live episode at Gebhards in NYC, where the rain-soaked Upper West Side sets the stage for a whirlwind of crude humor, local gossip, and conspiracy-fueled tangents. From a 12-foot Times Square statue sparking debate to P. Diddy’s egg-tossing party antics, the gang dives into NYC’s gritty pulse. Matt shares a hilarious tale of his daughter Millie’s “fucking bam it” outburst, while Ron rants about pit bull attacks, AI draining the grid, and fluoride’s Illuminati roots. Expect locker room stories, a nod to the Bruins’ “Black Betty,” and a heartfelt family moment with Matt’s kids, all capped with a Bubba Gump shrimp roll plug. This episode is a raw, chaotic love letter to NYC’s barroom banter. Tune in for laughs, shocks, and a taste of Gebhards’ Wednesday shrimp special!See omnystudio.com/listener for privacy information.

Nina Compton is the chef and owner of three highly regarded restaurants in New Orleans: Compère Lapin, BABs, and Nina's Creole Cottage. Born in Saint Lucia, she honed her chops at many notable restaurants before appearing as the fan favorite on season 11 of Top Chef. Nina's new cookbook, Kwéyòl / Creole, written with Osayi Endolyn, is a true standout, tracing her culinary journey from growing up in Saint Lucia to Jamaica, Miami, and her adopted home of New Orleans. It's so special to have Nina in the studio to talk about making this book and her culinary career.And, at the top of the show, it's the return of Three Things, where Aliza and Matt talk about what is exciting them in the world of restaurants, cookbooks, and the food world as a whole. On this episode: Pig & Khao, from Leah Cohen, is doing really interesting things on the Upper West Side, get to AbuQir in the Little Egypt section of Astoria, Menus By Brian is the coolest cookbook series. Also: A development in Aliza's kitchen and it's steaming, the great Yuzu Co. has a new line of drinks, NYC mayoral candidate Zohran Mamdani wants to open city-owned grocery stores. And as a P.S.: I Leave It Up to You by Jinwoo Chong is one of the most-representative restaurant culture novels in recent times. Do you enjoy This Is TASTE? Drop us a review on Apple, or star us on Spotify. We'd love to hear from you. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

City Councilmember Gale Brewer is calling for the return of green stickers that shame drivers who flout alternate side parking rules, pointing to persistent issues in her Upper West Side district. Meanwhile, New York's state reparations commission now has until 2027 to release its recommendations. And the Knicks are one win away from the conference finals after beating the Celtics 121-113 in Game 4.

Air traffic controllers lost radar contact with planes approaching Newark Airport Friday, according to the FAA, the second incident in two weeks. Meanwhile, federal mediators have called NJ Transit and its engineers union to Washington, ahead of a possible strike. Also, a Brooklyn man is charged with setting multiple fires in NYCHA buildings. And after a dog attack on the Upper West Side, lawmakers are pushing for stricter rules for owners.

At least 80 people arrested in a protest at Columbia University, today there is limited access to the campus... A town hall meeting on the Upper West Side after a chihuahua was mauled by 2 pit bulls... The Knicks stun the Celtics full 369 Thu, 08 May 2025 09:39:37 +0000 rbzC3mljtIOYFRaOiC4ck7hzKKihA1ei news 1010 WINS ALL LOCAL news At least 80 people arrested in a protest at Columbia University, today there is limited access to the campus... A town hall meeting on the Upper West Side after a chihuahua was mauled by 2 pit bulls... The Knicks stun the Celtics The podcast is hyper-focused on local news, issues and events in the New York City area. This podcast's purpose is to give New Yorkers New York news about their neighborhoods and shine a light on the issues happening in their backyard. 2024 © 2021 Audacy, Inc.

New Yorkers gathered at St. Patrick's Cathedral in Manhattan as a new pope was elected. Meanwhile, Mayor Adams is promoting his new budget proposal to restore cleaning crews to some of New York City's busiest green spaces. Plus, a school on the Upper West Side is wrestling with how to discipline seniors who staged a prank some teachers described as xenophobic. Also, a new ICE detention center in Newark is drawing the ire of the mayor of New Jersey's largest city. And finally, three Republican candidates vying to be New Jersey's next governor made their case to voters at a forum Wednesday hosted by WNYC and NJ Spotlight News.

Jess is joined by 4x Tony Award winning Broadway producer JEFFREY SELLER, best known for “Hamilton,” “Rent,” “In the Heights” & “Avenue Q.” Topics — his review of “Sunset Blvd,” being the creative nurturer and critic to Jonathan Larson & Lin Manuel Miranda, inventing the Broadway lotto system, crippling anxiety of opening night reviews, renovating his dream Upper West Side townhouse & more!  Jeffrey Seller's memoir THEATER KID is available now!  Jess' docu-series on the history, mystique & lore of Fire Island: Finding Fire Island IG: @jessxnyc 

This week Ivy Slater, host of Her Success Story, chats with her guest, Erin Wheelock. The two talk about the challenges of building a successful real estate business, the importance of client care and numbers-driven leadership, and Erin's bold approach to growing a global team. In this episode, we discuss: How Erin transitioned from an acting and bartending background into real estate Failing forward is essential Why 2020 was Erin's year of growth Why vulnerability = stronger leadership Why going global matters to Erin   Erin Wheelock-Luxury Licensed Real Estate professional at Keller Williams On television, you may see shows with real estate professionals holding chic NYC open houses with mimosas and think that it is just a pipe dream done for TV ratings – as a matter of fact, this dream of a luxury open house experience comes true with our Listing Specialist, Erin. With over 10 years in the industry, Erin can easily be classified as a seasoned real estate professional with specializations in market numbers, quality, knowledge and care of the home you are eager to sell. Erin has a keen eye for the small details in a home that can make all of the difference in the buyer's perception. Whether it is finding simple ways to brighten each room or having particular dishes laid out, she knows how to anticipate buyer behavior and make the selling experience very positive. In addition to understanding buyer psychology, she is highly committed to helping you build wealth as a Homeowner. Erin's ability to strategize successful negotiations is a direct result of her extensive knowledge and her adept skill in educating her clientele in making the best possible decision with their equity. Erin is part of the elite top 5% of her Keller Williams NYC office and she also spearheads the efforts of the Keller Williams internal charity, KW Cares, where she utilizes her talents to fundraise to support those in need. Needless to say, Erin has an extremely strong work ethic and is very dedicated to the real estate industry as well as helping people. Originally from Burlington, WI, Erin attended Viterbo University and earned a BFA in Musical Theater. Erin currently resides on the Upper West Side and in her spare time, she loves to travel and be with her family and friends. Erin is highly enthusiastic, self-motivated, completely accessible and is ready to help you grow your net worth, and protect your equity. If you would like to connect with Erin to learn more about how she could assist with your next home sale, contact her today.   Website:  kwnyc.com/erin-wheelock    Social Media Links: https://www.facebook.com/erinwheelock https://www.instagram.com/erinwheelock/ https://www.instagram.com/wheelockteam/ https://www.linkedin.com/in/erinwheelock/ https://www.tiktok.com/@lifewithwheelock   Awards, etc. Top 5% in market center 2x ALC member of the year 5 year Culture Ambassador Family Reunion Speaker in US and France 8x Bold Grad Host of Where to, Wheelock? Host of REDTalks 2020 Platinum Member Circle    

Dive into the unfiltered madness of Opie Radio, LIVE from the basement of Gebhards Beer Culture on NYC’s Upper West Side! Opie, Matt, Ron, and the crew, hopped up on Zyrtec and Fat Orange Cat’s Stay at Home Dad beer, unleash a whirlwind of rants and riffs. They roast Beyoncé’s cowboy persona, sparking TikTok backlash and “racist” accusations, while debating her “stunt hiney” in a jeans ad. A Massachusetts woodpecker smashing car windows, a black bear storming a mall, and Gwyneth Paltrow’s carb binge fuel their absurd tangents. Ron’s chaotic “list” includes a Stallone-inspired arm wrestling tournament, his role as “Buddy the Waiter,” and a dubious Hawaiian orgasm mushroom. From the Pope’s sunburned corpse to Central Park’s redesign, a missing $167M jet, and a subdued Cinco de Mayo, no topic escapes their irreverent jabs. Matt’s kids, Otto and Millie, nearly derail the stream by chewing wires, while the chat begs for Ron’s own show. Sip through the pollen haze with Gebhards’ killer brews and handmade maple syrup sausage patties—pure chaos awaits!See omnystudio.com/listener for privacy information.

Perhaps you were following the social media phenomenon in 2023 of Flaco, dubbed ‘the world's most famous bird' from the night when vandals at the Central Park Zoo cut a hole in his cage until his death a year later in a courtyard on the Upper West Side. The year-long odyssey captured the imagination of … Read More Read More

In October 2024, Zohran Mamdani launched his New York City mayoral campaign in relative obscurity. Half a year later, excitement about the state assemblymember from Queens is palpable. Mamdani, whose campaign is focused on housing justice and transit affordability, is the first in the race to hit its fundraising cap, raising $8 million dollars from more than 17,000 donors. A member of the Democratic Socialist of America, he boasts over 15,000 volunteer canvassers. Mamadani is now polling in second place, behind Andrew Cuomo, former New York governor who resigned in disgrace following sexual harassment allegations. Meanwhile, Cuomo, who began a lackluster second act in Israel advocacy following his resignation from office, is attempting to make Israel and antisemitism central issues in the campaign. In a speech earlier this month at a Modern Orthodox synagogue on Manhattan's Upper West Side, he blasted Mamdani, as well as fellow competitors Brad Lander and Adrienne Adams, for being insufficiently supportive of Israel, while asserting that anti-Zionism is unequivocally antisemitism. He also zeroed in on Mamdani's “Not On Our Dime” legislation, which targets charities funding Israeli settlements in the West Bank. Mamdani has continued to stress an adherence to international law, and a commitment to the principle of the equality of all human life. As the mayoral race enters its final months, Jewish Currents editor-at-large Peter Beinart interviewed Mamdani in a conversation that first appeared in the Beinart Notebook on Substack. They discussed how Israel/Palestine is making its way into New York politics, how Mamdani would stand up to President Trump, and his detailed plan for public safety. Jewish Currents is a non-profit organization and does not endorse candidates for office. We hope that our listeners in New York City will vote in the primary on June 24th.Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).” FURTHER READING: “Cuomo's ‘most important issue,'” Jeff Coltin, Nick Reisman, and Emily Ngo, Politico“Cuomo and Mamdani gain ground as Democratic primary turns into two-person race,” Adam Daly, amNY“Socialist Assemblymember Zohran Mamdani Wants to End Columbia and NYU's Tax-Exempt Status,” Sarah Wexler, Jacobin“Feds seized $80 million in FEMA funds given to NYC to house migrants, city comptroller says,” Jennifer...

This is your All Local afternoon update on April 19, 2025.

Our favorite book families tend to be delightfully dysfunctional, and there are none quite like the one in The Usual Desire to Kill by Camilla Barnes. With two sisters, a pair of aging parents and barn animals aplenty, this is a quirky and heartfelt novel that reminds readers our parents had lives before us. Camilla Barnes joined us live at the Barnes & Noble on NYC's Upper West Side to talk about long-term marriage, family folklore, llamas and more with cohost Jenna Seery. This episode of Poured Over was hosted by Jenna Seery and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): The Usual Desire to Kill by Camilla Barnes The Tiger Who Came to Tea by Judith Kerr How Not to Be a Politician by Rory Stewart

KNOW GOOD MUSIC Interviews LAURIE KAYE Laurie wrote a great book called "CONFESSIONS OF A ROCK N' ROLL NAME DROPPER : My life leading up to John Lennon's Last Interview. We talk to Laurie about her career in radio with the RKO NETWORK (KFRC) in the 7o's and some of the people she interviewed like David Bowie, Mick Jagger, George Harrison and of course, John Lennon who she interviewed on Dec 8th, 1980 at the Dakota hours before he was murdered. Her book is a great look into the 70s and how she got to experience some great concerts and encounters with Rock Legends first hand. Matt and Rob read the book and loved it!  Loved how Laurie incorperated the dialogue from her interviews into the book (the audio version has excerpts from the actual interviews) ***** ABOUT THE BOOK and LAURIE  Rock reporter Laurie Kaye interviewed John Lennon just hours before he was murdered in 1980 outside New York's famous Dakota apartments and even ran into his assassin (whom she refuses to cite by name) on the street outside, and here she recounts the story of that fateful night, the centerpiece of this memoir about the life of a SoCal girl with a troubled childhood who got to live out her dream by interviewing many of the most famous rock stars of the time. Name dropping? Well, they say it ain't bragging if you really did it and Laurie Kaye has really done it. These stories about so many culturally important people are exciting and illuminating. I read this book with pleasure and amazement. I know that you will dig it, too! On December 8, 1980, twenty-something rock journalist Laurie Kaye entered the legendary Dakota apartments on Manhattan's Upper West Side to co-conduct an interview with her longtime idol, John Lennon. It was the last interview Lennon would ever give—just hours later, outside that same building, Lennon was shot dead by a twenty-five-year-old man (whom Kaye refuses to refer to by name) whom Kaye herself had encountered after finishing the interview and stepping outside onto the street. Kaye has beaten herself up ever since over her failure to recognize that the assassin—who blocked her path and harassed her with questions like “Did you talk to him?” “Did you get his autograph?”—posed a danger and should have been reported. Now, as we approach the forty-fifth anniversary of Lennon's death, Kaye reflects how she rose from teen runaway from a dysfunctional family to expatriate studying Balinese dancing in Indonesia to journalist, writer, and producer with credits including RKO Presents The Beatles/The Beatles from Liverpool to Legend (at the tender age of twenty-one) and the Lord of the Rings DVD release, plus interviews with such titans of the music industry as Paul McCartney, George Harrison, Talking Heads, The Ramones, David Bowie, and Mick Jagger, whom she put on hold so that he could listen to her newscast before getting down to business. But it was the day she shared a loveseat with John Lennon and watched him push his iconic granny glasses down the length of his nose and smile at her in agreement that remains indelibly etched in her mind—both the best and worst day of her life. Laurie Kaye began her career in radio at KFRC-AM San Francisco, for years one of the nation's greatest top 40 stations, where she started as an intern and worked her way up to on-air reporter and anchor. She wrote and coproduced numerous radio rock specials for RKO, including RKO Presents the Beatles (later expanded and retitled as The Beatles from Liverpool to Legend), and The Top 100 of the 70's before moving on to write Dick Clark's weekly radio countdown show and syndicated newspaper column. Kaye then moved on to television and film as a writer, producer, and casting director.   This book won a Writer's Digest Award the year it was released - 4th place in the Memoir/Personal Essay category of their annual writing competition! ************ VISIT LAURIE'S WEBSITE to find out her upcoming appearances and links to purchase and listen to the book (audio includes experts from her interviews). www.confessionsofarocknrollnamedropper.com ************ KNOW GOOD MUSIC can be found almost anywhere you listen to podcasts including Podbean (host site), Spotify , Apple Podcasts, Iheart Radio, Pandora and YOUTUBE Links to more sources at Link Tree - www.linktr.ee/knowgoodmusic  Help support our Podcast by purchasing some cool merch: https://www.teepublic.com/user/knowgoodmusic Visit our YouTube Channel where you can see video segments from all of our interviews.  Just search "know good music".  

Hello, Puzzlers! Puzzling with us today: co-hosts of "The Ruthless Comedy Hour" Karen Bergreen and Cynthia Kaplan! Get tickets for their upcoming show at the New York Comedy Club on the Upper West Side here! Join host A.J. Jacobs and his guests as they puzzle–and laugh–their way through new spins on old favorites, like anagrams and palindromes, as well as quirky originals such as “Ask AI” and audio rebuses. Subscribe to The Puzzler podcast wherever you get your podcasts! "The Puzzler with A.J. Jacobs" is distributed by iHeartPodcasts and is a co-production with Neuhaus Ideas. Our executive producers are Neely Lohmann and Adam Neuhaus of Neuhaus Ideas, and Lindsay Hoffman of iHeart Podcasts. The show is produced by Jody Avirgan and Brittani Brown of Roulette Productions. Our Chief Puzzle Officer is Greg Pliska. Our associate producer is Andrea Schoenberg.See omnystudio.com/listener for privacy information.

Hello, Puzzlers! Puzzling with us today: co-hosts of "The Ruthless Comedy Hour" Karen Bergreen and Cynthia Kaplan! Get tickets for their upcoming show at the New York Comedy Club on the Upper West Side here! Join host A.J. Jacobs and his guests as they puzzle–and laugh–their way through new spins on old favorites, like anagrams and palindromes, as well as quirky originals such as “Ask AI” and audio rebuses. Subscribe to The Puzzler podcast wherever you get your podcasts! "The Puzzler with A.J. Jacobs" is distributed by iHeartPodcasts and is a co-production with Neuhaus Ideas. Our executive producers are Neely Lohmann and Adam Neuhaus of Neuhaus Ideas, and Lindsay Hoffman of iHeart Podcasts. The show is produced by Jody Avirgan and Brittani Brown of Roulette Productions. Our Chief Puzzle Officer is Greg Pliska. Our associate producer is Andrea Schoenberg.See omnystudio.com/listener for privacy information.

I had plenty of moving boxes, just in case of whatever. I didn't feel like I was home–perhaps this was the cause of the depressive mess. I was working out okay, and eating…okay… kind of. –besides being unable to actually tell if I was hungry or not unless the circumstances were extreme. Lentils and pasta with garlic salt–cause I don't give any kind of fuck right now. I knew something might be wrong when I was just eating raw cabbage with squirts of japanese barbeque sauce. I'm enjoying myself thoroughly, but thinking– “God, this just seems…this just feels wrong.” It's just cabbage. I'm like, “Fuck it, this is good.” It was as if somewhere in my mind if I cleaned up the mess to my standards, it would be too perfect–and that when things were perfect, it gave life an excuse to come crashing down. One of the last thoughts I had just before my son died–the night before–was that things were perfect. They weren't–obviously–but from where I had been, they were looking up. So far up, that they seemed perfect. And as for perfect was concerned…I had never seen a more perfect human being in my life. My son was gorgeous. Of course, most mothers feel that way about their offspring, even when to say the least, it isn't entirely true–but to a mother, this is always true. But this boy, everyone thought was absolutely perfect. A beautiful boy. He might have even been about 6 feet tall. Might have been. But if things were perfect, and they weren't–but I had at least let myself think so–the universe might have worked itself around this tragedy. Instead in my mind, things were perfect, and so life came crashing down. I thought things were perfect, the next day, my son drowned. By the grace of God, I still had one son left. He was also perfect. Now, apparently, [redacted] Well, what do you expect? Maybe I was a little crazy. I very rarely thought about my son, because if I spent time doing that, I might have been a wreck. –more of a wreck. Actually, I was increasingly put together–outstanding considering the previous circumstances. But everyone has a story. None of this makes me special– Especially in New York City, where almost everyone thinks they're special, and almost nobody is. Almost Nobody. And that might as well have been my name. I wasn't nobody– I was Almost Nobody. An honest nobility. But– And I might have looked through Will Ferrell on any other day, because like most big time movie stars, he was invisible to me. Once you're ‘this many' famous, it's almost like a reversal effect on my psyche. I don't hate you. I don't like you. You're just–too famous. I.e.--invisible. –Besides this, however, was the fact that I was peeling my eyelids back with toothpicks from having them shut before what I considered as a full “work day” was over. And on this day, in the documentary that I considered as “work…” Actually, very hard work– Very hard work– He happened to have been wearing a shirt that reminded me of the shirt my son was wearing in one of the last ever photos I took of him. —actually, both of them were wearing that shirt. We were all dressed alike. Family pictures. Matching outfits. You know–the kind of shit you do when you're happily married– Or unhappily, but still married with children and making the best of it because you're married with children That sort of shit. And that day was probably the very best day because I took the very best pictures of the very best boys– But of course, I didn't remember anything about that day besides taking those pictures. So there, in my mind, it stood. Now, what does this have to do with Will Ferrell's shirt? Almost nothing, besides making a point of sense memory. Anyway, isn't it obvious? {Enter The Multiverse} When something invisible becomes suddenly visible, you have no choice but to look at it as some sort of miracle. An act of God. What kind of miracle was this? I didn't know. The Complex Collective © Sure, let's just chalk up all this uncontrollable crying and depressive nonsense to that. Under the circumstances–to chalk it up to anything else? [The Festival Project ™ ] [A MAN exits THE STUDIO in the shadow of night.] V.O. That could be devastating. L E G E N D S – The Return of S U P A[Redacted]™ [A MAN is tied to a chair in a dark and murky chamber; a spotlight shines onto him from above; the cheesecloth Lol cheesecloth how fitting. Classic. –is removed from his mouth. Naturally, he immediately begins speaking.] Why–am I sitting here– In–a fuckin'--suit?! That's your work uniform! What the fuck! You don't like it? What the– Haha. [his arms are taped tightly to the armrest] What–NO–i don't like it. Well then, you don't know who you are. [The man pauses, as a blank look falls over his face–suddenly this seems true, as if his mind been completely erased. As if–he's just realized–he bears absolutely no identity.] Holy shit. Jeezus. That is terrifying. INT. STAIRWELL. NIGHT [The sound of the thunderous stormy rain batters the house almost hauntingly–the television sets all bear a static loss of signal–young STEPHEN runs in a panic up the stairs to the GALLEY, where his UNCLE JACK is often found] UNCLE JACK! UNCLE JACK! I buy things with pennies not worth picking up– I live in a dumpster made of don't-wants. Over a period of time it slowly began to occur to me that I had no idea what I had written–that is, what had been published, or who had read it. It was certain: someone had. However… to what limit was this exposure. And–was it dangerous? Fuck. I knew nothing entirely of the redactions, except that I'd redacted it. But what about the text surrounding the redactions. What the fuck exactly did I write about? I forgot how high I was–or where i'd been. Not literally high, of course, but….figuratively speaking. Fuck. Hurry, hurry along, It's been a long time I can't help you along, Die alone, ride along It's been a long time… See, I told you the Upper West Side was the best side. maybe it's just the least not-great side. ehh , tomato-potato. For the crust, try flax seed meal cinnamon agave Oil What time is it on the West Coast? The ghost of Conan arrived Under a blanket of blue light, and sighed “I've been wasting my time here” I had to disagree, kind of. What time is it here? I'm locked in for one more day; I'm locked in for one more hour I'm wasting valuable dark time with my life shit But I'm so tired my eyes are burning And I'm so sore My arms are stuck. I should run for the coffee; Or turn for the cornbread They're all getting sick of us They're all getting sicker I decided to pack my life up And hault all of it over I woke up sore But I wrote a song On a four leaf clover It was four in the morning The ghost of Conan Won me over It was four in the morning I'm locked in for one more hour It was four in the morning An hour ahead A four leaf clover It was four in the morning I needed a water It's one more hour A four leaf clover The ghost of Conan I start recording To cut the corner Conan O'Brien It's one in the morning— You're one hundred years old; You ought to be sleeping. … It's midnight. I live in Hollywood. And i'm a vampire. Ah. Sweet dreams. // Happy Trails. L E G E N D S Shapeshifting is simple— not the process or practice of changing one's form, but simply shifting one's consciousness into another vessel either partially, or entirely. But— Just because it's simple, doesn't mean it's also easy. {Enter The Multiverse} Often times in matters of consciousness, anything is dangerous. I did have strange dreams—so, as to say instructed by ‘the ghost of Conan O'Brien', I was decent at following directions, being as his tone might have been dauntingly sarcastic, or sardonic—but I kept forgetting to look up what the latter meant, and so it was with heavy sarcasm after I awoke to transcribe whatever frequency waves I was being blugeoned with under the pure blue light of my otherwise darkened studio—as blue light always seem merciless to whatever was lurking in the corners of my deep subconscious, I wasn't altogether too suprised that this time it was Conan “Snowball” O'Brien, because I had been so recently impressed with his Oscar's performance—and before that, English tends with the type of comedy that had given him the nickname I had chosen for him—or codename, because, by now, the hosts had come one by one with a point to make and a line to put across, and though it had been at some kind of increased trajectory since He who might should probably not be named for fear the sudden and highly publicized combustion of the then currently raining Tonight show host— it was as if it had been raining everymans in blue suits and shined loafers for the inside of a year, however, it had indeed kind of presently enough started with my co-worker “Kimmel”, who was fascinated with the kind of Television that breeds a familiarity with these kinds of people— and Jay Leno was also sort of like some sort of fairy that just kind of occurred randomly at times, living back in LA. I was sure it had been Jay Leno in LA traffic in some kind of a classic car— only later to find that he indeed was a collector and enthusiast of cars and motorcycles, and I tried not to hold the later against him. My dreams had been odd at best and filled with people I very rarely thought about— the man in Los Angeles I once lived with who I was sure was a [redacted[, and also just happened to look the way Will Ferrell would age to eventually look. This, I found fascinating. Will Ferrell didn't look like that at the time, But he did now— and even his style of comedy was growing on me, because I didn't find myself capable of it. What kind of comedy was I capable of? Right now, the invisible kind. After a heavy breakfast, I had finally realized why ‘Tears of A Clown' was incomplete— Apparently I had to include all of my performances—- This would make the album hard to listen to, at least for me. But the concept was the concept. I had already hidden other comics amongst the tracks and probably without too much trouble— from recordings I had taken myself and were impossible to find elsewhere. This side project was beginning to be a whole album project, and [rarity] was still just not even something I moderately even wanted to consider doing, however— ‘story.' had somehow come to the top of the page where my masters were kept, and it reminded me that perhaps I was in the same kind of pressure position now that I was then— and that in order for things to change— to get a new apartment or to visit with my son- I would have to medicate in order to write the kind of music i wasn't writing; the anxiety had finally collided with impatience, and lack of focus, and all the classic symptoms of ADHD's spiraling depression, but I was still glad I hadn't become dependent on the girl next door for her adderall prescription. I wasn't gonna be her little bitch. Especially not in that way. It seemed a pattern amongst these people to create a need and dependency in order to gain power and control— and thusly, the dynamic had lost my trust and respect, and so I was just kind of… around— out there, and not caring really what it was or what it all meant. I had woken up to immediate breakfast still early but late for me— a day off of the gym is what my muscles cried and ached for, and even the scrambled tofu rice breakfast like my dad used to make with tofu instead of scrambled eggs wasn't all the way satisfying or complete without the chocolate and banana malt shake— now I shouldn't be hungry, but it wasn't hunger that was doing me in— I almost refused coffee because I wanted to go back to sleep. I had slept early enough that it shouldn't have been an issue, but I was exhausted. Come on, you defunct dinosaur motherfucker! 97! A baby! The reptilian hides his true identity in order to conform. [The Festival Peoject ™ Presents] Will Ferrell In “The Guru” Wait, I Gotta go write this other thing. Wow, Tina Fey looks great. Worth the new email address? It was already said and done. I could eat this fucking documentary for lunch. –yesss. Stephen Colbert had the middle name of an equally middle aged black man. But this was besides the point. I was already 30-and-a-half-seconds exactly into scooping up a new email addressed when I realized– Oh no. Emergency brakes initiated. If this is a documentary about Saturday Night Live– And its on Peacock– (And it's on Peacock) –then there's a pretty good chance– –and Tina Fey's in it. -she looks incredible. Jesus! –then. Fuck. Dammit. There's a slight chance [redacted] might just–not–be in it. Might not be. Hm Well, let's see. Worth the risk? Worth a shot. To the face (or of Tequila) I hate Tequila. It's not for you. It's not– Give me that. Goddammit. Fu–darnint. Goddamit I had avoided Jimmy Fallon's face for like a year straight at least– Call it two if you count the moment exactly from the Thanksgiving Macy's Day Parade, that one year. THE COSMIC AVENGER SUPRISE. NO. GODDAMMIT. Does it matter that the word “surprise” here is spelled wrong? No. It's almost like–it should be. THE COSMIC AVENGER FANGIRLS! That's worse than fiddlesticks! Worth mentioning that. Really. All from an ad? Two ads, i caught a snippet of the Booking.com commercial Apparently, you did this. STEPHEN COLBERT YOu did THIS. Shut up, not now Tyrone. So he's just He's Tyrone now. Obviously. Look. No Look at –0 Noh. [A group of surfers sit huddled beyond the break.] Oh. No swell. So…so flat. Nah…There's a wave coming. Just wait for it. This is pathetic, man. No, there's something. I can feel it. It's like a fishbowl man. Nada. Just–wait, sharkbait! Forget it, I'm going home. [two surfers paddle away reluctantly] MEANWHILE A storm spotted just off the coast of Los angeles california may bring the entire western coast Tsunami-like waves. [read: Tsunami] [the bottom of the screen is issuing an emergency evacuation silently over b-roll of the red carpet] But first WHAT THIS UP AND COMING STARLET WORE TO THE MET GALA Lol Classic {As Seen On TV} [Enter The Multiverse} I had developed quite the fascination with Saturday Night Live; Not because of Jimmy Fallon, of course, who arguably ruined the show by creating the trend of breaking character On camera With his world-class smile, and entourage plethora of adoring female fans. Stay away from him Not a problem. He's venomous. Alright. Noted. Liz, I have some documents for you to sign. Documents. What documents. *squints really hard* I'll be right back. First of all, Lets just get one thing straight: I am not a fangirl of, Nor am I obsessed with[redacted} Right. Ok. And in case you need closure, here's what I am obsessed with, here. [the 34,000 multidimensional and extraterrestrial life forces which use [The Host of The Tonight Show] as a portal and/or vessel.] OH. WOW. THAT'S– Yeah. WOW. How–is that a regular blacklight? Does it look like a regular blacklight? Nothing is regular about this. Jesus effing.. God! Yeah. Wow. YEAH. You don't want me to shine a real blacklight on this guy– Trust me. OK? Gross. HOST1 I don't know what you're insinuating. [squints really super extra hard] Nothing. L E G E N D S So…worth it? Worth it…Tina Fey…worth it. Alright. I win this one. Win what? Are you playing this dumb game too? The prize winnings are sustaining my lifestyle. [Tina Fey eating corn chips sustaining her lifestyle.] Luxe. Isn't it? It was like staring into the sun. [The Festival Project ™ ] Lil bitz Man, I use my googles sparingly. I really do. If I google something that's kind of iffy– even in incognito, Or with a VPN I hurry up and erase my history. I erase everything Shit. I erase my history faster than the white power movement. I'm serious. I erase my history harder and faster than a white supremasist. “that's in your mind!” What's in my mind? Nothing happened here! THOSE DAYS ARE OVER. Why is this all in one document? idk i just kinda suddenly noticed how NBC is so left learning it's almost too forcibly progressive. Look, this is all just–too much for me! Okay? Too much for you?! Oh please! If anybody asks me anything, I'm going to admit it! Admit what?! You don't do that! You don't admit anything! Admit what?! Exactly! Jesus Christ. It's all good in practice, but when it comes down to it, i'll break. Don't let them break you! I'll break. Listen to me. I'm being violated. Listen to me. This is offensive! Shut the fuck up. I can't believe you said that! What did I say?! [doe eyes] You know what. Fine. Fuck it. [super wide eyed blank stare] You're right. If anyone comes for you, just–run, goddammit. What. Run at em, for christs sakes. You gargantuan motherfucker. I'm–not that tall. I meant your ego. 0.0 This is a calamity. I'm astonished you think that. Listen, Larry. Larry. Right. When we're finished playing Atari, I gotta have a real heart-to-heart with you. Heart to heart what? [Ron produces a bleeding, beating human heart, seemingly out of nowhere; ‘LARRY' jumps back and stutters in shock and confusion] –WOAH. [RON emotionlessly presses a combination into the controller.] Oh look. I win. I–WHAT?! You dropped your controller. WHERE DID YOU GET THAT? Special combination: it's not a cheat code. People say it's a cheat code. THAT'S A HUMAN HEART. YOU'RE A MURDERER. I'm not a murderer; it's still beating, look: That's–[crazy]--That's–put that back. That's what I need your help for. My help what?! With that?! Don't be a sore loser. [IMMORTAL COMBAT] What?! “Heart To Heart” Tall tales, and heads, then tails again Trails and tears and trails of blood lead on thy stool Thy path as wilted flower waits And blue eyed gaze barely, Hold tongues and does shatter glass hearts and bare minds, And bare breasts And peach flesh, And Bare bones And blank stares and Fair is fair the frier the fire The goal the goal And the eye is the eye And the eye is golden I like fair shadows {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2018-2025 ALL RIGHTS RESERVED. © -U.™

Upper West Side, Indian Wells Tennis, Daryl and Alana ticket buying, Lisa wants better seats, Daryl's ticket buying preferences, Stadiums at Indian Wells are small, Lisa notes Daryl's preference for not-great seats at sporting events, Lisa trying to persuade, Larry A is a great selection for Max, Larry A=Lawrence of Arabia, Max and Milo loved movies, Find Milo's Letterbox'd account @milotimepodcast, Donny B, Max and Milo had their own language, No Country, Inglorious, In, Mel Brooks, Clint Eastwood, Renee Russo, Watching Larry A with Milo while Milo was in treatment, The Maltese Falcon, Coded language between the boys, Sometimes siblings get lost in the shuffle, which we never want to happen to Max, Max and Milo such great brothers to each other, Milo looked up to Max, Max always let Milo in, No competition between the boys, The way Milo would say "Donny B" was always very special, Link In Bio, as opposed to Linktree

Upper West Side, Lea Thone, Los Angeles, Indian Wells, Rain in Indian Wells and San Diego, Central Park April 2001, Al Gore chart, Very little snow in New York City anymore, Callback to Bully Tanner episode, Citizen Cope, Appalachian extends through the Berkshires, Lee in particular, Hike with Max and Milo, One granola bar, Trail marked with paint slashes, Markings spread out, Milo is 5 and Max is 8, Daryl with a horrendous sense of direction, Daryl concerned each time the markings are out of view, Visions of The Blair Witch Project, No phone on me, Boys made fun of me for years about that hike, Second hike included Alana, This time we really got lost, Park services picked us up in a golf cart, Max was just hiking in Zion and Bryce Canyon, Milo loved to make fun of Daryl for those hikes, Better to have Alana around on the second hike for a variety of reasons, No need to mention Mark Sanford 

 EPPY & NNPA Award-Editor & Publisher Honoree Elinor Tatum currently serves as publisher, editor-in-chief, and CEO. The newspaper launched a companion web site and online edition, amsterdamnews.com, in 2009. She was recently awarded the prestigious the EPPY Award honor excellence in digital publishing by Editor & Publisher Magazine.She is the first Owner/ Black Publisher to have won the EPPY. New York Amsterdam New has won over 30  Presitigious Awards for Oustanding Jounalism!The Amsterdam News was founded on December 4, 1909, and is headquartered in the Harlem neighborhood of Upper Manhattan. The newspaper takes its name from its original location one block east of Amsterdam Avenue, at West 65th Street and Broadway.. An investment of US$10 in 1909 (equivalent to $339 in 2023) turned the Amsterdam News into one of New York's largest and most influential Black-owned-and-operated business institutions, and one of the nation's most prominent ethnic publications. It was later reported that James Henry Anderson published the first copy: "...with a dream in mind, $10 in his pocket, six sheets of paper and two pencils."The Amsterdam News was one of about 50 black-owned newspapers in the United States at the time it was founded. It was sold for 2 cents a copy (equivalent to $1 in 2023) from Anderson's home at 132 West 65th Street, in the San Juan Hill section of Manhattan's Upper West Side. With the spread of Blacks to Harlem and the growing success of the paper, Anderson moved the Amsterdam News uptown to 17 West 135th Street in 1910. In 1916, it moved to 2293 Seventh Avenue, and in 1938, it moved again, to 2271 Seventh Avenue. In the early 1940s, the paper relocated to its present headquarters at 2340 Eighth Avenue (also known in Harlem as Frederick Douglass Boulevard).  Subscribe @ amsterdamnews.comIn August 1982, Wilbert A. Tatum, chairman of the AmNews Corporation's board of directors and the paper's editor-in-chief, became publisher and chief executive officer. Under Tatum's leadership, the Amsterdam News broadened its editorial perspective, particularly in international affairs. This expanded thrust has produced considerable interest and readership from all sectors of the local, national and international communities.In July 1996, Tatum bought out the last remaining investor, putting the future of the paper firmly in the hands of the Tatum family. In December 1997, Tatum stepped down as publisher and editor-in-chief and passed the torch to his daughter, Elinor Ruth Tatum, who at the age of 26 became one of the youngest newspaper publishers in the United States. Mr. Tatum died in 2009.© 2025 Building Abundant Success!!2025 All Rights ReservedHeart Media @ https://tinyurl.com/iHeartBASAmazon ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Kiera is joined by Dr. Robert DiPilla to talk about his world of dentistry, including the transition from cosmetic to holistic services, how he educated his patients, lessons learned during his multi-practice ownership, and more.   About Dr. DiPilla: Dr. Robert DiPilla studied dentistry at the University of Detroit-Mercy, and then went on to attain a Fellowship for Dental Implants at the Harvard Club. He was quickly recruited to Manhattan, where he honed his dentistry techniques, and had the opportunity to work on many high-profile clients. Dr. DiPilla became a partner at the renowned Rosenthal Dental Group on Madison Avenue, and earned the title “the dentist's dentist” by his peers in the industry. Dr. DiPilla has had the privilege of perfecting the smiles of celebrity clientele such as Kathie Lee Gifford, Wayne Gretzky, Steve Duchesne, and Sarah Ferguson among others. While Dr. DiPilla maintains a Manhattan office, he now focuses on the location where his career began in the Detroit Metropolitan area. He contributes regularly to nationally circulated trade publications, and continues to be recognized as a leader and expert resource in aesthetic dentistry. Episode resources: Sign up for Dental A-Team's Virtual Summit 2025! Subscribe to The Dental A-Team podcast Schedule a Practice Assessment Leave us a review Transcript Kiera Dent (00:00.768) Hello, Dental A Team listeners. This is Kiera And today I am so jazzed to have an incredible guest. We have been following this man. We've been wanting him on our podcast. He is incredible. And I feel like what he's doing is changing the way dentists are doing dentistry. I think he's kind of in this new age, new era, adapting with the times. And so was so excited to bring him on and have his knowledge. So welcome to the show, Dr. Robert DiPilla. How are you today?   Dr Robert DiPilla (00:25.484) I'm doing well. Thank you very much. I'm excited to be on your show. There are so many great things about you and your show. I I once again, I went back to some of your podcasts and you some great, great guests on.   Kiera Dent (00:37.376) Well, thank you. am quite shocked. Dental A Team is about to release their thousandth episode. And I was thinking, I cannot believe I've been on this microphone a thousand times. So I'm super honored that you are a part of that journey. And really everyone who listens to the podcast knows our ultimate goal at Dental A Team is to positively impact the world of dentistry in the greatest way possible. so bringing guests on like yourself, people who are passionate about dentistry, making sure that we keep the passion alive in dentistry, making sure that people realize   I believe we're in the best industry we possibly could ever be in. And so I'm super excited because I feel like you're taking a new edge spin to some things in dentistry. So before we get into some of these fun topics, Dr. DiPilla, why don't you take us through kind of your journey? I know you have a pretty interesting route of how you were able to go from where you were and where you started in dentistry to where you are today. So if you kind of want to take us on your journey, that way the audience gets to know you as well.   Dr Robert DiPilla (01:31.854) That journey starts 36 years ago. I graduated at the University of Detroit, Mercy in 1989, and I did a residency at Harvard at the Harvard Club for doing implants. And from that, I really was interested in the cosmetic realm. So you got to think about in the early 90s. And it was kind of like touched upon. And I was very fortunate.   to take a course with Bill Dickerson and Larry Rosenthal. And this is the first time they were together in doing these particular courses. And my first patient for my aesthetic course was my sister, believe it or not. when I mentioned this, it was an amazing journey. She was very appreciative. It was a great case. And from that, one interesting point.   Kiera Dent (02:16.68) Wow, that's brave, an aesthetic course.   Dr Robert DiPilla (02:30.828) when I was in the lecture and they were talking about different materials, different processes, the way to do things. I know once again, I just graduated, I did like a little surgical residency and I thought to myself, mean, the auditorium was packed, there's probably like a hundred students. And I'm like looking around and I'm thinking myself, am I the only dumb one here that doesn't know this?   I said, this is insane. And they're going over these seven different steps to do bonding and veneers. I'm like, my gosh, did I learn this in school? you   Kiera Dent (03:05.28) Did I skip that day? I promise I didn't miss too many, right? That's what you're probably thinking, like I was there.   Dr Robert DiPilla (03:10.237) I would promise I was there. But I promised myself since then, it was like a real, not say a low point in my life, but it was a low point in the sense of how come I didn't know this? And I kind of pride myself in understanding things and certain process and procedures. And I said, from that day, this will never happen again. So that journey led into teaching with Bill Dickerson before it was LVI and also   aesthetic advantage with Larry Rosenthal. And as you know, there were two separate groups and I had to make a decision on what camp was I going to go into. Was I going to do the LVI camp in Vegas? And mind you, I'm in Michigan. Or do I go to New York route? And my decision was New York was closer. So I went with Larry Rosenthal. So I was an instructor with him for about three or four years. And then I was invited to be a doctor in his office.   And I was there for a good 10 years. that journey right there was probably the highest point of my life in that particular aesthetic office. There was a lot of great contacts, a lot of great people that we met. And I always say everything is a blessing for me. I don't hold anything back as far as this was a disappointment. This didn't happen for me because I think everything is a growing experience.   So for me, being in Larry's office was really, truly, truly, like I said, a blessing. It was a great thing for my career. And then I knew that when I started having a family and kids, New York for me personally wasn't the place for me. Coming from the Midwest, Midwest values, I wanted to have the family where I grew up because my mom is still here and my extended family is here as well. So once again, from that, I left New York.   Kiera Dent (04:51.21) You   Dr Robert DiPilla (05:01.806) And then, but I kept a practice in New York as well, because I had a lot of patients to see. And I started my own practice in Birmingham, Michigan. And that was in 2000, probably 2003, 2004. And then from that, you know, we grew to five different practices. So it's been a really challenging once again, but it's been a great journey for us.   Kiera Dent (05:15.338) Wow.   Kiera Dent (05:25.706) That's incredible. And so I'm curious because when I first started as a dental assistant, one of the doctors that I worked for had a practice in California and Utah. And so every Thursday or Wednesday, I think it was, we would close out in California and he'd catch a flight and he'd go to his practice in Utah. He'd be there Thursday, Friday, fly home, and we do Monday, Tuesday, Wednesday. So did you fly back and forth between your two practices?   Dr Robert DiPilla (05:45.93) I did the same thing. When I moved back to Michigan, I would work in Michigan Monday, Tuesday, Wednesday, would fly out to New York and work Thursday and Friday. And then plus New York's a great city and I stayed for the weekend and I flew back the first flight out 6 a.m. on Monday morning to make it to my practice at 9 a.m. So I did that for seven years. So back and forth. then once again,   Kiera Dent (05:56.106) Yeah.   Kiera Dent (06:02.806) sure.   you   Dr Robert DiPilla (06:12.462) It was great. To me, people, how did you do that? Why did you do that? It was just my routine and it worked out really, really well. And then there was some point where I kind of have to slow down and kind of give that up a little bit because I wanted to build more practices in Michigan.   Kiera Dent (06:27.414) Sure. No, that makes sense. And I was just curious because when that Dennis would do it, I thought like it was so wild, but it made sense of how he was able to have the two practices. So it's either you fly back and forth for a while or you get associates. Did you end up keeping that practice in New York or did you have an associate running it or did you end up selling it and then focus in Michigan?   Dr Robert DiPilla (06:45.186) Yeah, no, I actually, believe it or not, a lot of my New York patients actually will fly to Michigan to have their work done. And then the rest is I gave it to a really good friend of mine, Dr. Michael Krause, that's in the city on 49th and Madison. So, you know, basically a lot of my patients just kind of ended up with him.   Kiera Dent (06:52.564) Incredible.   Kiera Dent (07:06.728) Amazing. And that's great to know. And I hope dentists heard that of when you are really great at your craft, they will fly, they will come to see you. And I think that that's something that's different in today's world. I think that it's very common for patients to fly other places rather than just going to their dentist down the street. I think people fly for different surgeries to different places. Now I think for your day in day out routine dental care, you'll probably stay closer to home. But also we only go six, like two times a year. So it's really not that much to travel if you want to.   Dr Robert DiPilla (07:25.919) percent. Yeah.   Yeah.   Dr Robert DiPilla (07:34.798) Yeah, there's a lot, know, as you know, there's a lot of patients that will seek out plastic surgeons and they will go to a certain destination if it's New York, LA or Miami. And that's the same thing with dentistry. I mean, I've been very fortunate. I've had a of patients from Miami that will fly up and for me to do their work, their veneers, New York, of course, all the way even from LA. So it's been it's been a wonderful thing. I'm very humbled, you know, to do that. I don't take that take that lightly.   Kiera Dent (07:40.214) Mm-hmm.   Kiera Dent (08:02.812) No, and I think that there's when you love what you do and you're really great at what you do, people fly. I mean, I am a dental snob. think being in dentistry, it makes me one of the worst patients. And so I'm always nervous. And so I do travel to dentists out of the state. And I think it's something of the world has changed. And so I love your journey. I love the passion you have. I love that you've built multiple practices. I think you bring an interesting perspective. And so I'm super curious because you've kind of gone into a holistic route as well. So   I'm curious, how do you go from dental implants, veneers, which feels very cosmetic, into holistic? Like what's kind of the bridge? How have you done that? Because I think people feel like I'm either traditional dentistry or I'm holistic dentistry. And I feel like you're bridging this gap. And I think the world is bridging this gap as well. I don't think it's as polarized as it used to be, but what's kind of your take on that and how did you transition? What got you excited about that? Give some insights.   Dr Robert DiPilla (08:53.684) I mean, you   You know, for you as you know, being a hygienist, know, to me, for our patients, we want to make sure that they have a healthy foundation. a healthy foundation is the bone and also the gingival tissue. And, you know, it doesn't matter how great of a cosmetic dentist you are, how great of an implantologist you are, the tissue has to be stable. It has to be making sure that, you know, the oral microbiome is sufficient.   Kiera Dent (09:05.299) Mm-hmm.   Dr Robert DiPilla (09:25.774) You got to make sure that the biofilm is eliminated. And one of the biggest things that, I mentor 22 doctors here in Michigan, from guys who've just, guys or gals who've just been out a year and guys like myself that been out for 36 years. One of the things that I try to impress upon them is that don't be a mechanic of the mouth. And my feelings,   is that dental schools right now, and once again, different than my era, is just really, they're really teaching you how to pass the board exams. And then the real age of dentistry is what you get after as far as continued education. And I think it's really important, as you know, even being a hygienist, is that you have a patient that comes back, yet you did scaling and root planning.   Kiera Dent (10:01.694) Right.   Dr Robert DiPilla (10:17.15) and you see him back in three months and they're saying, yeah, I brush every day, I floss every day, I have the water pick that you recommended, I'm doing the oral care, I'm doing this. And they come back and it's like, my God, are you really flossing? Are you really brushing your teeth? No, no, I am. But why is that? Why are we doing maybe supervised neglect or super profis? The question comes in is that we have to understand why, my biggest thing is the why, why is that happening?   You know, we incorporated now we're doing genetic testing, we're doing saliva testing for our patients because as we know, a lot of, you know, reintroduction of refractory periodontitis that happens. So even the same thing with my hygienist, you know, we're very strong in continuing education. We're very strong in not just scaling and root planing teeth, just for the matter of fact of doing it. And one of the things that, you know, my hygienist, they all know,   is that if you're doing Scanlan Root Planning, what type of attachment do you want back? So I think you have to have a strong foundation in histology. You have to know the periodontium very, very well. And a lot of times in school, yeah, yeah, that was that class. I had it, but this is what I want to do. So I think for us in dentistry, you have to move away from being that mechanic of the mouth, because I can teach my assistant to prep a tooth, easy. But you have to understand the diagnosis and the   Kiera Dent (11:26.774) you   Kiera Dent (11:38.368) you   Dr Robert DiPilla (11:42.094) And it also goes back to different materials. The whole rage now is zirconia, crowns, and it's a lot stronger. But is it really? Is it lithium disilicate, or is it philospathic porcelain? So I think there has to be an understanding of where to place those materials in the proper patients and proper occlusion. So because a salesperson comes in, oh, this is the latest and greatest, doesn't mean that you should buy it. So I think.   Kiera Dent (12:09.824) for sure.   Dr Robert DiPilla (12:10.894) For me, it's kind of taking a step back and understanding dental materials, understanding the periodontium, understanding all that. I the classes that we hated in school, believe it not, I've been doing this for 36, are probably the most important now than anything else.   Kiera Dent (12:25.67) No, for sure. And I'm so grateful you talked about that because agreed like the healthy foundations, I think it's so easily overlooked. So I'm curious, how did you start to incorporate this with your patients? Because you didn't come out of school having this, you didn't learn all these things right away, you started incorporating it. I think people are oftentimes afraid to add this into their practices due to patient pushback. So how did you, how did you educate your patient base?   Dr Robert DiPilla (12:48.702) Well, yeah, I think it's just having a good communication with your patient and being authentic. with our patients, we're there for them in a sense of we don't push anything, we don't sell anything, we just educate our patients. And a lot of times, if I've seen a patient for 10, 15, 20 years and I'm watching them get worse,   And, you know, I'll just have that, you know, that radical candor with them saying, hey, listen, you know, where do you want to go with this? What do you, how can I help you? You know, do you, mean, for some reason I'm watching you getting worse and I don't want that. So what can I do to help? And then we kind of castor them in that, in that direction as much as possible. You know, there's, we'll do a lot of like nutritional counseling and we see a lot of patients that, as you know, they come in, you know, they're not, they're not healthy. And I have the,   Kiera Dent (13:39.51) All right.   Dr Robert DiPilla (13:42.21) I guess the personality to talk to my patients and say, listen, I want you to see this person. I care about you. I've seen you for many, many times. And I just, you know, I see some things that I don't like. So what I want you to do, here's a referral. I want you to see them. And then nine out of 10 times they'll come back and say, my God, thank you so much. I didn't know I had this underlying condition.   Kiera Dent (14:07.84) That's incredible. And I agree that education, I think is the new age of communication. I think a lot of patients want to understand more. think we live in this digital era where people are consuming so much more information rapidly and they want to be educated and they want to know what's going on. And I do think social media has, has ramped this up exponentially for people to want more education rather than just blindly following. And so I really love that you took it that way. I want to ask you a couple of questions about   growth of practices because I think so many people grow practices or they feel that they need to grow practices or they need to expand their practices. I'm curious after having done that, you've had practices in multiple states, you've grown your, like walk me through, like when do you grow as a dentist? When do you not grow as a dentist? What are some things that you learned through that growth of multi-practice ownership, especially with dentists that are in today's world? I think that there are some that are brand new.   There's the DSO on the radar and on the horizon for people. Walk me through some of your thoughts around this practice growth, multi-location, when do I grow, what do I do with DSOs? I'm super curious because you've done it and you've done it for a long time. What are some of your thoughts around that?   Dr Robert DiPilla (15:08.718) 100%.   Dr Robert DiPilla (15:17.582) I'm going to let's go back when I was like I said, very fortunate to be in Larry Rosenthal's office in New York City. And everyone knows Larry Rosenthal is the premier, know, veneer office to go to. So I was once again, I was very, very fortunate to go there. But well, my dismay, I was the young kid.   Kiera Dent (15:37.364) It's incredible, by the way. like, like, let's just stop for a second. Like, that's incredible that you got to work there with him.   Dr Robert DiPilla (15:44.622) So think of a patient that's there, know, we had celebrity CEOs, we had every mogul you could imagine we had. And you got this young kid walking in and they're like, well, kid, move away, where's Larry? Where's Larry? So what I had to do, I had to kind of reinvent myself. And, you know, and I had to figure out what type of avatar patient, you know, do I want? And I think that it doesn't matter if I'm in New York, if I'm in Birmingham, Michigan.   Kiera Dent (15:44.947) Yeah.   Kiera Dent (15:57.715) Yeah.   Dr Robert DiPilla (16:11.274) I'm if in Salt Lake City, Atlanta, doesn't matter. You just have to figure out what avatar do you want. And then you kind of go where that avatar is. So an example, this is what I did. So in New York City, I need to get a haircut. So for me, I went to the biggest celebrity hairstylist you can get. And it was Orbe in New York City. And why did I do   Kiera Dent (16:37.556) Yeah. Okay. I mean, you do have great hair, by the way. So, I mean, it must have worked out for you. I like it. It looks great.   Dr Robert DiPilla (16:41.582) Well, thank you so No way. It's not what it Well, thank you. So I went to Orbe and why did I go to see him? Because Orbe has what a lot of celebrity clientele. And for me, it was building a relationship with Orbe. You come in, your first appointment, who are you? What do you do? Oh my God, yeah, I have a dentist and that, that, that. As you know, when you say you're a dentist or a hygienist, oh, by the way, can you look at this?   Kiera Dent (17:10.633) haha   Dr Robert DiPilla (17:11.758) So what that does is that it kind of opens up the dialogue as much as possible. So from him, I've been seeing him for two to three years. And once again, it's something that you always have to continue going. If you do it once or twice and it doesn't work, well, that's not going to happen. So they go into the gym, you work out once or twice, you're not going to be in shape. it's of those things that you perpetually just have to do. So I was very fortunate seeing him for years. And from that,   Kiera Dent (17:32.083) Right.   Dr Robert DiPilla (17:39.49) I had my own celebrity clientele that came into Larry's office. It was great. All right, how about another one? So I was fortunate they had the LA Reebok Club where I used to live on the Upper West Side. And then joined a gym, of course. And I wanted to find out who was the best trainer who trained all the celebrities. And then once again, the same thing. So I think it's important.   Kiera Dent (17:44.308) Mm-hmm.   Dr Robert DiPilla (18:06.818) you know, to find out because I'm going tell you a lot of the celebrities and a lot of moguls, they're not calling to make the appointment. They have someone as an assistant to make their appointments for them. So I'll give you an example. I was working out in East Hampton for a little bit because I bought a house in in Amiganza. And as I was doing this renovation, I never really worked on Fridays, but in East Hampton, I worked some Fridays and I was fortunate   that I had a logistics manager for the Rolling Stones that came in. Built a relationship with her. And then from that, because she's a logistics manager, she does everything for the Stones. So I was very fortunate. She called me up, hey, Mick has a concert tonight at Madison Square Garden. He wants his teeth cleaned. He wants them checked out. Can you do it? Sure. What time? Nine o'clock at night. What?   Kiera Dent (18:39.082) Well.   Kiera Dent (19:01.735) I'm   Dr Robert DiPilla (19:03.342) So those are the things that you have to do. If you want that type of avatar, you want that type of clientele, then you kind have to do whatever it takes to go above and beyond to make sure that that happens. So don't think that if you want that type of practice, there's going to be some sacrifices that you're going to have to do. So for me, my personal story, for me being in New York, I was so driven, driven, driven. That's all I did. That's all I did. And I was married at the...   at the time. you know, looking back in retrospect, it affected my marriage. So, you know, my ex-wife, we're great, we're still great friends, but it affected because I just, for me, I was driven. This is what I wanted to do. I was out. I was going to opening of galleries. I was opening up to restaurants and because I wanted to be successful. But with that, there are some consequences that come with it.   So you have to kind of be prepared. You they always say, you know, the balance of life, you know, what to do as far as your career and work. I mean, there is, but you're going to sacrifice, you know, somewhere. You can't have it all, as they say. So you're going to have to kind of give up some.   Kiera Dent (20:12.853) Great.   Do you, looking back, are you grateful that you've made the decisions you've made or do you wish you would have done things differently? Like knowing what you know now. Walk me through because I think people people often wonder this.   Dr Robert DiPilla (20:26.466) Yeah, there's no, for me, there's no regrets because even if there was a regret, I always look at it as something that will make me better down the road. mean, listen, we're all gonna have failures. Things are gonna happen, but you have to learn from that. I mean, for someone to say, this has never happened to me and da, da, da, either they're lying or they have not, they've just graduated yesterday. I didn't tell my associates the same thing and that they had a bad day.   Kiera Dent (20:49.724) Yeah.   Dr Robert DiPilla (20:56.046) patient was complaining or something, I said, listen, it's going to happen. As long as you know in your heart you did the right thing, that's all you can do.   Kiera Dent (21:05.593) I that. And I appreciate that because I think so many times people feel like I should have known this right from the get go. But I think a lot of learning is experiencing too. And so going through it and making different decisions. And like you said, what's the type of life? What's the type of avatar do I want? And then crafting your practice around that. I really love that you highlight. I feel like you crafted your practice and your craft around the avatar, patient and life that you wanted.   I think at the beginning you probably hustled a lot more than you thought you would need to, but I think that that's the beginning of practice ownership. I think that's the beginning of any career. And then you're able to then start to curate it into what you wanted it to be. And I think so many dentists don't realize that that is a possibility for you if you want it to craft it for what you want.   Dr Robert DiPilla (21:50.486) No, listen, mean, there's many different practices, as you know. There's the elite practices that are doing, know, veneers and an example who took over Larry Rosenthal's office is Mike Appa. Mike Appa is a great dentist. When I was leaving Larry's office, he was coming in and he took it to the next level. And I missed, from my era, we didn't really have Facebook or Instagram or anything like that. So I'm kind of like the, know, the lagger in that particular point.   But he took that and made it to a different level as far as his career going to Dubai. And now he has multiple, multiple practices. But once again, there is some sacrifices. I'm sure it has not come easy to him. He has put in a lot of work, a lot of time, a lot of dedication to craft that for him. I look at it as, man, that's amazing. Good for him. Other people can get jealous of that.   but they don't understand the hard work what it takes to get there. It's like the basketball player, like, my God, he's making all this, how did he get that? But he forgot all the thousands and thousands of hours being in the gym and also practicing. Sometimes we forget that.   Kiera Dent (22:58.037) Yeah.   Kiera Dent (23:03.55) Right. Right. I think that it's been so just I love I love your passion. I love the life that you've lived. I love the I love that you were so committed to never being that person and then look at how that that drive and that determination took you from where you were to where you are today. I'm curious speaking to dentists who are maybe I don't know two three four years out.   What advice would you give them from all your years of practicing of the things you've been able to do, the clientele you've had, the team you had? What would be advice you'd give to that population of dentists right now? Knowing everything you know, knowing the climate, knowing the, like I said, DSOs are on the horizon. Do I become a private practice owner? Do I work corporate? Do I own multi-practices? What would you give? Again, we're talking four or five years out. I feel like this is right where they're starting to get that itch. They've got their, they figured a lot of things out.   Well, what advice would you have for that dentist?   Dr Robert DiPilla (23:57.454) So it's funny that you say that because three of my associates, I have been out four to five years. And we get together, which is great, which I love is we get together once a month at my house over here and we kind of go over some kids' education things and just kind of talking to them as far as what their successes are, what their stresses are, and also what they're stuck. We call that three S's. And I always tell them, listen, I don't want you to be me.   Kiera Dent (24:03.528) Mm-hmm.   Dr Robert DiPilla (24:27.5) I want you to be you. If you're interested in Invisalign, then go for it. And I think that a lot of younger dentists feel that, my God, I have to do that endo. I have to do that extraction. I have to do that filling. I have to do this because there's so much money and debt from dental school and you can't do everything because something's gonna, you're gonna get hurt on one perspective.   My advice, I've been doing this, like I said, for 36 years, find out what you really, really love to do and then do that. Is it gonna pan off the next day? No, it's gonna take time. And I think we live in a world that it's instant gratification and everyone wants everything done yesterday. It's just the law of averages. You're just gonna have to do it, do it, do it, do it and keep it until you get there. For me, like I said, I was going for the implant route.   Kiera Dent (25:16.519) Right.   Dr Robert DiPilla (25:26.474) I loved surgery. And then I found that niche that I wanted to do was the aesthetic world. And then, okay, I'm doing some aesthetics. We're at Larry's office. We're doing 10 veneers on the bottom, 10 veneers on the top and the bottom. And I'm thinking to myself, yeah, the bite doesn't look that great. I said, well, there's something more to this. And then I went down to Rabbit Hole. I did Pete Dawson's chorus.   Kiera Dent (25:47.568) I'm   Dr Robert DiPilla (25:55.746) I remember at Panky. So I went another route as far as now doing full mouth rehabilitation. Going back to, you know, Facebook, Centric Relation, doing everything that needs to be done. How am supposed to get back to that? Right? And then, you know, getting there. So, you know, for me, that is my niche now. And from, you know, I'm building a bigger office in Birmingham. I think I'm crazy what I'm doing right now.   Kiera Dent (26:08.108) The baseball, that's a throwback.   Dr Robert DiPilla (26:25.016) but I still have passion for what I do. feel like, you when someone said, you've been out for 36 years, I feel like I've only been out for five years. I still love this profession. I love what it's given me, the opportunity, but sometimes I don't like the direction where it's going in. And that kind of goes back to what you mentioned about the DSOs. Don't get me wrong, I'm not popo-ing DSOs. I mean, I think there's a place for everyone.   Kiera Dent (26:33.611) Yeah.   Kiera Dent (26:47.198) Yeah, I'm curious on your take. You've been in this for a long time.   Dr Robert DiPilla (26:55.24) I mean, know dentists are in Medicaid offices, great. We know that patients are in PPO offices, great. Fee for service, better. And then also group practices that, you know, my associates are in. And then there's DSOs. Once again, I'm fortunate to be part of Dicama's group, and it's one of the premier law firms that have put all the DSOs together.   Kiera Dent (27:06.698) Yeah.   Kiera Dent (27:18.805) Mm-hmm.   Dr Robert DiPilla (27:25.358) And some are great, some are amazing, but some have failed. And I think one of the problems I feel that corporate has is that if you do the CEO, you're looking at what? You're looking at the numbers, you're looking at the metrics, right? You're looking at the KPIs. But if you're in the trenches, you can't treat every office as the same. It's different. The hygienist has a different personality. dentist has a personality. You have different patients, demographic of patients.   Kiera Dent (27:31.04) Right.   Dr Robert DiPilla (27:54.648) So I think for dentists, we're just a different animal as far as the field that we're in. It's very, very personal that we have as far as our offices. And like I said, I have five offices. All five are completely different. If I try to implement every single detail thing in Birmingham to do it in Detroit, no. Same thing in Detroit to do at Sinclair Shores, no. It has to be customized to that particular practice.   Kiera Dent (28:22.782) Yeah, no, and I think that's such wise wisdom because working with hundreds of offices, I don't have an A to Z cookbook. I don't tell them like implement this. I know systems that will work, but we customize it to your area because the patient base, like you said in New York compared to Birmingham, Michigan, they're going to be very different patients. They're going to have different needs, different like all of it is different. The pace of it is going to be different. Your attrition rates will probably look differently. And so I agree with you completely that   Dr Robert DiPilla (28:36.046) That's great.   Kiera Dent (28:52.52) Everything is not apples to apples. I'm curious, how do you lead all five of those practices? Do you have, like, what does your team structure look like? Because so many people do get stressed out with multi-practice ownership. What have you done to reduce that stress level for yourself and make sure that they're all successful?   Dr Robert DiPilla (29:06.262) Yeah. No, it's, we just had our all company meeting. I call it the summit meeting. And, you know, it's amazing that, you know, 10 years ago, I had one office and maybe four employees. Now I   Kiera Dent (29:13.672) Thank you.   Kiera Dent (29:20.928) Did you hear that everyone? 10 years ago. So this is something that in his 36 years of dentistry, he did 26 years. I also think people need to realize they sometimes feel like they're too old to open up multiple practices. They feel they're too far in their career. They needed to do this earlier. So I hope people are hearing your timeline of 26 years solo practice and now 10 years making five practices, but also there is a timeline around that. So continue please. But I just want to highlight, this was not an overnight thing for you either.   Dr Robert DiPilla (29:23.5) Years ago, Yeah. Single practice.   Dr Robert DiPilla (29:51.054) It's not. I'll go back and I'll tell you the reason why for that. And for me, like I said, going to New York, I wanted to be the best. I wanted to be that celebrity dentist. And when I came back to Michigan, I centered everything around me. People came, they flew in from out of state to see me. And one of the things, I can't scale me. And one of the things that I have to open up   Kiera Dent (30:12.63) Yeah.   Dr Robert DiPilla (30:20.174) the offices and kind of passed the baton to my other associates. So, you for me, that was like the biggest thing is the key is letting go. And like I said, we had a summit meeting two weeks ago. And like I said, I had five employees in one practice. Now I have five practices with close to 70 employees. You may say, my God, how do you do that? I hire smart people smarter than me.   Kiera Dent (30:43.082) Yeah   Dr Robert DiPilla (30:49.79) to do that. I have a great CFO. I have a great regional manager and I have great office managers. And one of the biggest things that we, we constant, constant role play a lot of the things that we do in the office. And why is that important? One of the things that we did when COVID happened, before we opened up, we had a month where we did Zoom calls.   like this, and we did a role play because when patients come back, they're gonna have questions. And what are we doing to protect them and ourselves? And it was really important for the front desk, it was really important for our managers, hygienists and assistants to make sure we're getting our message across. One of the things that I never wanna hear on the phone is if a patient asked a question,   and our front desk, our personal, I don't know. I don't know what we're doing. So, you to me, it's just having those questions answered. And what we did is I call it the kind of the soft opening, like what a restaurant would do before they opened up fully, they would kind of, you know, bring in some of their guests or their family members to have a soft opening. So that's what we usually do from that. But the main thing, you for me,   Kiera Dent (31:51.997) That's   Dr Robert DiPilla (32:15.112) is I just hire great people that are around me that will integrate the vision that I have. So there's a great book and I highly, highly recommend for dentists. And I know Gina Whitman very well, it's called Traction. I don't know if you've heard the book or. And it's amazing. And then the follow-up book is Rocket Fuel.   Kiera Dent (32:33.75) We are diehard traction people. We help offices with it. It is incredible. Yes.   Kiera Dent (32:41.903) Amen. When you were talking about integrator, was like, he's a visionary needs the integrator. Did you, did you hire?   Dr Robert DiPilla (32:45.198) I'm the 100%. I mean, for me, I'm definitely the visionary. know what I want to see. And then my CFL is the integrator. I have so bad ADD, I'm like, don't squirrel. Okay, what happened over here? No, no, no, no, get on track. We gotta do this. So for me, like.   Kiera Dent (32:57.848) you   Kiera Dent (33:03.382) How did you find your CFO integrator? you go through one of Traction's hiring things? Did you find them through? How did you find that integrator? Because I think that's such a key piece in growth. How did you find yours?   Dr Robert DiPilla (33:14.572) Well, luckily she was with us and within the company and we just hired up for her. She just went from low level to higher hiring and she got it. She understood the whole process. mean, when she read the book, she, I mean, my God, this is the missing piece for us. And I love that, that passion that she has for that and then just kind of put everything together. So I was very fortunate in that respect. But when we do our hiring,   Kiera Dent (33:21.462) amazing.   Kiera Dent (33:32.118) Yeah.   Dr Robert DiPilla (33:43.746) We hire within our culture and who we are. And sometimes it's difficult to do that. We did that right after COVID because some people didn't feel like they wanted to come back or didn't feel safe to come back as far as some employees, which is fine. And there was a shortage of dental assistants and hygienists wasn't an issue for us. It was more assistance. And I hate to say that we hired people that weren't the right fit.   Kiera Dent (34:08.97) Mm-hmm.   Dr Robert DiPilla (34:13.71) And I'm going to tell you that was a big mistake because it's going to take you longer to find another person. So I'd have no one. do it myself compared to not have the same, the right person that would fit in our culture.   Kiera Dent (34:29.974) I agree. That's wise wisdom. And I think so many people get desperate. And I mean, I've done it. I think we've all done it, right? We've all made those hires and we're like, agreed with you. We'd rather wait it out till the right person comes through rather than doing those desperate hires. And I think it's   Dr Robert DiPilla (34:41.966) Yeah, it works out. And really works out. I'm a true believer that, I mean, there is a plan and you just kind of have to wait it out and it comes in because the same thing in our downtown Detroit office, we were waiting for someone and we thought someone, oh my God, she's going to be great. Oh my God, she's moving from Boston. She's going to come here. She's ran a periodontal office. Oh my God, we love her. And then got ghosted. Like what the hell happened? And then the next day,   Kiera Dent (35:07.38) Mm-hmm.   Dr Robert DiPilla (35:10.85) We got another resume. Lauren, I mean, amazing. I mean, just that blessing that comes through. So I think the best thing to do is just wait it out, hire within your culture. And if they don't fit, they're not the right team member for you.   Kiera Dent (35:28.916) I love that. Dr. DiPilla, something I have found so fascinating with our podcast today, just so appreciative. I feel you have wisdom. And I think wisdom oftentimes lacks. And I think it comes from experience. I think you've learned from the things that you've done. I'm not saying you're old. I'm saying that I hear wisdom from you. And I think you had this wisdom even when you first started your career. I think you learned things. But I feel you lived your own.   Dr Robert DiPilla (35:42.114) You're saying I'm   Kiera Dent (35:56.438) I feel like you grew because you wanted to grow, not because you felt like you needed to. I feel like you waited when I'm sure a lot of your other colleagues were building multi-practices and you're like, this is what I'm enjoying doing. And what I've heard is as you've shifted and morphed throughout your career and the way you've presented it, it sounds like you've done it based on intrigue and curiosity and things that still keep the passion within you. And I feel like...   You're a great example of someone who can be practicing dentistry for 36 years and still have passion, fire and fuel behind it, rather than the what I see a lot of right now of burnout. And I was trying to put the pieces together as we were chatting and I'm like, I think honest to goodness, you've done everything because it was a passion and a curiosity and it fueled you rather than drained you. And I also really love that   you believe that there's a higher path for you. Like you said, it's just because one door is closing, it means the other door is opening, but that door is not quite ready yet. So be okay with this door closing. But that would how I would summarize you. Obviously, please fill in any gaps I may have missed. But I think that that's so refreshing to hear that I think a lot of us can take stock in and learn from you as well.   Dr Robert DiPilla (36:49.806) 100%.   Dr Robert DiPilla (37:05.474) Wow, well, thank you for that. That's, thank you. But for me, right now, I think it's important to, like I said, pass the baton to my other dentist and kind of elevate them as much as possible. And I think if you're in a group practice or if you're in a single practice, sometimes we live on our own little island and you don't know where to do. would...   Kiera Dent (37:10.197) You're welcome.   Dr Robert DiPilla (37:31.66) get a couple of your friends, colleagues, whatever, just go out to a restaurant, hang out and kind of talk your story. Because we're all in it and we all go through the same things. And maybe I'm blessed with mental resiliency, I don't know. I mean, there's a lot of things that are kind of thrown at you. But for me, for my upbringing, mean, things bother me, don't get me wrong, I am human.   But I know that my purpose is stronger than the noise that hear that's behind me. And for me, where am I going to go from here? What's the next 10 years look like? And For me, my legacy and what I want to hear is that when I'm long gone and a patient goes to another dentist and says, hey, who's your other dentist? And I say, well, I went to DiPilla All I want to hear is that, you know what?   Yes, I heard great people. That's all I want to hear. You went to one of the best. That's it. That's all I want to hear. I mean, I that's my legacy is that make sure that we as a group, as a team or organization, we've done the right thing by you and also by the the patients and also our team too. We got to take care of our the team that supports us very,   Kiera Dent (38:54.25) That's beautiful. And I think as you said that I think maybe a takeaway from today would be figure out the legacy that you want to leave. think that that legacy, just did a mastermind group with some people in person and I had them write when they were, you know, I didn't give them an age. I just said, when you're sitting back looking at your life, what do want to feel? What do you want to experience? And what do you want it to be said about you?   And it was crazy because people started making different decisions in that moment because the legacy of who they want to be and what they want to leave behind radically shifts what you're doing today. And I think that that's a beautiful takeaway from today. I have loved our conversation. I thoroughly enjoy you as a human. I think you're just doing a beautiful work, an example of keeping the passion alive in dentistry and doing great things no matter what's going on. any last thoughts you have, how can people connect with you?   Dr Robert DiPilla (39:34.926) Thank you.   Dr Robert DiPilla (39:44.238) I think for anyone guys who have been graduating, this is like the best time to be a dentist. I mean, I'm so excited. mean, the technology is amazing. Things that we used to do before and we can do now, digital workflow, 3D printing, AI, it's amazing. So, for me, I go into work every day. I'm very passionate what we need to do. But for me,   It's time for me to kind of like maybe work maybe in the chair once or twice a week and then work on the business. And that's where I'm more passionate about as well. And then kind of like I said, elevating everybody else. But once again, this has been a real, real pleasure and I can see your passion as well and much, success for yourself.   Kiera Dent (40:28.682) Likewise, thank you so much for joining today, Dr. Tafilla. I hope everybody who's listened takes away a few golden nuggets and gems because I really do believe there was so much value and wisdom in this podcast today. I think that there's so much beauty. love podcasting with people like yourself that are just so optimistic of the future. So thank you for joining us and for all of you listening. Yes.   Dr Robert DiPilla (40:49.816) My pleasure.   Kiera Dent (40:53.78) All of you listening, thank you for joining us. And as always, thanks for listening. I'll catch you next time on the Dental A Team Podcast.  

Upper West Side, Mughlai Indian restaurant, Eagle Court, 84th between Broadway and Amsterdam, Alana and Daryl love Indian food, John Scully and Daryl played cribbage in college, Cribbage simply a card game, Board is just a scoreboard, Milo loved cribbage, Maybe a thousand games of cribbage with Milo, Milo liked sports video games, FIFA, Madden, NBA2K, Milo preferred a board game, Catan, Better strategist would win more often over time, Over time Milo would beat me more often than I would beat him, Video games don't require strategy the same way, Cards were always interesting to Milo, Probability and statistics, Card games quiet, Meditative component, With the Nachsins in Ocean City, Monopoly with the Nachsins, Milo and Daryl played cribbage, Milo never declined to play, Cribbage sounds like bridge, but is very simple, Milo and Daryl played at Sloan Kettering regularly, A few nurses at Sloan Kettering like cribbage, Brant Sistrom, Father and dear friend Milo died one after the other, Brant, like Milo, loved cribbage and Catan, Daryl and Brant have played cribbage together, Daryl warns Brant that he's gunning for him, Daryl invites others to play cribbage and to come to him for instruction, Great tribute to Milo, The Idea of Machines

This is a Vintage selection from 2007The BanterThe Guys discuss a new breakfast treat and questionable reviewer tactics.The ConversationThe Restaurant Guys have chef Michael Psilakis on the show to talk about earning a Michelin star for Anthos, the first Greek restaurant outside of Greece to achieve that. Hear about the passion, dedication and a dark day that changed a front of the house guy into a world-renowned chef.The Inside TrackThe Guys appreciate Michael's obsession with excellence and his quest to find staff that feels the same. He shares an interview question.“ When I'm talking to young cooks coming in, what do you like to do? There's only one right answer. And if, if you don't love to cook, if you don't think about it when you're in the toilet in the morning, taking a shower, doing your daily chores, if it's not about food 24/7, then how the hell are you gonna be able to compete at this level?” Michael Psilakis on The Restaurant Guys Podcast 2007BioMichael Psilakis is an American celebrity chef, author, and restaurateur.The same space on the Upper West Side, Manhattan has been home to many of his restaurants including Onera, Kefi, Gus & Gabriel Gastropub, Fishtag followed by Kefi returning to this same location. Michael owned and operated MP Taverna in Queens.For his work at Anthos, Psilakis was named Esquire magazine's Chef of the Year in 2006. In 2007, he received a Michelin Star for Anthos. In 2008 he was named Bon Appétit's Chef of the Year.He is best known for his Greek cuisine and appearances on television shows including Ultimate Recipe Showdown, Iron Chef America, The Best Thing I Ever Ate and No Kitchen Required. Michael served as a judge on Ultimate Recipe Showdown and was twice a contestant on Iron Chef America. InfoMP Taverna (Michael's current restaurant)https://www.mptaverna.com/Come see The Restaurant Guys LIVE with Chef Scott Conant at the New Brunswick Performing Arts Center on Thursday, April 17! VIP tickets include a Meet & Greet After-Party with Chef Scott Conant after the show. Restaurant Guys Regulars get a discount so subscribe here https://www.buzzsprout.com/2401692/subscribe Get tickets at https://secure.nbpac.org/scott-conant. Our Sponsors The Heldrich Hotel & Conference Centerhttps://www.theheldrich.com/ Magyar Bankhttps://www.magbank.com/ Withum Accountinghttps://www.withum.com/ Our Places Stage Left Steakhttps://www.stageleft.com/ Catherine Lombardi Restauranthttps://www.catherinelombardi.com/ Stage Left Wineshophttps://www.stageleftwineshop.com/ To hear more about food, wine and the finer things in life:https://www.instagram.com/restaurantguyspodcast/https://www.facebook.com/restaurantguysReach Out to The Guys!TheGuys@restaurantguyspodcast.com**Become a Restaurant Guys Regular and get two bonus episodes per month, bonus content and Regulars Only events.**Click Below! https://www.buzzsprout.com/2401692/subscribe

By Walt HickeyDouble feature today!Welcome to the Numlock Sunday edition.This week, I spoke to Alissa Wilkinson who is out with the brand new book, We Tell Ourselves Stories: Joan Didion and the American Dream Machine.I'm a huge fan of Alissa, she's a phenomenal critic and I thought this topic — what happens when one of the most important American literary figures heads out to Hollywood to work on the most important American medium — is super fascinating. It's a really wonderful book and if you're a longtime Joan Didion fan or simply a future Joan Didion fan, it's a look at a really transformative era of Hollywood and should be a fun read regardless.Alissa can be found at the New York Times, and the book is available wherever books are sold.This interview has been condensed and edited. All right, Alissa, thank you so much for coming on.Yeah, thanks for having me. It's good to be back, wherever we are.Yes, you are the author of We Tell Ourselves Stories: Joan Didion and the American Dream Machine. It's a really exciting book. It's a really exciting approach, for a Joan Didion biography and placing her in the current of American mainstream culture for a few years. I guess just backing out, what got you interested in Joan Didion to begin with? When did you first get into her work?Joan Didion and I did not become acquainted, metaphorically, until after I got out of college. I studied Tech and IT in college, and thus didn't read any books, because they don't make you read books in school, or they didn't when I was there. I moved to New York right afterward. I was riding the subway. There were all these ads for this book called The Year of Magical Thinking. It was the year 2005, the book had just come out. The Year of Magical Thinking is Didion's National Book Award-winning memoir about the year after her husband died, suddenly of a heart attack in '03. It's sort of a meditation on grief, but it's not really what that sounds like. If people haven't read it's very Didion. You know, it's not sentimental, it's constantly examining the narratives that she's telling herself about grief.So I just saw these ads on the walls. I was like, what is this book that everybody seems to be reading? I just bought it and read it. And it just so happened that it was right after my father, who was 46 at the time, was diagnosed with a very aggressive leukemia, and then died shortly thereafter, which was shocking, obviously. The closer I get to that age, it feels even more shocking that he was so young. I didn't have any idea how to process that emotion or experience. The book was unexpectedly helpful. But it also introduced me to a writer who I'd never read before, who felt like she was looking at things from a different angle than everyone else.Of course, she had a couple more books come out after that. But I don't remember this distinctly, but probably what happened is I went to some bookstore, The Strand or something, and bought The White Album and Slouching Towards Bethlehem off the front table as everyone does because those books have just been there for decades.From that, I learned more, starting to understand how writing could work. I didn't realize how form and content could interact that way. Over the years, I would review a book by her or about her for one publication or another. Then when I was in graduate school, getting my MFA in nonfiction, I wrote a bit about her because I was going through a moment of not being sure if my husband and I were going to stay in New York or we were going to move to California. They sort of obligate you to go through a goodbye to all that phase if you are contemplating that — her famous essay about leaving New York. And then, we did stay in New York City. But ultimately, that's 20 years of history.Then in 2020, I was having a conversation (that was quite-early pandemic) with my agent about possible books I might write. I had outlined a bunch of books to her. Then she was like, “These all sound like great ideas. But I've always wanted to rep a book on Joan Didion. So I just wanted to put that bug in your ear.” I was like, “Oh, okay. That seems like something I should probably do.”It took a while to find an angle, which wound up being Didion in Hollywood. This is mostly because I realized that a lot of people don't really know her as a Hollywood figure, even though she's a pretty major Hollywood figure for a period of time. The more of her work I read, the more I realized that her work is fruitfully understood as the work of a woman who was profoundly influenced by (and later thinking in terms of Hollywood metaphors) whether she was writing about California or American politics or even grief.So that's the long-winded way of saying I wasn't, you know, acquainted with her work until adulthood, but then it became something that became a guiding light for me as a writer.That's really fascinating. I love it. Because again I think a lot of attention on Didion has been paid since her passing. But this book is really exciting because you came at it from looking at the work as it relates to Hollywood. What was Didion's experience in Hollywood? What would people have seen from it, but also, what is her place there?The directly Hollywood parts of her life start when she's in her 30s. She and her husband — John Gregory Dunn, also a writer and her screenwriting partner — moved from New York City, where they had met and gotten married, to Los Angeles. John's brother, Nick Dunn later became one of the most important early true crime writers at Vanity Fair, believe it or not. But at the time, he was working as a TV producer. He and his wife were there. So they moved to Los Angeles. It was sort of a moment where, you know, it's all well and good to be a journalist and a novelist. If you want to support yourself, Hollywood is where it's at.So they get there at a moment when the business is shifting from these big-budget movies — the Golden Age — to the new Hollywood, where everything is sort of gritty and small and countercultural. That's the moment they arrive. They worked in Hollywood. I mean, they worked literally in Hollywood for many years after that. And then in Hollywood even when they moved back to New York in the '80s as screenwriters still.People sometimes don't realize that they wrote a bunch of produced screenplays. The earliest was The Panic in Needle Park. Obviously, they adapted Didion's novel Play It As It Lays. There are several others, but one that a lot of people don't realize they wrote was the version of A Star is Born that stars Barbra Streisand and Kris Kristofferson. It was their idea to shift the Star is Born template from Hollywood entities to rock stars. That was their idea. Of course, when Bradley Cooper made his version, he iterated on that. So their work was as screenwriters but also as figures in the Hollywood scene because they were literary people at the same time that they were screenwriters. They knew all the actors, and they knew all the producers and the executives.John actually wrote, I think, two of the best books ever written on Hollywood decades apart. One called The Studio, where he just roamed around on the Fox backlot. For a year for reasons he couldn't understand, he got access. That was right when the catastrophe that was Dr. Doolittle was coming out. So you get to hear the inside of the studio. Then later, he wrote a book called Monster, which is about their like eight-year long attempt to get their film Up Close and Personal made, which eventually they did. It's a really good look at what the normal Hollywood experience was at the time: which is like: you come up with an idea, but it will only vaguely resemble the final product once all the studios get done with it.So it's, it's really, that's all very interesting. They're threaded through the history of Hollywood in that period. On top of it for the book (I realized as I was working on it) that a lot of Didion's early life is influenced by especially her obsession with John Wayne and also with the bigger mythology of California and the West, a lot of which she sees as framed through Hollywood Westerns.Then in the '80s, she pivoted to political reporting for a long while. If you read her political writing, it is very, very, very much about Hollywood logic seeping into American political culture. There's an essay called “Inside Baseball” about the Dukakis campaign that appears in Political Fictions, her book that was published on September 11, 2001. In that book, she writes about how these political campaigns are directed and set up like a production for the cameras and how that was becoming not just the campaign, but the presidency itself. Of course, she had no use for Ronald Reagan, and everything she writes about him is very damning. But a lot of it was because she saw him as the embodiment of Hollywood logic entering the political sphere and felt like these are two separate things and they need to not be going together.So all of that appeared to me as I was reading. You know, once you see it, you can't unsee it. It just made sense for me to write about it. On top of it, she was still alive when I was writing the proposal and shopping it around. So she actually died two months after we sold the book to my publisher. It meant I was extra grateful for this angle because I knew there'd be a lot more books on her, but I wanted to come at it from an angle that I hadn't seen before. So many people have written about her in Hollywood before, but not quite through this lens.Yeah. What were some things that you discovered in the course of your research? Obviously, she's such an interesting figure, but she's also lived so very publicly that I'm just super interested to find out what are some of the things that you learned? It can be about her, but it can also be the Hollywood system as a whole.Yeah. I mean, I didn't interview her for obvious reasons.Understandable, entirely understandable.Pretty much everyone in her life also is gone with the exception really of Griffin Dunn, who is her nephew, John's nephew, the actor. But other than that, it felt like I needed to look at it through a critical lens. So it meant examining a lot of texts. A lot of Didion's magazine work (which was a huge part of her life) is published in the books that people read like Slouching Towards Bethlehem and The White Album and all the other books. What was interesting to me was discovering (I mean, not “discovering” because other people have read it) that there is some work that's not published and it's mostly her criticism.Most of that criticism was published in the late '50s and the early '60s when she was living in New York City, working at Vogue and trying to make it in the literary scene that was New York at that time, which was a very unique place. I mean, she was writing criticism and essays for both, you know, like National Review and The Nation at the same time, which was just hard to conceive of today. It was something you'd do back then. Yeah, wild stuff.A lot of that criticism was never collected into books. The most interesting is that she'd been working at Vogue for a long time in various positions, but she wound up getting added to the film critic column at Vogue in, '62, I want to say, although I might have that date slightly off. She basically alternated weeks with another critic for a few years, writing that until she started writing in movies proper. It's never a great idea to be a critic and a screenwriter at the same time.Her criticism is fascinating. So briefly, for instance, she shared that column with Pauline Kael. Pauline Kael became well known after she wrote about Bonnie and Clyde. This was prior to that. This is several years prior to that. They also hated each other for a long time afterward, which is funny, because, in some ways, their style is very different but their persona is actually very similar. So I wonder about that.But in any case, even when she wasn't sharing the column with Pauline Kael, it was a literal column in a magazine. So it's like one column of text, she can say barely anything. She was always a bit of a contrarian, but she was actively not interested in the things that were occupying New York critics at the time. Things like the Auteur Theory, what was happening in France, the downtown scene and the Shirley Clark's of the world. She had no use for it. At some point, she accuses Billy Wilder of having really no sense of humor, which is very funny.When you read her criticism, you see a person who is very invested in a classical notion of Hollywood as a place that shows us fantasies that we can indulge in for a while. She talks in her very first column about how she doesn't really need movies to be masterpieces, she just wants them to have moments. When she says moments, she means big swelling things that happen in a movie that make her feel things.It's so opposite, I think, to most people's view of Didion. Most people associate her with this snobbish elitism or something, which I don't think is untrue when we're talking about literature. But for her, the movies were like entertainment, and entering that business was a choice to enter that world. She wasn't attempting to elevate the discourse or something.I just think that's fascinating. She also has some great insights there. But as a film critic, I find myself disagreeing with most of her reviews. But I think that doesn't matter. It was more interesting to see how she conceived of the movies. There is a moment later on, in another piece that I don't think has been republished anywhere from the New York Review of Books, where she writes about the movies of Woody Allen. She hates them. It's right at the point where he's making like Manhattan and Annie Hall, like the good stuff. She just has no use for them. It's one of the funniest pieces. I won't spoil the ending because it's hilarious, and it's in the book.That writing was of huge interest to me and hasn't been republished in books. I was very grateful to get access to it, in part because it is in the archives — the electronic archives of the New York Public Library. But at the time, the library was closed. So I had to call the library and have a librarian get on Zoom with me for like an hour and a half to figure out how I could get in the proverbial back door of the library to get access while the library wasn't open.That's magnificent. That's such a cool way to go to the archives because some stuff just hasn't been published. If it wasn't digitized, then it's not digitized. That's incredible.Yeah, it's there, but you can barely print them off because they're in PDFs. They're like scanned images that are super high res, so the printer just dies when you try to print them. It's all very fascinating. I hope it gets republished at some point because I think there's enough interest in her work that it's fascinating to see this other aspect of her taste and her persona.It's really interesting that she seems to have wanted to meet the medium where it is, right? She wasn't trying to literary-up Hollywood. I mean, LA can be a bit of a friction. It's not exactly a literary town in the way that some East Coast metropolises can be. It is interesting that she was enamored by the movies. Do you want to speak about what things were like for her when she moved out?Yeah, it is funny because, at the same time, the first two movies that they wrote and produced are The Panic in Needle Park, which is probably the most new Hollywood movie you can imagine. It's about addicts at Needle Park, which is actually right where the 72nd Street subway stop is on the Upper West Side. If people have been there, it's hard to imagine. But that was apparently where they all sat around, and there were a lot of needles. It's apparently the first movie supposedly where someone shoots up live on camera.So it was the '70s. That's amazing.Yes, and it launched Al Pacino's film career! Yeah, it's wild. You watch it and you're just like, “How is this coming from the woman who's about all this arty farty stuff in the movies.” And Play It As It Lays has a very similar, almost avant-garde vibe to it. It's very, very interesting. You see it later on in the work that they made.A key thing to remember about them (and something I didn't realize before I started researching the book)was that Didion and Dunn were novelists who worked in journalism because everybody did. They wrote movies, according to them (you can only go off of what they said. A lot of it is John writing these jaunty articles. He's a very funny writer) because “we had tuition and a mortgage. This is how you pay for it.”This comes up later on, they needed to keep their WGA insurance because John had heart trouble. The best way to have health insurance was to remain in the Writers Guild. Remaining in the Writers Guild means you had to have a certain amount of work produced through union means. They were big union supporters. For them this was not, this was very strictly not an auteurist undertaking. This was not like, “Oh, I'm gonna go write these amazing screenplays that give my concept of the world to the audience.” It's not like Bonnie and Clyding going on here. It's very like, “We wrote these based on some stories that we thought would be cool.”I like that a lot. Like the idea that A Star is Born was like a pot boiler. That's really delightful.Completely. It was totally taken away from them by Streisand and John Peters at some point. But they were like, “Yeah, I mean, you know, it happens. We still got paid.”Yeah, if it can happen to Superman, it can happen to you.It happens to everybody, you know, don't get too precious about it. The important thing is did your novel come out and was it supported by its publisher?So just tracing some of their arcs in Hollywood. Obviously, Didion's one of the most influential writers of her generation, there's a very rich literary tradition. Where do we see her footprint, her imprint in Hollywood? What are some of the ways that we can see her register in Hollywood, or reverberate outside of it?In the business itself, I don't know that she was influential directly. What we see is on the outside of it. So a lot of people were friends. She was like a famous hostess, famous hostess. The New York Public Library archives are set to open at the end of March, of Didion and Dunn's work, which was like completely incidental to my publication date. I just got lucky. There's a bunch of screenplays in there that they worked on that weren't produced. There's also her cookbooks, and I'm very excited to go through those and see that. So you might meet somebody there.Her account of what the vibe was when the Manson murders occurred, which is published in her essay The White Album, is still the one people talk about, even though there are a lot of different ways to come at it. That's how we think about the Manson murders: through her lens. Later on, when she's not writing directly about Hollywood anymore (and not really writing in Hollywood as much) but instead is writing about the headlines, about news events, about sensationalism in the news, she becomes a great media critic. We start to see her taking the things that she learned (having been around Hollywood people, having been on movie sets, having seen how the sausage is made) and she starts writing about politics. In that age, it is Hollywood's logic that you perform for the TV. We have the debates suddenly becoming televised, the conventions becoming televised, we start to see candidates who seem specifically groomed to win because they look good on TV. They're starting to win and rule the day.She writes about Newt Gingrich. Of course, Gingrich was the first politician to figure out how to harness C-SPAN to his own ends — the fact that there were TV cameras on the congressional floor. So she's writing about all of this stuff at a time when you can see other people writing about it. I mean, Neil Postman famously writes about it. But the way Didion does it is always very pegged to reviewing somebody's book, or she's thinking about a particular event, or she's been on the campaign plane or something like that. Like she's been on the inside, but with an outsider's eye.That also crops up in, for instance, her essays. “Sentimental Journeys” is one of her most famous ones. That one's about the case of the Central Park Five, and the jogger who was murdered. Of course, now, we're many decades out from that, and the convictions were vacated. We know about coerced confessions. Also Donald Trump arrives in the middle of that whole thing.But she's actually not interested in the guilt or innocence question, because a lot of people were writing about that. She's interested in how the city of New York and the nation perform themselves for themselves, seeing themselves through the long lens of a movie and telling themselves stories about themselves. You see this over and over in her writing, no matter what she's writing about. I think once she moved away from writing about the business so much, she became very interested in how Hollywood logic had taken over American public life writ large.That's fascinating. Like, again, she spends time in the industry, then basically she can only see it through that lens. Of course, Michael Dukakis in a tank is trying to be a set piece, of course in front of the Berlin Wall, you're finally doing set decoration rather than doing it outside of a brick wall somewhere. You mentioned the New York thing in Performing New York. I have lived in the city for over a decade now. The dumbest thing is when the mayor gets to wear the silly jacket whenever there's a snowstorm that says “Mr. Mayor.” It's all an act in so many ways. I guess that political choreography had to come from somewhere, and it seems like she was documenting a lot of that initial rise.Yeah, I think she really saw it. The question I would ask her, if I could, is how cognizant she was that she kept doing that. As someone who's written for a long time, you don't always recognize that you have the one thing you write about all the time. Other people then bring it up to you and you're like, “Oh, I guess you're right.” Even when you move into her grief memoir phase, which is how I think about the last few original works that she published, she uses movie logic constantly in those.I mean, The Year of Magical Thinking is a cyclical book, she goes over the same events over and over. But if you actually look at the language she's using, she talks about running the tape back, she talks about the edit, she talks about all these things as if she's running her own life through how a movie would tell a story. Maybe she knew very deliberately. She's not a person who does things just haphazardly, but it has the feeling of being so baked into her psyche at this point that she would never even think of trying to escape it.Fascinating.Yeah, that idea that you don't know what you are potentially doing, I've thought about that. I don't know what mine is. But either way. It's such a cool way to look at it. On a certain level, she pretty much succeeded at that, though, right? I think that when people think about Joan Didion, they think about a life that freshens up a movie, right? Like, it workedVery much, yeah. I'm gonna be really curious to see what happens over the next 10 years or so. I've been thinking about figures like Sylvia Plath or women with larger-than-life iconography and reputation and how there's a constant need to relook at their legacies and reinvent and rethink and reimagine them. There's a lot in the life of Didion that I think remains to be explored. I'm really curious to see where people go with it, especially with the opening of these archives and new personal information making its way into the world.Yeah, even just your ability to break some of those stories that have been locked away in archives out sounds like a really exciting addition to the scholarship. Just backing out a little bit, we live in a moment in which the relationship between pop culture and political life is fairly directly intertwined. Setting aside the steel-plated elephant in the room, you and I are friendly because we bonded over this idea that movies really are consequential. Coming out of this book and coming out of reporting on it, what are some of the relevances for today in particular?Yeah, I mean, a lot more than I thought, I guess, five years ago. I started work on the book at the end of Trump One, and it's coming out at the beginning of Trump Two, and there was this period in the middle of a slightly different vibe. But even then I watch TikTok or whatever. You see people talk about “main character energy” or the “vibe shift” or all of romanticizing your life. I would have loved to read a Didion essay on the way that young people sort of view themselves through the logic of the screens they have lived on and the way that has shaped America for a long time.I should confirm this, I don't think she wrote about Obama, or if she did, it was only a little bit. So her political writing ends in George W. Bush's era. I think there's one piece on Obama, and then she's writing about other things. It's just interesting to think about how her ideas of what has happened to political culture in America have seeped into the present day.I think the Hollywood logic, the cinematic logic has given way to reality TV logic. That's very much the logic of the Trump world, right? Still performing for cameras, but the cameras have shifted. The way that we want things from the cameras has shifted, too. Reality TV is a lot about creating moments of drama where they may or may not actually exist and bombarding you with them. I think that's a lot of what we see and what we feel now. I have to imagine she would think about it that way.There is one interesting essay that I feel has only recently been talked about. It's at the beginning of my book, too. It was in a documentary, and Gia Tolentino wrote about it recently. It's this essay she wrote in 2000 about Martha Stewart and about Martha Stewart's website. It feels like the 2000s was like, “What is this website thing? Why are people so into it?” But really, it's an essay about parasocial relationships that people develop (with women in particular) who they invent stories around and how those stories correspond to greater American archetypes. It's a really interesting essay, not least because I think it's an essay also about people's parasocial relationships with Joan Didion.So the rise of her celebrity in the 21st century, where people know who she is and carry around a tote bag, but don't really know what they're getting themselves into is very interesting to me. I think it is also something she thought about quite a bit, while also consciously courting it.Yeah, I mean, that makes a ton of sense. For someone who was so adept at using cinematic language to describe her own life with every living being having a camera directly next to them at all times. It seems like we are very much living in a world that she had at least put a lot of thought into, even if the technology wasn't around for her to specifically address it.Yes, completely.On that note, where can folks find the book? Where can folks find you? What's the elevator pitch for why they ought to check this out? Joan Didion superfan or just rather novice?Exactly! I think this book is not just for the fans, let me put it that way. Certainly, I think anyone who considers themselves a Didion fan will have a lot to enjoy here. The stuff you didn't know, hadn't read or just a new way to think through her cultural impact. But also, this is really a book that's as much for people who are just interested in thinking about the world we live in today a little critically. It's certainly a biography of American political culture as much as it is of Didion. There's a great deal of Hollywood history in there as well. Thinking about that sweep of the American century and change is what the book is doing. It's very, very, very informed by what I do in my day job as a movie critic at The New York Times. Thinking about what movies mean, what do they tell us about ourselves? I think this is what this book does. I have been told it's very fun to read. So I'm happy about that. It's not ponderous at all, which is good. It's also not that long.It comes out March 11th from Live Right, which is a Norton imprint. There will be an audiobook at the end of May that I am reading, which I'm excited about. And I'll be on tour for a large amount of March on the East Coast. Then in California, there's a virtual date, and there's a good chance I'll be popping up elsewhere all year, too. Those updates will be on my social feeds, which are all @alissawilkinson on whatever platform except X, which is fine because I don't really post there anymore.Alyssa, thank you so much for coming on.Thank you so much.Edited by Crystal Wang.If you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

One woman is dead, another in critical condition in a fire on the Upper West Side...A woman and her 7-year-old son found dead in apartment in Brooklyn....Border czar Tom Homan tells Hochul to help or step out of the way full 532 Thu, 13 Mar 2025 10:17:25 +0000 87QmjmGJnxzQg6VPG7JkhMfIq5KUpHNy news 1010 WINS ALL LOCAL news One woman is dead, another in critical condition in a fire on the Upper West Side...A woman and her 7-year-old son found dead in apartment in Brooklyn....Border czar Tom Homan tells Hochul to help or step out of the way The podcast is hyper-focused on local news, issues and events in the New York City area. This podcast's purpose is to give New Yorkers New York news about their neighborhoods and shine a light on the issues happening in their backyard. 2024 © 2021 Audacy, Inc.

Daniel & Harry catch up with director & co-writer Daniel Robbins to talk about his new film, Bad Shabbos. They talk about the origins of the film, authentically portraying a Shabbat meal on the Upper West Side, and discuss working with the film's incredible cast. Finally, they pitch a few stretches to him about aspects of the film and manage to get the answers straight from the source!The film is playing at the 30th Annual Seattle Jewish Film Festival on April 5th as part of its closing night ceremony.Bad Shabbos Tickets at Seattle Jewish Film FestivalBad Shabbos Movie TrailerBad Shabbos on IMDbConnect with Jews on Film online:Jews on Film Merch - https://jews-on-film.printify.me/productsInstagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpodRead less

For this special Dominican Independence Day episode of #LatinosOutLoud, @RachelLaLoca met with fellow Quisqueyano, Jeff Garcia, Executive Director Mayor's Office of Nightlife & NYC Department of Small Business Services. The two were welcomed by one of NYC's 26,000 restaurant owners, Jay Espinal of Tasca on the Upper West Side to chat it up barside. If you or someone you know is a small business owner in NYC, you will want to hear this episode start to finish. Jeff shares lots of valuable information, including tons of helpful resources for business owners! Jeff also shares the story of his rough childhood, becoming a NYC undercover detective, business owner, philanthropist and how he's attained the title MAYOR OF NYC NIGHTLIFE! Follow the Office of Nightlife Follow Small Business Services Follow Rachel And follow the yellow brick road while you're at it! AND - don't forget about this Saturday's LIVE Comedy show! Whether you're in NYC or not, you can join us in person or via LIVE STREAM! #HERlarious is back and for the second year in a row, part of the @knockoutsfestival 

Upper West Side, Studio A, Henry's room, Alana, Max, and Daryl old stomping ground, Spending time with Dave and Lisa in Southern California, Indian Wells, Palm Springs, What else will we do in LA?, Lisa's Los Angeles friends remain normal, Great produce in LA, Erewhon grocery store, Waymo self-driving cars, Like there's a ghost driving the car, No need to wait for a human, Just an app and a machine driving, Smoothest turns conceivable, Luddite Daryl will report back on Waymo, Dave Hillman angle to Bleeder, Dave used to live on 6th Avenue, Ray Mercer boxing match, Marc Rosenthal was there as well, Max Kellerman, ESPN announcer, Public Access Television in New York City, Cooking with the Hook, Max on Boxing, Show started as WFAN was just getting started, Max would take callers, Dave and Daryl have broadcasting interest, Dave as Big Al from Queens, Bleedahs and tomato cans, Sounds like Grandpa Irwin, Milo loved he idea of Dave calling Max Kellerman with an obviously fake accent, Vito Antuofermo as a big bleeder, Grandma Terry might pronounce bleeder that way, too, Milo thought Dave was very funny, Dave and Milo had a wonderful relationship, even when Milo was treating, Milo always appreciated Dave's humor. 

In Case No. 1:24-cv-08812, filed on November 19, 2024, in the Southern District of New York, the plaintiff, identified as John Doe, alleges that in October 2001, he was lured to New York City under the pretense of auditioning for a role as a police officer in a music video. After coordinating with a female casting director, he traveled to Manhattan, booking a room at the Hotel Newton on the Upper West Side. The following day, he was directed to a suite near the top of a hotel located on the south side of Central Park.The plaintiff claims that upon arrival, he was offered a Diet Coke that tasted unusual. Subsequently, he began to feel disoriented and lost consciousness. He alleges that he awoke to find Sean "Diddy" Combs sexually assaulting him, with Combs's bodyguard restraining his arms. After the assault, the plaintiff asserts that he fled the scene. The lawsuit seeks compensatory and punitive damages for the alleged assault, emphasizing a pattern of such behavior by Combs over the years, purportedly facilitated by various individuals and entities.(commercial at 8:42)to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.632028.1.0.pdfBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

In Case No. 1:24-cv-08812, filed on November 19, 2024, in the Southern District of New York, the plaintiff, identified as John Doe, alleges that in October 2001, he was lured to New York City under the pretense of auditioning for a role as a police officer in a music video. After coordinating with a female casting director, he traveled to Manhattan, booking a room at the Hotel Newton on the Upper West Side. The following day, he was directed to a suite near the top of a hotel located on the south side of Central Park.The plaintiff claims that upon arrival, he was offered a Diet Coke that tasted unusual. Subsequently, he began to feel disoriented and lost consciousness. He alleges that he awoke to find Sean "Diddy" Combs sexually assaulting him, with Combs's bodyguard restraining his arms. After the assault, the plaintiff asserts that he fled the scene. The lawsuit seeks compensatory and punitive damages for the alleged assault, emphasizing a pattern of such behavior by Combs over the years, purportedly facilitated by various individuals and entities.(commercial at 8:42)to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.632028.1.0.pdf

Upper West Side, Uneventful trip R to the 2, which went local, Great children's books, Daryl becoming emotional at the end of The Story of Ferdinand, Not preparing as a rule, to allow real emotion to appear, Lisa summarizes The Story of Ferdinand, Milo had some Ferdinand in him, Marched to the beat of his own drummer, Words at the end of The Story of Ferdinand caught Daryl off guard, I'm Still Here, Emotional reactions to art, Lisa calls back to an episode in which we discussed a harrowing weekend down the Jersey Shore with the Nachsin family, Kara Kramer, Erno Rubik and his Magic Cube, Kara wins another award, Ezra Jack Keats Foundation, Kara has noted that we should all be open to the full human experience, good and difficult, We have new glasses through which we see the world, From a horrific circumstance there is beauty in knowledge and understanding, Relationship with death changes as you get older, We all spend time thinking it's not going to happen, Distinction between fooling yourself and recognizing reality and finding joy despite it, Terrible things happen to people who don't deserve them, David Dimlich back in our lives, This is reality, tell me about your reality, as your friend, The purpose of art, I'm Still Here, Focus on the lead actress's face   

In this episode of TSFU Interviews, Fallon chats with Erin Riley, author of "A Dark Force: 20 Years with a Covert Narcissist". They talk about recognizing narcissistic abuse and ways to process and deal with it, as well as her adventures in and around the music business"!Celebrated music maven Erin Riley looked like she had it all: a 1960s Mad Men–style upbringing on Manhattan's Upper West Side, then an escape to “find herself” in glamorous 1970s Hollywood, where she landed some of the most influential positions of the 1980s music industry. She hung out with rock stars like Keith Richards, Steven Tyler, James Taylor, and Jon Bon Jovi and chose the hit records for America's #1 rock & roll radio station, WMMR-FM. But her colorful, raucous, rock & roll life hid dark secrets.An emotionally neglected child with a generational legacy of stoicism and hiding painful truths, Erin had no real experience with love and healthy relationships. The marriage she thought would be her happily-ever-after led to 20 years of confusion, heartbreak, anger, and betrayal, all fueled by a malignant covert narcissist.Erin's honest, searing memoir recounts her self-discovery journey through a series of life's traumas and tragedies, her many bad decisions, and two toxic marriages. Her story will bring insight and guidance to survivors of narcissistic abuse and those questioning their relationships, and the hope that they, like Erin, can find a joyous rock & roll redemption." - AmazonPlease check out Erin's website! You can purchase Erin's book on Amazon! Follow her on Instagram and Facebook!

Bill Maher and Two and a Half Men star Jon Cryer on border policies and media coverage, on how progressive issues influence elections, youth gender-affirming care, and social media “contagion” vs. authentic identity, how Jon grew up in a rough part of the Upper West Side, crime stories and colorful neighbors in 1970s–80s NYC, Jon's acting journey, the podcast Jon produced, The Man Who Calculated Death, Jon's on set experience with Charlie Sheen and how the show changed when Charlie relapsed, Elon Musk's contributions to electric vehicles and space exploration vs. controversies regarding Twitter/X and political stances and much more! Go to https://www.BLUE NILE.com and use code RANDOM for $50 OFF your purchase of $500 or more! Follow Club Random on IG: @ClubRandomPodcast Follow Bill on IG: @BillMaher Don't forget to subscribe to the podcast for free wherever you're listening or by using this link: https://bit.ly/ClubRandom Watch Club Random on YouTube: https://bit.ly/ClubRandomYouTube Learn more about your ad choices. Visit podcastchoices.com/adchoices